I Can't Be Manipulated Quotes

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For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
1. I’m lonely so I do lonely things 2. Loving you was like going to war; I never came back the same. 3. You hate women, just like your father and his father, so it runs in your blood. 4. I was wandering the derelict car park of your heart looking for a ride home. 5. You’re a ghost town I’m too patriotic to leave. 6. I stay because you’re the beginning of the dream I want to remember. 7. I didn’t call him back because he likes his girls voiceless. 8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth. 9. I couldn’t love you, you were a small war. 10. We covered the smell of loss with jokes. 11. I didn’t want to fail at love like our parents. 12. You made the nomad in me build a house and stay. 13. I’m not a dog. 14. We were trying to prove our blood wrong. 15. I was still lonely so I did even lonelier things. 16. Yes, I’m insecure, but so was my mother and her mother. 17. No, he loves me he just makes me cry a lot. 18. He knows all of my secrets and still wants to kiss me. 19. You were too cruel to love for a long time. 20. It just didn’t work out. 21. My dad walked out one afternoon and never came back. 22. I can’t sleep because I can still taste him in my mouth. 23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home. 24. The women in my family die waiting. 25. Because I didn’t want to die waiting for you. 26. I had to leave, I felt lonely when he held me. 27. You’re the song I rewind until I know all the words and I feel sick. 28. He sent me a text that said “I love you so bad.” 29. His heart wasn’t as beautiful as his smile 30. We emotionally manipulated one another until we thought it was love. 31. Forgive me, I was lonely so I chose you. 32. I’m a lover without a lover. 33. I’m lovely and lonely. 34. I belong deeply to myself .
Warsan Shire
We can't manipulate people into swallowing our boundaries by sugarcoating them. Boundaries are a "litmus test" for the quality of our relationships. Those people in our lives who can respect our boundaries will love our wills, our opinions, our separateness. Those who can't respect our boundaries are telling us that they don't love our nos. They only love our yeses, our compliance. "I only like it when you do what I want.
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
You have more power, more control than you could possibly imagine. My heart is in your hands. That's not bullshit. I'm not saying stuff I think you want to hear in order to manipulate you. I can't be any more honest than this. I'm yours, baby. I'm putting it out there. My heart, my soul, it all belongs to you.
Maya Banks (Fever (Breathless, #2))
The trick to this solution is that you’d have to be 100% honest. Meaning not just sincere but almost naked. Worse than naked - more like unarmed. Defenseless. ‘This thing I feel, I can’t name it straight out but it seems important, do you feel it too?’ - this sort of direct question is not for the squeamish. For one thing, it’s perilously close to “Do you like me? Please like me,” which you know quite well that 99% of all interhuman manipulation and bullshit gamesmanship that goes on goes on precisely because the idea of saying this sort of thing straight out is regarded as somehow obsene. In fact one of the very last few interperonal taboos we have is kind of obscenely naked direct interrogation of somebody else. It looks pathetic and desperate. That’s how it’ll look to the reader. And it will have to. There’s no way around it.
David Foster Wallace (Brief Interviews with Hideous Men)
I can't recall a single amazing thing I have seen first hand that I didn't immediately reference to amp is of a TV show. You know the awful singsong the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
Betrayal is too kind a word to describe a situation in which a father says he loves his daughter but claims he must teach her about the horrors of the world in order to make her a stronger person; a situation in which he watches or participates in rituals that make her feel like she is going to die. She experiences pain that is so intense that she cannot think; her head spins so fast she can't remember who she is or how she got there. All she knows is pain. All she feels is desperation. She tries to cry out for help, but soon learns that no one will listen. No matter how loud she cries, she can't stop or change what is happening. No matter what she does, the pain will not stop. Her father orders her to be tortured and tells her it is for her own good. He tells her that she needs the discipline, or that she has asked for it by her misbehavior. Betrayal is too simple a word to describe the overwhelming pain, the overwhelming loneliness and isolation this child experiences. As if the abuse during the rituals were not enough, this child experiences similar abuse at home on a daily basis. When she tries to talk about her pain, she is told that she must be crazy. "Nothing bad has happened to you;' her family tells her Each day she begins to feel more and more like she doesn't know what is real. She stops trusting her own feelings because no one else acknowledges them or hears her agony. Soon the pain becomes too great. She learns not to feel at all. This strong, lonely, desperate child learns to give up the senses that make all people feel alive. She begins to feel dead. She wishes she were dead. For her there is no way out. She soon learns there is no hope. As she grows older she gets stronger. She learns to do what she is told with the utmost compliance. She forgets everything she has ever wanted. The pain still lurks, but it's easier to pretend it's not there than to acknowledge the horrors she has buried in the deepest parts of her mind. Her relationships are overwhelmed by the power of her emotions. She reaches out for help, but never seems to find what she is looking for The pain gets worse. The loneliness sets in. When the feelings return, she is overcome with panic, pain, and desperation. She is convinced she is going to die. Yet, when she looks around her she sees nothing that should make her feel so bad. Deep inside she knows something is very, very wrong, but she doesn't remember anything. She thinks, "Maybe I am crazy.
Margaret Smith (Ritual Abuse: What It Is, Why It Happens, and How to Help)
This is how I feel, I can't name it straight out but it seems important, do you feel it too?-- this sort of direct question is not for the squeamish. For one thing, it's perilously close to 'Do you like me? Please like me,' which you know quite well that 99% of all the interhuman manipulation and bullshit gamesmanship that goes on goes on precisely because the idea of saying this sort of thing straight out is regarded as somehow obscene.
David Foster Wallace (Brief Interviews with Hideous Men)
When I read, I feel emotion all on my own. Emotion no living person is making me feel. To me, it almost seems more real, because I know that those characters can’t influence me with any power. So I like to remind myself that I can feel without anyone manipulating me.… I know, it’s lame.
Kasie West (Pivot Point (Pivot Point, #1))
This is what I say: I've got good news and bad news. The good news is, you don't have to worry, you can't change the past. The bad news is, you don't have to worry, no matter how hard you try, you can't change the past. The universe just doesn't put up with that. We aren't important enough. No one is. Even in our own lives. We're not strong enough, willful enough, skilled enough in chronodiegetic manipulation to be able to just accidentally change the entire course of anything, even ourselves.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Um, right, okay. Have you taken any courses in interspatial manipulation? Probably not, huh?” “Can’t say that I have.” “Space-time topology?” “Nope.” “Transdimensional theory?” Rosemary made an apologetic face. “Aww!” said Kizzy, clasping her hands over her heart. “You’re a physics virgin!
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
The game is getting old, and I don’t know if it’s because I’ve mastered the art of it, or if I just have some weird attention-deficit-disorder when it comes to getting my way all the time, every time.
Kris Kidd (I Can't Feel My Face)
What is known can't jerk us around unwittingly. Before anything can be resolved, the implicit must be made into the explicit.
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
And, of course, you assume it's true. I mean, why else would I show interest in my own flesh and blood? A heartbroken little crybaby points his finger at me, and my own brother falls in line, eager to believe it! How quickly you believe the worst, especially when it comes from her. " My big brother, so, you doubt my intentions? Well, I can't say I'm surprised, standing next to the noble Elijah, how can I be anything but the lesser brother? A liar, a manipulator, a bastard. " hat's all I am to you, isn't it? And Rebekah. And, judging by the way Hayley hangs on your every word, it's clear she feels the same way! No doubt my child will as well. " You've said all that needs to be said, Brother... I'll play the role I've been given.
Klaus Mikaelson
Anybody who comes to the cinema is bringing they're whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.
David Cronenberg
I can't imagine what you must think of me...And I don't expect you've forgiven me. Still, selfishly I have to ask you - are you glad I made you get out of the car? Was I right right? Was everything you felt for me on account of my manipulation? If so, please know I am deeply sorry. that I will NEVER bother you again - I swear you'll never have cause to fear me. But if I was wrong. If you still care for me - meet me? Paceo de colon, San Sebastia tower eight o' clock tonight -c
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
Society tried to teach me that children are by nature selfish, out-of-control, and demanding, that their goal is power and that they are always trying to see how much they can get away with, that you can't let children manipulate you or become too dependant, and that disobedience equals disrespect. As a mother, I have come to believe strongly that my child's primary goals are having his needs met, feeling connected to others, and feeling self-worth. His misbehavior is an attempt to get a need met or to feel significance and connection, done in an appropriate way.... my job as a parent is to help my child identify and meet those needs in appropriate ways." - Lisa S.
Hilary Flower (Adventures in Gentle Discipline: A Parent-to-Parent Guide)
You can't manipulate me. I made the choice because you look like some lost puppy dog at the the thought of losing me, and I felt bad for you.
Stephanie Rowe (Darkness Reborn (Order of the Blade #5))
I think hunting used to be important for human survival. Thats no longer the case, but they can't stop. A human being, perhaps, is made up of many nonsensical movements. But they've forgotten the movements necessary for life. These humans are manipulated by what remains of their memories.
Yōko Tawada (Memoirs of a Polar Bear)
Fae can’t lie, you know. But they can, and do, manipulate the truth.” “What’s the difference?” Mina asked. “Like, if you asked me if you were ugly, I couldn’t say yes, but I might tell you that you’ll probably never be prom queen.” “Pfft. Like I’d want to be.” “Only if Brody Carmichael were king.” Mina threw a stick at him, feeling the heat rush into her face.
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
Citizens of Luna, I ask that you stop what you’re doing to listen to this message. My name is Selene Blackburn. I am the daughter of the late Queen Channary, niece to Princess Levana, and the rightful heir to Luna’s throne. You were told that I died thirteen years ago in a nursery fire, but the truth is that my aunt, Levana, did try to kill me, but I was rescued and taken to Earth. There, I have been raised and protected in preparation for the time when I would return to Luna and reclaim my birthright. In my absence, Levana has enslaved you. She takes your sons and turns them into monsters. She takes your shell infants and slaughters them. She lets you go hungry, while the people in Artemisia gorge themselves on rich foods and delicacies. But Levana’s rule is coming to an end. I have returned and I am here to take back what’s mine. Soon, Levana is going to marry Emperor Kaito of Earth and be crowned the empress of the Eastern Commonwealth, an honor that could not be given to anyone less deserving. I refuse to allow Levana to extend her tyranny. I will not stand aside while my aunt enslaves and abuses my people here on Luna, and wages a war across Earth. Which is why, before an Earthen crown can be placed on Levana’s head, I will bring an army to the gates of Artemisia. I ask that you, citizens of Luna, be that army. You have the power to fight against Levana and the people that oppress you. Beginning now, tonight, I urge you to join me in rebelling against this regime. No longer will we obey her curfews or forgo our rights to meet and talk and be heard. No longer will we give up our children to become her disposable guards and soldiers. No longer will we slave away growing food and raising wildlife, only to see it shipped off to Artemisia while our children starve around us. No longer will we build weapons for Levana’s war. Instead, we will take them for ourselves, for our war. Become my army. Stand up and reclaim your homes from the guards who abuse and terrorize you. Send a message to Levana that you will no longer be controlled by fear and manipulation. And upon the commencement of the royal coronation, I ask that all able-bodied citizens join me in a march against Artemisia and the queen’s palace. Together we will guarantee a better future for Luna. A future without oppression. A future in which any Lunar, no matter the sector they live in or the family they were born to, can achieve their ambitions and live without fear of unjust persecution or a lifetime of slavery. I understand that I am asking you to risk your lives. Levana’s thaumaturges are powerful, her guards are skilled, her soldiers are brutal. But if we join together, we can be invincible. They can’t control us all. With the people united into one army, we will surround the capital city and overthrow the imposter who sits on my throne. Help me. Fight for me. And I will be the first ruler in the history of Luna who will also fight for you.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I write for the child in everybody,that part of us that is aware and open and courageous. It's also that part of us that isn't afraid to explore the mythical depths, that vast part of ourselves we know little about and which we often fear because we can't manipulate or control it. That's where art is born.
Madeleine L'Engle
A three-day-old human embryo is a collection of 150 cells called a blastocyst. There are, for the sake of comparison, more than 100,000 cells in the brain of a fly. If our concern is about suffering in this universe, it is rather obvious that we should be more concerned about killing flies than about killing three-day-old human embryos… Many people will argue that the difference between a fly and a three-day-old human embryo is that a three-day-old human embryo is a potential human being. Every cell in your body, given the right manipulations, every cell with a nucleus is now a potential human being. Every time you scratch your nose, you’ve committed a holocaust of potential human beings… Let’s say we grant it that every three-day-old human embryo has a soul worthy of our moral concern. First of all, embryos at this stage can split into identical twins. Is this a case of one soul splitting into two souls? Embryos at this stage can fuse into a chimera. What has happened to the extra human soul in such a case? This is intellectually indefensible, but it’s morally indefensible given that these notions really are prolonging scarcely endurable misery of tens of millions of human beings, and because of the respect we accord religious faith, we can’t have this dialogue in the way that we should. I submit to you that if you think the interests of a three-day-old blastocyst trump the interests of a little girl with spinal cord injuries or a person with full-body burns, your moral intuitions have been obscured by religious metaphysics.
Sam Harris (Letter to a Christian Nation)
Christianity grasped perfectly that there is an element in the apparent contingency of love that can’t be reduced to that contingency. But it immediately raised it to the level of transcendence, and that is the root of the problem. This universal element I too recognize in love as immanent. But Christianity has somehow managed to elevate it and refocus it onto a transcendent power. It’s an ideal that was already partly present in Plato, through the idea of the Good. It is a brilliant first manipulation of the power of love and one we must now bring back to earth. I mean we must demonstrate that love really does have universal power, but that it is simply the opportunity we are given to enjoy a positive, creative, affirmative experience of difference. The Other, no doubt, but without the “Almighty-Other”, without the “Great Other” of transcendence.
Alain Badiou (In Praise of Love)
Most parents send their children off to school with little bromides like "Have a great day! I can't wait to see you later!" or "Do your best at school today. We're having your favorite pizza for dinner tonight!" My mother would send me off with "Enjoy yourself. We could all be dead tomorrow.
Melissa Rivers (The Book of Joan: Tales of Mirth, Mischief, and Manipulation)
I realized that there are no certainties in life. You can't manipulate fate.
Bethenny Frankel (Skinnydipping)
You couldn't just leave her?" "No," he says. "She's going through some shit right now. I'm just trying to be there for her. As a friend. That's it!" "Gosh, she really knows how to work you, Peter!" "It's not like that." "It's always like that. She pulls the strings and you just . . ." I dangle my arms and head like a marionette doll. Peter frowns. "That was mean." "Well, I feel mean right now. So watch out." "You're not mean, though. Not usually." "Why can't you just tell me? You know I won't tell anyone. I really want to understand it, Peter." "Because it's not for me to say. Don't try to make me tell you, because I can't." "She's just doing this to manipulate you. It's what she does." I hear the jealousy in my voice, and I hate it, I hate it. This isn't me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
The only person that should wear your ring is the one person that would never… 1. Ask you to remain silent and look the other way while they hurt another. 2. Jeopardize your future by taking risks that could potentially ruin your finances or reputation. 3. Teach your children that hurting others is okay because God loves them more. God didn’t ask you to keep your family together at the expense of doing evil to others. 4. Uses religious guilt to control you, while they are doing unreligious things. 5. Doesn't believe their actions have long lasting repercussions that could affect other people negatively. 6. Reminds you of your faults, but justifies their own. 7. Uses the kids to manipulate you into believing you are nothing. As if to suggest, you couldn’t leave the relationship and establish a better Christian marriage with someone that doesn’t do these things. Thus, making you believe God hates all the divorced people and will abandon you by not bringing someone better to your life, after you decide to leave. As if! 8. They humiliate you online and in their inner circle. They let their friends, family and world know your transgressions. 9. They tell you no marriage is perfect and you are not trying, yet they are the one that has stirred up more drama through their insecurities. 10. They say they are sorry, but they don’t show proof through restoring what they have done. 11. They don’t make you a better person because you are miserable. They have only made you a victim or a bitter survivor because of their need for control over you. 12. Their version of success comes at the cost of stepping on others. 13. They make your marriage a public event, in order for you to prove your love online for them. 14. They lie, but their lies are often justified. 15. You constantly have to start over and over and over with them, as if a connection could be grown and love restored through a honeymoon phase, or constant parental supervision of one another’s down falls. 16. They tell you that they don’t care about anyone other than who they love. However, their actions don’t show they love you, rather their love has become bitter insecurity disguised in statements such as, “Look what I did for us. This is how much I care.” 17. They tell you who you can interact with and who you can’t. 18. They believe the outside world is to blame for their unhappiness. 19. They brought you to a point of improvement, but no longer have your respect. 20. They don't make you feel anything, but regret. You know in your heart you settled.
Shannon L. Alder
I experience what it is to exist in perpetual fear, afraid, totally controlled, manipulated, ashamed at all times and many more things one can’t still think to talk around.
Dr. Patricia Dsouza Lobo (When Roses are Crushed)
Fae can’t lie, you know. But they can, and do, manipulate the truth.” “What’s the difference?” Mina asked. “Like, if you asked me if you were ugly, I couldn’t say yes, but I might tell you that you’ll probably never be prom queen.” “Pfft. Like I’d want to be.” “Only if Brody Carmichael were king.” Mina threw a stick at him, feeling the heat rush into her face.
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
It is natural in interaction to assume that what you feel in reaction to others is what they wanted to make you feel. If you feel dominated, it’s because someone is dominating you. If you can’t find a way to get into a conversation, then someone is deliberately locking you out. Conversational style means that this may not be true. The most important lesson to be learned is not to jump to conclusions about others in terms of evaluations like “dominating” and “manipulative.
Deborah Tannen (That's Not What I Meant!: How Conversational Style Makes or Breaks Relationships)
We have a predator that came from the depths of the cosmos and took over the rule of our lives. Human beings are its prisoners. The Predator is our lord and master. It has rendered us docile, helpless. If we want to protest, it suppresses our protest. If we want to act independently, it demands that we don't do so... I have been beating around the bush all this time, insinuating to you that something is holding us prisoner. Indeed we are held prisoner! "This was an energetic fact for the sorcerers of ancient Mexico ... They took us over because we are food for them, and they squeeze us mercilessly because we are their sustenance. just as we rear chickens in chicken coops, the predators rear us in human coops, humaneros. Therefore, their food is always available to them." "No, no, no, no," [Carlos replies] "This is absurd don Juan. What you're saying is something monstrous. It simply can't be true, for sorcerers or for average men, or for anyone." "Why not?" don Juan asked calmly. "Why not? Because it infuriates you? ... You haven't heard all the claims yet. I want to appeal to your analytical mind. Think for a moment, and tell me how you would explain the contradictions between the intelligence of man the engineer and the stupidity of his systems of beliefs, or the stupidity of his contradictory behaviour. Sorcerers believe that the predators have given us our systems of belief, our ideas of good and evil, our social mores. They are the ones who set up our hopes and expectations and dreams of success or failure. They have given us covetousness, greed, and cowardice. It is the predators who make us complacent, routinary, and egomaniacal." "'But how can they do this, don Juan? [Carlos] asked, somehow angered further by what [don Juan] was saying. "'Do they whisper all that in our ears while we are asleep?" "'No, they don't do it that way. That's idiotic!" don Juan said, smiling. "They are infinitely more efficient and organized than that. In order to keep us obedient and meek and weak, the predators engaged themselves in a stupendous manoeuvre stupendous, of course, from the point of view of a fighting strategist. A horrendous manoeuvre from the point of view of those who suffer it. They gave us their mind! Do you hear me? The predators give us their mind, which becomes our mind. The predators' mind is baroque, contradictory, morose, filled with the fear of being discovered any minute now." "I know that even though you have never suffered hunger... you have food anxiety, which is none other than the anxiety of the predator who fears that any moment now its manoeuvre is going to be uncovered and food is going to be denied. Through the mind, which, after all, is their mind, the predators inject into the lives of human beings whatever is convenient for them. And they ensure, in this manner, a degree of security to act as a buffer against their fear." "The sorcerers of ancient Mexico were quite ill at ease with the idea of when [the predator] made its appearance on Earth. They reasoned that man must have been a complete being at one point, with stupendous insights, feats of awareness that are mythological legends nowadays. And then, everything seems to disappear, and we have now a sedated man. What I'm saying is that what we have against us is not a simple predator. It is very smart, and organized. It follows a methodical system to render us useless. Man, the magical being that he is destined to be, is no longer magical. He's an average piece of meat." "There are no more dreams for man but the dreams of an animal who is being raised to become a piece of meat: trite, conventional, imbecilic.
Carlos Castaneda (The Active Side of Infinity)
Xiao YuAn, listen to me very carefully. I like you, the kind of like in which I want to tie you to my bed. The kind of like that in addition to me, you won’t see anyone else. In which, night after night you’ll be under my arms begging for mercy. I’ll make your eyes cry until the corners of your eyes become red, and your fingers clutch the bedding because you can’t bear my manipulation on your body. You will desperately try to escape, but you’ll be unable to move, trying really hard to breathe as you can’t stop your mouth from moaning in pleasure. Do you understand me?
伊依以翼 (穿成囚禁男主的反派要如何活命 How to Survive As a Villain)
It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative...we were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or a TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crispier, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
I’m not in a position where I can blindly allow myself to be manipulated. I’m a robot who has awoken to the realization that I’ve been damaged so I can’t perform, so I can’t take my rightful place within this society. And I don’t want to be damaged anymore.
Sarah Noffke (Defects (The Reverians, #1))
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can’t recall a single amazing thing I have seen firsthand that I didn’t immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore.
Gillian Flynn (Gone Girl)
Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
I reply with my own bout of sarcasm, speaking in my best George Dubya voice. “Corporate America, driven by the power elite, a group so powerful they orchestrate wars in order to generate wealth—incomprehensible wealth. A group of people loyal to no country—whose interests know no borders—who manipulate all peoples and cultures equally, adhering to no government regulations. And as long as the people continue to elect dumb politicians like myself, it will be easy to maintain control. Just remember, America, fool me once, shame on…shame on you… Fool me, you can’t get fooled again.
Aaron B. Powell (Priority)
I can't escape reality but my mind can twist it for me. Therefore, mind can manipulate things.
Aser Alas Jr.
I LOVE the anointing of God...it cannot be bought and one can't manipulate the Lord to get it...Thank God for that!
Norma I. Garcia
I can’t even die—she has manipulated my heart into beating with hope.
Noyar Cecil (Condemned by Pain: A Captive Romance of a Revenge that Became a Requiem)
Not only have I had friends give up on me for being unreliable, I’ve also had relationships go south because I can’t keep track of how I’m being treated. Is this friend saying something unkind for the first time or the fiftieth? What was that last fight about, anyway? Forgetful people—particularly those of us with low self-esteem (see above)—can be easy to manipulate.
Jessica McCabe (How to ADHD: An Insider's Guide to Working with Your Brain (Not Against It))
You’re just going to leave me here?” I shout after her. “I’m not leaving you here, Emma. You’re keeping yourself here.” She leaves me with those crazy words, and then she’s gone. I am paralyzed on the beach in my school clothes. I can’t help but feel that I’m in huge trouble. But why should I? She was babysitting me, not the other way around, right? It’s not like I can chase her down and follow her. Her fins have already gone a distance I can’t cover with my puny human legs. Besides, these are my favorite jeans; the salt water would be unforgiving. Except…There is that shiny new jet ski sitting there. I could close the distance between us, put my foot in the water, and find her. She would sense me, come back to see why I was in the water. Wouldn’t she? Of course she would. Then I could talk her into staying here, not leaving me alone to drive myself crazy. I could manipulate her into feeling sorry for me. Unless she’s the complete sociopath I think she is.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I want to see her naked, " Mengele said pointing to Marlene. She cried and shock. My mother flung her body in front of Marlene's and said, "You can't have her. I love her, my daughter." My father said, "Take the younger one. She's smarter, " as he pushed me over forward. Marlene cried because father said I was smarter even though he was just trying to manipulate Mengele. The doctor's chest grew large.
Wendy Hoffman (The Enslaved Queen: A Memoir About Electricity and Mind Control (The Karnac Library))
If you told me she was a master manipulator or, I don’t know - a witch? - I’d probably nearly be relived. Relived to have a reason to be stuck on her how I am more than just because I love her in a way I can’t undo.
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
I know it sounds a bit trite, but I really do get everything I want now. They say life is a game, and I guess I might agree if the stakes were a little higher, but it’s just so easy to fall into a cycle. I get bored.
Kris Kidd (I Can't Feel My Face)
Complainers, like the friend on the phone, who complain endlessly without looking for solutions. Life is a problem that will be hard if not impossible to solve. Cancellers, who take a compliment and spin it: “You look good today” becomes “You mean I looked bad yesterday?” Casualties, who think the world is against them and blame their problems on others. Critics, who judge others for either having a different opinion or not having one, for any choices they’ve made that are different from what the critic would have done. Commanders, who realize their own limits but pressure others to succeed. They’ll say, “You never have time for me,” even though they’re busy as well. Competitors, who compare themselves to others, controlling and manipulating to make themselves or their choices look better. They are in so much pain that they want to bring others down. Often we have to play down our successes around these people because we know they can’t appreciate them. Controllers, who monitor and try to direct how their friends or partners spend time, and with whom, and what choices they make. You can have fun with this list, seeing if you can think of someone to fit each type. But the real point of it is to help you
Jay Shetty (Think Like a Monk: Train Your Mind for Peace and Purpose Everyday)
When I was ten years old, one of my friends brought a Shaleenian kangaroo-cat to school one day. I remember the way it hopped around with quick, nervous leaps, peering at everything with its large, almost circular golden eyes. One of the girls asked if it was a boy cat or a girl cat. Our instructor didn't know; neither did the boy who had brought it; but the teacher made the mistake of asking, 'How can we find out?' Someone piped up, 'We can vote on it!' The rest of the class chimed in with instant agreement and before I could voice my objection that some things can't be voted on, the election was held. It was decided that the Shaleenian kangaroo-cat was a boy, and forthwith, it was named Davy Crockett. Three months later, Davy Crockett had kittens. So much for democracy. It seems to me that if the electoral process can be so wrong about such a simple thing, isn't it possible for it to be very, very wrong on much more complex matters? We have this sacred cow in our society that what the majority of people want is right—but is it? Our populace can't really be informed, not the majority of them—most people vote the way they have been manipulated and by the way they have responded to that manipulation—they are working out their own patterns of wishful thinking on the social environment in which they live. It is most disturbing to me to realize that though a majority may choose a specific course of action or direction for itself, through the workings of a 'representative government,' they may be as mistaken about the correctness of such a choice as my classmates were about the sex of that Shaleenian kangaroo-cat. I'm not so sure than an electoral government is necessarily the best.
David Gerrold (Star Hunt (Star Wolf, #1))
Sometimes it seems as though the only way a man can judge his own niceness, his own decency, is by looking at his relationships with women, or rather, with prospective or current sexual partners. It’s easy enough to be nice to your mates. You can buy them a drink, make them a tape, ring them up to see if they’re OK … there are any number of quick and painless methods of turning yourself into a Good Bloke. When it comes to girlfriends, though, it’s much trickier to be consistently honorable. One moment you’re ticking along, cleaning the toilet bowl, and expressing your feelings and doing all the other things that a modern chap is supposed to do; the next, you’re manipulating and sulking and double-dealing and fibbing with the best of them. I can’t work it out.
Nick Hornby (High Fidelity)
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who grew up with TV and movies and now the internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script
Gillian Flynn (Gone Girl)
you want to know what angers me? when they take my kindness as a symbol of stupidity a way of swerving around problems being able to lie and manipulate in a way i can’t perfectly see because my light is perfectly blurred by the uniqueness of my own over-giving soul
Freya Ede (all despite the darkness)
But I despise the way you use the word ‘sin’ to manipulate others.” Feelings locked deep inside her suddenly rushed from her mouth as if a dam had been broken. “You use that word to paralyze the mind, just like we use the Silent Whistle to freeze the Beasts and Toda. I can’t bear to see people bind others like that.
Nahoko Uehashi (The Beast Player (The Beast Player, #1-2))
If my child has died, that’s the way of it. Any argument with that brings on internal hell. “She died too soon.” “I didn’t get to see her grow up.” “I could have done something to save her.” “I was a bad mother.” “God is unjust.” But her death is reality. No argument in the world can make the slightest dent in what has already happened. Prayer can’t change it, begging and pleading can’t change it, punishing yourself can’t change it, and your will has no power at all. You do have the power, though, to question your thought, turn it around, and find three genuine reasons why the death of your child is equal to her not dying, or even better in the long run, both for her and for you. This takes a radically open mind, and nothing less than an open mind is creative enough to free you from the pain of arguing with what is. An open mind is the only way to peace. As long as you think that you know what should and shouldn’t happen, you’re trying to manipulate God. This is a recipe for unhappiness.
Byron Katie (Question Your Thinking, Change the World: Quotations from Byron Katie)
What you call your life is not yours at all--not yours to plan, manipulate, or control, at least not very often. . . . In fleeting moments of deep satisfaction and insight, I saw the absolute truth of life: the unbroken line of love that had led to my existence and would lead on through my daughter. My mother's love, her mother's love, her mother's love, and back and back forever ago. Love that is no mere word, love that goes beyond feeling, love that is life itself. . . . What miracles, what sacrifice, what love! . . . Can you imagine this love? Can you anticipate it, fabricate it, measure and evaluate it? No you can't, you can only be love, and your child will release its magnitude within you.
Karen Maezen Miller (Momma Zen: Walking the Crooked Path of Motherhood)
Are we running hot or something?" Peabody demanded. "So a person can't take a minute to have a cup of coffee and maybe a small bite to eat, especially when the person got off a full subway stop early to work off the anticipated bite to eat." "If you're finished whining about it, I'll fill you in." "A real partner would have brought me a coffee to go so I could drink it while being filled in." "How many coffee shops did you pass on your endless and arduous hike from the subway?" "It's not the same," Peabody muttered. "And it's not my fault I'm coffee spoiled. You're the one who brought the real stufff made from real beans into my life. You addicted me." She pointed an accusing finger at Eve. "And now you're withholding the juice." "Yes, that was my plan all along. And if you ever want real again in this lifetime, suck it up and do my bidding." Peabody stared. "You're like Master Manipulator. An evil coffee puppeteer." "Yes, yes, I am. Do you have any interest, Detective, in where we're going, who we're going to see, and why?" "I'd be more interested if I had coffee.
J.D. Robb (Salvation in Death (In Death, #27))
Publishers and advertisers can't differentiate between the types of impressions an ad does on a site. A perusing reader is no better than an accidental reader. An article that provides worthwhile advice is no more valuable than one instantly forgotten. So long as the page loads and the ads are seen, both sides are fulfilling their purpose. A click is a click.
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
Gillian Flynn (Gone Girl)
Chill out Roman. You deserve a bit of a rake over the coals for what you pulled. I mean what were you even thinking, making a bet like that? You can't go around treating people like chess pieces that you can manipulate and maneuver any which way you like. It's really a bit of karmic justice that you were the one who fell for her in the end. Maybe it will teach you a lesson not to mess with people like that again.
Calista Kyle (The Wager (Wagered Hearts, #1))
Anger is a completely natural emotion. It’s a strong signal that our needs aren’t being met. Evolutionarily it protects us when we perceive a threat in our environment. The destructive effects of anger come from how we handle it, not from the anger itself. When we can differentiate the stories of blame from our unmet needs, we can express ourselves more constructively. Feeling “manipulated” or “betrayed” indicates that your emotions are colored by an interpretation about the other person’s intentions. To honor the intensity of your experience without getting entangled in the blame game, see those words as information that points back to your feelings and needs. Investigate what’s in your heart. When you tell yourself, “I’m being manipulated,” how do you feel on the inside? What do you need? Once this is clear, work on conveying the depth of your feelings without blame. Express the rawness of your emotions and connect them to what matters to you. If you can’t find other words (and if you think the other person will understand), you could take responsibility for the blame by saying something such as, “I’m telling myself a story that you betrayed me.” This indicates your subjective interpretation while leaving space for the other person’s experience.
Oren Jay Sofer (Say What You Mean: A Mindful Approach to Nonviolent Communication)
I’m sorry, but our people are not ready to accept artificial intelligences.” President Smith shook her head. “You can’t have it both ways. You can’t say that you’re going to be our robot overlords and that you’ll participate in society as equals. The fact is that you have the capacity to control our communications and our infrastructure, and people will believe that they are being manipulated, whether they are or not. They won’t accept that. We’ll have riots in the streets of America.” “Your people are manipulated every day,” Sister Jaguar said. “They are manipulated by commercial advertisements, by political speeches, through biased news reports. In my analysis of American politics, it is nearly impossible to find examples of political media that isn’t tainted by manipulation. Are your people rioting in the streets now? They should be.
William Hertling (A.I. Apocalypse (Singularity #2))
Feelings of a Pimp They think I was a player because I was devoted to the game They thought I worked hard on my offense to break down these women’s defenses just to score They think it’s the body count that made me manipulate them into my arms to get between their legs They think I’m satisfied with a different woman in my bed every night When during the day, even my bed can feel the loneliness They think I love the easy women They think it’s for the cool points that my heart grew cold They think they have me figured out Another dog chasing after every female dog in the streets They think I’m happy with all the texting buddies, but no wife But they don’t know They don’t know how tired I am of this, how tired I am of myself How tired I am of living like this How tired I am of these games, but that’s the only way I can score with a chick They don’t know how after sleeping with these ladies, I wish I had more chemistry with at least one of them to cuddle, to give goodnight kisses and wake up beside They don’t know how loneliness consumes me With a phone filled with women’s numbers, I still feel unwanted and unworthy They don’t know these easy women make it easy for me to feel confident about myself; although it’s the wrong type of confidence I feel validated by them, I feel accomplished, I feel loved although I’m having sex with them, not making love They don’t know how tired I am of chasing fool’s gold Chasing fast women who would sleep with me in a heartbeat Leaving me with the empty feeling I felt before I started the chase The player in me is played out. I just want love, but that’s the only thing I can’t seem to find So, I keep pimping in hope of finding love Her insecurities were beautiful They opened the door for me as an opportunist She was the perfect candidate Oh so sweet, but oh so hurt How smart would I be if I didn’t capitalize? Some fellas get women drunk and have their way with them I was doing nothing wrong but pretending to be prince charming, just to get the same results I became what they needed emotionally I was the shoulder to cry on, the ear to listen to, the one person who understood I was a smooth criminal manipulating the innocent Did not feel an ounce of guilt because I was weak myself I was insecure I couldn’t help preying on vulnerable women In their weakness I found strength I was a coward, a “wannabe” player I was playing the wrong games, winning the wrong prizes The truth is, no strong man takes advantage of a woman’s vulnerability. It is a trait of the weak. Diary of a Weak Man
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
Ours is a society so immersed in the sea of video reactions that there are little old ladies out there who know Hoss Cartwright is more real than their next door neighbors. Everyone of value to them is an image. A totem. A phosphor-dot wraith whose hurts and triumphs are created from the magic of a scenarist’s need to make the next payment on his Porsche. (I recommend a book titled Bug Jack Barron by Norman Spinrad, for a more complete, and horrifying analysis of this phenomenon. It’s an Avon paperback, so it shouldn’t trouble you too much to pick it up.) But because of this acceptance of the strangers who appear on the home screen, ours has become a society where shadow and reality intermix to the final elimination of any degree of rational selectivity on the part of those whose lives are manipulated: by the carnivores who flummox them, and the idols they choose to worship. I don’t know that there’s any answer to this. If we luck out and we get a John Kennedy or a Leonard Nimoy (who, strangely enough, tie in to one another by the common denominator of being humane), then we can’t call it a bad thing. But if we wind up with a public image that governs us as Ronald Reagan and Joe Pyne govern us, then we are in such deep trouble the mind turns to aluminum thinking of it.
Harlan Ellison (The Glass Teat: Essays)
I suppose the real reason Ginny Weasley's like this is because she opened her heart and spilled all her secrets to an invisible stranger." "What are you talking about?" said Harry. "The diary," said Riddle. "My diary. Little Ginny's been writing in it for months and months, telling me all her pitiful worries and woes- how her brothers tease her, how she had come to school with secondhand robes and books, how"- Riddle's eyes glinted- "how she didn't think famous, good, great Harry Potter would ever like her..." All the time he spoke, Riddle's eyes never left Harry's face. There was an almost hungry look in them. "It's very boring, having to listen to the silly little troubles of an eleven-year-old girl," he went on. "But I was patient. I wrote back. I was sympathetic, I was kind. Ginny simply loved me. No one's ever understood me like you, Tom... I'm so glad I've got this diary to confide in.... It's like having a friend I can carry around in my pocket...." Riddle laughed, a high, cold laugh that didn't suit him. It made the hairs stand up on the back of Harry's neck. "If I say it myself, Harry, I've always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted.... I grew stronger and stronger on a diet of her deepest fears, her darkest secrets. I grew powerful, more powerful than little Miss Weasley. Powerful enough to start feeding Miss Weasley a few of my secrets, to start pouring a little of my soul into her..." "What d'you mean?" said Harry, whose mouth had gone dry. "Haven't you guessed yet, Harry Potter?" said Riddle softly. "Ginny Weasley opened the Chamber of Secrets. She strangled the school roosters and daubed threatening messages on the walls. She set the Serpent of Slytherin on four Mudbloods, and the Squib's cat." "No," Harry whispered. "Yes," said Riddle, calmly. "Of course, she didn't know what she was doing at first. It was very amusing. I wish you could have seen her new diary entries... far more interesting, they became... Dear Tom," he recited, watching Harry's horrified face, "I think I'm losing my memory. There are rooster feathers all over my robes and I don't know how they got there. Dear Tom, I can't remember what I did on the night of Halloween, but a cat was attacked and I've got paint all down my front. Dear Tom, Percy keeps telling me I'm pale and I'm not myself. I think he suspects me.... There was another attack today and I don't know where I was. Tom, what am I going to do? I think I'm going mad.... I think I'm the one attacking everyone, Tom!
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I have seen countless people say they want to transform themselves and their lives and tune into the new vibration. But when the challenges have come, which are necessary to make that happen, they want out immediately and go back to life as before. Yet these challenges set us free. The reason we face personal and emotional mayhem when we start this journey is because of the need to clean out our emotional cesspit of suppressed and unprocessed emotional debris that we have pushed deep into our subconscious because we don’t want to deal with it. If we don’t clear the emotional gunge of this and other physical lifetimes, we can’t reconnect with our multidimensional self. We can’t be free of the reptilian manipulation and control from the lower fourth dimension. So when we say we intend to transform, that intent draws to us the people and experiences necessary to bring that suppressed emotion to the surface where we can see it and deal with it. The same is happening collectively as the information presented in this book comes into the light of public attention, so we can see it, address it and heal it. Much of the New Age is in denial of this collective cesspit because it doesn’t want to face its own personal cesspit. It would rather sit around a candle and kid itself it is enlightened while, in fact, it is an emotional wreck with a crystal in its hand. The information in this book is part of the healing of Planet Earth and the human consciousness as the veil lifts on all that has remained hidden and denied. Hey, this is a wonderful time we’re living through here. We are tuning to the cosmic dance, the wind of change, the rhythm of reconnection with all that is, has been, or ever will be. You have come to make a difference, for yourself and for the world. You have the opportunity to do that now, now, now. Grasp it and let’s end this nonsense. A few can only control billions because the billions let it happen. We don’t have to. And we can change it just by being ourselves, allowing other people to be themselves, and enjoying the gift of life. This is not a time to fear and it’s not a time to hide. It is a time to sing and a time to dance.
David Icke (The Biggest Secret: The book that will change the World)
could do. My stomach hit bottom. "I'm really stuck with this." "Try not to look at it like that." "I look at it the way it is. That's why you keep showing up? To tell me…" I began to hyperventilate. "I can't ever… get rid… of it?" I gulped air. "Breathe, Echo." What was with this guy? He claimed he'd help me but clearly had no intention of doing so. I didn't appreciate being manipulated. My breathing relaxed, and I pulled myself together.
Skye Genaro (The Echo Saga Books 1 & 2: Echo Across Time and Echo Into Darkness Book Bundle)
You haven't said yet weather I may help you while I am here" Elnora hesitated. You better say 'yes,'" he persisted. It would be a real kindness. It would keep me out doors all day and give an incentive to work. I'm good at it. I'll show you if I am not in a week or so. I can 'sugar' manipulate lights, and mirrors, and all the expert methods. I'll wager moths are think int the old swamp over there" They are," said Elnora. "Most I have I took there. A few nights ago my mother caught a good many, but we don't dare go alone" All the more reason why you need me. Where do you live? I can't get an answer from you, I'll just go tell your mother who I am and ask her if I may help you. I warn you young lady, I have a very effective way with mothers. They almost never turn me down." Then it's probable you will have a new experience when you meet mine," said Elnora. "She never was known to do what anyone expected she surely would.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
The big question of the hour is prett obvious: it's the question we've been asking every scientist from Galileo to Oppenheimer, from Frankenstein to Moreau. Do I feel like we at SymboGen are trying to play God? Well, there's a reason that two of the scientists I just named don't really exist. I think that mankind is constantly trying to play God: I would argue that playing God is exactly what God, if He exists, would want us to do. He didn't create thinking creatures with the intent that we would never think. That would be silly. He didn't create creatures that were capable of manipulating and remaking our environment with the intent that we would sit idle and never create anything. That would be a waste. If God exists― and I am reserving my final opinion on the matter until I die and meet Him― then He is a scientist, an by creating man, he was playing at being me for a little while. So I can't imagine that He would mind if I wanted to try putting the shoe on the other foot, can you?
Mira Grant (Symbiont (Parasitology, #2))
I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That's why it was easy for me to believe it could be false or manipulated or influenced by magic. 'Until I met you, I didn't understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn't bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you're not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don't want to go through this world without the one person I can't hide from and who can't hide from me. 'Come back,' he says again, tears burning the back of his throat. 'You want and you want and you want, remember? Well, wake up and take what you want.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Forgive us our sins as we forgive those who sin against us. Jesus always seems to be pairing God's forgiveness of us with our forgiveness of others. But why? Growing up, I thought it was a way of guilting us into forgiving others, like Jesus was saying, Hey, I died for you and you can't even be nice to your little brother? As though God can get us to do the right thing if God can just make us feel bad about how much we owe God. But that is not the God I see in Jesus Christ. That is a manipulative mother.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
When I give in to someone who’s pressuring me, I do it because: I’m afraid of their disapproval. I’m afraid of their anger. I’m afraid they won’t like/love me anymore and may even leave me. I owe it to them. They’ve done so much for me, I can’t say no. It’s my duty. I’ll feel too guilty if I don’t. I’ll feel selfish/unloving/greedy/mean if I don’t. I won’t be a good person if I don’t. You’ll notice that the first three statements relate to fear, the second three to obligation and the last three to guilt.
Susan Forward (Emotional Blackmail: When the People in Your Life Use Fear, Obligation, and Guilt to Manipulate You)
I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or a TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters.
Gillian Flynn (Gone Girl)
The term ‘political correctness’ has evolved out of the Marxist and Freudian philosophies of the 1930s to become a tool for multicultural-ism, multisexualism, multitheism, and multi-anythingism. It was created to discourage bias and prejudiced thinking that discriminates against an individual or group. It has become society’s way of not offending anyone, whether it is an individual, a group, or a nation. In many instances, however, it is a simple, disarming way of ignoring or deflecting the truth about a situation. Today, the use of political correctness has become so abused that anyone who voices his or her opinion contrary to ‘politically correct think’ is immediately tagged with some form of disparaging label, such as racist and bigot. This exploitation has gotten so out of control that this name-calling accusation is used as a simple and mindless means to manipulate academic, social, or political discussion. The result is a social paranoia which discourages free thought and expression. It’s like living in a totalitarian state in which you are afraid to say what you think. Now who wants to suffer that? So people keep quiet. Their opinions are held captive to fear. How handy for the Islamo-fascists, the American-hating, Jew-killing, Israel-destroying, women-abusing, multireligious-intolerant Muslims. Oh! Excuse me. Did I say something not quite PC? This social paranoia is similar to the attitude that developed in the late 1980s and 1990s, when people became so concerned about children’s self-esteem that failure could not be acknowledged or misbehavior corrected. ‘Now, let’s not hurt their feelings’ was the standard approach. This degree of concern led to teachers giving passing grades for poor performance and youth sport activities where no one kept score. And what has been the fallout of all that psychobabble? High school kids who can’t read their diploma or make change for a dollar, internationally embarrassing scholastic performance scores, and young adults ill equipped to face the competitive lifestyle the world has to offer. They are left watching the television show The Apprentice, not competing to be an apprentice. America got itself into a mess by not upholding the high standards and expectations it once had, instead giving in to mediocrity; and we’re getting into a mess now with political correctness.
Brigitte Gabriel (Because They Hate)
First, remember how Control Dramas get started in the first place. When people feel insecure, they do things to feel better in various ways. We don’t just have to defend against our own hurts and anxieties; we also have to defend against others who we think are trying to put us down or otherwise manipulate us to steal our energy. When someone puts us down, we sense that we are under attack and pay attention to them. Because “where attention goes, energy flows,” they get a hit of energy from us and we feel diminished. So we tend to fight back by putting them down or manipulating them in return to get the energy back. As you read in Celestine, this is the game played by too many, keeping too much conflict and corruption in the world. But this is all Ego stuff, of course, developed initially in insecure families. You already know the cure is to always be Spiritually Connected so we have our own centered inner security, which gives us an endless supply of energy, regardless of who is trying to steal it. We don’t have to play these games any longer. Here is what to do: simply stay connected with the person, giving them energy, and then “name their game.” For instance, if you are facing a “poor me” drama, in which the person wants to make you feel guilty about something you didn’t intend to do, simply say, “I am feeling that I’m being forced to feel guilty.” And stick to that. Don’t defend yourself. Just keep explaining your experience of the situation. Keep sending love. They might need to retreat, but you aren’t affected. You are a giver, secure in yourself. You cleared an inauthentic game by expressing authentic honesty. You offered your experience of the situation. Whether the other person wanted to or not, in response to your authenticity, they will find themselves becoming more authentic as well. And since you aren’t disconnecting, it opens the door to talk about true feelings in a relationship. Sometimes it’s the “aloof” Control Drama you’re facing, and the person is using distancing or mystification to get you to keep asking questions in order to win your energy. Collapse their game by giving them energy anyway and authentically saying, “I feel like I really can’t get to know you because you don’t share details about yourself.” Similarly, if you are facing an “Interrogator” who bids for energy by constantly finding something to criticize about you, simply say that you feel criticized and put down when you are with them. They will feel your energy and authentic sincerity and, again, will grow more authentic themselves, right in front of your eyes. The same name-the-game approach also works for the most aggressive Control Drama, the “Intimidator,” trying to get energy from you by telling you they are going to blow up and do something crazy, literally trying to scare you into giving them energy. Gently name the game, but be careful—sometimes it is more prudent to remove yourself from the situation.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
We didn't chat much about the bad things that were happening around us--and if we had chosen to, I'm not sure that the conversation would have been very long. It's difficult to put a nightmare into words, and this is exactly what our lives were--nightmares. If someone had asked us to describe our days, we'd have talked about waking up, going to school, eating lunch, going home, church, taking a nap, doing homework, more church, eating dinner - nothing extraordinary whatsoever. The thing about nightmares is that they don't immediately appear to be nightmares--instead, they come, masquerading as benign events, all snipped apart and mashed back together, but when you wake up, you can't forget what your brain has shown you. Instead, you begin to perseverate on the short moments of the dream that aren't sitting well with you, and it's in these short moments that you realize that this dream was no dream, it was a nightmare, and it is not benign at all. It is, in actuality, milliseconds of your real life, stolen from the memories you'd put aside because they are too terrifying to acknowledge, then turned and twisted and manipulated until they are almost completely unrecognizable.
Lenore Zion (Stupid Children)
I can’t explain why I love him so much. Maybe because he’s the only person who understands what it’s like to be manipulated by Jonathan for his gain. Or maybe because I know deep down there’s a soul that needs love more than anyone else, and I can’t help but reciprocate to the fullest degree. I put my arm around his shoulder again and say, “Maybe one day you’ll be able to outrun me.” He lets out a dry, bitter laugh. “Maybe if I break both your legs.” I grin. “Would you even be fucking fast enough to do that?” “Give me a lacrosse stick and we’ll see.” “Not fucking happening, little brother.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
This syndrome is a distant cousin to Post-Traumatic Stress Disorder, or PTSD. What makes PBS different from PTSD is the sense of disbelief one gets from PBS. How could someone who loved me hate me so deeply? How could I stay and subject myself to all that pain despite all my education and awareness? Remember the error message—the brain can’t compute bizarre behavior right away, but after some time, it can look back and parse through the details. But that’s rarely a neutral process. It can create an inability to focus and a foggy mental state that keeps the victim stumbling through their day.
Don Barlow (Gaslighting & Narcissistic Abuse Recovery: Recover from Emotional Abuse, Recognize Narcissists & Manipulators and Break Free Once and for All)
It’s not a matter of manipulation. They’ll all be justified in their actions and words. I’m afraid you’ll finally hear something that crosses a line you can’t bear. I’m afraid you’ll be disgusted by it and never want to see me again.” Arianna silenced him with a kiss. “I’m not disgusted by you.” “Maybe you should be.” “You’re as much a victim to the world, you know.” “It doesn’t excuse what I’ve done. Plenty of others have had their share of difficult lives without resorting to killing." Arianna lowered her voice. “Let me love you. Let me in despite your demons, and let me face them myself when the time comes.
J.E. Reed (The Revered and the Pariah (Fae of Alastríona Book 2))
I’m always talking about the internet and what’s happening now, so cancel culture is something I’m interested in as a phenomenon, but I don’t want it to come across like I’m butt-hurt about it because, honestly, I don’t really care. Because what is cancelling? People start a social media account and once they get more than 300 followers they can’t see their audience as anything but an audience, something to be performed to — which is why you get the weird thing of your mate who works in a brewery talking on Facebook like he’s talking to a packed convention centre. When you’re performing to an audience, the only human inclination is to be the benevolent protagonist. You’d never assume the role of the antagonist — that’s why trolls exist with anonymity. People who actually put themselves out there, online, their role is to be the good guy. We’re not aware of the solipsism of this behaviour because we’re all doing it. So once a week, culture generates a baddie so all the good guys can go: ‘Look how good I am in opposition to how bad he is.’ And the reason we forget about whatever morally [dubious] thing that person has done a week later is because we don’t care. It’s all literally a performance. There’s a purposeful removal of context in order to seem virtuous that happens so constantly that people can’t even be arsed.
Matty Healy
When we name something, we take back control—converting the ambiguous to something tangible that we can understand, manipulate, and come to terms with. Even how we talk about feelings and emotions matters. Take the example of depression. It’s common to say, “I’m sad.” But that doesn’t make sense when you think about it. That implies that sadness is concrete, a trait that you can’t change. If instead you say, “I’m experiencing a wave of sadness,” it implies that it’s a trait that will pass. It might seem trivial, but the language we use to describe what we are experiencing goes a long way in determining whether we have power over our emotions or they control us.
Steve Magness (Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness)
When an emergency arose that necessiated Uncle Jay-Jay to shoe a horse himself, I always manipulated the bellows. He was always so exacting that I did it with great decorum, fearing his displeasure. This case was different. I worked the pole with such energy that it nearly blew the fire out of the pan, and sent ashes and sparks in a whirlwind around Harold. “That the way to blow?” I asked demurely. “Take things a little easier,” He replied. I took them so easily that the fire was on its last gasp and the shoe was almost cold when required. “This won’t do,” Said Harry. I recommenced with such force that he had to retreat. “Steady! Steady!” He shouted. “Sure, O’i can’t plaze yez anyhows,” I replied
Miles Franklin
Cal stares at me, eyes full of accusation. And longing. This time he takes me by surprise when he steps closer, and I fall back on my heels. “Did your mother destroy you entirely? Is there anything left of you?” he asks, searching my face. “Anything that isn’t hers?” He won’t tell me what he’s looking for, but I know. Despite the walls my mother built around me, Cal always manages to weasel through. His hunting eyes fill me with sorrow. Even now, he thinks there’s something in me left to save—and to mourn. There is no escaping our fate, not for either of us. He must sentence me to die. And I must accept death. But Cal wants to know if he’s killing his brother along with the monster—or if the brother died long ago. Cut for cut, my mother whispers, louder now, taunting. The words slice like a razor. It would hurt him deeply, wound him forever, if I let him glimpse what little is left of me. That I’m still here, in some forgotten corner, just waiting to be found. I could ruin him with one glance, one echo of the brother he remembers. Or I could free him of me. Make the choice for him. Give my brother one last proof of the love I can no longer feel, even if he never knows it. I weigh the choice in my heart, each side heavy and impossible. For one terrifying moment, I don’t know what to do. Despite all my mother’s fine work, I can’t find it in myself to land that final blow. I drop my gaze, forcing a detached smirk to my lips. “I would do it all again, Cal,” I tell him, lying with such grace. It feels easy, after so many years behind a mask. “If given the choice to go back, I would let her change me. I would watch you kill him. I’d send you to the arena. And I’d get it right. I’d give you what you deserve. I’d kill you now if I could. I’d do it a thousand times.” My brother is simple, easy to manipulate. He sees only what lies in front of him, only what he can understand. The lie does its job well. His eyes harden, that undying ember in him almost extinguished entirely. One hand twitches, wanting to form a fist. But the Silent Stone affects him too, and even if he had the strength to make me burn, he could not. “Good-bye, Maven,” Cal says, his voice broken. He isn’t really speaking to me. The farewell is for another boy, lost years ago, before he became what I am now. Cal lets go of him, the Maven I was. The Maven I still am, somewhere inside, unable or unwilling to step into the light. This will be the last time we speak to each other alone. I can feel that in my marrow. If I see him again, it will be before the throne, or beneath the cold steel of the executioner’s blade. “I look forward to the sentencing,” I drawl in reply, watching him flee the room. The door slams behind him, shaking paintings in their frames. Despite all the difference between us, we have this in common. We use our pain to destroy. “Good-bye, Cal,” I say to no one. Weakness, my mother answers.
Victoria Aveyard (Broken Throne (Red Queen))
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can’t recall a single amazing thing I have seen firsthand that I didn’t immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I
Gillian Flynn (Gone Girl)
There have been proven instances of vote fraud in the past, but those cases involved election officials’ wrongdoing or the manipulation of absentee ballots. The kind of voter registration fraud that seized the imagination of GOP activists, on the other hand, which is based on stealing someone’s identity or creating a fake persona to cast a ballot, thus altering the results of an election, is in fact very rare. The convoluted scheme is not used because “it is an exceedingly dumb strategy.”25 To have real impact would require an improbable conspiracy involving millions of people. Robert Brandon, president of the Fair Elections Legal Network, notes, “You can’t steal an election one person at a time. You can by stuffing ballot boxes—but voter I.D.s won’t stop that.”26 Protecting
Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
From the passenger seat Kitty sighs heavily and rests her head against the window. “What’s up with you?” Peter asks. “The bridesmaids won’t let me go on the bachelorette night,” she says. “I’m the only one left out.” I narrow my eyes at the back of her head. “That’s bullshit!” Peter looks at me in the rearview mirror. “Why won’t you guys let her go?” “We’re going to a karaoke bar! We can’t bring Kitty in because she’s too young. Honestly, I think I was barely allowed to go.” “Why can’t you guys just go to a restaurant like we’re doing?” “Because that’s not a real bachelorette.” Peter rolls his eyes. “It’s not like you guys are going to a strip club or something--wait, did you change your mind? Are you going to a strip club?” “No!” “Then what’s the big deal? Just go somewhere else.” “Peter, it’s not my decision. You’ll have to take it up with Kristen.” I smack the back of Kitty’s arm. “Same goes for you, you little fiend! Quit trying to weasel your way in by manipulating Peter. He has no power here.” “Sorry, kid,” Peter says. Kitty slumps in her seat and then straightens. “What if I came to the bachelor night instead?” she suggests. “Since you’re just going to a restaurant?” Peter stutters, “Uh--uh, I don’t know, I’d have to talk to the guys…” “So you’ll ask? Because I like steak too. I like it so much. I’ll order steak with a baked potato on the side, and for dessert I’ll have a strawberry sundae with whipped cream.” Kitty beams a smile at Peter, who smiles back weakly. When we get to the elementary school and she hops out, perky and puffed up like a chickadee, I lean forward in my seat and say into Peter’s ear, “You just got played.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls.
Gillian Flynn (Gone Girl)
1. You are constantly second-guessing yourself. 2. You ask yourself, “Am I too sensitive?” a dozen times a day. 3. You often feel confused and even crazy at work. 4. You’re always apologizing to your mother, father, boyfriend, boss. 5. You wonder frequently if you are a “good enough” girlfriend/wife/employee/friend/daughter. 6. You can’t understand why, with so many apparently good things in your life, you aren’t happier. 7. You buy clothes for yourself, furnishings for your apartment, or other personal purchases with your partner in mind, thinking about what he would like instead of what would make you feel great. 8. You frequently make excuses for your partner’s behavior to friends and family. 9. You find yourself withholding information from friends and family so you don’t have to explain or make excuses. 10. You know something is terribly wrong, but you can never quite express what it is, even to yourself. 11. You start lying to avoid the put-downs and reality twists. 12. You have trouble making simple decisions. 13. You think twice before bringing up certain seemingly innocent topics of conversation. 14. Before your partner comes home, you run through a checklist in your head to anticipate anything you might have done wrong that day. 15. You have the sense that you used to be a very different person—more confident, more fun-loving, more relaxed. 16. You start speaking to your husband through his secretary so you don’t have to tell him things you’re afraid might upset him. 17. You feel as though you can’t do anything right. 18. Your kids begin trying to protect you from your partner. 19. You find yourself furious with people you’ve always gotten along with before. 20. You feel hopeless and joyless.
Robin Stern (The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life)
His tousled hair glittered like pagan gold as he pressed her to her back and dragged his open mouth over her flat stomach. Evie shook her head with groggy denial even as he bent her knees and pushed them upward. "Too tired," she said thickly, "I---wait, Sebastian---" His tongue searched her salty-damp flesh with assuaging licks, persisting until her protests died away. The gentle ministrations of his mouth lulled her into peace, her heartbeat slowing to measured beats. After long, patient minutes, he drew the swollen bud of her clitoris in his mouth and began to suckle and nibble. She jerked at the delicate aggression of his mouth. He drove her higher, his tongue flicking and swirling in a deliberate pattern, his arms clamping around her thighs. It seemed her body was no longer her own, that she existed only to receive this torment of pleasure. Sebastian... she could not voice his name, and yet he seemed to hear her silent plea, and in response he did something with his mouth that launched her into a series of incandescent climaxes. Every time she thought it was over, another ripple of sensation went through her until she was so exhausted that she begged him to stop. Sebastian rose over her, his eyes glittering in his shadowed face. She moved to welcome him, opening her legs, sliding her arms around the powerful length of his back. He nudged inside her swollen flesh, filling her completely. As his mouth came to her ear, she could hardly hear his whisper over the thumping of her heart. "Evie," came his dark voice, "I want something from you... I want you to come one more time." "No," she said weakly. "Yes. I need to feel you come around me." Her head rolled in a slow, negative shake across the pillow. "I can't... I can't..." "Yes, you can. I'll help you." His hand drifted along her body to the place where they were joined. "Let me deeper inside you... deeper..." She moaned helplessly as she felt his fingertips on her sex, skillfully manipulating her spent nerves. Suddenly she felt him sliding even farther as her excited body opened to accept him. "Mmm..." he crooned. "Yes, that's it... ah, love, you're so sweet..." He settled between her bent knees, into the cradle of her hips, driving hard and sure inside her. She encompassed him with her arms and legs, and buried her face in his hot throat, and cried out one last time, her flesh pulsing and tightening to bring him to shattering fulfillment. He shook in her arms, and clenched his hands into the warm spill of her hair as he gave himself over to her completely, worshipping her with every part of his body and spirit.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
We were talking about childhood dramas. Then I remembered. “You had said something that had confused me,” I said. “You had said that a person cannot play a control drama with us unless we play the matching drama. I didn’t understand that.” “Do you understand now?” “Not really. What are you getting at?” “The scene outside clearly demonstrated what happens if you do play the matching drama.” “How?” She glanced at me briefly. “What drama was the man playing with you?” “He was obviously the Intimidator.” “Right, and what drama did you play?” “I was just trying to get him off my back.” “I know, but what drama were you playing?” “Well, I started off in my aloofness drama, but he kept coming after me.” “Then?” The conversation was irritating me but I tried to get centered and stay with it. I looked at Julia and said, “I guess I was playing a Poor Me.” She smiled. “That’s right.” “I noticed you handled him with no problem,” I said. “Only because I didn’t play the drama he expected. Remember that each person’s control drama was formed in childhood in relation to another drama. Therefore each drama needs a matching drama to be fully played out. What the intimidator needs in order to get energy is either a poor me, or another intimidator. “How did you handle it?” I asked, still confused. “My drama response would have been to play the Intimidator myself, trying to out intimidate him. Of course, this would probably have resulted in violence. But instead I did what the Manuscript instructs. I named the drama he was playing. All dramas are covert strategies to get energy. He was trying to intimidate you out of your energy. When he tried that on me, I named what he was doing.” “That’s why you asked why he was so angry?” “Yes. The Manuscript says that covert manipulations for energy can’t exist if you bring them into consciousness by pointing them out. They cease to be covert. It is a very simple method. The best truth about what’s going on in a conversation always prevails. After that the person has to be more real and honest.” “That makes sense,” I said. “I guess I’ve even named dramas myself before, though I didn’t know what I was doing.” “I’m sure. That’s something all of us have done. We’re just learning more about what is at stake. And the key to making it work is to simultaneously look beyond the drama at the real person in front of you, and send as much energy their way as possible. If they can feel energy coming in anyway, then it’s easier for them to give up their way of manipulating for it.” “What could you appreciate in that guy?” I said. “I could appreciate him as a little insecure boy needing energy desperately.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
The Soviets were not 50% right, they were entirely wrong. They weren’t quantitatively wrong about the amount of variance due to the environment, they were qualitatively wrong about what environmental manipulations could do in the face of built-in universal human machinery. Having said this, though, I now feel no particular impulse to vote Republican. Also, it’s quite possible that someday you could create perfectly unselfish people… if you used sufficiently advanced neurosurgery, drugs, and/or brain-computer interfaces to engineer their brains into a new state that no current human brain occupies. Whether or not this is in fact possible isn’t something that ideology gets to decide. The reasoning errors of past communists can’t prohibit any particular future technological advance from being possible or practical. Having said that, I feel no particular impulse to turn “liberal.
Eliezer Yudkowsky (Brain, Belief, and Politics (Cato Unbound Book 92011))
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
Judith McNaught (Almost Heaven (Sequels, #3))
So which theory did Lagos believe in? The relativist or the universalist?" "He did not seem to think there was much of a difference. In the end, they are both somewhat mystical. Lagos believed that both schools of thought had essentially arrived at the same place by different lines of reasoning." "But it seems to me there is a key difference," Hiro says. "The universalists think that we are determined by the prepatterned structure of our brains -- the pathways in the cortex. The relativists don't believe that we have any limits." "Lagos modified the strict Chomskyan theory by supposing that learning a language is like blowing code into PROMs -- an analogy that I cannot interpret." "The analogy is clear. PROMs are Programmable Read-Only Memory chips," Hiro says. "When they come from the factory, they have no content. Once and only once, you can place information into those chips and then freeze it -- the information, the software, becomes frozen into the chip -- it transmutes into hardware. After you have blown the code into the PROMs, you can read it out, but you can't write to them anymore. So Lagos was trying to say that the newborn human brain has no structure -- as the relativists would have it -- and that as the child learns a language, the developing brain structures itself accordingly, the language gets 'blown into the hardware and becomes a permanent part of the brain's deep structure -- as the universalists would have it." "Yes. This was his interpretation." "Okay. So when he talked about Enki being a real person with magical powers, what he meant was that Enki somehow understood the connection between language and the brain, knew how to manipulate it. The same way that a hacker, knowing the secrets of a computer system, can write code to control it -- digital namshubs?" "Lagos said that Enki had the ability to ascend into the universe of language and see it before his eyes. Much as humans go into the Metaverse. That gave him power to create nam-shubs. And nam-shubs had the power to alter the functioning of the brain and of the body." "Why isn't anyone doing this kind of thing nowadays? Why aren't there any namshubs in English?" "Not all languages are the same, as Steiner points out. Some languages are better at metaphor than others. Hebrew, Aramaic, Greek, and Chinese lend themselves to word play and have achieved a lasting grip on reality: Palestine had Qiryat Sefer, the 'City of the Letter,' and Syria had Byblos, the 'Town of the Book.' By contrast other civilizations seem 'speechless' or at least, as may have been the case in Egypt, not entirely cognizant of the creative and transformational powers of language. Lagos believed that Sumerian was an extraordinarily powerful language -- at least it was in Sumer five thousand years ago." "A language that lent itself to Enki's neurolinguistic hacking." "Early linguists, as well as the Kabbalists, believed in a fictional language called the tongue of Eden, the language of Adam. It enabled all men to understand each other, to communicate without misunderstanding. It was the language of the Logos, the moment when God created the world by speaking a word. In the tongue of Eden, naming a thing was the same as creating it. To quote Steiner again, 'Our speech interposes itself between apprehension and truth like a dusty pane or warped mirror. The tongue of Eden was like a flawless glass; a light of total understanding streamed through it. Thus Babel was a second Fall.' And Isaac the Blind, an early Kabbalist, said that, to quote Gershom Scholem's translation, 'The speech of men is connected with divine speech and all language whether heavenly or human derives from one source: the Divine Name.' The practical Kabbalists, the sorcerers, bore the title Ba'al Shem, meaning 'master of the divine name.'" "The machine language of the world," Hiro says.
Neal Stephenson (Snow Crash)
The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls. It had gotten to the point where it seemed like nothing matters, because I’m not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
I really should simplify my existence. How much trouble is a person required to have? I mean, is it an assignment I have to carry out? It can’t be, because the only good I ever knew of was done by people when they were happy. But to tell you the truth, Kayo, since you are the kind of guy who will understand it, my pride has always been hurt by my not being able to give an account of myself and always being manipulated. Reality comes from giving an account of yourself, and that’s the worst of being helpless. Oh, I don’t mean like the swimmer on the sea or the child on the grass, which is the innocent being in the great hand of Creation, but you can’t lie down so innocent on objects made by man,” I said to him. “In the world of nature you can trust, but in the world of artifacts you must beware. There you must know, and you can’t keep so many things on your mind and be happy. ‘Look on my works ye mighty and despair!’ Well, never mind about Ozymandias now being just trunkless legs; in his day the humble had to live in his shadow, and so do we live under shadow, with acts of faith in functioning of inventions, as up in the stratosphere, down in the subway, crossing bridges, going through tunnels, rising and falling in elevators where our safety is given in keeping. Things done by man which overshadow us. And this is true also of meat on the table, heat in the pipes, print on the paper, sounds in the air, so that all matters are alike, of the same weight, of the same rank, the caldron of God’s wrath on page one and Wieboldt’s sale on page two. It is all external and the same. Well, then what makes your existence necessary, as it should be? These technical achievements which try to make you exist in their way?” Kayo said, not much surprised by this, “What you are talking about is moha—a Navajo word, and also Sanskrit, meaning opposition of the finite. It is the Bronx cheer of the conditioning forces. Love is the only answer to moha, being infinite. I mean all the forms of love, eros, agape, libido, philia, and ecstasy. They are always the same but sometimes one quality dominates and sometimes another.
Saul Bellow (The Adventures Of Augie March)
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can’t recall a single amazing thing I have seen firsthand that I didn’t immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. (…) I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. (…) If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don’t have genuine souls. It had gotten to the point where it seemed like nothing matters, because I’m not a real person and neither is anyone else.
Gillian Flynn (Gone Girl)
Although I am an optimist, my imagination can conjure countless deadly hands from any shuffled deck before the cards are dealt. I am, therefore, perplexed by so many people who, whether they’re optimists or pessimists, trust any dealer as long as he claims to share their vision of how all things ought to be, who trust their own vision to the extent that they never question it, and who believe that four of a kind and royal flushes always fall by chance in a world without meaning. To such folks, Hitler was a distant and half-comic figure—until he wasn’t; and mad mullahs promising to use nuclear weapons as soon as they obtain them are likewise harmless—until they aren’t. I, on the other hand, believe life has profound meaning and that the meaning of Creation itself is benign, but I also know that there are such things as card mechanics who can manipulate any deck to their great advantage. In life, little happens by chance, and most bad hands we’re dealt are the consequence of our actions, which are shaped by our wisdom and our ignorance. In my experience, survival depends on hoping for the best while recognizing that disaster is more likely and that it can’t be averted if it can’t be imagined.
Dean Koontz (Deeply Odd (Odd Thomas, #6))
She is innocent! Why is it so easy to believe she would betray him?” I was truly appalled. Samuel looked up at me calmly and replied, “Because it’s always easier to believe the worst.” I looked at him in disbelief. “It is not!” I sputtered. “I can’t believe you would say that! Wouldn’t you give the benefit of the doubt to someone you claimed to love?” The ease in which Othello accepted her betrayal was completely foreign to me. “And why would Othello believe Iago over Desdemona? I don’t care how honest they think Iago is! Emilia even told Othello she thought he was being manipulated and tricked!” Samuel sighed and tried to read to the end of the scene. I jumped in again. I couldn’t help it. My sense of outrage was on overdrive. “But he said, ‘I loved not wisely, but too well!’” I was dismayed. “He had it totally backwards! He did love wisely-she was worthy of his love…she was a wise choice! But he didn’t love well enough! If he had loved Desdemona more, trusted her more, Iago wouldn’t have been able to divide them.” I longed once again for Jane Eyre, where righteousness and principle won out in the end. Jane got her man, and she did it with style. Desdemona got her man, and he smothered her.
Amy Harmon (Running Barefoot)
We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing is, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.
Gillian Flynn (Gone Girl)
It works far better,” Jane went on, apparently still intent on berating him, “when you trust those people with the truth. When you give them all the facts.” Her tone put him on the defensive. “You mean, the way you did when you told me about Nancy’s disappearance?” Jane paled. “Well…that was different.” “How so?” He approached her with a scowl. “You left out the important fact that she might be pregnant. If I’d known, we would all have left for York as soon as Tristan could join us, and we wouldn’t have wasted so much time.” Her throat moved convulsively. “You can’t blame me for that. I was protecting Nancy.” “And all those years ago, I was protecting you,” he said fiercely. He took another step toward her. “I know you resent how I manipulated you into jilting me, but my damned brother had just torn my family apart, and I wasn’t sure what lay ahead of me. I couldn’t bear to watch your love for me die in the slums of London.” “So you killed it instead?” she choked out. His heart faltered. “Did I?” Alarm spread over her face. Then she turned, as if to flee. He grabbed her arm to tug her up close to him. She wouldn’t look at him, which only inflamed him more. “I answered your questions,” he rasped. “Now answer mine.” He could feel her tremble, see uncertainty flash over her face in profile. Utter silence reigned in the room. Even the servants had apparently finished in the dining room across the hall, for no sound penetrated their private little sanctuary. “I can’t,” she whispered at last. “I don’t know the answer.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
All this emphasis on youth—I don’t buy it,” he said. “Listen, I know what a misery being young can be, so don’t tell me it’s so great. All these kids who came to me with their struggles, their strife, their feelings of inadequacy, their sense that life was miserable, so bad they wanted to kill themselves… “And, in addition to all the miseries, the young are not wise. They have very little understanding about life. Who wants to live every day when you don’t know what’s going on? When people are manipulating you, telling you to buy this perfume and you’ll be beautiful, or this pair of jeans and you’ll be sexy—and you believe them! It’s such nonsense.” Weren’t you ever afraid to grow old, I asked? “Mitch, I embrace aging.” Embrace it? “It’s very simple. As you grow, you learn more. If you stayed at twenty-two, you’d always be as ignorant as you were at twenty-two. Aging is not just decay, you know. It’s growth. It’s more than the negative that you’re going to die, it’s also the positive that you understand you’re going to die, and that you live a better life because of it.” Yes, I said, but if aging were so valuable, why do people always say, “Oh, if I were young again.” You never hear people say, “I wish I were sixty-five.” He smiled. “You know what that reflects? Unsatisfied lives. Unfulfilled lives. Lives that haven’t found meaning. Because if you’ve found meaning in your life, you don’t want to go back. You want to go forward. You want to see more, do more. You can’t wait until sixty-five. "Listen. You should know something. All younger people should know something. If you’re always battling against getting older, you’re always going to be unhappy, because it will happen anyhow. “And Mitch?” He lowered his voice. “The fact is, you are going to die eventually.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
After a while, she felt him touch her shoulder, and she jerked away. She could not help it. He had hurt her more in the past few days than anyone else ever had, and though she knew he had not wanted to do it, she could not forget that it was he who had wielded the hot iron. Even so, when she saw how her reaction stung him, she relented and reached out and took his hand. He gave her fingers a gentle squeeze, then put his arm around her shoulders and drew her close. She resisted for a moment, then relaxed into his embrace and laid her head on his chest as she continued to cry, her quiet sobs echoing in the bare stone room. Some minutes later, she felt him move beneath her as he said, “I’ll find a way to free you, I swear. It’s too late for Thorn and me. But not for you. As long as you don’t pledge fealty to Galbatorix, there’s still a chance I can spirit you out of Urû’baen.” She looked up at him and decided he meant what he said. “How?” she whispered. “I haven’t the slightest idea,” he admitted with a roguish smile. “But I will. Whatever it takes. You have to promise me, though, that you won’t give up--not until I’ve tried. Agreed?” “I don’t think I can endure that…thing again. If he puts it on me again, I’ll give him whatever he wants.” “You won’t have to; he doesn’t intend to use the burrow grubs again.” “…What does he intend?” Murtagh was silent for a minute more. “He’s decided to start manipulating what you see, hear, feel, and taste. If that doesn’t work, then he’ll attack your mind directly. You won’t be able to resist him if he does. No one ever has. Before it comes to that, though, I’m sure I’ll be able to rescue you. All you have to do is keep fighting for another few days. That’s it--just another few days.” “How can I if I can’t trust my senses?” “There is one sense he cannot feign.” Murtagh twisted to look at her more directly. “Will you let me touch your mind? I won’t try to read your thoughts. I only want you to know what my mind feels like, so you can recognize it--so you can recognize me--in the future.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
I’m mean? That’s the worst you can throw at me?” “Mean and self-pitying. Does that make it better?” “And what are you, Astrid?” he shouted. “A smug know-it-all! You point your finger at me and say, ‘Hey, Sam, you make the decisions, and you take all the heat.’” “Oh, it’s my fault? No way. I didn’t anoint you.” “Yeah, you did, Astrid. You guilted me into it. You think I don’t know what you’re all about? You used me to protect Little Pete. You use me to get your way. You manipulate me anytime you feel like it.” “You really are a jerk, you know that?” “No, I’m not a jerk, Astrid. You know what I am? I’m the guy getting people killed,” Sam said quietly. Then, “My head is exploding from it. I can’t get my brain around it. I can’t do this. I can’t be that guy, Astrid, I’m a kid, I should be studying algebra or whatever. I should be hanging out. I should be watching TV.” His voice rose, higher and louder till he was screaming. “What do you want from me? I’m not Little Pete’s father. I’m not everybody’s father. Do you ever stop to think what people are asking me to do? You know what they want me to do? Do you? They want me to kill my brother so the lights will come back on. They want me to kill kids! Kill Drake. Kill Diana. Get our own kids killed. “That’s what they ask. Why not, Sam? Why aren’t you doing what you have to do, Sam? Tell kids to get eaten alive by zekes, Sam. Tell Edilio to dig some more holes in the square, Sam.” He had gone from yelling to sobbing. “I’m fifteen years old. I’m fifteen.” He sat down hard on the edge of the bed. “Oh, my God, Astrid. It’s in my head, all these things. I can’t get rid of them. It’s like some filthy animal inside my head and I will never, ever, ever get rid of it. It makes me feel so bad. It’s disgusting. I want to throw up. I want to die. I want someone to shoot me in the head so I don’t have to think about everything.” Astrid was beside him, and her arms were around him. He was ashamed, but he couldn’t stop the tears. He was sobbing like he had when he was a little kid, like when he had a nightmare. Out of control. Sobbing. Gradually the spasms slowed. Then stopped. His breathing went from ragged to regular. “I’m really glad the lights weren’t on,” Sam said. “Bad enough you had to hear it.” “I’m falling apart,” he said. Astrid gave no answer, just held him close. And after what felt like a very long time, Sam moved away from her, gently putting distance between them again. “Listen. You won’t ever tell anyone…” “No. But, Sam…” “Please don’t tell me it’s okay,” Sam said. “Don’t be nice to me anymore. Don’t even tell me you love me. I’m about a millimeter from falling apart again.” “Okay.
Michael Grant (Hunger (Gone, #2))
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
ROUND UP A lot more can be said, but finally, this is your last lesson in this epic 30 -day quest to become a successful conversationalist. For the past 29 days, you’ve been tutored about different techniques to make things happen, and today you’ll kick start a conversation with more confidence and organization, because you are now a professional in the communication world. There are takeaways that you should not forget as you go forth as a small talk professional. You have learnt and practiced many truths about the nature and composition of small talk, but there are certain ones that should be placed next to your heart: Small talk may be seen as a waste of time, but it is actually time well spent; take note of this important point, people might want to convince and confuse you. Small talk with personal meaning orientation will scratch business shop talk off any time. Small talk should now be seen as an effective tool that is available right next to you and can be a gateway to success. You still have the chance to go back to the previous chapters you struggled with, this way, you’ll review and assimilate the important points, no one is an island of knowledge, and so I don’t expect you to have everything registered in your brain already, constant practices will bring out the best in you. Identifying your weakness is just as important as acknowledging your strength. I want to assure you that you’ll definitely excel since you’ve been able to lay hands on this book, and this how you can help others who are still in the position that you were when you started in day one. You’ve been instructed about many secrets of success, as well as the things to exploit and avoid. It’s up to you to make this permanent, and this can only be achieved if you keep following these instructions. You have to make the decision now; whether you would make use of this manual or not, but I would advise that you want it again and again as this is the only way to dedicate your spirit, soul and body to constant improvement. You definitely would have noticed some changes in you, you’re not the same person any more. One important thing is that you shouldn’t give up; try to redouble your efforts and realize that you know everything you’re supposed to know. This shouldn’t end here, endeavour to spread the word to make sure that you impact at least three people per day, this means that you would have impacted about 90 people at the end of the next 30 days and close to about 120 people in just two months. Now, you see how you can make the world a better place? It’s up to you to decide what you want and how you want it to be. Don’t waste this golden opportunity of becoming a professional in communication, you’ll go a long way and definitely be surprised at the rate at which you’ve gone in such a small time. Take time to attend to things that need attention, don’t be too hard on yourself, and don’t go too soft on yourself, you’re one vessel that can’t be manipulated, so you have to be careful and sure about your status on communication skills. On the final note, I would like to congratulate you for reading this to the end, you’ve taken this course because you believe in the powers of small talks, so this shouldn’t be the last time I’m hearing from you. I would look forward to seeing your questions about any confusing aspect in the future. Till then, remain the professional that you are!
Jack Steel (Communication: Critical Conversation: 30 Days To Master Small Talk With Anyone: Build Unbreakable Confidence, Eliminate Your Fears And Become A Social Powerhouse – PERMANENTLY)
One so often hears people say, “I just can’t handle it,” when they reject a biblical image of God as Father, as Mother, as Lord or Judge; God as lover, as angry or jealous, God on a cross. I find this choice of words revealing, however real the pain they reflect: if we seek a God we can “handle,” that will be exactly what we get. A God we can manipulate, suspiciously like ourselves, the wideness of whose mercy we’ve cut down to size.
Kathleen Norris (Amazing Grace: A Vocabulary of Faith)
Need them? For what? And then I remember the Ominous Eight in their chambers. Siphon must have used Airess’ energy manipulation powers to turn the flashlight back on me! And before that he used Think Tank’s psychic powers to shut the door! And the atoms circling his fists must be from the Atomic Rage! “Hang on,” I say, “You said you’re name is Siphon. Like, you siphon the powers of others?” “That’s right,” he says. “And I can’t believe my luck that you wandered through that door.
R.L. Ullman (Epic Zero: Collection 1 (Epic Zero Books 1-3)
I saw a little child throwing pillows on the floor and screaming, and soon later picking up those same pillows to listen to a story her mother was reading in a coffee shop. However, after a few minutes, the child started crying again, this time, not throwing any pillows on the floor, but simply demanding to go somewhere else, leading her mother to promptly obey. And that's when I realized, there was nothing wrong with that child, but with the culture. For the adults of this country behave in the same way. They complain when they can't get what they want, and once they do, they manipulate others to get more. It is not a cultural trait as much as it is not an educational issue. It's, pretty much, a problem of mass imbecility. You cannot expect an adult, that never grew up, to educate a child or provide her with a culture in which she can, herself, mature. And that's why in certain countries, there is the illusion that you are dealing with adults and children, when in fact you are only dealing with children. When these children become fed up of crying and demanding, and throwing pillows on the floor, they commit suicide, simply because they are fed up of being irresponsible and unaccountable for their actions. They don't need psychologists, but violence. And the violence they get, in many forms, from neighboring nations wanting to destroy them; for nobody wants to deal with adults behaving like immature children. The infantilization of a nation is only one of the traits contributing to its downfall, but probably one of the most important.
Dan Desmarques (Codex Illuminatus: Quotes & Sayings of Dan Desmarques)
We can't even talk to each other anymore, each of us running our own polarized little world on Facebook. Both sides throw the label "fakes news" at each other because we can't even agree on basic truth anymore.
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
This can happen when a person enters into a business relationship with a narcissist on the basis of a handshake deal (the narcissist will often say, “We don’t need a contract—I’ve got your back,” or will even use manipulation and feign hurt: “I can’t believe you think we need a contract—I thought we were friends”).
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
Better to knowingly fall for your manipulation than let you make out that there’s a version of the universe in which I can’t dance.
Clare Sager (A Kiss of Iron (Shadows of the Tenebris Court, #1))
I don’t know if I’ll be a good boyfriend.” “You were when we were together, aside from, you know, the lying and manipulation, and you still are, so very good at it.” “Trésor, I want to Halloweenie with you and Thanksgiving with you, and Christmas with you, but—” I can’t help my giggle. “Halloweenie?” “Yes, with you.” “Hallow-weenie. That’s what you’re saying, right?” “Yes.” The line creases in his forehead. “That’s what I said.” “Tobias, there is no Halloweenie.” “Yes, there is,” he insists. “My mother said it all the time.” I snort. “Tobias, it’s just Halloween.
Kate Stewart (The Finish Line (The Ravenhood, #3))
I can’t even look at you. The whole time you were just lying to me…manipulating me…making me fall in love with you.
Sara Cate (Eyes on Me (Salacious Players Club, #2))
Do they all betray, lie, manipulate & deceive? Are they all selfish, power-hungry, unhappy, lonely? While in his Shadow, he will either immediately reject you, or say he loves you, play with you, use you, & reject you later. Not all of them are weak. But more often, while they hurt & betray, they learn to love. It is difficult to walk away, leaving him alone with his insecurities, & selfishness. It is hard to leave when you love, but you can’t change his character, or his attitude towards you, or the way he chooses to live his life.
Lala Agni (I JUST WANT YOU TO REMEMBER: A Story About The Eternal Love Of Twin Flames And So Much More)
Unlike President Hu, Wen seemed comfortable exchanging views extemporaneously—and was straightforward in his defense of China’s trade policies. “You must understand, Mr. President, that despite what you see in Shanghai and Beijing, we’re still a developing country,” he said. “One-third of our population still lives in severe poverty…more people than in the entire United States. You can’t expect us to adopt the same policies that apply to a highly advanced economy like your own.” He had a point: For all of his country’s remarkable progress, the average Chinese family—especially outside the major cities—still had a lower income than all but the very poorest of Americans. I tried to put myself in Wen’s shoes, having to integrate an economy that straddled the information age and feudalism while generating enough jobs to meet the demands of a population the size of North and South America combined. I would have sympathized more had I not known that high-ranking Communist Party officials—including Wen—had a habit of steering state contracts and licenses to family members and siphoning billions into offshore accounts. As it was, I told Wen that given the massive trade imbalances between our two countries, the United States could no longer overlook China’s currency manipulation and other unfair practices; either China started changing course or we’d have to take retaliatory measures.
Barack Obama (A Promised Land)
A few centuries ago, the government of this country became interested in enforcing certain desirable behaviors in its citizens. There had been studies that indicated that violent tendencies could be partially traced to a person’s genes—a gene called ‘the murder gene’ was the first of these, but there were quite a few more, genetic predispositions toward cowardice, dishonesty, low intelligence—all the qualities, in other words, that ultimately contribute to a broken society.” We were taught that the factions were formed to solve a problem, the problem of our flawed natures. Apparently the people David is describing, whoever they were, believed in that problem too. I know so little about genetics—just what I can see passed down from parent to child, in my face and in friends’ faces. I can’t imagine isolating a gene for murder, or cowardice, or dishonesty. Those things seem too nebulous to have a concrete location in a person’s body. But I’m not a scientist. “Obviously there are quite a few factors that determine personality, including a person’s upbringing and experiences,” David continues, “but despite the peace and prosperity that had reigned in this country for nearly a century, it seemed advantageous to our ancestors to reduce the risk of these undesirable qualities showing up in our population by correcting them. In other words, by editing humanity. “That’s how the genetic manipulation experiment was born. It takes several generations for any kind of genetic manipulation to manifest, but people were selected from the general population in large numbers, according to their backgrounds or behavior, and they were given the option to give a gift to our future generations, a genetic alteration that would make their descendants just a little bit better.” I look around at the others. Peter’s mouth is puckered with disdain. Caleb is scowling. Cara’s mouth has fallen open, like she is hungry for answers and intends to eat them from the air. Christina just looks skeptical, one eyebrow raised, and Tobias is staring at his shoes. I feel like I am not hearing anything new—just the same philosophy that spawned the factions, driving people to manipulate their genes instead of separating into virtue-based groups. I understand it. On some level I even agree with it. But I don’t know how it relates to us, here, now.
Veronica Roth (The Divergent Library: Divergent; Insurgent; Allegiant; Four)
Sawyer, PLEASE," she begged. "Just open up. Can't go hurting yourself over a dumb argument. Can't handle your problems that way." But I can. "Sawyer?" Quiet now. Hush, and panic. A wink spasmed at the corner of my mouth. This was fun. "Sawyer?" Annie called. I like to hear her weak and afraid she'd be the one to push me to my limit. It makes the pain go away. To imagine her explaining HER behavior in the aftermath of my untimely death. "Sawyer?" The quiver in her voice was music to my ears. "Sawyer?" Say my name. Say my name forever.
Ryan Douglass (The Taking of Jake Livingston)
The Manipulative Response Style A fourth way of responding to differences in expectations between people is by manipulation. Whereas aggressive people attempt to coerce someone to change by angry threats and intimidation, manipulative persons use more indirect, frequently psychological means to get their way. For example, one mother would never tell her daughter openly and directly what she wanted, but whenever the daughter would deviate very far from what the mother wanted, the mother would rush into her bedroom, fling herself onto the bed, and cry hysterically “I don’t know what I’m going to do with you” or “You’re going to drive me crazy.” A father told his ten-year-old daughter that he would return to the family if she got straight A’s in school. Another mother claimed to have heart pains whenever her family or friends broached a subject she didn’t want to talk about. Aggressive people usually try to produce fear of themselves as a way of getting what they want. Manipulative people usually try to control others by producing a different kind of fear—the fear that if other people do not change, something terrible will happen. Manipulation can take several forms. We can compare the other person with some hypothetical ideal: “Any Christian who really loves the Lord would/ wouldn’t . . . Any good husband would/wouldn’t . . . Why can’t you be like your brother (sister, kids at church)?” Children quickly learn to use the same manipulative strategy: “I wish you were like my friends’ parents. They let them . . .
Henry Virkler (Speaking the Truth in Love)
Am I controlling and manipulative like he’s saying I am and I just don’t see it? Am I inconsiderate? Maybe I have been selfish? I can’t think clearly. I can’t even see what is true about me anymore.
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse (The Narcissism Series Book 1))
Here are some common things I have heard survivors say they have been told by their CN: You are controlling, manipulative, inconsiderate; you don’t care about my feelings; you are lazy; it’s all about you; I can’t trust you; you only did that so you would look good to others.
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse (The Narcissism Series Book 1))
Hippies masquerading as pseudo philosophers love to tell anyone who will listen that reality doesn’t exist, it’s a construct, like everything else. But if reality doesn’t exist, then explain my shadow, the kid’s, the looks we receive. I remember coming home to you after receiving my extra shadow, both of us sore with shame and guilt. You were able to shed those feelings within a few days once the freshness wore off. But me, I’m simple—things designed to manipulate me tend to succeed. And my shadow is no exception. It follows me everywhere, a constant reminder of the one thing I can’t find it in me to talk about. I showed up to school and, seeing the shame in my eyes, one of my troubled kids pulled me aside and said, Old news, right, Miss? and I started crying on the spot. But you never blamed me, did you, Beau? It actually made me feel worse, as if I had to double the blame to make up for your understanding. If I was the only one blaming me, the guilt had no outlet, nothing to do but grow its own vascular system and circulate through my body. “What’s today going to be like?” I ask the kid. “Like yesterday, except today?” She is covered in snot, needing me.
Marisa Crane (I Keep My Exoskeletons to Myself)
Come back to me,” he says. But Wren is silent and still. Oak let’s go of his power, cursing himself. He glanced up o helplessly at Jude, who looks back at him and shakes her head. “I’m sorry.” It is a very human thing for her to say. He lets his head fall forward until his forehead his touching Wren’s. Gathering her in his arms, he studies the hollowness of her cheeks and the thinness of her skin. Presses a finger to the edge of her mouth. Oak thought his magic was just finding what people wanted to hear and saying it in the way they wanted, but since he’s let himself really use the power, he discovered that he can use it to find truth. And for once, he needs to tell her the truth. “I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me. Come back,” he says again, tears burning the back of his throat. “You want and you want and you want, remember? Well, wake up and take what you want.” He presses his mouth against her forehead. And startles when he hears her drawn in a breath. Her eyes open, and for a moment she stares up at him. “Wren?” Bex says, and smacks Oak on the shoulder. “What did you do?” Then she pulls the prince into her arms and hugs him hard. Jude is staring, hand to her mouth. Bogdana stays back, glowering, perhaps hoping that no one noticed she rent her garments with her nails as she watched and waited. “I’m cold,” Wren whispers, and alarm rings through him like the sound of a bell. She could walk barefoot through the snow and not have it hurt her. He had never heard her complain of even the most frigid temperatures. Oak stands, lifting Wren in his arms. She feels too light, but he is reassured by her breath ghosting across his skin, the rise and fall of her chest. He still cannot, however, hear the beat of her heart. With the storm stopped, it seems that all of Elfhame has forded the distance between Insear and Insmire. There are boats aplenty, and soldiers. Grima Mic’s second-in-command is barking orders. Bex scavenges a blanket from one of the tents, and Oak manages to bundle Wren in it. Then he Carrie’s her to a boat and commandeers it to take him across so he can bring her to the palace. The journey is a blur of panic, of frantic questions, plodding steps. Finally, he carries her into his rooms. By then, her body is shivering, and he tries not to let terror leak into his voice as he speaks to her softly, explaining where they are and how she will be safe. He puts Wren in his bed, then pushes it close by the fire and piles blankets on top of her. It seems to make no difference to her shuddering.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Come back to me,” he says. But Wren is silent and still. Oak lets go of his power, cursing himself. He glances up helplessly at Jude, who looks back at him and shakes her head. “I’m sorry.” It is a very human thing for her to say. He lets his head fall forward until his forehead is touching Wren’s. Gathering her in his arms, he studies the hollowness of her cheeks and the thinness of her skin. Presses a finger to the edge of her mouth. Oak thought his magic was just finding what people wanted to hear and saying it in the way they wanted, but since he’s let himself really use the power, he discovered that he can use it to find truth. And for once, he needs to tell her the truth. “I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me. Come back,” he says again, tears burning the back of his throat. “You want and you want and you want, remember? Well, wake up and take what you want.” He presses his mouth against her forehead. And startles when he hears her drawn in a breath. Her eyes open, and for a moment she stares up at him. “Wren?” Bex says, and smacks Oak on the shoulder. “What did you do?” Then she pulls the prince into her arms and hugs him hard. Jude is staring, hand to her mouth. Bogdana stays back, glowering, perhaps hoping that no one noticed she rent her garments with her nails as she watched and waited. “I’m cold,” Wren whispers, and alarm rings through him like the sound of a bell. She could walk barefoot through the snow and not have it hurt her. He had never heard her complain of even the most frigid temperatures. Oak stands, lifting Wren in his arms. She feels too light, but he is reassured by her breath ghosting across his skin, the rise and fall of her chest. He still cannot, however, hear the beat of her heart. With the storm stopped, it seems that all of Elfhame has forded the distance between Insear and Insmire. There are boats aplenty, and soldiers. Grima Mic’s second-in-command is barking orders. Bex scavenges a blanket from one of the tents, and Oak manages to bundle Wren in it. Then he carries her to a boat and commandeers it to take him across so he can bring her to the palace. The journey is a blur of panic, of frantic questions, plodding steps. Finally, he carries her into his rooms. By then, her body is shivering, and he tries not to let terror leak into his voice as he speaks to her softly, explaining where they are and how she will be safe. He puts Wren in his bed, then pushes it close by the fire and piles blankets on top of her. It seems to make no difference to her shuddering.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
I will not crumble if the other person accuses me of wrong intentions when I set boundaries. Instead, I can firmly say, “Please hear me speak this in love. I will respect your choices. But I need you to respect my choices. Communicating my boundaries is not being controlling or manipulative. It is bringing wisdom into a complicated situation.
Lysa TerKeurst (Forgiving What You Can't Forget: Discover How to Move On, Make Peace with Painful Memories, and Create a Life That’s Beautiful Again)
I can’t explain why I love him so much. Maybe because he’s the only person who understands what it’s like to be manipulated by Jonathan for his gain. Or maybe because I know deep down there’s a soul that needs love more than anyone else, and I can’t help but reciprocate to the fullest degree.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Me not forgiving the people who hurt me was agreeing to bring the hurt they caused into every present-day situation I was in—hurting me over and over and over again. Holding on to this hurt wasn’t diminishing my pain. It was multiplying it. And it was manipulating me to become someone I didn’t want to be.
Lysa TerKeurst (Forgiving What You Can't Forget: Discover How to Move On, Make Peace with Painful Memories, and Create a Life That’s Beautiful Again)
I can’t allow my feelings to go unnoticed without being followed with reason.
Mwanandeke Kindembo (Destiny of Liberty)
Love and how it can affect your mind and manipulate it is the most real thing I've ever experienced. When you fall in love with someone, you only perceive their good qualities. You don't care about their flaws, which is admirable, but you can't ignore their behavior.
Sóldís Perla
You know that I know you better than you know yourself, right?” “What does that mean?” “It means you can’t fucking manipulate me.” He runs his tongue over his teeth.
Q.B. Tyler (Unconditional)
.."So you know everything now." Julian raised an eyebrow. "I can't believe that," he drawled. "There are no more secrets, no more illicit little plots percolating in your devious mind? You'll have to forgive me if I find that hard to credit, Violette." "Oh, there's one more secret," she said dully. "But only one, and you might as well know it. I love you. I love you so much it hurts. And I'll never love anyone else in the same way"..."There ,now," she said. That's all of it. I've tricked you and I've used you. I've lied to you, and rearranged your life to suit my own purposes. I forced you to leave Spain, and I'm the illegitimate daughter of a Penhallan and a robber baron. But I love you with my heart and soul, and I'd give my last drop of blood if you ever needed it." ..."But of course you won't ever need it, so I'll go now. And you need never fear that our paths will cross again." Turning from him, she began to walk back across the sand. "You omitted to mention puking all over my boots in that catalog of wrongs," Julian said. ..."I suppose you're entitled to that," she said. "Entitled to mock. Why should you believe in my love? Anyway, it's a poor thing. I know it can't excuse or make up what I've done to you." "Dear God," he said. "I'm assuming this extraordinary show of humility was brought on by that drug Penhallan gave you. I trust it's effect isn't permanent." ..."Oh you despicable bastard! You are an unmitigated cur!" She swooped down, grabbed a handful of sand, and threw it at him. Darting sideways, she picked up the empty cognac bottle. It flew through the air and caught him a glancing blow on the shoulder... ... Diabillo ! Virago! Termagant!" Julian taunted, grinning as he ducked one of Gabriel's boots. "Espadachin! Brute! Bully! Unchivalrous pig!" she hurled back.. ...He'd fought the knowledge ..he'd been fighting it for weeks..and now he'd lost the battle. She was a lawless, manipulative, illegitimate half-breed, no possible wife for a St Simon, and he didn't give a damn.
Jane Feather
Talk is cheap,’ as the old saying goes. And I would suggest that it’s so cheap that you can’t even pay people to take it. Therefore, you might want to quit producing it.
Craig D. Lounsbrough
Beneath the schemes and the manipulation, there’s a simple truth – I want to feel that connection again. To feel like I’m enough. She did that for me, and I can’t let go of the hope that she might do it again.
R.G. Angel (Broken Hearts (Silverbrook University #2))
But you don’t want me to stay here, John,” her thin voice choked. “You don’t even like me. You’re only trying to manipulate me again. To get your way again. You already swore to keep me safe, and tell me no falsehoods” — her voice wavered — “and just look how that’s gone for me. You don’t care. I can’t trust you.
Finley Fenn (The Librarian and the Orc (Orc Sworn, #3))
Today I wish you to know that you can’t manipulate the Universe with your fake niceness, fake kindness, fake positivity or fake smiles… It might fool some, but the Universe sees right through it. Darling listen - Universe doesn’t care about your Instagram pictures or your forced cheer for that person you secretly loathe. So ditch the facade, Sweetheart. The Universe appreciates a natural sparkle, not a disco ball effect. *Sweetheart, be real, not fake...* May your journey be filled with real connections, uplifting spirits & heartfelt smiles. May it be filled with meaningful moments & substance, not just superficial shine! Blessings!
Rajesh Goyal, राजेश गोयल
Usually Tats and I get along very well. Then Greft came along, and he just seems to enjoy making trouble. And manipulating people. Sometimes it seems that if he can’t make us do what he wants, he focuses on making us as miserable as possible. At first, I thought he liked me. He behaves as if he can’t stand for me to have a friend, like it makes him less important. It’s almost as if he tries to drive a wedge between Tats and me. Why are some people like that?” She hadn’t expected him to have an answer, but he looked startled, as if she had asked him something of great significance. When he answered, his words came slowly. “Maybe because we let them be that way.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
All my life, I’d been told, implicitly and explicitly, that I was a horrible person because I was moody, manipulative, bossy, selfish, rude. My parents, my teachers, my therapists all condemned me for these traits. Now here was Leah telling me they weren’t traits at all; they were merely symptoms. This was a huge distinction—the difference between being born with green skin versus a bully throwing a bucket of green paint over my head. Both made me unattractive. But paint, however thick, can be scrubbed off. Green skin, on the other hand, is in the DNA. It can’t be changed; it’s permanent.
Michelle Stevens (Scared Selfless: My Journey from Abuse and Madness to Surviving and Thriving)
I can’t believe I actually stayed this long. I can’t believe I let him treat me this way. The physical and sexual aspect isn’t even the worst part; it’s the fucking mind games he played. It’s not just mental abuse, it’s mental warfare and can be more dangerous than a raised hand. The gaslighting and manipulation are what convinces victims to stay and endure. They train you to protect yourself, ultimately changing every part of you until you no longer recognize yourself. You’re a prisoner in your own home. There are limitations on where you can go, how long you stay out, who you’re allowed to see, and god forbid you hang out with anyone without their supervision. Too scared to look nice in fear of accusations of cheating. But you’re going to leave the house looking like that? God, you’re embarrassing, put some make-up on at least. But only wear it when I’m around, otherwise you’re trying to impress other men.
H.D. Carlton (Shallow River)
Perhaps hybrid approaches. Valtain and Solarie and Fey magics, all manipulated until they become something that is all and none of them at once.” Her eyebrow twitched. “A fourth type that we’ve yet to fully uncover.” A fourth magic. Like Reshaye. Like the magic that it had left inside of me. “Even if such a thing did exist,” I said, “a typical human wouldn’t be able to Wield it. Just as a Valtain can’t Wield Solarie magic, and vice versa.” “It would need to come from somewhere deep. They certainly would run a significant risk of going insane or contracting a nasty case of A’Maril.
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
It’s not about espionage or financial fraud, simply a question of flexing my computing muscles and breaching the most stringent virtual environments on the planet. I’d get in, then retreat, erasing every trace I’d ever been there. Except for small things. I can’t seem to overcome a stupid need to leave behind a tiny clue. A changed code to the service elevator. Reformatted bullet points on the website from basic dots to little stars. Increasing the paychecks of the lowest-paid employees by a dollar. Or, in the case of the big-ass security conglomerate with offices around the globe, manipulating their accounting systems to send small donations to obscure charities and underprivileged places.
Neva Altaj (Beautiful Beast (Perfectly Imperfect: Mafia Legacy, #1))
When I created Emilia, I made her opinionated and manipulative and sexual even though I’ve been told by men that women like that aren’t relatable. But what it really means is that women like that make men uncomfortable, and above all else, we can’t let that happen. So stories about complicated, wholly realized men get put onstage and stories about complicated, wholly realized women don’t… which reinforces the belief that men, and their experiences, matter more. It becomes a cycle.” Melina glanced at Jasper. “See?
Jodi Picoult (By Any Other Name)
The Captain’s mindset appeared to soften as he listened to Alpha’s rationale. “OK—I see the potential now, but will it be possible to undertake such a major societal change right after purging ten million people?” “I can’t think of a better time, Captain. Everyone who will remain on board after you’ve vented the Ship will be well aware of why you were forced to take such a drastic action. The recent experience of a major shock is an ideal condition for manipulating a populace into making a significant change.
Jerry Aubin (Rendezvous (The Ship #4))
I can catch demons but people cry when I do that. And then I'm blamed for trying to control them. How convenient that the excuse of someone trapped in hell is that I'm manipulating her into getting out of it. That's how they see help, as an attack that must be defended at all cost. They can't see that their soul is in the hands of Satan already. He is the one instigating their fears and anger, as if they were just a puppet. They can't see that I pay a very heavy emotional, mental and physical price, every time I try to rescue one of the trapped souls, every time I love someone that doesn't know what love is anymore.
Robin Sacredfire
service. He gives a vague answer, along the lines of wanting to look after the little guy. His questioner is skeptical. She says, disbelievingly, “You care about the little guy?” “Not really,” Reacher admits. “I don’t really care about the little guy. I just hate the big guy. I hate big smug people who think they can get away with things.” That’s what motivates him. The world is full of unfairness and injustice. He can’t intervene everywhere. He needs to sense a sneering, arrogant, manipulative opponent in the shadows. Then he’ll go to work. Partly because he himself is arrogant. In a sense, each book is a contest between Reacher’s arrogance and his opponent’s. Arrogance is not an attractive attribute, but I don’t hide Reacher’s because I think the greatest mistake a series writer can make is to get too chummy with his main character. I aim to like Reacher just a little less than I hope you will. Because basically a book is a simple psychological transaction. “I’m the main character,” the main character announces. The reader asks: “Am I going to like you?” There are several possible answers to that question. The worst is: “Yes, you really are, and I’ll tell you why!” But Reacher answers: “You might, or you might not, and either way is fine with me.” Because, as an author, I believe that kind
Lee Child (Killing Floor (Jack Reacher, #1))
I learn to divert cells in my body, manipulate meridians, but I can’t grow stronger without external force. Faria provides it. Evolution bred this intuition into every organic cell long ago—adapt or die.
Adam Burch (Song of Edmon (Fracture World #1))
Have I ever asked you for anything? Then you’ll know how much I mean this: do not take Sevro with you. As a favor to me. Tell him to stay here.” “He won’t.” “He will if you tell him to.” “No, he won’t.” I pause my packing, look at Victra’s pleading eyes. “We both know I would have to knock him unconscious and leave him here hogtied.” She shrugs her shoulders, suggesting she would be fine with that plan. “I can’t do that to him.” “But you can take him to Venus? Where he’s likely to die?” “I can’t manipulate him,” I say. “I won’t. Even if I do, we both know he’ll be right behind me in another, slower ship.” “Then I’ll put his leg in a bear trap.” “He’ll just chew it off.” “True.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
He shrugged. “Maybe you’re afraid I won’t help you anymore. You said it yourself: ‘You can’t live with one foot in daylight and the other in shadows.’ Maybe you’re afraid I’ll move into the daylight and leave you behind.” I felt a wave of angry indignation and willed it back. “Let me tell you something, kid,” I said. “In a very short while, I plan to be living in the daylight myself. I won’t need your ‘help’ after that. So even if I were the selfish, manipulative piece of shit you seem to think I am, I wouldn’t have any motive to try to keep you in the shadows.” He flushed. “I’m sorry,” he said, after a moment. I waved a hand. “Forget it.
Barry Eisler (A Lonely Resurrection (John Rain #2))
There are very few reasons for identity theft, Ellie. One is to profit from the victim’s bank accounts. The other is to hide who you really are because who you really are is not lawful. Since Dr. Gunterson never suspected his identity was borrowed, I assume there was no theft. I bet our Arnie has priors. He’s done something wrong somewhere and needs to be someone else. And if he’s hiding, he’s probably hiding from the police. And if he’s hiding from the police, there are probably warrants. And if there are warrants, I believe it would serve our purpose to let him be arrested.” Brie lifted an eyebrow. “Hmm?” “Wow,” Ellie said. “I should have known. If he’s nothing but a criminal, shouldn’t I have known?” Brie shook her head. “I can’t answer that one for you, Ellie. I spent years in the district attorney’s office in Sacramento, prosecuting crimes like this. I met a lot of very intelligent women who were victimized by manipulative men, as well as perfectly sharp men taken for a wild ride by clever, dishonest women. It’s a con, and you were at a vulnerable time in your life. Cons can smell that a mile away. Sadly, it’s common in the world of criminal law.” “Can
Robyn Carr (Forbidden Falls)
I’ve got to get Brittany alone if I’m gonna have any chance of saving face and saving my Honda. Does her freakout session mean she really doesn’t hate me? I’ve never seen that girl do anything not scripted or 100 percent intentional. She’s a robot. Or so I thought. She’s always looked and acted like a princess on camera every time I’ve seen her. Who knew it’d be my bloody arm that would crack her. I look over at Brittany. She’s focused on my arm and Miss Koto’s ministrations. I wish we were back in the library. I could swear back there she was thinking about getting it on with me. I’m sporting la tengo dura right here in front of Miss Koto just thinking about it. Gracias a Dios the nurse walks over to the medicine cabinet. Where’s a large chem book when you need one? “Let’s hang Thursday after school. You know, to work on the outline,” I tell Brittany for two reasons. First, I need to stop thinking about getting naked with her in front of Miss Koto. Second, I want Brittany to myself. “I’m busy Thursday,” she says. Probably with Burro Face. Obviously she’d rather be with that pendejo than me. “Friday then,” I say, testing her although I probably shouldn’t. Testing a girl like Brittany could put a serious damper on my ego. Although I caught her at a time when she’s vulnerable and still shaking from seeing my blood. I admit I’m a manipulative asshole. She bites her bottom lip that she thinks is glossed with the wrong color. “I can’t Friday, either.” My hard-on is officially deflated. “What about Saturday morning?” she says. “We can meet at the Fairfield Library.” “You sure you can pencil me into your busy schedule?” “Shut up. I’ll meet you there at ten.” “It’s a date,” I say while Miss Koto, obviously eavesdropping, finishes wrapping my arm with dorky gauze. Brittany gathers her books. “It’s not a date, Alex,” she says over her shoulder. I grab my book and hurry into the hallway after her. She’s walking alone. The loudspeaker music isn’t playing so class is still on. “It might not be a date, but you still owe me a kiss. I always collect debts.” My chem partner’s eyes go from dull to shining mad and full of fire. Mmm, dangerous. I wink at her. “And don’t sweat about what lip gloss to wear on Saturday. You’ll just have to reapply it after we make out.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Let’s hang Thursday after school. You know, to work on the outline,” I tell Brittany for two reasons. First, I need to stop thinking about getting naked with her in front of Miss Koto. Second, I want Brittany to myself. “I’m busy Thursday,” she says. Probably with Burro Face. Obviously she’d rather be with that pendejo than me. “Friday then,” I say, testing her although I probably shouldn’t. Testing a girl like Brittany could put a serious damper on my ego. Although I caught her at a time when she’s vulnerable and still shaking from seeing my blood. I admit I’m a manipulative asshole. She bites her bottom lip that she thinks is glossed with the wrong color. “I can’t Friday, either.” My hard-on is officially deflated.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
What are you blathering on about, Westhaven? I rather liked your Elise. Seemed a practical woman, if you know what I mean.” “Meaning she took your bribe, or your dare,” the earl concluded. “Then she turned around and offered her favors elsewhere, to at least one other tall, green-eyed lordling that I know of, and perhaps several others, as well.” “She’s a bit of a strumpet, Westhaven, though passably discreet. What would you expect?” The duke finished his drink with a satisfied smack of his lips. “She’s Renfrew’s intended, if your baiting inspired her to get with child, Your Grace,” the earl replied. “You put her up to trying to get a child, and the only way she could do that was to pass somebody else’s off as mine.” “Good God, Westhaven.” The duke rose, looking pained. “You aren’t telling me you can’t bed a damned woman, are you?” “Were that the case, I would not tell you, as such matters are supposed to be private. What I am telling you is if you attempt to manipulate one more woman into my bed, I will not marry. Back off, Your Grace, or you will wish you had.” “Are you threatening your own father, Westhaven?” The duke thumped his glass down, hard. “I am assuring him,” the earl replied softly, “if he attempts even once more to violate my privacy, I will make him regret it for all of his remaining days.” “Violate your…? Oh, for the love of God, boy.” The duke turned to go, hand on the door latch. “I did not come here to argue with you, for once. I came to tell you it was well done, getting your brother to Fairly’s, reminding him what… Never mind. I came with only good intentions, and here you are threatening me. What would your dear mama think of such disrespect? Of course I am concerned; you are past thirty, and you have neither bride nor heir nor promise thereof. You think you can live forever, but you and your brother are proof that even when a man has decades to raise up his sons, sometimes the task is yet incomplete and badly done. You aren’t without sense, Westhaven, and you at least show some regard for the Moreland consequence. All I want is to see the succession secured before I die, and to see your mother has some grandchildren to spoil and love. Good day.” He
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Forgive me, Mother.” He bowed. “My argument is with my father.” “Well,” the duke announced himself and paused for dramatic effect in the doorway of the private parlor. “No need to look further. You can have at me now.” “You are having Anna Seaton investigated,” the earl said, “and it could well cost her her safety.” “Then marry her,” the duke shot back. “A husband can protect a wife, particularly if he’s wealthy, titled, smart, and well connected. Your mother has assured me she does not object to the match.” “You don’t deny this? Do you have any idea the damage you do with your dirty tricks, sly maneuvers, and stupid manipulations? That woman is terrified, nigh paralyzed with fear for herself and her younger relation, and you go stomping about in her life as if you are God Almighty come to earth for the purpose of directing everybody else’s personal life.” The duke paced into the room, color rising in his face. “That is mighty brave talk for a man who can’t see fit to take a damned wife after almost ten years of looking. What in God’s name is wrong with you, Westhaven? I know you cater to women, and I know you are carrying on with this Seaton woman. She’s comely, convenient, and of child-bearing age. I should have thought to have her investigated, I tell you, so I might find some way to coerce her to the altar.” “You already tried coercion,” Westhaven shot back, “and it’s only because Gwen Allen is a decent human being her relations haven’t ruined us completely in retaliation for your failed schemes. I am ashamed to be your son and worse than ashamed to be your heir. You embarrass me, and I wish to hell I could disinherit you, because if I don’t find you a damned broodmare, I’ve every expectation you will disinherit me.” “Gayle!” His mother was on her feet, her expression horror-stricken. “Please, for the love of God, apologize. His Grace did not have Mrs. Seaton investigated.” “Esther…” His Grace tried to get words out, but his wife had eyes only for her enraged son. “He most certainly did,” Westhaven bit out. “Up to his old tricks, just as he was with Gwen and with Elise and with God knows how many hapless debutantes and scheming widows. I am sick to death of it, Mother, and this is the last straw.” “Esther,” His Grace tried again. “Hush, Percy,” the duchess said miserably, still staring at her son. “His Grace did not have your Mrs. Seaton investigated.” She paused and dropped Westhaven’s gaze. “I did.” “Esther,” the duke gasped as he dropped like a stone onto a sofa. “For the love of God, help me.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Most animals can't tap into these open-source adaptations deliberately. The flies didn't seek out Spiroplasma to solve their worm problem. Woodrats didn't go looking for the creosote-defusing microbes so they could widen their diet. They must rely on luck to endow them with the right partners. But we humans aren't so restricted. We are innovators, planners, and problem-solvers. And we have one huge advantage that all other animals lack: we know that microbes exist! We have devised instruments that can see them. We can deliberately grow them. We have tools that can decipher the rules that govern their existence, and the nature of their partnerships with us. And that gives us the power to manipulate those partnerships intentionally. We can replace faltering communities of microbes with new ones that will lead to better health. We can create new symbioses that fight disease. And we can break age-old alliances that threaten our lives.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
My patience, Nerissa, is nearing its end. Come with me, please.” “No.” “Nerissa, I will not ask again.” “Did you not hear a single word I just said?” she cried angrily. “I just told you to get out of my life, to leave me alone, to let me make my own choices, to respect them! I chose to marry Ruaidri, he didn’t force me, I married him because I love him!” “What?” “I said I love him, damn you!” Lucien just stood there blinking, his face a dreadful mask of shock, anger, and immeasurable pain. “And furthermore,” Nerissa said, her voice shaking with rage, “Don’t think for one moment you can talk me out of this, make me see reason, manipulate events to bend them to your will or convince me to go back to England. I don’t want to go back to England. I can’t go back to England—” “Yes, I know all about what you did, my dear, back on that ship. I can assure you, I can… fix things, so that your name is cleared—” “I don’t care if my name is cleared, I’m not going back. My home is here with my husband and my…” she put a hand on her still-flat belly, and the tears began to flow down her cheeks, “my baby.” “Christ,” Lucien swore.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
For the love of all that is holy, just give me a straight-up, stand-up sword fight! I hate court intrigue and all the closet-hiding, eavesdropping, secret-liaisoning, lying, and manipulating, who’s-watching-who-watching-who bastards that bow and scrape and simper as they slip arsenic into your claret. You can’t tell your friends from your enemies from one day to the next. —Stephano De Guichen
Margaret Weis (Shadow Raiders (The Dragon Brigade, #1))
Dear Editor: Rousseau thought that democracy was a good idea, but unworkable. Plato recommended an intellectual aristocracy, with ‘philosopher kings’ using psychological manipulation to make the populace think they were living in a democracy. This is similar to the situation we’re living in today – only instead of his intellectual aristocracy, we have a plutocracy, with the plutocrats using psychological manipulation to make us think we’re living in a democracy. You can’t fool all the people all the time, but if you can manipulate most of the people most of the time, you’ve got it made. Don’t get me wrong, I’m not knocking plutocracy. As John Jay said, the people who own the country should be running it. I certainly don’t want the man on the street running my country. What we have to do is convince the plutocrats that it would be in their best interests to narrow the income gap and distribute the necessities of life on a more equitable basis. Ray Sherman, Duarte, CA
Anonymous
He's gotten into your head, too. Richard. You're a part of his insanity now.” I shook my head. “The plan was my idea. My uncle wouldn't go along with it, so he put me in touch with Richard. Richard said he didn't have an opinion on way or the other, he just said he didn't see a problem with a man taking his own vengeance.” Now it was her turn to shake her head. “Two men who've both seen terrible things in their lives, and they let a young man, with his whole future ahead of him, throw away any chance at a normal life, and you don't think you're being manipulated?” I was taken aback by this. “I can't imagine my uncle would let me get manipulated by someone like Richard. It doesn't make sense.” She leaned in to me now, only inches away. Her stare was shocking, piercing in its intensity. “Richard has made a pact with Death. He sold his soul, and to keep the Grim Reaper from collecting on the deal, Richard keeps feeding people into the mouth of Hell. It doesn't matter if he pulls the trigger, if you do it for him, or even if it's you who dies. Everyone who comes into contact with him gets sucked into oblivion. You, your uncle, everyone.” There was the beginning of a laugh in me, but it died when I realized she wasn't kidding. “Sold his soul?” I said. “You can't really mean that. No one makes a pact with Death. That doesn't even make sense.” She sat back. “There are certain men, certain violent men, who live through the blood and the death all around them, surviving when they should’ve died a hundred times. These men have made a deal, a pact, with Death. In exchange for their lives, they must offer up lives in return. It is an old magic. A dark magic, a warrior's magic. That is the magic of blood and murder, and Richard has practiced it all his life. He’s a sorcerer. A vampire. He may never die, he has seen and caused so much death.” She was breathing hard now, her eyes wild. For no reason I could fathom, the skin at the back of my neck and along my arms prickled, the hairs standing on end. An idea came to me. “The brotherhood,” I said.
Jack Badelaire (Killer Instincts)
WHILE I THINK the reasons for postmortems are compelling, I know that most people still resist them. So I want to share some techniques that can help managers get the most out of them. First of all, vary the way you conduct them. By definition, postmortems are supposed to be about lessons learned, so if you repeat the same format, you tend to uncover the same lessons, which isn’t much help to anyone. Even if you come up with a format that works well in one instance, people will know what to expect the next time, and they will game the process. I’ve noticed what might be called a “law of subverting successful approaches,” by which I mean once you’ve hit on something that works, don’t expect it to work again, because attendees will know how to manipulate it the second time around. So try “mid-mortems” or narrow the focus of your postmortem to special topics. At Pixar, we have had groups give courses to others on their approaches. We have occasionally formed task forces to address problems that span several films. Our first task force dramatically altered the way we thought about scheduling. The second one was an utter fiasco. The third one led to a profound change at Pixar, which I’ll discuss in the final chapter. Next, remain aware that, no matter how much you urge them otherwise, your people will be afraid to be critical in such an overt manner. One technique I’ve used to soften the process is to ask everyone in the room to make two lists: the top five things that they would do again and the top five things that they wouldn’t do again. People find it easier to be candid if they balance the negative with the positive, and a good facilitator can make it easier for that balance to be struck. Finally, make use of data. Because we’re a creative organization, people tend to assume that much of what we do can’t be measured or analyzed. That’s wrong. Many of our processes involve activities and deliverables that can be quantified. We keep track of the rates at which things happen, how often something has to be reworked, how long something actually took versus how long we estimated it would take, whether a piece of work was completely finished or not when it was sent to another department, and so on. I like data because it is neutral—there are no value judgments, only facts. That allows people to discuss the issues raised by data less emotionally than they might an anecdotal experience.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
manipulate, and hard to hate. He was a low-level grunt sent out to do a job that no one else wanted. "Robin, he's the leader of The Exiled. He wanted me to keep tabs on you, to see if you really were one of us." "One of you?" I said. "What does that mean?" "Someone who can't be controlled, someone who still has free will." I didn't say anything. It felt good to finally hear someone besides me, Steve, or Annabelle admit that something was off about this place. I took a deep breath and then spoke, "Who's controlling these people? There must be someone pulling the strings." "I can't... Robin will tell you everything you need to know." The man stepped towards me with great caution,
R.K. Davenport (Creepskies (The Post-Creepocalypse Saga Book 3))
February 17 Broken Pieces I am forgotten by them as though I were dead; I have become like broken pottery. But I trust in You, O lord; I say, “You are my God.” My times are in your hands.—Psalm 31:12, 14-15a I have a friend who does beautiful work with pieces of broken china and pottery. She gave me a lovely blue and white frame as a gift. She took the china and broke it into small enough pieces to fit the frame. She covered a plain frame with a white mortar and fit the broken pieces of blue and white china around the frame in a way that covered most of the area and filled in the spaces in between with more of the mortar. What a work of art! Not only is it beautiful, but it is custom made to fit my taste and home. But even more beautiful is the note that came with the gift. She wrote: my life has been full of broken pieces. Some of them are a result of my own manipulation and control and some are through no one’s fault, but a result of living in a fallen world. Regardless of what I give the Lord, He takes those pieces and adds them to a beautiful work of art. I hope this constantly reminds you of the Great Planner and Master Creator. We surely can make a mess of our lives, can’t we? But regardless of the mess we’ve made, no matter how fragmented we become, if we offer ourselves to God and trust in Him, He can take all the broken pieces of our life and make them into his work of art. And His work is so beautiful! His plan is custom made for each individual. Our times are in His Hands.
The writers of Encouraging.com (God Moments: A Year in the Word)
For five hundred years my sisterhood has passed down a sacred vow,” says Caspida coldly, “to destroy the one who destroyed our queen. You know this, and you speak these words only to deceive me as you deceived her. You would have me believe that you are capable of love.” “Believe me when I say I wish that I were not!” Angrily I round on her. “I do not tell you this for myself! Aladdin will die any moment, and the only way to save him is if you make a wish! Please, Caspida—they will kill him at dawn!” I point at the horizon, where the sun is minutes away from rising. “Let me save him, I beg you!” I drop to my knees before her, doing what I never thought I could: grovel before a human. My pride unravels into smoke, carried away on the wind. Always I have thought myself above these mortals—I, immortal, powerful, able to shift from this form to that. But I let all of that go now, and I beg as I have never begged before. “Do what you like with me after that, but just let me save him!” I dig my fingers into the earth, my eyes damp with tears. My voice falls to a cracked whisper. “Please.” “Why?” I raise my face, finding her gaze unyielding. “Because it was my idea. Him wishing to be made a prince. Courting you. Lying all these weeks. I manipulated him and used him, and now they will kill him for it.” “Why would you lead him into the palace knowing that eventually the truth would come out and he would have to pay the price?” “Because . . .” I grind my teeth together, wishing the earth would swallow me up. “Because I was trying to win my freedom. Your people had captured the prince of the jinn—Nardukha’s own son. The Shaitan sent me to free him, and in turn, he would free me from my lamp. If I failed, he planned to sink your city into the sea. I had to get into the palace. Aladdin was my only way in.” “So you don’t deny that you’re a monster. You used him for your own ends.” I drop my head. “I know what I am. I know nothing can excuse what I did to Roshana, or to Aladdin, or to you. I’ve wronged so many, and there is so much I wish I could take back. I can’t save Roshana. But please—I beg of you—let me save him.” Caspida lowers to her knees and studies me. I meet her gaze, humbled utterly. “You want me to believe that you love him,” she whispers. “Yes.” The word is but a breath, a stir of air in my treacherous lungs. “We’re running out of time. I cannot reverse death or the hours. Time is the strongest magic, and no jinni—not even the Shaitan—can rewrite the past. Once Aladdin is gone, he is gone. Let me save him, and I can help you win your city.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
I wish you to know that it is you alone who can make yourself seen, heard, respected & loved… No one else! What I am trying to tell you is this: The best way to “make others treat you the way you want to be treated” is to treat & conduct yourself very carefully. Sweetheart, you can’t behave like a jerk or scum all the time, snub others & talk in anger or negative language with people, manipulate them & want them to respect you, love you & admire you. How is it going to happen? Darling listen – I want you to watch your manners, behaviours, words & doings very carefully, keep your promises & prioritise your own health, mental wellbeing & life purposes over everything else. I want you to start dressing well, begin to smile more during every interaction & start showing your competence & capabilities in every engagement. All the successful people & celebrities know this & this is how they live everyday. Let you also begin to bring out your own star qualities for all to admire. I mean identify what you are good at & start giving it breath, time, space & life, more than anything else… Visit my website, if you wish to know more about the blueprint to instruct others how to engage with us. Keep going! I am rooting for your success, your good health, happiness, healing & peace. Stay Incredibly Blessed!
Rajesh Goyal
I know. And I can’t deny that it made me feel good that someone was going to stick up for me. It made me confident. Even though that incident opened my eyes in some ways, I felt like no matter what I did, my mom was in my corner. I knew she’d go to bat for me, although I also knew that if I was wrong, she’d let me face the consequences and not try to manipulate things so that I got out of punishment that I deserved.
Jessie Gussman (Tender Mercies (Blueberry Beach, #8))
Sune had seen a photograph of Mark Zuckerberg, the founder of Facebook, standing in front of a room of people who were all wearing virtual-reality headsets. He was the only person standing in actual reality, looking at them, smiling, pacing proudly around. When he saw it, Sune said, 'I was like - holy shit, this is a metaphor for the future.' If we don't change course, he fears we are headed towards a world where 'there's going to be an upper class of people that are very aware' of the risks to their attention and find ways to live within their limits, and then there will be the rest of society with 'fewer resources to resist the manipulation, and they're going to be living more and more inside their computers, being manipulated more and more'.
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
this is a core insight of magic - you can manipulate people and they don't even know it's happening. They will swear to you that they made their own free choices ... 'It works because they don't have to know your strengths - they just have to know your weaknesses. How well do you know your weaknesses?' I wanted to believe I understood my weaknesses very well, but Tristan [Harris] shook his head gently. ...Magicians play on these weaknesses to delight and entertain us. As Tristan grew up, he became part of another group of people who were figuring out our weaknesses to manipulate us - but they had very different goals.
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
Well, there's one I thought of. Nothing passes through in the opposite direction, right? Including gravitons. Gravity can't penetrate the wormhole. It's not very obvious when the ring is vertical, but..." Ed manipulates a remote control and turns the hoop horizontally, so the wormhole leads downwards. "This way, it's easier to see. The way to think about it is as if the whole Earth was glowing white, and the ring is your only shadow. So you can see there's a small cone-shaped area above the wormhole which is in gravity shadow. Zero gravity.
qntm (Ed)
I’m nice to people because kindness can’t be overrated. But I’m not nice to get my way. That’s plainly and simply called ‘manipulation,’ and even the dumbest person will see through that eventually. I, for one, hate suck-ups more than assholes. At least with a jerk, you know what you’re getting. Suck-ups don’t have a genuine bone in their wimpy bodies.
Sarah Noffke (The Exceptional Sophia Beaufont Omnibus Books 1-12)
It’s quite common, Shem. The younger a psychic is, the stronger their ability. Perhaps you need a new vizier now, another young boy, or girl, who’s starry-eyed and easy to manipulate.” “I won’t listen to this!” Shem snapped. “Just get on with it! I only have one vizier, and that’s you. I don’t believe you mean what you say. You can’t have changed that much.
Storm Constantine (Stealing Sacred Fire (The Grigori Trilogy, #3))
Small is the position of my soul, the posture by which I approach others, God, and myself. When I'm small, I know I can't control opinions, manipulate outcomes, or force my agenda on others. When I'm small, I can move into the world confident as the person I most deeply am because I know I don't move into the world alone. If this is true, then small is my new free.
Emily P. Freeman (Simply Tuesday: Small-Moment Living in a Fast-Moving World)
now.” Shortly before I met with him, Sune had seen a photograph of Mark Zuckerberg, the founder of Facebook, standing in front of a room of people who were all wearing virtual reality headsets. He was the only person standing in actual reality, looking at them, smiling, pacing proudly around. When he saw it, Sune said, “I was like—holy shit, this is a metaphor for the future.” If we don’t change course, he fears we are headed toward a world where “there’s going to be an upper class of people that are very aware” of the risks to their attention and find ways to live within their limits, and then there will be the rest of the society with “fewer resources to resist the manipulation, and they’re going to be living more and more inside their computers, being manipulated more and more.
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
The king jerked his chin at my left arm. 'Break that bond between you two.' 'Please,' I whispered. 'How else is Tamlin to have his bride? He can't very well have a wife who runs off to another male once a month.' Rhys remained silent, though his grip tightened on Azriel. Observing- weighing, sorting through the lock on his power. The thought of that silence between our souls being permanent... My voice cracked as I said to Tamlin, still at the opposite end of the crude half circle we'd formed before the dais. 'Don't. Don't let him. I told you- I told you that I was fine. That I left-' 'You weren't well,' Tamlin snarled. 'He used that bond to manipulate you. Why do you think I was gone so often? I was looking for a way to get you free. And you left.' 'I left because I was going to die in that house.' The King of Hybern clicked his tongue. 'Not what you expected, is it?' Tamlin growled at him, but again held out his hand toward me. 'Come home with me. Now.' 'No.' 'Feyre.' An unflinching command. Rhys was barely breathing- barely moving. And I realised... realised it was to keep his scent from becoming apparent. Our scent. Our mating bond.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
During these semi-conscious states, I was hearing strange sounds coming from my office. I can’t recall exactly what they were, but do remember hearing noises.
Dennis Nappi (I Am Human, Food for the Archons: Humanities Psychic Connection, Simulated Realities, Parallel Worlds, and the Manipulation of Mankind…)
I believe sooner or later there will be a world war that will affect many nations because you can't manipulate so many resources and wealth on the planet without serious consequences. This monopoly and horrible discrimination rooted on greed will have to end some day.
Dan Desmarques
Of course, I’d known before then. But that night, clutching yet another beer bottle, watching Christian move on the dance floor, I verbalized the subtle knowledge in my mind. I loved him. Shamefully and hopelessly. I tried to talk myself out of it. It’s not like there is a definition. They can’t take your blood sample, run a test and give you the results. It’s all vague, subjective, prone to manipulation, hypochondria. You wake up one day thinking you’re in love with someone and the following week, you’re not. All that drama, the cultural pressure. The epitome of so-called happiness sold to us by the media. They say it can last a year, the honeymoon phase. Two at best. In love… It was just a chemical process, imagination, internalization of recycled clichés, and a hefty dose of delusion. But it didn’t hurt any less. I wanted him, craved him, couldn’t bear anyone else to touch him just as I needed him to be content and sheltered—yes, even if it meant he’d be with someone else. Happy and safe. He was the single, most important being in the whole universe. If Christian was hopeful and joyous as ever, my life had a purpose, the world had a meaning.
Roe Horvat (Dirty Mind)
It’s bad if I use that love as an excuse to overlook all the things you do. It’s bad if I lie to myself and say that it’s okay that you manipulate me. It’s bad if I let my love make me overlook how you think you can just fuck the answer you want out of me. I can’t plan a future built on lies and manipulations and mistruths. That’s what my mom did, and I told you I never wanted to be her. Last night, I felt more like my mom than I ever have before and I hate it. You made me feel that way. That’s why I need some time and some space so that when the haze of the way you make me feel fades, I can figure out what’s left and if it’s worth fighting for.
Gemma Weir (Saved by the Mountain Man (Montana Mountain Men, #5))
Maybe you will think of how you treat people from now on because everyone has feelings, no matter how much money, how many friends, or how little they’ve got. They are all people like you and deserve respect and acceptance, regardless of their situation in life. Look on this as my parting gift. Work on your attitude and maybe you will be successful one day, both in business and in love.” I can’t even look at the man, how dare he preach to me as if he’s above me? I am fine as I am; I have my own business for goodness’s sake. Just because he has all this, he thinks he can talk down to me, reject me as something worthless under his shoe and manipulate me for his own pleasure just so he can feel good about one little thing that happened years ago. A sudden feeling touches me inside, and now
M.J. Hardy (The Resort)
All these possibilities and all this electronic war between hackers and information security experts, and superpowers, and we are still talking about the range of numbers, letters, and symbols on your computer or phone keyboard only. Well, what about the reasons in this world, for which the flutter of a single butterfly or the twinkling of one person’s eye, the movement of your finger, a word out of your mouth, the kick of a donkey, the leap of a rabbit, a dying star, a solar explosion, a meteor colliding with another one million light-years away, all of them, a staggering number of which we don't know about, all of them interfering, and affecting each other and the entire world. We can't even count them, let alone raise them to a particular power or count the probabilities of them intermingling with each other. But if you could somehow count all the causes in the universe, then figure out the possibilities by the order they occurred and you had the tools to change their order and manipulate them, then I have to say congratulation for being the number one opponent of chaos, but I do not recommend provoking it. We are just beginning to be in mystery, and maybe what it is hiding is even greater.
Ahmad I. AlKhalel
Live like there is no tommorow cause tommorow is never promised. You can lead a horse to water but you can't make it drink. God does not judge us on our fathers sins. Father son and holy spirit I hold you nearest. To be a mother you need to actually be there and represent what a mother is. You don’t get to be the mother if you show up after the kids are already grown up. She’s like all those animals at the end of the story who show up to eat the Little Red Hen’s bread. The train crawls out of the Tapachula station. From here on, he thinks, nothing bad can happen. People come here to prosper. You have nothing here. What have you accomplished? You can't live through or claim there your children if you weren't there for them. The garden is a metaphor of opposites man women good evil up down everything has a opposite. God had already planned my destiny before I was created. Treat others how they treat you or how you want to be treated. My kids are my world and I will protect them from your evil manipulative narcissistic ways. Forgive but never forget. Knowledge is power. You don't own me. I only owe my servitude to the family I created and God. Love thy father who art in heaven. Your only Australian if you live in Australia. If you live in America your American stop trying to get freinds and likes based on where other people think your from. Don't blow your own trumpet. A bad worker blames his tools. No worries mate she'll be right. Couldn't hand a man a grander spanner The game was a fizzer. I wouldn't piss on them even if they were on fire. If you think I'm bad you should see my sister. She gives me cupcakes for my birthday. Happy birthday man whore. She's like that white girl at the gangbang party Your mother and father would be proud lol. narcissistic siblings keep score and feel compelled to outplay a sibling. They often triangulate in the family, playing two against one. Children reared in narcissistic homes rarely feel connected to one another as adults which is a good thing. Suck a big black cock casey. And mum try too lol and dad I'm not even gonna bother keep paying that child support mum and keep it for yourself and your drugs and alcohole dad Lord knows
Rhys dean
What’s the seventh direction?” The seventh direction is within. It is the most important. The Controllers focus on controlling the six directions, while the Sonvertos focus on opening humanity to the seventh direction.” “Why?” Uncle smiled. “Because it’s the one place the Controllers can’t control.” “Why can’t they control the seventh direction, if they can control the other six?” “Because the seventh direction is the sacred way in which the Creator—the Great Mystery - moves into the physical universe. The movement is always one-to-one. Creator to individual. Some people have allowed the Controllers to substitute their own image of a God, in effect, replacing the Great Mystery with the small faith. It’s not so much control as it is a form of magic like a shell game. It’s all about distraction. “Controllers are very good at two things: one, forming distractions so people grow to be predictable and easy to manage; and two, providing substitutions for the Real that, over time, become real to most people.” “I don’t understand,” I said, “why don’t people stop them? Kohana touched my arm gently. “One thing Nammu told you is true; they are a very ancient race. They operate in a different spacetime and they know all about us, because they’ve created the game in which we play, and they’ve been observing us since we began on this planet. “The Controllers may have created the game that humanity plays, but there is a bigger game being played out than one planet and a collection of races we call humanity. In this bigger game there’re larger players, more at stake, and this is where we focus. We don’t try to battle the Controllers, we honor them and their role, we avoid their distractions, and we withdraw our energy from them.” “Honor is our word for accept. If we battle them, then we’re trying to control the Controllers. We become like them. We don’t want to control anything, even the seventh direction.” “But if they’ve created the game,” I asked, “do we let them continue with their ways?” "The real manipulators live out of our reach. We can only teach about the seventh direction. That is what we do and why we’re here.” “It sounds so passive…” I whispered. “It’s passive only when you think in terms of battle,” Kohana said. His tone slightly irritated. “We actively teach. We actively show people how to live aligned to nature. We actively demonstrate how to connect with our Creator. People must have the desire to awaken; we can’t force them to wake up.” “And where do they get this desire?” I asked. “Everything you’ve said about the Controllers is that they’ve deceived us and kept us distracted. So where do people get the desire to even consider the seventh direction?” “These attractions are in mythology, religion, philosophy, poetry, art, nature, even science and technology. The attractions are everywhere, just as the distractions of the Controllers are everywhere. They are competing forces for the attention of a human mind and heart.
James Mahu
Remember that all of this is designed to make you—the one on the receiving end of the abuse—feel better. I don’t want you to waste time trying to fix your abuser or hanging onto the belief that one day they’ll wake up a saint. We can’t control others’ actions because it’s an impossible feat. What we can control is how well we take care of ourselves and how much we value ourselves as people.
Don Barlow (Gaslighting & Narcissistic Abuse Recovery: Recover from Emotional Abuse, Recognize Narcissists & Manipulators and Break Free Once and for All)
I remember early in my practice treating men who "used" prostitutes. All they had to do to control these women was to give them some money and they could manipulate them into doing whatever they wanted. They could make a whore not only do any sexual trick they commanded, but could get her to be nice to them as well. If such men couldn't buy love, at least they could rent it. The women needed the money. The men had it. The women had to give in. The men were contemptuous, superior, in control... Later in my practice, I began to treat some hookers and strippers. They made it clear to me that the Johns with whom they dealt were suckers. Give them a little sexual excitement, and you could get them to pay all the money they had. Men were so easy to control. I now feel that trying to identify who is controlled, and who is being controlled, is a six-five, pick 'em. And when I try sorting out who is the victim and who the perpetrator of manipulation, I can't tell the knife from the wound.
Sheldon B. Kopp (Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature)
Can you put yourself in my place?” Eric asked, chiming in on my thoughts. We knew each other pretty well, without the bond. He took my hand and held it between his cold ones. “No, actually, I can’t,” I said, as evenly as I could manage. “I’ve been trying. But I’m not used to that sort of long-distance manipulation. Even after death, Appius is controlling you, and I just can’t picture myself in that position.” “Americans,” Eric said, and I couldn’t decide if he said it admiringly or with a mild exasperation. “Not just Americans, Eric.” “I feel very old.” “You are very old-fashioned.” He was ancient-fashioned.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
I’ve literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can’t anymore. I don’t know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
Gillian Flynn (Gone Girl)
That's when I joined the circus. I started as a stablehand and eventually became one of the riders." She sighed nostalgically. "I liked the circus. The people are warm." "Too warm, I gather." Maisie nodded. "I never really got on with the ringmaster, and when he told me to gam him it was time to leave. I decided that if I'm going to suck cocks for a living I want a better wage. And here I am." She always picked up speech mannerisms and she had adopted April's unrestrained vocabulary. April gave her a shrewd look. "Just how many cocks have you sucked since then?" "None, to tell the truth." Maisie felt embarrassed. "I can't lie to you, April-I'm not sure I'm cut out for this trade." "You're perfect for it!" April protested. "You've got that twinkle in your eye that men can't resist. Listen. Persist with Solly Greenbourne. Give him a bit more each time. Let him feel your pussy one day, let him see you naked the next. In about three weeks he'll be panting for it. One night when you've got his trousers down and his tool in your mouth, say: 'If you bought me a little house in Chelsea, we could do this any time you wanted to.' I swear to you, Maisie, if Solly says no to that, I'll become a nun." Maisie knew she was right, but her soul revolted against it. She was not sure why. It was partly because she was not attracted to Solly. Paradoxically, another reason was that he was so nice. She could not bring herself to manipulate him heartlessly. But worst of all, she felt she would be giving up all hope of real love-a real marriage with a man she really burned for. On the other hand, she had to live somehow, and she was determined not to live like her parents, waiting all week for a pittance on payday and forever at risk of unemployment because of some financial crisis hundreds of miles away.
Ken Follett (A Dangerous Fortune)
Co-dependency essentially revolves around the sentence: “I am not enough.” A co-dependent person will always need another person to validate their worth, their feelings, their ideas and even their existence. This either shows itself as a need to manipulate and control surroundings; or as a need to bend over backwards to make other people feel good, the reason being that “I can’t feel good if you don’t feel good.
Gudjon Bergmann (Create a Safe Space: An Inspirational Guidebook for Yoga Teachers Who want to Further Serve their Students)
You fuckin’ guys! You have no idea what it’s like on this side of the little paper smock. You ever been in one of those managed-care Sam’s Clubs? You can’t just let your fingers do the walking. Then I read this article, and I almost hemorrhaged when I found out there are medical seminars teaching doctors how to manipulate a patient’s wait—they’ve actually done cost studies on how long people will tolerate the lobby, when to move them to the examining room, and how long they’ll wait there. Which is longer than you’d expect because, after all, ho! ho!—you’re in The Room! Then they instruct doctors to chop up the wait some more by sending in the nurses for blood pressure and other tap dancing. And you’re thinking, Hey, foolish to leave now—this is almost like actual treatment!
Tim Dorsey (Cadillac Beach (Serge Storms Mystery, #6))
She shoved me out of the bed! The realization hit him as hard as the floor. His feline grace failed him. Far from hanging its head in shame, his inner lion rolled in mirth, tufted tail practically wagging. Not funny. Except it was. He had a feeling this more assertive side of Arabella was his fault. Since the moment they’d met, he’d encouraged her to not take any shit, and apparently she’d decided to start with him. Dammit. When he’d told her to not let the world stomp all over her, he should have specified his exemption. I’m her mate. Isn’t there a rule that says she can’t kick me out of bed? Except she’d yet to realize what he had. Was it only a day ago since his life changed? Not even. At this rate, he’d be picking out fucking China patterns by noon. Completely emasculated and by a woman who wanted nothing to do with him. Flipping to his knees, he sat up and rested his chin on the mattress. Arabella faced him, eyes wary, breathing shallow as she waited for his reaction. More like she waited to see if he’d explode. She’d learn. Hayder would never harm her, but he would use his infamous kitty-cat eyes against her. He stared. You know you want me. You know you need me. Come on, baby. Melt. Melt for your lion. She stared right back. Hmm, this wasn’t working as planned. He let the left side of his lip curl into a grin, tugging his cheek and popping his infamous dimple. “I know what you’re doing.” “What?” “Trying to manipulate me into letting you back into bed.” “Is it working?” For a moment her expression shifted, a quick flip of emotions as she struggled to answer. “Yes it’s working. But I wish it wasn’t.” “Why? Why fight it?” “Because I think I need time.” It turned out there was something more powerful than his dimple. Her honesty. He groaned. “I think you were sent to kill me. Fine. If you insist, I’ll respect you even if I’d rather debauch you.” Her eyes widened. “Respect doesn’t mean I’m going to lie, baby. I want you. Bad. But I’ll listen to what you want. For now.” And, yes, he said it ominously. Let her think about it. Think about him. Soon even she wouldn’t be able to deny they were meant for each other. He stood, all six foot plus naked feet of him. And, yes, that did put a certain part of his anatomy in perfect view of a certain shocked gaze. A sucked-in breath, cheeks that darkened, a certain awareness sizzling between them. She couldn’t hope to hide her pleasure or interest in what she saw. “Sweet dreams, baby.” He winked and then turned, resisting an urge to catch her staring at his ass. He knew she was. He could feel the crazy heat as she traced his path out of the room. Go back. Want to snuggle. His lion couldn’t understand why they were back in the living room with its cramped couch that wouldn’t allow him to stretch out. Why couldn’t they snuggle in the nice warm bed and, even better, cuddle with a nice warm mate? Respect, my furry friend. A lion had no use for respect though. His worldview was much simpler. Ours. Bed. Hungry. Not hungry for a steak but, rather, a sweet, creamy pie. Hayder groaned. No need to keep reminding him of what he was missing. He knew. He hated it, but her wants had to take precedence over his. Argh.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
Can there be any positives for an addicted child? It’s hard to believe that there could be. But there’s a lot to be learned from a drug addict or alcoholic. The experience of being a drug addict or alcoholic can definitely serve humankind. As it turns out, some of the only people qualified to call themselves authorities on the subject of substance abuse are former substance abusers themselves. Only the former addict can tell you how the mind of a drug addict works. That’s because he or she has been there. And we haven’t. Nor have many of the so-called expert psychologists and counselors. As in any trade, it’s best to have some degree of education. Former addicts got their education from the substances they abused. As the escalation of drug-use hits an all time high worldwide, there will be an increasing need for these former addicts who’ve actually been “in the field” and can counsel the steady flow of younger addicts. Counselors who have been addicts are usually better able to detect the manipulations or scams devised so cleverly by practicing addicts. As these counselors will testify, they probably know every move an addict is making or is planning to make. Didn’t they do the same? So perhaps there is a positive to your child being an addict. Perhaps your child is being trained to counsel others. Maybe the streets and the alleys are his or her classroom. On staff at practically every rehab in every city across this country, there will be at least several people who’ve gained an education living the life of a junkie or a drunk. These are invaluable personnel, people who’ve walked into the darkness and have walked out again. Could be this is where your addicted child is headed? How about you? Can you help others? There are many child-psychology experts out there making valuable contributions to our culture. But unless they’ve taken the same roller-coaster ride that the parent of an addict has taken, they can’t speak from experience on this topic. Experience doesn’t always count for everything. But once the parent of an addict has passed a certain stage, the “letting-go stage,” he or she can relate to other parents in trouble and offer help. After all, who knows better the pain and sorrow of seeing a child in such distress than the parent? It’s not that I don’t have the greatest respect for professionals or feel that there isn’t a huge need for them: It’s just that there’s a big difference in “living it” and “learning it.” Not long ago, I attended a three-hour seminar given by a noted child psychologist. His subject was how to deal with teenagers so that they wouldn’t fall into the clutches of drugs and alcohol. I was curious about his methods—which consist mainly of “talking” to young addicts and “talking’ to them some more. Then he mentioned that his own children were two and three years old. Listening to him, I wondered just how much his methods in dealing with young people would change over the years, especially after his children reached puberty. It will be interesting to hear what he has to say in a decade or two.
Charles Rubin (Don't let Your Kids Kill You: A Guide for Parents of Drug and Alcohol Addicted Children)
I have no use for it. My will needs no amplifying. My will shapes worlds. The amulet was fashioned for one like you with no will of which to speak.” “Just because we can’t manipulate reality with our thoughts doesn’t mean we don’t have will. Maybe we do shape reality, just on a different scale, and you don’t see it.
Karen Marie Moning (Bloodfever (Fever, #2))
noblemen, of course. Vin frowned, thinking of how often various members of the nobility tried to manipulate Elend, and of the promises he made to them…. “What’s that look for?” Ham asked, nudging her. Vin eyed the Thug. Expectant eyes twinkled in his firm, rectangular face. Ham had an almost supernatural sense when it came to arguments. Vin sighed. “I don’t know about this, Ham.” “This?” “This,” Vin said quietly, waving her hand at the Assembly. “Elend tries so hard to make everyone happy. He gives so much away—his power, his money….” “He just wants to see that everyone is treated fairly.” “It’s more than that, Ham,” Vin said. “It’s like he’s determined to make everyone a nobleman.” “Would that be such a bad thing?” “If everyone is a nobleman, then there is no such thing as a nobleman. Everyone can’t be rich, and everyone can’t be in charge. That’s just not the way things work.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
If you really love me, then why is it necessary to go out with the boys?” “Why can’t you show a little consideration for your family and give up that girl?” “If you really loved me, how could you forget our anniversary?—my birthday?” “How could you leave me and go out when you know how I worry?” There are hundreds of variations of these manipulations and games that people act out with each other while professing eternal love. On some level, everyone knows they are lying, which is why they are so defensive and dishonest.
Robert W. Firestone (The Fantasy Bond: Structure of Psychological Defenses)
The feature of programs, that they are defined purely formally or syntactically, is fatal to the view that mental processes and program processes are identical. And the reason can be stated quite simply. There is more to having a mind then having formal or syntactical processes. Our internal mental states, by definition, have certain sorts of contents. If I am thinking about Kansas City or wishing that I had a cold beer to drink, in both cases my mental state has certain mental content in addition to whatever formal features it might have. That is, even if my thoughts occur to me in strings of symbols, there must be more to the thoughts then the abstract strings, because strings by themselves can't have any meaning. If my thoughts are to be about anything, then the strings must have a meaning which makes the thoughts about those things. In a word, the mind has more than syntax, it has semantics. The reason that no computer program can ever be a mind is simply that a computer program is simply syntactical, and minds are more than syntactical. Minds are semantical, in the sense that they have more than a formal structure, they have a content. To illustrate this point, I have designed a thought experiment. Imagine a bunch of computer programmers have written a program that will enable a computer to simulate the understanding of Chinese. So for example, if the computer is given a question in chinese, it will match the question against its memory or data base, and produce appropriate answers to the questions in chinese. Suppose for the sake of argument that the computer's answers are as good as those of a native Chinese speaker. Now then, does the computer on the basis of this literally understand Chinese, in the way that Chinese speakers understand Chinese? Imagine you are locked in a room, and this room has several baskets full of chinese symbols. imagine that you don't understand a word of chinese, but that you are given a rule book in english for manipulating these chinese symbols. The rules specify the manipulations of the symbols purely formally, in terms of syntax, not semantics. So the rule might say: take a squiggle out of basket 1 and put it next to a squoggle from basket 2. Suppose that some other chinese symbols are passed into the room, and you are given futhter rules for passing chinese symbols out the room. Suppose, unknown to you, the symbols passed into the room are called 'questions' and your responses are called answers, by people outside the room. Soon, your responses are indistinguishable from native chinese speakers. there you are locked in your room shuffling symbols and giving answers. On the basis of the situation as it parallels computers, there is no way you could learn chinese simply by manipulating these formal symbols. Now the point of the story is simply this: by virtue of implementing a formal computer from the point of view of an outside observer, you behave exactly as if you understood chinese, but you understand nothing in reality. But if going through the appropriate computer program for understanding CHinese is not enough, then it is not enough to give any other computer an understanding of chinese. Again, the reason for this can be stated simply: a computer has a syntax, but no semantics.
Searle
Have you discussed it with Lady Helen yet?” Rhys asked. “Is that why she played Florence Nightingale while I had fever? To soften me in preparation for bargaining?” “Hardly,” Devon said with a snort. “Helen is above that sort of manipulation. She helped you because she’s naturally compassionate. No, she has no inkling that I’ve considered arranging a match for her.” Rhys decided to be blunt. “What makes you think she would be willing to marry the likes of me?” Devon answered frankly. “She has few options at present. There is no occupation fit for a gentlewoman that would afford her a decent living, and she would never lower herself to harlotry. Furthermore, Helen’s conscience won’t allow her to be a burden on someone else, which means that she’ll have to take a husband. Without a dowry, either she’ll be forced to wed some feeble old dotard who can’t work up a cock-stand or someone’s inbred fourth son. Or…she’ll have to marry out of her class.” Devon shrugged and smiled pleasantly. It was the smile of a man who held a good hand of cards. “You’re under no obligation, of course: I could always introduce her to Severin.” Rhys was too experienced a negotiator to show any reaction, even though a burst of outrage filled him at the suggestion. Staying outwardly relaxed, he murmured, “Perhaps you should. Severin would take her at once. Whereas I would probably be better off marrying the kind of woman I deserve.” He paused, contemplating his wineglass, turning it so one last tiny red drop rolled across the inside. “However,” he said, “I always want better than I deserve.” All his ambition and determination had converged into a single desire…to marry Lady Helen Ravenel. She would bear his children, handsome blue-blooded children. He would see that they were educated and raised in luxury, and he would lay the world at their feet. Someday, by God, people would beg to marry Winterbornes.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Learn That Your Feelings Are as Important as Theirs. Some of us can’t see our own feelings because we have learned somewhere along the way that other people’s feelings are more important than ours. For example, it was always assumed that your father would move in with your family when his health began to fail. But now that he has, his constant demands and crankiness are beginning to take a toll, especially on top of managing his medications and frequent doctor’s visits. You are exhausted and frustrated, and wonder why your brother isn’t willing to do his share. Yet you don’t raise it with parent or sibling. “It’s hard, but it’s not that hard,” you reason. “Besides, I don’t want to rock the boat.” Your girlfriend calls and says she can’t have dinner on Friday after all. She’s wondering whether Saturday is okay. She says a friend of hers is in town and wants to see a movie on Friday. You say, “Sure, if that’s better for you.” Although you said yes, Saturday is actually not as good for you, because you had planned to go to a baseball game. Still, you’d rather see your girlfriend, so you give your ticket away. In each of these situations, you’ve chosen to put someone else’s feelings ahead of your own. Does this make sense? Is your father’s frustration or your brother’s peace of mind more important than yours? Is your girlfriend’s desire to see a movie with her friend more important than your desire to see a baseball game? Why is it that they express their feelings and preferences, but you cope with yours privately? There are several reasons why you may choose to honor others’ feelings even when it means dishonoring your own. The implicit rule you are following is that you should put other people’s happiness before your own. If your friends or loved ones or colleagues don’t get their way, they’ll feel bad, and then you’ll have to deal with the consequences. That may be true, but it’s unfair to you. Their anger is no better or worse than yours. “Well, it’s just easier not to rock the boat,” you think. “I don’t like it when they’re mad at me.” If you’re thinking this, then you are undervaluing your own feelings and interests. Friends, neighbors, and bosses will recognize this and begin to see you as someone they can manipulate. When you are more concerned about others’ feelings than your own, you teach others to ignore your feelings too. And beware: one of the reasons you haven’t raised the issue is that you don’t want to jeopardize the relationship. Yet by not raising it, the resentment you feel will grow and slowly erode the relationship anyway.
Douglas Stone (Difficult Conversations: How to Discuss What Matters Most)
March 3 Vexation … Her rival kept provoking her in order to irritate her.—1 Samuel 1:6b We don’t use the word rival much in referring to relationships in the office, neighborhood or family. It’s a word used in game-playing or competitive sports. Yet, there is probably one person who loves to push your buttons, who manipulates the conversation, who drinks the last cup of coffee and never makes another pot—you know who I’m talking about. Why, just thinking about the last little trick they pulled makes your face blush a bit with anger or embarrassment. Their daily digs or sick sarcasm is a constant wear on your attempts to be at peace while you do your job. At times you’ve thought of strangling them, but more often you simply try to avoid them. If you are a Christian, you are going to be targeted by the enemy of peace. Satan will send a few darts your way: a bossy co-worker, a meddling aunt, a gossipy neighbor and your most-of-the-time adoring husband to name a few. Don’t be surprised when it happens, because it will happen. Your peace is too good to be true in the world’s eyes. The world doesn’t understand it, the world can’t have it, and therefore the world doesn’t want you to have it either. Hannah’s story in 1 Samuel is an example of the woman who faces daily vexation from someone who is bent on robbing her of her peace and joy in the Lord. When she could take the ridicule no longer, she turned to the Lord. In bitterness of soul Hannah wept much and prayed to the Lord (1 Samuel 1:10). She called to God for release of the heaviness in her soul. Is your soul heavy because of conflict in relationships? I encourage you to pray for the person who is casting the darts. Forgive their trespasses against you, and ask for strength from the Lord. Ask boldly; He will hear your request. The Lord gives strength to his people; the Lord blesses His people with peace (Psalm 29:11).
The writers of Encouraging.com (God Moments: A Year in the Word)
You are the innocent in the scenario between you and the teacher. Absolutely. You are not innocent in the lies you told to see him.” “I thought he manipulated me and abused me, therefore I can’t be held responsible.” Dinah retorted, “I thought you were a mature woman and fully in control of all your actions.
Kristina Riggle (The Whole Golden World)
You’re a terrible person, Sasha Stone,” she says, eyes closing down into tiny slits. “There’s an ugliness inside of you that can’t be dug out, not with the knife you used, not with talk therapy, not with anything I know of. You’re so far gone you won’t even acknowledge it, claiming it all comes from someone else, somewhere else, never inside of you. “You take the people who care about you most and manipulate them. You get your friends to lie for you, cut yourself up, and blame it on a boy who will probably never recover from seeing that, send your mother down an unstable path and your father trying to stop her so that he won’t get in your way. You got me fired and my license is up for review—do you understand what that means? I worked my whole life to help others and now I’m not going to be able to, because of you.” She’s close to me now, the hot breath of another drive-through meal wafting in my face. I sit up, all my cords coming with me, and lean toward her so that we’re almost nose to nose. “And how does that make you feel?” I ask.
Mindy McGinnis (This Darkness Mine)
Dad said something, and I should answer him. The thing about the bugs and the magnifying glass. I remember that toy, remember peering down at little body parts for hours, trying to figure out how they worked. “So I can manipulate them,” I say, not realizing my thoughts are flowing outward now. “If I know how they work, I can make them do what I want.” Dad sighs, rests his forehead against the window. “You graduated to people though, didn’t you?” he asks. “When you found out about . . .” He doesn’t finish, doesn’t say her name, whoever the woman is that he’s cheating on mom with. “When you found out you didn’t get mad, didn’t run to tell your mom. You held on to it, used it against me. “I don’t know how many surgeries it would take to make you a nice person,” he says, his voice a whisper that comes back from the glass, as cold as the surface they just hit. “How many hours of therapy. They can give you a new heart, but they can’t fix something that isn’t in there. What’s missing from you, Sasha?” My tongue is a lead weight, so I can’t ask him if there were cameras in the surgery, or if someone in there ran their mouth. Everything I was afraid of has come to pass. They opened me up and found nothing inside.
Mindy McGinnis (This Darkness Mine)