“
It hurts, Jacks.”
“I know, love. I’m going to take you somewhere safe.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I'm not crying because of you; you're not worth it. I'm crying because my delusion of who you were was shattered by the truth of who you are.
”
”
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
“
I am a monster, but whether you remember it or not, I’m your monster, Evangeline.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
If you think I'm jealous because someone else got to stab you, then you're right.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
I’m going to go back and stop your son from killing her.”
The queen’s face fell. For a moment, she looked as old as the years she’d spent lying in a suspended state. “That is not a small mistake to fix. If you do this, Time will take something equally valuable from you.”
The Fate gave the queen a look more vicious than any curse. “There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I'm not like a car you can fix up. I'm never gonna run right" Bella
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
She said, If I'm leaving with a broken heart, you're leaving with a bleeding nose.
”
”
Jillian Dodd (That Boy (That Boy, #1))
“
Why do I read?
I just can't help myself.
I read to learn and to grow, to laugh
and to be motivated.
I read to understand things I've never
been exposed to.
I read when I'm crabby, when I've just
said monumentally dumb things to the
people I love.
I read for strength to help me when I
feel broken, discouraged, and afraid.
I read when I'm angry at the whole
world.
I read when everything is going right.
I read to find hope.
I read because I'm made up not just of
skin and bones, of sights, feelings,
and a deep need for chocolate, but I'm
also made up of words.
Words describe my thoughts and what's
hidden in my heart.
Words are alive--when I've found a
story that I love, I read it again and
again, like playing a favorite song
over and over.
Reading isn't passive--I enter the
story with the characters, breathe
their air, feel their frustrations,
scream at them to stop when they're
about to do something stupid, cry with
them, laugh with them.
Reading for me, is spending time with a
friend.
A book is a friend.
You can never have too many.
”
”
Gary Paulsen (Shelf Life: Stories by the Book)
“
I'm really a very happy, contented little person in spite of my broken heart.
”
”
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
“
I'm broken. I like to break things. Sometimes I want to break you."
"Then break me Jacks.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I’m never gonna wait
that extra twenty minutes
to text you back,
and I’m never gonna play
hard to get
when I know your life
has been hard enough already.
When we all know everyone’s life
has been hard enough already
it’s hard to watch
the game we make of love,
like everyone’s playing checkers
with their scars,
saying checkmate
whenever they get out
without a broken heart.
Just to be clear
I don’t want to get out
without a broken heart.
I intend to leave this life
so shattered
there’s gonna have to be
a thousand separate heavens
for all of my flying parts.
”
”
Andrea Gibson
“
I'm not going to tell you to trust me, because that's a terrible idea.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
now I'm told that this is life, that pain is just a simple comprimise so we can get what we want out of it. Would someone care to classify a broken heart and some twisted minds so I can find someone to rely on?
”
”
Hayley Williams
“
Stop flashing your fangs. I’m the only one who gets to bite her.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Everybody that went away suffered a broken heart. "I'm coming back some day," they all wrote. But never did. The old life was too small to fit anymore.
”
”
Annie Proulx (The Shipping News)
“
It’s times like this…. when it’s over a year later and I’m still crying over you that I want to turn to you and say: See…. This is why I asked you never to kiss me.
”
”
Ranata Suzuki
“
My heart is broken...
I'm lying here
My thoughts are choking
On you my dear...
”
”
Avril Lavigne
“
Whatever it is, Jacks, you won't feel the same in a minute."
He swalloved hard and clenched his jaw. "You have no idea what I'm feeling now."
He looked at her lips, and the most tortured expression she'd ever seen crossed his face.
When Jacks wanted something, it was with an intensity that could break worlds and build kingdoms. That was the energy pouring off him now, as if he wanted to destroy her and make her his queen all at once.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I'm just trying to outrun a broken heart, which is nothing to sneeze at, for a broken heart breaks a person.
”
”
Sarah Hina (Plum Blossoms in Paris (Jake Helman Files Series))
“
My heart is broken,” she goes. “It’s turned to a piece of stone. I’m no good. That’s what’s as bad as anything, that I’m no good anymore.
”
”
Raymond Carver (What We Talk About When We Talk About Love)
“
April is the cruelest month, T.S. Eliot wrote, by which I think he meant (among other things) that springtime makes people crazy. We expect too much, the world burgeons with promises it can't keep, all passion is really a setup, and we're doomed to get our hearts broken yet again. I agree, and would further add: Who cares? Every spring I go out there anyway, around the bend, unconditionally. ... Come the end of the dark days, I am more than joyful. I'm nuts.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
I’m glad you came.” “I’ll always come. Even when you don’t want me to.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Home is where the heart is, I thought now, gathering myself together in Betty's Luncheonette. I had no heart any more, it had been broken; or not broken, it simply wasn't there any more. It had been scooped neatly out of me like the yolk from a hard-boiled egg, leaving the rest of me bloodless and congealed and hollow.
I'm heartless, I thought. Therefore I'm homeless.
”
”
Margaret Atwood (The Blind Assassin)
“
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me.
I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic.
The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it.
It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't.
I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me.
Always,
Your Peter
P.S. Please give my love to Tink. She was always such a funny little bug.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
I'm curious about a lot of things. I'm curious about you, but I don't want you to bite me!"
The corner of Jacks's mouth twitched. "I've already done that, Little Fox.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Look at me, he said to her. His arms and legs jerked. Look at me. You got your wish. I have learned how to love. And it’s a terrible thing. I’m broken. My heart is broken. Help me. The old woman turned and hobbled away. Come back, thought Edward. Fix me
”
”
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
“
And it only hurts when I'm breathing
My heart only breaks when it's beating
My dreams only die when I'm dreaming
So, I hold my breath--to forget
”
”
Shania Twain (Shania Twain - Up! Piano, Vocal and Guitar Chords)
“
Can you die from a broken heart, do you know? And if I did and they cut me wide open, would I bleed loving him? When they lift my heart out of my chest cavity to weigh it, does it weigh the same as his top lip? Is his name carved into my third rib to the left? Bone of my bones, flesh of my flesh. He's killing me. Loving him is killing me too, and I'm afraid because how many loves really, do you get in a lifetime? How many chances do you give it before you let it go?
”
”
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
“
I'm fairly convinced that the Kingdom of God is for the broken-hearted. You write of 'powerlessness.' Join the club, we are not in control. God is.
”
”
Fred Rogers
“
My heart’s been empty since you left - but still I refuse to put up a vacancy sign.
I’m just not ready for anybody else to move in yet.
”
”
Ranata Suzuki
“
I’m broken, I have cut myself wide open. I can see my heart and it is not what I believed it was, it is not good and kind and all the things I have always thought I am.
”
”
Elizabeth Scott (The Unwritten Rule)
“
I follow, always, because it's the only time when our hearts beat in perfect harmony, the only time when I'm certain, beyond a shadow of a doubt, that we are one person broken in two.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
Are you jealous of Luc?'
'I thought we'd already covered that yesterday. I'm always jealous. And so are you.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
You’re everything to me.
But at best, I’m just a memory to you.
”
”
Ranata Suzuki
“
I'm a mess right now I can't eat can't sleep
Bills are piling high ain't worked in three weeks
Ain't bathed can't shave cause my heart is so tender like living in a blender
I'm shaken and I'm stirred
”
”
Anthony Hamilton
“
I still think of you every day.
But I’m trying not to let it hurt me with the same intensity that it used to.
”
”
Ranata Suzuki
“
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
”
”
Toni Morrison (Beloved)
“
I know you're still angry with me, but you've always known what I am. I never tried to pretend otherwise, you just let yourself believe I was something I'm not.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Yes, I am a monster. I enjoy hurting people. I like blood. I like pain. I am a monster, but whether you remember it or not, I’m your monster, Evangeline.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I slide my hand between our mouths, just in time. His lips
are soft against my palm. I slowly, slowly remove it. “No, I
don’t love Max anymore. But I don’t want to give you this
broken, empty me. I want you to have me when I’m full,
when I can give something back to you. I don’t have much to
give right now.”
Cricket’s limbs are still, but his chest is pounding hard
against my own. “But you’ll want me someday? That feeling
you once had for me … that hasn’t left either?”
Our hearts beat the same wild rhythm. They’re playing the
same song.
“It never left,” I say.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
I'm not interested in whether you've stood with the great; I'm interested in whether you've sat with the broken.
”
”
Sue Fitzmaurice
“
I’m actually a little afraid I’m going to lose. I no longer think love is a guarantee of victory or of happily ever after. But I think it’s a reason to fight for those things. I know my attempt to save Jacks could end in a fiery explosion, but I’d rather go up in flames with him than watch while he burns.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I have learned how to love. And it's a terrible thing. I'm broken. My heart is broken. Help me.
”
”
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
“
Don't worry, I'm still not going to kiss you." His lips brushed over the delicate underside of her wrist. Once. Twice. Three times. It was barely a touch, and yet there was something incredibly intimate about it. It made her think of the other stories that said his kisses might have been fatal, but they were worth dying for.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
I’m not the only kid
who grew up this way
surrounded by people who used to say
that rhyme about sticks and stones
as if broken bones
hurt more than the names we got called
and we got called them all
so we grew up believing no one
would ever fall in love with us
that we’d be lonely forever
that we’d never meet someone
to make us feel like the sun
was something they built for us
in their tool shed
so broken heart strings bled the blues
as we tried to empty ourselves
so we would feel nothing
don’t tell me that hurts less than a broken bone
that an ingrown life
is something surgeons can cut away
that there’s no way for it to metastasize
it does
”
”
Shane L. Koyczan
“
I’m a radiant void. I’m convalescing after a long and dreadful illness…I cannot brood over broken hearts, mine is too recently mended […]
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle (Vintage International))
“
One thing, though," Qhuinn murmured.
"What?"
The voice that came out his throat was unlike anything he'd ever heard from himself before. "If any guy breaks your heart or treats you like shit, I will bust him apart with my bare hands and leave his broken, bloody body for the sun."
Blay's laughter rumbled around the tiled walls. "Of course you will--"
"I'm dead fucking serious."
Blay's blue eyes shot over his shoulder.
"If there are any who dare to hurt you," Qhuinn growled in the Old Language, "I shall see them staked afore me and shall leave their bodies in ruin.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
She could feel the cool of his arms sliding gently under her legs and carefully under her neck as he cradled her to his chest.
'It hurts, Jacks.'
'I know, love. I'm going to take you somewhere safe.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I'm Sorry are two of the most powerful words in our language, especially when they are not flipped blithely over the shoulder but spoken from the heart. They help restore order, balance, harmony. They reduce pain. They heal broken friendship. If they were medecine, they'd be called a miracle.
”
”
Jerry Spinelli (Today I Will: A Year of Quotes, Notes, and Promises to Myself)
“
I'm glad I never had any children,' said Cousin Sarah. 'If they don't break your heart in one way they do it in another.'
'Isn't it better to have your heart broken than to have it wither up?' queried Valancy. 'Before it could be broken it must have felt something splendid. That would be worth the pain.
”
”
L.M. Montgomery (The Blue Castle)
“
You ask me why I’m nice to you,” he said. “Why, why, why. But you don’t ask me stuff that matters. Who I am or where I been. What I see when I look at you. What I want.
”
”
Sarah Ockler (The Book of Broken Hearts)
“
Ada girl, adored girl, [...] I'm a radiant void. I'm convalescing after a long and dreadful illness. You cried over my unseemly scar, but now life is going to be nothing but love and laughter, and corn in cans. I cannot brood over broken hearts, mine is too recently mended.
”
”
Vladimir Nabokov
“
Just tell me how to be different in a way that makes sense. To make this all go away. And disappear. I know that's wrong, because it's my responsibilty, and I know things have to get worse before they get better. I walk around the school hallways and look at the people. I look at the teachers and wonder why their here. If they like their jobs. Or us. I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day. And how they cope with having three quizes and a book report. On top of that. Or wondering who did the heart breaking. And wondering why. Especially since I know that if they went to another school, the person who had their heart broken would have had their heart broken by somebody else, so why does it have to be personal? It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especiall me. I think the idea is that every person has to live for his or her own life and than make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite.
”
”
Stephen Chbosky
“
Solange and all her irritating brothers could get themselves killed without me. I deserved to be part of their clandestine plans. I'd earned it. And I was sure they'd need a human touch at some point. And if they asked Hunter to help instead of me, I'd stake every last one of them myself.
Mom says jealousy is unattractive.
So's a broken nose.
I'm just saying.
”
”
Alyxandra Harvey (Bleeding Hearts (Drake Chronicles, #4))
“
I'm a living proof that a heart can be broken a thousand times and still function, still keep you alive— desperately hoping that it won’t happen again, all the while knowing it will.
”
”
Pepper Winters (The Boy & His Ribbon (Ribbon, #1))
“
You took my heart and you held it in your mouth
And, with a word all my love came rushing out
And, every whisper, it's the worst, emptied out by a single word
There is a hollow in me now...
And
Every whisper, every sigh
Eats away at this heart of mine
And there is a hollow in me now.
So I put my faith in something unknown
I'm living on such sweet nothing
But I'm trying to hope with nothing to hold
I'm living on such sweet nothing.
”
”
Florence Welch
“
I am a monster, but whether you remember it or not, I'm your monster, Evangeline.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I didn't think you cared.'
'I don't. But you still owe me one kiss, and until I collect it, you're mine, and I do not like to share.'
'If I didn't know you better, I'd say you sounded jealous.'
'Of course I'm jealous. I'm a Fate.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Say something," demanded Fancie. "Why don't you say something?"
"What can I say?"
"Say that I'm young-that I'll get over it. Go ahead and say it. Go ahead and lie."
"I know that's what people say-you'll get over it. I'd say it too. But I know it's not true. Oh, you'll be happy again, never fear. But you won't forget. Every time you fall in love it will be because something in the man reminds you of him.
”
”
Betty Smith
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
Long time I been on my own, but now really I'm alone. I survive the killing, the starving, all the hate of the Khmer Rouge, but I think maybe now I will die of this, of broken heart.
”
”
Patricia McCormick (Never Fall Down)
“
One day..." Gabe whispered. "When my heart is mine again. When I'm not sharing it with a dying girl...I'll give you everything."
"Gabe," I said, sighing. "Right now? I'm perfectly happy with the pieces. No matter how broken they may be.
”
”
Rachel Van Dyken (Toxic (Ruin, #2))
“
Yes, I'm broken. And yes, he's broken. But the more we talk about it, the more we share our sadness, the more I start to believe that there could be a chance to fix us, a chance that we could save each other.
”
”
Jasmine Warga (My Heart and Other Black Holes)
“
Do or die, you'll never make me
Because the world will never take my heart
Go and try, you'll never break me
We want it all, we wanna play this part
I won't explain or say I'm sorry
I'm unashamed, I'm gonna show my scar
Give a cheer for all the broken
Listen here, because it's who we are
I'm just a man, I'm not a hero
Just a boy, who had to sing this song
I'm just a man, I'm not a hero
I! don't! care!
We'll carry on
We'll carry on
And though you're dead and gone believe me
Your memory will carry on
We'll carry on
And though you're broken and defeated
Your weary widow marches on
”
”
Gerard Way
“
At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall.
'What are you doing?' A crack of alarm showed in the queen's implacable face.
'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch.
The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch.
'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.'
'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.'
The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.'
The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
And I'm not too great at that sort of comforting thing, especially when my hands are cold and the bed is warm. I carried him softly through the broken street, with one salty eye and a heavy, deathly heart. With him I tried a little harder. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next door neighbour. He does something to me, that boy. Every time. He steps on my heart. He makes me cry.
”
”
Markus Zusak (The Book Thief)
“
When you feel like you can't keep going, turn your heart to Allah and say this: "I can't. But You can. I'm weak. But You're strong. Take me in, not because of me--but because of You. Your mercy is stronger than my weakness. Your perfection is greater than my humanness. I beseech You to replace what's lost, mend what's broken, and allow my hope in You to kill my despair.
”
”
Yasmin Mogahed
“
You’re right. You keep saying Jacks is the villain. Yet you just let a man attack me with his pet bird in order to hunt another man down and kill him. You also told my guards—who aren’t very nice, by the way—not to let me leave the castle, despite promising me you’d never lock me up. So, no, I don’t know how much of a threat Lord Jacks is, but I’m starting to see you as one.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I never realized how empty my life had really become until I had him in it. He did that to me. He said I wrecked him, but he completely destroyed me. Everything was fine when I was alone. When I didn’t have to feel or think or care about someone else. Sure I was sad and broken, but I was okay. Now, I’m anything but.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
The fear is like metal on my tongue—I’ve known him but a fragment of time, and yet I’m certain if I accept his suit, it will destroy a part of me when he leaves.”
Keir reached forward to tuck her hair behind her ear.
“We’re all a little broken.” Quiet. Potent. “No one goes through life with a whole heart.
”
”
Nalini Singh (Angels' Flight (Guild Hunter, #0.4, #0.6, #0.8, #3.5))
“
Are you happy," he asked.
"I am." she said. And then she twisted again the row of bangles on her wrist. "I'm content. My parents are happy.
”
”
Fatima Farheen Mirza (A Place for Us)
“
...I know I’ve broken all the rules of all the games, that all the great players and best love calculators recommend that you play, if you want to make someone like you a lot. But that’s okay, because I give up. I’ve got my coffee sitting in my San Francisco cup, I’ve got Kona island and a working beating heart that’s not cold, hard, or numb—very workable and capable of loving, breaking, mending and repeating. So that’s just what I’ll do. Because I’m too tired. Too tired uping all nighting wasting my precious timing wishing it was your heart pumping, wanting me— like I used to want you.
”
”
Coco J. Ginger
“
Telepathically, I tell her I'm sorry. I tell her I just can't confide in her right now, tell her the three feet between us feels like three light-years to me and I don't know how to bridge it.
Telepathically, she tells me back that I'm breaking her broken heart.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
You think I’m not in pain? You think my heart wasn’t ripped out of my fucking chest till I couldn’t breathe anymore? You think this is easy for me?
”
”
Kimberly Lauren (Beautiful Broken Rules (Broken, #1))
“
Give me one last time,” he begged. “Please, please. I beg you.” “I—” She stopped and started again. “I’m afraid, Gabriel. You’ll break my heart.” “Mine is already broken.
”
”
Eloisa James (A Kiss at Midnight (Fairy Tales, #1))
“
The way you treat me baby
Cheat and tell me lies
I guess I shouldn't care at all
But still I sympathize
'cause you got heart trouble
Coming on
Yeah you got heart trouble coming on
Well you think that you don't need me baby
But you're gonna miss me when I'm gone
”
”
Martina McBride
“
I’ve been hurt and disappointed so many times that, in a way, I have given up. My heart is finally healed, and I’m not sure I’m ready to expose it at the risk of it getting broken again.
”
”
Justine Faeth (Chat Love)
“
What I'm realizing is that a broken heart isn't a solitary event. There is the initial shatter, but then there are repeat breaks, creating more and more shards. A word that reminds you of what you used to have, a smell that reminds you of your dreams, a flashed memory in your mind's eye that reminds you of the betrayal. Each time it's a new injury. Each broken piece takes me further away from ever being whole again.
”
”
Angeline Kace (Wicked Thing)
“
You are mine. Do you understand me? Mine! And if I have to spend the rest of my life finding every single piece of your broken heart, I will. I will put you back together again Em. I’ll do it because I’m still so in love with you. I will fix you, and I’ll fix this.
”
”
Stacy Borel (Ever Enough (Ever Enough, #1))
“
He stalked across the room like he wanted to wage war, but he kisses me like I'm the most delicate thing in the castle.
”
”
Brigid Kemmerer (A Heart So Fierce and Broken (Cursebreakers, #2))
“
Open up your heart,’ she said.
‘I’m afraid it’s broken.’
‘If I was knocking at your door, would you open it?’
‘I would, of course.’
‘Even if the door was broken.’
‘I would try.
”
”
Ottessa Moshfegh (Lapvona)
“
Walking away from you with a broken heart is easier to handle than selling my soul to make love with you. I'm sorry, Adrian. I might be lonely, and naive, and all the things you think about me. But I'm also true to myself, and I won't denigrate my feelings for you. They're much too precious in a world that offers so little love.
”
”
Shelby Reed (The Fifth Favor)
“
Patrick: Is fear rith maith nά drochseasamh.
Jessica:And that means what?
Patrick: A good run is better than a bad stand.
Jessica: Oh. And that means what?
Patrick: It means, Jessica, that life is about choices. Sometimes you fight, sometimes you flee, but you never surrender.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
I've thought about what I've done since I moved to Truly, and I'm sorry that I hurt you, Mick. But I'm not sorry that I met you and fell in love with you. Loving you has broken my heart and caused me pain, but it made me a better person. I love you, Mick, and I hope that someday you find someone you can love. You deserve more in life than a string of women you don't really care about and who don't care all that much for you. Loving you taught me that. It taught me how it feels to love a man, and I hope that someday I can find someone who will love me the way that you can't. Because I deserve more that a string of men who don't really care about me.
”
”
Rachel Gibson (Tangled Up In You (Truly Idaho, #2; Writer Friends, #3))
“
Evangeline started to fall, and then Jacks was there. Her eyes were too heavy to open-but she could feel him. He held her with the type of intensity that only happens when a person wants something that isn't quite theirs.
But she was. She just needed to tell him she loved him.
"Evangeline-" His voice was hoarse. "Come back to me...."
I'm not dead, she tried to say. But there was something wrong with her throat. And it seemed Jacks couldn't hear her thoughts.
He silently held her tighter and pressed his forehead to hers.
She wasn't sure if he was crying or if she was, but there was wet on her cheeks. It felt a lot like tears. And then she felt...
Nothing.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
She meant to say, For tonight, I'm yours, but all that came out was "I'm yours
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I’m sorry for making it seem like you broke my heart. Sometimes I forget it got broken a long time before I met you.
”
”
Mariana Zapata (Luna and the Lie)
“
I’m not taking you to heaven,
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Throughout history, men have broken women’s hearts in a particular way. They love them or half-love them and then grow weary and spend weeks and months extricating themselves soundlessly, pulling their tails back into their doorways, drying themselves off, and never calling again. Meanwhile, women wait. The more in love they are and the fewer options they have, the longer they wait, hoping that he will return with a smashed phone, with a smashed face, and say, I’m sorry, I was buried alive and the only thing I thought of was you, and feared that you would think I’d forsaken you when the truth is only that I lost your number, it was stolen from me by the men who buried me alive, and I’ve spent three years looking in phone books and now I have found you. I didn’t disappear, everything I felt didn’t just leave. You were right to know that would be cruel, unconscionable, impossible. Marry me.
”
”
Lisa Taddeo (Three Women)
“
Before she closed the door, she hit me with this one: "I feel like it's November first," she said, "and I'm that discarded jack-o'-lantern whose heart and guts are splattered all over the boulevard of broken promises."
"And a good night to you, too," I said.
”
”
Rick Detorie
“
Someone has broken your heart. I knew there was something about you. That's it, isn't it?'
A little," Sara said, suddenly self-conscious.
I'm sorry.'
It happens." She shrugged, straining for nonchalance.
Maybe,' he said. 'But if it's your destiny, what can you do but accept it.
”
”
Jennifer Vandever (The Bronte Project: A Novel of Passion, Desire, and Good PR)
“
You're good at this,' she murmured. 'Do you often travel with girls who've been flayed?'
That earned her a soft laugh. 'No.' Then quietly, as he ran a cloth along her lower back, just below the dip in her waist. 'Would you be jealous if I did?'
I'm not a jealous person was what Evangeline intended to say, but instead the words 'of course' came out.
Jacks laughed, louder this time.
Embarrassment surged through her. 'That's not what I meant to say.'
'It's all right. I'd probably kill another man if I found him with you like this.' Jacks' hands pressed harder as they went to her shoulders and, one by one, ripped off the sleeves of her dress so that what remained of the gown completely fell away.
She made a sound somewhere between a squeal and a gasp. 'What that really necessary?'
'No, but everyone should have their clothes ripped off at some point.'
She imagined Jacks was mostly trying to distract her from all the pain, yet she blushed all the way from her cheeks to her chest.
Out of the corner of her eye, she thought she saw him smile.
And for a second, nothing hurt.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I barely know how to be with someone when I’m whole. How the hell am I supposed to be with you when I’m so fucking broken?
”
”
Katie Ashley (Music of the Heart (Runaway Train, #1))
“
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
”
”
S.E. Hinton (The Outsiders)
“
You don’t know who I am.” “Yeah, I do. You said it yourself—I see you. I see your hurt and your loneliness. I see your pride, and the way it stops you from leaning on anyone. I see your big heart, and how you want to save the world, including an ass like me.” His voice catches. “I’m done playing games, Ella. No other girls exist in this world for me. If you see me talking to one, know that I’m talking about you. If you see me walking next to someone, I’m wishing it was you.” He steps toward me. “You’re the only one for me.
”
”
Erin Watt (Broken Prince (The Royals, #2))
“
He’s breathing like he’s lost his mind and he’s looking at me like something has broken inside of him, like he’s woken up to find that his nightmares were just that, that they never existed, that it was all just a bad dream that felt far too real but now he’s awake and he’s safe and everything is going to be okay and I’m falling. I’m falling apart and into his heart and I’m a disaster.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
The pain is stronger than ever. I've seen bits of lost Paradises and I know I'll be hopelessly trying to return even if it hurts. The deeper I swing into the regions of nothingness the further I'm thrown back into myself, each time more and more frightening depths below me, until my very being becomes dizzy. There are brief glimpses of clear sky, like falling out of a tree, so I have some idea where I'm going, but there is still too much clarity and straight order of things, I am getting always the same number somehow. So I vomit out broken bits of words and syntaxes of the countries I've passed through, broken limbs, slaughtered houses, geographies. My heart is poisoned, my brain left in shreds of horror and sadness. I've never let you down, world, but you did lousy things to me.
(from "As I was moving ahead occasionally I saw brief glimpses of beauty", 2000)
”
”
Jonas Mekas
“
I feel like that sometimes...I feel like I'm this collection of broken pieces I don't know what to do with.
”
”
Emily Lloyd-Jones (The Hearts We Sold)
“
I made promises to you that I'm not sure I can keep.
”
”
Judy Blume (Forever...)
“
I'm a roomful of broken hearts
”
”
Anne Tyler (Redhead by the Side of the Road)
“
Yes, I am a murderer. I enjoy hurting
people. I like blood. I like pain. I am a monster, but whether you remember
it or not, I’m your monster, Evangeline
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
You make an excellent murder suspect. Orphan, turned savior, turned bride, turned killer—I’m actually surprised that wasn’t Kristof’s headline today.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
I’ve lost control of the simple act of being able to breathe. I’m hyperventilating.
“I don’t need you to show me how to breathe,” I say.
“You don’t?” He looks skeptical.
“I think I can handle the simple act of breathing without you.
”
”
Adriana Law (Falling for a Bentley)
“
The only thing I'm certain about right now is that after this moment, I will never be the same. I know, by the way his romance is like a magnetic pull on my heart, that if he ever hurts me again, I'll be far from just fine. I'll be broken.
”
”
Colleen Hoover
“
I’m not the only kid who grew up this way. Surrounded by people who used to say that rhyme about sticks and stones. As if broken bones hurt more than the names we got called, and we got called them all. So we grew up believing no one would ever fall in love with us. That we’d be lonely forever. That we’d never meet someone to make us feel like the sun was something they built for us in their tool shed. So broken heart strings bled the blues as we tried to empty ourselves so we would feel nothing. Don’t tell me that hurts less than a broken bone.
”
”
Shane L. Koyczan (To This Day: For the Bullied and Beautiful)
“
I’m not scared I won’t survive the pain. I’m scared the pain will never end and I’ll have to live with it forever. The problem with broken hearts isn’t that they kill you. It’s that they don’t.
”
”
Nicola Yoon (Instructions for Dancing)
“
Jacks idly stroked her jaw with his fingers. 'I love you,' he said simply. Then his face went abruptly serious. 'I'm never going to let you out of my sight.'
'You say that as if it should be a threat.'
He continued to look at her solemnly.'This isn't just for now, it's for always, Little Fox.'
'I like the sound of always.' She smiled against his fingers and then she reached up to touch his cheek, because now he was smiling, too.
And he loved her.
He loved her.
He loved her.
He loved her.
He loved her so much he'd rewritten history. He'd given up what he had believed was his only chance at love. And now he had finally broken the spell that he never thought he'd escape.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I’m not normal. I see people hurt in love and I want to hug them and tell them it’s going to be okay. That they need to keep that broken heart open. Because there’s nothing else really that matters beyond loving and being loved.
”
”
Nitya Prakash
“
Han stroked her hair, shifting his body under her. “Why? What are you afraid of? Thieves or wizards?”
“Both,” she said.
“Is it because I‟m not a blueblood?” He asked this matter-of-factly, as if he really wanted to know.
“That‟s the least of it,” Raisa said, taking a shuddering breath. “This is just going to lead to heartbreak, and I refuse to have my heart broken again.” She looked up at him. “I thought I could play at love. I thought I had the right, same as — as any courtier or a — a streetlord.”
He shook his head. “Rebecca, listen, I—”
“But I‟ve found out I‟m not made that way,” she interrupted. “I can‟t play this game if my heart‟s not in it. That‟s me personally. I‟m not judging anyone else.”
“I see,” he said. He tightened his arms around her, brushing his fingers along her collarbone, setting her nerves tingling. “What‟s your heart saying now?”
She wanted to be honest with him, even though she‟d probably pay for it. “I‟m in trouble,” she whispered.
”
”
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
“
I love him. I tried to love him from afar. I tried to be his friend. I tried to make him mine. But now, I'm trying to let go.
”
”
MsButterfly (His Secret Agent Bride To Be (BHO, #2))
“
The only way I’d ever die of a broken heart, is if I slammed into something really hard
”
”
Josh Stern (And That’s Why I’m Single)
“
I'm just at the age when time speeds up in an odd way. Do you know what I mean? The winters come closer together and you learn to accept that you're not special anymore.
”
”
Ann Druyan (A Famous Broken Heart)
“
I just can’t do it anymore. It’s too painful. It doesn't mean I’m over you, it means I’m not going to waste the rest of my life being haunted by your memory.
”
”
Ashleigh Z. (Under The Cypress Tree (Love in Belle Pont#1))
“
Jessica?"
"Oh, uh… sorry, François. I had to go to the bathroom."
"What? Why?"
Crud. Vampires didn't have to potty. "To get my… lotion. I have dry hands.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
When I wake up in the morning… I don’t think, wow, how can I make her love me more? How can I have my way with her? I, I, I? Not in my vocabulary. In fact, I’m a big fan of the letter u. I eat, I think of you. I drink, I drink to you. I cry, so you don’t have to. I’d die, for you to live. And I’d survive with a broken heart only if it meant mending yours.” - Nixon
”
”
Rachel Van Dyken (Elect (Eagle Elite, #2))
“
You sound jealous.'
'If you think I'm jealous because someone else got to stab you, then you're right.'
'Prove it.'
She heard the slump of his dagger as it fell at her feet. It was the jeweled one he carried everywhere. So many of the gems were missing, but the knife's hilt still glittered in the torchlight, pulsing blue and purple, the colour of blood before it was spilled.
'What am I supposed to do with this?'
'You might want to use it, Little Fox.' The corner of his mouth twitched as he slowly slid his pale hands through the bars of the gate and broke the lock in half. It could have been a twig, a piece of paper, or her.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Why are you naked?" "The better to feed you, m'dear." He pointed between his legs and my gaze roved along his cock. Then I saw his forefinger tapping his inner thigh. "Femoral artery." "Riiight. And the major vein in your neck wasn't good enough because… ?" One black brow winged up and those delicious lips curved into a naughty smile. "Ah. Because then I wouldn't have had an excuse to get naked.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
... and I realise the only way to tell the others
is through the way my voice can take these broken words
and turn it into music.
Turn it into poetry.
And I sing to make myself come alive,
but also for you,
because I’d like this to mean something.
To not disappear with the dark I will enter one day
and so now I will tell.
If not for you, then for my own heart,
because it tells me to,
and I'm learning to listen.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
Don’t defend him! This is bullshit!” he said as he turned for the door, and then turned back to face me. “I’ve been sitting at work this whole time, staring at those fucking things. I wanted to calm down before I got here, but this is just . . . it’s fucking disrespectful, is what it is! I bust my ass trying to prove to you that I’m better for you than he ever was. But he keeps pulling this shit, and showing up, and . . . I can’t compete with some rich college boy from California. I’m barely getting by, with no degree, and up until a few days ago I still lived with my dad. But I am so fucking in love you, Cami,” he said, reaching for me. “I have been since we were kids. The first time I saw you on the playground, I knew what beauty was. The first time you ignored me was my first broken heart. I thought I was playing this right, from the moment I sat down at your table at the Red. No one has ever wanted someone as much as I want you. For years I . . .” He was breathing hard, and he clenched his jaw. “When I heard about your dad, I wanted to rescue you,” he said, chuckling, but not out of humor. “And that night at your apartment, I thought I’d finally gotten something right.” He pointed to the ground. “That my purpose in life was to love you and keep you safe . . . but I didn’t prepare for having to share you.
”
”
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
“
I thought if I could touch this place or feel it
this brokenness inside me might start healing.
Out here its like I'm someone else,
I thought that maybe I could find myself
if I could just come in I swear I'll leave.
Won't take nothing but a memory
from the house that built me.
”
”
Miranda Lambert (Miranda Lambert - Revolution)
“
I spent days and nights staring at the blank page, searching the deepest corners of my mind: who have I been, what have I seen, what did I learn? I thought about all the nights I've spent outside, all the times I laid down to cry and how I took a deep breath every morning and decided to simply go on. Because what else is there to do? Decide that this is it?
I quit, I'm done?
Oh if I could find words to justify those feelings I've carried. I could write the thickest of books with explosions of emotions from a young girl's lost heart. I could make you see, make you hear, make you feel, at least a tiny fragment
of what's out there.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
You and I? It may end badly. I may get hurt. But guess what? I don’t care! I’ve never had my heart broken. Maybe I’m fine with risking it, because it’s better than being afraid and going through life bored.
”
”
Jasinda Wilder (Falling Under (Falling, #3))
“
I was so lonely I began regarding my broken heart as the most beautiful thing in my life. Soon after that, it was gone, too.
”
”
Chelsea Hodson (Tonight I'm Someone Else: Essays)
“
These days, I'm finding it harder and harder to breathe. My chest pounds with every heart beat like you're here, again, standing in front of me, your two hands around my neck.
”
”
Karen Quan (Write like no one is reading)
“
I’m sorry,’ I whispered. I didn’t know whether I was sympathizing with her broken heart or apologizing for a family who had had theirs broken, too.
”
”
Chelsey Philpot (Even in Paradise)
“
If I want to fuck Cuba, then I’ll enjoy every dirty moment. I’m not afraid of getting my heart broken Leo. There’s not one there to break.
”
”
Ilsa Madden-Mills (Very Bad Things (Briarcrest Academy, #1))
“
I look into her excited eyes, and my mind finally acknowledges what my heart has known all along as the truth—I’m hers. I belong to Catherine. And
I want her to be mine, only mine.
”
”
Mia Asher (Arsen: A Broken Love Story)
“
But now what? Why, now comes my master, takes me right away from my work, and my friends, and all I like, and grinds me down into the very dirt! And why? Because, he says, I forgot who I was; he says, to teach me that I am only a nigger! After all, and last of all, he comes between me and my wife, and says I shall give her up, and live with another woman. And all this your laws give him power to do, in spite of God or man. Mr. Wilson, look at it! There isn't one of all these things, that have broken the hearts of my mother and my sister, and my wife and myself, but your laws allow, and give every man power to do, in Kentucky, and none can say to him nay! Do you call these the laws of my country? Sir, I haven't any country, anymore than I have any father. But I'm going to have one. I don't want anything of your country, except to be let alone,--to go peaceably out of it; and when I get to Canada, where the laws will own me and protect me, that shall be my country, and its laws I will obey. But if any man tries to stop me, let him take care, for I am desperate. I'll fight for my liberty to the last breath I breathe. You say your fathers did it; if it was right for them, it is right for me!
”
”
Harriet Beecher Stowe (Uncle Tom’s Cabin)
“
Whenever there’s an injury to a relationship, a hurt, a broken heart, or even a broken thing, and you are willing to forgive, you are saying, “I got this. I’m going to pick up the bill for this.” This is, of course, precisely what God has done for us.
”
”
Brant Hansen (Unoffendable: How Just One Change Can Make All of Life Better)
“
It doesn't seem real," said Linda. "None of this. It's like we're all dreaming or something. Or maybe we really are dead."
"Nah," said Patsy, fluffing her bleach-blond curls. "If this was heaven there'd be more naked men.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
The future says:
Dear mortals;
I know you are busy with your colourful lives;
I have no wish to waste the little time that remains
On arguments and heated debates;
But before I can appear
Please, close your eyes, sit still
And listen carefully
To what I am about to say;
I haven't happened yet, but I will.
I can't pretend it's going to be
Business as usual.
Things are going to change.
I'm going to be unrecognisable.
Please, don't open your eyes, not yet.
I'm not trying to frighten you.
All I ask is that you think of me
Not as a wish or a nightmare, but as a story
You have to tell yourselves -
Not with an ending
In which everyone lives happily ever after,
Or a B-movie apocalypse,
But maybe starting with the line
'To be continued...'
And see what happens next.
Remember this; I am not
Written in stone
But in time -
So please don't shrug and say
What can we do?
It's too late, etc, etc, etc.
Dear mortals,
You are such strange creatures
With your greed and your kindness,
And your hearts like broken toys;
You carry fear with you everywhere
Like a tiny god
In its box of shadows.
You love festivals and music
And good food.
You lie to yourselves
Because you're afraid of the dark.
But the truth is: you are in my hands
And I am in yours.
We are in this together,
Face to face and eye to eye;
We're made for each other.
Now those of you who are still here;
Open your eyes and tell me what you see.
”
”
Nick Drake
“
Losing Jaxon was terrible, but our relationship was struggling before our bond was broken, if I’m being honest. Struggling between the girl he fell in love with and the girl I wanted to become. We hadn’t known each other before we were mated, and there’s a part of me that knows deep down, part of the reason I loved Jaxon with all my heart was because he loved me back just as much. We needed each other. We were both in pain, and we filled an emptiness we didn’t know how to fill on our own.
”
”
Tracy Wolff (Covet (Crave, #3))
“
We met at a cross-roads in life,
But we were going different directions.
We were part of each other's lives,
But only for a moment.
The first person that you meet in life
Won't necessarily be the one who's forever.
Just look at you and me,
And it's not hard to see that
This is the moment before life goes on.
We are still friends;
We are still really good friends.
Please tell me that you agree.
But I'm not the one for you,
And you just can't see yourself with me.
”
”
Margo T. Rose (The Words)
“
Search for the answers I knew all along;
I lost myself,
We all fall down;
Never the wiser of what I've become
Alone I stand,
A broken man...
All I have is one last chance.
I won't turn my back on you.
Take my hand,
Drag me down.
If you fall,
Then I will too.
And I can't save what's left of you...
(Chorus)
Sing something new,
I have nothing left.
I can't face the dark without you.
There's nothing left to lose,
The fight never ends.
I can't face the dark without you.
Swallow me under and pull me apart.
I understand;
There's nothing left.
Pain so familiar and close to the heart;
No more no less,
I won't forget.
Come back down,
Save yourself.
I can't find my way to you.
And I can't bear to face the truth...
(chorus)
I wanted to forgive;
I'm trying to forget;
Don't leave me here again.
I am with you, forever, the end.
(chorus)
Holding the hand that holds me down.
I forgive you, forget you, the end.
Holding the hand that holds me down.
I forgive you, forget you, the end.
(classical finish)
”
”
Breaking Benjamin
“
You hate me don't you? You must hate me. I can't help it. I'm broken."
Trent squeezes me close to him. "I don't hate you. I could never hate you. Give me your heart, Kacey. I'll take everything that comes with it." I start to cry. Uncotrollably, for the first time in four year.
”
”
K.A. Tucker (Ten Tiny Breaths (Ten Tiny Breaths, #1))
“
My own kind. I'm not sure there's a name for us. I suspect we're born this way: our hearts screwed in tight, already a little broken. We hate sentimentality and yet we're deeply sentimental. Low-grade Romantics. Tough but susceptible. Afflicted by parking lots, empty courtyards, nostalgic pop music. When we cried for no reason as babies, just hauled off and wailed, our parents seemed to know, instinctively, that it wasn't diaper rash or colic. It was something deeper that they couldn't find a comfort for, though the good ones tried mightily, shaking rattles like maniacs and singing, "Happy Birthday" a little louder than called for. We weren't morose little kids. We could be really happy.
”
”
Steve Almond (Which Brings Me to You)
“
When we were little, Scarlett and I were utterly convinced that we'd originally been one person in our mother's belly. We believed that somehow, half of us wanted to be born and half wanted to stay. So our heart had to be broken in two so that Scarlett could be born first, and then I finally braved the outside world a few years later. It made sense, in our little pigtailed heads--it explained why, when we ran through grass or danced or spun in circles long enough, we would lose track of who was who and it started to feel as if there were some organic, elegant link between us, our single heart holding the same tempo and pumping the same blood. That was before the attack, though. Now our hearts link only when we're hunting, when Scarlett looks at me with a sort of beautiful excitement that's more powerful than her scars and then tears after a Fenris as though her life depends on its death. I follow, always, because it's the only time when our hearts beat in perfect harmony, the only time when I'm certain, beyond a shadow of a doubt, that we are one person broken in two.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones
than go back on any of the words I said
so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say
your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding.
You are fireproof, lionheart and now I am, too.
”
”
Tashie Bhuiyan (Counting Down with You)
“
I’m not brave all the time. No one is. We’ve all been disappointed; we’ve all had our hearts broken, and we’re all just doing our best. Make sure you have people who love you, the real you, not the Instagram you. If you can’t be brave, pretend to be brave, and if you can’t do that yet, know that you aren’t alone. Everyone you see is struggling. Nobody has it all figured out.
”
”
Jennifer Weiner (Big Summer)
“
I'm here, watching you hate me, and I'm not going anywhere. It's my turn to have the broken heart. I can handle that. But it won't make me stop f*cking caring, damn it.. Without that, I'll keep living, but I'll die alone, because no one else will ever replace you.
”
”
Jen McLaughlin (Out of Mind (Out of Line, #3))
“
We had sun, but we asked for a rainbow. We called the drizzle, but we got heavy rains! Now it’s gone.. We are left with drizzle, waiting the sun light to pass through. When the sun shines tomorrow, only the drizzle is mine.. Rainbow is yours! And I’m deaf and you’re blind!
”
”
Heshan Udunuwara
“
Jacks of the Hollow," warned the queen. "Those arch stones can only be used one time to go back. They were not created for infinite trips to the past."
"I know," Jacks growled. "I'm going to go back and stop your son from killing her."
The queen's face fell. For a moment, she looked as old as the years she'd spent lying in a suspended state. "That is not a small mistake to fix. If you do this, Time will take something equally valuable from you."
The Fate gave the queen a look more vicious than any curse. "There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I don't care that I'm taking a chance. I don't care that I may get my heart broken. If I don't at least give this a chance, I'll never be able to live with myself. I love this. I love this because it's funny. I love this because it's silly. I love him, I love him, I love him! And just like that...my heart goes boom.
”
”
Karyn Bosnak (20 Times a Lady)
“
Don't cry, my love.' She carefully wiped his tears with her fingers. 'I'm all right.
She gave him a wobbly smile.
His eyes went wide and as blue as a clear sky after a storm.
'How is this...' he trailed off.
It was a little endearing to watch. His sulky mouth gently parted as he seemed to forget how to speak.
'I already told you. You are the love of my life.
You are mine, Jacks of the Hollow. And you're not going to be the end of me.'
'But you were dying.'
'No,' she said, a little embarrassed. 'I just forgot to breathe.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Do you kiss the prince because you actually enjoy it?” Jacks asked.
“Or is it because you honestly think it will magically revive him?”
“Maybe I do it because I know it will annoy you,” Evangeline answered archly.
Jacks flashed a smile that was far more wicked than welcoming. “Glad to know you’re thinking about me when you kiss your husband.”
Heat flushed her cheeks. “I’m not thinking nice things.”
“Even better.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I know I seem naive," Evangeline pressed on. " I know my faith in love might appear foolish. I also know it might not be enough. But I'm not doing this because I believe I'll win. I'm actually a little afraid I'm going to lose. I no longer think love is a guarantee of victory or of happily ever after. But I think it's a reason to fight for those things. I know my attempt to save Jacks could end in fiery explosion, but I'd rather go up in flames with him than watch while he burns.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Father, too, is a contradiction. The least heralded physician in Noshahr, a father too busy healing others to notice his daughters' broken hearts. Not exactly true. I'm sure he notices. He just doesn't know what to do, and I don't know how to ask. So, here we are: him locking me in and me plotting my escape.
”
”
Michael Ben Zehabe (Persianality)
“
I mean... it's just one night,' he said softly. 'In the morning, you can forget it. You can go back to pretending you don't like me, and I can pretend that I don't care. But for tonight, let me pretend you're mine.'
She melted at the word mine. For a dizzying second, she couldn't think. She couldn't bring herself to pull away, and yet she couldn't tell him she would stay.
'If it's easier, you can pretend, too,' he whispered. 'You can pretend I'm still Jacks of the Hollow and that you want to be mine.' His mouth pressed against her throat once more and slowly traced a blissful line up her neck, to her ear. Then his teeth nipped her earlobe.
She gasped. The bite was sharp and a little painful, as if he wanted to hold her and punish her, too. But he didn't have to punish her. This was already torture because she wanted it so much. She wanted him to want her, even if he was half-delirious in his wanting.
'I'm not delirious.' His voice was husky with something like sleep, but when he looked down on her, his eyes were clear and lucid.
And Evangeline felt as if she was tumbling in to them.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Body Electric"
Elvis is my daddy, Marilyn’s my mother,
Jesus is my bestest friend.
We don’t need nobody
'Cause we got each other,
Or at least I pretend.
We get down every Friday night,
Dancin’ and grindin’ in the pale moonlight.
Grand Ole Opry, we're feelin’ alright,
Mary prays the rosary for my broken mind.
(I said don't worry about it)
[Chorus:]
I sing the body electric,
I sing the body electric, baby.
I sing the body electric,
I sing the body electric,
Sing that body electric,
Sing that body electric.
I’m on fire,
Sing that body electric.
Whitman is my daddy, Monaco’s my mother,
Diamonds are my bestest friend.
Heaven is my baby, suicide’s her father,
Opulence is the end.
We get down every Friday night,
Dancin’ and grindin’ in the pale moonlight.
Grand Ole Opry, we're feelin’ alright,
Mary prays the rosary for my broken mind.
(I said don't worry about it)
[Chorus:]
I sing the body electric,
I sing the body electric, baby.
I sing the body electric,
I sing the body electric,
Sing that body electric,
Sing that body electric.
I’m on fire,
Sing that body electric.
My clothes still smell like you,
And all the photographs say you’re still young.
I pretend I’m not hurt
And go about the world like I’m havin’ fun.
We get crazy every Friday night,
Drop it like it’s hot in the pale moonlight.
Grand Ole Opry, feelin' all right
Mary's swayin’ softly to her heart's delight.
I sing the body electric,
I sing the body electric, baby.
I sing the body electric,
I sing the body electric,
Sing that body electric,
Sing that body electric.
I’m on fire,
Sing that body electric.
I sing the body electric, baby.
I sing the body electric, baby.
I sing the body electric, baby.
”
”
Lana Del Rey
“
Did you hear about the recently discovered temple in the Sudan ?"
I stared at him. "Yeah. I'm a regular reader of National Geographic."
Ol' Frankie's brows quirked. "You wield sarcasm, madam, as well as a master swordsman does."
"Gee, thanks." I smiled at him and batted my lashes.
Quit flirting . Patrick flicked the command into my head. He sounded half-annoyed, half-amused.
I'm not flirting.
Quit being cute and likeable.
An impossible request. I've always been too adorable for words.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
I ’ve often felt separate from other human beings. I have my moments of togetherness with others; I love all sentient beings with my heart and am wildly fortunate to have friends I can talk to, share joy and despair with; we loyally have each other’s back. I wordlessly communicate with other musicians, sometimes plumbing great depths. But I’m awkward with other people, sometimes even my closest friends. My mind wanders, seeing others hold hands in a circle, from my separate place. My earliest memories are rooted in an underlying sense that something’s wrong with me, that everyone else is clued into a group consciousness from which I’m excluded. Like something in me is broken. As time passes I become more comfortable with this strange sense of being apart, but it never leaves, and on occasion, I go through phases of intense and debilitating anxiety. Gnarly fucking panic attacks. Perhaps it is a form of self-loathing, that I’m often unable to find comfort in community. Am I the only one who’s fucked up like this? Can I get a witness?
”
”
Flea (Acid for the Children: A Memoir)
“
Why are you being so cruel?'
'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.'
'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.'
'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now.
With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-'
He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before.
'Jacks, please, don't use the stones tonight. Come with me instead.'
He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged.
Evangeline took a step closer.
He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.'
'What if you're wrong?'
Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer.
'Evangeline, you need to go.'
A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet.
'Get out of here.' Jacks said.
She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.'
'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Despite my lifetime of declining rich desserts, my evenings spent jogging, regardless of all my careful moderation and self-discipline—I’m trapped, wadded inside a shell of steel and aluminum. My body, violated in countless places by fragments of broken glass. My low-cholesterol blood rushes to abandon me in hot, leaping spurts. Despite all my care, the heart-attack victim and I will both be just as dead.
”
”
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
“
I'm broken. I like to break things. Sometimes I want to break you.'
'Then break me, Jacks.'
His fingers tensed against her neck. 'For once I want to do the right thing. I can't do this. I can't watch you die again.'
The word again scraped against her like a thorn. 'What do you mean, again?'
'You died, Evangeline.' Jacks pulled her closer until she could feel the ragged rise and fall of his chest as he rasped. 'I held you in my arms as it happened.'
'Jacks... I don't know what you're talking about. I never died.'
'Yes, you did. The night you opened the Valory. The first time you did it, I didn't go with you.' He went silent for a moment and then she heard him think, I couldn't say goodbye.
'It was only you and Chaos,' he whispered. 'As soon as his helm was off, he killed you. I tried to stop him- I tried to save you- but-'
Jacks opened and shut his mouth as if he could barely get the words out. 'I couldn't. When I got there, he had already bitten you- and he'd already taken too much blood. You died as soon as you were in my arms. The only thing I could do was use the stones to turn back time. I was warned that it would cost me something. But I thought it would cost me. I didn't imagine it would take from you.'
I'm sorry, he thought.
'You don't need to be sorry, Jacks.'
'It's my fault,' he gritted out.
'No, it's not. I didn't lose my memories because you turned back time. I lost them because Apollo took them from me.'
Jacks looked murderous for a second. Then just as quickly he shook off her words. 'It doesn't matter. What matters is that you died. And if you die again, I cannot bring you back.'
'So you'd rather live without me?'
'I'd rather you live.'
'I am living, Jacks, and I am not going to die anytime soon.' Evangeline closed her eyes and then she kissed him.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I'm sorry Donatella wounded you so badly,' Evangeline said. And she meant it. She imagined Jacks was probably leaving a few things out, but she believed his hurt was genuine. 'Maybe the stories have it wrong and there's another true love waiting for you.'
Jacks laughed derisively. 'Are you saying this because you think you can be her?' He eyed Evangeline through the bars, gaze bordering on indecent. 'Do you want to kiss me, Little Fox?'
Something new and terrible knotted up inside her. 'No, that's not what I'm saying.'
'You don't sound too sure about that. You might not like me, but I bet you'd like it if I kissed you.' His eyes went to her lips, and the heat that swept across her mouth felt like the beginning of a kiss.
'Jacks, stop it,' she demanded. He didn't really want to kiss her. He was just teasing her to deflect the pain. 'I know what you're doing.'
'I doubt it.' He smiled, flashing his dimples as he ran his tongue over the tip of a very sharp and long incisor, looking suddenly thoughtful. 'Maybe it wouldn't be so bad to stay like this. I rather like these.'
'You also like daylight.' Evangeline reminded him.
'I could probably live without the sun if I could trade it for other things.' He cocked his head. 'I wonder... if I were to become a true vampire, perhaps my kiss wouldn't be fatal anymore.' His fangs lengthened. 'You could let me bite you and we could try it out.'
Another piercing lick of heat, this time right beneath her jaw, then her wrist, and a few other intimate places she'd have never thought anyone would bite.
Evangeline blushed from her neck down to her collarbone. 'We're not talking about biting,' she said hotly.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
You don't need this prep but I'm going to give it to you anyway. I can tell, I don't know any of you that well, but I can see it in your faces that and some of you have faces that remind me of what my face looked like when I was younger. I see some of you young people out there and I remember how hard it is to be young. And I remember how hard it is to be rejected the first time when you're young. And so what I want you to do is close your eyes. And I can see you, so don't cheat me here. Close those eyes of yours. Put 'em, real tight. And I want you to imagine the first person who broke you heart. The first person that didn't like you back, the first person that said shitty stuff about you. The first person that dumped you. The first person that changed their phone number because you called them 62 times in one day. The first person that didn't know how good you were and they missed you, they passed you by. Imagine that person and then I want you to sing at the top of your fucking lungs. I want you to sing. I want to heal that with you right now. (sings): Look me in the eye and tell me you dont find me attractive.
Look me in the heart and tell me that you wont go. Look me in the eye and promise no love is like our love look me in the heart and unbreak broken it wont happen.
”
”
Tegan Quin
“
Damnú air."
"You're cussing!"
"I refuse to admit to uttering bad words in any language." Patrick grinned and his teeth flashed white. "Jenny has been Googling German insults. I don't want her to look up Gaelic next."
Oh Lord. I tried not to think about what kind of information Jenny discovered in her search. "You let her Google curse words?"
"She said it was for educational purposes."
"Yeah, right. You are so fired as the baby-sitter.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
You’re a survivor. Voron put you on the edge of that cliff again and again until he conditioned you to claw onto life. You’ll do whatever you have to do to survive, and I’m your only chance of getting out. At first you’ll balk, but with every passing hour my offer will look better and better. You’ll convince yourself that dying will accomplish nothing and you should at least go out with a bang. You’ll tell yourself that you’re accepting my offer just so you can stick that broken sword into my chest and feel it cut through my heart. Even if you die afterward, the fact that I’ll stop breathing makes your death mean something. So you’ll call me. And you’ll try to kill me. Except you’ve gone three days without food, and that body . . .” He tilted his head and looked me over slowly. “That body burns through calories like fire goes through gasoline. You’re running out of reserves. I can put you down with one hit.”
“You’re right about the sword. You broke mine. I owe you one.”
He tapped his naked chest over his heart. “This is the spot. Give it a shot, Kate. Let’s see what happens.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
To begin with, this case should never have come to trial. The state has not produced one iota of medical evidence that the crime Tom Robinson is charged with ever took place... It has relied instead upon the testimony of two witnesses, whose evidence has not only been called into serious question on cross-examination, but has been flatly contradicted by the defendant. Now, there is circumstantial evidence to indicate that Mayella Ewel was beaten - savagely, by someone who led exclusively with his left. And Tom Robinson now sits before you having taken the oath with the only good hand he possesses... his RIGHT. I have nothing but pity in my heart for the chief witness for the State. She is the victim of cruel poverty and ignorance. But my pity does not extend so far as to her putting a man's life at stake, which she has done in an effort to get rid of her own guilt. Now I say "guilt," gentlemen, because it was guilt that motivated her. She's committed no crime - she has merely broken a rigid and time-honored code of our society, a code so severe that whoever breaks it is hounded from our midst as unfit to live with. She must destroy the evidence of her offense. But what was the evidence of her offense? Tom Robinson, a human being. She must put Tom Robinson away from her. Tom Robinson was to her a daily reminder of what she did. Now, what did she do? She tempted a *****. She was white, and she tempted a *****. She did something that, in our society, is unspeakable. She kissed a black man. Not an old uncle, but a strong, young ***** man. No code mattered to her before she broke it, but it came crashing down on her afterwards. The witnesses for the State, with the exception of the sheriff of Maycomb County have presented themselves to you gentlemen, to this court in the cynical confidence that their testimony would not be doubted, confident that you gentlemen would go along with them on the assumption... the evil assumption that all Negroes lie, all Negroes are basically immoral beings, all ***** men are not to be trusted around our women. An assumption that one associates with minds of their caliber, and which is, in itself, gentlemen, a lie, which I do not need to point out to you. And so, a quiet, humble, respectable *****, who has had the unmitigated TEMERITY to feel sorry for a white woman, has had to put his word against TWO white people's! The defendant is not guilty - but somebody in this courtroom is. Now, gentlemen, in this country, our courts are the great levelers. In our courts, all men are created equal. I'm no idealist to believe firmly in the integrity of our courts and of our jury system - that's no ideal to me. That is a living, working reality! Now I am confident that you gentlemen will review, without passion, the evidence that you have heard, come to a decision and restore this man to his family. In the name of GOD, do your duty. In the name of God, believe... Tom Robinson
”
”
Harper Lee (To Kill a Mockingbird)
“
If you really believe this is what you want, you're lying to yourself.'
'I'm not lying to myself,' Jacks snarled.
'Then tell me this is what you truly want. Swear you want this more than anything else and I'll never mention it again.'
Jacks grabbed her by the shoulders and looked directly in to her eyes. For a minute, he didn't speak. He just looked at her, at the remaining blood still on her lips and the dried tears staining her cheeks. 'I swear this is what I really want.' He spoke each word like a vow. 'I want to erase every moment you and I have spent together, every word you've said to me, and every time I've touched you, because if I don't, I'll kill you, just like I killed the Fox.'
Evangeline's heart stopped.
She searched Jacks' eyes, but all she saw was darkness, and all she felt was the press of his hands. He held on to her the way a person might grasp the edge of a cliff, knowing once they let go, there was no taking hold again.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Everything between them felt as fragile as a raindrop that would cease to exist when it touched the ground. But the Hollow also felt like the sort of place where raindrops never touched the ground.
Jacks slowly ran a hand up and down her spine. 'Have you decided to stay.'
'I thought you already heard what I was thinking?' she whispered.
'I want you to say it out loud.' His words were low and quiet; she wouldn't have heard them if she hadn't been so close. And it struck her how intimate words could be, how they could be spoken only once , for only one person, and they would never be heard again, they would disappear like a moment, gone almost as soon as you realised they were there.
...
She meant to say, For tonight, I'm yours, but all that came out was 'I'm yours.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
When calling for authenticity, we need to take seriously the brokenness and sinfulness of the human heart. If to be authentic means to be who we really are or to express what we really feel, then in most cases I’m going to vote for hypocrisy. Our prisons are filled with men and women who acted on their feelings and impulses. If authenticity is about being true to yourself, these individuals should be our models of inspiration.
”
”
Erwin Raphael McManus (Uprising: A Revolution of the Soul)
“
If I could go back in time to when I wrote sad little poems, I’d punch myself right in the fucking face because it gets worse man. It gets much, much worse and the sooner we realize that, the sooner we can just start dying and I know. I know—blahblahblah, nobody gives a fuck about your broken heart, but you know something? Most days, I’m not even sure what I’m upset about.
”
”
Dan "Soupy" Campbell (Paper Boats or Some Poems I Wrote)
“
I loved you, I love you now, but I’ll be able to go on. I know that I can. You taught me that. Not being with you is far from my dream, but like our hearts, dreams can be broken and repaired again. It’s hard for me not to wonder if I scared you away with all these letters. I hope not. I hope it just made you see how beautiful and amazing you are. I guess I’m realizing now that I just want you to be happy and safe. That’s the most I can hope for now. I brought some of your boxes here but I didn’t open
”
”
Renee Carlino (After the Rain)
“
Hmph," said Sharon . "Did you know that the numbers three and seven are sacred to vampires? There are seven vampire sects."
"Seven sacred sects," I repeated. "Say that three times fast."
"How about I spank you instead?" asked Patrick in a benign tone that belied the flare of irritation in his gaze.
"Only if you tie me to a bed and use a paddle."
His silver eyes went molten. Uh-oh. Me and my big smart-aleck mouth.
"I… uh, sorry. I didn't mean that. I saw Secretary a few too many times. I'm impressionable.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
I once believed in faith - that if I patiently waited, something good will happen. But at the end of the chapter, I found myself devastated. Years have gone by and I'm back at chapter one again. I've tried several times already and ended up in the same ending. It was always a different title, same story; different choices made but ending up with the same plot and finale. I grew tired of this never ending maze, wandering endlessly and finally giving up faith.
”
”
Raphael Paolo Augustine Camañag
“
What exactly are you doing?' Jacks drawled.
The breath left her lungs, and the broken heart scar on her wrist caught fire. She hadn't even heard him enter. Evangeline stopped mid-twirl, her skirts still swishing as she caught his dashing reflection in the mirror.
Her heart gave a silly jolt. She tried to stop it. But while Jacks was many terrible things, there was no denying that he was also painfully handsome. It was the golden hair. In certain lights, it looked like real gold, shining over eyes that glittered more than human eyes ever could. So maybe it was the eyes as well. And perhaps she could blame a little on his lips. They were perfect, of course, and right now they were smiling with amusement.
'So this is what you do when I'm not around?'
Evangeline felt the sudden urge to hide inside her wardrobe, but she tampered it down as she turned and met his gaze with a smile of her own. 'You think about what I do when you're not around?'
'Careful, Little Fox.' He took a step forward. 'You sound excited by the idea.'
'I'm not, I assure you,' she said, wishing she didn't sound so breathless. 'I merely like the thought that I torment you as much as you torment me.'
Jacks flashed one of his dimples, making him look deceptively charming. 'So you're the one who thinks about what I do when you're not around?'
'Only because I know you're up to no good.'
'No good.' He laughed as he said the words. 'I would hope you know by now that I'm up to far worse than just "no good".
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
"Here," she said, "in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard.
Yonder they do not love your flesh. They despise it. They don’t love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it, and the beat and beating heart, love that too. More than eyes or feet.More than lungs that have yet to draw free air. More than your life holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize." Saying no more, she stood up then and danced with her twisted hip the rest of what her heart had to say while the others opened heir mouths and gave her the music.
”
”
Toni Morrison (Beloved)
“
My dad died, I write. almost a year ago. Car accident. My hand is shaking; my eyes sting and fill. I add Not his fault before pushing the notebook and pen back across the table, wiping a hand across my cheeks.
As he reads, my impulse is to reach out, grab the notebook, run outside, dump it in the trash, bury it in the snow, throw it under the wheels of a passing car - something, something, so I can go back fifteen seconds when this part ofme was still shut away and private. Then I look at Ravi's face again, and the normally white white whites of his eyes are pink. This causes major disruption to my ability to control the flow of my own tears. I see myself when I look at him right now: he's reflecting my sadness, my broken heart, back to me.
He takes the pe, writes, and slides it over. You'd think it's something epic from the way it levels my heart. It isn't.
I'm really sorry, Jill.
Four little words.
”
”
Sara Zarr (How to Save a Life)
“
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.
Real women do not have curves. Real women do not look like just one thing.
Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.
Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.
Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.
Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.
Real women wear high heels and skirts. Or not.
Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.
Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.
Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.
There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.
I’m going to say it again because it’s important: There is no wrong way to have a body.
And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.
You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.
Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
”
”
Hanne Blank
“
I see you. I see your hurt and your loneliness. I see your pride, and the way it stops you from leaning on anyone. I see your big heart, and how you want to save the world, including an ass like me.” His voice catches. “I’m done playing games, Ella. No other girls exist in this world for me. If you see me talking to one, know that I’m talking about you. If you see me walking next to someone, I’m wishing it was you.” He steps toward me. “You’re the only one for me.
”
”
Erin Watt (Broken Prince (The Royals, #2))
“
Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this.
No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it."
Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once.
"Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you."
"Jack—please."
Riley's voice was broken.
Everything Jack wanted to hear.
"Please?"
Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.
”
”
R.J. Scott (The Heart of Texas (Texas, #1))
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I’m not sure what to say about struggle except that it feels like a long, dark tunnel with no light at the end. You never notice until it’s over the ways it has changed you, and there is no going back. We struggled a lot this year. For everyone who picked a fight with life and got the shit kicked out of them: I’m proud of you for surviving.
This year I learned that cities are beautiful from rooftops even when you’re sad and that swimming in rivers while the sun sets in July will make you feel hopeful, no matter what’s going on at home. I found out my best friend is strong enough to swing me over his shoulder like I’m weightless and run down the street while I’m squealing and kicking against his chest. I found out vegan rice milk whipped cream is delicious, especially when it’s licked off the stomach of a boy you love.
This year I kissed too many people with broken hearts and hands like mousetraps. If I could go back and unhurt them I would. If I could go back even farther and never meet them I would do that too. I turned 21. There’s no getting around it. I’m an adult now. Navigating the world has proved harder than I expected. There were times I was reckless. In my struggle to survive I hurt others. Apologies do not make good bandages.
I’m not sure what to say about change except that it reminds me of the Bible story with the lions’ den. But you are not named Daniel and you have not been praying, so God lets the beasts get a few deep, painful swipes at you before the morning comes and you’re pulled into the light, exhausted and cut to shit.
The good news is you survived. The bad news is you’re hurt and no one can heal you but yourself. You just have to find a stiff drink and a clean needle before you bleed out. And then you get up. And start over.
”
”
Clementine von Radics (Mouthful of Forevers)
“
Me"
( Notice Me)
I was sent here on a journey that has no end.
I hear you joke of going nowhere fast.
Well, maybe life’s a joke and I’m the fool
That dreams of being first but ends up last.
Life’s a trial—a sentence I can’t escape.
Confusion and desperation tear me down and turn to hate.
There’s so much more to figure out,
But it’s growing way too late.
If I could answer half the questions in my mind,
If I could find the place where I belong,
If words were near as strong and deep as the wall of emotions I climb
Then sorrow wouldn’t be so wrong.
There’s no way to make you understand.
An entire symphony could not play the broken notes in one child’s soul.
That child screams and no one hears her,
Until the tears have dried and now she’s just too old.
I don’t want to hear the philosophies, the opinions,
The remarks, the horrible reasonings.
Words are to pad the mind and fight with the solitude of the heart.
Still, silence chills to the bone and tears the soul apart.
She never means to hurt or harm, only to belong.
To find the truth ‘mid mortal lies, to sing her only song.
But someday this race will end, and if she comes in last,
I pray the first will look deeper than the others, smile, and then pass.
"Copyright 1985
”
”
Richelle E. Goodrich
“
Evangeline started to fall, and then Jacks was there. Her eyes were too heavy to open--but she could feel him. He held her with the type of intensity that only happens when a person wants something that isn't quite theirs.
But she was. She just needed to tell him she loved him.
"Evangeline--" His voice was hoarse. "Come back to me..."
I'm not dead, she tried to say. But there was something wrong with her throat. And it seemed Jacks couldn't hear her thoughts.
He silently held her tighter and pressed his forehead to hers. She wasn't sure if he was crying or if she was, but there was wet on her cheeks. It felt a lot like tears. And then she felt...
Nothing.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too.
Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
She opens her eyes.
“Adelina?” she whispers, blinking. And all I can see before me is the little sister who used to braid my hair, who sang to me and whimpered under the stairs, who bandaged my broken finger and came to me when the thunder rolled outside. She is my sister, always, even in death, even beyond.
My heart twists again as I think of what I am doing, and I choke back a sob. Oh, Magiano. I will miss all the days we will never have, all the moments we will never share. Forgive me, forgive me, forgive me.
I open my mouth. I mean to tell my sister I’m sorry, sorry I couldn’t save her in the mountains, sorry I didn’t listen to her, I didn’t tell her more often that I loved her. I am ready to say a thousand words.
But I say none of them. Instead, I say, “The deal is done.”
A faint glow encircles Violetta. The pillar vanishes. She sucks in a deep gasp of air, then falls to her knees. She is alive.
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
When we were little, Scarlett and I were utterly convinced that we'd originally been one person in our mother's belly. We believed that somehow, half of us wanted to be born and half wanted to stay. So our heart had to be broken in two so that Scarlett could be born first, and then I finally braved the outside world a few years later. It made sense, in our pig-tailed heads--it explained why, when we ran through grass or danced or spun in circle long enough, we would lose track of who was who and it started to feel as if there were some organic, elegant link between us, our single heart holding the same tempo and pumping the same blood. That was before the attack, though. Now our hearts link only when we're hunting, when Scarlett looks at me with a sort of beautiful excitement that's more powerful than her scars and then tears after a Fenris as though her life depends on its death. I follow, always, because it's the only time when our hearts beat in perfect harmony, the only time when I'm certain, beyond a shadow of a doubt, that we are one person broken in two.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
Terrific! Have you done Step Three?" He waggled his brows as he opened up the top left drawer of my dresser.
"No. Hey! Do you mind, Nosy Newton?"
"Are these panties?" he asked, holding up two of my thongs. "Because they look like dental floss to me."
Oh my God. My almost father-in-law was digging around in my lingerie. Embarrassment bloomed in my face. "Ruadan, get out of my underwear!"
"Fine," he said, closing the left drawer and opening the right one. "Oh! Lookie here!"
"If you touch that box," I said menacingly, "I will cut off your head with your own swords. And I'm not talking about the one on your shoulders."
He laughed, shutting the drawer. "You won't need a vibrator anymore. You've got Patrick." His gaze slid toward the dresser. "Unless you have different toys in there. Nipple clamps?"
"I… what… oh God." I fell onto the bed, curled into the fetal position, and covered my face.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you.
I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling
The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it
Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time?
Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you
And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you
Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm
Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed
Burden me with your secrets / so I can carry the weight you're so fearful of letting go
To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body
Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook
I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes
Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell
Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood
She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies
”
”
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))
“
His gaze meandered along my chest. "Hey!" I crossed my arms over my breasts.
"Those are…"
"Patrick's?"
"Well, his name isn't tattooed on them, but yeah, currently they are reserved for him."
I peered at him and noted the similarities between him and his sons. "Ruadan, I presume?"
"Got it in one," he said, silver eyes twinkling.
"You scared the shit out of me." One corner of his mouth lifted into a grin. He picked up the parchment and tapped on it.
"So, you're Patrick's soul mate."
"No."
"But you read the scroll. Only his sonuachar can do that."
"Let me explain." I paused. "No, there is too much. Let me sum up."
" The Princess Bride!" Ruadan exclaimed in happy surprise. "I love that movie. 'Hello, my name is Inigo Montoya. You killed my father. Prepare to die!'" He leapt off the bed and made fencing motions.
"Ruadan, we're in a bit of crisis around here."
"Hey! My swords." He practically skipped to the dresser where I had left them when I got ready for my bath. He whirled the half-swords like a master swordsman, which, of course, he was. "My mother really knows how to smith a weapon, doesn't she? Real fairy gold." He stabbed an invisible foe's chest with one and his stomach with the other. "Die, evil one! Die!"
He jumped up and down, the swords held above his head, and did a victory dance.
"You're like a big puppy!" I exclaimed. "A big, dumb puppy.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
That’s what it’s like to lose a woman. And at a certain time, losing one woman means losing all women. That’s how we become Men Without Women. We lose Percy faith, Francis Lai, and 101 Strings. And ammonites and coelacanths. And we lose her beautiful back. But all of that has vanished. All that remains is an old broken piece of eraser, and the far-off sound of the sailor’s dirge. And the unicorn beside the fountain, his lonely horn aimed at the sky.
I hope that M is in heaven now – or somewhere like it. And it would be nice if her thoughts occasionally turn to me. But maybe that’s asking too much. I pray that, even if I’m not part of it, M is happy and at peace, with music playing on into eternity.
As one of the Men Without Women, I pray for this with all my heart. At this point prayer seems like the only thing I can do. Probably.
”
”
Haruki Murakami (Men Without Women)
“
Best Of You
I've got another confession to make
I'm your fool
Everyone's got their chains to break
Holdin' you
Were you born to resist or be abused
Is someone getting the best, the best, the best, the best of you
Is someone getting the best, the best, the best, the best of you
Or are you gone and onto someone new
I needed somewhere to hang my head
Without your noose
You gave me something that I didn't have
But had no use
I was too weak to give in
Too strong to lose
My heart is under arrest again
But I'll break loose
My head is giving me life or death
But I can't choose
I swear I'll never give in
I refuse
Is someone getting the best, the best, the best, the best of you
Is someone getting the best, the best, the best, the best of you
Has someone taken your faith
Its real, the pain you feel
Your trust, you must
Confess
Is someone getting the best, the best, the best, the best of you
Oh...
Oh...Oh...Oh...
Oh...Oh...Oh...
Oh...Oh...Oh...
Oh...
Has someone taken your faith
It's real, the pain you feel
The life, the love
You'd die to heal
The hope that starts
The broken hearts
Your trust, you must
Confess
Is someone getting the best, the best, the best, the best of you
Is someone getting the best, the best, the best, the best of you
I've got another confession my friend
I'm no fool
I'm getting tired of starting again
Somewhere new
Were you born to resist or be abused
I swear I'll never give in
I refuse
Is someone getting the best, the best, the best, the best of you
Is someone getting the best, the best, the best, the best of you
Has someone taken your faith
It's real, the pain you feel
Your trust, you must
Confess
Is someone getting the best, the best, the best, the best of you
Oh...
”
”
Foo Fighters
“
Grief is love’s souvenir. It’s our proof that we once loved. Grief is the receipt we wave in the air that says to the world: Look! Love was once mine. I loved well. Here is my proof that I paid the price. So I’ll just show up and sit quietly and practice not being God with her. I’m so sorry, I’ll say. Thank you for trusting me enough to invite me close. I see your pain and it’s real. I’m so sorry. The Journey of the Warrior. This is it. The journey is learning that pain, like love, is simply something to surrender to. It’s a holy space we can enter with people only if we promise not to tidy up. So I will sit with my pain by letting my own heart break. I will love others in pain by volunteering to let my heart break with theirs. I’ll be helpless and broken and still—surrendered to my powerlessness. Mutual surrender, maybe that’s an act of love. Surrendering to this thing that’s bigger than we are: this love, this pain. The courage to surrender comes from knowing that the love and pain will almost kill us, but not quite.
”
”
Glennon Doyle Melton (Love Warrior)
“
were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay. Chapter 7
”
”
S.E. Hinton (The Outsiders)
“
One day, I wish to find a man like in my
books. He has to be just like in one of my books.
And he has to love me, love me more than anything
in the world. Most important of all, he has
to think I’m beautiful.”
“Lily, I need to tell you something.” Fazire
was going to tell her about Becky’s wish and his
mistake and let her look forward to something, let
her look forward to the incomparable beauty she
was going to be.
Most of all, he had to stop her wish now. He
didn’t want her wasting it on some fool idea. He
wanted it to be special, perfect, to make her world
better like she had made Becky and Will’s and,
indeed, his.
But again she didn’t hear him. Her eyes were
bright and they were steady on his.
“He has to be tall, very tall and dark and
broad-shouldered and narrow-hipped.”
Fazire stared. He didn’t even know what
“narrow-hipped” meant.
“And he has to be handsome, unbelievably
handsome, impossibly handsome with a strong,
square jaw and powerful cheekbones and tanned
skin and beautiful eyes with lush, thick lashes.
He has to be clever and very wealthy but hardworking.
He has to be virile, fierce, ruthless and
rugged.”
Now she was getting over his head. He didn’t
think there was such a thing as impossibly handsome.
How cheekbones could be powerful,
Fazire didn’t know. He was even thinking he
might have to look up “virile” in the dictionary
Sarah had given him.
“And he has to be hard and cold and maybe a
little bit forbidding, a little bit bad with a broken
heart I have to mend or one encased in ice I have
to melt or better yet… both!”
Fazire thought this was getting a bit ridiculous.
It was the most complicated wish he’d ever
heard.
But she wasn’t yet finished.
“We have to go through some trials and tribulations.
Something to test our love, make it strong
and worthy. And… and… he has to be daring and
very masculine. Powerful. People must respect
him, maybe even fear him. Graceful too and lithe,
like a… like a cat! Or a lion. Or something like
that.”
She was losing steam and Fazire had to admit
he was grateful for it.
“And he has to be a good lover.” Lily shocked
Fazire by saying. “The best, so good, he could almost
make love to me just by using his eyes.”
Fazire felt himself blush. Perhaps he should
have a look at these books she was reading and
show them to Becky. Lily was a very sharp girl,
sharp as a tack (another one of Sarah’s sayings,
although Fazire couldn’t imagine a tack ever being
as clever as Lily) but she was too young to
be reading about any man making love to her
with his eyes. Fazire had never made love, never
would, genies just didn’t. But he was pretty certain
fourteen year old girls shouldn’t be thinking
about it.
Though, he was wrong about that, or at least
Becky would tell him that later.
Then Fazire realised she’d stopped talking.
“Is that it?” he asked.
She thought for a bit, clearly not wanting to
leave anything out.
Then she nodded.
”
”
Kristen Ashley (Three Wishes)
“
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
”
”
Alexander Pushkin (Eugene Onegin)
“
This is meant to be in praise of the interval called hangover,
a sadness not co-terminous with hopelessness,
and the North American doubling cascade
that (keep going) “this diamond lake is a photo lab”
and if predicates really do propel the plot
then you might see Jerusalem in a soap bubble
or the appliance failures on Olive Street
across these great instances,
because “the complex Italians versus the basic Italians”
because what does a mirror look like (when it´s not working)
but birds singing a full tone higher in the sunshine.
I´m going to call them Honest Eyes until I know if they are,
in the interval called slam clicker, Realm of Pacific,
because the second language wouldn´t let me learn it
because I have heard of you for a long time occasionally
because diet cards may be the recovery evergreen
and there is a new benzodiazepene called Distance,
anti-showmanship, anti-showmanship, anti-showmanship.
I suppose a broken window is not symbolic
unless symbolic means broken, which I think it sorta does,
and when the phone jangles
what´s more radical, the snow or the tires,
and what does the Bible say about metal fatigue
and why do mothers carry big scratched-up sunglasses
in their purses.
Hello to the era of going to the store to buy more ice
because we are running out.
Hello to feelings that arrive unintroduced.
Hello to the nonfunctional sprig of parsley
and the game of finding meaning in coincidence.
Because there is a second mind in the margins of the used book
because Judas Priest (source: Firestone Library)
sang a song called Stained Class,
because this world is 66% Then and 33% Now,
and if you wake up thinking “feeling is a skill now”
or “even this glass of water seems complicated now”
and a phrase from a men´s magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,
anti-showmanship, anti-showmanship, anti-showmanship.
”
”
David Berman
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey
“
Ya live your life like it's a coma
So won't you tell me why we'd wanna
With all the reasons you give it's
It's kinda hard to believe
But who am I to tell you that I've
Seen any reason why you should stay
Matbe we'd be better off
Without you anyway
You got a one way ticket
On your last chance ride
Gotta one way ticket
To your suicide
Gotta one way ticket
An there's no way out alive
An all this crass communication
That has left you in the cold
Isn't much for consolation
When you feel so weak and old
But is home is where the heart is
Then there's stories to be told
No you don't need a doctor
No one else can heal your soul
Got your mind in submission
Got your life on the line
But nobody pulled the trigger
They just stepped aside
They be down by the water
While you watch 'em waving goodbye
They be callin' in the morning
They be hangin' on the phone
They be waiting for an answer
When you know nobody's home
And when the bell's stopped ringing
It was nobody's fault but your own
There were always ample warnings
There were always subtle signs
And you would have seen it comin'
But we gave you too much time
And when you said
That no one's listening
Why'd your best friend drop a dime
Sometimes we get so tired of waiting
For a way to spend our time
An "It's so easy" to be social
"It's so easy" to be cool
Yeah it's easy to be hungry
When you ain't got shit to lose
And I wish that I could help you
With what you hope to find
But I'm still out here waiting
Watching reruns of my life
When you reach the point of breaking
Know it's gonna take some time
To heal the broken memories
That another man would need
Just to survive
Guns N’ Roses, “Coma” (1991)
”
”
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
“
He was beautiful when he sat alone, he was like me, he had wide lapels, he was holding the mug in the hardest possible way so that his fingers were all twisted but still long and beautiful, he didn’t like to sit alone all the time, but this time, I swear, he didn’t care on way or the other.
I’ll tell you why I like to sit alone, because I’m a sadist, that’s why we like to sit alone, because we’re the sadists who like to sit alone.
He sat alone because he was beautifully dressed for the occasion and because he was not a civilian.
We are the sadists you don’t have to worry about, you think, and we have no opinion on the matter of whether you have to worry about us, and we don’t even like to think about the matter because it baffles us.
Maybe he doesn’t mean a thing to me any more but I think he was like me.
You didn’t expect to fall in love, I said to myself and at the same time I answered gently, Do you think so?
I heard you humming beautifully, your hum said that I can’t ignore you, that I’d finally come around for a number of delicious reasons that only you knew about, and here I am, Miss Blood.
And you won’t come back, you won’t come back to where you left me, and that’s why you keep my number, so you don’t dial it by mistake when you’re fooling with the dial not even dialing numbers.
You begin to bore us with your pain and we have decided to change your pain. You said you were happiest when you danced, you said you were happiest when you danced with me, now which do you mean?
And so we changed his pain, we threw the idea of a body at him and we told him a joke, and then he thought a great deal about laughing and about the code.
And he thought that she thought that he thought that she thought the worst thing a woman could do was to take a man away from his work because that made her what, ugly or beautiful?
And now you’ve entered the mathematical section of your soul which you claimed you never had. I suppose that this, plus the broken heart, makes you believe that now you have a perfect right to go out and tame the sadists.
He had the last line of each verse of the song but he didn’t have any of the other lines, the last line was always the same, Don’t call yourself a secret unless you mean to keep it.
He thought he knew, or he actually did know too much about singing to be a singer; and if there is actually such a condition, is anybody in it, and are sadists born there?
It is not a question mark, it is not an exclamation point, it is a full stop by the man who wrote Parasites of Heaven. Even if we stated our case very clearly and all those who held as we do came to our side, all of them, we would still be very few.
”
”
Leonard Cohen (Parasites of Heaven)
“
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
”
”
Alexander Pushkin (Eugene Onegin)
“
Say!” Benedict exclaimed. “Why don’t you save her, Hastings?”
Simon took one look at Lady Bridgerton (who at that point had her hand firmly wrapped around Macclesfield’s forearm) and decided he’d rather be branded an eternal coward.
“Since we haven’t been introduced, I’m sure it would be most improper,” he improvised.
“I’m sure it wouldn’t,” Anthony returned. “You’re a duke.”
“So?”
“So?” Anthony echoed. “Mother would forgive any impropriety if it meant gaining an audience for Daphne with a duke.”
“Now look here,” Simon said hotly, “I’m not some sacrificial lamb to be slaughtered on the altar of your mother.”
“You have spent a lot of time in Africa, haven’t you?” Colin quipped.
Simon ignored him. “Besides, your sister said—”
All three Bridgerton heads swung round in his direction.
Simon immediately realized he’d blundered. Badly.
“You’ve met Daphne?” Anthony queried, his voice just a touch too polite for Simon’s comfort.
Before Simon could even reply, Benedict leaned in ever-so-slightly closer, and asked, “Why didn’t you mention this?”
“Yes,” Colin said, his mouth utterly serious for the first time that evening. “Why?”
Simon glanced from brother to brother and it became perfectly clear why Daphne must still be unmarried.
This belligerent trio would scare off all but the most determined— or stupid— of suitors. Which would probably explain Nigel Berbrooke.
“Actually,” Simon said, “I bumped into her in the hall as I was making my way into the ballroom. It was”— he glanced rather pointedly at the Bridgertons—“ rather obvious that she was a member of your family, so I introduced myself.”
Anthony turned to Benedict. “Must have been when she was fleeing Berbrooke.”
Benedict turned to Colin. “What did happen to Berbrooke? Do you know?”
Colin shrugged. “Haven’t the faintest. Probably left to nurse his broken heart.”
Or broken head, Simon thought acerbically.
“Well, that explains everything, I’m sure,” Anthony said, losing his overbearing big-brother expression and looking once again like a fellow rake and best friend.
“Except,” Benedict said suspiciously, “why he didn’t mention it.”
“Because I didn’t have the chance,” Simon bit off, about ready to throw his arms up in exasperation. “In case you hadn’t noticed, Anthony, you have a ridiculous number of siblings, and it takes a ridiculous amount of time to be introduced to all of them.”
“There are only two of us present,” Colin pointed out.
“I’m going home,” Simon announced. “The three of you are mad.”
Benedict, who had seemed to be the most protective of the brothers, suddenly grinned. “You don’t have a sister, do you?”
“No, thank God.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.”
“Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder.
“Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?”
As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?”
“Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes.
“You might have broken your neck. Why can’t you leave these things to the proper authorities?”
“I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!”
“How was I supposed to do that when you never left the house alone?”
“But you could have come at any time. I was waiting for you!”
Er Lang was incensed. “Is this the thanks I get?”
If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him.
I meant to break away at once, but he caught me, his hand behind my head.
“Are you going to complain about this?” he demanded.
Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look.
“Open your mouth then.”
“Why?”
“I’m going to put my tongue in.”
That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
”
”
Yangsze Choo (The Ghost Bride)
“
Hungry?” he asks.
“The wager?” I remind him.
“I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.”
And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?”
“They have a porterhouse for two, three, or four.”
I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?”
“So, I say we split the one for three, and whoever eats more wins.”
“I’m going to guess their porterhouse for three could feed us both for a week.”
“I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.”
For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.”
“I think I can handle treating my wife to dinner on our wedding night.”
Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.”
He grins enthusiastically. “I’d sure like to see how you handle it.”
“You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.”
***
As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.”
“I could carry you,” Calvin offers sweetly, helping me with my coat.
Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.”
I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?”
Calvin laughs. “It was a close battle.”
“Not that close,” Mark says, beside him.
We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short.
“Calvin Bakker has a pretty solid ring to it,” I say.
He laugh-groans. “What did I get myself into?”
“A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
”
”
Christina Lauren (Roomies)
“
Alex, please.”
He balls his fists. “Stop saying my name. You don’t know me anymore.”
“I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—”
“Don’t,” he says. His voice breaks on the word.
“And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—”
“Don’t.”
“And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar.
“Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.”
“Alex, please—”
“Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.”
“Alex!”
He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.”
The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak.
He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.”
“Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.”
“Stop saying my name.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?”
Still no response.
“Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.”
Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate.
And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood.
That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle.
“You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!”
A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?”
He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . .
His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman.
Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.”
And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink.
“What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?”
Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable.
She grimaced, then said, “I’ll be fine.”
Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?”
She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.”
“Are you faint? Dizzy? Weak?”
She shook her head. “Just in pain. What are you doing here?”
He smiled through his tears. “I came to find you.”
“You did?” she whispered.
He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.”
Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)