I Don't Fit In Anywhere Quotes

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That's the pathetic thing about high school. Everyone tries so hard to be something they aren't. It's gotten so I don't know who I am, so how can I even try to be who I am, much less who I'm not? My problem is that I don't even fit in with the misfits. I don't fit anywhere.
Katie Alender (Bad Girls Don't Die (Bad Girls Don't Die, #1))
Don't exist. Live. Get out, explore. Thrive. Challenge authority. Challenge yourself. Evolve. Change forever. Become who you say you always will. Keep moving. Don't stop. Start the revolution. Become a freedom fighter. Become a superhero. Just because everyone doesn't know your name doesn't mean you dont matter. Are you happy? Have you ever been happy? What have you done today to matter? Did you exist or did you live? How did you thrive? Become a chameleon-fit in anywhere. Be a rockstar-stand out everywhere. Do nothing, do everything. Forget everything, remember everyone. Care, don't just pretend to. Listen to everyone. Love everyone and nothing at the same time. Its impossible to be everything,but you can't stop trying to do it all. All I know is that I have no idea where I am right now. I feel like I am in training for something, making progress with every step I take. I fear standing still. It is my greatest weakness. I talk big, but often don't follow through. That's my biggest problem. I don't even know what to think right now. It's about time I start to take a jump. Fuck starting to take. Just jump-over everything. Leap. It's time to be aggressive. You've started to speak your mind, now keep going with it, but not with the intention of sparking controversy or picking a germane fight. Get your gloves on, it's time for rebirth. There IS no room for the nice guys in the history books. THIS IS THE START OF A REVOLUTION. THE REVOLUTION IS YOUR LIFE. THE GOAL IS IMMORTALITY. LET'S LIVE, BABY. LET'S FEEL ALIVE AT ALL TIMES. TAKE NO PRISONERS. HOLD NO SOUL UNACCOUNTABLE, ESPECIALLY NOT YOUR OWN. IF SOMETHING DOESN'T HAPPEN, IT'S YOUR FAULT. Make this moment your reckoning. Your head has been held under water for too long and now it is time to rise up and take your first true breath. Do everything with exact calculation, nothing without meaning. Do not make careful your words, but make no excuses for what you say. Fuck em' all. Set a goal for everyday and never be tired.
Brian Krans (A Constant Suicide)
We''re all misfits here,” he says, almost proudly. “That's why I started this squat, after all.  For people like us, who don't fit in anywhere else.  Halfies and homos and hopeless romantics, the outcast and outrageous and terminally weird.  That's where art comes from, Jimmy, my friend.  From our weirdnesses and our differences, from our manic fixations, our obsessions, our passions.  From all those wild and wacky things that make each of us unique.
Terri Windling (Welcome to Bordertown (Borderland, #8))
I don’t really fit in here,” she said to me one night. “But I don’t fit in any better anywhere else.” It was like she pulled the feeling right out of my heart.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
I have tried hard - but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine called life, and when I dropped out of it I found I was no use anywhere else. What can one do when one finds out that one only fits into one hole? One must go back to it or be thrown out into the rubbish heap - and you don't know what it's like in the rubbish heap!
Edith Wharton (The House of Mirth)
But I don’t get to fit. Not anywhere.
April Daniels (Dreadnought (Nemesis, #1))
Mal. I never really fit in the way that you did. I never really belonged anywhere.” “You belonged with me,” he said quietly. “No, Mal. Not really. Not for a long time.” He looked at me then, and his eyes were deep blue in the twilight. “Did you miss me, Alina? Did you miss me when you were gone?” “Every day,” I said honestly. “I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
I’ve spent my entire life never really fitting in anywhere. That’s part of why I love being outdoors. The Red Rocks don’t care if you’re an orphan. They don’t give a shit about the color of your skin or how pure your bloodline is.” I laced my fingers with hers. “I feel that same sense of peace and acceptance when I’m with you, and that has nothing to do with my wolf or yours. It has everything to do with who you are.
Lisa Kessler (Sedona Sin (Sedona Pack #1))
Being afraid's not always bad." he said gently. "It can keep you moving forward. It can help you get things done." The silence between us was different than any silence I'd known before, full and warm and waiting. "What are you afraid of?" I dared to ask. There was a flicker of surprise in his eyes, as if it were something he'd never been asked before. For a moment I thought he wouldn't answer. But he let out a slow breath, and his gaze left mine to sweep across the trailer park. "Staying here." he finally said. "Staying until I'm not fit to belong anywhere else." "Where do you want to belong?" I half whispered. His expression changed with quicksilver speed, amusement dancing in his eyes. "Anywhere they don't want me.
Lisa Kleypas (Sugar Daddy (Travises, #1))
I hate to sound like a weirdo Buddhist, but the only things that really matter in this world are the relationships you have with the people you love, and the meaningful things that you do. Haters don’t fit anywhere into that. Don’t devote any mental space to them.
James Altucher (Choose Yourself)
I'm sick of being the person who tries to fit in and tells people what they want to hear and acts like nothing bothers her, it's not got me anywhere.
Mhairi McFarlane (Don't You Forget About Me)
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
I have provided a possible explanation for Antiochus's insane foolhardiness when left in command of the Athenian Fleet, because Thucidides's bald account is so unbelievable (unless one assumes that both Antiochus and Alkibiades were mentally defective) that any explanation seems more likely than none. Alkibiades himself is an enigma. Even allowing that no man is all black and all white, few men can ever have been more wildly and magnificently piebald. Like another strange and contradictory character Sir Walter Raleigh, he casts a glamour that comes clean down the centuries, a dazzle of personal magnetism that makes it hard to see the man behind it. I have tried to see. I have tried to fit the pieces into a coherent whole; I don't know whether I have been successful or not; but I do not think that I have anywhere falsified the portrait.
Rosemary Sutcliff (The Flowers of Adonis)
You know, I just... I just feel like it's unfair, that my whole life is unfair, like I was born into the wrong place and family. I never belong anywhere. My parents don't understand anything about me. And my sister is gone. Sometimes I watch those stupid TV shows, you know? The ones where mothers and daughters talk about feelings and fathers take their kids to play baseball or get ice cream or some shit like that, and I wish it were me. It's so stupid, I know, to want your life to be a sitcom.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
I remember once when I had been giving a talk to the R.A.F., an old, hard-bitten officer got up and said, ‘I’ve no use for all that stuff. But, mind you, I’m a religious man too. I know there’s a God. I’ve felt Him: out alone in the desert at night: the tremendous mystery. And that’s just why I don’t believe all your neat little dogmas and formulas about Him. To anyone who’s met the real thing they all seem so petty and pedantic and unreal!’ Now in a sense I quite agreed with that man. I think he had probably had a real experience of God in the desert. And when he turned from that experience to the Christian creeds, I think he really was turning from something real to something less real. In the same way, if a man has once looked at the Atlantic from the beach, and then goes and looks at a map of the Atlantic, he also will be turning from something real to something less real: turning from real waves to a bit of coloured paper. But here comes the point. The map is admittedly only coloured paper, but there are two things you have to remember about it. In the first place, it is based on what hundreds and thousands of people have found out by sailing the real Atlantic. In that way it has behind it masses of experience just as real as the one you could have from the beach; only, while yours would be a single glimpse, the map fits all those different experiences together. In the second place, if you want to go anywhere, the map is absolutely necessary. As long as you are content with walks on the beach, your own glimpses are far more fun than looking at a map. But the map is going to be more use than walks on the beach if you want to get to America.
C.S. Lewis (Mere Christianity)
People don’t fit anywhere, Arnold. You aren’t building materials that are made to fit a perfect purpose. There is no place set aside where you perfectly slot into. No place which exists in adulthood, anyway. If you go around expecting to find that place, you will only find frustration and disappointment.
Benjamin Kerei (Oh Great! I was Reincarnated as a Farmer (Unorthodox Farming, #1))
What’s wrong with me?” “Nothing is wrong with you.” “There’s so much wrong with me.” Skylar clung to him. “I don’t feel like I fit anywhere anymore. I don’t know what I’m supposed to do. How I’m supposed to be.” “You fit with me.” Xander tucked him in tighter, as if to prove his statement. “You’ll always fit with me.
Heidi Cullinan (Antisocial)
You are right,maybe I really don't belong or fit in anywhere,but at least here I feel a little wanted,so I'm gonna stay.
Glitch Ntukza V.L
In real life I feel like I don’t fit in anywhere and I’m too nervous to talk to people. On the internet I feel like I fit in, I have found others like me.
TinaJ. Richardson
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Kids don’t act right. Sure it’s embarrassing when it happens but any reasonable person won’t fault a parent when a kid throws a fit. However, when a child doesn’t act right and a parent doesn’t act at all then we’ve got a problem. Parents get up off of your rears and parent your children. Please I beg you stop these little bedlamites from running amuck at church, in restaurants, at the movies, in the store or really anywhere that I may be.
Aaron Blaylock (It's Called Helping...You're Welcome)
I ran my finger over one of the pier’s sleek planks. “Is that why you stayed away so long? Why you became Sturmhond?” “I don’t know if there’s just one reason. I guess I never felt like I belonged here, so I tried to make a place where I could belong.” “I never felt like I fit in anywhere either,” I admitted. Except with Mal. I pushed the thought away. Then I frowned. “You know what I hate about you?” He blinked, startled. “No.” “You always say the right thing.” “And you hate that?” “I’ve seen the way you change personas, Nikolai. You’re always what everyone needs you to be. Maybe you never felt like you belonged, or maybe you’re just saying that to make the poor, lonely orphan girl like you more.” “So you do like me?” I rolled my eyes. “Yes, when I don’t want to stab you.” “It’s a start.” “No it isn’t.” He turned to me. In the half-light, his hazel eyes looked like chips of amber. “I’m a privateer, Alina,” he said quietly. “I’ll take whatever I can get.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I was happy,” I admitted. “In that moment, I was happy. I’m not like you, Mal. I never really fit in the way that you did. I never really belonged anywhere.” “You belonged with me,” he said quietly. “No, Mal. Not really. Not for a long time.” He looked at me then, and his eyes were deep blue in the twilight. “Did you miss me, Alina? Did you miss me when you were gone?” “Every day,” I said honestly. “I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.” He lowered his head, and I felt his lips on mine.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
I hate to sound like a weirdo Buddhist, but the only things that really matter in this world are the relationships you have with the people you love, and the meaningful things that you do. Haters don’t fit anywhere into that. Don’t devote any mental space to them.” The
James Altucher (Choose Yourself)
My friends are certified oddballs, the inkblots on an otherwise pure white page, and it’s why we work together so well. Because as long as they’re my people, as long as they’re the ones on my left and my right, sometimes I can forget that I don’t fit in anywhere else in this town.
Leah Johnson (You Should See Me in a Crown)
I always felt that someone, a long time ago, organized the affairs of the world into areas that made sense-catagories of stuff that is perfectible, things that fit neatly in perfect bundles. The world of business, for example, is this way-line items, spreadsheets, things that add up, that can be perfected. The legal system-not always perfect, but nonetheless a mind-numbing effort to actually write down all kinds of laws and instructions that cover all aspects of being human, a kind of umbrella code of conduct we should all follow. Perfection is crucial in building an aircraft, a bridge, or a high-speed train. The code and mathematics residing just below the surface of the Internet is also this way. Things are either perfectly right or they will not work. So much of the world we work and live in is based upon being correct, being perfect. But after this someone got through organizing everything just perfectly, he (or probably a she) was left with a bunch of stuff that didn't fit anywhere-things in a shoe box that had to go somewhere. So in desperation this person threw up her arms and said, 'OK! Fine. All the rest of this stuff that isn't perfectible, that doesn't seem to fit anywhere else, will just have to be piled into this last, rather large, tattered box that we can sort of push behind the couch. Maybe later we can come back and figure where it all is supposed to fit in. Let's label the box ART.' The problem was thankfully never fixed, and in time the box overflowed as more and more art piled up. I think the dilemma exists because art, among all the other tidy categories, most closely resembles what it is like to be human. To be alive. It is our nature to be imperfect. The have uncategorized feelings and emotions. To make or do things that don't sometimes necessarily make sense. Art is all just perfectly imperfect. Once the word ART enters the description of what you're up to , it is almost getting a hall pass from perfection. It thankfully releases us from any expectation of perfection. In relation to my own work not being perfect, I just always point to the tattered box behind the couch and mention the word ART, and people seem to understand and let you off the hook about being perfect a go back to their business.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
You are the most incredible being I have ever met. And its not just because of the things my grandfather did to you. You're strong all on your own. You care about all of them, even if you don't really know what love even means. Eden is a wonderful place but it wouldn't be anywhere near the same without you. I know I don't fit in there, that people still don't fully trust me. But you're there so its all okay. When I'm with you, I feel something I didn't think it was still possible to feel in this world. I feel alive like there is still hope in this world. Like maybe things will still be okay someday.
Keary Taylor (Eden (The Eden Trilogy, #1))
- You listen to me. I've just taken a lot from you. I've taken a lot from people just like you. Just like you. That's tough, isn't it, just like you, that this town is loaded with people just like you, the world is loaded with people just like you. The honest men who are too good to fit anywhere. You're one of the people, aren't you. Look at your hands, have you ever had a callus? You don't get them lifting glasses. Who are you, to be so bitter? Have you ever done one day of work? And you talk to me about life, about real life, about human misery. -I know you, I know you. You're the only serious person in the room aren't you, the only one who understands, and you can prove it by the fact that you've never finished a single thing in your life. You're the only well-educated person. You resent good manners, you resent success, you resent any kind of success, you resent God, you resent thousand-dollar bills, you resent happiness, you resent happiness itself, because none of that's real. What is real, then? Nothing's real to you that isn't part of your own past, real life, a swamp of failures, of social, sexual, financial, personal, . . . spiritual failure. Real life. You poor bastard. You don't know what real life is, you've never been near it. All you have a thousand intellectualized ideas about life. But life? Have you ever measured yourself against anything but your own lousy past? Have you ever faced anything outside yourself? Life! You poor bastard.
William Gaddis (The Recognitions)
But I am a paladin,” Cordelia cried. “It’s awful, I loathe it— don’t imagine that I feel anything other than hated for this thing that binds me to Lilith. But they fear me because of it. They dare not touch me—” “Oh?” snarled James. “They dare not touch you? That’s not what it bloody looked like.” “The demon at Chiswick House—it was about to tell me something about Belial, before you shot it.” “Listen to yourself, Cordelia!” James shouted. “You are without Cortana! You cannot even lift a weapon! Do you know what it means to me, that you cannot protect yourself? Do you understand that I am terrified, every moment of every day and night, for your safety?” Cordelia stood speechless. She had no idea what to say. She blinked, and felt something hot against her cheek. She put her hand up quickly—surely she was not crying?— and it came away scarlet. “You’re bleeding,” James said. He closed the distance between them in two strides. He caught her chin and lifted it, his thumb stroking across her cheekbone. “Just a scratch,” he breathed. “Are you hurt anywhere else? Daisy, tell me—” “No. I’m fine. I promise you,” she said, her voice wavering as his intent golden eyes spilled over her, searching for signs of injury. “It’s nothing.” “It’s the furthest thing from nothing,” James rasped. “By the Angel, when I realized you’d gone out, at night, weaponless—” “What were you even doing at the house? I thought you were staying at the Institute.” “I came to get something for Jesse,” James said. “I took him shopping, with Anna—he needed clothes, but we forgot cuff links—” “He did need clothes,” Cordelia agreed. “Nothing he had fit.” “Oh, no,” said James. “We are not chatting. When I came in, I saw your dress in the hall, and Effie told me she’d caught a glimpse of you leaving. Not getting in a carriage, just wandering off toward Shepherd Market—” “So you Tracked me?” “I had no choice. And then I saw you—you had gone to where your father died,” he said after a moment. “I thought—I was afraid—” “That I wanted to die too?” Cordelia whispered. It had not occurred to her that he might think that. “James. I may be foolish, but I am not self-destructive.” “And I thought, had I made you as miserable as that? I have made so many mistakes, but none were calculated to hurt you. And then I saw what you were doing, and I thought, yes, she does want to die. She wants to die and this is how she’s chosen to do it.” He was breathing hard, almost gasping, and she realized how much of his fury was despair. “James,” she said. “It was a foolish thing to do, but at no moment did I want to die—” He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—” He kissed her mouth. Perhaps it had been meant to be a quick kiss, but she could not help herself: she kissed back. And it was like breathing air after being trapped underground for weeks, like coming into sunlight after darkness.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
I reach out and squeeze her hand, and remember everything we’ve lived through together. The normal things we endured as we grew from girls to women. The days in school where boys would line us up in order of our fuckability. The parties where it was normal to lie on top of a semi-conscious girl, do things to her, then call her a slut afterwards. A Christmas number-one song about a pregnant woman being stuffed into the boot of a car and driven off a bridge. Laughing when your male friends made rape jokes. Opening a newspaper and seeing the breasts of a girl who had only just turned legal, dressed in school uniform to make her look underage. Of the childhood films we grew up on, and loved, and knew all the words to, where, at the end, a girl would always get chosen for looking the prettiest compared to all the others. Reading magazines that told you to mirror men’s body language, and hum on their dick when you went down on them, that turned into books about how to get them to commit by not being yourself. Of size zero, and Atkins, and Five-Two, and cabbage soup, and juice cleanses and eat clean. Of pole-dancing lessons as a great way to get fit, and actually, if you want to be really cool, come to the actual strip club too. Of being sexually assaulted when you kissed someone on a dance floor and not thinking about it properly until you are twenty-seven and read a book about how maybe it was wrong. Of being jealous of your friend who got assaulted on the dance floor because why didn’t he pick you to assault? Boys not wanting to be with you unless you fuck them quickly. Boys not wanting to be with you because you fucked them too quickly. Being terrified to walk anywhere in the dark in case the worst thing happens to you, and so your male friend walks you home to keep you safe, and then comes into your bedroom and does the worst thing to you, and now, when you look him up online, he’s engaged to a woman who wears a feminist T-shirt and isn’t going to change her name when they get married. Of learning to have no pubic hair, and how liberating it is to pay thirty-five pounds a month to rip this from your body and lurch up in agony. Rings around famous women’s bodies saying ‘look at this cellulite’, oh, by the way, here is a twenty-quid cream so you don’t get
Holly Bourne (Girl Friends: the unmissable, thought-provoking and funny new novel about female friendship)
He said all things are possible to him who believes. My faith is so weak.” “Nae,” Dawdi said, shaking his head vigorously. “If it’s not God’s will, it’s not God’s will. If He didn’t see fit to deliver you, it’s not because your faith is lacking. It’s because there is a higher purpose in your trial yet.” “If there is a higher purpose, I don’t understand what it is.” “Neither do I. But I know even the blessed Lord Jesus asked God to remove the bitter cup, and God said no. That ‘no’ meant the salvation of all mankind.” “I definitely don’t have anywhere near that high a purpose.” “There is always purpose in suffering,” Dawdi said, “some of which we won’t understand until we get to heaven. The uncertainty can feel confusing and dismal. Our only hope for peace is through Jesus.” “I know,” said Ben. “But sometimes I can’t find any comfort in knowing it.” Dawdi nodded. “That’s okay. So long as you know it’s there for you, you can reach out and take Jesus’s comfort when you’re ready.
Jennifer Beckstrand (Huckleberry Spring (The Matchmakers of Huckleberry Hill series Book 4))
Am I bothering you?” “Yes.” Samuel lifted his chin as he said this, jutting it at me, like he said the word purposely to hurt me and make me angry. “What am I doing that’s bothering you?” I again fought the wet that threatened to undermine my dignity. I spoke each word distinctly, focusing on the shape and sound instead of the sentiment. “You are so.....” His smooth voice was layered with turbulence and frustration. Samuel rarely raised his voice, and didn’t do so now, but the threat was there. “You are so… calm, and accepting, and NAIVE that sometimes…I just want to shake you!” I wondered what in the world had brought on this vehement attack and sat in stunned silence for several heartbeats. “I bother you because I’m calm...and accepting?” I said, my voice an incredulous squeak. “Do you want me to be hyper and, well, intolerant?” “It would be nice if you questioned something, sometime.” Samuel was revving up to his argument; I could see the animation in his face. “You live in your own happy little world. You don’t know how it feels to not belong anywhere! I don’t belong anywhere!” “Why do you think I created my own happy little world?” I shot back. “I fit in perfectly there!
Amy Harmon (Running Barefoot)
suggest funding college, or at least the first step of college, with an Educational Savings Account (ESA), funded in a growth-stock mutual fund. The Educational Savings Account, nicknamed the Education IRA, grows tax-free when used for higher education. If you invest $2,000 a year from birth to age eighteen in prepaid tuition, that would purchase about $72,000 in tuition, but through an ESA in mutual funds averaging 12 percent, you would have $126,000 tax-free. The ESA currently allows you to invest $2,000 per year, per child, if your household income is under $220,000 per year. If you start investing early, your child can go to virtually any college if you save $166.67 per month ($2,000/year). For most of you, Baby Step Five is handled if you start an ESA fully funded and your child is under eight. If your children are older, or you have aspirations of expensive schools, graduate school, or PhD programs that you pay for, you will have to save more than the ESA will allow. I would still start with the ESA if the income limits don’t keep you out. Start with the ESA because you can invest it anywhere, in any fund or any mix of funds, and change it at will. It is the most flexible, and you have the most control.
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
J.D. Salinger (The Catcher in the Rye)
Do you know, I was rather excited about this whole weekend, and now I can't wait to get home. Feed the cats, write school papers. That sort of thing." Tabitha said nothing. She had no home to return to. "Don't you want to go home? That's right, though, you said you would be leaving the country." "Just my parents are leaving. I'm orphanage bound," Tabitha told him, studying the kitchen tiles. "I'm to be a washer girl at Augustus Home." "A washer girl?" Oliver blinked, incredulous. "You can't mean it." Tabitha kept her eyes focused on the red squares, observing how they fit neatly together to form a single unit of floor. Her parents had taken away her ability to fit in anywhere. She felt the boiling sensation in her belly again, and she finally recognized it. It wasn't sadness or fear or guilt. It was anger, and it wanted very badly to be released. "No, I don't believe you." Oliver shook his head. "Nobody is that horrible." "They are," Tabitha affirmed quietly. "They are horrible, horrible people and even worse parents." She stared at him in wonder, letting a hot rush course through her. "Do you know that's the first time I've said that aloud?" Her heartbeat quickened. "And I think perhaps they deserve my disfavor. They've earned it, the same way I tried for years to earn their love.
Jessica Lawson (Nooks & Crannies)
That night at the palace when I saw you on stage with him, you looked so happy. Like you belonged with him. I can't get that picture out of my head." "I was happy," I admitted. "In that moment, I was happy. I'm not like you, Mal. I never really fit in the way that you did. I never really belonged anywhere." "You belonged with me," he said quietly. "No, Mal. Not really. Not for a long time." He looked at me then, and his eyes were deep blue in the twilight. "Did you miss me, Alina? Did you miss me when you where gone?" "Every day," I said honestly. “I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself just walking around to find you, not for any reason, just out of habit, because I'd seen something that I wanted to tell you about or because I wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me why we don't belong together," he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. "I'm sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
When I made the decision to come to D.C., I worried that by making that choice, I was closing all the other doors open to me at that moment. But it was sort of liberating to make a choice about something. Finally. And, if anything, this job has just opened more doors for me. Now I feel really confident that I will have several iterations of my career—or at least time for several iterations—and that I will be able to do other things in life. For a long time, it was such a relief to have this job—I felt like I could just live my life and not worry about direction—worries that immobilized me in the years after I graduated. Now I am at a point where I don’t want to continue in my current position—and I’m pissed! It’s hard to think all over again about what the next step is. But it’s easier now because I know from experience that I have to take action, that debating isn’t going to get me anywhere. Sometimes making choices feels like planning for my life in a way that seems boring. Sometimes making choices to pursue things that seem like good fits, or that match my interests, seems boring simply because it makes sense. I find myself wanting to go off in an unexpected direction—Arabic! Cambodia! I know this is a sort of crazy impulse. I know that the way to live a good life is to pursue things that are not only interesting to you but that make sense. Above all else in my life, I feared being ordinary. Now I guess you could say I had a revelation of the day-to-day. I finally got it there’s a reason everybody in the world lives this way—or at least starts out this way—because this is how it’s done.
Meg Jay (The Defining Decade: Why Your Twenties Matter--And How to Make the Most of Them Now)
This has been a wonderful day!' said he, as the Rat shoved off and took to the sculls again. 'Do you know, I've never been in a boat before in all my life.' 'What?' cried the Rat, open-mouthed: 'Never been in a—you never—well I—what have you been doing, then?' 'Is it so nice as all that?' asked the Mole shyly, though he was quite prepared to believe it as he leant back in his seat and surveyed the cushions, the oars, the rowlocks, and all the fascinating fittings, and felt the boat sway lightly under him. 'Nice? It's the ONLY thing,' said the Water Rat solemnly, as he leant forward for his stroke. 'Believe me, my young friend, there is NOTHING—absolute nothing—half so much worth doing as simply messing about in boats. Simply messing,' he went on dreamily: 'messing—about—in—boats; messing——' 'Look ahead, Rat!' cried the Mole suddenly. It was too late. The boat struck the bank full tilt. The dreamer, the joyous oarsman, lay on his back at the bottom of the boat, his heels in the air. '—about in boats—or WITH boats,' the Rat went on composedly, picking himself up with a pleasant laugh. 'In or out of 'em, it doesn't matter. Nothing seems really to matter, that's the charm of it. Whether you get away, or whether you don't; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you're always busy, and you never do anything in particular; and when you've done it there's always something else to do, and you can do it if you like, but you'd much better not. Look here! If you've really nothing else on hand this morning, supposing we drop down the river together, and have a long day of it?' The Mole waggled his toes from sheer happiness, spread his chest with a sigh of full contentment, and leaned back blissfully into the soft cushions. 'WHAT a day I'm having!' he said. 'Let us start at once!
Kenneth Grahame (The Wind in the Willows)
If you know anything,” he said. “If you can give us any help finding—” “The truth is, I can help you find those mines.” Bay couldn’t believe the enormous lie that had just come out of her mouth. She took a deep breath and added, “But you have to take me with you to the Big Bend.” “I work alone.” “Then we’re finished here,” Bay said, turning to leave. Owen caught her before she’d taken two steps. “You’re not going anywhere until you tell me what you know.” “I’ll tell you everything when we get to the Big Bend.” “I can’t take you with me, Dr. Creed. It’s too dangerous. If you help me out, I’ll make sure your brother gets a chance to tell his story in court.” Bay gave an unladylike snort. “I don’t believe you.” She was surprised at the anger that flared in his eyes before he said, “I’m not in the habit of lying.” “I’ve never met an honest Blackthorne,” she said. “And I sure as hell don’t trust you.” “I ought to arrest you for obstruction,” he muttered. “Go ahead!” she challenged. “Then I can tell them how you manhandled me.” She glanced towards his tight grasp on her arm, then put her fingertips to her aching throat, and said, “I’m sure I’ll have the bruises to prove it.” He looked down in surprise to where his fingers were clamped on her forearm, as though he’d had no notion of how tightly he was holding her, and abruptly he let her go. She rubbed her arm and said, “When do we leave?” “You wouldn’t be able to keep up with me.” “Of course I would,” she replied. “I’m incredibly fit.” She felt her stomach flutter as his eyes raked her from legs to belly to breasts . . . and lingered there appreciatively. His heavy-lidded gaze lifted to her mouth, and she nervously slid her tongue across her lips. She felt a quiver of anticipation as his eyes locked on hers, hot and needy. “You can’t come with me,” he said at last. “You’d be a . . . dangerous distraction.
Joan Johnston (The Texan (Bitter Creek, #2))
don’t recommend using Outlook or computerized to-do lists, because it is possible to add an infinite number of items. I use a standard piece of paper folded in half three times, which fits perfectly in the pocket and limits you to noting only a few items. There should never
Timothy Ferriss (The 4-Hour Work Week: Escape the 9-5, Live Anywhere and Join the New Rich)
That the spectrum is linear couldn’t be further from the truth. To get a more accurate perspective, I met Dr. Judith Gould at the Lorna Wing Centre for Autism. Judith is a chartered consultant clinical psychologist with more than forty years’ experience. She specializes in autism-spectrum disorders and learning disabilities. In the 1970s, with the late Dr. Lorna Wing, Judith came up with the term autism spectrum. Judith believes the key point to understand is that autism is a spectrum not because it is linear but because any factor can be present at any point. She said, “[In our study] we saw the classic autistic aloof person with repetitive rituals and elaborate routines. But we also saw children with aspects of social difficulties, communication difficulties, and imagination difficulties who didn’t fit in with [earlier] precise criteria. “These traits tended to be seen together, but you could have anything on the dimension: anything on the communication dimension, anything on the imagination dimension, and so on. At first we called it the autism continuum. Continuum implied severity from high to low, but that’s not what we meant. The spectrum would look like a rainbow because anything can happen at any point. The colors merge. “In terms of communication, people can come anywhere on the spectrum. There are those who only communicate their needs, and there are those who don’t realize the person they are with may be getting bored when they talk about special interests. Then you’ve got those with a highly intellectual, formal, little-professor communication style.
Laura James (Odd Girl Out: An Autistic Woman in a Neurotypical World)
This is the last file I keep in Evernote, and it’s actually a folder that acts as a catchall for all my other lists that don’t fit anywhere else. A few of these are:   • Random Thoughts • Books I Want To Read • Things I Want To Buy • Things I Want To Learn • Maybe Projects   “One Day Some Day” acts as the place to store everything for the future. Come here for new ideas and inspiration.   I created templates for the above lists you can download straight into your Evernote account.
Sam Uyama (How To Love Your To Do List: A Simple Guide To Stress-Free Productivity)
no more stolen moments, let alone hours, in which to discover each other . . . from now on, they were formally betrothed, and that betrothal had its own rules. Maddening, perhaps intentionally so. Luci filched another stuffed date from the tray a sleepy maidservant was carrying back to the kitchen, and followed her father into the library. Her uncle and grandfather, already relaxed in chairs by the fireplace, looked up as she came in. "Luci, you should be in bed." "Papa, I'm not sleepy." He raised his eyebrows at her, but she didn't move. "Papa, I had a message cube from Esmay today." Her uncle Casimir sighed. "Esmay . . . now there's another problem. Berthold, did you get anywhere in the Landsmen's Guild?" "Nowhere. Oh, Vicarios won't oppose us, but that's because of Luci, and his support is half-hearted. It would be different if she hadn't left so young, I think. They don't really remember her, and even though they awarded her the Starmount, and consider her a hero, they do not want a Landbride—any Landbride but especially our Landbride—connected to an outlander family. Cosca told me frankly that even if she moved here, and also her husband, he would oppose it. Nothing good ever came from the stars, he insisted." "And the votes?" "Enough for a challenge, Casi, I'm sure of it. No, the only way out of this is for Esmaya to come and talk to them herself." "Or resign." "Or resign, but—will she?" Luci spoke up. "She mentioned that in her cube." "What—resigning? Why?" "Her precious Fleet seems to think about us the way the Landsmen's Guild thinks about them. She says they have some kind of regulation forbidding officers to marry Landbrides." Her father snorted. "Do they have one forbidding officers to be Landbrides? How ridiculous!" "Are you serious?" Casimir asked. "They have something specific about Landbrides? How would they know?" "I don't know," Luci said. "That's just what she said. And she said why didn't we take in all those women brought back from Our Texas—she was sure they'd fit in." A stunned silence, satisfying by its depth and length. "She what?" Casimir said finally. "Aren't those women—" "Free-birthers and religious cultists," Luci said, with satisfaction. "Exactly." "But—but the priests will object," Berthold said. "Not as badly as the Landsmen's Guild, if they hear of it. Dear God, I thought she had more sense than that!" "She is in love," Luci pointed out, willing now to be magnanimous. "Apparently Fleet is taking Barin's salary to pay for their upkeep—at least some of it—and Esmay's trying to help him out. Nineteen of them, after all, and all those children." "At our expense." Casimir shook his head. "Well, that settles it. She'll have to resign, as soon as I can get word to her. The Trustees will certainly not approve this, if I were willing to let it be known." He gave Luci a hard look. "You didn't tell Philip, I hope." "Of course not." Luci glared at her uncle. Esmay might not have any sense, but she knew what the family honor required. "I hope she does name you Landbride, Luci," Casimir said. "You'll be a good one." Luci had a sudden spasm of doubt. Was she being fair to Esmay, who after all had had so many bad things happen to her? But underneath the doubt, the same exultation she had felt when Esmay gave her the brown mare . . . mine, it's mine, I can take care of it, nobody can hurt it . . . "I wonder if we could place an ansible call," Casimir said. "Surely it's not that urgent,
Elizabeth Moon (The Serrano Succession (The Serrano Legacy combo volumes Book 3))
Imagine you don’t fit anywhere, not even in your own head.
Bassey Ikpi (I'm Telling the Truth, but I'm Lying: Essays)
¡Carajoǃ” Paco says, throwing down his lunch. “They think they can buy a U-shaped shell, stuff it, and call it a taco, but those cafeteria workers wouldn’t know taco meat from a piece of shit. That’s what this tastes like, Alex.” “You’re makin’ me sick, man,” I tell him. I stare uncomfortably at the food I brought from home. Thanks to Paco everything looks like mierda now. Disgusted, I shove what’s left of my lunch into my brown paper bag. “Want some of it?” Paco says with a grin as he holds out the shitty taco to me. “Bring that one inch closer to me and you’ll be sorry,” I threaten. “I’m shakin’ in my pants.” Paco wiggles the offending taco, goading me. He should seriously know better. “If any of that gets on me--” “What’cha gonna do, kick my ass?” Paco sings sarcastically, still shaking the taco. Maybe I should punch him in the face, knocking him out so I won’t have to deal with him right now. As I have that thought, I feel something drop on my pants. I look down even though I know what I’ll see. Yes, a big blob of wet, gloppy stuff passing as taco meat lands right on the crotch of my faded jeans. “Fuck,” Paco says, his face quickly turning from amusement to shock. “Want me to clean it off for you?” “If your fingers come anywhere close to my dick, I’m gonna personally shoot you in the huevos,” I growl through clenched teeth. I flick the mystery meat off my crotch. A big, greasy stain lingers. I turn back to Paco. “You got ten minutes to get me a new pair of pants.” “How the hell am I s’posed to do that?” “Be creative.” “Take mine.” Paco stands and brings his fingers to the waistband of his jeans, unbuttoning right in the middle of the courtyard. “Maybe I wasn’t specific enough,” I tell him, wondering how I’m going to act like the cool guy in chem class when it looks like I’ve peed in my pants. “I meant, get me a new pair of pants that will fit me, pendejo. You’re so short you could audition to be one of Santa Claus’s elves.” “I’m toleratin’ your insults because we’re like brothers.” “Nine minutes and thirty seconds.” It doesn’t take Paco more than that to start running toward the school parking lot. I seriously don’t give a crap how I get the pants; just that I get ‘em before my next class. A wet crotch is not the way to show Brittany I’m a stud.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I laughed from the doorway as I watched them struggle.  She would wrap her arms around his neck to buckle the collar, and he would duck or shift to avoid her but he never got up and walked away.  I caught a twinkle of amusement in his canine eyes. I knew Rachel wouldn’t give up getting a real collar on him.  He needed proof of license.  Yet, he appeared very determined to avoid the collar.  It served him right.  He was the one who chose to be a dog. Rachel mumbled again, and I decided to take pity on her.  I knew how to reason with him.  If Clay ever wanted to leave the house with me, he had to have a collar.  I just needed to point that out. “Here.”  I held out my hand.  “I’ll try.” “Good luck,” she said with a laugh as she got off her knees and handed me the collar.  She took my position in the doorway. “It was the biggest collar they had.  I don’t even know if it fits, he won’t let me get close enough.” With a half-smile on my face, I knelt in front of Clay.  I liked that he had a sense of humor when he interacted with Rachel.  It made having him in the house tolerable...almost. I looked him in the eye. “Clay, if you want to be able to go anywhere with us, you need a collar we can clip a leash on.  Not just the twine you have holding your tag around your neck.” He didn’t move so I leaned forward and reached for the string that held his current joke of a tag.  He held still for me while I removed the twine and replaced it with the real collar. “At least it’s not pink,” I said and patted him before I realized what I was doing. I’d forgotten myself again and treated him like a dog. I quickly stood and avoided Clay’s direct gaze. Rachel laughed.  “Hey, I wouldn’t do that to him. No pink for our man.  I don’t know why he sat still for you and not me.” I’d forgotten about Rachel.  She moved to pet and praise him for his good behavior.  If I wanted a chance of having a friend as a roommate, I knew I needed to deal with Clay as a pet.  But, I needed to watch myself.  The direction of my thoughts—his assumed permanent residency in the house—troubled me.  Making him comfortable and buying him a license wouldn’t help me get rid of him. Rachel gave him a kiss, and he sighed.  Maybe, he’d grow tired of her affection and run back to Canada.  I held onto that happy thought. “He’s moody,” I said, looking into his eyes.  Moody and stubborn with a quirky sense of humor.  Not a good combination.
Melissa Haag (Hope(less) (Judgement of the Six #1))
Everything slows down as they shuffle around. I lean back against the sofa and watch the people around me interact with each other, watch their happiness and contentment. It’s like watching a movie, one where it all works out in the end, any conflict or heartache they may have had has been solved, and they all live happily ever after. Meanwhile, I sit here feeling like an outsider, an observer of life. I don’t really fit in anywhere anymore, and the more time I spend around other people, especially my family, the more this fact becomes glaringly obvious. They laugh, they joke… they’re happy, and I'm just sitting here, not really knowing what the correct way to react is any more.
Dannielle Wicks (November Sky (Hardest Mistakes, #2))
I don’t view you as a market segment. I view you as my partner, an individual reader, a friend as complex and maybe even as conflicted, as I am. Why should either of us “fit” anywhere?
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to give love, create beauty and find peace)
I’m leaving the army,” he said. Lily felt hope leap within her breast. Maybe Caleb had changed his mind; maybe he wanted to be a farmer after all. She held her breath, waiting for him to go on. “I want to go back to Pennsylvania.” Lily’s hopes plummeted. She could only stare at Caleb in misery. “I see,” she said finally, with dignity. Caleb reached into the pocket of his uniform coat and brought out a small box. “I want you to go with me, Lily,” he told her, setting the box in front of her. She opened it, hands trembling, to find an exquisite diamond ring inside. The larger center stone glittered and winked at her from amid the surrounding smaller gems. Her finger fairly burned, waiting to wear that ring. “I can’t,” she said resolutely, snapping the box closed and shoving it back toward Caleb. He leaned forward in his chair and lowered his voice. “Don’t sit there and tell me you don’t care for me, Lily, because I know you do. Yesterday you gave yourself to me in a woodshed, remember?” Lily colored to recall the wanton way she’d behaved, and she lowered her eyes. “I do care,” she answered, “but I don’t want to leave my land, and I don’t want a husband.” “You’d marry me if I agreed to stay and farm that damnable land with you?” Again hope stirred in Lily’s heart. “Yes.” “You just said you didn’t want a husband.” Lily bit her lower lip. “If we were going to live in the same house, we’d have to be married, wouldn’t we?” Caleb pushed the ring box back across the table. “Has it ever occurred to you that I could promise to live on the farm, marry you, and then take you anywhere I damn well please, whether you want to go or not?” “You’re not making a very good case for marriage,” Lily answered, ignoring the ring box and taking a steadying sip of her coffee. The truth was, she had never once considered the possibility Caleb had suggested; she knew he was honest to a fault. “Damn it,” he whispered, “I should have done it. I should have told you I’d homestead with you and then married you!” “I would never have forgiven you, and you know it. It would have soured everything between us.” “Not everything,” Caleb argued, making Lily blush again. “Must every conversation we have come back to that?” Caleb took the ring from the box, and then he lifted Lily’s left hand and shoved the diamond unceremoniously onto her finger. “I think the fact that you would probably let me make love to you damn near anywhere has some bearing on what we’re talking about, yes!” Lily looked around furtively to see if anyone was listening. Fortunately, the restaurant was nearly empty, and the few other diners were sitting some distance away. “There is absolutely no need for you to be so arrogant,” she fretted, trying to pull the ring off. It was just a tiny bit too small and wouldn’t come over her knuckle. Caleb’s amber eyes were glittering with triumph when she looked up at him. “Perfect fit,” he said. Lily pushed back her chair. “I’ll get it off if I have to have my finger amputated,” she replied, preparing to leave. “Get out of that chair and there will be a scene you’ll remember until the day you die,” Caleb promised. Lily sat down again. “I don’t want to marry you, and I don’t want to go to Pennsylvania, so why can’t you just leave me alone?” “Because I love you,” Caleb answered, and he looked as surprised to find himself saying the words as Lily was to hear them. “I beg your pardon?” “You heard me, Lily.” “You said you loved me. Did you mean it?” Caleb drove one hand through his hair. “Yes.” Lily stared at him and stopped trying to get the ring off her finger. “You’re just saying that. It’s a trick of some kind.” Caleb laughed, but there was no humor in the sound. “Believe me, it’s no trick—it’s a fact I’m going to have to live with for the next fifty years.” In
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
According to the academicians who developed capital market theory, risk equals volatility, because volatility indicates the unreliability of an investment. I take great issue with this definition of risk. It’s my view that—knowingly or unknowingly—academicians settled on volatility as the proxy for risk as a matter of convenience. They needed a number for their calculations that was objective and could be ascertained historically and extrapolated into the future. Volatility fits the bill, and most of the other types of risk do not. The problem with all of this, however, is that I just don’t think volatility is the risk most investors care about. There are many kinds of risk.... But volatility may be the least relevant of them all. Theory says investors demand more return from investments that are more volatile. But for the market to set the prices for investments such that more volatile investments will appear likely to produce higher returns, there have to be people demanding that relationship, and I haven’t met them yet. I’ve never heard anyone at Oaktree—or anywhere else, for that matter—say, “I won’t buy it, because its price might show big fluctuations,” or “I won’t buy it, because it might have a down quarter.” Thus, it’s hard for me to believe volatility is the risk investors factor in when setting prices and prospective returns. Rather than volatility, I think people decline to make investments primarily because they’re worried about a loss of capital or an unacceptably low return.
Howard Marks (The Most Important Thing: Uncommon Sense for the Thoughtful Investor (Columbia Business School Publishing))
At a hotel. The Hyatt.” “For how long?” “I’ll give you the details later, I promise. But first you need to let me finish. If Spiderman knows about Richard, then that means he’s been watching him.” Cathy’s eyes widened in horror as the truth dawned on her. “That madman knows where we live?” “I believe so. It’s possible that he’s been watching all of you.” Cathy’s face paled as she pressed her hand over her mouth. After a moment Cathy said, “What am I going to do?” “There’s a federal agent parked across the street,” Jared cut in. “His name is Ronald Holt. He’ll remain parked outside the house twenty-four-seven. He won’t go anywhere unless he has a replacement.” “But I don’t think that’s enough,” Lizzy added. “I think you should take Brittany to Dad’s place and stay there until the feds catch him and put him behind bars.” Cathy’s face paled. “You don’t understand. Brittany has only recently begun to make friends. For the first time in her life she feels as if she’s starting to fit in. I know what it’s like to feel lost and out of place at school. I can’t uproot her now and take away what little bit of confidence she’s gained. I won’t do it.” “But you can’t take the added risk of keeping her in school or taking her to swim practice right now.” “She can’t stop living.” Cathy pointed a finger at Lizzy. “You said that yourself. You said you were miserable from all those years of hiding from your own shadow.” “But you were the one who was right when you said that hiding from my own shadow was better than the alternative.” Lizzy didn’t believe that for herself any longer, but Brittany had her whole life ahead of her, and Lizzy would say anything to make her sister understand that they needed to protect Brittany at all costs. Cathy shook her head. “I can’t do that to Brittany. She’s too young. She wouldn’t understand. I won’t have her life turned upside down because of that maniac. I won’t allow him to do this to me again.” “You must.” Lizzy lifted a hand to comfort her sister. Cathy backed away, her eyes feral. “Don’t touch me. I want you to get out of here. Stay away from
T.R. Ragan (Abducted (Lizzy Gardner, #1))
I have spent years of my life feeling like an outsider, like I don’t belong…anywhere. But when I’m with you, I feel like I finally fit. That’s what I want.” Her eyes flick to mine, still watery but sure. “I want to belong, and I want to belong to you.
Jillian Liota (The Downside to Forever (Cedar Point #5))
Your world's perfect now, huh? Everything just like you designed. But I don't fit anywhere, so I've got to go. (p. 185)
S.T. Gibson (Evocation (The Summoner’s Circle, #1))
This girl was made for me. She fits in my hands like she doesn’t belong anywhere else. She’s my strength, my weakness. She finds me when I’m lost and guides my way. I don’t know how I survived without her.
Eva Simmons (Cold Hard Truth (Twisted Roses #3))
Yeah I'm one broken mofo. I still care for myself tho. Keep it tidy. Still fit. No one does blip for me. I still eat and mingle with nature. Still recovering. Depression is a bear. It doesn't help that my ever best friend spits bullets. I asked one innocent thing. I begged to drop g's no strings attached. I knew we'd hit it off, maybe for life. I ached for it. Your gift, my trampoline. A hug. Some fun. Some delightful brain food. A happy that would last ages. It's a catch-22 scenario. I begin in the negative to someday find happiness, but I need happiness to get me out of the negative. What am I supposed to do? Take drugs? I teemed for 24 hours anticipating you. That was quite a drug. You call it a conversation? Nah, we be flingin. It's something; a dash of hope. You guesser, judge, jury, executioner. Thinkin I'm some monster by default. Guesser of what I meant. Guessed wrong. It's a choice. You could help pull out the knife or stick it in deeper and twist it around. You do what you enjoy killa. For years I was the only one with a stable income. They told me I was too stupid for school. Instead, I worked to support my family. I worked near 24/7. Then wham, catastrophe. Eugenics at play. Without a support system or tools to defend, you're tossed. I had a lawsuit but I failed to act in time. From zero and stranded in the sticks, I failed lots, threw away lots, I managed to make some money with my skills. Eventually I helped get a house in a decent neighborhood. They let a drug addicted hooker in. I fought the drug fiends. I paid the mortgage debt, several months behind, to save the place, but in the end, I couldn't win. They insisted on moving here. I was the only one with money. I came with to battle the new crisis and to recoup my losses until I figured out what to do next. Couldn't just abandon the kids. Over time the situation improved. Drugs were defeated. I didn't intend to stay. This place got to me. I am ashamed and battered by it all. No, I don't mess with drugs. I found the landscape of my field where most of the jobs are at has changed extensively over the years. I wasn't concentrated on that area. I'm obsolete. Without a degree, you're auto discarded. Still ways in, but I need to be on my A-game. Not going anywhere without exuding confidence. I'm all twisted up inside. Loneliness eating at me. Cold cruel world. My best friend dodgin me. All work, all alone, as it's always been. Can't do it all alone. In the end, what do I get? A hostile mob? Walked in for a chat. What I got was wacked.
Anonymous
I'm trying to find where I fit into this world." Salem's purr changed tone. "Ah, I see your confusion. You've made an incorrect assumption you believe is the truth and are trying to validate it." "Huh?" "People don't fit anywhere, Arnold. You aren't building materials that are made to fit a perfect purpose. There is no place set aside where you perfectly slot into. No place which exists in adulthood, anyway. If you go around expecting to find that place, you will only find frustration and disappointment." "So, if I can't find where I fit into this world, what can I do?" "You get to know yourself, your skills, your limitations, your hopes and fears, you understand your shape and substance, and then make a place in the world that fits you.
Benjamin Kerei (Oh Great! I was Reincarnated as a Farmer (Unorthodox Farming, #1))
My workout is part of my day. I don’t change clothes, wear special shoes, drive anywhere, pay a membership or even get sweaty. It’s simple: I don’t want to bulk up or enter any weightlifting competition — I just want to improve overall health and fitness by making my entire body stronger.
Philip Maffetone (Get Strong: The natural, no-sweat, whole-body approach to stronger muscles and bones)
You fit in my world, Mac. Anywhere you don’t or don’t feel like you fit, I’ll make room.
Maggie Rawdon (Play Fake (Plays & Penalties, #1))
I don’t really fit in here,” she said to me one night. We were sitting on the sand, with our toes in the surf. At the edge of the party again. Ginger was wearing a peach tank top and holding a red plastic cup. “But I don’t fit in any better anywhere else.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and
Stan Barstow (The Likes of Us: Stories of Five Decades)
Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008
Richard Jackson
Here is what I don’t understand at all. For the life of me, I can’t comprehend why any black man with even a lick of sense would have the slightest bit of interest in time travel. Going backward in time? A black man? You have got to be out of your mind. “Why are you laughing? This is serious business. I am telling you the truth now. You give a white man a time machine and he’s gonna think about going on vacation! He’ll think it might be fun to go check out the 1960s, or ancient Rome, or something. He will jump in that time machine, and start twisting dials, and he will have himself a grand old time. He’ll fit in just about anywhere! But can you imagine some crazy black man doing that? Some Carlton Banks–looking jackass strolling up to this time machine with a sweater tied around his neck, toting a picnic basket, thinking this shit is a joke? Next thing Carlton knows, he’s on the Middle Passage! Hundreds of men chained in the hold of a ship, constant wailing and moaning. The guy on one side of him just died two hours ago; the guy on his other side is saying, ‘When I had land beneath my feet I was a prince. Now I am at sea, and I am less than a maggot. When I am taken up to the deck for food and fresh air, I will throw myself over the side, and I will sink beneath the waves. When my feet touch the ocean floor I will become a prince once more.’ Carlton is all shackled up and ready to shit himself, and he’s going, ‘Oh dear me, the conditions of this cruise are most intolerable! Where is the all-you-care-to-eat buffet? Where is the family-friendly stand-up comic? Rest assured I will be writing a stern letter to the proprietors as soon as this is over.’ Hell with that. “I’m telling you, Terence: time travel is something only a white man would think is a good idea, and he is welcome to it, as far as I’m concerned.
Dexter Palmer (Version Control)
One would think he was going to have his throat cut," said the Controller, as the door closed. "Whereas, if he had the smallest sense, he'd understand that his punishment is really a reward. He's being sent to an island. That's to say, he's being sent to a place where he'll meet the most interesting set of men and women to be found anywhere in the world. All the people who, for one reason or another, have got too self-consciously individual to fit into community-life. All the people who aren't satisfied with orthodoxy, who've got independent ideas of their own. Every one, in a word, who's any one. I almost envy you, Mr. Watson." Helmholtz laughed. "Then why aren't you on an island yourself?" "Because, finally, I preferred this," the Controller answered. "I was given the choice: to be sent to an island, where I could have got on with my pure science, or to be taken on to the Controllers' Council with the prospect of succeeding in due course to an actual Controllership. I chose this and let the science go." After a little silence, "Sometimes," he added, "I rather regret the science. Happiness is a hard master–particularly other people's happiness. A much harder master, if one isn't conditioned to accept it unquestioningly, than truth." He sighed, fell silent again, then continued in a brisker tone, "Well, duty's duty. One can't consult one's own preference. I'm interested in truth, I like science. But truth's a menace, science is a public danger. As dangerous as it's been beneficent. It has given us the stablest equilibrium in history. China's was hopelessly insecure by comparison; even the primitive matriarchies weren't steadier than we are. Thanks, l repeat, to science. But we can't allow science to undo its own good work. That's why we so carefully limit the scope of its researches–that's why I almost got sent to an island. We don't allow it to deal with any but the most immediate problems of the moment. All other enquiries are most sedulously discouraged. It's curious," he went on after a little pause, "to read what people in the time of Our Ford used to write about scientific progress. They seemed to have imagined that it could be allowed to go on indefinitely, regardless of everything else. Knowledge was the highest good, truth the supreme value; all the rest was secondary and subordinate. True, ideas were beginning to change even then. Our Ford himself did a great deal to shift the emphasis from truth and beauty to comfort and happiness. Mass production demanded the shift. Universal happiness keeps the wheels steadily turning; truth and beauty can't. And, of course, whenever the masses seized political power, then it was happiness rather than truth and beauty that mattered. Still, in spite of everything, unrestricted scientific research was still permitted. People still went on talking about truth and beauty as though they were the sovereign goods. Right up to the time of the Nine Years' War. That made them change their tune all right. What's the point of truth or beauty or knowledge when the anthrax bombs are popping all around you? That was when science first began to be controlled–after the Nine Years' War. People were ready to have even their appetites controlled then. Anything for a quiet life. We've gone on controlling ever since. It hasn't been very good for truth, of course. But it's been very good for happiness. One can't have something for nothing. Happiness has got to be paid for. You're paying for it, Mr. Watson–paying because you happen to be too much interested in beauty. I was too much interested in truth; I paid too.
Aldous Huxley (Brave New World)
In answer to an inquiry Wilbur sent to the United States Weather Bureau in Washington about prevailing winds around the country, they were provided extensive records of monthly wind velocities at more than a hundred Weather Bureau stations, enough for them to take particular interest in a remote spot on the Outer Banks of North Carolina called Kitty Hawk, some seven hundred miles from Dayton. Until then, the farthest the brothers had been from home was a trip to Chicago for the Columbian Exposition of 1893. And though they had “roughed it” some on a few camping trips, it had been nothing like what could be expected on the North Carolina coast. To be certain Kitty Hawk was the right choice, Wilbur wrote to the head of the Weather Bureau station there, who answered reassuringly about steady winds and sand beaches. As could be plainly seen by looking at a map, Kitty Hawk also offered all the isolation one might wish for to carry on experimental work in privacy. Still further encouragement came when, on August 18, 1900, the former postmaster at Kitty Hawk, William J. Tate, sent a letter saying: Mr. J. J. Dosher of the Weather Bureau here has asked me to answer your letter to him, relative to the fitness of Kitty Hawk as a place to practice or experiment with a flying machine, etc. In answering I would say that you would find here nearly any type of ground you could wish; you could, for instance, get a stretch of sandy land one mile by five with a bare hill in center 80 feet high, not a tree or bush anywhere to break the evenness of the wind current. This in my opinion would be a fine place; our winds are always steady, generally from 10 to 20 miles velocity per hour. You can reach here from Elizabeth City, N.C. (35 miles from here) by boat . . . from Manteo 12 miles from here by mail boat every Mon., Wed., & Friday. We have telegraph communication & daily mails. Climate healthy, you could find good place to pitch tent & get board in private family provided there were not too many in your party; would advise you to come anytime from September 15 to October 15. Don’t wait until November. The autumn generally gets a little rough by November. If you decide to try your machine here and come, I will take pleasure in doing all I can for your convenience and success and pleasure, and I assure you you will find a hospitable people when you come among us. That decided the matter. Kitty Hawk it would be.
David McCullough (The Wright Brothers)
Hey!” Someone’s banging on the door of the ladies’ loos: we all jump. Kelly blinks, and one big tear is released. It starts to trickle down her red cheek. “Hey!” the voice calls again. It’s a guy, and not an Italian; they don’t yell “Hey!” here, but “Oh!” instead, which is weird until you get used to it. I’m closest to the door. I grab my dress, hold it over me with one hand, and ease the door open a crack with the other. Behind me, the girls, excited, scream at a pitch that would deafen bats. We’re all ridiculously worked up at the thought of a man seeing us in our underwear, even though we’re planning to go into the river in exactly that. In front of me is a wide male chest. I look up, over the swell of the pectorals, the broad tanned neck, the square jaw, to the cheerful blue eyes and cropped blond hair of Evan, Paige’s brother. Like Paige, he’s built on a massive scale, especially by comparison with the slender, slim-hipped Italians. He completely blocks any view of the club behind him. “Violet!” he says. His eyes widen as he takes in my state of undress, but he’s manfully resisting looking anywhere but my face, which I thoroughly appreciate. “Look, I made the other guys give me their shirts, okay? I thought you’d need all of them.” He’s holding a bunched-up ball of fabric in one big fist, which he pushes toward me; it leaves me in a quandary, as I don’t have my hands free. I wedge the door with my shoulder, which means I can still hold my dress over me and take the shirts with the other. “Thanks!” I exclaim gratefully, realizing that this means Kelly can come swimming with the rest of us, that I can cover my bra up. But Evan isn’t done. He reaches down, takes the hem of his own T-shirt, and pulls it up in one swift movement, dragging it over his head, baring his tanned chest. I can’t help staring. Evan is at college on a football scholarship, apparently, and from his muscle definition, I can’t imagine he gets any time to study. He looks as if he spends every waking minute in the gym. And he’s really close to me. I feel a blush rising to my cheeks, and I try to step back a little, confused by my feelings about this sudden striptease, his physical proximity. His hand reaches out to me again, giving me the T-shirt still warm from his body, still smelling of him. I take it, realizing that my mouth has fallen open at the sight of him. I clamp my lips together as he says, grinning, his white American teeth perfect: “Give this to Paige, okay? Those skinny little Italian guys’ shirts won’t fit around her, and I don’t want my little sister showing her junk all over town.” “Hey!” Paige shouts back crossly. “I do not show my junk all over town! You better not go around telling people that!” Evan’s grin deepens as he looks down at me; he winks. “It’s just too easy to get her going,” he says to me confidentially, seeing my eyebrows raised: I’ve rarely heard Paige this wound up. Evan certainly knows how to press her buttons.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
Please forgive me for inconveniencing you, Mr. Winterborne. I don’t intend to stay long.” “Does anyone know you’re here?” he asked curtly. “No.” “Speak your piece, then, and make it fast.” “Very well. I--” “But if it has anything to do with Lady Helen,” he interrupted, “then leave now. She can come to me herself if there’s something that needs to be discussed.” “I’m afraid Helen can’t go anywhere at the moment. She’s been in bed all day, ill with a nervous condition.” His eyes changed, some unfathomable emotion spangling the dark depths. “A nervous condition,” he repeated, his voice iced with scorn. “That seems a common complaint among aristocratic ladies. Someday I’d like to know what makes you all so nervous.” Kathleen would have expected a show of sympathy or a few words of concern for the woman he was betrothed to. “I’m afraid you are the cause of Helen’s distress,” she said bluntly. “Your visit yesterday put her in a state.” Winterborne was silent, his eyes black and piercing. “She told me only a little about what happened,” Kathleen continued. “But it’s clear that there is much you don’t understand about Helen. My late husband’s parents kept all three of their daughters very secluded. More than was good for them. As a result, all three are quite young for their age. Helen is one-and-twenty, but she hasn’t had the same experiences, or seasoning, as other girls her age. She knows nothing of the world outside Eversby Priory. Everything is new to her. Everything. The only men she has ever associated with have been a handful of close relations, the servants, and the occasional visitor to the estate. Most of what she knows about men has been from books and fairy tales.” “No one can be that sheltered,” Winterborne said flatly. “Not in your world. But at an estate like Eversby Priory, it’s entirely possible.” Kathleen paused. “In my opinion, it’s too soon for Helen to marry anyone, but when she does…she will need a husband with a placid temperament. One who will allow her to develop at her own pace.” “And you assume I wouldn’t,” he said rather than asked. “I think you will command and govern a wife just as you do everything else. I don’t believe you would ever harm her physically, but you’ll whittle her to fit your life, and make her exceedingly unhappy. This environment--London, the crowds, the department store--is so ill suited to her nature that she would wither like a transplanted orchid. I’m afraid I can’t support the idea of marriage for you and Helen.” Pausing, she took a long breath before saying, “I believe it’s in her best interest for the engagement to be broken.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
People don’t fit anywhere, Arnold. You aren’t building materials that are made to fit a perfect purpose. There is no place set aside where you perfectly slot into. No place which exists in adulthood, anyway. If you go around expecting to find that place, you will only find frustration and disappointment.” “So, if I can’t find where I fit in this world, what can I do?” “You get to know yourself, your skills, your limitations, your hopes and fears, you understand your shape and substance, and then make a place in the world that fits you.
Benjamin Kerei (Oh Great! I was Reincarnated as a Farmer (Unorthodox Farming, #1))