“
He stepped back and threw his arms out.
"I'm always crazy around you Rose. Here, I'm going to write an impromptu poem for you."
He tipped his head back and shouted to the sky:
"Rose is in red
But never in blue
Sharp as a thorn
Fights like one too.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
I don't know. I don't actually remember anything from before the surgery."
His eyebrows rose, his blue eyes sucking in all the light of the room. "The cybernetic opetation?"
"No, the sex change."
The doctor's smile faltered.
"I'm joking.
”
”
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
“
You are being self-pitying."
"I'm nearly done. You don't have much more of this to bear."
"I like you better this way."
"Crushed and broken," Gansey said. "Just the way women like 'em.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Don't tell me," Jace said, "Simon's turned himself into an ocelot and you want me to do something about it before Isabelle makes him into a stole. Well, you'll have have to wait till tomorrow. I'm out of commission." He pointed at himself - he was wearing blue pajamas with a hole in the sleeve. "Look. Jammies."
"Jace," Clary said, "this is important."
"Don't tell me," he said. "You've got a drawing emergency. You need a nude model. Well, I'm not in the mood. You could always ask Hodge," he said as an afterthought. "I hear he'll do anything for a -"
"JACE!" she interrupted him, her voice rising to a scream. "JUST SHUT UP FOR A SECOND AND LISTEN, WILL YOU?
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I know when I'm awake and when I'm asleep," Ronan Lynch said.
Adam Parrish, curled over himself in a pair of battered, greasy coveralls, asked, "Do you?"
"Maybe I dreamt you," he said.
"Thanks for the straight teeth, then," Adam replied.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
I am the First Son of the United States, and I'm bisexual. History will remember us.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
I guess I make things that need energy stronger. I'm like a walking battery."
"You're the table everyone wants at Starbucks," Gansey mused as he began to walk again.
Blue blinked. "What?"
Over his shoulder, Gansey said, "Next to the wall plug.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I cannot go to school today"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry.
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox.
And there's one more - that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue,
It might be the instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke.
My hip hurts when I move my chin,
My belly button's caving in.
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My toes are cold, my toes are numb,
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There's a hole inside my ear.
I have a hangnail, and my heart is ...
What? What's that? What's that you say?
You say today is .............. Saturday?
G'bye, I'm going out to play!
”
”
Shel Silverstein
“
Don't tell the others," Gansey said.
"I'm dead," Noah replied, "not stupid.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
He left bloody fingerprints on the rock, but there was something satisfying about that.
I was here. I exist. I’m alive, because I bleed.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
You're like a little girl demanding answers to questions during a covert operation. Why is the sky blue, daddy? Can I ask that man with the machine gun where the bathroom is? If you don't stay quiet, I'm going to have to dump you.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
This time Magnus answered it, his voice booming through the tiny entryway. "WHO DARES DISTURB MY REST?"
Jace looked almost nervous. "Jace Wayland. Remember? I'm from the Clave."
"Oh, yes." Magnus seemed to have perked up. "Are you the one with the blue eyes?"
"He means Alec," Clary said helpfully.
"No. My eyes are usually described as golden," Jace told the intercom. "And luminous."
"Oh, you're that one." Magnus sounded disappointed. If Clary hadn't been so upset, she would have laughed. "I suppose you'd better come up.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Where's Simon?" Clary interrupted.
Isabelle wobbled. "He's a rat," she said darkly.
Did he do something to you?" Alec was full of brotherly concern. "Did he touch you? If he tried anything-"
No, Alec," Isabelle said irritably. "Not like that. He's a rat."
She's drunk," said Jace, beginning to turn away in disgust.
I'm not," Isabelle said indignantly. "Well, maybe a little, but that's not the point. The point is, Simon drank one of those blue drinks- I told him not to, but he didn't listen- and he turned into a rat.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I let myself slip away... Just to stay sane. Just to get through it. And when I felt myself slipping too far, I held on to the one thing I'm always sure of - Blue eyes. Bronze curls. The fact that Simon Snow is the most powerful magician alive. That nothing can hurt him, not even me. That Simon Snow is alive. And I'm hopelessly in love with him.
”
”
Rainbow Rowell (Carry On (Simon Snow, #1))
“
When I'm born I'm black, when I grow up I'm black, when I'm in the sun I'm black, when I'm sick I'm black, when I die I'm black, and you... when you're born you're pink, when you grow up you're white, when you're cold you're blue, when you're sick you're blue, when you die you're green and you dare call me colored
”
”
Oglala Lakota
“
Oh my God, I thought you were getting into international relations or something.”
“I mean, technically—”
“If you finish that sentence, I’m gonna spend tonight in jail.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
I’m going in,” Gansey said as Ronan sat down on the step beside Adam. As Gansey shut the door behind him, he heard Adam say, “I don’t want to talk,” and Ronan reply, “The fuck would I talk about?
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Because you’re it, okay? I’m never gonna love anybody in the world like I love you.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Calla readjusted, wrapping the silk around her other thigh instead. "Which one's he again? The pretty one?"
Blue and Gansey exchanged a look. Blue's look said, I'm so, so sorry. Gansey's said, Am I the pretty one?
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
I don't need anything to get high. I'm high on life.
”
”
Melissa de la Cruz (Blue Bloods (Blue Bloods, #1))
“
It kills Dittleys and does terrible things to my friend."
"YOUR DEAD FRIEND."
"That's not his fault. Why didn't you say you could see him?"
"I DIDN'T SAY I COULD SEE YOU, EITHER."
"But I'm not dead."
"BUT YOU ARE PRETTY SHORT.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
I'm glad you misdialed."
"Well. Easy mistake to make," she said. Might do it again." A very, very long pause. She opened her mouth to fill it, then changed her mind and didn't. She was shivering again, even though she wasn't cold with the pillow on her legs.
"Shouldn't," Gansey said finally. "But I hope you do.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Felicity ignores us. She walks out to them, an apparition in white and blue velvet, her head held high as they stare in awe at her, the goddess. I don't know yet what power feels like. But this is surely what it looks like, and I think I'm beginning to understand why those ancient women had to hide in caves. Why our parents and suitors want us to behave properly and predictably. It's not that they want to protect us; it's that they fear us.
”
”
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
“
Don't ask me silly questions
I won't play silly games
I'm just a simple choo choo train
And I'll always be the same.
I only want to race along
Beneath the bright blue sky
And be a happy choo choo train
Until the day I die.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
Iz," Alec said tiredly. "It's not like it's one big bad thing. It's a lot of little invisible things. When Magnus and I were traveling, and I'd call from the road, Dad never asked how he was. When I get up to talk in Clave meetings, no one listens, and I don't know if that's because I'm young or if it's because of something else. I saw Mom talking to a friend about her grandchildren and the second I walked into the room they shut up. Irina Cartwright told me it was a pity no one would ever inherit my blue eyes now." He shrugged and looked toward Magnus, who took a hand off the wheel for a moment to place it on Alec's. "It's not like a stab wound you can protect me from. It's a million little paper cuts every day.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
It'll be OK. I'm ready. Blue, kiss me.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Cress?"
"It's beautiful out there."
A hesitation, before, "Could you be more specific?"
"The sky is gorgeous, intense blue color." She pressed her fingers to the glass and traced the wavy hills on the horizon.
"Oh, good. You've really narrowed it down for me."
"I'm sorry, it's just..." She tried to stamp down the rush of emotion. "I think we're in a desert."
"Cactuses and tumbleweeds?"
"No just a lot of sand. It's kind of orangish-gold, with hints of pink, and I can see tiny clouds of it floating above the ground, like...like smoke."
"Piles up in lots of hills?"
"Yes, exactly! And it's beautiful."
Thorne snorted. "If this is how you feel about a desert, I can't wait until you see your first real tree. Your mind will explode.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Perhaps, if you weren't so busy regarding my shortcomings, you'd find that I do possess redeeming qualities, discreet as they may be. I notice when the sky is blue. I smile down at children. I laugh at any innocent attempt at humor. I quietly carry the burdens of others as though they were my own. And I say 'I'm sorry' when you don't. I am not without fault, but I am not without goodness either.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
I hate this so much. I know. But we’re gonna do it together. And we’re gonna make it work. You and me and history, remember? We’re just gonna fucking fight. Because you’re it, okay? I’m never gonna love anybody in the world like I love you. So, I promise you, one day we’ll be able to just be, and fuck everyone else.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
”
”
Tina Fey (Bossypants)
“
Look, don’t get me wrong. I worship the ground this guy walks on. I’m excited to meet him tonight. I’m dying to meet him tonight. If he wanted to carry me off and make me his love slave, I’d do it, so long as I got advance copies of his books.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
I'm Keith," he said, "and you're . . . clearly mad, but what's your name?
”
”
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
“
She searches me with those odd, blue-green eyes and I feel guilty so suddenly, without understanding why. But there’s something about the way she looks at me that always makes me feel insignificant, as if she’s the only one who’s realized I’m entirely hollow inside. She’s found the cracks in this cast I’m forced to wear every day, and it petrifies me. That this girl would know exactly how to shatter me.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
Me," Artemis blurted. "I'm the nut."
Artemis could have sworn the squid winked at him before bringing the five-ton chunk of spacecraft swinging down toward the morsel of meat in its blue shell.
"I'm the nut!" Artemis shouted again, a little hysterically, it must be said.
”
”
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
“
Why not? It's true. My best hope is to not disgrace myself and..." He hesitates.
And what?" I say.
I don't know how to say it exactly. Only... I want to die as myself. Does that make any sense?" he asks. I shake my head. How could he die as anyone but himself? "I don't want them to change me in there. Turn me into some kind of monster that I'm not."
I bite my lip feeling inferior. While I've been ruminating on the availability of trees, Peeta has been struggling with how to maintain his identity. His purity of self. "Do you mean you won't kill anyone?" I ask.
No, when the time comes, I'm sure I'll kill just like everybody else. I can't go down without a fight. Only I keep wishing I could think of a way to... to show the Capitol they don't own me. That I'm more than just a piece in their Games," says Peeta.
But you're not," I say. "None of us are. That's how the Games work."
Okay, but within that frame work, there's still you, there's still me," he insists. "Don't you see?"
A little, Only... no offense, but who cares, Peeta?" I say.
I do. I mean what else am I allowed to care about at this point?" he asks angrily. He's locked those blue eyes on mine now, demanding an answer.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
No homework. I got suspended,” Blue replied.
“Get the fuck out,” Ronan said, but with admiration. “Sargent, you asshole.”
Blue reluctantly allowed him to bump fists with her as Gansey eyed her meaningfully in the rearview mirror.
Adam swivelled the other way in his seat – to the right, instead of to the left, so that he was peering around the far side of the headrest. It made him look as if he were hiding, but Blue knew it was just because it turned his hearing ear instead of his deaf ear towards them. “For what?”
“Emptying another student’s backpack over his car. I don’t really want to talk about it.”
“I do,” Ronan said.
“Well, I don’t. I’m not proud of it.”
Ronan patted her leg. “I’ll be proud for you.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
But what [Gansey] said was, "I'm going to need everyone to be straight with each other from now on. No more games. This isn't just for Blue, either. All of us."
Ronan said, "I'm always straight."
Adam replied, "Oh, man, that's the biggest lie you've ever told."
Blue said, "Okay.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Emma —“
“I’m calling.” Emma lunged for her phone.
“No!” Julian said, forcefully enough to stop her. “You know we can’t tell anyone. About Mark —“
“You’re not going to bleed to death in a car for Mark!”
“No,” he said, looking at her. His eyes were eerily green-blue, the only bright color in the dark interior of the car. “You’re going to fix me.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
All I can say is what you already know: some days are treasure. Not many, but I think in almost every life there are a few. That was one of mine, and when I'm blue -- when life comes down on me and everything looks tawdry and cheap, the way Joyland Avenue did on a rainy day -- I go back to it, if only to remind myself that life isn't always a butcher's game. Sometimes the prizes are real. Sometimes they are precious.
”
”
Stephen King (Joyland)
“
The way to beat Luke," he said. "If I'm right, it's the only way you'll stand a chance."
I took a deep breath. "Okay. I'm listening."
Nico glanced inside my room. His eyebrows furrowed.
"Is that...is that blue birthday cake?"
He sounded hungry, maybe a little wistful. I wondered if the poor kid had ever had a birthday party, or if he'd ever even been invited to one.
:Come inside for cake and ice cream," I said. "It sounds like we've got a lot to talk about.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
It's strange because in reality, I'm not the leading guy. Maybe I'm the best friend. I guess I didn't think of myself as interesting until I was interesting to Blue.
”
”
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
“
Hello, luv," he says through a thick curtain of blue hair. "Hope I'm...interrupting.
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
Dearest Annie,
Roses are red. Violets are blue. I’m using my hand But I’m thinking of you.
- Ronan
P.S. Just to clarify, I’m using my hand to write this note…get your mind out of the gutter.
”
”
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
“
I'll be busy for the next eight weeks, so let's set this for November 15th.
MENU
I want lamb or venison steak. Baked potatoes with honey butter. Corn on the cob. Rolls. And apple pie, like the one you made before. I really liked it. I want it with ice cream.
You owe me one naked dinner, but I'm not a complete beast, so you can wear a bra and panties if you so wish. The blue ones with the bow will do.
Curran,
Beast Lord of Atlanta
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
I play until my fingers are blue and stiff from the cold, and then I keep on playing. Until I'm lost in the music. Until I am the music--notes and chords, the melody and harmony. It hurts, but it's okay because when I'm the music, I'm not me. Not sad. Not afraid. Not desperate. Not guilty.
”
”
Jennifer Donnelly (Revolution)
“
You can't kick me down, I'm already on the ground. No, you can't, but you couldn't catch me anyhow.Blue skies, but the sun isn't comming out, no. Today, it is like I'm under a heavy cloud."
Avril Lavigne (Runaway)
”
”
Avril Lavigne
“
I’m staring into chocolate eyes. although my brain is clouded
and I’m dizzy, I know enough to register that chocolate is the
opposite of blue. I don’t want blue. Blue confuses me too much.
Chocolate is straight-forward, easier to deal with.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
I'm tired of being your best friend. I'm tired of being second best. I won't settle for that anymore. It's all or nothing, Schuyler. You have to decide. Him or me.
- Oliver Hazzard-Perry
”
”
Melissa de la Cruz (Revelations (Blue Bloods, #3))
“
..bright eyes and subtle variations of blue...
”
”
Owl City
“
Percy was eating a huge stack of blue pancakes (what was his deal with blue food?) while Annabeth chided him for pouring on too much syrup. “You’re drowning them!” she complained. “Hey, I’m a Poseidon kid,” he said. “I can’t drown. And neither can my pancakes.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
When I open my eyes, the morning light makes me wish I hadn’t. Raffe lies on his sofa, watching me with those dark blue eyes. I swallow, suddenly feeling awkward and unkempt. Great. The world has come to an end, my mother is out there with the street gangs, crazier than ever, my sister has been kidnapped by vengeful angels, and I'm concerned that my hair is greasy and my breath smells bad.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
Akmon pulled a ratchet wrench from the tool belt and spun it like a noisemaker. “Oh, very nice! I’m definitely keeping this! Thanks, Blue Bottom!”
Blue Bottom?
Leo glanced down. His pants had slipped around his ankles again, revealing his blue undershorts. “That’s it!” he shouted. “My stuff. Now. Or I’ll show you how funny a flaming dwarf is.”
His hands caught fire.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
I'm having a psychic moment. It involves you and me."
Distracted, Gansey glanced up from the computer screen. "Were you talking to me or Ronan?"
"Either. I'm flexible."
Blue made a small, terrible noise.
"I would appreciate if you'd turn your inner eye towards the water.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
So, imagine we’re all born with a set of feelings. Some are broader or deeper than others, but for everyone, there’s that ground floor, a bottom crust of the pie. That’s the maximum depth of feeling you’ve ever experienced. And then, the worst thing happens to you. The very worst thing that could have happened. The thing you had nightmares about as a child, and you thought, it’s all right because that thing will happen to me when I’m older and wiser, and I’ll have felt so many feelings by then that this one worst feeling, the worst possible feeling, won’t seem so terrible.
“But it happens to you when you’re young. It happens when your brain isn’t even fully done cooking—when you’ve barely experienced anything, really. The worst thing is one of the first big things that ever happens to you in your life. It happens to you, and it goes all the way down to the bottom of what you know how to feel, and it rips it open and carves out this chasm down below to make room. And because you were so young, and because it was one of the first big things to happen in your life, you’ll always carry it inside you. Every time something terrible happens to you from then on, it doesn’t just stop at the bottom —it goes all the way down.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
The centripetal force on our planet is still fearfully strong, Alyosha. I have a longing for life, and I go on living in spite of logic. Though I may not believe in the order of the universe, yet I love the sticky little leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though I’ve long ceased perhaps to have faith in them, yet from old habit one’s heart prizes them. Here they have brought the soup for you, eat it, it will do you good. It’s first-rate soup, they know how to make it here. I want to travel in Europe, Alyosha, I shall set off from here. And yet I know that I am only going to a graveyard, but it’s a most precious graveyard, that’s what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though I’m convinced in my heart that it’s long been nothing but a graveyard. And I shall not weep from despair, but simply because I shall be happy in my tears, I shall steep my soul in emotion. I love the sticky leaves in spring, the blue sky — that’s all it is. It’s not a matter of intellect or logic, it’s loving with one’s inside, with one’s stomach.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
I'm Magnus Bane." he went on in a soothing tone, stretching out his ringed hands. Blue sparks had begun to dance between them like bioluminescence dancing water. "I'm the warlock who's here to cure you. Didn't they tell you I was comming?"
"I know who you are, but..." Maia looked dazed. "You look so... so... shiny.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
We’re so self-important. Everybody’s going to save something now. “Save the trees, save the bees, save the whales, save those snails.” And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. I’m tired of this shit. I’m tired of f-ing Earth Day. I’m tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren’t enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists don’t give a shit about the planet. Not in the abstract they don’t. You know what they’re interested in? A clean place to live. Their own habitat. They’re worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn’t impress me.
The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are!
We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.
The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?”
Plastic… asshole.
”
”
George Carlin
“
I’m hungry as a church mouse, Hope. Do you have anything to eat?
Hope looked down at His Whiskery Lordship swishing his black tail back and forth at her. He’d tucked a blue paper napkin into his collar. “When did you wake up?” she asked.
”
”
Lyn Key (Nozy Cat 2: A Hope Jones Cozy Mystery)
“
It isn't that it's too soon, you're on the back of my bike, it ain't too soon. You can buy sheets. You cannot install blinds."
"um..." I mumbled. "Can you explain the difference?"
"Sheets are chick territory," he said without delay. "You gotta use tools, that's dick territory."
"Oh," I whispered.
"Don't tread on dick territory," he advised.
"So, um... is a paintbrush a tool?" I asked cautiously.
"If you're paintin' the side of the house, yeah. If you're painting mud colored paint in a room, no."
"It's terracotta," I said softly.
"Whatever," he muttered, his mouth twitching.
"Or, the paint chip called it Mexican horizon. The blue is dawn sky."
"Definitely chick territory," Tate replied, losing the fight with his grin.
"What about...pictures for the walls?" I asked.
"Chick," he answered instantly.
"Um...could I ask that, instead of you getting angry and being a jerk, maybe you give me a head's up when I'm doing something stupid?
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
It's your call," he said softly, "but whatever you decide, I'll help you." He placed a soft, warm hand at the back of her neck and Laurel's breath caught in her chest. "Whatever you need, I'll be. If you need the science geek to give you answers from a textbook, I'm your guy; if you just want a friend to sit by you in bio and help you feel better when you're sad, I'm still your guy." His thumb slowly stroked across her earlobe and down her cheek. "And if you need someone to hold you and protect you from anyone in the world who might want to hurt you, then I am definitely your guy." His pale-blue eyes bore into hers, and for a second she couldn't breath. "But it's all up to you," he whispered.
”
”
Aprilynne Pike (Wings (Wings, #1))
“
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor.
"What do you want?" I demanded.
"A moment of peace and quiet," he snapped, rubbing his temples.
I paused. "From what?"
He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess."
I sat up farther on my pallet of the hay. I'd never seen him so candid.
"That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot."
So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?"
The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - "
"You can leave if you're just going to insult me."
"But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
At one store, Gansey had started to pay for Blue's potato chips and she'd snatched them away. "I don't want you to buy me food!" Blue said. "If you pay for it, then it's like I'm... be---be---" "Beholden to me?" Gansey suggested pleasantly. "Don't put words into my mouth." "It was your word." "You assumed it was my word. You can't just go around assuming." "But that is what you meant, isn't it?" She scowled. "I'm done with this conversation.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place
...
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.
And then the nightmares will begin.
”
”
Mark Z. Danielewski (House of Leaves)
“
There should be a disconnect button you can push when someone leaves: you’ve fucked me over; therefore I no longer love you. I’m not asking for the button to be connected to an ejector seat that removes them from the universe, just one small button that removes them from your heart.
”
”
Cath Crowley (Words in Deep Blue)
“
When she opened her eyes, she was both in her body and watching it, nowhere near the cavity of the tree. The Blue that was before her stood inches from a boy in an Aglionby sweater. There was a slight stoop to his posture, and his shoulders were spattered darkly with rain. It was his fingers that Blue felt on her face. He touched her cheek with the backs of his fingers.
Tears coursed down the other Blue's face. Though some strange magic, Blue could feel them on her face as well. She could feel, too, sick, rising misery she'd felt in the churchyard, the grief that felt bigger than her. The other Blue's tears seemed endless. One drop slid after another, each following an identical path down her cheeks.
The boy in the Aglionby sweater leaned his forehead against Blue's. She felt the pressure of his skin against hers, and suddenly she could smell mint.
It'll be okay. Gansey told the other Blue. She could tell that he was afraid. It'll be okay.
Impossibly, Blue realized that this other Blue was crying because she loved Gansey. And that the reason Gansey touched her like that, his fingers so careful with her, was because he knew that her kiss could kill him. She could feel how badly the other Blue wanted to kiss him, even as she dreaded it. Though she couldn't understand why, her real, present day memories in the tree cavity were clouded with other false memories of their lips nearly touching, a life this other Blue had already lived.
Okay, I'm ready- Gansey's voice caught, just a little. Blue, kiss me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
So, you know that group up there in the Planetarium then?’ The pistol continued. ‘Hey they say it’s a small world.’
‘Are they alright?’ asked Semilla darting forward.
‘Yeah, they’re all fine, apart from the President he’s rather dead actually, oh and one of the lampposts I’m afraid he copped it too.’
Baz’s beacon flickered with emotion. ‘Which one?’ he asked.
‘There was only one President as far as I know,’ said the pistol indifferently.
”
”
A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
“
Of course, she could still walk away. She won't, he thought. She has to feel it, too. He said, " I've always liked the name Jane." Blue's eyes widened. "Ja--what? Oh! No, no, You can't go around naming people other things because you don't like their real name. "I like Blue just fine,"Gansey said. He didn't believe she was really offended; her face didn't look like it had at Nino's when they'd first met, and her ears were turning pink. He thought possibly, he was getting a little better at not offending her, although he couldn't seem to stop teasing her. "Some of my favorite shirts are blue. However, I also like Jane." "I'm not answering to that.
”
”
Maggie Stiefvater
“
He glances down and notices that I'm still wearing a certain blue something, and, this time, it's HIS index finger that wraps underneath MY rubber band.
I shiver wonderfully. "I'm never taking it off."
Cricket brushes the delicate skin of my wrist. "It'll fall off."
"I'll ask you for another one."
"I'll give you another one." He smiles and touches his nose to mine.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
The only thing more pleasing than seeing Ronan singled out was seeing him singled out and forced to repeatedly sing an Irish jig. “Piss up a rope,” Ronan said. Gansey, unoffended, waited. Ronan shook his head, but then, with a wicked smile, he began to sing, “Squash one, squash two, s—” “Not that one,” both Adam and Gansey said. “I’m not listening to that for three hours,” Adam said. Gansey pointed at Ronan until he began to breathily whistle a jaunty reel.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
What are we even defending here, Philip? What kind of legacy? What kind of family, that says, we’ll take the murder, we’ll take the raping and pillaging and the colonizing, we’ll scrub it up nice and neat in a museum, but oh no, you’re a bloody poof? That’s beyond our sense of decorum! I’ve bloody well had it. I’ve sat about long enough letting you and Gran and the weight of the damned world keep me pinned, and I’m finished. I don’t care. You can take your legacy and your decorum and you can shove it up your fucking arse, Philip. I’m done.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
There were three boys in the doorway, backlit by the evening sun as Neeve had been so many weeks ago. Three sets of shoulders: one square, one built, one wiry.
“Sorry that I’m late,” said the boy in front, with the square shoulders. The scent of mint rolled in with him, just as it had in the churchyard. “Will it be a problem?”
Blue knew that voice.
She reached for the railing of the stairs to keep her balance as President Cell Phone stepped into the hallway.
Oh no. Not him. All this time she’d been wondering how Gansey might die and it turned out she was going to strangle him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I'm messed up.
I go through phases where I think everything's going to be okay and the sky is blue and stuff and I can feel the sun and the air going in and out of my lungs and I think, life is good. But then every time, I also know deep down that the darkness is coming. And it's going to keep coming. And when I'm in the darkness I'm going to screw up everything.
”
”
Cynthia Hand (The Last Time We Say Goodbye)
“
Tayla cursed under her breath. "I was just explaining to Eidolon that Sin is a Smurfette."
Wraith swung his big body around to study Sin with blue eyes that were very different from Shade's, E's. and Lore's. Sin's, too. "Nah. Smurfette is way hotter."
"What the fuck is a Smurfette?" Eidolon was seriously getting annoyed now.
"There's this cartoon called The Smurfs," Tayla explained, slowly, as though Eidolon were the child here.
"They're these little blue people, and they're all male. But one day a female shows up. She shouldn't exist, but she does."
Eidolon considered that for a second. "How did she get there?"
"An evil wizard named Gargamel made her," Tayla said. "In a lab or something."
"So you're suggesting that an evil wizard made Sin?"
"Of course not, silly. I'm just saying she's a Smurfette. A lone female amongst males."
Eidolon frowned. "Did the Smurfette mate with the males?"
"Dude." Wraith grimaced. "It's a cartoon.
”
”
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
“
How do I love thee? wondered Orion. "Let me see. I love thee passionately and eternally...obviously eternally-that goes without saying." Holly blinked sweat from her eyes. "Is he serious?" she called over her shoulder to Foaly. "Oh, absolutely," said the centaur "If he asks you to look for birthmarks, say no immediately." "Oh, I would never." Orion assured her. "Ladies don't look for birthmarks; that is work for jolly fellows like the Goodly Beast and myself. Ladies, like Miss Short, do enough by simply existing. They exude beauty, and that is enough." "I am not exuding anything." said Holly, through gritted teeth. Orion tapped her shoulder. "I beg to differ. You're exuding right now, a wonderful aura. It's pastel blue with little dolphins." Holly gripped the wheel tightly. "I'm going to be sick. Did he just say pastel blue?" "And dolphins, little ones," said Foaly.
”
”
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
“
I have no idea who you even are and now you're my damn girlfriend. What the hell have you done to me?" She holds her palms up defensively. "Hey, don't blame me. I've gone eighteen years swearing off boyfriends and then you show up out of the blue with your vulgar mouth and terribly awkward first kisses and now look at me. I'm a hypocrite." "I don't even know your phone number," I say. "I don't even know your birthday," she says. "You're the worst girlfriend I've ever had.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
Blaire,
This teardrop represents many things. The tears I know you’ve shed over holding your mother’s piece of satin. The tears you’ve shed over each loss you’ve experienced. But it also represents the tears we’ve both shed as we’ve felt the little life inside you begin to move. The tears I’ve shed over the fact I’ve been given someone like you to love. I never imagined anyone like you Blaire. But every time I think about forever with you I’m humbled that you chose me.
This is your something blue.
I love you,
Rush
”
”
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
“
She shrugged and flipped her glossy hair behind her shoulders. "What else do you have to do with your time besides think about stuff like this? It's not like you're real heavy into extracurriculars. Besides, you're all, like, goth and into the dead, right?"
Alona Dare, queen of the insult-compliment. "Wow. Thanks. Anyone ever tell you you're good with people?"
She frowned. "No."
"Good. I'm not goth."
"Your hair is black, you have piercings, you wear black all the time and act all freaky-"
"My hair is naturally this color. I have three earings in one ear, that's it. This shirt" -I tugged at the fabric across my chest- "is navy blue, and if I act weird all the time, it's because of ghosts like you.
”
”
Stacey Kade (The Ghost and the Goth (The Ghost and the Goth, #1))
“
I’m not the only kid
who grew up this way
surrounded by people who used to say
that rhyme about sticks and stones
as if broken bones
hurt more than the names we got called
and we got called them all
so we grew up believing no one
would ever fall in love with us
that we’d be lonely forever
that we’d never meet someone
to make us feel like the sun
was something they built for us
in their tool shed
so broken heart strings bled the blues
as we tried to empty ourselves
so we would feel nothing
don’t tell me that hurts less than a broken bone
that an ingrown life
is something surgeons can cut away
that there’s no way for it to metastasize
it does
”
”
Shane L. Koyczan
“
One thing, though," Qhuinn murmured.
"What?"
The voice that came out his throat was unlike anything he'd ever heard from himself before. "If any guy breaks your heart or treats you like shit, I will bust him apart with my bare hands and leave his broken, bloody body for the sun."
Blay's laughter rumbled around the tiled walls. "Of course you will--"
"I'm dead fucking serious."
Blay's blue eyes shot over his shoulder.
"If there are any who dare to hurt you," Qhuinn growled in the Old Language, "I shall see them staked afore me and shall leave their bodies in ruin.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
Hey there, sleeping beauty…”
Over his shoulder, the sky had deepened to a denim blue. “Did you kiss me awake?”
“I did.” Daemon was propped on his side, using his arm to support his head. He placed his hand on my stomach and my chest fluttered in response. “Told you, my lips have mystical powers.”
My shoulders moved in a silent laugh. “How long have you been here?”
“Not long.” His eyes searched mine. “I found Blake sulking around the woods. He didn’t want to leave while you were out here.”
I rolled my eyes.
“As much as it bothers me, I’m glad he didn’t.”
“Wow. Pigs are flying.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet"
Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I Talk in a daze, I walk in a maze
I cannot get out, said the starling).
Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?
Who is your hero, Dolores Haze?
Still one of those blue-capped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!
Oh Dolores, that juke-box hurts!
Are you still dancin', darlin'?
(Both in worn levis, both in torn T-shirts,
And I, in my corner, snarlin').
Happy, happy is gnarled McFate
Touring the States with a child wife,
Plowing his Molly in every State
Among the protected wild life.
My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soliel Vert?
Are you from Paris, mister?
L'autre soir un air froid d'opera m'alita;
Son fele -- bien fol est qui s'y fie!
Il neige, le decor s'ecroule, Lolita!
Lolita, qu'ai-je fait de ta vie?
Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.
Officer, officer, there they go--
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.
Officer, officer, there they are--
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out and take cover.
Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.
My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.
”
”
Vladimir Nabokov (Lolita)
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
There is no time to reallocate the turkeys.” Without missing a beat, he blurts out, “Bring them to the house.” “Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?” “Put them in my room. I don’t care.” She outright laughs. “No.” “How is it different from a hotel room? Put the turkeys in my room, Mom.” “I’m not putting the turkeys in your room.” “Put the turkeys in my room.” “No.” “Put them in my room, put them in my room, put them in my room—” That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets. THEY KNOW, he texts Henry. THEY KNOW I HAVE ROBBED THEM OF FIVE-STAR ACCOMMODATIONS TO SIT IN A CAGE IN MY ROOM, AND THE MINUTE I TURN MY BACK THEY ARE GOING TO FEAST ON MY FLESH.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Open your eyes.”
Julia looked up into a pair of blue orbs that were startlingly clear and very emotional, but she could not decipher the emotions. He smiled and pressed his lips to her forehead again before rolling onto his back and gazing up at the stars.
“What are you thinking?” She shifted herself so that she was curled up at his side, close to but not touching him with her body.
“I was thinking about how I waited for you. I waited and waited, and you never came.” He smiled at her sadly.
“I’m sorry, Gabriel.”
“You’re here now. Apparuit iam beatitudo vestra.”
“I don’t know what that means.” She sounded shy.
“It means now your blessedness appears. But really, it should be now my blessedness appears. Now that you’re here.” He pulled her closer, snaking his arm beneath her neck and down to her waist where he splayed his hand, fingers wide, at the small of her back. “For the rest of my life, I’ll dream of hearing your voice breathe my name.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
And as for romance? Well, I want that too.
I want to fall asleep next to you, 100 times a night,
so I can know you 100 times better before we hit the day light. And despite all of this,
I also want amnesia so I can relive each kiss with a perfect newness
that leaves me smashed in the arms of rapture. I want the sky to fracture under
the impossible weight of an apology because I'm sorry. I'm sorry that I want so much.
I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long
but if you sing me that song of sweet logic again then I promise to make the effort
to stand on my own. There is a reason that our hearts are more like a muscle
and less like a bone. I've known so many people who've have grown up flexing
in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit.
Because we only get now until the time we go and if they've only got time to love themselves
then nobody is going to be around to hear the sound of their heartbeat echo.
So lady, don't expect an apology when I tell you I'm only held together
by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
”
”
Shane L. Koyczan
“
I want you—"
"Then fucking have me."
"—but I don't want this."
Alex wants to grab Henry and shake him, wants to scream in his face, wants to smash every priceless antique in the room.
"What does that even mean?"
"I don't want it!" Henry practically shouts. His eyes are flashing, wet and angry and afraid. "Don't you bloody see? I'm not like you. I can't afford to be reckless. I don't have a family who will support me. I don't go about shoving who I am in everyone's faces and dreaming about a career in fucking politics, so I can be more scrutinized and picked apart by the entire godforsaken world. I can love you and want you and still not want that life. I'm allowed, all right, and it doesn't make me a liar; it makes me a man with some infinitesimal shred of self-preservation, unlike you, and you don't get to come here and call me a coward for it.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
For a moment nothing happens. The figure stands still and I stand cold and alive and-
He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass-
And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss.
”
”
Ally Condie (Crossed (Matched, #2))
“
The stars are brilliant at this time of night
and I wander these streets like a ritual I don’t dare to break
for darling, the times are quite glorious.
I left him by the water’s edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well.
There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said he’d come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are can’t be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now I’m writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until they’re all gone.
Nothing left to hold me back.
You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
it’s my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.
”
”
Bret Easton Ellis (Less Than Zero)
“
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away.
“Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.”
Agatha gaped at him dumbly.
“Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress.
“Where is she?” Agatha croaked. “Is she safe?”
“Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies.
“Put me down,” she sputtered—
“More bad ideas from the princess.”
“Put me down!”Tedros obeyed and Agatha pulled away.
“I’m not a princess!” she snapped, fixing her collar.
“If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled.
“One . . . two . . . three . . .”She fainted in his arms.
“Definitely a princess,” he said.
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
I am, and always have been - first, last, and always - a child of America.
You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand.
I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House.
You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down.
Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too.
The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms.
We were not afforded that liberty.
But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice.
Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us.
If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election.
And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
The whole idea of it makes me feel
like I'm coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light--
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.
You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.
But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.
This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.
It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.
”
”
Billy Collins
“
But there’s a reason. There’s a reason. There’s a reason for this, there’s a reason education sucks, and it’s the same reason that it will never, ever, ever be fixed. It’s never gonna get any better. Don’t look for it. Be happy with what you got. Because the owners of this country don't want that. I'm talking about the real owners now, the real owners, the big wealthy business interests that control things and make all the important decisions. Forget the politicians. The politicians are put there to give you the idea that you have freedom of choice. You don't. You have no choice. You have owners. They own you. They own everything. They own all the important land. They own and control the corporations. They’ve long since bought and paid for the senate, the congress, the state houses, the city halls, they got the judges in their back pockets and they own all the big media companies so they control just about all of the news and information you get to hear. They got you by the balls. They spend billions of dollars every year lobbying, lobbying, to get what they want. Well, we know what they want. They want more for themselves and less for everybody else, but I'll tell you what they don’t want: They don’t want a population of citizens capable of critical thinking. They don’t want well informed, well educated people capable of critical thinking. They’re not interested in that. That doesn’t help them. Thats against their interests. Thats right. They don’t want people who are smart enough to sit around a kitchen table to figure out how badly they’re getting fucked by a system that threw them overboard 30 fucking years ago. They don’t want that. You know what they want? They want obedient workers. Obedient workers. People who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and the vanishing pension that disappears the minute you go to collect it, and now they’re coming for your Social Security money. They want your retirement money. They want it back so they can give it to their criminal friends on Wall Street, and you know something? They’ll get it. They’ll get it all from you, sooner or later, 'cause they own this fucking place. It's a big club, and you ain’t in it. You and I are not in the big club. And by the way, it's the same big club they use to beat you over the head with all day long when they tell you what to believe. All day long beating you over the head in their media telling you what to believe, what to think and what to buy. The table is tilted folks. The game is rigged, and nobody seems to notice, nobody seems to care. Good honest hard-working people -- white collar, blue collar, it doesn’t matter what color shirt you have on -- good honest hard-working people continue -- these are people of modest means -- continue to elect these rich cocksuckers who don’t give a fuck about them. They don’t give a fuck about you. They don’t give a fuck about you. They don't care about you at all -- at all -- at all. And nobody seems to notice, nobody seems to care. That's what the owners count on; the fact that Americans will probably remain willfully ignorant of the big red, white and blue dick that's being jammed up their assholes everyday. Because the owners of this country know the truth: it's called the American Dream, because you have to be asleep to believe it.
”
”
George Carlin
“
He said, “I know somebody you could kiss.”
“Who?” She realized his eyes were amused. “Oh, wait.”
He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.”
She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have.
But now—
“Okay,” she said.
“What?”
“I said okay.”
He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—”
He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious.
They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming.
She said, “Well.”
“Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.”
He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility.
“Go,” Blue said.
This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher.
“I’m doing something wrong?” she suggested.
“Sometimes it’s better with tongue,” he replied dubiously.
They regarded each other.
Blue squinted, “Are you sure you’ve done this before?”
“Hey!” he protested. “It’s weird for me, ‘cause it’s you.”
“Well, it’s weird for me because it’s you.”
“We can stop.”
“Maybe we should.”
Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.”
Blue touched her mouth. “What are they doing now?”
“Like, bracing themselves.”
She pursed and unpursed her lips. She saw his point.
“So imagine one of those,” Noah suggested.
She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes.
Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.”
The unconcerned expression didn’t flag. He said, “I’ll take care of it.”
She echoed, “Take care of it?”
“Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.”
For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.”
The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.”
“That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.”
To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.”
“I feel you’re being condescending,” Blue said.
In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince.
“Dear God,” remarked Cell Phone boy. “I don’t know what else to say.”
“Sorry,” she recommended.
“I said that already.”
Blue considered. “Then ‘bye.’”
He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Live or die, but don't poison everything...
Well, death's been here
for a long time --
it has a hell of a lot
to do with hell
and suspicion of the eye
and the religious objects
and how I mourned them
when they were made obscene
by my dwarf-heart's doodle.
The chief ingredient
is mutilation.
And mud, day after day,
mud like a ritual,
and the baby on the platter,
cooked but still human,
cooked also with little maggots,
sewn onto it maybe by somebody's mother,
the damn bitch!
Even so,
I kept right on going on,
a sort of human statement,
lugging myself as if
I were a sawed-off body
in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie
and even though I dressed the body
it was still naked, still killed.
It was caught
in the first place at birth,
like a fish.
But I play it, dressed it up,
dressed it up like somebody's doll.
Is life something you play?
And all the time wanting to get rid of it?
And further, everyone yelling at you
to shut up. And no wonder!
People don't like to be told
that you're sick
and then be forced
to watch
you
come
down with the hammer.
Today life opened inside me like an egg
and there inside
after considerable digging
I found the answer.
What a bargain!
There was the sun,
her yolk moving feverishly,
tumbling her prize --
and you realize she does this daily!
I'd known she was a purifier
but I hadn't thought
she was solid,
hadn't known she was an answer.
God! It's a dream,
lovers sprouting in the yard
like celery stalks
and better,
a husband straight as a redwood,
two daughters, two sea urchings,
picking roses off my hackles.
If I'm on fire they dance around it
and cook marshmallows.
And if I'm ice
they simply skate on me
in little ballet costumes.
Here,
all along,
thinking I was a killer,
anointing myself daily
with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice
as a chocolate bar.
Even with the witches' gymnastics
they trust my incalculable city,
my corruptible bed.
O dearest three,
I make a soft reply.
The witch comes on
and you paint her pink.
I come with kisses in my hood
and the sun, the smart one,
rolling in my arms.
So I say Live
and turn my shadow three times round
to feed our puppies as they come,
the eight Dalmatians we didn't drown,
despite the warnings: The abort! The destroy!
Despite the pails of water that waited,
to drown them, to pull them down like stones,
they came, each one headfirst, blowing bubbles the color of cataract-blue
and fumbling for the tiny tits.
Just last week, eight Dalmatians,
3/4 of a lb., lined up like cord wood
each
like a
birch tree.
I promise to love more if they come,
because in spite of cruelty
and the stuffed railroad cars for the ovens,
I am not what I expected. Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
”
”
Anne Sexton (The Complete Poems)