Felt Lonely Quotes

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I always worried someone would notice me, and then when no one did, I felt lonely.
Curtis Sittenfeld (Prep)
We live and breathe words. .... It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt--I felt the way you thought, hoped, felt, dreamt. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted--and then I realized that truly I just wanted you.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!
Charles Bukowski
i felt her absence. it was like waking up one day with no teeth in your mouth. you wouldn't need to run to the mirror to know they were gone
James Dashner (The Scorch Trials (The Maze Runner, #2))
Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others. But we were never lonely and never afraid when we were together.
Ernest Hemingway (A Farewell to Arms)
I felt lonely and content at the same time. I believe that is a rare kind of happiness.
Stephen King (Bag of Bones)
1. I’m lonely so I do lonely things 2. Loving you was like going to war; I never came back the same. 3. You hate women, just like your father and his father, so it runs in your blood. 4. I was wandering the derelict car park of your heart looking for a ride home. 5. You’re a ghost town I’m too patriotic to leave. 6. I stay because you’re the beginning of the dream I want to remember. 7. I didn’t call him back because he likes his girls voiceless. 8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth. 9. I couldn’t love you, you were a small war. 10. We covered the smell of loss with jokes. 11. I didn’t want to fail at love like our parents. 12. You made the nomad in me build a house and stay. 13. I’m not a dog. 14. We were trying to prove our blood wrong. 15. I was still lonely so I did even lonelier things. 16. Yes, I’m insecure, but so was my mother and her mother. 17. No, he loves me he just makes me cry a lot. 18. He knows all of my secrets and still wants to kiss me. 19. You were too cruel to love for a long time. 20. It just didn’t work out. 21. My dad walked out one afternoon and never came back. 22. I can’t sleep because I can still taste him in my mouth. 23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home. 24. The women in my family die waiting. 25. Because I didn’t want to die waiting for you. 26. I had to leave, I felt lonely when he held me. 27. You’re the song I rewind until I know all the words and I feel sick. 28. He sent me a text that said “I love you so bad.” 29. His heart wasn’t as beautiful as his smile 30. We emotionally manipulated one another until we thought it was love. 31. Forgive me, I was lonely so I chose you. 32. I’m a lover without a lover. 33. I’m lovely and lonely. 34. I belong deeply to myself .
Warsan Shire
I felt like a kid standing in the world's greatest video arcade without any quarters, unable to do anything but walk around and watch the other kids play.
Ernest Cline (Ready Player One (Ready Player One, #1))
I was lonely. I felt it deeply and permanently, that this state of being on my own might never disappear. But I welcomed the lonliness, which had everything to do with being anonymous. It's never lonliness that nibbles away at a person's insides, but not having room inside themselves to be comfortably alone.
Rachel Sontag (House Rules)
Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
Joan Didion
I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?
Nick Hornby (A Long Way Down)
When something bothered me, I didn’t talk with anyone about it. I thought it over all by myself, came to a conclusion, and took action alone. Not that I really felt lonely. I thought that’s just the way things are. Human beings, in the final analysis, have to survive on their own.
Haruki Murakami (Sputnik Sweetheart)
It was a kiss made in lonely dreams. A kiss that took its time. A kiss that felt so right she couldn't remember all the reasons it was wrong.
Susan Elizabeth Phillips (This Heart of Mine (Chicago Stars, #5))
I couldn't have felt more of lonely desolation somehow, had I been robbed of a belief or had missed my destiny in life...
Joseph Conrad (Heart of Darkness)
The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to. We'd just make small talk, play soccer together. When something bothered me, I didn't talk with anyone about it. I thought it over all by myself, came to a conclusion, and took action alone. Not that I really felt lonely. I thought that's just the way things are. Human beings, in the final analysis, have to survive on their own.
Haruki Murakami (Sputnik Sweetheart)
In that high place in the darkness the two oddly sensitive human atoms held each other tightly and waited. In the mind of each was the same thought. "I have come to this lonely place and here is this other," was the substance of the thing felt.
Sherwood Anderson (Winesburg, Ohio)
Have you ever met someone and felt . . . I don't know how to describe it, felt a chance at having something that eluded you? I don't know . . . Forget I said anything." I knew what he meant. He was describing that moment when you realize that you are lonely. For a time you can be alone and doing fine and never give a thought to living any other way and then you meet someone and suddenly you become lonely. It stabs at you, almost like a physical pain, and you feel both deprived and angry, deprived because you wish to be with that person and angry, because their absence brings you misery. It's a strange feeling, akin to desperation, a feeling that makes you wait by the phone even though you know that the call is an hour away. I was not going to lose my balance. Not yet.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
I wasn't lonely. Loneliness, I think, has very little to do with location. It's a state of mind. In the centre of every city are some of the loneliest people in the world. If anything, because our whole planet was just outside the window, I felt even more aware of and connected to the seven billion other people who call it home.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
I thought the love I'd had for him belonged to the past, to the foolish, lonely girl I never wanted to be again. I'd tried to bury that girl and the love she'd felt, just as I'd tried to bury my power. But I wouldn't make that mistake again.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
And I somehow always felt less lonely when I was completely alone.
Portia de Rossi (Unbearable Lightness: A Story of Loss and Gain)
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
Joan Didion (Slouching Towards Bethlehem)
Her face felt like it was scattered in pieces and she could not keep it straight. The feeling was a whole lot worse than being hungry for any dinner, yet it was like that. I want--I want--I want--was all that she could think about--but just what this real want was she did no know.
Carson McCullers (The Heart Is a Lonely Hunter)
I felt very lonely when they were all there.
Ernest Hemingway (A Farewell to Arms)
All my friends thought I was a very happy human being. Because that's how I acted- like a really happy human being. But all that pretending made me tired. If I acted the way I felt, then I doubt my friends would have really hung out with me. So the pretending wasn't all bad. The pretending made me less lonely. But in another was, it made me more lonely because I felt like a fraud. I've always felt like a fake human being.
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
It’s strange. I felt less lonely when I didn’t know you.
Jean-Paul Sartre (The Flies (SparkNotes Literature Guide Series))
With time and perspective we recognize that such problems in life do come for a purpose, if only to allow the one who faces such despair to be convinced that he really does need divine strength beyond himself, that she really does need the offer of heaven’s hand. Those who feel no need for mercy usually never seek it and almost never bestow it. Those who have never had a heartache or a weakness or felt lonely or forsaken never have had to cry unto heaven for relief of such personal pain. Surely it is better to find the goodness of God and the grace of Christ, even at the price of despair, than to risk living our lives in a moral or material complacency that has never felt any need for faith or forgiveness, any need for redemption or relief.
Jeffrey R. Holland
People felt themselves watching him even before they knew that there was anything different about him. His eyes made a person think that he heard things that no one else had ever heard, that he knew things no one had ever guessed before. He did not seem quite human.
Carson McCullers (The Heart Is a Lonely Hunter)
Suddenly we’re not kids anymore, and it feels like it happened overnight, so fast I didn’t have time to notice, to let go of everything that used to matter so much, to see that the old wounds that once felt like gut-level lacerations have faded to small white scars, mixed in among the stretch marks and sunspots and little divots where time has grazed against my body. I’ve put so much time and distance between myself and that lonely girl, and what does it matter? Here is a piece of my past, right in front of me, miles away from home. You can’t outrun yourself. Not your history, not your fears, not the parts of yourself you’re worried are wrong.
Emily Henry (People We Meet on Vacation)
Sometimes I wanted to dance and laugh with my friends until midnight, and sometimes I wanted to screen all calls and hide away with a tragic novel and a bag of candy. Sometimes I spend an hour trying to pretty myself up, and sometimes I could barely be bothered to comb the knots out of my hair before I left the house. Sometimes I wanted to know what it felt like to tell a boy all my secrets. Other times, that seemed as impossible as waking up one morning to find myself fluent in a foreign language. Sometimes I felt better alone that I did with people. And sometimes that just felt lonely.
Michelle Dalton (Sixteenth Summer (Sixteenth Summer #1))
I've felt as if I didn't exist, as if I were invisible, miles away from the world, miles away. You can't imagine how much alone I've been all my life.
Iris Murdoch (The Sea, the Sea)
She spotted a lone dandelion,and it crossed her mind that a younger Luce would have pounced on it and then made a wish and blown. But this Luce's wishes felt too heavy for something so light.
Lauren Kate (Fallen (Fallen, #1))
Lying in the bed that had once held two, Lisey thought alone never felt more lonely than when you woke up and discovered you still had the house to yourself. That you and the mice in the walls were the only ones still breathing.
Stephen King (Lisey's Story)
Well, thought Winnie, crossing her arms on the windowsill, she was different. Things had happened to her that were hers alone, and had nothing to do with them. It was the first time. And no amount of telling about it could help them understand or share what she felt. It was satisfying and lonely, both at once.
Natalie Babbitt (Tuck Everlasting)
It was the most beautiful thing I'd ever seen. How the artist captured the light, the details of my mother's dimples, the joy in my father's eyes, all through gentle strokes from his palette. The artist made me look alive when I felt lonely and grim inside. That's the way this man saw me. I decided then that that's what I wanted to do
Ellen Schreiber (Kissing Coffins (Vampire Kisses, #2))
You were loved because God loves, period. God loved you, and everyone, not because you believed in certain things, but because you were a mess, and lonely, and His or Her child. God loved you no matter how crazy you felt on the inside, no matter what a fake you were; always, even in your current condition, even before coffee. God loves you crazily, like I love you...like a slightly overweight auntie, who sees only your marvelousness and need.
Anne Lamott
Sometimes she would cry. I was so lonely, she'd say. You have no idea how lonely I was. And I had friends, I was a lucky one, but I was lonely anyway. I admired my mother in some ways, although things between us were never easy. She expected too much from me, I felt. She expected me to vindicate her life for her, and the choices she'd made. I didn't want to live my life on her terms. I didn't want to be the model offspring, the incarnation of her ideas. We used to fight about that. I am not your justification for existence, I said her to once. I want her back. I want everything back, the way it was. But there is no point to it, this wanting.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Back at home I spent so much time on my own, but never once felt lonely. Here, even though I see hundreds more people each day, I've never felt lonelier.
Giovanna Fletcher (Billy and Me)
She can be sad even when she’s happy. She can be lonely even when she’s loved. She felt things deeply. It was both her blessing and her curse.
Juansen Dizon
I now understood that real secrets were lonely. They planted themselves inside of you and expanded, until you felt like that was all you were-a lonely little secret, isolated in your experiences.
Yvonne Woon (Life Eternal (Dead Beautiful, #2))
I write to find strength. I write to become the person that hides inside me. I write to light the way through the darkness for others. I write to be seen and heard. I write to be near those I love. I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear. I write past the embarrassment of exposure. I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares. I write because I am nostalgic, romantic and demand happy endings. I write to remember. I write knowing conversations don’t always take place. I write because speaking can’t be reread. I write to sooth a mind that races. I write because you can play on the page like a child left alone in the sand. I write because my emotions belong to the moon; high tide, low tide. I write knowing I will fall on my words, but no one will say it was for very long. I write because I want to paint the world the way I see love should be. I write to provide a legacy. I write to make sense out of senselessness. I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers. I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories. I write because one day I will be gone, but what I believed and felt will live on.
Shannon L. Alder
In all this welter of women I still hadn't got one for myself, not that I was trying too hard, but sometimes I felt lonely to see everybody paired off and having a good time and all I did was curl up in my sleeping bag in the rosebushes and sigh and say bah. For me it was just red wine in my mouth and a pile of firewood
Jack Kerouac (The Dharma Bums)
I would never leave you.” Alex drew me into his chest, and I sank into his embrace for the first time in what felt like forever. It was like returning home after a long, lonely trip abroad.
Ana Huang (Twisted Love (Twisted, #1))
I wanted very much not to be where I was. In fact part of the trouble seemed to be that where I was wasn’t anywhere at all. My life felt empty and unreal... I felt like I was in danger of vanishing, though at the same time the feelings I had were so raw and overwhelming that I often wished I could find a way of losing myself altogether, perhaps for a few months, until the intensity diminished.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
I was a very lonely child and it's funny but the first word that comes to my head is "starved". I felt starved of affection, starved of love and I felt that it wasn't OK to ask for it. Maybe there was a sense that if I deserved it, it would be there. There must be something I'd done which meant I didn't deserve it.
Carol Lee (To Die For)
Peter was not with them for the moment, and they felt rather lonely up there by themselves. He could go so much faster than they that he would suddenly shoot out of sight, to have some adventure in which they had no share. He would come down laughing over something fearfully funny he had been saying to a star, but he had already forgotten what it was, or he would come up with mermaid scales still sticking to him, and yet not be able to to say for certain what had been happening. It was really rather irritating to children who had never seen a mermaid.
J.M. Barrie (Peter Pan)
The Little Palace had become a very lonely place. I was surrounded by people, but I almost felt like they couldn't see me, only what they needed from me. I was afraid to show doubt or indecision, and there were days when I felt like I was being worn down to nothing by the constant weight of responsibility and expectation.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I wanted very much not to be where I was. In fact part of the trouble seemed to be that where I was wasn't anywhere at all. My life felt empty and unreal and I was embarrassed about its thinness, the way one might be embarrassed about wearing a stained or threadbare piece of clothing.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
For in a swift radiance of illumination he saw a glimpse of human struggle and valor. Of the endless fluid passage of the humanity through endless time. And of those who labor and of those who - one word- love. His soul expanded. But for a moment only. For in him, he felt a warning, a shaft of terror.
Carson McCullers (The Heart Is a Lonely Hunter)
Lies had deserted me, and I felt as lonely as though they had been my only friends.
Graham Greene (The End of the Affair)
Sure, he was lonely. Sure, they had a lot in common. Sure, he was attracted to her, and it was clear she felt the same about him.
Tim LaHaye (Tribulation Force (Left Behind, #2))
You’ll call for me. You’ll be lonely in your new quarters and will feel out of sorts. I could let you pet my hair until you fell asleep.” He drew in closer and lowered his voice to ask in all seriousness, “You’re mad, aren’t you?” “As—a—hatter,” she whispered back conspiratorially. He felt a hint of sympathy for the creature. “How long have you been in here?” “For four long...interminable...days.” He glowered at her. “Which is why I want you to take me with you. I don’t eat much.” The dungeon erupted with laughter again. (Myst and Nikolai)
Kresley Cole (The Warlord Wants Forever (Immortals After Dark, #0.5))
That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
Ernest Hemingway (A Farewell to Arms)
I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life.
George Orwell (Why I Write)
He liked lonely places, because he never really felt alone.
Eleanor Catton (The Luminaries)
I remember how being young and Black and gay and lonely felt. A lot of it was fine, feeling I had the truth and the light and the key, but a lot of it was purely hell.
Audre Lorde (Zami: A New Spelling of My Name)
The actuality that the heart does not want to feel, doesn't negate the certitude that it once felt and will still feel.
Itohan Eghide (The Book of Maxims, Poems and Anecdotes)
The Men of Earth came to Mars. They came because they were afraid or unafraid, because they were happy or unhappy, because they felt like Pilgrims or did not feel like Pilgrims. There was a reason for each man. They were leaving bad wives or bad towns; they were coming to find something or leave something or get something, to dig up something or bury something or leave something alone. They were coming with small dreams or large dreams or none at all...it was not unusual that the first men were few. The numbers grew steadily in proportion to the census of Earth Men already on Mars. There was comfort in numbers. But the first Lonely Ones had to stand by themselves...
Ray Bradbury (The Martian Chronicles)
I felt like I was in danger of vanishing, though at the same time the feelings I had were so raw and overwhelming that I often wished I could find a way of losing myself altogether, perhaps for a few months, until the intensity diminished.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
He felt very lonely, yet there was a kind of pride in his loneliness.
Michael Ende (The Neverending Story)
I pulled them out of the fire myself. I read them all. Every word you wrote. You and I, Tess, we're alike. We live and breathe words. It was books that kept me from taking my own life after I thought I could never love anyone, never be loved by anyone again. It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt-I felt the way you thought, hoped, felt, dreamed. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted-and then I realized that truly I just wanted you. The girl behind the scrawled letters. I loved you from the moment I read them. I love you still.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
All of the sudden," he said, "I feel different-- not like I ever felt before. Even when Papa died I didn't feel this way. In two days everything is changed. I'm lonely and I don't now what I'm lonely for
William Saroyan (The Human Comedy)
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled. There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation. She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come. I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it. Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?” She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?” She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.” This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment. I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness. When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
Someone told me the other day that he felt bad for single people because they are lonely all the time. I told him that’s not true I’m single and I don’t feel lonely. I take myself out to eat, I buy myself clothes. I have great times by myself. Once you know how to take care of yourself company becomes an option and not a necessity.
Keanu Reeves
She felt so lost and lonely. One last chile in walnut sauce left on the platter after a fancy dinner couldn't feel any worse than she did. How many times had she eaten one of those treats, standing by herself in the kitchen, rather than let it be thrown away. When nobody eats the last chile on the plate, it's usually because none of them wants to look like a glutton, so even though they'd really like to devour it, they don't have the nerve to take it. It was as if they were rejecting that stuffed pepper, which contains every imaginable flavor; sweet as candied citron, juicy as pomegranate, with the bit of pepper and the subtlety of walnuts, that marvelous chile in the walnut sauce. Within it lies the secret of love, but it will never be penetrated, and all because it wouldn't feel proper.
Laura Esquivel (Like Water for Chocolate)
Some time in the night I got up, tiptoed to my window, and looked out at my doghouse. It looked so lonely and empty sitting there in the moonlight. I could see that the door was slightly ajar. I thought of the many times I had lain in my bed and listened to the squeaking of the door as my dogs went in and out. I didn't know I was crying until I felt the tears roll down my cheeks.
Wilson Rawls (Where the Red Fern Grows)
I had been hungry all the years- My noon had come, to dine- I, trembling, drew the table near And touched the curious wine. 'Twas this on tables I had seen When turning, hungry, lone, I looked in windows, for the wealth I could not hope to own. I did not know the ample bread, 'Twas so unlike the crumb The birds and I had often shared In Nature's diningroom. The plenty hurt me, 'twas so new,-- Myself felt ill and odd, As berry of a mountain bush Transplanted to the road. Nor was I hungry; so I found That hunger was a way Of persons outside windows, The entering takes away.
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over. The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
Dena had always been a loner. She did not feel connected to anything. Or anybody. She felt as if everybody else had come into the world with a set of instructions about how to live and someone had forgotten to give them to her. She had no clue what she was supposed to feel, so she had spent her life faking at being a human being, with no idea how other people felt. What was it like to really love someone? To really fit in or belong somewhere? She was quick, and a good mimic, so she learned at an early age to give the impression of a normal, happy girl, but inside she had always been lonely.
Fannie Flagg
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
The Ache That Would Not Leave Behind the hum and routine of daily living, there lay a persistent and wild longing for something she could not easily put into words. It felt like impulsive adventures and watching the sun rise over unfamiliar mountains, or coffee in a street café, set to the background music of a foreign language. It was the smell of the ocean, with dizzying seagulls whirling in a cobalt sky; exotic foods and strange faces, in a city where no one knew her name. She wanted secrets whispered at midnight, and road trips without a map, but most of all, she ached for someone who desired to explore the mysteries that lay sleeping within her. The truly heartbreaking part was that she could feel the remaining days of her life falling away, like leaves from an autumn tree, but still this mysterious person who held the key to unlock her secrets did not arrive; they were missing, and she knew not where to find them.
John Mark Green
For a while I would have trench-times, when everything felt like blank paper, and I couldn't feel anyone's heart pointed even in my direction, let alone anyone loving me or wanting me to be around. Very boring, very lonely, very tired, again. It was hard to feel anything except "I am not one of the creatures who will experience anything precious.
Jenny Slate (Little Weirds)
I thought that I’d given up on Mal. I thought the love I’d had for him belonged to the past, to the foolish, lonely girl I never wanted to be again. I’d tried to bury that girl and the love she’d felt, just as I’d tried to bury my power. But I wouldn’t make that mistake again. Whatever burned between us was just as bright, just as undeniable. The moment our lips met, I knew with pure and piercing certainty that I would have waited for him forever.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
I didn't think i could possibly love another baby as much as I loved the one I'd already had," I continue. "But the strangest thing happened when I held you for the first time. It was like my heart suddenly unfolded. Like there was this secret space I didn't even know existed, and there was room for both of you." I stare at her. "Once my feelings were stretched like that, there was no going back. Without you, it just would have felt empty.
Jodi Picoult (Lone Wolf)
I have always seen great value in practicing kindness. Although I had no money to buy gifts as a child, I gave my friends the gift of song to cheer them up. Depending on the situation, I’d sing to them and make up melodies and lyrics on the spot about whatever was going on in their lives. If a girlfriend was lonely or heartbroken, I’d make up a song about the handsome and adoring boyfriend I imagined coming into her life. Or if a friend felt deprived or neglected, I’d make up a song about a gift of a shiny new doll, or a velvet party dress, that I knew would make her happy.
Tina Turner (Happiness Becomes You: A Guide to Changing Your Life for Good)
I was having an epiphany. A moment of supreme clarity, leading to what I dubbed a “realization of solitude” that goes like this: I’m lonely. But when I left that girl in the window I was sure I’d never felt more godforsaken in my life. There’s a big difference between being alone and being lonely. And I’m guessing that once you’ve discovered this distinction you can’t go back to solitary confinement without serious emotional repercussions.
Tiffanie DeBartolo (How to Kill a Rock Star)
I believed in Oxford, and cobblestoned squares, and old bricks thick with ivy,a nd rainy days curled up reading books. I believed in my mother's strong coffee and in the lonely, aching scent of early dawn before anyone else in my boardinghouse was awake. I believed in my favorite men's cardigan and the way the wind felt on the back of my neck. I believed in life as it lay before me, spinning out slowly, day after day of warm springs and thunderstorms and laughter. These were the things I believed in.
Simone St. James (An Inquiry into Love and Death)
In any case, there was only one tunnel, dark and lonely, mine, the tunnel in which I had spent my childhood, my youth, my whole life. And in one of those transparent lengths of the stone wall I had seen this girl and had gullibly believed that she was traveling another tunnel parallel to mine, when in reality she belonged to the broad world, to the world without confines of those who do not live in tunnels; and perhaps she had peeped into one of my strange windows out of curiosity and had caught a glimpse of my doomed loneliness, or her fancy had been intrigued by the mute language, the clue of my painting. And then, while I advanced always along my corridor, she lived her normal life outside, the exciting life of those people who live outside, that strange, absurd life in which there are dances and parties and gaiety and frivolity. And it happened at times that when I walked by one of my windows she was waiting for me, silent and longing (why was she waiting for me? why silent and longing?); but other times she did not get there on time, or she forgot about this poor creature hemmed in, and then I, with my face pressed against the glass wall, could see her in the distance, smiling or dancing carefree, or, what was worse, I could not see her at all and I imagined her in inaccessible or vile places. And then I felt my destiny a far lonelier one than I had imagined.
Ernesto Sabato (El túnel)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
In our hearts... there must abide some pity for those people who have always felt themselves to be separate from even their most familiar surroundings, those people who either are foreigners or who suffer a singular point of view that makes them feel as if they’re foreigners - even in their native lands. In our hearts... there also abides a certain suspicion that such people need to feel set apart from their society. But people who initiate loneliness are no less lonely than those who are suddenly surprised by loneliness, nor are they undeserving of our pity.
John Irving (A Son of the Circus)
What this means is that the lonelier a person gets, the less adept they become at navigating social currents. Loneliness grows around them, like mould or fur, a prophylactic that inhibits contact, no matter how badly contact is desired. Loneliness is accretive, extending and perpetuation itself. Once it becomes impacted, it is by no means easy to dislodge. This is why I was suddenly so hyper-alert to criticism, and why I felt so perpetually exposed hunching in on myself even as I walked anonymously through the streets, my flip-flops slapping on the ground.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
It was hard to stay angry when I felt so sad. I would rather have felt angry, but instead, all I could do was sob. Even though people had been coming over all day, the house seemed so lonely that I couldn't stand it. The room grew somewhat dimmer. I didn't move as it grew dimmer still. Then, with a start, I hurried outside and ran to the alley in back of our house. Through a break between the buildings, I saw that the sun hung low over the horizon. I watched it until it started to hide between two trees in the distance. Then I climbed on a car and watched until only half of the sun was visible, and then a quarter, and then I felt a huge sickening panic inside of me and ran as hard as I could to a ladder I saw down the alley. I rushed up the ladder and climbed on the roof of somebody's garage. I saw the sun again, a quarter of it, and then a slice, and then it disappeared, the last time ever that the sun would set on a day my sister had lived.
Cynthia Kadohata (Kira-Kira)
O your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do before Death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feels the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way the night passes by, this Is the overnight endless trip to the famous unfathomable abyss.
Delmore Schwartz
I went to the library. I looked at the magazines, at the pictures in them. One day I went to the bookshelves, and pulled out a book. It was Winesburg, Ohio.. I sat at a long mahogany table and began to read. All at once my world turned over. The sky fell in. The book held me. The tears came. My heart beat fast. I read until my eyes burned. I took the book home. I read another Anderson. I read and I read, and I was heartsick and lonely and in love with a book, many books, until it came naturally, and I sat there with a pencil and a long tablet, and tried to write, until I felt I could not go on because the words would not come as they did in Anderson, they only came like drops of blood from my heart.
John Fante (Dreams from Bunker Hill (The Saga of Arturo Bandini, #4))
You ever get gut feelings? Like you see something and just know?' Ty asked, feeling stupid but not caring. He felt Zane squeeze his hand. "First time I saw you, after I got over hating you, I knew, I knew we'd die together. I could just feel it deep down.' Zane exhaled heavily. 'Not today. And not tomorrow. And not for a long time to come, Ty Grady. You hear me? A hell of a long time.' Ty nodded jerkily... ...Several heartbeats of quiet passed before Zane spoke. 'First time I saw you, after i got over hating you, I knew,' he said echoing Ty's words, 'I knew I'd fall in love with you...I laughed at myself,' Zane continued, a hint of pleading in his voice, 'and then I denied it, and then I did everything I could to prove myself wrong, but it didn't work...Ty,' Zane's even, soothing tones finally broke on the short gasp of his name. 'I love you and I'm scared I'll lose you. Please don't leave me a lone in the dark.
Abigail Roux (Divide & Conquer (Cut & Run, #4))
The fraudulence paradox was that the more time and effort you put into trying to appear impressive or attractive to other people, the less impressive or attractive you felt inside — you were a fraud. And the more of a fraud you felt like, the harder you tried to convey an impressive or likable image of yourself so that other people wouldn’t find out what a hollow, fraudulent person you really were. Logically, you would think that the moment a supposedly intelligent nineteen-year-old became aware of this paradox, he’d stop being a fraud and just settle for being himself (whatever that was) because he’d figured out that being a fraud was a vicious infinite regress that ultimately resulted in being frightened, lonely, alienated, etc. But here was the other, higher-order paradox, which didn’t even have a form or name — I didn’t, I couldn’t.
David Foster Wallace
So it hadn’t been wrong or dishonest of her to say no this morning, when he asked if she hated him, any more than it had been wrong or dishonest to serve him the elaborate breakfast and to show the elaborate interest in his work, and to kiss him goodbye. The kiss, for that matter, had been exactly right—a perfectly fair, friendly kiss, a kiss for a boy you’d just met at a party, a boy who’d danced with you and made you laugh and walked you home afterwards, talking about himself all the way. The only real mistake, the only wrong and dishonest thing, was ever to have seen him as anything more than that. Oh, for a month or two, just for fun, it might be all right to play a game like that with a boy; but all these years! And all because, in a sentimentally lonely time long ago, she had found it easy and agreeable to believe whatever this one particular boy felt like saying, and to repay him for that pleasure by telling easy, agreeable lies of her own, until each was saying what the other most wanted to hear—until he was saying “I love you” and she was saying “Really, I mean it; you’re the most interesting person I’ve ever met.” What a subtle, treacherous thing it was to let yourself go that way! Because once you’d started it was terribly difficult to stop; soon you were saying “I’m sorry, of course you’re right,” and “Whatever you think is best,” and “You’re the most wonderful and valuable thing in the world,” and the next thing you knew all honesty, all truth, was as far away and glimmering, as hopelessly unattainable as the world of the golden people. Then you discovered you were working at life the way the Laurel Players worked at The Petrified Forest, or the way Steve Kovick worked at his drums—earnest and sloppy and full of pretension and all wrong; you found you were saying yes when you meant no, and “We’ve got to be together on this thing” when you meant the very opposite; then you were breathing gasoline as if it were flowers and abandoning yourself to a delirium of love under the weight of a clumsy, grunting, red-faced man you didn’t even like—Shep Campbell!—and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. (p.416-7)
Richard Yates (Revolutionary Road)
Though nothing much had happened, he felt that he had seen and experienced enough that day - thus securing his tomorrow. For today he required no more, no sight or conversation, and above all nothing new. Just to rest, to close his eyes and ears; just to inhale and exhale would be effort enough. He wished it was bedtime. Enough of being in the light and out of doors; he wanted to be in the dark, in the house, in his room. But he had also had enough of being alone; he felt, as time passed, that he was experiencing every variety of madness and that his head was bursting. He recalled how, years ago, when it had been his habit to taken afternoon walks on lonely bypaths, a strange uneasiness had taken possession of him, leading him to believe that he had dissolved in the air and ceased to exist.
Peter Handke (The Afternoon of a Writer)
Silence Never Silence never healed the lonely. Silence never comforted the broken hearted. Silence never saved a life. Silence never won an argument with kindness. Silence never healed the poor. Silence never learned compassion. Silence never saw the pain in another. Silence never asked for forgiveness. Silence never felt remorse. Silence never felt empathy. Silence never grew up. Silence never listened to promptings. Silence never resolved a problem. Silence never had closure. Silence never had a conscience. Silence never developed integrity. Silence never knew manners. Silence never learned respect. Silence never matured. Silence never understood that the bible and its stories was God’s way of saying, “Stop being silent and start healing one another.” Silence never realized that Christ was an activist for communication.
Shannon L. Alder
Then what do you want?" she asked softly. He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?" He gave a harsh laugh and loosened his arms to release her. "More than you know." Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek." He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy. Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
I am what became of your child. I found an old baby picture of me. And it was somebody else, not me. It was somebody pink and fat who never heard of sick or lonely, somebody who cried and got fed,, and reached up and got held and kicked but didn't hurt anybody, and slept whenever she wanted to, just by closing her eyes. Somebody who mainly just laid there and laughed at the colors waving around over her head and chewed on a polka-dot whale and woke up knowing some new trick nearly every day and rolled over and drooled on the sheet and felt your hand pulling my quilt back up over me. That's who I started out and this is who is left. That's what this is about. It's somebody I lost, all right, it's my own self. Who I never was. Or who I tried to be and never got there. Somebody I waited for who never came. And never will. So, see, it doesn't much matter what else happens in the world or in this house, even. I'm what was worth waiting for and I didn't make it. Me...who might have made a difference to me...I'm not going to show up, so there's no reason to stay, except to keep you company, and that's...not reason enough because I'm not...very good company. Am I.
Marsha Norman ('night, Mother)
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?
Haruki Murakami (The Elephant Vanishes)
In the first movement, our infancy as a species, we felt no separation from the natural world around us. Trees, rocks, and plants surrounded us with a living presence as intimate and pulsing as our own bodies. In that primal intimacy, which anthropologists call "participation mystique," we were as one with our world as a child in the mother's womb. Then self-consciousness arose and gave us distance on our world. We needed that distance in order to make decisions and strategies, in order to measure, judge and to monitor our judgments. With the emergence of free-will, the fall out of the Garden of Eden, the second movement began -- the lonely and heroic journey of the ego. Nowadays, yearning to reclaim a sense of wholeness, some of us tend to disparage that movement of separation from nature, but it brought us great gains for which we can be grateful. The distanced and observing eye brought us tools of science, and a priceless view of the vast, orderly intricacy of our world. The recognition of our individuality brought us trial by jury and the Bill of Rights. Now, harvesting these gains, we are ready to return. The third movement begins. Having gained distance and sophistication of perception, we can turn and recognize who we have been all along. Now it can dawn on us: we are our world knowing itself. We can relinquish our separateness. We can come home again -- and participate in our world in a richer, more responsible and poignantly beautiful way than before, in our infancy.
Joanna Macy (World as Lover, World as Self)
The life that I touch for good or ill will touch another life, and that in turn another, until who knows where the trembling stops or in what far place and time my touch will be felt. Our lives are linked together. No man is an island. But there is another truth, the sister of this one, and it is that every man is an island. It is a truth that often the tolling of a silence reveals even more vividly than the tolling of a bell. We sit in silence with one another, each of us more or less reluctant to speak, for fear that if he does, he may sound life a fool. And beneath that there is of course the deeper fear, which is really a fear of the self rather than of the other, that maybe truth of it is that indeed he is a fool. The fear that the self that he reveals by speaking may be a self that the others will reject just as in a way he has himself rejected it. So either we do not speak, or we speak not to reveal who we are but to conceal who we are, because words can be used either way of course. Instead of showing ourselves as we truly are, we show ourselves as we believe others want us to be. We wear masks, and with practice we do it better and better, and they serve us well –except that it gets very lonely inside the mask, because inside the mask that each of us wears there is a person who both longs to be known and fears to be known. In this sense every man is an island separated from every other man by fathoms of distrust and duplicity. Part of what it means to be is to be you and not me, between us the sea that we can never entirely cross even when we would. “My brethren are wholly estranged from me,” Job cries out. “I have become an alien in their eyes.” The paradox is that part of what binds us closest together as human beings and makes it true that no man is an island is the knowledge that in another way every man is an island. Because to know this is to know that not only deep in you is there a self that longs about all to be known and accepted, but that there is also such a self in me, in everyone else the world over. So when we meet as strangers, when even friends look like strangers, it is good to remember that we need each other greatly you and I, more than much of the time we dare to imagine, more than more of the time we dare to admit. Island calls to island across the silence, and once, in trust, the real words come, a bridge is built and love is done –not sentimental, emotional love, but love that is pontifex, bridge-builder. Love that speak the holy and healing word which is: God be with you, stranger who are no stranger. I wish you well. The islands become an archipelago, a continent, become a kingdom whose name is the Kingdom of God.
Frederick Buechner (The Hungering Dark)
I drove by all the places we used to hang out getting wasted I thought about our last kiss, how it felt the way you tasted And even though your friends tell me you're doing fine Are you somewhere feeling lonely even though he's right beside you? When he says those words that hurt you, do you read the ones I wrote you? Sometimes I start to wonder, was it just a lie? If what we had was real, how could you be fine? 'Cause I'm not fine at all I remember the day you told me you were leaving I remember the make-up running down your face And the dreams you left behind you didn't need them Like every single wish we ever made I wish that I could wake up with amnesia And forget about the stupid little things Like the way it felt to fall asleep next to you And the memories I never can escape 'Cause I'm not fine at all The pictures that you sent me they're still living in my phone I'll admit I like to see them, I'll admit I feel alone And all my friends keep asking why I'm not around It hurts to know you're happy, yeah, it hurts that you've moved on It's hard to hear your name when I haven't seen you in so long It's like we never happened, was it just a lie? If what we had was real, how could you be fine? 'Cause I'm not fine at all I remember the day you told me you were leaving I remember the make-up running down your face And the dreams you left behind you didn't need them Like every single wish we ever made I wish that I could wake up with amnesia And forget about the stupid little things Like the way it felt to fall asleep next to you And the memories I never can escape If today I woke up with you right beside me Like all of this was just some twisted dream I'd hold you closer than I ever did before And you'd never slip away And you'd never hear me say I remember the day you told me you were leaving I remember the make-up running down your face And the dreams you left behind you didn't need them Like every single wish we ever made I wish that I could wake up with amnesia And forget about the stupid little things Like the way it felt to fall asleep next to you And the memories I never can escape 'Cause I'm not fine at all No, I'm really not fine at all Tell me this is just a dream 'Cause I'm really not fine at all
5 Seconds of Summer
Isabel took a drive alone that afternoon; she wished to be far away, under the sky, where she could descend from her carriage and tread upon the daisies. She had long before this taken old Rome into her confidence, for in a world of ruins the ruin of her happiness seemed a less unnatural catastrophe. She rested her weariness upon things that had crumbled for centuries and yet still were upright; she dropped her secret sadness into the silence of lonely places, where its very modern quality detached itself and grew objective, so that as she sat in a sun-warmed angle on a winter's day, or stood in a mouldy church to which no one came, she could almost smile at it and think of its smallness. Small it was, in the large Roman record, and her haunting sense of the continuity of the human lot easily carried her from the less to the greater. She had become deeply, tenderly acquainted with Rome; it interfused and moderated her passion. But she had grown to think of it chiefly as the place where people had suffered. This was what came to her in the starved churches, where the marble columns, transferred from pagan ruins, seemed to offer her a companionship in endurance and the musty incense to be a compound of long-unanswered prayers. There was no gentler nor less consistent heretic than Isabel; the firmest of worshippers, gazing at dark altar-pictures or clustered candles, could not have felt more intimately the suggestiveness of these objects nor have been more liable at such moments to a spiritual visitation.
Henry James (The Portrait of a Lady)
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all. As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain. He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home. "I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close. Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her. "You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard. A streak of violet lightning split the sky, striking close behind them. The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open. "But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate. "You," he scarcely more than breathed, "are just like every. Body. Else." He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff. As he let her go. The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him. Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
Kelly Creagh (Enshadowed (Nevermore, #2))
The Listeners 'Is there anybody there?' said the Traveller, Knocking on the moonlit door; And his horse in the silence champed the grasses Of the forest's ferny floor. And a bird flew up out of the turret, Above the Traveller's head: And he smote upon the door again a second time; 'Is there anybody there?' he said. But no one descended to the Traveller; No head from the leaf-fringed sill Leaned over and looked into his grey eyes, Where he stood perplexed and still. But only a host of phantom listeners That dwelt in the lone house then Stood listening in the quiet of the moonlight To that voice from the world of men: Stood thronging the faint moonbeams on the dark stair, That goes down to the empty hall, Hearkening in an air stirred and shaken By the lonely Traveller's call. And he felt in his heart their strangeness, Their stillness answering his cry, While his horse moved, cropping the dark turf, 'Neath the starred and leafy sky; For he suddenly smote on the door, even Louder, and lifted his head:-- 'Tell them I came, and no one answered, That I kept my word,' he said. Never the least stir made the listeners, Though every word he spake Fell echoing through the shadowiness of the still house From the one man left awake: Ay, they heard his foot upon the stirrup, And the sound of iron on stone, And how the silence surged softly backward, When the plunging hoofs were gone.
Walter de la Mare
I feel that for white America to understand the significance of the problem of the Negro will take a bigger and tougher America than any we have yet known. I feel that America's past is too shallow, her national character too superficially optimistic, her very morality too suffused with color hate for her to accomplish so vast and complex a task. Culturally the Negro represents a paradox: Though he is an organic part of the nation, he is excluded by the ride and direction of American culture. Frankly, it is felt to be right to exclude him, and it if felt to be wrong to admit him freely. Therefore if, within the confines of its present culture, the nation ever seeks to purge itself of its color hate, it will find itself at war with itself, convulsed by a spasm of emotional and moral confusion. If the nation ever finds itself examining its real relation to the Negro, it will find itself doing infinitely more than that; for the anti-Negro attitude of whites represents but a tiny part - though a symbolically significant one - of the moral attitude of the nation. Our too-young and too-new America, lusty because it is lonely, aggressive because it is afraid, insists upon seeing the world in terms of good and bad, the holy and the evil, the high and the low, the white and the black; our America is frightened of fact, of history, of processes, of necessity. It hugs the easy way of damning those whom it cannot understand, of excluding those who look different, and it salves its conscience with a self-draped cloak of righteousness. Am I damning my native land? No; for I, too, share these faults of character! And I really do not think that America, adolescent and cocksure, a stranger to suffering and travail, an enemy of passion and sacrifice, is ready to probe into its most fundamental beliefs.
Richard Wright (Black Boy)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation. I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself. But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down. Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth. I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder. "Begin," I command. "It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.
Pat Conroy (The Lords of Discipline)