If I Can Interrupt Quotes

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Peeta, how come I never know when you're having a nightmare?” I say. “I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says. “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down. “It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Tris: "I was reading." Sandry: "You're always reading. The only way people can ever talk to you is to interrupt." Tris: "Then maybe they shouldn't talk to me.
Tamora Pierce (Briar's Book (Circle of Magic, #4))
No," Dimitri interrupted gently. He moved his face toward mine, our foreheads nearly touching. "It won't happen to you. You're too strong. You'll fight it, just like you did this time." "I only did because you were here." He wrapped his arms around me, and I buried my face in his chest. "I can't do it by myself," I whispered. "You can," he said. There was a tremulous note in his voice. "You're strong—you're so, so strong. It's why I love you.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
I can’t think of any greater happiness than to be with you all the time, without interruption, endlessly, even though I feel that here in this world there’s no undisturbed place for our love, neither in the village nor anywhere else; and I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more.
Franz Kafka (Franz Kafka's The Castle (Dramatization))
No one expects Will Herondale to live past nineteen, and no one will be sorry to see him go, either -" That was too much for Tessa. Without thinking about it she burst out indignantly, "What a thing to say!" Gabriel, interrupted midrant, looked as shocked as if one of the tapestries had suddenly started talking. "Pardon me?" "You heard me. Telling someone you wouldn't be sorry if they died! It's inexcusable!" She took hold of Will by the sleeve. "Come along, Will. This - this person - obviously isn't worth wasting your time on." Will looked hugely entertained. "So true." ... Tessa frowned at Gabriel. "I think you owe Will an apology." "I," said Gabriel, "would rather have my entrails yanked out and tied in a knot in front of my own eyes than apologize to such a worm." "Goodness," said Jem mildly. "You can't mean that. Not the Will being a worm part, of course. The bit about the entrails. That sounds dreadful.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language." I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever. Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end. And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
Audre Lorde
You can say you love me all you want, but if you only ever act like the opposite's true, then I can't trust your words anymore.
Aimee Carter (Goddess Interrupted (Goddess Test, #2))
Oh," he said, knocking a red ball into a hole. "It's you." "You were expecting someone else?" I asked. "Am I interrupting your social calender?" I made a big show of glancing around the empty room. "I don't want to keep you from the mob of fans beating down your door." "Hey, a guy can hope. I mean, it's not impossible that a car full of scantily clad sorority girls might break down outside and need my help.
Richelle Mead (Bloodlines (Bloodlines, #1))
I can honestly say that my misery had been transformed into common unhappiness, so by Freud's definition I have achieved mental health.
Susanna Kaysen (Girl, Interrupted)
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer." "The Answer?" said Deep Thought. "The Answer to what?" "Life!" urged Fook. "The Universe!" said Lunkwill. "Everything!" they said in chorus. Deep Thought paused for a moment's reflection. "Tricky," he said finally. "But can you do it?" Again, a significant pause. "Yes," said Deep Thought, "I can do it." "There is an answer?" said Fook with breathless excitement. "Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it." ... Fook glanced impatiently at his watch. “How long?” he said. “Seven and a half million years,” said Deep Thought. Lunkwill and Fook blinked at each other. “Seven and a half million years...!” they cried in chorus. “Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?" [Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started] "We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!" "The Universe...!" said Loonquawl. "And Everything...!" "Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!" There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel. "Good Morning," said Deep Thought at last. "Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..." "An Answer for you?" interrupted Deep Thought majestically. "Yes, I have." The two men shivered with expectancy. Their waiting had not been in vain. "There really is one?" breathed Phouchg. "There really is one," confirmed Deep Thought. "To Everything? To the great Question of Life, the Universe and everything?" "Yes." Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children. "And you're ready to give it to us?" urged Loonsuawl. "I am." "Now?" "Now," said Deep Thought. They both licked their dry lips. "Though I don't think," added Deep Thought. "that you're going to like it." "Doesn't matter!" said Phouchg. "We must know it! Now!" "Now?" inquired Deep Thought. "Yes! Now..." "All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable. "You're really not going to like it," observed Deep Thought. "Tell us!" "All right," said Deep Thought. "The Answer to the Great Question..." "Yes..!" "Of Life, the Universe and Everything..." said Deep Thought. "Yes...!" "Is..." said Deep Thought, and paused. "Yes...!" "Is..." "Yes...!!!...?" "Forty-two," said Deep Thought, with infinite majesty and calm.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
It is supposed to be the truth." He stared at me and my breath caught in my throat. "If I were a better man, I would be able to show you the love and affection you deserve. As I am not, I can only offer you what I'm capable of giving. But I assure you, just because I do not show it, doesn't mean I do not feel it.
Aimee Carter (Goddess Interrupted (Goddess Test, #2))
When it came time for me to give my talk on the subject, I started off by drawing an outline of the cat and began to name the various muscles. The other students in the class interrupt me: "We *know* all that!" "Oh," I say, "you *do*? Then no *wonder* I can catch up with you so fast after you've had four years of biology." They had wasted all their time memorizing stuff like that, when it could be looked up in fifteen minutes.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
I mean a fat, ugly man can still be funny and lovable and successful,” continued Jane. “But it’s like it’s the most shameful thing for a woman to be.” “But you weren’t, you’re not—” began Madeline. “Yes, OK, but so what if I was!” interrupted Jane. “What if I was! That’s my point. What if I was a bit overweight and not especially pretty? Why is that so terrible? So disgusting? Why is that the end of the world?
Liane Moriarty (Big Little Lies)
People ask, How did you get in there? What they really want to know is if they are likely to end up in there as well. I can't answer the real question. All I can tell them is, It's easy.
Susanna Kaysen (Girl, Interrupted)
I'm just trying to tell you that your life will be very long with zigzags you can't imagine. You won't realize just how young you are until you aren't that young anymore.
Taylor Jenkins Reid (Forever, Interrupted)
Athena called, "Annabeth Chase, my own daughter." Annabeth squeezed my arm, then walked forward and knelt at her mother's feet. Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements." Annabeth looked up, stunned. "My...my lady?" Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?" "You mean...I can design whatever I want?" "As your heart desires," the goddess said. "Make us a city for the ages." "As long as you have plenty of statues of me," Apollo added. "And me," Aphrodite agreed. "Hey, and me!" Ares said. "Big statues with huge wicked swords and-" All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Can I borrow the car today, Mom? We'll get soaked if we walk-" "Hmph," Dad interrupted. "When I was a boy-" "Yeah, yeah," Cara interrupted back. "You walked to school naked in the snow or something. So can I?
Melissa Landers (Alienated (Alienated, #1))
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
Listen to me, Amin," I said slowly. "Listen to me very carefully. Nothing is the same. Nothing will ever be the same again. There lives on this earth a woman who can be my friend and my lover. Do you understand that? Do you understand what a marvelous thing that is?" "A friend is a friend," Uthman interrupted, "and a woman is a woman. You can't have them in one person. The whole world knows that." "If that's what the whole world knows, ...then the whole world is wrong. I believed the whole world, and I lost her.
Barbara Cohen (Seven Daughters and Seven Sons)
Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it’s personal. And the world won’t end. And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don’t miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, “If I can’t dance, I don’t want to be part of your revolution.” And at last you’ll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
Audre Lorde
Why can't it just work?" she moaned. "Just once I want to come up with a plan and have it work. Is that too much to ask?" Orion opened his mouth, about to say something to calm Helen down. "Of course it isn't!" Helen interrupted, her rant picking up steam. "But nothing works down here! Not our talents, not even the geography works. That lake over there is tilted on a slope! It should be a river, but oh, no, not down here! That would make too much sense!
Josephine Angelini (Dreamless (Starcrossed, #2))
Boyfriends and literature: How can you make a life out of those two things? As it turns out, I did; more literature than boyfriends lately, but I guess you can't have everything.
Susanna Kaysen (Girl, Interrupted)
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.” At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes. “The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.” “Yeah but Maestra—” “Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.” “But what about self-esteem?” “Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
Tom Robbins (Fierce Invalids Home from Hot Climates)
I'm your mind", it claims. "You can't parse ME into dendrites and synapses
Susanna Kaysen (Girl, Interrupted)
This time I read the title of the painting: Girl Interrupted at Her Music. Interrupted at her music: as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that?
Susanna Kaysen (Girl, Interrupted)
Just this one bowl,” Qibli said grumpily. “Because it’s the stupidest bowl in Pyrrhia.” Peril edged a little closer and peered at it. “Huh,” she said. “Looks like a norm — nope!” she interrupted herself, seeing the look on his face. “You’re right! Stupidest bowl I’ve ever seen! Can I join in? HEY, BOWL, YOUR SHAPE IS INANE! FOOD PROBABLY FALLS OUT OF YOU ALL THE TIME! I BET YOU DON’T EVEN STACK WELL IN CABINETS! YEAH, THAT’S RIGHT, YOU’RE THE WORST! Ooh, this is great. Let’s do it every day! I feel much better.
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
As they split to prepare for the meeting with the Ravkans, Jesper followed Wylan down the hall. “Hey.” Wylan kept going. Jesper jogged past him and cut off his path, walking backward. “Listen, this thing with Kuwei isn’t a thing.” He tried again. “There is no thing with Kuwei.” “You don’t owe me an explanation. I’m the one who interrupted.” “No, you didn’t! Kuwei was sitting at the piano. It was an understandable mistake.” Wylan stopped short. “You thought he was me?” “Yes!” Jesper said. “See? Just a big mis—” Wylan’s gold eyes flashed. “You really can’t tell us apart?” “I … I mean, usually I can, but—” “We’re nothing alike,” Wylan said indignantly. “He’s not even that good at science! Half his notebooks are full of doodles. Mostly of you. And those aren’t good either.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I’m sick of them. I never want to see them again. Except Aros; he smells nice. And Rome; because he’s so strong I’m pretty sure not even Rau can get past him. I don’t need the others. Except Siret. I’m pretty sure he hates me, but he’s really good at catching me like just before I face-plant into something. But the others, I don’t need them. Not at all.” I paused, my brow furrowing, my mouth pursing, and then I quickly blurted, “Except Coen and Yael. Coen is really good at making decisions, and if I leave out Yael he’ll probably hunt me down and haunt me-” “That's all of them,” Emmy interrupted smoothly.
Jaymin Eve (Trickery (Curse of the Gods, #1))
You’re like Marilyn Monroe,’ Ken tells me, which I take as a compliment and say a nervous “Thank You”. Interrupting, he adds, ‘You’re all velvet and Velcro. Men want you because you’re sexy and broken and when it gets too rough they can say “Hey! This toy is broken!” and toss you aside without feeling bad.
Emma Forrest (Your Voice in My Head)
Well, guess what?" Shanna's excited voice interrupted his thoughts. "They're going to have twins! Isn't that exciting!" Robby nodded. "Aye. I can barely contain myself." She gave him a wry look. "You should try to be happy for your friends." "I am. I'm delighted that everyone but me is happily married and multiplying like bloody rabbits.
Kerrelyn Sparks (The Vampire and the Virgin (Love at Stake, #8))
Elysia!" Driggs interrupted. "Slow the hell down." She grinned at Lex. "Sorry. I talk a lot when I get excited." "That's okay," Lex said with an impish nod. "We all have our flaws. Driggs here loves Titanic." "Really??" Driggs folded his arms and studied the girls. "I can already see the ramifications of an alliance between you two. And they are troublesome.
Gina Damico (Croak (Croak, #1))
We've got a problem!" I shouted. "No, I heard that. I mean, what's the problem now?" "I have the solution!" Jack interrupted. "What?" I sat up, all ears. "Bells!" "What?" Lend and I asked at the same time. "Get her a kitty collar with bells on it. That way you can hear her coming and get someplace where you won't be hurt by collapsing immediately into sleep.
Kiersten White (Endlessly (Paranormalcy, #3))
Brenna was fixing some kind of a small computronic device when he found her in her quarters. “Judd,” she said, putting down her tools. “You can’t be here. The dissonance—” He interrupted her panicked words. “I need to ask you something important.” “What could be more important than your life?” She sounded close to tears. “Your life. If you die, I don’t know if I’d stay sane.” A simple truth.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose
Rupi Kaur (The Sun and Her Flowers)
Good. Item seven. The had had and that that problem. Lady Cavendish, weren’t you working on this?’ Lady Cavendish stood up and gathered her thoughts. ‘Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’ ‘Go on.’ ‘It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’ ‘So what’s the problem in Progress?’ ‘That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’ ‘Hmm,’ said the Bellman, ‘I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’ ‘Take the first had had and that that in the book by way of example,’ said Lady Cavendish. ‘You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’ ‘So the problem with that other that that was that…?’ ‘That that other-other that that had had approval.’ ‘Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, ‘let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’ There was a very long pause. ‘Right,’ said the Bellman with a sigh, ‘that’s it for the moment. I’ll be giving out assignments in ten minutes. Session’s over – and let’s be careful out there.
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
Before anyone can ask anything, I empty my game bag and it becomes 18:00 - Cat Adoration. Prim just sits on the floor weeping and rocking that awful Buttercup, who interrupts his purring only for an occasional hiss at me. He gives me a particularly smug look when she ties the blue ribbon around his neck.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
Jackson H. Brown Jr.
Healing is figuring out how to coexist with the pain that will always live inside of you, without pretending it isn’t there or allowing it to hijack your day. It is learning to confront ghosts and to carry what lingers. It is learning to embrace the people I love now instead of protecting against a future in which I am gutted by their loss. Katherine’s experience and her insight sit with me. She went through something she thought she could never survive and yet here she is, surviving. “You have to shift from the gloom and doom and focus instead on what you love,” she told me before bed. “That’s all you can do in the face of these things. Love the people around you. Love the life you have. I can’t think of a more powerful response to life’s sorrows than loving.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
If it's healed, then why does it still hurt?" I said, panicked. What if the pain never went away? How was I supposed to live with that? Had Henry experienced the same thing in his chest? How could he have possibly fought of that thing again if he had? "Because there is no power in the world that can take away the pain until it is ready to leave." said Theo
Aimee Carter (Goddess Interrupted (Goddess Test, #2))
I don’t know. What I can say for certain is that I’m not yet ready to abandon the possibility of America—not just for the sake of future generations of Americans but for all of humankind. For I’m convinced that the pandemic we’re currently living through is both a manifestation of and a mere interruption in the relentless march toward an interconnected world, one in which peoples and cultures can’t help but collide. In that world—of global supply chains, instantaneous capital transfers, social media, transnational terrorist networks, climate change, mass migration, and ever-increasing complexity—we will learn to live together, cooperate with one another, and recognize the dignity of others, or we will perish. And so the world watches America—the only great power in history made up of people from every corner of the planet, comprising every race and faith and cultural practice—to see if our experiment in democracy can work. To see if we can do what no other nation has ever done. To see if we can actually live up to the meaning of our creed.
Barack Obama (A Promised Land)
Two people whose opinion I respect told me that the word "Christian" would turn people off. This certainly says something about the state of Christianity today. I wouldn't mind if to be a Christian were accepted as being the dangerous thing which it is; I wouldn't mind if, when a group of Christians meet for bread and wine, we might well be interrupted and jailed for subversive activities; I wouldn't mind if, once again, we were being thrown to the lions. I do mind, desperately, that the word "Christian" means for so many people smugness, and piosity, and holier-than-thouness. Who today can recognize a Christian because of "how those Christians love one another?
Madeleine L'Engle (A Circle of Quiet (Crosswicks Journals, #1))
That any civilized human being in this nineteenth century should not be aware that the earth traveled round the sun appeared to me to be such an extraordinary fact that I could hardly realize it. ‘You appear to be astonished,’ he said, smiling at my expression of surprise. ‘Now that I do know it I shall do my best to forget it.’ ‘To forget it!’ ‘You see,’ he explained, ‘I consider that a man’s brain is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in most perfect order. It is a mistake to think that that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.’ ‘But the Solar System!’ I protested. ‘What the deuce is it to me?’ he interrupted impatiently: ‘you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
We now know I can do it, but I feel like hell," I went on. "I'm so cold, my teeth would chatter if they still could. And I'm hungry enough that both of you are starting to looking really, really good." Vlad's lips curled. "Is this the part where I'm supposed to remind you that this is just the leftover power talking and you don't really want to cheat on Hones?" "Not that kind of hungry!" I gasped, eyes bulging that Vlad thought I'd just casually thrown out that I wanted him and Mencheres to double-team me. "I meant hungry like drinking you guys' blood. Not hungry for... you know." Without thought, my gaze flew to the areas in question before skipping away once I realized what I was doing. Then my cheeks actually tingled with mortification as Vlad let out a long, hearty laugh. Mencheres, more courteous, pretended to suddenly find something fascinating in the door frame, but I saw his lips twitch. "My dear Reaper," Vlad said, still laughing. "Did you just check out our--" "No!" I interrupted at once, almost lunging toward the staircase. "I'm tired and still dazed from the Remnants and... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that"--Oh Jesus, I was only making this worse--"because I am cold already, and I need to get hot. I mean, warmer. Oh, just shut up!
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Okay," Christian said with a great show at maintaining his patience. "So you can't dance. But you could at least talk to the woman." Julius frowned and avoided his gaze. "I am talking." "You aren't," Christian insisted. "You haven't said more than a handful of words." Scowling, he admitted, "I'm practicing in my head." Christian blinked at this. "Practicing?" "Well, you don't just blurt out the first thing that comes to mind," Julius said with exasperation. "I have to approach this carefully, so I'm practicing." "In your head?" Christian clarified. "Yes." Julius nodded. "In my head." "Right....Good, good," he nodded, and then said "but you know what would be even better?" Julius raised his eyebrows with interest. "What?" "Talking to her OUT LOUD!" Christian snapped. "Jesus Christ, Father, you're as old as the earth. You run a huge corporation, dealing with people-even women-day in day out. Surely you can string a couple of words together and manage a little conversation with the woman?
Lynsay Sands (Vampire, Interrupted (Argeneau, #9))
Translation: I need to know the particulars of craziness so I can assure myself that I’m not crazy.
Susanna Kaysen (Girl, Interrupted)
See, Don, I have this question, and I hope you’ll be honest with me.” He pulled at the end of his eyebrow. “I think you know you can count on my honesty.” “Can I?” I asked with an edge. “All right, then tell me: How long have you been fucking me?” That caused him to stop tugging his brow. “I don’t know what you’re saying—” “Because if I was going to fuck you,” I interrupted, “I’d get a bottle of gin, some Frank Sinatra music…and a crash cart for the heart attack you’d have. But you, Don, you’ve been fucking me for years now, and I haven’t gotten any liquor, music, flowers, candy, or anything!
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Now we will count to twelve and we will all keep still. For once on the face of the earth let's not speak in any language, let's stop for one second, and not move our arms so much. It would be an exotic moment without rush, without engines, we would all be together in a sudden strangeness. Fishermen in the cold sea would not harm whales and the man gathering salt would look at his hurt hands. Those who prepare green wars, wars with gas, wars with fire, victory with no survivors, would put on clean clothes and walk about with their brothers in the shade, doing nothing. What I want should not be confused with total inactivity. Life is what it is about; I want no truck with death. If we were not so single-minded about keeping our lives moving, and for once could do nothing, perhaps a huge silence might interrupt this sadness of never understanding ourselves and of threatening ourselves with death. Perhaps the earth can teach us as when everything seems dead and later proves to be alive. Now I'll count up to twelve and you keep quiet and I will go.
Pablo Neruda
I got better and Daisy didn't and I can't explain why. Maybe I was just flirting with madness the way I flirted with my teachers and my classmates. I wasn't convinced I was crazy, though I feared I was. Some people say that having any conscious opinion on the matter is a mark of sanity, but I'm not sure that's true.
Susanna Kaysen (Girl, Interrupted)
Listen, Geralt—" "No. You won't win me over with your reasons nor convince me that Eltibad wasn't a murdering madman, so let's get back to the monster threatening you. You'd better understand that, after the introduction you've given me, I don't like the story. But I'll hear you out." "Without interrupting with spiteful comments?" "That I can't promise.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
While I'm sure this is going to be a fascinating story,' I interrupted. 'I don't care. I'm having a major parental crisis that sort of outshines your little tantrum, and frankly it seems like my dad agrees with you. I have a party to get ready for, can we do this later?
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
We can live again. I'm not sure if we can love again, but we can live again.
Taylor Jenkins Reid (Forever, Interrupted)
White people raised in Western society are conditioned into a white supremacist worldview because it is the bedrock of our society and its institutions. Regardless of whether a parent told you that everyone was equal, or the poster in the hall of your white suburban school proclaimed the value of diversity, or you have traveled abroad, or you have people of color in your workplace or family, the ubiquitous socializing power of white supremacy cannot be avoided. The messages circulate 24-7 and have little or nothing to do with intentions, awareness, or agreement. Entering the conversation with this understanding is freeing because it allows us to focus on how--rather than if--our racism is manifest. When we move beyond the good/bad binary, we can become eager to identify our racist patterns because interrupting those patterns becomes more important than managing how we think we look to others. I repeat: stopping our racist patterns must be more important than working to convince others that we don't have them. We do have them, and people of color already know we have them; our efforts to prove otherwise are not convincing. An honest accounting of these patterns is no small task given the power of white fragility and white solidarity, but it is necessary.
Robin DiAngelo (White Fragility: Why It’s So Hard for White People to Talk About Racism)
We could call you an ambisexual. A duosexual. A—” “Do I really have to find a word for it?” Kyle interrupts. “Can’t it just be what it is?” “Of course,” I say, even though in the bigger world I’m not so sure. The world loves stupid labels. I wish we got to choose our own. We pause for a moment. I wonder if that’s all—if he just needed to say the truth and have it heard. But then Kyle looks at me with unsure eyes and says, “You see, I don’t know who I’m supposed to be.” “Nobody does,” I assure him.
David Levithan (Boy Meets Boy)
JUST FOR TODAY, I will live through this day only. I will not brood about yesterday or obsess about tomorrow. I will not set far-reaching goals or try to overcome all of my problems at once. I know that I can do something for 24 hours that would overwhelm me if I had to keep it up for a lifetime. JUST FOR TODAY, I will be happy. I will not dwell on thoughts that depress me. If my mind fills with clouds, I will chase them away and fill it with sunshine. JUST FOR TODAY, I will accept what is. I will face reality. I will correct those things that I can correct and accept those I cannot. JUST FOR TODAY, I will improve my mind. I will read something that requires effort, thought and concentration. I will not be a mental loafer. JUST FOR TODAY, I will make a conscious effort to be agreeable. I will be kind and courteous to those who cross my path, and I'll not speak ill of others. I will improve my appearance, speak softly, and not interrupt when someone else is talking. Just for today, I will refrain from improving anybody but myself. JUST FOR TODAY, I will do something positive to improve my health. If I'm a smoker, I'll quit. If I'm overweight, I will eat healthfully -- if only for today. And not only that, I will get off the couch and take a brisk walk, even if it's only around the block. JUST FOR TODAY, I will gather the courage to do what is right and take the responsibility for my own actions.
Abigail Van Buren
Lauren returned her phone to her ear. “Jenny!” she snapped, “I don’t have time right now. I need your help. I can’t move Nick by myself and I can’t leave him on the ground. He’ll catch a cold—” “A cold?” Jennifer interrupted. “You can’t leave him on the ground because he’ll catch a cold? How ’bout you can’t leave him on the ground because he’s Nick Blackthorne?
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
Okay," I sighed, interrupting before a battle of wills erupted. "So we will have to scout the wall first. We can-Apollo!" The god looked up. In his hands, the Newton balls knocked off of each other once more. "What?" he asked. "What?" I shot him an annoyed look. "Seriously. Have you've never seen a Newton's Cradle before? Every time you move the first ball, it's going to move the rest of the balls." "No." His gaze dipped to the cradle. "Gravity is cool." "Oh my gods," I moaned, slumping in my seat. "My brain hurts." Apollo let go of the silver ball once more, and then placed the cradle on the edge of Marcus' desk.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
The Chair I’m writing to you, who made the archaic wooden chair look like a throne while you sat on it. Amidst your absence, I choose to sit on the floor, which is dusty as a dry Kansas day. I am stoic as a statue of Buddha, not wanting to bother the old wooden chair, which has been silent now for months. In this sunlit moment I think of you. I can still picture you sitting there-- your forehead wrinkled like an un-ironed shirt, the light splashed on your face, like holy water from St. Joseph’s. The chair, with rounded curves like that of a full-figured woman, seems as mellow as a monk in prayer. The breeze blows from beyond the curtains, as if your spirit has come back to rest. Now a cloud passes overhead, and I hush, waiting to hear what rests so heavily on the chair’s lumbering mind. Do not interrupt, even if the wind offers to carry your raspy voice like a wispy cloud.
Jarod Kintz (A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot)
Sorry to interrupt, boys and girls,” Logan calls out, “but it’s time to put your p’s and v’s away. Gotta go, G.” I shoot Garrett a blank look. “P’s and v’s?” Half the time I can barely make sense of Logan’s made-up acronyms and abbreviations. Garrett grins at me. “Oh come on, really? Even I got one. It’s grade school shit.” I think it over, then blush. “How exactly does one put away their vagina?” He snickers. “Ask Logan. Actually, please don’t.
Elle Kennedy (The Deal (Off-Campus, #1))
I daydream often and sometimes my daydreams interrupt my daydreams. So I write to remember them. If I didn't write, I think my mind would explode from an overload of fantasy and weirdness. To the annoyance of my friends and family, my characters sometimes become a part of my world.
Susan Griscom
I can't come up with reassuring answers to the terrible questions they raise. Don't ask me those questions! Don't ask me what life means or how nothing feels real, how everything is coated with gelatin and shining like oil in the sun.
Susanna Kaysen (Girl, Interrupted)
Now I understand that this passion for pain, even in the torture of martyrdom, represents the haste and impatience to no longer be interrupted and disturbed by the evil that can come from this side (meaning this life).
Lou Andreas-Salomé
Han stroked her hair, shifting his body under her. “Why? What are you afraid of? Thieves or wizards?” “Both,” she said. “Is it because I‟m not a blueblood?” He asked this matter-of-factly, as if he really wanted to know. “That‟s the least of it,” Raisa said, taking a shuddering breath. “This is just going to lead to heartbreak, and I refuse to have my heart broken again.” She looked up at him. “I thought I could play at love. I thought I had the right, same as — as any courtier or a — a streetlord.” He shook his head. “Rebecca, listen, I—” “But I‟ve found out I‟m not made that way,” she interrupted. “I can‟t play this game if my heart‟s not in it. That‟s me personally. I‟m not judging anyone else.” “I see,” he said. He tightened his arms around her, brushing his fingers along her collarbone, setting her nerves tingling. “What‟s your heart saying now?” She wanted to be honest with him, even though she‟d probably pay for it. “I‟m in trouble,” she whispered.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
I only wanted to . . . I mean, just now, when Mr. George interrupted us, there was something very important I wanted to say to you.” “It is about what I told you in the church yesterday? I mean, I can understand that you may think me crazy because I see these beings, but a psychiatrist wouldn’t make any difference.” Gideon frowned. “Just keep quiet for a moment, would you? I have to pluck up all my courage to make you a declaration of love . . . I’ve had absolutely no practice in this kind of thing.” “What?” “Gwyneth,” he said, perfectly seriously, “I’ve fallen in love with you.” My stomach muscles contracted as if I’d had a shock. But it was joy. “Really?” “Yes, really!” In the light of the torch I saw Gideon smile. “I do realize we’ve known each other for less than a week, and at first I thought you were rather . . . childish, and I probably behaved badly to you. But you’re terribly complicated, I never know what you’ll do next, and in some ways you really are terrifyingly . . . er. . . naïve. Sometimes I just want to shake you.” “Okay, I can see you were right about having no practice in making declarations of love,” I agreed. “But then you’re so amusing, and clever, and amazingly sweet,” Gideon went on, as if he hadn’t heard me. “And the worst of it is, you only have to be in the same room and I need to touch you and kiss you . . .” “Yes, that’s really too bad,” I whispered, and my heart turned over as Gideon took the hatpin out of my hair, tossed the feathered monstrosity into the air to fall on the floor, draw me close, and kissed me. About three minutes later, I was leaning against the wall, totally breathless, making an effort to stay upright. “Hey, Gwyneth, try breathing in and out in the normal way,” said Gideon, amused. I gave him a little push. “Stop that! I can’t believe how conceited you are!” “Sorry. It’s just such a . . . a heady feeling to think you’d forget to breathe on my account.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Interrupted at her music: as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that? I
Susanna Kaysen (Girl, Interrupted)
We kiss to say hello, to stave off silences, to show how much we’ve missed someone, to show we’re glad to be with them. We kiss to stop arguments or to interrupt a conversation we no longer want to have. We also use kisses when we want to pretend that everything is all right. I’ve been doing a lot of that lately. But it turns out that some things just can’t be kissed better.
Ali Harris (The First Last Kiss)
He interrupts her again. "I will stay without complaining..." "You have no choice!" "...if you'll do two things." The teasing has long left his face. He is dead serious. I should leave but I can't. I know I'm about to witness a historic event, and I lurk next to the door, my eyes glued to Charlotte and Ambrose. "Okay," Charlotte says, matching his gravity. "Promise me you'll come back." Charlotte is silent. "And give me a kiss good-bye." "What?" Charlotte blurts. "You heard me." She stands stock-still for a good couple of seconds before raising her fingertips to her mouth. Her eyes glitter with tears as she sits back down on the side of his bed. And taking his good hand in hers, she leans forward and kisses him. It is a slow kiss. It is a lingering kiss. It's the kiss she's been waiting for for years.
Amy Plum (If I Should Die (Revenants, #3))
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more." "Seventeen," Gus corrected. "I'm assuming you've got some time, you interrupting bastard. "I'm telling you," Isaac continued, "Augustus Waters talked so much that he'd interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. "But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him." [...] "And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed." Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he'd recovered his composure, he added, "I would cut the bit about seeing through girls' shirts." Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy.
John Green (The Fault in Our Stars)
I wish Mara knew that I’m jealous of her.” I whipped around to face him. “You can’t be serious.” Brooke shook her finger. “No interruptions, Mara.” My brother cleared his throat. “I wish she knew that I think she’s the most hilarious person on Earth. And that whenever she’s not home, I feel like I’m missing my partner in crime.” My throat tightened. Do not cry. Do not cry. “I wish she knew that she’s really Mom’s favorite—” I shook my head here. “—the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she’s my favorite too.” A chin quiver. Damn. “I wish she knew that I’ve always had acquaintances instead of friends because I’ve spent every second I’m not in school studying or practicing piano. I wish she knew that she is literally as smart as I am—her IQ is ONE POINT lower,” he said, raising his eyes to meet mine. “Mom had us tested. And that she could get the same grades if she weren’t so lazy.” I slouched in my seat, and may or may not have crossed my arms over my chest defensively. “I wish she knew that I am really proud of her, and that I always will be, no matter what.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
A knock interrupted my thoughts. “You okay?” “Yeah. Can I have some freaking privacy?” “Sorry. You’ve just been in there for a while; I wanted to make sure you weren’t sick or anything. I’m leaving now. Also, I’m naked, so if you open the door right now, you’re going to get the full show.” “Pass.” “Suit yourself.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
I don’t want to move in on another guys territory, and I don’t share.” Wow. “I’m single.” I frown again. “But we aren’t…” “Oh, I think we are,” he interrupts, his gaze challenging me. He grips my ass harder and stands, easily pulling me to my feet. “I can’t let go of you,” he whispers.
Kristen Proby (Rock with Me (With Me in Seattle, #4))
His dad’s gruff voice interrupted his pitiful thoughts. “Can I be frank?” “Sure. Can I be beans?” Without even having to look up, Dex knew what his dad was doing. “Stop. You know how I hate when you do that.” “Do what?” Tony grunted. “Do that puckered ass thing with your lips.” “And you know all about puckered asses.” Dex arched an eyebrow at his dad. “You know, at times I wonder who the grown-up is here.” The elevator pinged and they exited into a long white hall with dark gray flooring. “And I wonder if you’ve lost more than a few marbles. Like the entire bag.
Charlie Cochet (Hell & High Water (THIRDS, #1))
Andarna shows no sign of trouble. I am inconvenienced, annoyed, and cut off from my source of power, strength, and my mate’s thoughts, but I am still Tairneanach, son of Murtcuideam and Fiaclanfuil, descended from—” “All right, yes, I get it. You are superior in all ways.” I interrupt him before he can get through his whole pompous lineage like I don’t have it memorized by now.
Rebecca Yarros (Onyx Storm (The Empyrean #3))
Hey, Red.” I greeted her with a cocky grin. “Can’t stay away from me, huh? Don’t blame you.” I gestured at myself. “Look at all this.” I was still shirtless from the shower, and I didn’t want to brag or anything, but my abs were a fucking work of art. “If I knew you had company, I would’ve waited,” she said dryly. She was carrying a large portfolio bag, which was strange, since she didn’t draw. Maybe she went shopping earlier. “Wouldn’t want to interrupt your weekly lovefest with your ego.” “Daily,” I corrected. “Self-love is critical to maintaining one’s self-esteem. But you’re hot, so you’re allowed to interrupt.
Ana Huang (Twisted Hate (Twisted, #3))
Will you shut up?! God, I can't get you guys to say crap half the time I try to actually say something worth saying, one of you interrupts me. So shut up!
Katie McGarry (Dare You To (Pushing the Limits, #2))
Here we are, you and I, and I hope that Christ makes a third with us. No one can interrupt us now... So come now, dearest friend, reveal your heart and speak your mind." (p. 29)
Aelred of Rievaulx (Spiritual Friendship (Cistercian Fathers 5))
I’m just trying to tell you that your life will be very long with zigzags you can’t imagine.
Taylor Jenkins Reid (Forever, Interrupted)
Racism is the norm rather than an aberration. Feedback is key to our ability to recognize and repair our inevitable and often unaware collusion. In recognition of this, I try to follow these guidelines: 1.   How, where, and when you give me feedback is irrelevant—it is the feedback I want and need. Understanding that it is hard to give, I will take it any way I can get it. From my position of social, cultural, and institutional white power and privilege, I am perfectly safe and I can handle it. If I cannot handle it, it’s on me to build my racial stamina. 2. Thank you. The above guidelines rest on the understanding that there is no face to save and the game is up; I know that I have blind spots and unconscious investments in racism. My investments are reinforced every day in mainstream society. I did not set this system up, but it does unfairly benefit me, I do use it to my advantage, and I am responsible for interrupting it. I need to work hard to change my role in this system, but I can’t do it alone. This understanding leads me to gratitude when others help me.
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
The tangling of so much cruelty and beauty has made of my life a strange, discordant landscape. It has left me with an awareness that haunts the edges of my vision—it can all be lost in a moment—but it’s also given me a jeweler’s eye. If I’m thinking about my illness—abstracted from its impact on the people around me—then the answer is: No, I would not reverse my diagnosis if I could. I would not take back what I suffered to gain this.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
Didn’t need to see your aura.” He tapped my forehead. “You get a cute little frown there when you’ve got something bothering you.” “Not everything about me is cute.” “That’s true. Some things are cute. The rest are sexy.” His voice was low as he leaned toward me. “So amazingly, agonizingly sexy that it’s a wonder I can get anything done when all I ever think about is the taste of your lips and the touch of your fingertips on my skin and the way your legs feel when I—” “Adrian,” I interrupted. His eyes smoldered. “Yes?” “Shut up.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I kept interrupting the movie by asking a lot of questions that Xavier managed to answer with endless patience. "How old do you think Bell is supposed to be?" "I don't know, probably our age." "I think the beast is sweet, don't you?" "Do I have to answer that?" "Why does the crockery talk?" "Because they're really the prince's servants that the beggar woman put a spell on." Xavier frowned suddenly and looked mortified. "I can't believe I know that.
Alexandra Adornetto
I should have spanked you harder,” Ryder growled. “Wow, can I watch?” Aodhan said as he rounded the corner and interrupted our fight. “No!” we both shouted as one. “Damn, but I like bitches who like to be spanked. If you hit that sweet spot…they melt.” I turned and glared at him. Ryder growled, which was ten times scarier than my glare.
Amelia Hutchins (Seducing Destiny (The Fae Chronicles, #4))
Please, Pa, can I ask just one more question?” “May I,” said Ma. Laura began again. “Pa, please, may I--” “What is it?” Pa asked. It was not polite for little girls to interrupt, but of course Pa could do it.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
The brick is neither here nor there,' interrupted the stranger in an imposing fashion, 'it never merely falls on someone's head from out of nowhere. In your case, I can assure you that a brick poses no threat whatsoever. You will die another kind of death." 'And you know just what that will be?' queried Berlioz with perfectly understandable irony, letting himself be drawn into a truly absurd conversation. 'And can you tell me what that is?' 'Gladly,' replied the stranger. He took Berlioz's measure as if intending to make him a suit and muttered something through his teeth that sounded like 'One, two.. Mercury in the Second House... the moon has set... six-misfortune...evening-seven...' Then he announced loudly and joyously, 'Your head will be cut off!
Mikhail Bulgakov (The Master and Margarita)
It was no place for a Kabra, not even a poor one living in exile with a psychopathic cat. He approached the counter and rand the bell with authority. The clerk turned around. Evan Tolliver. "You're Amy's cousin!" "Yes, I am," Ian confirmed. "I have here a list of items–" "Have you heard from her?" Evan interrupted. "Is she okay?" "Her health is excellent." "No, I mean–" Ian sighed. "Why should you care? She promises to phone you, and she doesn't. You were nearly arrested, thanks to her. There's a message in there somewhere, don't you agree?" Evan nodded sadly. "I kind of think so, too. But we were awesome together. She's smart, fun to be with, and not immature like most of the girls in our school. It's as if she has an automatic switch for when it's time to be serious–she can almost be old beyond her years at times. Where do you learn something like that?" "I have no earthly idea," Ian lied.
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
The working, concentrating artist is an adult who refuses interruption from himself, who remains absorbed and energized in and by the work — who is thus responsible to the work… Serious interruptions to work, therefore, are never the inopportune, cheerful, even loving interruptions which come to us from another. […] It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. If I have a meeting with you at three o’clock, rejoice if I am late. Rejoice even more if I do not arrive at all. There is no other way work of artistic worth can be done. And the occasional success, to the striver, is worth everything. The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
Mary Oliver (Upstream: Selected Essays)
And what I want is to be with the kind of man that wants to marry me so bad, nothing will stop him. I want to be loved by someone who loves me so much he can't think straight. I want you to love me in a way that makes you stupid and impractical. I want to rush into this. Rushing into it is romantic. It makes me feel alive. It makes me feel like I am jumping of a cliff and I know I'll be fine because that is how much I trust you.
Taylor Jenkins Reid (Forever, Interrupted)
What’s got you smilin’ like a bitch who just had good cock?” I was interrupted by a sexy drawl. I looked up to see Nash leaning against the door frame, arms crossed in front of him, sexy smirk plastered on his face. He was tall, all muscle and ink; he exuded a couldn’t-give-a-fuck attitude. Nash was one of the cockiest men I had ever met and the women flocked to him. I rolled my eyes. “Can a woman not smile unless she’s had cock?” I asked. He uncrossed his arms and pushed away from the door frame; coming towards me, “No, sweet thing, it all comes down to cock.” “Well, I hate to tell you, Nash, but this woman hasn’t had any today, and yet I am still smiling. I think your theory is a little off.” I loved bantering back and forth with him. He raised his eyebrows. “J’s fallin’ down on the job there sweetheart. You sure you don’t want to jump ships? I’ve got all you’ll ever need,” he grinned at me, opening his arms wide in an inviting gesture.
Nina Levine (Storm (Storm MC, #1))
He pierced her with a look. “I thought we had an agreement. I keep my men away from your ladies, and you keep your distance from me. You’re not holding your end of the bargain.” “It’s but a momentary interruption. Just this once.” “Just this once?” He made a dismissive noise, rifling through papers. “What about just now in the church?” “Very well, twice.” “Try again.” He stacked his papers and looked up, devouring her with his intent green gaze. “You invaded my dreams at least a half-dozen times last night. When I’m awake, you keep traipsing through my thoughts. Sometimes you’re barely clothed. What excuse can you make for that?” She stammered to form a response, her tongue tripping against her teeth. “I . . . I would never traipse.” Idiotic reply. “Hm.” He tilted his head and regarded her thoughtfully. “Would you saunter?
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
You have to shift from the gloom and doom and focus instead on what you love,” she told me before bed. “That’s all you can do in the face of these things. Love the people around you. Love the life you have. I can’t think of a more powerful response to life’s sorrows than loving.” —
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
Write," instructs Annie Dillard, "as if you were dying." We are all terminal patients on this earth-the mystery is not "if" but "when" death appears in the plotline...To this day, I've never been more prolific. Death can be a great motivator.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
No soul can withstand the sun's bones of light and reason dims when darkness falls - so we shape barrows in the night for you and your kin." "Forgive my interruption, then," said I. "The dead never interrupt," said the mason, "they but arrive.
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
And now, the waitress standing in front of them. She was beaming, as if Ian had just handed her a puppy with a Visa Black card in its mouth. "Can I get you anything else?" she asked as she cleared their untouched plates. "It doesn't look like enjoyed your breakfast very much!" "Just the bill, please." She smiled. "Are you going sightseeing today? The first stop on the Freedom Trail is just around the corner. If you go ask Bob over there at the front desk, he can–" "We have other plans," Ian interrupted. "That's great! Anything fun?" Natalie looked up at the waitress and gave her a fake smile. Except that on Natalie, it looked more demonic than cheerful. "Our mum's on trial for murder. Today's the verdict. But if it ends early, we'll be sure to pop by the Freedom Trail." The waitress's smile vanished.
Rick Riordan (The Black Book of Buried Secrets)
Christy said. "It's just weird, your seeing him like that. What are you going to do?" "Nothing. What can I do?" "Maybe he'll call you to see if you're okay," Katie said. "No," Christy said, "in the movies he would have told his friend to stop the car, and he would have run back to you with an umbrella and walked you the rest of the way hoe, and you would have made him a pot of tea." Sierra laughed. "I am drinking tea right now," she said. "Maybe my life is a low budget 'B' movie, and all I get is the tea. No hero. No umbrella." "Yeah, well then my life is a class 'Z' movie," Katie said. "No tea. No hero. No umbrella. No plot--" "Yours is more of a mystery," Christy interrupted cheerfully. "The ending will surprise all of us.
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
I think of rounds of editing as hammer time. Then, when they interrupt my writing, I can say... *shakes head* Nah, I just can't do it. Although when I come across a brilliant line, I do think, Can't touch this. And when I'm worried I'm overwriting a scene, I think, Hammer, don't hurt 'em.
Brent Weeks
Hey,” he interrupts, tapping my knee. “Not everyone needs to be Bree. Half the time, I’m not even sure Bree needs to be Bree.” He shakes his head. “This ain’t a Bree Matthews–ass mission. You can’t go in and blow the place up, then apologize later.
Tracy Deonn (Oathbound (The Legendborn Cycle, #3))
Scott gave my knee an affectionate squeeze. "You'll never hear me admit this again, so listen up. You look good, Grey. On a scale from one to ten, you're definitely in the top half." "Gee, thanks." "You're not the kind of girl I would have chased after when I was in Portland, but I'm not the same guy I was back then either. You're a little too good for me, and let's face it, a little too smart." "You've got street smarts," I pointed out. "Stop interrupting. You're going to make me lose my place." "You've got this speech memorized?" A smirk. "I've got a lot of time on my hands. As I was saying--hell. I forgot where I was." "You were telling me I can rest assured that I'm better-looking than half the girls at my school." "That was a figure of speech. If you want to get technical, you're better-looking than ninety percent. Give or take." I laid a hand over my heart. "I'm speechless." Scott got down on his knee and clasped my hand dramatically. "Yes, Nora. Yes, I'll go to the homecoming dance with you.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
By being a celebrity, you lose your anonymity. It short-circuits your creative powers when people come up and interrupt your train of thought. They consider you completely approachable. And you can't be rude to people, so basically you shut yourself down. I know I do. I shut myself down when people come up and want to shake my hand or want to talk. That's just dead time.
Bob Dylan
Hullo!” she says to both of us serenely. “We’re here to rescue your friends, and all their limbs.” A pause, then: “Well, no. I can’t promise all their limbs, but most, surely . . .” “What my sister is trying to say,” Kiaran interrupts, “is that we’ll bring them back alive. Mostly in one piece.” I love the way he looks at me then, with expectation, a hint of a smile. God, I missed this.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
I'm here." St. Clair is angry. "I'm just sorry I'm not there. With you. I wish there was something I could do." "Wanna come beat her up for me?" "I'm packing my throwing stars right now." I sniffle and wipe my nose. "I'm such an idiot. I can't believe I thought he liked me.That's the worst part, knowing he was never even interested." "Bollocks.He was interested." "No,he wasn't," I say. "Bridge said so." "Because she's jealous! Anna, I was there that first night he called you. I've seen how he looked at you in pictures." I protest,but he interrupts. "Any bloke with a working prick would be insane not to like you." There's a shocked pause,on both ends of the line. "Because,of course,of how intelligent you are. And funny.Not that you aren't attractive.Because you are. Attractive. Oh,bugger..." I wait. "Are you still there,or did you hang up because I'm such a bleeding idiot?" "I'm here." "God,you made me work for that." St. Clair said I'm attractive.That's the second time. "You're so easy to talk to," he continues, "that sometimes I forget you're not one of the guys." Scratch that. He thinks I'm Josh. "Just drop it. I can't take being compared to a guy right now-" "That's not what I meant-" "How's your mom? I'm sorry, I've hogged ur entire conversation,and this was supposed to be about her,and I didn't even ask-" "You did ask. It was the first thing you said when you answered. And technically I called you. And I was calling to see how the show went, which is what we've been talking about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When it rains, it pours but that isn’t a bad thing. Take advantage of the rain as it washes away all of the residues that the side effects left behind. As you confront your side effects, walk with pride, do not turn back, face them head-on. Nothing can faze you now because the rain is clearing your path. After the rain has washed away the side effects, their powers are watered down. Therefore, they can no longer interrupt your peace, kill your joy or steal your happiness. The side effects’ time has expired. It is time to put an end once and for all to carrying everyone’s dirty load. Leave them where they lie. Let them figure out their own messes and bad decisions. Take a breather and let it go. I bet the load is so much lighter!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Sydney,” Adrian interrupted, cupping my face in his hands. “Never, ever think like that. I don’t regret anything we’ve faced. Being with you is the best thing that’s ever happened to me, the one perfect decision I’ve made in a lifetime of fumbling and poor judgment. I’d go through it all again to be by your side. Never doubt that. Never doubt how I feel about you.” “Oh, Adrian,” I said, letting him wrap me in his arms, surprised at the bubble of emotion welling up within me. He held me tightly. “I love you. If anything, I can’t believe you gave up everything you did to be with me. You changed your whole life for me.” “My life didn’t even begin until I met you,” I told him fiercely.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
I thought I would prefer apathy over this," I confided to her. "Why?" she asked. "Are you saying you would rather be cold than comforted? He's looking at you and offering his hand in friendship and you're rudely looking away pretending not to notice. At least with him you wouldn't be so alone." I felt my eyes turn into colorless pools as I glared at her for stating the obvious. "Being numb to someone is better than feeling something," I explained. "Safer you mean," she interrupted. I sighed and continued, "When someone who was once significant in your life comes back after an extended absence, emotions you had finally freed yourself from are reawakened, and if that's not enough to contend with, dormant memories are summoned whether you want them to be or not." "And what is it that you want?" she posed triumphantly. I swallowed my anger and thought with defeat, "Nothing anyone can give me.
Donna Lynn Hope
if you have spent long enough being interrupted in your daily life, you will start to interrupt yourself even when you are set free from all these external interruptions. I kept looking at things and imagining how I would describe them in a tweet, and then imagining what people would say in response.
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
As I let my eyes lose their focus on what’s right in front of me, I realize that I am in a sea of gravestones. I am surrounded by other people’s loss. It has never been so clear to me that I am not alone in this. People die every day and other people move on. If everyone that loved all of these people has picked themselves up and moved on, I can do it too. I will one day wake up and see the sun shining and think, What a nice day.
Taylor Jenkins Reid (Forever, Interrupted)
This isn’t what I wanted for your moving daybut this is what it’s like to be black in this country or anywhere in the world. They interrupt our joy. Our history. Our progress. They know they can’t stop us unless they kill us but they can’t kill us all,so you’re living your life and suddenly interrupted by white fear or suspicion. They fear sharing anything. Our success is a threat.
Dean Atta (The Black Flamingo)
My identity as Abba’s child is not an abstraction or a tap dance into religiosity. It is the core truth of my existence. Living in the wisdom of accepted tenderness profoundly affects my perception of reality, the way I respond to people and their life situations. How I treat my brothers and sisters from day to day, whether they be Caucasian, African, Asian, or Hispanic; how I react to the sin-scarred wino on the street; how I respond to interruptions from people I dislike; how I deal with ordinary people in their ordinary unbelief on an ordinary day will speak the truth of who I am more poignantly than the pro-life sticker on the bumper of my car. We are not for life simply because we are warding off death. We are sons and daughters of the Most High and maturing in tenderness to the extent that we are for others—all others—to the extent that no human flesh is strange to us, to the extent that we can touch the hand of another in love, to the extent that for us there are no “others.
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
Um, what's cooking in that sadistic brain of yours?" Jen asked nervously. Sally's eyes snapped open. "I was just thinking that maybe if you met someone else then you could get past your furry problem." "My furry problem? Really? You make it sound like I have abnormal leg hair growth or something." Jen rolled her eyes. "Look." Sally stopped Jen before she could walk out of the room. "Let's just give it a go. You, me, and Jacque – tonight. We'll get Sorin to take us somewhere where there are going to be guys. Then you can do your thing." "My thing?" Jen asked, raising her eyebrows. "Yeah. You know, your thing. The hottie hunting thing." Jen laughed. "Man, it sounded like such a good idea at the time." Sally groaned. "Oh, come on, Jen." Jen interrupted her before Sally could continue. "Don’t. Don't do that whiny voice." "Then say you will go tonight," Sally challenged. "Or are you chicken?" "You really like living on the edge, don't you, Thelma?" "Hey, I'm just calling it how I see it.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
Tell me something. Do you believe in God?' Snow darted an apprehensive glance in my direction. 'What? Who still believes nowadays?' 'It isn't that simple. I don't mean the traditional God of Earth religion. I'm no expert in the history of religions, and perhaps this is nothing new--do you happen to know if there was ever a belief in an...imperfect God?' 'What do you mean by imperfect?' Snow frowned. 'In a way all the gods of the old religions were imperfect, considered that their attributes were amplified human ones. The God of the Old Testament, for instance, required humble submission and sacrifices, and and was jealous of other gods. The Greek gods had fits of sulks and family quarrels, and they were just as imperfect as mortals...' 'No,' I interrupted. 'I'm not thinking of a god whose imperfection arises out of the candor of his human creators, but one whose imperfection represents his essential characteristic: a god limited in his omniscience and power, fallible, incapable of foreseeing the consequences of his acts, and creating things that lead to horror. He is a...sick god, whose ambitions exceed his powers and who does not realize it at first. A god who has created clocks, but not the time they measure. He has created systems or mechanisms that serves specific ends but have now overstepped and betrayed them. And he has created eternity, which was to have measured his power, and which measures his unending defeat.' Snow hesitated, but his attitude no longer showed any of the wary reserve of recent weeks: 'There was Manicheanism...' 'Nothing at all to do with the principles of Good and Evil,' I broke in immediately. 'This god has no existence outside of matter. He would like to free himself from matter, but he cannot...' Snow pondered for a while: 'I don't know of any religion that answers your description. That kind of religion has never been...necessary. If i understand you, and I'm afraid I do, what you have in mind is an evolving god, who develops in the course of time, grows, and keeps increasing in power while remaining aware of his powerlessness. For your god, the divine condition is a situation without a goal. And understanding that, he despairs. But isn't this despairing god of yours mankind, Kelvin? Is it man you are talking about, and that is a fallacy, not just philosophically but also mystically speaking.' I kept on: 'No, it's nothing to do with man. man may correspond to my provisional definition from some point of view, but that is because the definition has a lot of gaps. Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve is age or rebel against it, but the target of his cooperation or rebellion comes to him from outside. If there was only a since human being in existence, he would apparently be able to attempt the experiment of creating his own goals in complete freedom--apparently, because a man not brought up among other human beings cannot become a man. And the being--the being I have in mind--cannot exist in the plural, you see? ...Perhaps he has already been born somewhere, in some corner of the galaxy, and soon he will have some childish enthusiasm that will set him putting out one star and lighting another. We will notice him after a while...' 'We already have,' Snow said sarcastically. 'Novas and supernovas. According to you they are candles on his altar.' 'If you're going to take what I say literally...' ...Snow asked abruptly: 'What gave you this idea of an imperfect god?' 'I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.
Stanisław Lem (Solaris)
The Doctor and Donna see each other across the room The Doctor: Donna? Donna: Doctor! The Doctor: What are, what are you—? Donna: Oh. My. God! The Doctor: How? Donna: It's me! The Doctor: I can see that. Donna: Oh this is brilliant! The Doctor: What the hell are you doing there? Donna: I was looking for you! The Doctor: What for? Donna: I read it on the internet ... it's weird... crept along... heard them talking... looked... It’s you! Th— Miss Foster: Are we interrupting you? The Doctor: Run! -Doctor Who
Russell T. Davies
Diesel was about to place the cockroach on the casket, and my purse rocked out with “Thriller” again. “Excuse me,” I said. And I answered my phone. “I’m beginning to appreciate Hatchet,” Wulf said to Diesel. Diesel smiled. “She has her moments. And she makes cupcakes.” I disconnected and stuffed my phone into my pocket. “Well?” Diesel asked. “It was Glo. Her broom ran away again.” “I would appreciate it if we could get on with this without more interruption,” Wulf said in his eerily quiet voice, his eyes riveted on mine. “Lighten up,” I said to Wulf. “Glo lost her broom again. This is a big deal for her. And what have we got here anyway…a dead guy and a Stone. Do you think they can wait for three minutes longer?” Diesel gave a bark of laughter, and Wulf looked like her was trying hard not to sigh. - Diesel, Lizzy, and Wulf, page 306-307.
Janet Evanovich (Wicked Appetite (Lizzy & Diesel, #1))
How old are you?" "About fifteen, I think. Though I still feel the same as I always did," Bod said, but Mother Slaughter interrupted, "And I still feels like I done when I was a tiny slip of a thing, making daisy chains in the old pasture. You're always you, and that don't change, and you're always changing, and there's nothing you can do about it.
Neil Gaiman (The Graveyard Book)
I call it an Aha! moment. It is the moment when I can hear, when I know, that an answer is being offered to me. All other sounds measurably fade, including the banter in my brain. It is when the answer travels from my heart to my head and says, “This is so.” No questions follow, no objections interrupt; just the recognition that I must listen and follow.
Sharon E. Rainey (Making a Pearl from the Grit of Life)
This is Hell," he tried to explain for the third time. "Not a drop-in centre. You can't just turn up and say, 'Oh, I was just in the neighbourhood and thought I'd call by and have a bit of a chinwag with Lord Satan.' It simply isn't done." "No," said the infuriating mortal. "It hasn't been done. There is a difference. May I pass now?" "No, you may not. Satan's a very busy . . . um, is very busy right now. He can't go interrupting his work for every Tom, Dick, and Johannes"--he paused for effect, but the human just looked at him with a faint air of what seemed to be pity--"Harry, that is, who turns up demanding audience." "Really?" said Cabal. "I had no idea. I thought this would be an uncommon occurrence, unique even, but you seem to imply that it happens all the time. Fair enough.
Jonathan L. Howard (Johannes Cabal the Necromancer (Johannes Cabal, #1))
Let's get one thing straight," I interrupt, jerking my arm out of his grip with such force that I nearly knock out the woman standing behind me. "You are not my father, I am not your responsibility, and I did not come here to have a list of my faults related from him or be condemned for who I associate with-not by you or that damned duke. So while it's been a jolly good time, being treated like a child all evening, I think I've just about had enough and I can make my own way from here.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
When you say “hill,”’ the Queen interrupted, ‘I could show you hills, in comparison with which you’d call that a valley.’ ‘No, I shouldn’t,’ said Alice, surprised into contradicting her at last: ‘a hill CAN’T be a valley, you know. That would be nonsense –’ ‘The Red Queen shook her head. ‘You may call it “nonsense” if you like,’ she said, ‘but I’VE heard nonsense, compared with which that would be as sensible as a dictionary!
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
Listen, listen!" I interrupted her. "Forgive me if I tell you something else.... I tell you what, I can't help coming here to-morrow, I am a dreamer; I have so little real life that I look upon such moments as this now, as so rare, that I cannot help going over such moments again in my dreams. I shall be dreaming of you all night, a whole week, a whole year. I shall certainly come here to-morrow, just here to this place, just at the same hour, and I shall be happy remembering today. This place is dear to me already. I have already two or three such places in Petersburg. I once shed tears over memories ... like you.... Who knows, perhaps you were weeping ten minutes ago over some memory.... But, forgive me, I have forgotten myself again; perhaps you have once been particularly happy here....
Fyodor Dostoevsky (White Nights)
Ballimore! Ballimore, where's the inkwell?' Dobbilan's voice echoed down the corridor, interrupting Cimorene in mid-sentence. 'Where are you? Why can't I find anything around here when I want it?' 'Because you never look in the right place, dear,' Ballimore called. 'The inkwell is in the kitchen next to the grocery list, where it's been for the past six months, and I'm in the dining room. Which is where you'd be if you'd done what I asked you to, instead of wandering off in all directions.
Patricia C. Wrede (Searching for Dragons (Enchanted Forest Chronicles, #2))
What more can I say: born beneath light bulbs, interrupted my growth at the age of three, was given a drum, sangshattered glass, smelled vanilla, coughed in churches, stuffed Luzie with food, watched ants as they crawled, decided to grow, buried the drum, moved to the West, lost what was East, learned to carve stone and posed as a model, went back to my drum and inspected concrete, made money and cared for the finger, gave the finger away and fled as I laughed, ascended, arrested, convicted, confined, now soon to be freed, and today is my birthday, I’m thirty years old, and still as afraid of the Black Cook as ever—Amen.
Günter Grass (The Tin Drum)
Will said you came from a long way to live here - were you in Idris?’ He raised his eyebrows. ‘You know of Idris?’ ‘Or did you come from anther institute? They’re in all the big cities, aren’t they? And why to London -‘ He interrupted her, bemused. ‘You ask a lot of questions, don’t you?’ ‘My brother always says curiosity is my besetting sin.’ ‘As sins go, it isn’t the word one.’ He sat down on the steamer trunk at the foot of the bed, and regarded her with a curious gravity. ‘So go ahead; ask me whatever you want.I can’t sleep anyway, and distractions are welcome.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
We need you to go out there and cover for us while we search for whoever's bugging us," Amy said. "Whoever it is, he or she is probably nearby." "All you have to do is keep talking. We've thought a lot about this, and we think you have the necessary skills," Dan said. "Very funny, Dan-o. But true. When it comes to nonstop chat, I'm the champ," Nellie agreed. Nellie turned off the shower and they all returned to the main room. "That pool is so fine," she said, as if she'd never been interrupted. "I met this couple from Scotland, and I was all, whoa, you have some delish smoked salmon in your excellent country...." Amy raised the window carefully, not making a sound. She and Dan quietly climbed out. "--and they were all, 'Aye, lassie, we dew, ye ken our bonny fish, ye dew!'" Nellie said in a terrible Scottish accent. "So I said, 'You know what ye lads and lassies need in Scotland? Bagels! To go with!' 'Whoa,' they said, 'lassie, ye canna be serious, that is one orrrig-in-al guid idea....'" "Okay, you can stop now." "Man, that's guid news," Nellie said. "This lassie is about to pass out.
Jude Watson (Beyond the Grave (The 39 Clues, #4))
I don't think you understand," said Milo timidly as the watchdog growled a warning. "We're looking for a place to spend the night." "It's not yours to spend," the bird shrieked again, and followed it with the same horrible laugh. "That doesn't make any sense, you see—" he started to explain. "Dollars or cents, it's still not yours to spend," the bird replied haughtily. "But I didn't mean—" insisted Milo. "Of course you're mean," interrupted the bird, closing the eye that had been open and opening the one that had been closed. "Anyone who'd spend a night that doesn't belong to him is very mean." "Well, I thought that by—" he tried again desperately. "That's a different story," interjected the bird a bit more amiably. "If you want to buy, I'm sure I can arrange to sell, but with what you're doing you'll probably end up in a cell anyway." "That doesn't seem right," said Milo helplessly, for, with the bird taking everything the wrong way, he hardly knew what he was saying. "Agreed," said the bird, with a sharp click of his beak, "but neither is it left, although if I were you I would have left a long time ago.
Norton Juster (The Phantom Tollbooth)
Mephistopheles waved her off as she left. “One more woman running off with another man. I’m losing my touch.” “Have you considered you might be a Thorne in their sides?” Thomas asked. “You certainly can be a pric—” “Thomas,” I whispered harshly, pinching the inside of his elbow. “How clever,” Mephistopheles said blandly. “You’ve made my name into a pun. What other comedic brilliance will you think of next? I wish I could say I missed this”—he motioned between himself and Thomas—“but that sort of lying doesn’t pay my bills.” “Nor do the gemstones on your suits,” Thomas muttered. “Are you still jealous about my jackets?” Mephistopheles grinned. “For the love of the queen,” I said, interrupting before they really got into it.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
I love the way you feel inside me,” he said. Ryder made a low, rumbling noise of contentment. “I love the way I feel inside you, too.” “I love that you did this for me because you wanted to give me something special.” Luca started rocking back and forth on Ryder’s cock. “I love that you’ve never done it for anyone else.” Ryder’s brow creased. “Luca…” Luca put his hand over Ryder’s mouth, a domineering gesture that silenced Ryder instantly. He didn’t know where the words were coming from, just that they were clawing at his throat, demanding to get out. “I love the way you treat me,” he said. “I love that you’re so much stronger than me but you never make me feel weak. I love that you take care of me without implying that I can’t take care of myself. I love that you let me take control but always call me on my bullshit.” Luca had to pause for a moment; the pleasure of their slow, rhythmic fucking was making it difficult for him to gather his thoughts. Ryder waited, eyes watchful. “I love that you’re always worried about doing the right thing, even when nobody else is.” Certain that Ryder wouldn’t interrupt now, Luca let go of his mouth and braced his hands on Ryder’s chest. He bounced shallowly on Ryder’s cock, soaking up his size, his strength, his steady, reassuring presence. “I love that I can trust you, and I love that I can rely on you, and – and I love you, Ryder, I do, I love you – ” Because he did, of course he did. It was crazy to pretend that he didn’t. He might be damning them both, but he couldn’t hide from this any longer, couldn’t let Ryder go on thinking he wasn’t head-over-heels in love with him.
Cordelia Kingsbridge (Close Protection)
Isn’t she wonderful? A really fine talent, and so beautiful, too.” “Yes,” I said quietly, clapping as well and taking care not to play pat-a-cake. “It’s quite something to make the chandeliers ring like that.” The clapping upset my sensitive sense of balance, and I staggered slightly. Gideon caught me. “I can’t make it out,” he said angrily, his lips close to my ear. “We haven’t been here two hours, and you’re totally drunk! What on earth were you thinking of?” “You said totally. I’m going to tell on you to Giordano,” I giggled. In all the noise, no one else could hear us. “Anyway, it’s too late. No point in locking the stable door after the horse has gone.” A hiccup interrupted me--hic. “Sorry.” I looked around me. “But everyone else is much more drunk than me, so leave out the moral indignation, okay? I have everything under control. You can let go of me again. I stand here as steady as a rock among the breakers.” “I’m warning you,” whispered Gideon, but he did let go of me.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
You've blotted the rich form of desire from my life and left me only some vaguely eccentric behaviors that have grown up to integrate so much pleasure into the mundane world around me. What text could I write now? It's as though I cannot even remember what I once desired. All I can look for now, when I have the energy, is lost desire itself-- and I look for it by clearly inadequate means. At best such an account as I might write would read like the life of anyone else, with, now and again, a bizarre and interruptive incident, largely mysterious and completely demystified-- at least that's what it has become without the day-to-day, moment-to-moment web of wanting that you have unstrung from about my universe. Without it, all falls apart. In a single gesture you've turned me into the most ordinary of human creatures and at once left me an obsessive, pleasureless eccentric, trapped in a set of habits which no longer have reason because they no longer lead to reward. And if I had enough self-confidence, in the midst of this bland continual chaos into which you've shunted me, for hate, I should hate you. But I don't have it.
Samuel R. Delany (Stars in My Pocket Like Grains of Sand)
Everybody in this room is bored. The poems drag, the voice and gestures irk. He can't be interrupted or ignored. Poor fools, we came here of our own accord And some of us have paid to hear this jerk. Everybody in the room is bored. The silent cry goes up, 'How long, O Lord?' But nobody will scream or go berserk. He won't be interrupted or ignored. Or hit by eggs, or savaged by a horde Of desperate people maddened by his work. Everybody in the room is bored, Except the poet. We are his reward, Pretending to indulge in his every quirk. He won't be interrupted or ignored. At last it's over. How we all applaud! The poet thanks us with a modest smirk. Everybody in the room was bored. He wasn't interrupted or ignored.
Wendy Cope (If I Don't Know)
Then we still have time!” I gasp. “It’s not too late. We know what he’s going to do. We’ll return to the cave and fight.” “We?” Kernel says sarcastically. “Yes! I’ll fight to save Dervish and Bill-E. I don’t care what those monsters throw at us. When it’s family, it’s different.” “You really think you can choose not to be a coward if and when it suits you?” Kernel jeers. Beranabus interrupts wearily before I can retort. “It doesn't matter. You're arguing about nothing. The time for heroics has passed.
Darren Shan (Demon Apocalypse (The Demonata, #6))
After Father had served the chicken and mashed potatoes and peas and Mother had passed the hot rolls, Beezus decidedthe time had come to tell Aunt Beatrice about being Sacajawea. "Do you know what I did last week?" she began. "I want some jelly," said Ramona "You mean, 'Please pass the jelly,' "corrected Mother while Beezus waited patiently. 'No, what did you do last week?" asked Aunt Beatrice. "Well, last week I-" Beezus began again. " like purple jelly better then red jelly," said Ramona. ' Ramona , stop interrupting your sister," said Father. "Well, Ido like purple jelly better then red jelly," insisted Ramona."Never mind," said Mother. "Go no, Beezus." Last week-" said Beezus, looking at her aunt, who smiled as if she understood."Excuse me, Beezus," Mother cut in. "Ramona, we do not put jelly on our mashed potatoes." "I like jelly on my mashed potatoes."Ramona stirred potato and jelly aroud with her fork. "Ramona you heard what your mother said." Father looked stern. "If I can ut butter on my mashed potateos, why can't I put jelly? I put butter and jelly on toast," said Ramona. Father couldn't help laughing. "That's a hard question to answer." "But Mother-" Beezus began."I like jelly on my mashed potateos," interrupted Ramona, looking sulky.
Beverly Cleary (Beezus and Ramona (Ramona, #1))
Moving on. It’s a phrase I obsess over: what it means, what it doesn’t, how to do it for real. It seemed so easy at first, too easy, and it’s starting to dawn on me that moving on is a myth—a lie you sell yourself on when your life has become unendurable. It’s the delusion that you can build a barricade between yourself and your past—that you can ignore your pain, that you can bury your great love with a new relationship, that you are among the lucky few who get to skip over the hard work of grieving and healing and rebuilding—and that all this, when it catches up to you, won’t come for blood.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
I can't see why you should want to dance with me now, when you never have before." The statement was more revealing than she had intended it to be. She cursed her own wayward tongue, while his speculative gaze wandered over her face. "I wanted to," he surprised her by murmuring. "However, there always seemed to be good reasons not to." "Why--" "Besides," Westcliff interrupted, reaching out to take her gloved hand, "there was hardly a point in asking when your refusal was a forgone conclusion." Deftly he pressed her hand to his arm and led her toward the mass of couples in the center of the room. "It was not a forgone conclusion." Westcliff glanced at her skeptically. "You're saying that you would have accepted me?" "I might have." "I doubt it." "I did just now, didn't I?" "You had to. It was a debt of honor." She couldn't help but laugh. "For what, my lord?" "The calf's head," he reminded her succinctly. "Well, if you hadn't served such a nasty object in the first place, I wouldn't have needed to be rescued!" "You wouldn't have need to be rescued if you didn't have such a weak stomach." "You're not supposed to mention body parts in front of a lady," she said virtuously. "Your mother said so." Westcliff grinned. "I stand corrected.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Emergency? Knighthawk sent. I’m just bored. I blinked, holding my phone and rereading that text. Bored? I sent. You’re literally spying on the entire world, Knighthawk. You can read anyone’s mail, listen to anyone’s phone calls. First, it’s not the whole world, he wrote. Only large chunks of North and Central America. Second, do you have any idea how mind-numbingly DULL most people are? I started a reply, but a flurry of messages came at me, interrupting what I was going to say. Oh! Knighthawk wrote. Look at this pretty flower! Hey. I want to know if you like me, but I can’t say that, so here’s an awkward flirtation instead. Where are you? I’m here. Where? Here. There? No, here. Oh. Look at my kid. Look at my dog. Look at me. Look at me holding my kid and dog. Hey, everyone. I took a huge koala this morning. Barf. The world is ruled by deific beings who can do stuff like melt buildings into puddles of acid, and all people can think of to do with their phones is take pictures of their pets and try to figure out how to get laid.
Brandon Sanderson (Calamity (Reckoners, #3))
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Friendship is a difficult thing to define. Oscar here is my oldest friend. How would you define friendship, Oscar?" Oscar grunts slightly, as though the answer is obvious. "Friendship is about choice and chemistry. It cannot be defined." "But surely there's something more to it than that." "It is a willingness to overlook faults and to accept them. I would let a friend hurt me without striking back," he says, smiling. "But only once." De Souza laughs. "Bravo, Oscar, I can always rely on you to distill an argument down to its purest form. What do you think, Dayel?" The Indian rocks his head from side to side, proud that he has been asked to speak next. "Friendship is different for each person and it changes throughout our lives. At age six it is about holding hands with your best friend. At sixteen it is about the adventure ahead. At sixty it is about reminiscing." He holds up a finger. "You cannot define it with any one word, although honesty is perhaps the closest word-" "No, not honesty," Farhad interrupts. "On the contrary, we often have to protect our friends from what we truly think. It is like an unspoken agreement. We ignore each other's faults and keep our confidences. Friendship isn't about being honest. The truth is too sharp a weapon to wield around someone we trust and respect. Friendship is about self-awareness. We see ourselves through the eyes of our friends. They are like a mirror that allows us to judge how we are traveling." De Souza clears his throat now. I wonder if he is aware of the awe that he inspires in others. I suspect he is too intelligent and too human to do otherwise. "Friendship cannot be defined," he says sternly. "The moment we begin to give reasons for being friends with someone we begin to undermine the magic of the relationship. Nobody wants to know that they are loved for their money or their generosity or their beauty or their wit. Choose one motive and it allows a person to say, 'is that the only reason?'" The others laugh. De Souza joins in with them. This is a performance. He continues: "Trying to explain why we form particular friendships is like trying to tell someone why we like a certain kind of music or a particular food. We just do.
Michael Robotham (The Night Ferry)
I really must become a bit simpler. Let myself live a bit more. Not always insist on the results straight away. I know what the remedy is, though: just to crouch huddled up on the ground in a corner and listen to what is going on inside me. Thinking gets you nowhere. It may be a fine and noble aid in academic studies, but you can't think your way out of emotional difficulties. That takes something altogether different. You have to make yourself passive then, and just listen. Reestablish contact with a slice of eternity.
Etty Hillesum (An Interrupted Life: The Diaries, 1941-1943; and Letters from Westerbork)
Wisdom is really the key to wealth. With great wisdom, comes great wealth and success. Rather than pursuing wealth, pursue wisdom. The aggressive pursuit of wealth can lead to disappointment. Wisdom is defined as the quality of having experience, and being able to discern or judge what is true, right, or lasting. Wisdom is basically the practical application of knowledge. Rich people have small TVs and big libraries, and poor people have small libraries and big TVs. Become completely focused on one subject and study the subject for a long period of time. Don't skip around from one subject to the next. The problem is generally not money. Jesus taught that the problem was attachment to possessions and dependence on money rather than dependence on God. Those who love people, acquire wealth so they can give generously. After all, money feeds, shelters, and clothes people. They key is to work extremely hard for a short period of time (1-5 years), create abundant wealth, and then make money work hard for you through wise investments that yield a passive income for life. Don't let the opinions of the average man sway you. Dream, and he thinks you're crazy. Succeed, and he thinks you're lucky. Acquire wealth, and he thinks you're greedy. Pay no attention. He simply doesn't understand. Failure is success if we learn from it. Continuing failure eventually leads to success. Those who dare to fail miserably can achieve greatly. Whenever you pursue a goal, it should be with complete focus. This means no interruptions. Only when one loves his career and is skilled at it can he truly succeed. Never rush into an investment without prior research and deliberation. With preferred shares, investors are guaranteed a dividend forever, while common stocks have variable dividends. Some regions with very low or no income taxes include the following: Nevada, Texas, Wyoming, Delaware, South Dakota, Cyprus, Liechtenstein, Luxembourg, Panama, San Marino, Seychelles, Isle of Man, Channel Islands, Curaçao, Bahamas, British Virgin Islands, Brunei, Monaco, Qatar, United Arab Emirates, Saudi Arabia, Bahrain, Bermuda, Kuwait, Oman, Andorra, Cayman Islands, Belize, Vanuatu, and Campione d'Italia. There is only one God who is infinite and supreme above all things. Do not replace that infinite one with finite idols. As frustrated as you may feel due to your life circumstances, do not vent it by cursing God or unnecessarily uttering his name. Greed leads to poverty. Greed inclines people to act impulsively in hopes of gaining more. The benefit of giving to the poor is so great that a beggar is actually doing the giver a favor by allowing the person to give. The more I give away, the more that comes back. Earn as much as you can. Save as much as you can. Invest as much as you can. Give as much as you can.
H.W. Charles (The Money Code: Become a Millionaire With the Ancient Jewish Code)
She's smart and she's funny and she's beautiful and very sexy--" "She sees me for who I am," Decker interrupted. "And she treats me like a man. Like an equal. Not some hero or ... I don't know what. She's not afraid of me. She says what she thinks, she never pulls her punches and ... I like the way she needs me. I really do. It's clean and ... honest." "And guilt-free," Sophia added. He nodded. "Yeah, that's part of it. It's complicated--like every relationship is. but I can relax around her." He searched for the right words. "I feel ... safe when I'm with her.
Suzanne Brockmann (Dark of Night (Troubleshooters, #14))
We were interrupted by a girl with a strawberry birthmark on her nose; she had some papers in her hand and asked if we had signed the petition for the imprisoned Argentinean comrades. Belbo signed without reading it. "They're even worse of than I am," he said to Diotallevi, who was regarding him with a bemused expression. "He can't sign," Belbo said to the girl. "He belongs to a small Indian sect that forbids its members to write their own names. Many of them are in jail because of government persecution." The girl looked sympathetically at Diotallevi and passed the petition to me. "And who are they?" I asked. "What do you mean, who are they? Argentinean comrades." "But what group do they belong to?" "The Tacuarus, I think." "The Tacuarus are fascists," I said. As if I knew one group from the other. "Fascist pig," the girl hissed at me. She left.
Umberto Eco (Foucault’s Pendulum)
Leaving home is living as though I do not yet have a home, and must look far and wide to find one. Home is the center of my being, where I can hear the voice that says, “You are my beloved. On you my favor rests,” the same voice that gave life to the first Adam and spoke to Jesus, the second Adam. The same voice that speaks to all the children of God and sets them free to live in the midst of a dark world while remaining in the light. I have heard that voice. It has spoken to me in the past and continues to speak to me now. It is the never-interrupted voice of love speaking from eternity and giving life and love wherever it is heard. When I hear that voice, I know that I am home with God and have nothing to fear. As the beloved of my heavenly Father, “I can walk in the valley of darkness: no evil would I fear.” As the beloved I can “cure the sick, raise the dead, cleanse the lepers, cast out devils.” Having “received without charge,” I can “give without charge.” As the Beloved, I can confront, console, admonish, and encourage without fear of rejection or need for affirmation. As the Beloved I can suffer persecution without desire for revenge and receive praise without using it as a proof of my goodness. As the Beloved I can be tortured and killed without ever having to doubt that the love that is given to me is stronger than death. As the Beloved I am free to live and give life, free also to die while giving life. Jesus has made it clear to me that the same voice that he heard at the river Jordan and on Mount Tabor can also be heard by me.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
The others sat down to watch Iko work. She'd just finished teasing the hair at the crown of Scarlet's head when Scarlet asked, "Why is Wolf's tuxedo missing?" Cinder traded looks with the others. "It ... um ... we were ..." "Thorne came up and took it," interrupted Cress. "When you were changing." Scarlet frowned. "What for?" "Because .. he wanted to ..." Cress swallowed. "Um ... compare it to his own tuxedo. To make sure they were, uh ... matching?" Her gaze darted to one side as she realized how implausible that sounded, even for Thorne. "She means," interrupted Cinder, "that Thorne was concerned that he and Wolf might have purchased the same tuxedo, which I guess is considered a big faux pas. You know how Thorne is about that sort of thing. Can't be seen in the same tux as the groom! How embarrassing, right?
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. "You appear to be astonished," he said, smiling at my expression of surprise. "Now that I do know it I shall do my best to forget it." "To forget it!" "You see," he explained, "I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones." "But the Solar System!" I protested. "What the deuce is it to me?" he interrupted impatiently; "you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
No, you listen to me,” I interrupted her. “All my life, or as long as I can remember, I thought something special was going to happen to me. I just had this feeling, deep in my bones. I didn’t know what it was but it was going to be beautiful, spectacular, huge.” I leaned in further. “All… my… life.” I shook my head again and put my hand on the bar. “It didn’t. I waited and it didn’t happen. I waited more and it didn’t happen. I waited more and it still didn’t happen. I tried to make it happen and it still didn’t happen. Now I know it isn’t going to. It’s never going to happen because there isn’t anything special out there to happen.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
What do you think he saw?" Damn--I regret the awed way I phrased that and the hushed voice I used. As if I think acid is a "religious" experience, a visionary thing. "Himself," Josh says. "You always see your true self on acid. You just usually see more than you want to see. So it all seems disorted." See what I mean? He's not your normal stoner. The guy should become a poet, a psychologist, a scientist. We pull up near Greg's house and stare at it like it's a damn fortress. "You don't think he needs to go to the hospital?" I ask. "Nope," Josh says. "For a while, I thought maybe, yeah. But he's good now, he's off it, he's not hallucinating anymore." "You're sure?" "Yeah." "'Cuz you can die on LSD-" "That's such anti-drug propaganda bullshit, Dan," Josh interrupts. "Nobody's ever died from an LSD overdose. Ever. As long as you keep people from doing stupid things while they're tripping, it's all good man, man. Why do you think I babysat him?" He reaches into the backseat and punches my shoulder. "LSD isn't your dad's smack. So stop worrying." I scrunch down in the seat. How'd he know about that? "Right. What's the plan?" "I'd ask him if ther was a key hidden under a rock," Josh says, "but he's not gonna be much help. Watch." He pokes Greg in the leg, prods him on the shoulder, grabs his cheeks and smushes them together, the way parents do to a baby, and says, " Ootchi googi Greggy, did ums have a good trippy? Did ums find out itty-bitty singies about oos-self zat oos didn't likeums?" Yup... Greg was in his own little world...
J.L. Powers (The Confessional)
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I am staring out of the window in an extremely dark mood, feeling helpless. Then a friend, a fellow artist, calls... he asks, ‘How are you?' and instead of ‘Oh, fine... and you?', I blurt out the truth: ‘Not well. Not only am I depressed, I can’t seem to work, to write; it’s as though I am paralyzed, unable to write anything... I’ve never felt this way before…' I am about to explain with further detail when he interrupts, shouting: ‘No! No, no, no! This is precisely the time when artists go to work... not when everything is fine, but in times of dread. That’s our job.' I felt foolish the rest of the morning, especially when I recalled the artists who had done their work in gulags, prison cells, hospital beds; who did their work while hounded, exiled, reviled, pilloried. And those who were executed... this is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.
Toni Morrison
But you sent off that Flounder fellow," Loki said, and I rolled my eyes. "His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning." "Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?" "Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you." "But I know you had a soft spot for Finn," Loki continued. "My feelings for him have no bearing on his ability to do his job." I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again. "I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?" "No." I shook my head. "We never dated. We were never anything." I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you." "But I suppose you think you are?" I asked with a sarcastic laugh. "No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough." "You think Finn doesn't?" I asked, standing up straight. "Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will." The truth of his words stung harder than I'd thought they would, and I swallowed hard. "And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even." He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe. "But you're wrong." I shook my head. "I don't deserve that much." "On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give." I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else. "I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment. I looked away from Loki quickly and grabbed the vacuum cleaner. "Just get as much down there as you can," I told Duncan. "I'll try." He scooped up another load of bedding to send downstairs. Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone. "You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?" Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation. "I'll take that as a maybe later!" Loki shouted over it.
Amanda Hocking (Ascend (Trylle, #3))
Win interrupted me. "Stop," he said. "I love you, too." He paused. "You underestimate me, Annie. I'm not blind to your faults. You keep too many secrets, for one. You lie sometimes. You have trouble saying the things in your heart. You have an awful temper. You hold a grudge. And I'm not saying this one is your fault, but people who know you have a disturbing tendency to end up with bullets in them. You don't have faith in anyone, including me. You think I'm an idiot sometimes. Don't deny it--I can tell. And maybe I was an idiot a year ago, but a lot has happened since then. I'm different, Anya. You used to say I didn't know what love was. But I think I learned what it is. I learned it when I thought I had lost you over the summer. And I learned it when my leg ached something awful. And I learned it when you were gone and I didn't know if I'd ever see you again. And I learned it every night when I'd pray that you were safe even if I never got to see you again. I don't want to marry you. I'm just happy to be near you for a while, and for as long as you'll let me be. Because there's never been anyone else for me but you. There will never be anyone else for me but you. I know this. I do. Annie, my Annie, don't cry..." (Was I crying? Yes, I suppose I was. But I was still so awfully tired. You can't possibly hold this against me.) "I know that loving you is going to be hard, Annie. But I love you, come what may.
Gabrielle Zevin (Because It Is My Blood (Birthright, #2))
Connection terminated. I'm sorry to interrupt you, Elizabeth. If you still even remember that name. But I'm afraid you've been misinformed. You are not here to receive a gift. Nor, have you been called here by the individual you assume. Although, you have indeed been called. You have all been called here. Into a labyrinth of sounds and smells, misdirection and misfortune. A labyrinth with no exit. A maze with no prize. You don't even realize that you are trapped. Your lust of blood has driven you in endless circles. Chasing the cries of children in some unseen chamber, always seeming so near. Yet somehow out of reach. But, you will never find them. None of you will. This is where your story ends. And to you, my brave volunteer, who somehow found this job listing not intended for you. Although, there was a way out planned for you, I have a feeling that's not what you want. I have a feeling that you are right where you want to be. I am remaining as well. I am nearby. This place will not be remembered and the memory of everything that started this, can finally begin to fade away. As the agony of every tragedy should. And to you monsters trapped in the corridors. Be still. And give up your spirits. They don't belong to you. As for most of you, I believe there is peace and perhaps, warm, waiting for you after the smoke clears. Although, for one of you, the darkest pit of Hell has opened to swallow you whole. So, don't keep the Devil waiting, friend. My daughter, if you can hear me, I knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shut out and left to die, no one was there to lift you up in their arms, the way you lifted others into yours. And then, what became of you, I should have known, you wouldn't be content to disappear. Not my daughter. I couldn't save you then. So, let me save you now. It's time to rest, for you, and for those you have carried in your arms... This ends. For all of us. End communication.
Scott Cawthon
Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it’s personal. And the world won’t end. And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don’t miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as i think Emma Goldman said, 'If I can’t dance, I don’t want to be part of your revolution.' And at last you’ll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
Audre Lorde (Sister Outsider: Essays and Speeches)
He looked at me intently before speaking. “Why do you do that?” I frowned at him. “Do what?” “Push everyone away.” Danny told me simply. I was a little stunned and when I didn’t say anything, Danny continued on. “Darcie, what are you so afraid of? Why do you shut people out?” He looked at me searchingly. “Because it’s easier that way!” I yelled at him suddenly and he looked taken aback. I took a deep breath to calm down and added, “And I don’t like feeling vulnerable.” Danny stared at me. “Being vulnerable is nothing to be ashamed of Darcie …it’s what makes us human.” I shook my head furiously. “No! Being vulnerable makes you weak – just like every other emotion … if you allow yourself to care, you only end up getting hurt.” Danny threw me a consoling look. “But there’s nothing wrong with caring –” “No!” I interrupted angrily. “I don’t want to care! You only end up getting hurt … and it hurts so bad that you can’t breathe. I don’t want to feel like that. I don’t want to feel at all! It’s just easier to shut everyone out … if you don’t care about them – you won’t get hurt!
Joanne McClean (Learning to Breathe (Breathing, #1))
Pablo Neruda, "Keeping Quiet.” Now we will count to twelve and we will all keep still. For once on the face of the earth let’s not speak in any language, let’s stop for one second, and not move our arms so much. It would be an exotic moment without rush, without engines, we would all be together in a sudden strangeness. Fishermen in the cold sea would not harm whales and the man gathering salt would look at his hurt hands. Those who prepare green wars, wars with gas, wars with fire, victory with no survivors, would put on clean clothes and walk about with their brothers in the shade, doing nothing. What I want should not be confused with total inactivity. Life is what it is about; I want no truck with death. If we were not so single-minded about keeping our lives moving, and for once could do nothing, perhaps a huge silence might interrupt this sadness of never understanding ourselves and of threatening ourselves with death. Perhaps the earth can teach us as when everything seems dead and later proves to be alive. Now I’ll count up to twelve and you keep quiet and I will go.
Jon Kabat-Zinn (Full Catastrophe Living)
Are you wearing space pants?" Miranda asked him. "What?" How did it end? oh, right. "Because your butt is fine." He gazed at her in that way he had like he was measuring her for straitjacket. "I think-" he started, then stopped and seemed to be having trouble talking. Cleared his throat three times before saying, "I think the line is 'because your butt is out of this world." "Oh. That makes a lot more sense. I can see that. See, I read this book about how to get guys to like you and they said it was a line that never failed but i got interrupted in the middle and the line before it was about china-not the country, the kind you eat off of-and that is where the fine part was but i must have gotten them confused. He just kept staring at her.
Michele Jaffe (Prom Nights from Hell)
My mind blurs to a ripple of pleasure when his soft, full lips at last make contact with mine. He starts to deepen the kiss, but pauses, intent on the glass behind me. “You gotta be kidding.” I glance over my shoulder. Outside, Morpheus hangs on the glass in moth form, level with my head, glaring at us with his bulbous gaze. Even without a face, his smugness is apparent. His favorite pastime is interrupting Jeb’s romantic moments. I try not to laugh, but can’t help myself. “Cocky son of a bug.” Jeb sets me on the floor and draws the dropcloth tighter around me. A barn owl swoops from the sky and skims the glass. Morpheus launches off in a tizzy, trying to outrun the bird. Now Jeb’s the one laughing. I slap his shoulder. “Hey, that’s not funny.” “Ah, he’ll be okay.” Jeb raises an eyebrow, watching the aerial pursuit taking place outside the glass. “It’s a new genus of vegetarian owls. They’re only in it for the chase. Besides, Morphie-boy can change to his other form anytime he wants.”
A.G. Howard (Ensnared (Splintered, #3))
She faced him, sitting up very straight in bed, the little wool shawl hunched about her shoulders. “Dirk, are you ever going back to architecture? The war is history, it’s now or never with you. Pretty soon it will be too late. Are you ever going back to architecture? To your profession? A clean amputation. “No, Mother.” She gave an actual gasp, as though icy water had been thrown full in her face. She looked suddenly old, tired. Her shoulders sagged. He stood in the doorway, braced for her reproaches. But when she spoke it was to reproach herself. “Then I’m a failure.” “Oh, what nonsense, Mother. I’m happy. You can’t live somebody else’s life. You used to tell me, when I was a kid I remember, that life wasn’t just an adventure, to be taken as it came, with the hope that something glorious was hidden just around the corner. You said you had lived that way and it hadn’t worked. You said ——” She interrupted him with a little cry. “I know I did. I know I did.” Suddenly she raised a warning finger. Her eyes were luminous, prophetic. “Dirk, you can’t desert her like that!” “Desert who?” He was startled. “Beauty! Self-expression. Whatever you want to call it. You wait! She’ll turn on you some day. Some day you’ll want her, and she won’t be there.
Edna Ferber (So Big)
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime. That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister. And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you. When my sister walked out of her room and said she’d met Jesus, my mom knew all that. And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you. And she believed. When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?” Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian. All the money she gave up, so we’re poor now. But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane. There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it. If it’s not true, she made a giant mistake. But she doesn’t think so. She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed. And she’s poor now. People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better. It’s true. We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma. We can wonder and question and disagree. You can be certain she’s dead wrong. But you can’t make Sima agree with you. It’s true. Christ has died. Christ is risen. Christ will come again. This whole story hinges on it. Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
Daniel Nayeri (Everything Sad Is Untrue)
People ask, How did you get in there? What they really want to know is if they are likely to end up in there as well. I can’t answer the real question. All I can tell them is, It’s easy. And it is easy to slip into a parallel universe. There are so many of them: worlds of the insane, the criminal, the crippled, the dying, perhaps of the dead as well. These worlds exist alongside this world and resemble it, but are not in it.… …In the parallel universe the laws of physics are suspended. What goes up does not necessarily come down, a body at rest does not tend to stay at rest; and not every action can be counted on to provoke an equal and opposite reaction. Time, too, is different. It may run in circles, flow backward, skip about from now to then. The very arrangement of molecules is fluid: Tables can be clocks; faces, flowers. These are facts you find out later, though. Another odd feature of the parallel universe is that although it is invisible from this side, once you are in it you can easily see the world you came from. Sometimes the world you came from looks huge and menacing, quivering like a vast pile of jelly; at other times it is miniaturized and alluring, a-spin and shining in its orbit. Either way, it can’t be discounted. Every window on Alcatraz has a view of San Francisco.
Susanna Kaysen (Girl, Interrupted)
So I think that a protest,' she went on, 'like a work of dance or a work of music, is something done, at least in part, by the protestor for the protestor.' She saw I was about to interrupt so said, 'One more minute. Let me explain. Of course one hopes and plans for impact, for audience, for change, for efficacy. But, like dance, like music, a protest can be a religious ritual too, one that needn't be derisively looked down upon as magical thinking, but a spiritual act where the act itself is the goal. And that act may on some level be co-opted, but in the subjective world of the protestor it is a way, in itself, to be. Even in solipsism, the subject can be moral. You can call it hokum if you wish, but for the protestor, the protest makes a moral world in which she can abide.
Eugene Lim (Dear Cyborgs)
Surveyor, in your thoughts you may be reproaching Sordini for not having been prompted by my claim to make inquiries about the matter in other departments. But that would have been wrong, and I want this man cleared of all blame in your thoughts. One of the operating principles of authorities is that the possibility of error is simply not taken into account. This principle is justified by the excellence of the entire organization and is also necessary if matters are to be discharged with the utmost rapidity. So Sordini couldn’t inquire in other departments, besides those departments wouldn’t have answered, since they would have noticed right away that he was investigating the possibility of an error.” “Chairman, allow me to interrupt you with a question,” said K., “didn’t you mention a control agency? As you describe it, the organization is such that the very thought that the control agency might fail to materialize is enough to make one ill.” “You’re very severe,” said the chairman, “but multiply your severity by a thousand and it will still be as nothing compared with the severity that the authorities show toward themselves. Only a total stranger could ask such a question. Are there control agencies? There are only control agencies. Of course they aren’t meant to find errors, in the vulgar sense of that term, since no errors occur, and even if an error does occur, as in your case, who can finally say that it is an error.
Franz Kafka (The Castle)
Pat-a-cake, pat-a-cake, baker’s man . . .” Evie chanted as she played with Stephen in the Challons’ private railway carriage. They occupied one side of a deep upholstered settee, with Sebastian lounging in the other corner. The baby clapped his tiny hands along with his grandmother, his rapt gaze fastened on her face. “Make me a cake as fast as you can . . .” The nursery rhyme concluded, and Evie cheerfully began again. “Pat-a-cake, pat-a-cake—” “My sweet,” Sebastian interrupted, “we’ve been involved in the manufacture of cakes ever since we set foot on the train. For my sanity, I beg you to choose another game.” “Stephen,” Evie asked her grandson, “do you want to play peekaboo?” “No,” came the baby’s grave answer. “Do you want to play ‘beckoning the chickens?’” “No.” Evie’s impish gaze flickered to her husband before she asked the child, “Do you want to play horsie with Gramps?” “Yes!” Sebastian grinned ruefully and reached for the boy. “I knew I should have kept quiet.” He sat Stephen on his knee and began to bounce him, making him squeal with delight.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
What are you thinking of, Katharine?" he asked suspiciously, noticing her tone of dreaminess and the inapt words. "I was thinking of you--yes, I swear it. Always of you, but you take such strange shapes in my mind. You've destroyed my loneliness. Am I to tell you how I see you? No, tell me--tell me from the beginning." Beginning with spasmodic words, he went on to speak more and more fluently, more and more passionately, feeling her leaning towards him, listening with wonder like a child, with gratitude like a woman. She interrupted him gravely now and then. "But it was foolish to stand outside and look at the windows. Suppose William hadn't seen you. Would you have gone to bed?" He capped her reproof with wonderment that a woman of her age could have stood in Kingsway looking at the traffic until she forgot. "But it was then I first knew I loved you!" she exclaimed. "Tell me from the beginning," he begged her. "No, I'm a person who can't tell things," she pleaded. "I shall say something ridiculous--something about flames--fires. No, I can't tell you." But he persuaded her into a broken statement, beautiful to him, charged with extreme excitement as she spoke of the dark red fire, and the smoke twined round it, making him feel that he had stepped over the threshold into the faintly lit vastness of another mind, stirring with shapes, so large, so dim, unveiling themselves only in flashes, and moving away again into the darkness, engulfed by it.
Virginia Woolf (Night and Day)
I walked past the lady in yellow robes and the maid bringing her a letter, past the soldier with a magnificent hat and the girl smiling at him, thinking of warm lips, brown eyes, blue eyes. Her brown eyes stopped me. It's the painting from whose frame a girl looks out, ignoring her beefy music teacher, whose proprietary hand rests on her chair. The light is muted, winter light, but her face is bright. I looked into her brown eyes and I recoiled. She was warning me of something-- she had looked up from her work to warn me. Her mouth was slightly open, as if she had just drawn a breath in order to say to me, "Don't!" I moved backward, trying to get beyond the range of her urgency. But her urgency filled the corridor. "Wait," she was saying, "wait! Don't go!" ... She had changed a lot in sixteen years. She was no longer urgent. In fact, she was sad. She was young and distracted, and her teacher was bearing down on her, trying to get her to pay attention. But she was looking out, looking for someone who would see her. This time I read the title of the painting: Girl Interrupted at Her Music. Interrupted at her music.- as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that? I had something to tell her now "I see you," I said. My boyfriend found me crying in the hallway. "What's the matter with you?" he asked. "Don't you see, she's trying to get out," I said, pointing at her.
Susanna Kaysen (Girl, Interrupted)
Being really alone means being free from anticipation. Even to know that something is going to happen, that I am required to do something is an intrusion on the emptiness I am after. What I love to see is an empty diary, pages and pages of nothing planned. A date, an arrangement, is a point in the future when something is required of me. I begin to worry about it days, sometimes weeks ahead. Just a haircut, a hospital visit, a dinner party. Going out. The weight of the thing-that-is-going-to-happen sits on my heart and crushes the present into non-existence. My ability to live in the here and now depends on not having any plans, on there being no expected interruption. I have no other way to do it. How can you be alone, properly alone, if you know someone is going to knock at the door in five hours, or tomorrow morning, or you have to get ready and go out in three days’ time? I can’t abide the fracturing of the present by the intrusion of a planned future.
Jenny Diski
I know you prefer the other wedding dress but didn’t wear it, because you want it to stay ours. I know you hate that we’re dancing in front of a crowd right now. I know you’re hoping a storm will interrupt the ceremony, so it can all be over.” He leaned in even farther. “I know you have nightmares every night, and it kills me—kills me—that I’m not there to hold you through them, the way I was before. So, instead I send whatever I can. Your favorite foods. Your favorite flowers. I know you’ve killed dozens of people who should have rotted in our prisons long ago, and I know why you do it. To keep the beast within at bay. To funnel your anger and skills into something that maybe looks sort of like good.” Her breath hiked. How could he know that? He must have felt her jolt of surprise, because he pressed his forehead to hers. “I know that, because you and me, we are the same shade, Hearteater. I knew it the day you stabbed me through the chest while our lips were still locked. I knew it when you looked at me with such hatred, such fury, but never fear . . . not even knowing who I was, and what I had done.” His lips brushed across her cheek. She wasn’t sure she was breathing. “I knew it when you gave up your life for mine, because for you . . . only for you . . . I would do the same.
Alex Aster (Skyshade (Lightlark, #3))
A few seconds more and the Negress will sing. It seems inevitable, so strong is the necessity of this music: nothing can interrupt it, nothing which comes from this time in which the world has fallen; it will stop by itself, as if by order. If I love this beautiful voice it is especially because of that: it is neither for its fulness nor its sadness, rather because it is the event for which so many notes have been preparing, from so far away, dying that it might be born. And yet I am troubled; it would take so little to make the record stop: a broken spring, the whim of Cousin Adolphe. How strange it is, how moving, that this hardness should be so fragile. Nothing can interrupt it yet it can break it. The last chord has died away. In the brief silence which follows I feel strongly that there is, that SOMETHING HAS HAPPENED. Silence. "SOME OF THESE DAYS YOU'LL MISS ME HONEY
Jean-Paul Sartre (Nausea)
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Not while— “Holy smokes,” Oscar whispered. “Adrian.” He smacked Adrian’s shoulder with the back of his hand, dislodging his thoughts. Ruby noticed, too, and they both turned at the same time. The air left him. Every doubt evaporated at once. He was just kidding. A real relationship could totally work. He would make it work. Jumping up from his seat, Adrian made his way through the tables, unable to take his gaze from Nova. She was standing by the doors, searching the crowd, and when they landed on him she started in surprise. He beamed. She smiled back, but warily. Maybe she was nervous too. Somehow, the idea made him borderline giddy. “Wow,” he said when he reached her. “You look—” “Don’t get used to it,” she interrupted. “I’m never wearing a dress again. I don’t know why anyone would willingly subject themselves to this torture.” She tugged at the hem of the black lining beneath a lacy overdress. Adrian chuckled. “I’ll admire it while I can, then.
Marissa Meyer (Archenemies (Renegades #2))
Wait, wait,' he began, interrupting Oblonsky. 'Aristocratism, you say. But allow me to ask, what makes up this aristocratism of Vronsky or whoever else it may be - such aristocratism that I can be scorned? You consider Vronsky an aristocrat, but I don't. A man whose father crept out of nothing by wiliness, whose mother, God knows who she didn't have liaisons with... No, excuse me, but I consider myself an aristocrat and people like myself, who can point to three or four honest generations in their families' past, who had a high degree of education (talent and intelligence are another thing), and who never lowered themselves before anyone, never depended on anyone, as my father lived, and my grandfather. And I know many like that. You find it mean that I count the trees in the forest, while you give away thirty thousand to Ryabinin; but you'll have rent coming in and I don't know what else, while I won't, and so I value what I've inherited and worked for... We're the aristocrats, and not someone who can only exist on hand-outs from the mighty of this world and can be bought for twenty kopecks. 'But who are you attacking? I agree with you,' said Stepan Arkadyich sincerely and cheerfully, though he felt Levin included him among those who could be bought for twenty kopecks.
Leo Tolstoy (Anna Karenina)
Let me tell you a story,” I say instead. “Once upon a time, there was a girl whose life was saved by the faery king—” “This story sounds distinctly familiar. I think I might have heard it somewhere before.” I shush him and say not to interrupt. “If anyone asked her how she felt about the king, she would have said she loathed him. He ruthlessly trained her to fight his own kind. He taught her to kill. She learned from his lessons how to quiet the rage that burned inside her. But she had already decided that one day, when she had grown strong enough and learned everything she could about battle, she was going to murder him.” Kiaran goes still, his eyes glittering in the darkness. He says nothing. “Her opportunity came one night when he decided she was ready to hunt her first faery. It was a skriker that had been terrorizing a nearby village, slaughtering children in the night. The king handed the girl his sword and ordered her to kill the goblin-like creature. “She barely won. But in the end, as she thrust the sword deep into the monster’s gut, she felt something so profoundly that she thought it would consume her. So she told the king. She whispered the words and meant them with every part of her rage-filled soul: ‘I hate you. I hate all of you.’ When she lifted the sword again, she intended to pierce it right through his heart. “That was the first time the girl had ever seen the faery king smile.” I lift my hand and press my palm to Kiaran’s cheek. “You’ll have to finish the story. She never knew why he smiled. Just that one day, she wanted to see him do it again. So she dropped the sword and spared his life. And she never told the king what really happened that night.” Kiaran looks amused. “The king knew the girl’s plan all along. He smiled because he decided he liked her. She kept things interesting.” I stare at him. “So the faery king is a deranged sort. As the girl always suspected.” “How about his side of this story?” He pulls me close, his lips soft on my shoulder. “He never told the girl that during a hunt, when she ran alongside him with the wind in her hair and the moonlight behind her, that she was the most magnificent thing he had ever seen and he wanted her.” Then Kiaran’s hands are in my hair, lips brushing mine. “And when the king watched her in battle, she’d look over at him with a smile and he desired her. “It was never at once,” he continued. “It was after everything they had gone through and then it was the king and the girl facing an entire army together. And he knew the truth. His heart was hers. It always was. It always will be.” A shadow crosses Kiaran’s irises. A reminder that he’s still fighting. Just to be here. With me. He shuts his eyes, expression strained. Before I can ask if he’s all right, he pulls me against him and holds me close. His next words are spoken under his breath, so low I wonder if I heard them at all. “The girl helps the king keep his darkness at bay.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
There is nothing else for it, I shall have to solve my own problems. I always get the feeling that when I solve them for myself I shall have also solved them for a thousand other women. For that very reason, I must come to grips with myself. All this devouring of books from early youth has been nothing but laziness on my part. I allow others to formulate what I ought to be formulating myself. I keep seeking outside confirmation of what is hidden deep inside me, when I know that I can only reach clarity by using my own words. I really must abandon all that laziness, and particularly my inhibitions and insecurity, if I am ever to find myself, and through myself, find others. I must have clarity, and I must learn to accept myself. Everything feels so heavy inside me, and I want so much to feel light. For years I have bottled everything up, it all goes into some great reservoir, but it will have to come out again, or I shall know that I have lived in vain, that I have taken from mankind and given nothing back. I sometimes feel I am a parasite and that depresses me and makes me wonder if I lead any kind of useful life. Perhaps my purpose in life is to come to grips with myself, properly to grips with myself, with everything that bothers and tortures me and clamors for inner solution and formulation. For these problems are not just mine alone. And if at the end of a long life I am able to give some form to the chaos inside me, I may well have fulfilled my own small purpose.
Etty Hillesum (An Interrupted Life: The Diaries, 1941-1943; and Letters from Westerbork)
You’re the smartest girl I know. You can’t help knowing everything and being constantly brilliant—and I wouldn’t have it any other way.” I kissed her lips again, but after several moments, she pulled back slightly. “Hey,” she murmured. “There are people in the house.” “There are always people in the house,” I reminded her. “That’s why we escaped up here to the castle tower. Escape plan number . . . hell, I don’t know. I lost count. We haven’t had to come up with some dreamy escape plan in a while.” Sydney trailed her fingers down the side of my face. “That’s because we’re living it, Adrian. This is the only escape plan we need.” “Are you sure?” I asked, propping myself up on one elbow. I tried to put on a thoughtful, speculative expression. “Because there are things that could be tweaked. Like a bigger house. Or maybe—” “Adrian,” she interrupted. “Didn’t you just say I’m brilliant and know everything? Then trust me on this.” “Always,” I said, letting her pull me back down to her. “Always.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Aren't there going to be any refreshments?" Tharamn interrupted. "I always think better with a little snack to keep me going." "I'm with you there," said Grishmak. "Bring on the nibbles!" "There aren't any!" Cressida snapped. "This is all far too important, and besides, once you lot start easting, it'll only turn into a party." "Can't say I have a problem with that myself," said Tharaman. "What about you, Grishy?" "None at all. Bit of food and fun helps the boring bits along, in my opinion. Let's call a chamberlain and order some grub." "No!" Cressida insisted. "We all need to concentrate, and I for one find it difficult to think one you and Tharaman start cracking bones and spitting out gristle." "I never spit out gristle!" said Tharaman in miffed tones. "A terrible wast of protein. It just needs a little extra chewing, that's all." Thirrin had watched the exchange in silence, but now she sat forward in her chair. "Actually I wouldn't mind a sandwich myself." Cressida looked at her thunderously.
Stuart Hill (Last Battle of the Icemark)
She struggled to find words, and then all the anger she had been damming up for the last few minutes broke out. It made no difference that none of what had happened was his fault. Nor did the fact that he’d saved her, or what he had sacrificed to do it. He was a Carnevare. He was one of them. And he was preventing her from going to her sister’s aid when Zoe needed her. “The girl that Cesare killed … ,” she snapped, “her name was Lilia. She … she loved my sister. Do you understand that? Zoe has just lost the person who probably meant more to her than anything else. And Lilia sacrificed herself for me. How can you think that—” “I’d have done the same thing,” he interrupted her calmly. “I’d have died for you up on that mountain.” That took her breath away. For a moment it deprived her not only of her self-control, but of the ability to utter another syllable. After endless seconds, she stammered, “That—that’s nonsense.” “It’s the truth.” He turned his head and looked at her. “I’m in love with you, Rosa.” She hesitated, fighting for composure. “Oh, hell,” she whispered. He smiled sadly. Then neither of them said anything, until finally she took his cell phone and called Zoe.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
But he interrupted me. "None of that matters. And I think you're wrong anyway — I can't imagine not wanting you — note ever. You're smart and funny and I enjoy being with you even when we don't... when we're not... making love. When I was eight years old, I used to imagine that you were my girlfriend and that we'd run away together. And then you left and I'd lost my best friend, too. I used to dream about you coming back. As I got older, I... I began to understand the... the nature of my feelings for you better. I didn't think dreams could come true — but they have for me, Caro. Why are you so scared? I mean, forget all that legal bullshit... why do you keep trying to... I don't know, make me change my mind? What do you think I've got here that I wouldn't give up in a heartbeat to be with you? There's nothing to keep me here: I'll go anywhere, do anything to be with you." He sighed. "I know you have more to lose and I hate, hate that I'm responsible for that, but... Do you want to be with me? Forever. Sempre.
Jane Harvey-Berrick (The Education of Sebastian (The Education of..., #1))
I was interrupted in the heyday of this soliloquy, with a voice which I took to be of a child, which complained “it could not get out.”—I look’d up and down the passage, and seeing neither man, woman, or child, I went out without further attention. In my return back through the passage, I heard the same words repeated twice over; and looking up, I saw it was a starling hung in a little cage.—“I can’t get out—I can’t get out,” said the starling. I stood looking at the bird: and to every person who came through the passage it ran fluttering to the side towards which they approach’d it, with the same lamentation of its captivity.—“I can’t get out,” said the starling.—God help thee! said I, but I’ll let thee out, cost what it will; so I turn’d about the cage to get to the door; it was twisted and double twisted so fast with wire, there was no getting it open without pulling the cage to pieces.—I took both hands to it. The bird flew to the place where I was attempting his deliverance, and thrusting his head through the trellis, press’d his breast against it, as if impatient.—I fear, poor creature! said I, I cannot set thee at liberty.—“No,” said the starling—“I can’t get out—I can’t get out,” said the starling.
Laurence Sterne
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?” Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.” As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!” “Oy,” says Peter, “another one - wait here.” He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten. “What is it, my son?” he asks. The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?” “Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ” Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?” “No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?” The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
Interruption is weakness, young Kellhus. It arises from the passions and not from the intellect. From the darkness that comes before.” “I understand, Pragma.” The cold eyes peered through him and saw this was true. “When the Dûnyain first found Ishuäl in these mountains, they knew only one principle of the Logos. What was that principle, young Kellhus?” “That which comes before determines that which comes after.” The Pragma nodded. “Two thousand years have passed, young Kellhus, and we still hold that principle true. Does that mean the principle of before and after, of cause and effect, has grown old?” “No, Pragma.” “And why is that? Do men not grow old and die? Do not even mountains age and crumble with time?” “Yes, Pragma.” “Then how can this principle not be old?” “Because,” Kellhus answered, struggling to snuff a flare of pride, “the principle of before and after is nowhere to be found within the circuit of before and after. It is the ground of what is ‘young’ and what is ‘old,’ and so cannot itself be young or old.” “Yes. The Logos is without beginning or end. And yet Man, young Kellhus, does possess a beginning and end—like all beasts. Why is Man distinct from other beasts?” “Because like beasts, Man stands within the circuit of before and after, and yet he apprehends the Logos. He possesses intellect.
R. Scott Bakker (The Darkness That Comes Before (The Prince of Nothing, #1))
Why did we come back this way instead of popping up somewhere less…cramped?” I asked, substituting the word cramped for creepy. I was trying not to feel weirded out that I was in my boyfriend’s crypt. It was only a building, after all. A very unpleasant one. “This is a portal,” he said, as if that explained everything. “A what?” “A portal,” John whispered. “A direct link from here to the Underworld. That’s why you don’t feel dizzy this time.” I hadn’t even noticed, but he was right. I didn’t feel sick, for once, though we’d just jumped between astral planes. “This is a doorway through which the souls of the departed enter the world of the dead after they pass,” John explained softly. “The doorway closes behind the dead once they enter. They can never leave again-“ “Unless they escape,” I interrupted. Because this was what had happened to me. He glanced down at me with a teasing smile. “Unless I choose to let them escape,” he said, “because they seem to want their mothers so badly.” “That was two years ago,” I reminded him. I shouldn’t have mentioned the thing that morning about being inexperienced with men, even if it was technically true. He was never going to let me help him if he always thought of me as someone he had to protect. “And do I have to remind you that you didn’t let me escape, I-“ “Shhh.” He held up a hand. “Someone’s coming.
Meg Cabot (Underworld (Abandon, #2))
And then I tell the patient, ‘No communication with wife allowed for the next ninety days.’ ” Ghosh turned to face the patient, and repeated the sentence. The patient nodded. “Okay, you can communicate, say ‘Good morning, darling,’ and all that, but no sex for three months.” The patient grinned. “Okay, you can have sex, but you must wear a condom.” “I use interruptus,” the patient said, speaking for the first time in a heavy East European accent. “You use what? Interruptus? Pull and pray? Good God, man! No wonder you have five kids! It’s noble of you to try to get off the train at an earlier station, but it’s unreliable. No sir. Interrupt the interruptus, man, unless you want to reach your half dozen this year.” The patient looked embarrassed. “You know what we call young men who use coitus interruptus?” Ghosh said. The population expert shook his head. “We call them Father! Daddy. Pater. Pappa. Père. No sir, I have done the interrupting for you. Give me three months and you can tell your missus that she is not to worry because you will be shooting blanks, and there will be no more interruptions and you will be staying for dessert, coffee, and cigars.
Abraham Verghese (Cutting for Stone)
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit. “Try me.” His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.” “Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform. “So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.” “Good answer.” “Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’” “Uh-oh again.” Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.” Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.” “I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—” “You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help. “He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .” “So what happened then?” “Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.” I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended. “So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.” “Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.” “I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’” I can’t stop laughing. “He didn’t. He did not mention your mother.” “I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
Huntley Fitzpatrick (My Life Next Door)
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand. “I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage. “Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.” “Thanks for the bulletin. You’re too kind,” Isabella retorted dryly. “Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.” “Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.” “Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Q. Would you repeat, Dr. Seldon, your thoughts concerning the future of Trantor? A. I have said, and I say again, that Trantor will lie in ruins within the next three centuries. Q. You do not consider your statement a disloyal one? A. No, sir. Scientific truth is beyond loyalty and disloyalty." Q. You are sure that your statement represents scientific truth? A. I am. Q. On what basis? A. On the basis of the mathematics of psychohistory. Q. Can you prove that this mathematics is valid? A. Only to another mathematician. Q. ( with a smile) Your claim then is that your truth is of so esoteric a nature that it is beyond the understanding of a plain man. It seems to me that truth should be clearer than that, less mysterious, more open to the mind. A. It presents no difficulties to some minds. The physics of energy transfer, which we know as thermodynamics, has been clear and true through all the history of man since the mythical ages, yet there may be people present who would find it impossible to design a power engine. People of high intelligence, too. I doubt if the learned Commissioners— At this point, one of the Commissioners leaned toward the Advocate. His words were not heard but the hissing of the voice carried a certain asperity. The Advocate flushed and interrupted Seldon. Q. We are not here to listen to speeches, Dr. Seldon. Let us assume that you have made your point. Let me suggest to you that your predictions of disaster might be intended to destroy public confidence in the Imperial Government for purposes of your own! A. That is not so. Q. Let me suggest that you intend to claim that a period of time preceding the so-called ruin of Trantor will be filled with unrest of various types. A. That is correct. Q. And that by the mere prediction thereof, you hope to bring it about, and to have then an army of a hundred thousand available. A. In the first place, that is not so. And if it were, investigation will show you that barely ten thousand are men of military age, and none of these has training in arms. Q. Are you acting as an agent for another? A. I am not in the pay of any man, Mr. Advocate. Q. You are entirely disinterested? You are serving science? A. I am.
Isaac Asimov (Foundation (Foundation, #1))
Ladies and Gentlemen - I'm only going to talk to you just for a minute or so this evening. Because... I have some very sad news for all of you, and I think sad news for all of our fellow citizens, and people who love peace all over the world, and that is that Martin Luther King was shot and was killed tonight in Memphis, Tennessee. Martin Luther King dedicated his life to love and to justice between fellow human beings. He died in the cause of that effort. In this difficult day, in this difficult time for the United States, it's perhaps well to ask what kind of a nation we are and what direction we want to move in. For those of you who are black - considering the evidence evidently is that there were white people who were responsible - you can be filled with bitterness, and with hatred, and a desire for revenge. We can move in that direction as a country, in greater polarization - black people amongst blacks, and white amongst whites, filled with hatred toward one another. Or we can make an effort, as Martin Luther King did, to understand and to comprehend, and replace that violence, that stain of bloodshed that has spread across our land, with an effort to understand, compassion and love. For those of you who are black and are tempted to be filled with hatred and mistrust of the injustice of such an act, against all white people, I would only say that I can also feel in my own heart the same kind of feeling. I had a member of my family killed, but he was killed by a white man. But we have to make an effort in the United States, we have to make an effort to understand, to get beyond these rather difficult times. My favorite poet was Aeschylus. He once wrote: "Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God." What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence and lawlessness, but is love and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country, whether they be white or whether they be black. (Interrupted by applause) So I ask you tonight to return home, to say a prayer for the family of Martin Luther King, yeah that's true, but more importantly to say a prayer for our own country, which all of us love - a prayer for understanding and that compassion of which I spoke. We can do well in this country. We will have difficult times. We've had difficult times in the past. And we will have difficult times in the future. It is not the end of violence; it is not the end of lawlessness; and it's not the end of disorder. But the vast majority of white people and the vast majority of black people in this country want to live together, want to improve the quality of our life, and want justice for all human beings that abide in our land. Let us dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and make gentle the life of this world. Let us dedicate ourselves to that, and say a prayer for our country and for our people. Thank you very much.
Robert F. Kennedy
Haven't you heard of that madman who in the bright morning lit a lantern and ran around the marketplace crying incessantly, 'I'm looking for God! l'm looking for God!' Since many of those who did not believe in God were standing around together just then, he caused great laughter. Has he been lost, then? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone to sea? Emigrated? - Thus they shouted and laughed, one interrupting the other. The madman jumped into their midst and pierced them with his eyes. 'Where is God?' he cried; 'I'll tel1 you! We have kil/ed him - you and I! Wc are all his murderers. But how did wc do this? How were we able to drink up the sea? Who gave us the spange to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are wc not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren't we straying as though through an infinite nothing? Isn't empty space breathing at us? Hasn't it got colder? Isn't night and more night coming again and again? Don't lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition? - Gods, too, decompose! God is dead! God remains dead! And we have killed him! How can we console ourselves, the murderers of all murderers. The holiest and the mightiest thing the world has ever possessed has bled to death under our knives: who will wipe this blood from us? With what water could we clean ourselves? What festivals of atonement, what holy games will we have to invent for ourselves? Is the magnitude of this deed not too great for us? Do we not ourselves have to become gods merely to appear worthy of it?
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
People try to get away from it all—to the country, to the beach, to the mountains. You always wish that you could too. Which is idiotic: you can get away from it anytime you like. By going within. Nowhere you can go is more peaceful—more free of interruptions—than your own soul. Especially if you have other things to rely on. An instant’s recollection and there it is: complete tranquillity. And by tranquillity I mean a kind of harmony. So keep getting away from it all—like that. Renew yourself. But keep it brief and basic. A quick visit should be enough to ward off all < . . . > and send you back ready to face what awaits you. What’s there to complain about? People’s misbehavior? But take into consideration: • that rational beings exist for one another; • that doing what’s right sometimes requires patience; • that no one does the wrong thing deliberately; • and the number of people who have feuded and envied and hated and fought and died and been buried. . . . and keep your mouth shut. Or are you complaining about the things the world assigns you? But consider the two options: Providence or atoms. And all the arguments for seeing the world as a city. Or is it your body? Keep in mind that when the mind detaches itself and realizes its own nature, it no longer has anything to do with ordinary life—the rough and the smooth, either one. And remember all you’ve been taught—and accepted—about pain and pleasure. Or is it your reputation that’s bothering you? But look at how soon we’re all forgotten. The abyss of endless time that swallows it all. The emptiness of all those applauding hands. The people who praise us—how capricious they are, how arbitrary. And the tiny region in which it all takes place. The whole earth a point in space—and most of it uninhabited. How many people there will be to admire you, and who they are. So keep this refuge in mind: the back roads of your self. Above all, no strain and no stress. Be straightforward. Look at things like a man, like a human being, like a citizen, like a mortal. And among the things you turn to, these two: i. That things have no hold on the soul. They stand there unmoving, outside it. Disturbance comes only from within—from our own perceptions. ii. That everything you see will soon alter and cease to exist. Think of how many changes you’ve already seen. “The world is nothing but change. Our life is only perception.
Marcus Aurelius (Meditations)
Time does not heal wounds. It's a body's ritual that does. The instinctual cleansing with rain or other waters, the application of salves. Despite the sting. Even neglected, the body begins to take care. To repair itself. Blood clots, tissues regenerate, flesh scars. Soon, the thin white line is the only evidence of the pain. It is the body, not time. Time does nothing except create distance between the body and that which caused it harm. Recollection of fear can be stronger than the original fear itself. Similarly, bliss is sometimes more vivid when recollected. How else do you explain longing? Longing for what has already passed. That's the real pain. But you insisted, you pried with your fingers to see. You retuned to me after I turned away. You made me recollect for you, collect again and again for you, interrupting the healing with your curiosity. Now that I have given you the words, you may long for them. You may miss me. You may try to find the notes to the song again and again and won't be able to find them. Perhaps, the wounds I made will already have begun to scar. Maybe the body will have begun its ritual of forgetting. I told you not to ask for haunted, not to ask me to recollect. Because recollection is like tearing at closed wounds. Like pealing back the careful tissue put there by the body to make it safe. And because remembered pain is always worse than the original pain, because this time it is expected. This time you already know how much it will hurt.
T. Greenwood
Whatever else you may think about me," he said gruffly, "I would never play that kind of game with you. The devil knows how you could doubt my attraction to you after our lesson at Baujart's. Or didn't you notice that being near you made me as randy as a prize bull?" "I noticed," Garrett whispered sharply. "However, the male erection isn't always caused by sexual desire." His face went blank. "What are you talking about?" "Spontaneous priapism can be caused by scrotal chafing, traumatic injury to the perineum, a flare-up of gout, an inflamed prostatic duct-" Her list was interrupted as Ransom hauled her against him, front to front. She was alarmed to feel his entire body shaking. It wasn't until she heard a ragged chuckle near her ear that she realized he was struggling not to laugh. "Why is that funny?" she asked, her voice muffled against his chest. He didn't reply, couldn't, only shook his head vehemently and continued to wheeze. Nettled, she said, "As a physician, I can assure you there's nothing humorous about involuntary erections." That nearly sent him into hysterics. "Holy God," he begged, "no more doctor-talk. Please." "It wasn't from scrotal chafing," Ransom eventually said, a last tremor of laughter running through his voice. Letting out an unsteady sigh, he nuzzled against the side of her head. "Since we don't seem to be mincing words, I'll tell you what caused it: holding a woman I'd already dreamed about more than I should. Being near you is all it takes to put me in high blood.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Iago’s treatment of Othello conforms to Bacon’s definition of scientific enquiry as putting Nature to the Question. If a member of the audience were to interrupt the play and ask him: "What are you doing? could not Iago answer with a boyish giggle, "Nothing. I’m only trying to find out what Othello is really like"? And we must admit that his experiment is highly successful. By the end of the play he does know the scientific truth about the object to which he has reduced Othello. That is what makes his parting shot, What you know, you know, so terrifying for, by then, Othello has become a thing, incapable of knowing anything. And why shouldn’t Iago do this? After all, he has certainly acquired knowledge. What makes it impossible for us to condemn him self-righteously is that, in our culture, we have all accepted the notion that the right to know is absolute and unlimited. […] We are quite prepared to admit that, while food and sex are good in themselves, an uncontrolled pursuit of either is not, but it is difficult for us to believe that intellectual curiosity is a desire like any other, and to realize that correct knowledge and truth are not identical. To apply a categorical imperative to knowing, so that, instead of asking, "What can I know?" we ask, "What, at this moment, am I meant to know?" – to entertain the possibility that the only knowledge which can be true for us is the knowledge we can live up to – that seems to all of us crazy and almost immoral. But, in that case, who are we to say to Iago – "No, you mustn’t.
W.H. Auden (The Dyer's Hand and Other Essays)
Her kiss is hungry, as if long deprived. As if they didn’t already spend the morning doing just exactly this, making up for the lost time they were apart. Triton’s trident, I could do this all day. Then he catches himself. No, I couldn’t. Not without wanting more. Which is why we need to stop. Instead, he entwines his hands in her hair, and she teases his lips with her tongue, trying to get him to fully open his mouth to her. He gladly complies. Her fingers sneak their way under his shirt, up his stomach, sending a trail of fire to his chest. He is about to lose his shirt altogether. Until Antonis’s voice booms from the doorway. “Extract yourself from Prince Galen, Emma,” he says. “You two are not mated. This behavior is inappropriate for any Syrena, let alone a Royal.” Emma’s eyes go round as sand dollars. He can tell she’s not sure what to think about her grandfather telling her what to do. Or maybe she’s caught off guard that he called her a Royal. Either way, like most people, Emma decides to obey. Galen does, too. They stand up side by side, not daring to be close enough to touch. They behold King Antonis in a polka-dot bathrobe, and though he’s the one who looks silly, they are the ones who look shamed. Galen feels like a fingerling again. “I apologize, Highness,” he says. It seems like all he does lately is apologize to the Poseidon king. “It was my fault.” Antonis gives him a reproving look. “I like you, young prince. But you well know the law. Do not disappoint me, Galen. My granddaughter is deserving of a proper mating ceremony.” Galen can’t meet his eyes. He’s right. I shouldn’t be flirting with temptation like this. With the Archives on their way-or possibly here already-there is a distant but small chance that he and Emma can still live within the confines of the law. That they can still live as mates under the Syrena tradition. And he almost just blew it. What if it had gone too far? Then his mating with Emma would forever be blemished by breaking the law. “It won’t happen again, Highness.” Not until we’re mated, anyway. “Um. Did you just promise not to kiss me ever again?” Emma whispers. “Can we talk about this later? The Archives are obviously here, angelfish.” She’s on the verge of a fit, he can tell. “He’s just looking out for us,” Galen says quickly. “I agree, we need to respect the law-“ At this her fit subsides as if it was never there. She smiles wide at him. He can’t decide if it’s genuine, or if it’s the kind of smile she gives him when he’ll pay for something later. “Okay, Galen.” “Galen, Emma,” Nalia calls from the dining room, saving him from making a fool of himself. “Everyone is here.” Emma gives him a look that clearly says, “We’re so not done with this conversation.” Then she turns and walks away. Galen takes a second to regain a little bit of composure-which kissing Emma tends to steal from him. Then there’s the mortification of being interrupted by-Get it together, idiot.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by." He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin. "Hello,Lauren.I happened to be in the neighborhood and decided to drop by." "What do you want,Nick?" she sighed, her blue eyes searching his. "You." Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?" "I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-" He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you." "Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying. "Come here and I'll show you just how perverted I can be," he invited smoothly. Lauren took a cautious step backward. "Absolutely not.
Judith McNaught (Double Standards)
Hush, Sonia! I am not laughing. I know myself that it was the devil leading me. Hush, Sonia, hush!” he repeated with gloomy insistence. “I know it all, I have thought it all over and over and whispered it all over to myself, lying there in the dark.… I've argued it all over with myself, every point of it, and I know it all, all! And how sick, how sick I was then of going over it all! I kept wanting to forget it and make a new beginning, Sonia, and leave off thinking. And you don’t suppose that I went into it headlong like a fool? I went into it like a wise man, and that was just my destruction. And you mustn't suppose that I didn't know, for instance, that if I began to question myself whether I had the right to gain power—I certainly hadn't the right—or that if I asked myself whether a human being is a louse it proved that it wasn't so for me, though it might be for a man who would go straight to his goal without asking questions.… If I worried myself all those days, wondering whether Napoleon would have done it or not, I felt clearly of course that I wasn't Napoleon. I had to endure all the agony of that battle of ideas, Sonia, and I longed to throw it off: I wanted to murder without casuistry, to murder for my own sake, for myself alone! I didn't want to lie about it even to myself. It wasn't to help my mother I did the murder—that’s nonsense—I didn't do the murder to gain wealth and power and to become a benefactor of mankind. Nonsense! I simply did it; I did the murder for myself, for myself alone, and whether I became a benefactor to others, or spent my life like a spider, catching men in my web and sucking the life out of men, I couldn't have cared at that moment.… And it was not the money I wanted, Sonia, when I did it. It was not so much the money I wanted, but something else.… I know it all now.… Understand me! Perhaps I should never have committed a murder again. I wanted to find out something else; it was something else led me on. I wanted to find out then and quickly whether I was a louse like everybody else or a man. Whether I can step over barriers or not, whether I dare stoop to pick up or not, whether I am a trembling creature or whether I have the right …” “To kill? Have the right to kill?” Sonia clasped her hands. “Ach, Sonia!” he cried irritably and seemed about to make some retort, but was contemptuously silent. “Don’t interrupt me, Sonia. I want to prove one thing only, that the devil led me on then and he has shown me since that I had not the right to take that path, because I am just such a louse as all the rest. He was mocking me and here I've come to you now! Welcome your guest! If I were not a louse, should I have come to you? Listen: when I went then to the old woman’s I only went to try. … You may be sure of that!” “And you murdered her!” “But how did I murder her? Is that how men do murders? Do men go to commit a murder as I went then? I will tell you some day how I went! Did I murder the old woman? I murdered myself, not her! I crushed myself once for all, for ever.… But it was the devil that killed that old woman, not I. Enough, enough, Sonia, enough! Let me be!” he cried in a sudden spasm of agony, “let me be!
Fyodor Dostoevsky (Crime and Punishment)
We can take things as slowly as you want, but you know it’s too late now to change your mind, Pierce,” he said, in a warning tone. “Of course,” I said. I could see I had approached this all wrong. Where, when you actually needed one, was one of those annoying women’s magazines with advice on how to handle your man? Although that advice probably didn’t apply to death deities. “Because the Furies are after me. And I promised you that I wouldn’t try to escape. That isn’t what I was-“ “No,” he said, with an abrupt shake of his head. “The Furies have no part in this. It doesn’t matter anymore whether or not you try to escape.” He was pacing the length of the room. A muscle had begun to twitch wildly in the side of his jaw. “I thought you knew. I thought you understood. Haven’t you read Homer?” Not again. Mr. Smith was obsessed with this Homer person, too. “No, John,” I said, with forced patience. “I’m afraid we don’t have time to study the ancient Greek poets in school anymore because we have so much stuff to learn that happened since you died, such as the Civil War and the Holocaust and making files in Excel-“ “Well, considering what they had to say about the Fates,” John interrupted, impatiently, “Homer might possibly have been of more use to you.” “The Fates?” The Fates were something I dimly remembered having been mentioned in the section we’d studied on Greek mythology. They were busybodies who presided over everyone’s destiny. “What did Homer have to say about them?” John dragged a hand through his hair. For some reason, he wouldn’t meet my gaze. “The Fates decreed that anyone who ate or drank in the realm of the dead had to remain there for all eternity.” I stared at him. “Right,” I said. “Only if they are pomegranate seeds, like Persephone. The fruit of the dead.” He stopped pacing suddenly and lifted his gaze to mine. His eyes seemed to burn through to my soul. “Pomegranate seeds are what Persephone happened to eat while she was in the Underworld,” he said. “That’s why they call them the fruit of the dead. But the rule is any food or drink.” A strange feeling of numbness had begun to spread across my body. My mouth became too dry for me to speak. “However you feel about me, Pierce,” he went on, relentlessly, “you’re stuck here with me for the rest of eternity.
Meg Cabot (Underworld (Abandon, #2))
Ego or fixed identity doesn’t just mean we have a fixed idea about ourselves. It also means that we have a fixed idea about everything we perceive. I have a fixed idea about you; you have a fixed idea about me. And once there is that feeling of separation, it gives rise to strong emotions. In Buddhism, strong emotions like anger, craving, pride, and jealousy are known as kleshas—conflicting emotions that cloud the mind. The kleshas are our vehicle for escaping groundlessness, and therefore every time we give in to them, our preexisting habits are reinforced. In Buddhism, going around and around, recycling the same patterns, is called samsara. And samsara equals pain. We keep trying to get away from the fundamental ambiguity of being human, and we can’t. We can’t escape it any more than we can escape change, any more than we can escape death. The cause of our suffering is our reaction to the reality of no escape: ego clinging and all the trouble that stems from it, all the things that make it difficult for us to be comfortable in our own skin and get along with one another. If the way to deal with those feelings is to stay present with them without fueling the story line, then it begs the question: How do we get in touch with the fundamental ambiguity of being human in the first place? In fact, it’s not difficult, because underlying uneasiness is usually present in our lives. It’s pretty easy to recognize but not so easy to interrupt. We may experience this uneasiness as anything from slight edginess to sheer terror. Anxiety makes us feel vulnerable, which we generally don’t like. Vulnerability comes in many guises. We may feel off balance, as if we don’t know what’s going on, don’t have a handle on things. We may feel lonely or depressed or angry. Most of us want to avoid emotions that make us feel vulnerable, so we’ll do almost anything to get away from them. But if, instead of thinking of these feelings as bad, we could think of them as road signs or barometers that tell us we’re in touch with groundlessness, then we would see the feelings for what they really are: the gateway to liberation, an open doorway to freedom from suffering, the path to our deepest well-being and joy. We have a choice. We can spend our whole life suffering because we can’t relax with how things really are, or we can relax and embrace the open-endedness of the human situation, which is fresh, unfixated, unbiased. So the challenge is to notice the emotional tug of shenpa when it arises and to stay with it for one and a half minutes without the story line. Can you do this once a day, or many times throughout the day, as the feeling arises? This is the challenge. This is the process of unmasking, letting go, opening the mind and heart.
Pema Chödrön (Living Beautifully: with Uncertainty and Change)
I think we must only a few of us go," Laurence said, low. "I will take a few volunteers - " "Oh, the devil you will!" Granby exclaimed furiously. "No, this time I damned well put my foot down, Laurence. Send you off to go scrambling about in that warren with no notion where you are going, and nothing more likely than running into a dozen guards round every corner; I should like to see myself do it. I am not going back to England to tell them I sat about twiddling my thumbs whilst you got yourself cut to pieces. Temeraire, you are not to let him go, do you hear me? He is sure to be killed; I give you my word." "If the party are sure to be killed, I am not going to let anyone go!" Temeraire said, in high alarm, and sat up sharp, quite prepared to physically hold anyone back who made an attempt to leave. "Temeraire, this is plain exaggeration," Laurence said. "Mr. Granby, you overstate the case, and you overstep your bounds." "Well, I don't," Granby said defiantly. "I have bit my tongue a dozen times over, because I know it is wretched hard to sit about watching and you haven't been trained up to it, but you are a captain, and you must be more careful of your neck. It isn't only your own but the Corps' affair if you snuff it, and mine too." "If I may," Tharkay said quietly, interrupting when Laurence would have remonstrated further with Granby, "I will go; alone I am reasonably sure I can find a way to the eggs, without rousing any alarm, and then I can return and guide the rest of the party there." "Tharkay," Laurence said, "this is no service you owe us; I would not order even a man under oath of arms to undertake it, without he were willing." "But I am willing," Tharkay gave his faint half-smile, "and more likely to come back whole from it than anyone else here." "At the cost of running thrice the risk, going and coming back and going again," Laurence said, "with a fresh chance of running into the guards every time through." "So it is very dangerous, then," Temeraire said, overhearing to too much purpose, and pricking up his ruff further. "You are not to go, at all, Granby is quite right; and neither is anyone else." "Oh, Hell," Laurence said, under his breath. "It seems there is very little alternative to my going," Tharkay said. "Not you either!" Temeraire contradicted, to Tharkay's startlement, and settled down as mulish as a dragon could look; and Granby had folded his arms and wore an expression very similar. Laurence had ordinarily very little inclination to profanity, but he was sorely tempted on this occasion. An appeal to Temeraire's reason might sway him to allow a party to make the attempt, if he could be persuaded to accept the risk as necessary for the gain, like a battle; but he would surely balk at seeing Laurence go, and Laurence had not the least intention of sending men on so deadly an enterprise if he were not going himself, Corps rules be damned.
Naomi Novik (Black Powder War (Temeraire, #3))
His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. “You appear to be astonished,” he said, smiling at my expression of surprise. “Now that I do know it I shall do my best to forget it.” “To forget it!” “You see,” he explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.” “But the Solar System!” I protested. “What the deuce is it to me?” he interrupted impatiently; “you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.” I was on the point of asking him what that work might be, but something in his manner showed me that the question would be an unwelcome one. I pondered over our short conversation, however, and endeavoured to draw my deductions from it. He said that he would acquire no knowledge which did not bear upon his object. Therefore all the knowledge which he possessed was such as would be useful to him. I enumerated in my own mind all the various points upon which he had shown me that he was exceptionally well-informed. I even took a pencil and jotted them down. I could not help smiling at the document when I had completed it. It ran in this way— SHERLOCK HOLMES—his limits. 1. Knowledge of Literature.—Nil. 2. Philosophy.—Nil. 3. Astronomy.—Nil. 4. Politics.—Feeble. 5. Botany.—Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. 6. Geology.—Practical, but limited. Tells at a glance different soils from each other. After walks has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. 7. Chemistry.—Profound. 8. Anatomy.—Accurate, but unsystematic. 9. Sensational Literature.—Immense. He appears to know every detail of every horror perpetrated in the century. 10. Plays the violin well. 11. Is an expert singlestick player, boxer, and swordsman. 12. Has a good practical knowledge of British law.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
You were burning in the middle of the worst solar storm our records can remember. (...) Everyone else fled. All your companions and crew left you alone to wrestle with the storm. “You did not blame them. In a moment of crystal insight, you realized that they were cowards beyond mere cowardice: their dependence on their immortality circuits had made it so that they could not even imagine risking their lives. They were all alike in this respect. They did not know they were not brave; they could not even think of dying as possible; how could they think of facing it, unflinching? “You did not flinch. You knew you were going to die; you knew it when the Sophotechs, who are immune to pain and fear, all screamed and failed and vanished. “And you knew, in that moment of approaching death, with all your life laid out like a single image for you to examine in a frozen moment of time, that no one was immortal, not ultimately, not really. The day may be far away, it may be further away than the dying of the sun, or the extinction of the stars, but the day will come when all our noumenal systems fail, our brilliant machines all pass away, and our records of ourselves and memories shall be lost. “If all life is finite, only the grace and virtue with which it is lived matters, not the length. So you decided to stay another moment, and erect magnetic shields, one by one; to discharge interruption masses into the current, to break up the reinforcement patterns in the storm. Not life but honor mattered to you, Helion: so you stayed a moment after that moment, and then another. (...) “You saw the plasma erupting through shield after shield (...) Chaos was attempting to destroy your life’s work, and major sections of the Solar Array were evaporated. Chaos was attempting to destroy your son’s lifework, and since he was aboard that ship, outside the range of any noumenal circuit, it would have destroyed your son as well. “The Array was safe, but you stayed another moment, to try to deflect the stream of particles and shield your son; circuit after circuit failed, and still you stayed, playing the emergency like a raging orchestra. “When the peak of the storm was passed, it was too late for you: you had stayed too long; the flames were coming. But the radio-static cleared long enough for you to have last words with your son, whom you discovered, to your surprise, you loved better than life itself. In your mind, he was the living image of the best thing in you, the ideal you always wanted to achieve. “ ‘Chaos has killed me, son,’ you said. ‘But the victory of unpredictability is hollow. Men imagine, in their pride, that they can predict life’s each event, and govern nature and govern each other with rules of unyielding iron. Not so. There will always be men like you, my son, who will do the things no one else predicts or can control. I tried to tame the sun and failed; no one knows what is at its fiery heart; but you will tame a thousand suns, and spread mankind so wide in space that no one single chance, no flux of chaos, no unexpected misfortune, will ever have power enough to harm us all. For men to be civilized, they must be unlike each other, so that when chaos comes to claim them, no two will use what strategy the other does, and thus, even in the middle of blind chaos, some men, by sheer blind chance, if nothing else, will conquer. “ ‘The way to conquer the chaos which underlies all the illusionary stable things in life, is to be so free, and tolerant, and so much in love with liberty, that chaos itself becomes our ally; we shall become what no one can foresee; and courage and inventiveness will be the names we call our fearless unpredictability…’ “And you vowed to support Phaethon’s effort, and you died in order that his dream might live.
John C. Wright (The Golden Transcendence (Golden Age, #3))
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
John Green (The Fault in Our Stars)