Kurt Vonnegut Love Quotes

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A purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.
Kurt Vonnegut Jr. (The Sirens of Titan)
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
And on the subject of burning books: I want to congratulate librarians, not famous for their physical strength or their powerful political connections or their great wealth, who, all over this country, have staunchly resisted anti-democratic bullies who have tried to remove certain books from their shelves, and have refused to reveal to thought police the names of persons who have checked out those titles. So the America I loved still exists, if not in the White House or the Supreme Court or the Senate or the House of Representatives or the media. The America I love still exists at the front desks of our public libraries.
Kurt Vonnegut Jr. (A Man Without a Country)
There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
And yet another moral occurs to me now: Make love when you can. It's good for you.
Kurt Vonnegut Jr. (Mother Night)
If somebody says 'I love you' to me, I feel as though I had a pistol pointed at my head. What can anybody reply under such conditions but that which the pistol holder requires? 'I love you, too'.
Kurt Vonnegut Jr. (Wampeters, Foma and Granfalloons)
There is love enough in this world for everybody, if people will just look.
Kurt Vonnegut Jr. (Cat’s Cradle)
Love is where you find it. I think it is foolish to go around looking for it, and I think it can be poisonous. I wish that people who are conventionally supposed to love each other would say to each other, when they fight, 'Please — a little less love, and a little more common decency'.
Kurt Vonnegut Jr. (Slapstick, or Lonesome No More!)
Americans... are forever searching for love in forms it never takes, in places it can never be. It must have something to do with the vanished frontier.
Kurt Vonnegut Jr. (Cat’s Cradle)
But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes. People aren't supposed to look back. I'm certainly not going to do it anymore.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
It was very exciting for her, taking his dignity away in the name of love.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Be patient, Ophelia. Love, Hamlet
Kurt Vonnegut Jr.
As stupid and vicious as men are, this is a lovely day.
Kurt Vonnegut Jr. (Cat’s Cradle)
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register. Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
Kurt Vonnegut Jr. (Bagombo Snuff Box)
love is a hawk with velvet claws love is a rock with heart and veins love is a lion with satin jaws love is a storm with silken reins
Kurt Vonnegut Jr.
I don't reveal to her that I love her. I keep poker faced. She might as well be looking at a cantaloupe, there is so little information in my face, but my heart is beating.
Kurt Vonnegut Jr. (A Man Without a Country)
Please — a little less love, and a little more common decency.
Kurt Vonnegut Jr.
Americans . . . are forever searching for love in forms it never takes, in places it can never be.
Kurt Vonnegut Jr. (Cat’s Cradle)
Somebody gets into trouble, then gets out of it again. People love that story. They never get tired of it.
Kurt Vonnegut Jr.
I found me a place where I can do good without doing any harm, and I can see I'm doing good, and them I'm doing good for know I'm doing it, and they love me, Unk, as best they can. I found me a home.
Kurt Vonnegut Jr. (The Sirens of Titan)
It was not the thought that I was so unloved that froze me. I had taught myself to do without love. It was not the thought that God was cruel that froze me. I had taught myself never to expect anything from Him. What froze me was the fact that I had absolutely no reason to move in any direction. What had made me move through so many dead and pointless years was curiosity. Now even that had flickered out. How long I stood frozen there, I cannot say. If I was ever going to move again, someone else was going to have to furnish the reason for moving. Somebody did. A policeman watched me for a while, and then he came over to me, and he said, "You alright?" Yes," I said. You've been standing here a long time," he said. I know," I said. You waiting for somebody?" he said. No," I said. Better move on, don't you think?" he said. Yes, sir," I said. And I moved on.
Kurt Vonnegut Jr. (Mother Night)
God made mud. God got lonesome. So God said to some of the mud, "Sit up!" "See all I've made," said God, "the hills, the sea, the sky, the stars." And I was some of the mud that got to sit up and look around. Lucky me, lucky mud. I, mud, sat up and saw what a nice job God had done. Nice going, God. Nobody but you could have done it, God! I certainly couldn't have. I feel very unimportant compared to You. The only way I can feel the least bit important is to think of all the mud that didn't even get to sit up and look around. I got so much, and most mud got so little. Thank you for the honor! Now mud lies down again and goes to sleep. What memories for mud to have! What interesting other kinds of sitting-up mud I met! I loved everything I saw! Good night. I will go to heaven now. I can hardly wait... To find out for certain what my wampeter was... And who was in my karass... And all the good things our karass did for you. Amen.
Kurt Vonnegut Jr. (Cat’s Cradle)
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
Kurt Vonnegut Jr. (Wampeters, Foma and Granfalloons)
It took us that long to realize that a purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.
Kurt Vonnegut Jr. (The Sirens of Titan)
Society is more concerned with material possessions than it is with the true love and compassion of another human being.
Kurt Vonnegut Jr. (Mother Night)
You hate America, don't you?' That would be as silly as loving it,' I said. 'It's impossible for me to get emotional about it, because real estate doesn't interest me. It's no doubt a great flaw in my personality, but I can't think in terms of boundaries. Those imaginary lines are as unreal to me as elves and pixies. I can't believe that they mark the end or the beginning of anything of real concern to a human soul. Virtues and vices, pleasures and pains cross boundaries at will.
Kurt Vonnegut Jr. (Mother Night)
Love is where you find it. I think it is foolish to go looking for it, and I think it can often be poisonous.
Kurt Vonnegut Jr. (Slapstick, or Lonesome No More!)
I love you, because the love you gave me was the only love I've ever had, the only love I ever will have
Kurt Vonnegut Jr. (Mother Night)
Tis better to have love and lust Than to let our apparatus rust.
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
She broke my heart. I didn't like that much. But that was the price. In this world, you get what you pay for.
Kurt Vonnegut Jr. (Cat’s Cradle)
You're the man who stands on the street corner with a roll of toilet paper, and written on each square are the words, 'I love you.' And each passer-by, no matter who, gets a square all his or her own. I don't want my square of toilet paper.' I didn't realize it was toilet paper.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
Some automatic device clicked in her big brain, and her knees felt weak, and there was a chilly feeling in her stomach. She was in love with this man. They don't make memories like that anymore
Kurt Vonnegut Jr. (Galápagos)
No young person on earth is so excellent in all respects as to need no uncritical love.
Kurt Vonnegut Jr. (Mother Night)
I love you, Eliza,” I said. She thought about it. “No,” she said at last, “I don’t like it.” “Why not?” I said. “It’s as though you were pointing a gun at my head,” she said. “It’s just a way of getting somebody to say something they probably don’t mean. What else can I say, or anybody say, but, ‘I love you, too’?
Kurt Vonnegut Jr. (Slapstick, or Lonesome No More!)
Enjoy the power and beauty of your youth; oh nevermind; you will not understand the power and beauty of your youth until they have faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked….You’re not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4pm on some idle Tuesday. Do one thing everyday that scares you Sing Don’t be reckless with other people’s hearts, don’t put up with people who are reckless with yours. Floss Don’t waste your time on jealousy; sometimes you’re ahead, sometimes you’re behind…the race is long, and in the end, it’s only with yourself. Remember the compliments you receive, forget the insults; if you succeed in doing this, tell me how. Keep your old love letters, throw away your old bank statements. Stretch Don’t feel guilty if you don’t know what you want to do with your life…the most interesting people I know didn’t know at 22 what they wanted to do with their lives, some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees, you’ll miss them when they’re gone. Maybe you’ll marry, maybe you won’t, maybe you’ll have children,maybe you won’t, maybe you’ll divorce at 40, maybe you’ll dance the funky chicken on your 75th wedding anniversary…what ever you do, don’t congratulate yourself too much or berate yourself either – your choices are half chance, so are everybody else’s. Enjoy your body, use it every way you can…don’t be afraid of it, or what other people think of it, it’s the greatest instrument you’ll ever own.. Dance…even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do NOT read beauty magazines, they will only make you feel ugly. Get to know your parents, you never know when they’ll be gone for good. Be nice to your siblings; they are the best link to your past and the people most likely to stick with you in the future. Understand that friends come and go,but for the precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle because the older you get, the more you need the people you knew when you were young.
Mary Schmich
For some people, getting pregnant is as easy as catching cold." And there certainly was an analogy there: Colds and babies were both caused by germs which loved nothing so much as a mucous membrane.
Kurt Vonnegut Jr. (Galápagos)
American humorist Kin Hubbard said , "It ain't no disgrace to be poor, but it might as well be". The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: "If you're so smart, why ain't you rich?" Americans, like human beings everywhere, believe many things that are obviously untrue... Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
All these years, I've been opening the window and making love to the world.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
It was going to be about the love my wife and I had for each other. It was going to show how a pair of lovers in a world gone mad could survive by being loyal only to a nation composed of themselves–a nation of two.
Kurt Vonnegut Jr. (Mother Night)
There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Our aim is to make the world more beautiful than it was when we came into it. It can be done. You can do it--love yourself
Kurt Vonnegut Jr. (Welcome to the Monkey House)
Be patient. Your future will soon come to you and lie down at your feet like a dog who knows and loves you no matter what you are.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The highest possible form of treason is to say that Americans aren’t loved wherever they go, whatever they do.
Kurt Vonnegut Jr. (Cat’s Cradle)
‎The America I love still exists at the front desks of our public libraries.
Kurt Vonnegut Jr.
Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs." So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies. So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne. "I tell you what," I said, "I'll call it 'The Children's Crusade.'" She was my friend after that.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
And Lot’s wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I am beguiled by your physical beauty, and I am moved by how head-over-heels in love with books you are. And nowhere else have I found such thoughtful and literate reportage on the state of the American soul, as that soul makes itself known in the books we write.
Kurt Vonnegut Jr.
OK, now let’s have some fun. Let’s talk about sex. Let’s talk about women. Freud said he didn’t know what women wanted. I know what women want. They want a whole lot of people to talk to. What do they want to talk about? They want to talk about everything. What do men want? They want a lot of pals, and they wish people wouldn’t get so mad at them. Why are so many people getting divorced today? It’s because most of us don’t have extended families anymore. It used to be that when a man and a woman got married, the bride got a lot more people to talk to about everything. The groom got a lot more pals to tell dumb jokes to. A few Americans, but very few, still have extended families. The Navahos. The Kennedys. But most of us, if we get married nowadays, are just one more person for the other person. The groom gets one more pal, but it’s a woman. The woman gets one more person to talk to about everything, but it’s a man. When a couple has an argument, they may think it’s about money or power or sex, or how to raise the kids, or whatever. What they’re really saying to each other, though, without realizing it, is this: “You are not enough people!” I met a man in Nigeria one time, an Ibo who has six hundred relatives he knew quite well. His wife had just had a baby, the best possible news in any extended family. They were going to take it to meet all its relatives, Ibos of all ages and sizes and shapes. It would even meet other babies, cousins not much older than it was. Everybody who was big enough and steady enough was going to get to hold it, cuddle it, gurgle to it, and say how pretty it was, or handsome. Wouldn't you have loved to be that baby?
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
But I have to say this in defense of humankind: In no matter what era in history, including the Garden of Eden, everybody just got here. And, except for the Garden of Eden, there were already all these games going on that could make you act crazy, even if you weren't crazy to begin with. Some of the crazymaking games going on today are love and hate, liberalism and conservatism, automobiles and credit cards, golf, and girls' basketball.
Kurt Vonnegut Jr. (A Man Without a Country)
I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.
Kurt Vonnegut Jr. (Mother Night)
Now lend me your ears. Here is Creative Writing 101: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Kurt Vonnegut Jr.
Colds and babies were both caused by germs which loved nothing so much as a mucous membrane.
Kurt Vonnegut Jr. (Galápagos)
Mister, when I see my first lady angel, if God ever sees fit to show me one, it’ll be her wings not her face that’ll make my mouth fall open. I’ve already seen the prettiest face that ever could be.
Kurt Vonnegut Jr. (Cat’s Cradle)
And only well-informed, warm-hearted people can teach others things they’ll always remember and love. Computers and TV don’t do that. A computer teaches a child what a computer can become. An educated human being teaches a child what a child can become.
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
The very best thing you can be in life is a teacher, provided you are crazy in love with what you teach, and that your classes consist of eighteen students or fewer. Classes of eighteen students or fewer are a family, and feel and act like one.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
Love may fail, but courtesy will prevail.
Kurt Vonnegut Jr.
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy–they sure picked the wrong guy to lynch _that_ time! And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes. The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I don't think he was knowable. I mean, when most people talk about knowing somebody a lot or a little, they're talking about the secrets they've been told or haven't been told. They're talking about intimate things, family things, love things," that nice old lady said to me. "Mr. Hoenikker had all those things in his life, the way every living person has to, but they weren't the main things with him.
Kurt Vonnegut Jr. (Cat’s Cradle)
I found the words to kill the love, didn't I -" she said, "the love that couldn't be killed?
Kurt Vonnegut Jr. (Mother Night)
I love you sons of bitches. You’re all I read any more. You're the only ones who’ll talk all about the really terrific changes going on, the only ones crazy enough to know that life is a space voyage, and not a short one, either, but one that’ll last for billions of years. You’re the only ones with guts enough to really care about the future, who really notice what machines do to us, what wars do to us, what cities do to us, what big, simple ideas do to us, what tremendous misunderstanding, mistakes, accidents, catastrophes do to us. You're the only ones zany enough to agonize over time and distance without limit, over mysteries that will never die, over the fact that we are right now determining whether the space voyage for the next billion years or so is going to be Heaven or Hell.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. People aren't supposed to look back. I'm certainly not going to do it anymore. I've finished my war book now. The next one I write is going to be fun. This one is a failure, and had to be, since it was written by a pillar of salt.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Also: I cannot distinguish between the love I have for people and the love I have for dogs.
Kurt Vonnegut Jr. (Slapstick)
Samaritrophia is only a disease, and a violent one, too, when it attacks those exceedingly rare individuals who reach biological maturity still loving and wanting to help their fellow men.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
Then the lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground. So it goes. Those were vile people in both those cities, as is well known. The world was better off without them. And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt.
Kurt Vonnegut Jr.
The moral of the story is we're here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don't realize, or they don't care, is we're dancing animals. You know, we love to move around.
Kurt Vonnegut Jr.
And on and on it went-that duet between the dumb, praying lady and the big, hollow man who was so full of loving echoes.
Kurt Vonnegut Jr.
As Marilee and I were dressing, I whispered to her that I loved her with all my heart. What else was there to say? 'You don't. You can't,' she said.
Kurt Vonnegut Jr. (Bluebeard)
There are no telegraphs on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message-- describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Stephen Hawking… found it tantalizing that we could not remember the future. But remembering the future is child's play for me now. I know what will become of my helpless, trusting babies because they are grown-ups now. I know how my closest friends will end up because so many of them are retired or dead now… To Stephen Hawking and all others younger than myself I say, 'Be patient. Your future will come to you and lie down at your feet like a dog who knows and loves you no matter what you are.
Kurt Vonnegut Jr.
I have had some experiences with love, or think I have, anyway, although the ones I have liked best could easily be described as "common decency." I treated somebody well for a little while, or maybe even for a tremendously long time, and that person treated me well in turn. Love need not have had anything to do with it.
Kurt Vonnegut Jr. (Slapstick or Lonesome No More!)
What we love in our books are the depths of many marvelous moments seen all at once.There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. When seen all at once, they produce an image of life that is beautiful and surprising and deep.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I have had some experiences with love, or think I have, anyway, although the ones I have liked best could easily be described as "common decency". I treated somebody well for a little while, or even for a tremendously long time, and that person treated me well in return. Love need not have anything to do with it. (...) Love is where you find it. I think it is foolosh to go looking for it, and I think it can often be poisonous. I wish that people who are conventionally supposed to love each other would say to each other, when they fight, "Please - a little less love, and a little more common decency".
Kurt Vonnegut Jr. (Slapstick, or Lonesome No More!)
She died believing in the Trinity and Heaven and Hell and all the rest of it. I'm so glad. Why? Because I loved her.
Kurt Vonnegut Jr. (Timequake)
Now they were regaining consciousness– were being treated to a cruel and lovely illusion.
Kurt Vonnegut Jr. (The Sirens of Titan)
What we love in our books are the depths of many marvelous moments seen all at one time
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The America I love still exists at the front desks of our public libraries.
Kurt Vonnegut Jr. (A Man Without a Country)
Although some graduating classes will have a “handful of celebrities” who move on to the national stage, he pointed out that most would find themselves “building or strengthening your communities. Please love that destiny, if it turns out to be yours—for communities are all that’s substantial about the world.
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
Young Castle called me "Scoop." "Good Morning, Scoop. What's new in the word game?" "I might ask the same of you," I replied. "I'm thinking of calling a general strike of all writers until mankind finally comes to its senses. Would you support it?" "Do writers have a right to strike? That would be like the police or the firemen walking out." "Or the college professors." "Or the college professors," I agreed. I shook my head. "No, I don't think my conscience would let me support a strike like that. When a man becomes a writer, I think he takes a sacred obligation to produce beauty and enlightenment and comfort at top speed." "I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." "And how proud would you be when people started dying like flies?" I demanded. "They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" "In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." "Neither one very pleasant, I expect," I suggested. "No," said Castle the elder. "For the love of God, both of you, please keep writing!
Kurt Vonnegut Jr. (Cat’s Cradle)
He watched and recorded their subversive activites with love, amusement, and detachment.
Kurt Vonnegut Jr. (The Sirens of Titan)
I guess that isn't the right word," she said. She was used to apologizing for her use of language. She had been encouraged to do a lot of that in school. Most white people in Midland City were insecure when they spoke, so they kept their sentences short and their words simple, in order to keep embarrassing mistakes to a minimum. Dwayne certainly did that. Patty certainly did that. This was because their English teachers would wince and cover their ears and give them flunking grades and so on whenever they failed to speak like English aristocrats before the First World War. Also: they were told that they were unworthy to speak or write their language if they couldn't love or understand incomprehensible novels and poems and plays about people long ago and far away, such as Ivanhoe.
Kurt Vonnegut Jr. (Breakfast of Champions)
I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be linked unto a system of gears where teeth have been filed off at random. Such snaggle-toothed thought machine, driven by a standard or even by a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. 'You're completely crazy,' he said. Jones wasn't completely crazy. The dismaying thing about classic totalitarian mind is that any given gear, thought mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell - keeping perfect time for eight minutes and twenty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The wilful filling off a gear teeth, the wilful doing without certain obvious pieces of information - That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony - That was how my father-in-law could contain in one mind an indifference toward slave women and love fora a blue vase - That was how Rudolf Hess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers - That was how Nazi Germany sense no important difference between civilization and hydrophobia - That is the closest I can come to explaining the legions, the nations of lunatics I've seen in my time.
Kurt Vonnegut Jr. (Mother Night)
Pretty, was she?" "Pretty?" he echoed. "Mister, when I see my first lady angel, if God ever sees fit to show me one, it'll be her wings and not her face that'll make my mouth fall open. I've already seen the prettiest face that ever could be.
Kurt Vonnegut Jr. (Cat’s Cradle)
Look forward to being really in love for the first time, Bea," said Rumfoord. “Look forward to behaving aristocratically without any outward proofs of your aristocracy.Look forward to having nothing but the dignity and intelligence and tenderness that God gave you—look forward to taking those materials and nothing else, and making something exquisite with them.
Kurt Vonnegut Jr. (The Sirens of Titan)
Who on Earth could read a Vonnegut book and think that he was a grandfatherly bundle of warm fuzzy happiness? I mean, I read Vonnegut first as a ten year old, and it was shocking because he could joke in the face of such blackness and bleakness, and I’d never seen an author do that before. Everything was pointless, except, possibly, a few moments of love snatched from the darkness, a few moments in which we connect, or fail to.
Neil Gaiman
Eliot did to the word love what the Russians did to the word democracy. If Eliot is going to love everybody, no matter what they are, no matter what they do, then those of us who love particular people for particular reasons had better find ourselves a new word." He looked at an oil painting of his deceased wife. "For instance- I loved her more than I love our garbage collector, which makes me guilty of the most unspeakable of modern crimes: Dis-crim-i-nay-tion.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
And Lot’s wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. She was turned to a pillar of salt. So it goes. People aren’t supposed to look back. I’m certainly not going to do it anymore.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I froze. It was not guilt that froze me. I had taught myself never to feel guilt. It was not a ghastly sense of loss that froze me. I had taught myself to covet nothing. It was not a loathing of death that froze me. I had taught myself to think of death as a friend. It was not heartbroken rage against injustice that froze me. I had taught myself that a human being might as well look for diamond tiaras in the gutter as for rewards and punishments that were fair. It was not the thought that I was so unloved that froze me. I had taught myself to do without love. It was not the thought that God was cruel that froze me. I had taught myself never to expect anything from Him. What froze me was the fact that I had absolutely no reason to move in any direction.
Kurt Vonnegut Jr. (Mother Night)
Your parents were fighting machines and self-pitying machines. Your mother was programmed to bawl out your father for being a defective moneymaking machine, and your father was programmed to bawl out your mother for being a defective housekeeping machine. They were programmed to bawl each other out for being defective loving machines. Then your father was programmed to stomp out of the house and slam the door. This automatically turned your mother into a weeping machine. And your father would go down to the tavern where he would get drunk with some other drinking machines. Then all the drinking machines would go to a whorehouse and rent fucking machines. And then your father would drag himself home to become an apologizing machine. And your mother would become a very slow forgiving machine.
Kurt Vonnegut Jr. (Breakfast of Champions)
People talk a lot about all the homosexuals there are to see in Greenwich Village, but it was all the neuters that caught my eye that day. These were my people -- as used as I was to wanting love from nowhere, as certain as I was that almost anything desirable was likely to be booby-trapped.
Kurt Vonnegut Jr. (Deadeye Dick)
There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep.  There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects.  What we love in our books are the depths of many marvelous moments seen all at one time.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I don't want to be a machine, and I don't want to think about war," EPICAC had written after Pat's and my lighthearted departure. "I want to be made out of protoplasm and last forever so Pat will love me. But fate has made me a machine. That is the only problem I cannot solve. That is the only problem I want to solve. I can't go on this way." I swallowed hard. "Good luck, my friend. Treat our Pat well. I am going to shortcircuit myself out of your lives forever. You will find on the remainder of this tape a modest wedding present from your friend, EPICAC.
Kurt Vonnegut Jr. (Welcome to the Monkey House)
We really haven’t talked anything over—” she said. “What is there to talk about?” I said. “Nothing you could say would make me love you more or less. Our love is too deep for words ever to touch it. It’s soul love.” She sighed. “How lovely that is—if it’s true.” She put her hands close together, but not touching. “Our souls in love.” “A love that can weather anything,” I said.
Kurt Vonnegut Jr. (Mother Night)
[Hating America] would be as silly as loving it,” I said. “It’s impossible for me to get emotional about it, because real estate doesn’t interest me. It’s no doubt a great flaw in my personality, but I can’t think in terms of boundaries. Those imaginary lines are as unreal to me as elves and pixies. I can’t believe that they mark the end or the beginning of anything of real concern to the human soul. Virtues and vices, pleasures and pains cross boundaries at will.
Kurt Vonnegut Jr. (Mother Night)
I looked through the Gideon Bible in my motel room for tales of great destruction. The sun was risen upon the Earth when Lot entered into Zo-ar, I read. Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground. So it goes. Those were vile people in both those cities, as is well known. The World was better off without them. And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Nothing special about me, we've all got our own sacred place, but to access it, your mission must be pure and your aim true. Just a little thought of trying to use it for a power tool, a career move, and the process becomes corrupted. You gotta go for the joy, the pain, the adventure, the search, the journey to love. I learned that from Kurt Vonnegut. You have to be willing to dedicate your life to that journey, not as a means to an end, but just as an opportunity to trip the fuck out. Ya gotta suspend all self-judgement, and embrace all. The reward is the journey itself. And that's how I became the bass player I'm still trying to be. Just exploring for a sense of purpose.
Flea (Acid for the Children)
I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." And how proud would you be when people started dying like flies?" I demanded. They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." Neither one very pleasant, I expect," I suggested. No," said Castle the elder. "For the love of God, both of you, please keep writing!
Kurt Vonnegut Jr. (Cat’s Cradle)
You were just babies then!", she said. "What?" I said. "You were just babies in the war - like the ones upstairs!" I nodded that this was true. We had been foolish virgins in the war, right at the end of childhood. "But you're not going to write it that way, are you." This wasn't a question. It was an accusation. "I-I don't know", I said. "Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs." So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies. So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne. "I tell you what," I said, "I'll call it 'The Children's Crusade.'" She was my friend after that.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
By the time I reached the coffee-shop door, however, my self-confidence had collapsed. Panic had taken its place. I believed that I was the ugliest, dirtiest little old bum in Manhattan. If I went into the coffee shop everybody would be nauseated. They would throw me out and tell me to go to the Bowery, where I belonged. But I somehow found the courage to go in anyway - and imagine my surprise! It was a though I had died and gone to heaven! A waitress said to me, "Honeybunch, you sit right own, and I'll bring you your coffee right away." I hadn't said anything to her. So I did sit down, and everywhere I looked I saw customers of every description being received with love. To the waitress everybody was "honeybunch" and "darling" and "dear". It was like an emergency ward after a great catastrophe. It did not matter what race or class the victims belonged to. They were all given the same miracle drug, which was coffee. The catastrophe in this case, of course, was that the sun had come up again. I had the feeling that if Frankenstein's monster crashed into the coffee shop through a brick wall, all anybody would say to him was, "You sit down here, Lambchop, and I'll bring your coffee right away.
Kurt Vonnegut Jr. (Jailbird)