Rows Quotes

We've searched our database for all the quotes and captions related to Rows. Here they are! All 200 of them:

She thought of the library, so shining white and new; the rows and rows of unread books; the bliss of unhurried sojourns there and of going out to a restaurant, alone, to eat.
Maud Hart Lovelace (Betsy and Tacy Go Downtown (Betsy-Tacy, #4))
Harry, don't go picking a row with Malfoy, don't forget, he's a prefect now, he could make life difficult for you..." "Wow, I wonder what it'd be like to have a difficult life?" said Harry sarcastically.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
By the Angel," Jace said, looking the demon up and down. "I knew Greater Demons were meant to be ugly, but no one ever warned me about the smell." Abbadon opened its mouth and hissed. Inside its mouth were two rows of jagged glass-sharp teeth. "I'm not sure about this wind and howling darkness business," Jace went on, "smells more like landfill to me. You sure you're not from Staten Island?
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
When you wake up in the morning, tell yourself: the people I deal with today will be meddling, ungrateful, arrogant, dishonest, jealous and surly. They are like this because they can't tell good from evil. But I have seen the beauty of good, and the ugliness of evil, and have recognized that the wrongdoer has a nature related to my own - not of the same blood and birth, but the same mind, and possessing a share of the divine. And so none of them can hurt me. No one can implicate me in ugliness. Nor can I feel angry at my relative, or hate him. We were born to work together like feet, hands and eyes, like the two rows of teeth, upper and lower. To obstruct each other is unnatural. To feel anger at someone, to turn your back on him: these are unnatural.
Marcus Aurelius (Meditations)
It has always seemed strange to me...The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling, are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest, are the traits of success. And while men admire the quality of the first they love the produce of the second.
John Steinbeck (Cannery Row (Cannery Row, #1))
When you're born into this world, you're given a ticket to the freak show. If you're born in America you get a front row seat.
George Carlin
Once on a yellow piece of paper with green lines he wrote a poem And he called it "Chops" because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it "Autumn" because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it "Innocence: A Question" because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three a.m. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it "Absolutely Nothing" Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen.
Stephen Chbosky (The Perks of Being a Wallflower)
Ask her if she still keeps all her kings in the back row.
J.D. Salinger (The Catcher in the Rye)
Anyhow, I've learned one thing now. You only really get to know people when you've had a jolly good row with them. Then and then only can you judge their true characters!
Anne Frank (The Diary of a Young Girl)
No one knows what you have been through or what your pretty little eyes have seen, but I can reassure you ~ whatever you have conquered, it shines through your mind.
Nikki Rowe
I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something.
Steve Jobs
You've seen the sun flatten and take strange shapes just before it sinks in the ocean. Do you have to tell yourself every time that it's an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it?
John Steinbeck (Sweet Thursday (Cannery Row, #2))
Advice? I don’t have advice. Stop aspiring and start writing. If you’re writing, you’re a writer. Write like you’re a goddamn death row inmate and the governor is out of the country and there’s no chance for a pardon. Write like you’re clinging to the edge of a cliff, white knuckles, on your last breath, and you’ve got just one last thing to say, like you’re a bird flying over us and you can see everything, and please, for God’s sake, tell us something that will save us from ourselves. Take a deep breath and tell us your deepest, darkest secret, so we can wipe our brow and know that we’re not alone. Write like you have a message from the king. Or don’t. Who knows, maybe you’re one of the lucky ones who doesn’t have to.
Alan W. Watts
Only the guy who isn't rowing has time to rock the boat.
Jean-Paul Sartre
Wildflower; pick up your pretty little head, It will get easier, your dreams are not dead.
Nikki Rowe
I had now officially secured my front row seat on the train to Hell. Choo choo
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Marco had examined every inch of Guayanés Beach, where coconut palms that once grew along the shore in majestic rows lay crisscrossed in the sand like scattered pencils.
Margarita Barresi (A Delicate Marriage)
As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing. What has happened?' the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk. Why, we've had a revolution, your Majesty -- as you ought to know very well,' replied the man; 'and since you went away the women have been running things to suit themselves. I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.' Hm!' said the Scarecrow, thoughtfully. 'If it is such hard work as you say, how did the women manage it so easily?' I really do not know,' replied the man, with a deep sigh. 'Perhaps the women are made of cast-iron.
L. Frank Baum (The Marvelous Land of Oz (Oz, #2))
You mean other than the wings? I once ate nine snicker bars in a row without barfing. It was a record.
James Patterson
Write a short story every week. It's not possible to write 52 bad short stories in a row.
Ray Bradbury
Begin each day by telling yourself: Today I shall be meeting with interference, ingratitude, insolence, disloyalty, ill-will, and selfishness – all of them due to the offenders’ ignorance of what is good or evil. But for my part I have long perceived the nature of good and its nobility, the nature of evil and its meanness, and also the nature of the culprit himself, who is my brother (not in the physical sense, but as a fellow creature similarly endowed with reason and a share of the divine); therefore none of those things can injure me, for nobody can implicate me in what is degrading. Neither can I be angry with my brother or fall foul of him; for he and I were born to work together, like a man’s two hands, feet or eyelids, or the upper and lower rows of his teeth. To obstruct each other is against Nature’s law – and what is irritation or aversion but a form of obstruction.
Marcus Aurelius (Meditations)
She was born to be free, let her run wild in her own way and you will never lose her.
Nikki Rowe
He touched my soul long before I knew what his hands felt like.
Nikki Rowe
She has fought many wars, most internal. The ones that you battle alone, for this, she is remarkable. She is a survivor.
Nikki Rowe
Being at ease with himself put him at ease with the world.
John Steinbeck (Cannery Row (Cannery Row, #1))
She was like the sun, She knew her place in the world - She would shine again regardless of all the storms and changeable weather She wouldn't adjust her purpose for things that pass.
Nikki Rowe
A shaft of moonlight illuminated a row of sentinel silver birch in a phosphorescent glow, appearing almost ethereal in the relative surrounding gloom. Boris had stopped again, his silhouette a stark black juxtaposition against the background of illuminated branches.
R.D. Ronald (The Elephant Tree)
Wild woman are an unexplainable spark of life. They ooze freedom and seek awareness, they belong to nobody but themselves yet give a piece of who they are to everyone they meet. If you have met one, hold on to her, she'll allow you into her chaos but she'll also show you her magic.
Nikki Rowe
The staircase that was revealed was lit with a soft red glow. I feel like I'm walking down into a porn movie," V muttered as they took the steps with care. Wouldn't that require more black candles for you," Zsadist cracked. At the bottom of the landing, they looked left and right down a corridor carved out of stone, seeing row after row of...black candles with ruby color flames. I take that back," Z said, eyeing the display. We start hearing chick-a-wow-wow shit," V cut in, "can I start calling you Z-packed?" Not if you want to keep breathing.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
The writer Umberto Eco belongs to that small class of scholars who are encyclopedic, insightful, and nondull. He is the owner of a large personal library (containing thirty thousand books), and separates visitors into two categories: those who react with “Wow! Signore, professore dottore Eco, what a library you have ! How many of these books have you read?” and the others - a very small minority - who get the point that a private library is not an ego-boosting appendage but a research tool. Read books are far less valuable than unread ones. The library should contain as much of what you don’t know as your financial means, mortgage rates and the currently tight real-estate market allows you to put there. You will accumulate more knowledge and more books as you grow older, and the growing number of unread books on the shelves will look at you menancingly. Indeed, the more you know, the larger the rows of unread books. Let us call this collection of unread books an antilibrary.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Pray to God, but row away from the rocks.
Hunter S. Thompson
It is the hour of pearl—the interval between day and night when time stops and examines itself.
John Steinbeck (Cannery Row (Cannery Row, #1))
I am a wild woman. it would take a warrior to tame my spirit.
Nikki Rowe
There's only one place I want to go and it's to all the places I've never been.
Nikki Rowe
Once I was beautiful. Now I am myself, Counting this row and that row of moccasins Waiting on the silent shelf.
Anne Sexton
It’s all fine to say, “Time will heal everything, this too shall pass away. People will forget”—and things like that when you are not involved, but when you are there is no passage of time, people do not forget and you are in the middle of something that does not change.
John Steinbeck (Cannery Row (Cannery Row, #1))
Men do change, and change comes like a little wind that ruffles the curtains at dawn, and it comes like the stealthy perfume of wildflowers hidden in the grass.
John Steinbeck (Sweet Thursday (Cannery Row, #2))
Solitude is where I place my chaos to rest and awaken my inner peace.
Nikki Rowe
I should like to know which is worse: to be ravished a hundred times by pirates, and have a buttock cut off, and run the gauntlet of the Bulgarians, and be flogged and hanged in an auto-da-fe, and be dissected, and have to row in a galley -- in short, to undergo all the miseries we have each of us suffered -- or simply to sit here and do nothing?' That is a hard question,' said Candide.
Voltaire (Candide)
If a man watches three football games in a row, he should be declared legally dead.
Erma Bombeck
Whoever said that love hurts was wrong. Love is excruciating, especially when you can feel it slipping through your fingers and there is nothing you can do about it. Like someone was playing tug-of-war with my limbs, ripping to shreds whatever was left behind. What it would feel like when love was lost...I wouldn't survive that
Julie Hockley (Crow's Row (Crow's Row, #1))
The Lake Isle of Innisfree I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight’s all a glimmer, and noon a purple glow, And evening full of the linnet’s wings. I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core.
W.B. Yeats (The Collected Poems of W.B. Yeats)
It wasn't exactly love at first sight, but it was deeper than that. A sense of belonging to a place I never knew I wanted but somehow always needed. It was a home that carried a heartbeat.
Nikki Rowe
You'll probably die if you stay with me,' he told me. 'Then I'm dead either way, because I won't survive without you.
Julie Hockley (Crow's Row (Crow's Row, #1))
There's an easy method for finding someone when you hear them scream. First get a clean sheet of paper and a sharp pencil. Then sketch out nine rows of fourteen squares each. Then throw the piece of paper away and find whoever is screaming so you can help them. It is no time to fiddle with paper.
Lemony Snicket (Who Could That Be at This Hour? (All the Wrong Questions, #1))
colleges being nothing but grooming schools for the middle-class non-identity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets in each living room with everybody looking at the same thing and thinking the same thing at the same time while the Japhies of the world go prowling in the wilderness to hear the voice crying in the wilderness, to find the ecstacy of the stars, to find the dark mysterious secret of the origin of faceless wonderless crapulous civilization.
Jack Kerouac (The Dharma Bums)
Anna... the night of the summit, when you were saved, it was the only time in my life I've thanked God for anything” Those words. They would melt me over and over for a long time.
Wendy Higgins (Sweet Peril (Sweet, #2))
All right, you caught me. I'm secretly obsessed with you and spend all my free time writing about you in my journal. 'Dear Diary, today Will was an ass for the 467th day in a row. He's so dreamy
Elizabeth Scott (Perfect You)
There isn't any questioning the fact that some people enter your life, at the exact point of need, want or desire - it's sometimes a coincendence and most times fate, but whatever it is, I am certain it came to make me smile.
Nikki Rowe
There was only one guy in the whole Bible Jesus ever personally promised a place with him in Paradise. Not Peter, not Paul, not any of those guys. He was a convicted thief, being executed. So don't knock the guys on death row. Maybe they know something you don't.
Neil Gaiman (American Gods (American Gods, #1))
A demigod!" one snarled. "Eat it!" yelled another. But that's as far as they got before I slashed a wide arc with Riptide and vaporized the entire front row of monsters. "Back off!" I yelled at the rest, trying to sound fierce. Behind them stood their instructor--a six-foot tall telekhine with Doberman fangs snarling at me. I did my best to stare him down. "New lesson, class," I announced. "Most monsters will vaporize when sliced with a celestial bronze sword. This change is completely normal, and will happen to you right now if you don't BACK OFF!" To my surprise, it worked. The monsters backed off, but there was at least twenty of them. My fear factor wasn't going to last that long. I jumped out of the cart, yelled, "CLASS DISMISSED!" and ran for the exit.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
She is a rare soul, she has this infectious energy that makes you want to run next to her, she belonged to no one but herself & to anyone that was yet understand themselves, found the missing pieces in her presence.
Nikki Rowe
Ready to s-snuggle?” he asked Kaidan, a slight clatter in his voice. Only Blake could joke on a night like this and get away with it. Kaidan shook his head and undressed down to his boxers, too, the tension finally shedding away from his frame. “I swear, mate. If I feel something poke me in the back. . .” Blake's laugh was dry. “I'm pretty sure my junk froze off, man, so don't worry.
Wendy Higgins (Sweet Peril (Sweet, #2))
Honey, a girl can’t keep a man like that as a friend. He’s a lover or an ex-lover, but never a friend. Men like that weren’t created to be a woman’s friend – they were created to make a woman hit high C three times in row.
Nicole Williams (Crash (Crash, #1))
You can love her with everything you have and she still wont belong to you. She will run wild with you, beside you with everystep but let me tell you something about women who run with wolves, their fierce hearts dont settle between walls and their instinct is stronger than upbringing. Love her wild or leave her there.
Nikki Rowe
[Cannery Row's] inhabitants are, as the man once said, 'whores, pimps, gamblers, and sons of bitches,' by which he meant everybody. Had the man looked through another peephole he might have said, 'saints and angels and martyrs and holy men,' and he would have meant the same thing.
John Steinbeck (Cannery Row (Cannery Row, #1))
I've learned one thing: you can only really get to know a person after a row. Only then can you judge their true character!
Anne Frank (The Diary of a Young Girl)
i was lieing to myself when I thought I was lost, I have never been lost - I just wasn't ready to be found.
Nikki Rowe
The truth is that even big collections of ordinary books distort space, as can readily be proved by anyone who has been around a really old-fashioned secondhand bookshop, one that looks as though they were designed by M. Escher on a bad day and has more stairways than storeys and those rows of shelves which end in little doors that are surely too small for a full-sized human to enter. The relevant equation is: Knowledge = power = energy = matter = mass; a good bookshop is just a genteel Black Hole that knows how to read.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
Where the bright seraphim in burning row Their loud uplifted angel trumpets blow.
John Milton (The Complete Poetry)
E!" Klaus cried. "E as in Exit!" The Baudelaires ran down E as in Exit, but when they reached the last cabinet, the row was becoming F as in Falling File Cabinets, G as in Go the Other Way! and H as in How in the World Are We Going to Escape?
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
There are two kinds of people,’ she’d said. ‘Those who coast through life like ducks in a row, following one after the other, and those who ride the waves.’” Tears spilled down my cheeks, and my voice cracked. “‘Ride the waves, baby, and live. Live.
Gena Showalter (Oh My Goth)
This is the real way a friendship ends. Not with some huge screaming row, but with a gradual withdrawal. You’d think it would be less painful this way.
Cat Clarke (Torn)
Like a wild flower; she spent her days, allowing herself to grow, not many knew of her struggle, but eventually all; knew of her light.
Nikki Rowe
I lost a world the other day. Has anybody found? You'll know it by the rows of stars around it's forehead bound. A rich man might not notice it; yet to my frugal eye of more esteem than ducats. Oh! Find it, sir, for me!
Emily Dickinson (Final Harvest: Emily Dickinson's Poems)
Walking along the crowded row He met the one he used to know.
Fyodor Dostoevsky (Crime and Punishment)
Sorry. i just can't seem to help myself. My brain is freaking out. Two predawn mornings in a row. It doesn't know what to think, how to act. I'll have a talk with it later. Perhaps get it some counseling.
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
Well,----me,” he said. “A----ing wizard. I hate----ing wizards!” “You shouldn’t----them, then,” muttered one of his henchmen, effortlessly pronouncing a row of dashes.
Terry Pratchett (Mort (Discworld, #4))
The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth. There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.
John Steinbeck (The Grapes of Wrath)
She is like a butterfly, Beautiful to look at But hard to catch.
Nikki Rowe
I made practice runs down to skid row to get ready for my future.
Charles Bukowski (Ham on Rye)
Our souls speak a language that is beyond human understanding. A connection so rare the universe won't let us part.
Nikki Rowe
Call on God, but row away from the rocks.
Hunter S. Thompson
Tell me about the farm," she pleaded as drops of blood began to appear on her hand. "The farm?" "The farm that Finnikin the peasant would have lived on with his bride." "Evanjalin. That was her name. Did I mention that?" She laughed through a sob. "No, you didn't." "They would plant rows upon rows of wheat and barley, and each night they would sit under the stars to admire what they owned. Oh, and they would argue. She believes the money made would be better spent on a horse, and he believes they need a new barn. But then later they would forget all their anger and he would hold her fiercely and never let her go." "And he'd place marigolds in her hair?" she asked. He clasped her hands against his and watched her blood seep through the lines of his skin. "And he would love her until the day he died," he said.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Family," she announced. "They're the people in your life you don't get to pick. The ones that are given to you,as opposed to those you get to choose." "You're bound to them by blood," she continued, her voice flat. "Which, you know, gives you that much more in common. Diseases, genetics, hair, and eye color. It's like they're part of your blueprint. If something's wrong with you, you can usually trace it back to them." I nodded and kept writing. "But," she said, "even though you're stuck with them, at the same time, they're also stuck with you. So that's why they always get the front rows at christenings and funerals. Because they're the ones that are there, you know, from the beginning to the end. Like it or not.
Sarah Dessen (Lock and Key)
The needle rocked awkwardly and at the end of her beginning rows, Isabel held up her work to show Esperanza. "Mine is all crooked!" Esperanza smiled and reached over and gently pulled the yarn, unraveling the uneven stitches. Then she looked into Isabel's trusting eyes and said, "Do not ever be afraid to start over.
Pam Muñoz Ryan (Esperanza Rising)
Lake breathed out a happy sigh as she approached the row filled with guns. "Matilda was my first, but ladies, you know how to make a girl want to stray.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
I said, but I have to go, there are so many places calling my name.
Nikki Rowe
For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.
Stefan Zweig (The Post-Office Girl)
I can't explain why your name seems so familiar to me, or why it feels like I've heard your voice a thousand times before, but I can explain this ~ your the type of chaos Id bleed for.
Nikki Rowe
Let there be room left in your heart for the unimaginable ~ serendipity has a way of showing itself just when you feel like giving up.
Nikki Rowe
I love you, Clary," he said without looking at her. He was staring out into the church, at the row of lighted candles, their fold reflected in his eyes. "More than I ever--" He broke off. "God. More than I probably should. You know that, don't you?
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . .
Betty Smith
The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas. It is the night sea journey, the lone fisherman on a tropical sea with his nets, and you let these nets down - sometimes, something tears through them that leaves them in shreds and you just row for shore, and put your head under your bed and pray. At other times what slips through are the minutiae, the minnows of this ichthyological metaphor of idea chasing. But, sometimes, you can actually bring home something that is food, food for the human community that we can sustain ourselves on and go forward.
Terence McKenna
Wild Nights—Wild Nights! Were I with thee Wild Nights should be Our luxury! Futile—the winds— To a heart in port— Done with the compass— Done with the chart! Rowing in Eden— Ah, the sea! Might I but moor— Tonight— In thee!
Emily Dickinson (Selected Poems)
All the Blackwood women had taken the food that came from the ground and preserved it, and the deeply colored rows of jellies and pickles and bottled vegetables and fruit, maroon and amber and dark rich green, stood side by side in our cellar and would stand there forever, a poem by the Blackwood women.
Shirley Jackson (We Have Always Lived in the Castle)
I am an artist, my hair is rarely tamed & sometimes I sleep till noon, My house is messy and I speak to the moon. I care less about the materials that I share with my world and more about the passion inside myself. Im an artist, what more can you expect? i am full of soul, love and all the rest.
Nikki Rowe
Two people with mental issues in a relationship does not work. It's like sitting in a boat and neither one has an oar to row the other to shore. You can meet your mirror image in life, but that doesn't mean you should marry him.
Shannon L. Alder
Your Majesty, please get down. My friend Aris is really a very good man, and if you fall off that wall he's going to hang for it, and so will his squad, most of whom are also nice men, and though I can't say I really care if your attendants hang, there are probably many people that do care, and would you please, please get down?" The king looked at him, eyes narrowed. "I don't think I've ever heard you say that many words in a row. You sounded almost articulate.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
I’m beginning to recognise that real happiness isn’t something large and looming on the horizon ahead, but something small, numerous and already here. The smile of someone you love. A decent breakfast. The warm sunset. Your little everyday joys all lined up in a row.
Beau Taplin (Buried Light)
You told some human kid?” I coughed, buying time. “He's Neph, too.” Jonathan LaGrey went rigid and his ruddy cheeks paled. I squirmed as his eyes bored into mine. “Which one's his father?” he asked through clenched teeth. “Richard Rowe. I guess you'd know him as Pharzuph.” Oh, boy. He wasn't pale anymore. “You came across the country—” “Shhh!” I warned him as people looked over. He lowered his voice to a shouted whisper. “—with the son of the Duke of Lust?! Son of a—
Wendy Higgins (Sweet Evil (Sweet, #1))
The bookstore was a parking lot for used graveyards. Thousands of graveyards were parked in rows like cars. Most of the books were out of print, and no one wanted to read them any more and the people who had read the books had died or forgotten about them, but through the organic process of music the books had become virgins again.
Richard Brautigan (Trout Fishing in America)
Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his “Magic Kingdom.
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
Everything seemed possible, when I looked through they eyes of a child. And every once in a while; I remember, I still have the chance to be that wild.
Nikki Rowe
It was deeply a part of Lee's kindness and understanding that man's right to kill himself is inviolable, but sometimes a friend can make it unnecessary
John Steinbeck (Cannery Row (Cannery Row, #1))
Can you row?" the Sheep asked, handing her a pair of knitting-needles as she spoke. "Yes, a little--but not on land--and not with needles--" Alice was beginning to say.
Lewis Carroll (Alice's Adventures in Wonderland and Through the Looking Glass)
I believe it was Thursday; my last memory was Tuesday night, and I did not use to die more than two days in a row.
Sergio Cobo (A Story of Yesterday)
Men seem to be born with a debt they can never pay no matter how hard they try.
John Steinbeck (Sweet Thursday (Cannery Row, #2))
Be a woman of confidence, not cockiness. Know your boundaries, set no limits. Speak your kindness and turn your back to conformed groups. The only way to be a woman of change in this world, is to walk what you talk and set your own soul free first.
Nikki Rowe
I cannot kill him, she muttered to herself. I cannot kill him. I promised Bianka I'd stop at ten bodies a day, and I've already surpassed my quota for the fifth day in a row. I cannot kill him.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Optimists are those who go after Moby dick in a row boat with a bucket of tarter sauce.
Zig Ziglar
Keep your chin up. Eventually, you will meet someone who cares about your opinion. I'm so sorry I'm not her.
Ally Carter (All Fall Down (Embassy Row, #1))
There is something incredibly beautiful about a woman, who knows herself, she can't break, she just falls but in every fall she rises, past who she was before.
Nikki Rowe
For there are two possible reactions to social ostracism - either a man emerges determined to be better, purer, and kindlier or he goes bad, challenges the world and does even worse things. The last is by far the commonest reaction to stigma.
John Steinbeck (Cannery Row (Cannery Row, #1))
When you live with a woman you learn something every day. So far I have learned that long hair will clog up the shower drain befor you can say "Liquid-Plumr"; that it is not advisable to clip something out of the newspaper before your wife has read it, even if the newspaper in question is a week old; that I am the only person in our two-person household who can eat the same thing for dinner three nights in a row without pouting; and that headphones were invented to preserve spouses from each other's musical excesses.
Audrey Niffenegger (The Time Traveler's Wife)
Our hearts speak the same language but more importantly our souls share the same voice.
Nikki Rowe
Aelin Galathynius said quietly, “You never stop seeing their faces.” It was only when they were rowing for the shore, spindrift soaking them, that Manon realized the queen hadn't meant the Thirteen. And Manon wondered if Aelin, too, had watched that cloak floating out to sea and thought it looked like spilled blood.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
I used to say to my classes that the ways to get insight are: to study infants; to study animals; to study primitive people; to be psychoanalyzed; to have a religious conversion and get over it; to have a psychotic episode and get over it; or to have a love affair with an old Russian. And I stopped saying that when a little dancer in the front row put up her hand and said, 'Does he have to be old?
Margaret Mead
He stirred my soul in the most subtle way and the story between us wrote itself.
Nikki Rowe
Despair was a choice. Hatred was a choice. Anger was a choice. I still had choices, and that knowledge rocked me. I may not have had as many Lester had, but I still had some choices. I could choose to give up or to hang on. Hope was a choice. Faith was a choice. And more than anything else, love was a choice. Compassion was a choice.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
Cecily, what are you doing?" Will demanded, interrupting Gideon; he knew he sounded like a distracted parent, but he didn't care. Cecily has slid her blade into her belt and appeared to be trying to climb one of the small yew trees inside the first row of hedges. "Now is not the time for climbing trees!
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Thankfully I had to stand solitary for only one long moment before Jay came back feeling over-the-moon happy. I let his emotion drench me. “What were you and Kaidan Rowe talking ’bout?” Jay asked me. “Man, y’all looked like you were gonna rip each other’s clothes off!” I gasped and smacked his arm, but he didn’t flinch. “We did not.” My eyes darted over to Kaidan for a fraction of a second, and though he was too far away to have heard, the wink he sent me brought another flush to my skin.
Wendy Higgins (Sweet Evil (Sweet, #1))
Though I knew I shouldn’t have cared, the words still hurt like pinches, and pinches can be very painful when done in the same place many times in a row.
Nnedi Okorafor (Zahrah the Windseeker)
Oh darling, your only too wild, to those whom are to tame, don't let opinions change you.
Nikki Rowe
I should learn to run, to wrestle, to swim, to ride horses, to row, to drive a car, to fire a rifle. I should fill my soul with flesh. I should fill my flesh with soul. In fact, I should reconcile at last within me the two internal antagonists.
Nikos Kazantzakis (Zorba the Greek)
The problem is normal was'nt in my DNA. I was destined to be forever freakish.
Julie Hockley (Crow's Row (Crow's Row, #1))
I can't help but feel, across oceans and vast fields we will connect again. What we share is too rare to let go of for good but sometimes we have to accept, the timing isn't right.
Nikki Rowe
Self discovery is the most empowering time of your life, you remember who you are and you become the best version of yourself but what they forget to tell you is, to get to a point of pleasure you must face the pain.
Nikki Rowe
In an era where women undress their outfits & give their bodies so carelessly, become the rare wild woman that undresses her mind and soul & knows the worth of what she has to offer.
Nikki Rowe
Learn to like what doesn't cost much. Learn to like reading, conversation, music. Learn to like plain food, plain service, plain cooking. Learn to like fields, trees, brooks, hiking, rowing, climbing hills. Learn to like people, even though some of them may be different...different from you. Learn to like to work and enjoy the satisfaction doing your job as well as it can be done. Learn to like the song of birds, the companionship of dogs. Learn to like gardening, puttering around the house, and fixing things. Learn to like the sunrise and sunset, the beating of rain on the roof and windows, and the gentle fall of snow on a winter day. Learn to keep your wants simple and refuse to be controlled by the likes and dislikes of others.
Lowell C. Bennion
You're growing and that scares people, it frightens the shit out of them because they know if they don't step up within themselves you'll move forward with out them. When this happens, don't you dare settle to suit the mould - have courage to live without one.
Nikki Rowe
So many went on a quest to tame her, The only man to win her heart was the one Who was also free.
Nikki Rowe
Men all do about the same thing when they wake up.
John Steinbeck (Cannery Row (Cannery Row, #1))
Learning is like rowing upstream; not to advance is to drop back.” - Chinese proverb
Alvin Toffler
You know, no matter how cool some guys think they are, when it comes to some girls, it's like they lose their mind. They start saying and doing really stupid stuff
Julie Hockley (Crow's Row (Crow's Row, #1))
Death row is a nightmare to serial killers and ax murderers. For an innocent man, it's a life of mental torture that the human spirit is not equipped to survive.
John Grisham (The Confession)
Pray to God, but row towards shore.
Lee Ezell
The more I get to know him, the more I can feel my heart opening without my control. I always wanted a man to look at me as if I were a miracle, but I didn't realise I would oneday see a man just as grande
Nikki Rowe
The further I wake into this life, the more I realize that God is everywhere and the extraordinary is waiting quietly beneath the skin of all that is ordinary. Light is in both the broken bottle and the diamond, and music is in both the flowing violin and the water dripping from the drainage pipe. Yes, God is under the porch as well as on top of the mountain, and joy is in both the front row and the bleachers, if we are willing to be where we are.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
She was a gypsy, as soon as you unravelled the many layers to her wild spirit she was on her next quest to discover her magic. She was relentless like that, the woman didn't need no body but an open road, a pen and a couple of sunsets.
Nikki Rowe
I could have loved him with everything I had but he wasn't prepared for the depth i provided ~ had I been a woman of weakness I would have stayed, but he lost the chance when he said I wasn't enough that day.
Nikki Rowe
Yes, peasants,” he repeated slowly. “The lowliest of the low among humans.” Then he enunciated, “Exceedingly backward and vulgar hillbillies.” “Been called worse, mister.” At his raised brows, she exhaled impatiently. “Bootlegger, moonshiner, Elly May Clampett, mountain mama, redneck, backwoods Bessie, hick, trailer trash, yokel, and, more recently, death-row con.” “No references to mining? I’m disappointed.
Kresley Cole (Lothaire (Immortals After Dark, #11))
When I was 17, I read a quote that went something like: 'If you live each day as if it was your last, someday you'll most certainly be right.' It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something.
Steve Jobs
Healing your wounds will hurt, so cry. Cry your pretty little heart out until you have nothing left to shed, that's how beauty is grown; through the darkest of our days we become the light.
Nikki Rowe
And I put my hand on her arm to stop her rowing. Aaron’s Noise roars up in red and black. The current takes us on. “I’m sorry!” I cry as the river takes us away, my words ragged things torn from me, my chest pulled so tight I can’t barely breathe. “I’m sorry, Manchee!” “Todd?” he barks, confused and scared and watching me leave him behind. “Todd?” “Manchee!” I scream. Aaron brings his free hand towards my dog. “MANCHEE!” “Todd?” And Aaron wrenches his arms and there’s a CRACK and a scream and a cut-off yelp that tears my heart in two forever and forever. And the pain is too much it’s too much it’s too much and my hands are on my head and I’m rearing back and my mouth is open in a never-ending wordless wail of all the blackness that’s inside of me.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
I am one in a row of specimens. It's when I try to flutter out of line that he hates me. I'm meant to be dead, pinned, always the same, always beautiful. He knows that part of my beauty is being alive. but it's the dead me he wants. He wants me living-but-dead.
John Fowles (The Collector)
The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me. I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil. From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
A man with a beard was always a little suspect anyway. You couldn't say you wore a beard because you liked a beard. People didn't like you for telling the truth. You had to say you had a scar so you couldn't shave.
John Steinbeck (Cannery Row (Cannery Row, #1))
I am not a day dreamer, I am a believer, that after every painful love I have gone through, it is just an experience to crack open the deepest parts of my core and allow to me to delve into a passion so rare, that I will find a love that was almost, never meant to be.
Nikki Rowe
Sometimes I feel I don't want to know anything more about [history] than I know already. [...] Because what's the use of learning that I am one of a long row only--finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember that your nature and you past doings have been kist like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'. [...] I shouldn't mind learning why--why the sun do shine on the just and the unjust alike, [...] but that's what books will not tell me.
Thomas Hardy (Tess of the D’Urbervilles)
I've got a few ideas," (Amy) admitted. "But I don't know where we're going in the long term. I mean - have you ever thought about what this ultimate treasure could be?" "Something cool." (Dan) "Oh, that's real helpful. I mean, what could make somebody the most powerful Cahill in history? And why thirty-nine clues?" Dan shrugged. "Thirty-nine is a sweet number. It's thirteen times three. It's also the sum of five prime numbers in a row - 3,5,7,11,13. And if you add the first three powers of three, 3 to the first, 3 to the second, and s to the third, you get thirty-nine." Amy stared at him. "How did you know that?" "What do you mean? It's obvious.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
I enjoy the wild things, Call me at 3 am and tell me you're waiting at my door. Give me sunsets in different cities and road trips on dirt tracks not sighted on maps. Whiskey for breakfast & cheap thrills for dinner. Give me happiness in a smile and nothing of certainty but the way we make eachother feel. There so much life in living while you're alive & id give absolutely anything to have it all with you.
Nikki Rowe
Not everyone wants this conventional little life you’re rowing your boat toward. I like my river of fire. And when it’s time for me to go I fully intend to roll off my one-person dinghy into the flames and be consumed. I'm not afraid.
Zadie Smith (NW)
I could understand the moon leaning across a bar on skid row and asking for a drink, but I couldn't understand anything about myself, I was murdered, I was shit, I was a tentful of dogs, I was poppies mowed down by machine-gun fire I was a hotshot wasp in a web I was less and less and still reaching for something, and I thought of her corny remark a night or so ago: You have wounded eyes.
Charles Bukowski (The People Look Like Flowers at Last)
I'm not someone who can be depended one five days a week. Monday Tuesday Wednesday Thursday Friday? I don't even get out of bed five days in a row-I often don't remember to eat five days in a row. Reporting to a workplace, where I should need to stay for eight hours-eight big hours outside my home- was unfeasible.
Gillian Flynn (Dark Places)
It all matters. How we live matters. Do we choose love or do we choose hate? Do we help or do we harm? Because there is no way to know the exact second your life changes forever. You can only begin to know that moment by looking in the rearview mirror. And trust me when I tell you when you never, ever see it coming.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
But anyway, I look around sometimes and I think - this will maybe sound weird - it's like the corporate world's full of ghosts. And actually, let me revise that, my parents are in academia so I've had front row seats for that horror show, I know academia's no different, so maybe a fairer way of putting this would be to say that adulthood's full of ghosts." "I'm sorry, I'm not sure I quite --" "I'm talking about these people who've ended up in one life instead of another and they are just so disappointed. Do you know what I mean? They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped. Dan's like that." "You don't think he likes his job, then." "Correct," she said, "but I don't think he even realises it. You probably encounter people like him all the time. High-functioning sleepwalkers, essentially.
Emily St. John Mandel (Station Eleven)
How do you know when you're There, I had once wondered. Maybe you're lucky enough to notice the moment it's happening to you. Maybe you're able to block out all the other stuff that is, in the end, just background noise. But, most often, you don't know that you were There until you lose it, or until it gets taken away from you. When you look back, you clearly see that time, that place, when all the pieces of you had finally fit together to make you blissfully happy, make you your whole self. Like one of those jumbo puzzles that take up your entire kitchen table for weeks, the tiny pieces are just cardboard shapes with colors splashed on them, and they don't make any sense until you find their rightful place among the other pieces. When you put the last piece into place and the pieces now form a complete picture, that's when you're There. But while you were busy thinking about gluing the puzzle together, so that the pieces would never be apart again, someone comes from behind you, destroys the last piece and throws the rest of the pieces away. Even if you could muster up enough courage to put the pieces back together, the picture would never be complete again, because of the last missing piece...which, as it turned out, was smack in the middle, or in the heart, of the picture.
Julie Hockley (Crow's Row (Crow's Row, #1))
It hurts to let go, to say goodbye for the final time and remain distant in your closure, it may even tear your heart out to the point of insanity; but somehow in it all you find the pieces of your worth and you start creating yourself again, and in that journey of transformation you find the essence of what truly matters, inner happiness. It's life, we all fall at some stage but it's up to you, to decide how long you want to stay there.
Nikki Rowe
Everyone's born as clean as a whistle— As fresh as a daisy And not a bit crazy. Staying that way's a hard row for hoeing— As rough as a briar, Like walking through fire. This world, it's dark, And this world, it's scary. I've taken some hits, so No wonder I'm wary. It's why I Need you— You're pure as the driven snow.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
This is the material, by the way, that has kept me virtually anonymous in America for the past 15 years. Gee, I wonder why we're hated the world over? Look at these fat Americans in the front row - 'Why doesn't he just hit fruit with a hammer?' Folks, I could have done that, walked around being a millionaire and franchising myself but no, I had to have this weird thing about trying to illuminate the collective unconscious and help humanity. Fucking moron.
Bill Hicks
I didn't give up, I walked away I had enough of accepting actions that were less than I deserved. So... I made a concious choice To honour myself, Before complementing another & If that's what; has made you undeniably mad, Than I know, the history of our connection is hidden in the truth of your heart and regardless of your outcome, I have made the right choice for me.
Nikki Rowe
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holymen" and he would have meant the same thing.
John Steinbeck (Cannery Row (Cannery Row, #1))
What made her most beautiful, was the way she quietly touched those around her unknowingly changing the lives of the many, she smiled at. She didn't want praise; approval or admiration, she just wanted all of whom she loved to be the most authentic side of themselves & openly living to the means of their hearts & truth.
Nikki Rowe (Once a Girl, Now a Woman)
The only cure to all this madness; is too dream, far and wide, if possibility doesn't knock, create a damn door. If the shoe doesn't fit, don't make it. If the journey your travelling seems to far fetched and wild beyond your imagination; continue on it, great things come to the risk takers. And last but not least, live today; here, right now, you'll thank your future self for it later.
Nikki Rowe
We grow up with such an idealistic view on how our life should be; love, friendships, a career or even the place we will live ~ only to age and realise none of it is what you expected & reality is a little disheartening, when you've reached that realisation; you have learnt the gift of all, any new beginning can start now and if you want anything bad enough you'll find the courage to pursue it with all you have. The past doesn't have to be the future, stop making it so.
Nikki Rowe
Thatched huts of mud sit humped in rows. Between the rows, a stagnant stream of sewage stews like thick soup bubbling in the clotted heat. Mosquitoes swarm. Garbage rots. Parvati gathers her sari about her and steps as lightly as she can down this gutter of filth. The boy stops outside one of the huts. Parvati and Sunil push aside the sacking that is over the doorway, stoop and step down onto a mud floor. Inside, there is no window, no light and no air. Only heat. Parvati puts her hand to her long elegant throat. Above her, one end of the roof is sagging as if about to collapse. ‘Bustee, very good,’ says the boy smiling.
Michael Tobert (Karna's Wheel)
And there, row upon row, with the soft gleam of flowers opened at morning, with the light of this June sun glowing through a faint skin of dust, would stand the dandelion wine. Peer through it at the wintry day - the snow melted to grass, the trees were reinhabitated with bird, leaf, and blossoms like a continent of butterflies breathing on the wind. And peering through, color sky from iron to blue. Hold summer in your hand, pour summer in a glass, a tiny glass of course, the smallest tingling sip for children; change the season in your veins by raising glass to lip and tilting summer in
Ray Bradbury (Dandelion Wine)
Across from me at the next row of supports Jim raised his hand and touched his fingers to his thumb a few times, imitating an opening and closing beak. Negotiate. He wanted me to engage a lunatic who had already turned four people into smoking meat. Okay. I could do that. “Alright, Jeremy!” I yelled into the night. “Give me the salamander and I won’t cut your head off!” Jim put his hand over his face and did some shaking. I thought he was laughing, but I couldn’t be sure.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Ok," he says. "First lesson." Noah broadens his stance, taking his place firmly on the embassy side of the threshold. "in the United States," he says. Then, with both feet, he leaps on to the sidewalk. "Out of the United States." Quickly, he jumps back toward me. "In the United States." Another jump across the threshold. "Out of the United States. In. Out. In --" "Is this the part where I hit you?
Ally Carter (All Fall Down (Embassy Row, #1))
In Flanders fields the poppies blow Between the crosses, row on row That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below We are the Dead. Short days ago We lived, felt dawn saw sunset glow Loved and were loved, and now we lie In Flanders fields Take up our quarrel with the foe; To you, from falling hands we throw The torch; be yours to hold it high If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields.
John McCrae
I slashed a wide arc with Riptide and vaporized the entire front row of monsters. Back off!” I yelled at the rest, trying to sound fierce. Behind them stood their instructor—a six-foot-tall telekhine with Doberman fangs snarling at me. I did my best to stare him down. New lesson, class,” I announced. “Most monsters will vaporize when sliced with a celestial bronze sword. This change is perfectly normal, and will happen to you right now if you don’t BACK OFF!
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
I saw her, once. “She passed through our village, through fields littered with dead soldiers after her forces overwhelmed the nation of Dumor. Her other Elites followed and then rows of white-robed Inquisitors, wielding the white-and-silver banners of the White Wolf. Where they went, the sky dimmed and the ground cracked—the clouds gathered behind the army as if a creature alive, black and churning in fury. As if the goddess of Death herself had come. “She paused to look down at one of our dying soldiers. He trembled on the ground, but his eyes stayed on her. He spat something at her. She only stared back at him. I don’t know what he saw in her expression, but his muscles tightened, his legs pushing against the dirt as he tried in vain to get away from her. Then the man started to scream. It is a sound I shall never forget as long as I live. She nodded to her Rainmaker, and he descended from his horse to plunge a sword through the dying soldier. Her face did not change at all. She simply rode on. “I never saw her again. But even now, as an old man, I remember her as clearly as if she were standing before me. She was ice personified. There was once a time when darkness shrouded the world, and the darkness had a queen.” —A witness’s account of Queen Adelina’s siege on the nation of Dumor The Village of Pon-de-Terre 28 Marzien, 1402
Marie Lu (The Midnight Star (The Young Elites, #3))
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?' 'Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.' 'Sounds to me like a euphemism for "freaky cult." ' 'Freaky, you say?' 'Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!' Langdon scanned the class. 'Does that sound freaky to anyone else?' 'Yes!' they all chimed in. Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.' Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?' Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.' The class looked horrified. Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.' The classroom remained silent. Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
Look at them. There are your true philosophers. I think that Mack and the boys know everything that has ever happened in the world and possibly everything that will happen. I think they survive in this particular world better than other people. In a time when people tear themselves to pieces with ambition and nervousness and covetousness, they are relaxed. All of our so-called successful men are sick men, with bad stomachs, and bad souls, but Mack and the boys are healthy and curiously clean. They can do what they want. They can satisfy their appetites without calling them something else.
John Steinbeck (Cannery Row (Cannery Row, #1))
Love is not enough. It takes courage to grab my father's demon, my own, or - God help me - my child's and strap it down and stop its mad jig; to sit in a row of white rooms filled with pills and clubbed dreamers and shout: stop smiling, shut up; shut up and stop laughing; you're sitting in hell. Stop preaching; stop weeping. You are a manic-depressive, always. your life is larger than most, unimaginable. You're blessed; just admit it and take the damn pill.
David Lovelace (Scattershot: My Bipolar Family)
Years later he'd stood in the charred ruins of a library where blackened books lay in pools of water. Shelves tipped over. Some rage at the lies arranged in their thousands row on row. He picked up one of the books and thumbed through the heavy bloated pages. He'd not have thought the value of the smallest thing predicated on a world to come. It surprised him. That the space which these things occupied was itself an expectation.
Cormac McCarthy (The Road)
So, ninety-five percent of the time." She craned her head back to look up at time. "Ninety-five percent? What's the other five percent?" "Oh, you know, the usual--demons I might kill, runes I need to learn, people who've annoyed me recently, people who've annoyed me not so recently, ducks." "Ducks?" He waved her question away. "All right. Now watch this." He took her shoulders and turned her gently, so they were both facing the same way. A moment later--she wasn't sure how--the walls of the room seemed to melt away around them, and she found herself stepping out onto cobblestones. She gasped, turning to look behind her, and saw only a black wall, windows high up in an old stone building. Rows of similar house lined the canal they stood besides. If she craned her head to the left, she could see in the distance that the canal opened out into a much larger waterway, lined with grand buildings. Everywhere was the smell of water and stone. "Cool, huh?" Jace said proudly. She turned and looked at him. "Ducks?" She said again. A smile tugged the edge of his mouth. "I hate ducks. Don't know hy. I just always have.
Cassandra Clare
And what made these heart-to-hearts possible--you might even say what made the whole friendship possible during that time--was this understanding we had that anything we told each other during these moments would be treated with careful respect: that we'd honor confidences, and that no matter how much we rowed, we wouldn't use against each other anything we'd talked about during those sessions.
Kazuo Ishiguro (Never Let Me Go)
Variation on the Word Sleep I would like to watch you sleeping, which may not happen. I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head. and walk with you through that lucent wavering forest of bluegreen leaves with its watery sun & three moons towards the cave where you must descend, towards your worst fear I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief at the center of your dream, from the grief at the center. I would like to follow you up the long stairway again & become the boat that would row you back carefully, a flame in two cupped hands to where your body lies beside me, and you enter it as easily as breathing in I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed & that necessary.
Margaret Atwood (Selected Poems 2: 1976 - 1986)
She has a bookshelf for a heart, and ink runs through her veins, she’ll write you into her story with the typewriter in her brain. Her bookshelf’s getting crowded. With all the stories that’s she’s penned, of all the people who flicked through her pages but closed the book before it ended. And there’s one pushed to the very back, that sits collecting dust, with its title in her finest writing, ‘The One’s Who Lost My Trust’. There’s books shes scared to open, and books she doesn't close. Stories of every person she’s met stretched out in endless rows. Some people have only one sentence while others once held a main part, thousands of inky footprints that they've left across her heart. You might wonder why she does this, why write of people she once knew? But she hopes one day she’ll mean enough for someone to write about her too.
E.H. Visiak
Love is excruciating, especially when you can feel it slipping through your fingers and there is nothing you can do about it. Like someone was playing tug-of-war with my limbs, ripping to shreds whatever was left behind. What it would feel like when love was lost...I wouldn't survive that. I closed my eyes willing the tears to stay hidden behind my eyelids and focusing on breathing in and out instead of the pain that was ramming in my heart.
Julie Hockley (Crow's Row (Crow's Row, #1))
VIOLA Cuz she's here - She came - She came for me - And she calls my name - And I feel her strength coursing thru my Noise like a fire - And the Mayor staggers back like he's been punched in the face by a row of houses - "Ah, yes," he grunts, his hand to his head. "Your tower of strength has arrived." "Todd!" I hear her call again - And I take it and I use it - Cuz I can feel her there, riding to the end of the world to find me, to save me if I needed saving - Which I did -
Patrick Ness (Monsters of Men (Chaos Walking, #3))
Don’t you think it’s actually harder for you . . . to adapt, I mean? Because you’ve done all that stuff?’ ‘Are you asking me if I wish I'd never done it?’ ‘I’m just wondering if it would have been easier for you. If you’d led a smaller life. To live like this, I mean.’ ‘I will never, ever regret the things I've done. Because most days, if you’re stuck in one of these, all you have are the places n your memory that you can go to.’ He smiled. It was tight, as if it cost him. ‘So if you’re asking me would I rather be reminiscing about the view of the caste from the minimart, or that lovely row of shops down off the roundabout, then, no. My life was just fine, thanks.
Jojo Moyes (Me Before You (Me Before You, #1))
A dozen candles burned themselves to death on the shelf before me. Each of my breaths made them tremble. To them, I was a behemoth, to frighten and destroy. And yet, if I strayed too close, they could destroy me. My invisible breath, the pulses of life that flowed in and out, could end them freely, while my fingers could not do the same without being repaid in pain.’” “‘I understood in a moment of stillness,’” Litima read. “‘Those candle flames were like the lives of men. So fragile. So deadly. Left alone, they lit and warmed. Let run rampant, they would destroy the very things they were meant to illuminate. Embryonic bonfires, each bearing a seed of destruction so potent it could tumble cities and dash kings to their knees. In later years, my mind would return to that calm, silent evening, when I had stared at rows of living lights. And I would understand. To be given loyalty is to be infused like a gemstone, to be granted the frightful license to destroy not only one’s self, but all within one’s care.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
You wouldn't think the touch of someone's hand could blow your mind. It's nothing, right? People don't right songs and poems about holding hands - they write them about kisses and sex and eternal love. I mean, when you're a little kid you hold hands with your parents to cross the street. Who's going to write an ode to that? We were alone in the dark, even though the enormous theater was filled with probably a thousand people. We were a tiny island in a sea of other people who didn't matter, who had no meaning, who were so stupid, so oblivious, so stuck in their own boring lives that they didn't even notice the huge, momentous, life-shattering event that was taking place right there in row L, between seats 102 and 104. Derek Edwards was holding my hand.
Claire LaZebnik (Epic Fail)
There's no earthly way of knowing Which direction we are going There's no knowing where we're rowing Or which way the river's flowing Is it raining, is it snowing? Is a hurricane a-blowing? - uh! Not a speck of light is showing So the danger must be growing Are the fires of Hell a-glowing? Is the grisly reaper mowing? Yes! The danger must be growing For the rowers keep on rowing And they're certainly not showing Any signs that they are slowing! A-aa-aaa-aaaah!
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Lolita: Oh my Carmen, my little Carmen… Humbert: Charmin’ Carmen. Started garglin’ Lolita: I remember those sultry nights Humbert: Those pre-raphaelites Lolita: No, come on. And the stars and the cars and the bars and the barmen. Humbert: And the bars that sparkled and the cars that parkled…And the curs that barkled and the birds that larkled. Lolita: And oh my charmin, our dreadful fights Humbert: Such dreadful blights Lolita: And the something town where arm in…arm, we went, and our final row, and the gun I killed you with, o my Carmen…the gun I am holding now
Vladimir Nabokov (Lolita)
Magic existed in his eyes, his energy as he lived his daily life. I could fall into his soul and lay my worries to rest, but if by chance this happened; it wouldn't last the test. because there's much to learn, before we can meet, I want to collide with his heart; allow our souls to fleet. His arms will hold my fears, but he won't carry the load; as it is my lesson to love myself, and find my own sense of hope. When we cross our paths, our knowledge will last the test; as patience fills the air and our burdens are put to rest, I will honour my truth, and seek what I desire; ever lasting love and passion set on fire.
Nikki Rowe
Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.
Richard Powers (The Overstory)
That is when I understood the magical meaning of the circle. If you go away from a row, you can still come back into it. A row is an open formation. But a circle closes up, and if you go away from it, there is no way back. It is not by chance that the planets move in circles and that a rock coming loose from one of them goes inexorably away, carried off by centrifugal force. Like a meteorite broken off from a planet, I left the circle and have not stopped falling. Some people are granted their death as they are whirling around, and others are smashed at the end of their fall. And these others (I am one of them) always retain a kind of faint yearning for that lost ring dance, because we are all inhabitants of a universe where everything turns in circles.
Milan Kundera (The Book of Laughter and Forgetting)
Yes, yes, I know what you’re thinking! ‘It’s all right for him, he’s an internationally famous wizard already!’ But when I was twelve, I was just as much of a nobody as you are now. In fact, I’d say I was even more of a nobody! I mean, a few people have heard of you, haven’t they? All that business with He-Who-Must-Not-Be-Named!” He glanced at the lightning scar on Harry’s forehead. “I know, I know — it’s not quite as good as winning Witch Weekly’s Most-Charming-Smile Award five times in a row, as I have — but it’s a start, Harry, it’s a start.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
And everywhere people asked him why he was walking through the country. Because he loved true things, he tried to explain. He said he was nervous and besides he wanted to see the country, smell the ground and look at grass and birds and trees, to savor the country, and there was no other way to do it save on foot. And people didn't like him for telling the truth. They scowled, or shook and tapped their heads, they laughed as though they knew it was a lie and they appreciated a liar. And some, afraid for their daughters or pigs, told him to move on, to get going, just not to stop near their place if he knew what was good for him. And so he stopped telling the truth. He said he was doing it on a bet - that he stood to win a hundred dollars. Everyone liked him then and believed him.
John Steinbeck (Cannery Row (Cannery Row, #1))
In the end, it seems to me that forgiveness may be the only realistic antidote we are offered in love, to combat the inescapable disappointments of intimacy." “Women’s sense of integrity seems to be entwined with an ethic of care, so that to see themselves as women as to see themselves in a relationship of connection…I believe that many modern women, my mother included, carry within them a whole secret New England cemetery, wherein that have quietly buried in many neat rows– the personal dreams they have given up for their families…(Women) have a sort of talent for changing form, enabling them to dissolve and then flow around the needs of their partners, or the needs of their children, or the needs of mere quotidian reality. They adjust, adapt, glide, accept.” “The cold ugly fact is that marriage does not benefit women as much as it benefits men. From studies, married men perform dazzingly better in life, live longer, accumulate more, excel at careers, report to be happier, less likely to die from a violent death, suffer less from alcoholism, drug abuse, and depression than single man…The reverse is not true. In fact, every fact is reverse, single women fare much better than married women. On average, married women take a 7% pay cut. All of this adds up to what Sociologists called the “Marriage Benefit Imbalance”…It is important to pause here and inspect why so women long for it (marriage) so deeply.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town.
T. Coraghessan Boyle
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
You, Doctor Martin, walk from breakfast to madness. Late August, I speed through the antiseptic tunnel where the moving dead still talk of pushing their bones against the thrust of cure. And I am queen of this summer hotel or the laughing bee on a stalk of death. We stand in broken lines and wait while they unlock the doors and count us at the frozen gates of dinner. The shibboleth is spoken and we move to gravy in our smock of smiles. We chew in rows, our plates scratch and whine like chalk in school. There are no knives for cutting your throat. I make moccasins all morning. At first my hands kept empty, unraveled for the lives they used to work. Now I learn to take them back, each angry finger that demands I mend what another will break tomorrow. Of course, I love you; you lean above the plastic sky, god of our block, prince of all the foxes. The breaking crowns are new that Jack wore. Your third eye moves among us and lights the separate boxes where we sleep or cry. What large children we are here. All over I grow most tall in the best ward. Your business is people, you call at the madhouse, an oracular eye in our nest. Out in the hall the intercom pages you. You twist in the pull of the foxy children who fall like floods of life in frost. And we are magic talking to itself, noisy and alone. I am queen of all my sins forgotten. Am I still lost? Once I was beautiful. Now I am myself, counting this row and that row of moccasins waiting on the silent shelf.
Anne Sexton (To Bedlam and Part Way Back)
I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.
Colleen Hoover
I’ve found that it’s of some help to think of one’s moods and feelings about the world as being similar to weather. Here are some obvious things about the weather: It's real. You can't change it by wishing it away. If it's dark and rainy, it really is dark and rainy, and you can't alter it. It might be dark and rainy for two weeks in a row. BUT it will be sunny one day. It isn't under one's control when the sun comes out, but come out it will. One day. It really is the same with one's moods, I think. The wrong approach is to believe that they are illusions. Depression, anxiety, listlessness - these are all are real as the weather - AND EQUALLY NOT UNDER ONE'S CONTROL. Not one's fault. BUT They will pass: really they will. In the same way that one really has to accept the weather, one has to accept how one feels about life sometimes, "Today is a really crap day," is a perfectly realistic approach. It's all about finding a kind of mental umbrella. "Hey-ho, it's raining inside; it isn't my fault and there's nothing I can do about it, but sit it out. But the sun may well come out tomorrow, and when it does I shall take full advantage.
Stephen Fry
When a man rides a long time through wild regions he feels the desire for a city. Finally he comes to Isidora, a city where the buildings have spiral staircases encrusted with spiral seashells, where perfect telescopes and violins are made, where the foreigner hesitating between two women always encounters a third, where cockfights degenerate into bloody brawls among the bettors. He was thinking of all these things when he desired a city. Isidora, therefore, is the city of his dreams: with one difference. The dreamed-of city contained him as a young man; he arrives at Isidora in his old age. In the square there is the wall where the old men sit and watch the young go by; he is seated in a row with them. Desires are already memories.
Italo Calvino (Invisible Cities)
West Wind #2 You are young. So you know everything. You leap into the boat and begin rowing. But listen to me. Without fanfare, without embarrassment, without any doubt, I talk directly to your soul. Listen to me. Lift the oars from the water, let your arms rest, and your heart, and heart’s little intelligence, and listen to me. There is life without love. It is not worth a bent penny, or a scuffed shoe. It is not worth the body of a dead dog nine days unburied. When you hear, a mile away and still out of sight, the churn of the water as it begins to swirl and roil, fretting around the sharp rocks – when you hear that unmistakable pounding – when you feel the mist on your mouth and sense ahead the embattlement, the long falls plunging and steaming – then row, row for your life toward it.
Mary Oliver (West Wind)
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie. All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
Virginia Woolf (A Room of One’s Own)
Rosa Parks turned to me sweetly and asked, 'Now, Bryan, tell me who you are and what you're doing.' I looked at Ms. Carr to see if I had permission to speak, and she smiled and nodded at me. I then gave Ms. Parks my rap. 'Yes, ma'am. Well, I have a law project called the Equal Justice Initiative, and we're trying to help people on death row. We're trying to stop the death penalty, actually. We're trying to do something about prison conditions and excessive punishment. We want to free people who've been wrongly convicted. We want to end unfair sentences in criminal cases and stop racial bias in criminal justice...Ms. Parks leaned back smiling. 'Ooooh, honey, all that's going to make you tired, tired, tired.' We all laughed. I looked down, a little embarrassed. Then Ms. Carr leaned forward and put her finger in my face and talked o me just like my grandmother used to talk to me. She said, 'That's why you've got to be brave, brave, brave.' All three women nodded in silent agreement and for just a little while, they made me feel like a young prince.
Bryan Stevenson (Just Mercy)
Have you ever played chess, Kitty?” I eyed her. What did a board game have to do with this? “Not really.” “You and I should play sometime. I think you would like it,” she said. “It’s a game of strategy, mostly. The strong pieces are in the back row, while the weak pieces—the pawns—are all in the front, ready to take the brunt of the attack. Because of their limited movement and vulnerability, most people underestimate them and only use them to protect the more powerful pieces. But when I play, I protect my pawns.” “Why?” I said, not entirely sure where this conversation was going. “If they’re weak, then what’s the point?” “They may be weak when the game begins, but their potential is remarkable. Most of the time, they’ll be taken by the other side and held captive until the end of the game. But if you’re careful—if you keep your eyes open and pay attention to what your opponent is doing, if you protect your pawns and they reach the other side of the board, do you know what happens then?” I shook my head, and she smiled. “Your pawn becomes a queen.” She touched my cheek, her fingers cold as ice. “Because they kept moving forward and triumphed against impossible odds, they become the most powerful piece in the game. Never forget that, all right? Never forget the potential one solitary pawn has to change the entire game.
Aimee Carter (Pawn (The Blackcoat Rebellion, #1))
While I was backstage before presenting the Best New Artist award, I talked to George Strait for a while. He's so incredibly cool. So down-to-earth and funny. I think it should be known that George Strait has an awesome, dry, subtle sense of humor. Then I went back out into the crowd and watched the rest of the show. Keith Urban's new song KILLS ME, it's so good. And when Brad Paisley ran down into the front row and kissed Kimberley's stomach (she's pregnant) before accepting his award, Kellie, my mom, and I all started crying. That's probably the sweetest thing I've ever seen. I thought Kellie NAILED her performance of the song we wrote together "The Best Days of Your Life". I was so proud of her. I thought Darius Rucker's performance RULED, and his vocals were incredible. I'm a huge fan. I love it when I find out that the people who make the music I love are wonderful people. I love Faith Hill and how she always makes everyone in the room feel special. I love Keith Urban, and how he told me he knows every word to "Love Story" (That made my night). I love Nicole Kidman, and her sweet, warm personality. I love how Kenny Chesney always has something hilarious or thoughtful to say. But the real moment that brought on this wave of gratitude was when Shania Twain HERSELF walked up and introduced herself to me. Shania Twain, as in.. The reason I wanted to do this in the first place. Shania Twain, as in.. the most impressive and independent and confident and successful female artist to ever hit country music. She walked up to me and said she wanted to meet me and tell me I was doing a great job. She was so beautiful, guys. She really IS that beautiful. All the while, I was completely star struck. After she walked away, I realized I didn't have my camera. Then I cried. You know, last night made me feel really great about being a country music fan in general. Country music is the place to find reality in music, and reality in the stars who make that music. There's kindness and goodness and....honesty in the people I look up to, and knowing that makes me smile. I'm proud to sing country music, and that has never wavered. The reason for the being.. nights like last night.
Taylor Swift
It might seem to you that living in the woods on a riverbank would remove you from the modern world. But not if the river is navigable, as ours is. On pretty weekends in the summer, this riverbank is the very verge of the modern world. It is a seat in the front row, you might say. On those weekends, the river is disquieted from morning to night by people resting from their work. This resting involves traveling at great speed, first on the road and then on the river. The people are in an emergency to relax. They long for the peace and quiet of the great outdoors. Their eyes are hungry for the scenes of nature. They go very fast in their boats. They stir the river like a spoon in a cup of coffee. They play their radios loud enough to hear above the noise of their motors. They look neither left nor right. They don't slow down for - or maybe even see - an old man in a rowboat raising his lines... I watch and I wonder and I think. I think of the old slavery, and of the way The Economy has now improved upon it. The new slavery has improved upon the old by giving the new slaves the illusion that they are free. The Economy does not take people's freedom by force, which would be against its principles, for it is very humane. It buys their freedom, pays for it, and then persuades its money back again with shoddy goods and the promise of freedom.
Wendell Berry (Jayber Crow)
[L]et us not overlook the further great fact, that not only does science underlie sculpture, painting, music, poetry, but that science is itself poetic. The current opinion that science and poetry are opposed is a delusion. ... On the contrary science opens up realms of poetry where to the unscientific all is a blank. Those engaged in scientific researches constantly show us that they realize not less vividly, but more vividly, than others, the poetry of their subjects. Whoever will dip into Hugh Miller's works on geology, or read Mr. Lewes's “Seaside Studies,” will perceive that science excites poetry rather than extinguishes it. And whoever will contemplate the life of Goethe will see that the poet and the man of science can co-exist in equal activity. Is it not, indeed, an absurd and almost a sacrilegious belief that the more a man studies Nature the less he reveres it? Think you that a drop of water, which to the vulgar eye is but a drop of water, loses anything in the eye of the physicist who knows that its elements are held together by a force which, if suddenly liberated, would produce a flash of lightning? Think you that what is carelessly looked upon by the uninitiated as a mere snow-flake, does not suggest higher associations to one who has seen through a microscope the wondrously varied and elegant forms of snow-crystals? Think you that the rounded rock marked with parallel scratches calls up as much poetry in an ignorant mind as in the mind of a geologist, who knows that over this rock a glacier slid a million years ago? The truth is, that those who have never entered upon scientific pursuits know not a tithe of the poetry by which they are surrounded. Whoever has not in youth collected plants and insects, knows not half the halo of interest which lanes and hedge-rows can assume. Whoever has not sought for fossils, has little idea of the poetical associations that surround the places where imbedded treasures were found. Whoever at the seaside has not had a microscope and aquarium, has yet to learn what the highest pleasures of the seaside are. Sad, indeed, is it to see how men occupy themselves with trivialities, and are indifferent to the grandest phenomena—care not to understand the architecture of the universe, but are deeply interested in some contemptible controversy about the intrigues of Mary Queen of Scots!—are learnedly critical over a Greek ode, and pass by without a glance that grand epic... upon the strata of the Earth!
Herbert Spencer
Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways. From the time she was in her teens, Sera has been fascinated by this paradox - how a body that we occupy, that we have worn like a coat from the moment of our birth - from before birth, even - is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn't recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties. But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope - that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell?
Thrity Umrigar (The Space Between Us)
Dear friend…' The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts. 'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it. I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list? Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend. Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure. Your friend Yennefer' The letter smelled of lilac and gooseberries. Geralt cursed.
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))