Hurry Up Summer Quotes

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To the most inconsiderate asshole of a friend, I’m writing you this letter because I know that if I say what I have to say to your face I will probably punch you. I don’t know you anymore. I don’t see you anymore. All I get is a quick text or a rushed e-mail from you every few days. I know you are busy and I know you have Bethany, but hello? I’m supposed to be your best friend. You have no idea what this summer has been like. Ever since we were kids we pushed away every single person that could possibly have been our friend. We blocked people until there was only me and you. You probably haven’t noticed, because you have never been in the position I am in now. You have always had someone. You always had me. I always had you. Now you have Bethany and I have no one. Now I feel like those other people that used to try to become our friend, that tried to push their way into our circle but were met by turned backs. I know you’re probably not doing it deliberately just as we never did it deliberately. It’s not that we didn’t want anyone else, it’s just that we didn’t need them. Sadly now it looks like you don’t need me anymore. Anyway I’m not moaning on about how much I hate her, I’m just trying to tell you that I miss you. And that well . . . I’m lonely. Whenever you cancel nights out I end up staying home with Mum and Dad watching TV. It’s so depressing. This was supposed to be our summer of fun. What happened? Can’t you be friends with two people at once? I know you have found someone who is extra special, and I know you both have a special “bond,” or whatever, that you and I will never have. But we have another bond, we’re best friends. Or does the best friend bond disappear as soon as you meet somebody else? Maybe it does, maybe I just don’t understand that because I haven’t met that “somebody special.” I’m not in any hurry to, either. I liked things the way they were. So maybe Bethany is now your best friend and I have been relegated to just being your “friend.” At least be that to me, Alex. In a few years time if my name ever comes up you will probably say, “Rosie, now there’s a name I haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum and dad when they have dinner parties with friends and talk about old times. They always mention people I’ve never even heard of when they’re talking about some of the most important days of their lives. Yet where are those people now? How could someone who was your bridesmaid 20 years ago not even be someone who you are on talking terms with now? Or in Dad’s case, how could he not know where his own best friend from college lives? He studied with the man for five years! Anyway, my point is (I know, I know, there is one), I don’t want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory. I want us to be best friends forever, Alex. I’m happy you’re happy, really I am, but I feel like I’ve been left behind. Maybe our time has come and gone. Maybe your time is now meant to be spent with Bethany. And if that’s the case I won’t bother sending you this letter. And if I’m not sending this letter then what am I doing still writing it? OK I’m going now and I’m ripping these muddled thoughts up. Your friend, Rosie
Cecelia Ahern (Love, Rosie)
Ithaka As you set out for Ithaka hope the voyage is a long one, full of adventure, full of discovery. Laistrygonians and Cyclops, angry Poseidon—don’t be afraid of them: you’ll never find things like that on your way as long as you keep your thoughts raised high, as long as a rare excitement stirs your spirit and your body. Laistrygonians and Cyclops, wild Poseidon—you won’t encounter them unless you bring them along inside your soul, unless your soul sets them up in front of you. Hope the voyage is a long one. May there be many a summer morning when, with what pleasure, what joy, you come into harbors seen for the first time; may you stop at Phoenician trading stations to buy fine things, mother of pearl and coral, amber and ebony, sensual perfume of every kind— as many sensual perfumes as you can; and may you visit many Egyptian cities to gather stores of knowledge from their scholars. Keep Ithaka always in your mind. Arriving there is what you are destined for. But do not hurry the journey at all. Better if it lasts for years, so you are old by the time you reach the island, wealthy with all you have gained on the way, not expecting Ithaka to make you rich. Ithaka gave you the marvelous journey. Without her you would not have set out. She has nothing left to give you now. And if you find her poor, Ithaka won’t have fooled you. Wise as you will have become, so full of experience, you will have understood by then what these Ithakas mean.
Constantinos P. Cavafy (C.P. Cavafy: Collected Poems)
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them. In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is! In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects. In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.
Sei Shōnagon
You can't recapture your past anymore than you can speed up your future. Stop lamenting summer and stop trying to hurry winter. Just enjoy the fall.
Debbie Viguié (The Fall of Candy Corn (Sweet Seasons, #2))
I put both hands on his chest and backed him up a pace. The black sky behind him was filled with color. I said, “Go. Hurry. You can still help. You’re missing it.” He pulled me close again and gazed down at me, tracing one finger so tenderly along my cheekbone. His finger was black, and he might be leaving an attractive black streak across my skin. I didn’t mind. The way he was looking at me with those light blue eyes, I had never felt more beautiful. He bent his head close to my ear again so I could hear him whisper, “I’m not missing anything
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
Antwone Quenton Fisher (Finding Fish)
Amory wandered slowly up the avenue and thought of the night as inevitably his-- the pageantry and carnival of rich dusk and dim streets... it seemed that he had closed the book of fading harmonies at last and stepped into the sensuous vibrant walks of life. Everywhere these countless lights, this promise of a night of streets and singing-- he moved in a half-dream through the crowd as if expecting to meet Rosalind hurrying toward him with eager feet from every corner... How the unforgettable faces of dusk would blend to her, the myriad footsteps, a thousand overtures, would blend to her footsteps; and there would be more drunkenness than wine in the softness of her eyes on his. Even his dreams now were faint violins drifting like summer sounds upon the summer air.
F. Scott Fitzgerald (This Side of Paradise)
Men occasionally stumble over the truth, but most of them pick themselves up and hurry off as if nothing had happened. —Winston Churchill
Ann Brashares (The Second Summer of the Sisterhood (The Sisterhood of the Traveling Pants, #2))
Don’t you dare try to hurry me along. Next to that gorgeous view between your legs, this is where I’d want to die. Right here.” I plant a kiss to her cleavage before moving up her body.
J. Daniels (Where I Belong (Alabama Summer, #1))
...You cant make someone be your person. You can't make them love you. You can't hurry love up, or even set it aside. I know because I've spent too much of my life trying to do just that.
Jill Shalvis (The Summer Deal (Wildstone, #5))
As they ran to the barn and began the careful climb up the steep ladder, Lily realized she had accidentally put on snow boots in her hurry. When they reached the top, the quiet hush of the still hayloft gave them that whisper-in-the-library feeling.
Kate Willis (The Treasure Hunt)
Anne had wandered down the the Dryard's Bubble and was curled up among the ferns at the root of the n=big white birch where sher and Gilbert had so often sat ion summers gone by. Hew had gone into the newspaper office again when college was closed, and Avonlea seemed very dull without him. He never wrote to her, and Anne missed the letters that neer came. To be sure, Roy wrote twice a week; his letters were exquisite compositions which would have read beautifully in a memoir or biography. Anne felt herself more deeply in love with him that ever when she read the; but her heart never game that queer, quick, painful bound at sight of his letters which had given one day when Mrs. Hiram Sloane had handed her out an envelope addressed in Gilbert's black, upright handwriting. Anne had hurried home to the east gable and opened it eagrly--to find a typewritten copy of some college society report--"only that and nothing more." Anne flung the harmless screed across her room and sat down to write and especially nice epistle to Roy
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd. "All right, folks," Mr. Summers said. "Let's finish quickly." Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box. Mrs. Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up." Mrs. Dunbar had small stones in both hands, and she said, gasping for breath, "I can't run at all. You'll have to go ahead and I'll catch up with you." The children had stones already, and someone gave little Davy Hutchinson a few pebbles. Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him. "It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.
Shirley Jackson (The Lottery and Other Stories)
Most autumns, the water is low from the long dry summer, and you have to get out from time to time and wade, leading or dragging your boat through trickling shallows from one pool to the long channel-twisted pool below, hanging up occasionally on shuddering bars of quicksand, making six or eight miles in a day's lazy work, but if you go to the river at all, you tend not to mind. You are not in a hurry there; you learned long since not to be.
John Graves (Goodbye to a River: A Narrative)
The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. ‘Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. ‘Had a good summer, Luna?’ Ginny asked. ‘Yes,’ said Luna dreamily, without taking her eyes off Harry. ‘Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. ‘I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. ‘And I don’t know who you are.’ ‘I’m nobody,’ said Neville hurriedly. ‘No you’re not,’ said Ginny sharply. ‘Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ ‘Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
On December the twenty-third, the park was hazy from clammy mists that muted and softened all color and distance. Michael had not set off for Whitelow after breakfast, so I bundled myself into my redingote that was as thick and warm as a man's, and pulled on my sable hat and muff. Even so, the chill pinched my nose as I hurried along paths of mushy leaves, sending startled birds pink-pinking up into the air. Claw-like seed pods clung to my skirts; the fine flowers of summer drooped slimy and black. I collected a few posies of evergreens to paint: stiff pine cones, jewel-like berries of black and scarlet, and oval seed pods as lustrous as pearl.
Martine Bailey (A Taste for Nightshade)
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
Stephen King ('Salem's Lot)
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart.   Alexander   P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
It's wicked to wish time away," my mother used to lecture us kids—usually when we were pining for summer vacation in the depths of February, or waiting for Halloween to hurry up and come—and probably she was right, but I can't help thinking that such temporal jumps might be a good thing for people living bad lives, and between the advent of the Reagan administration in 1980 and the Tulsa State Fair in 1992, I was living a very bad life. There were blackouts, but no title cards. I had to live every day of those years, and when I couldn't get high, some of the days were a hundred hours long.
Stephen King (Revival)
I have known moments that had the pure blaze of a diamond. But they have always come without being called for. They used to spring up unex-pectedly, an unlooked-for truce, an unhoped-for promise, cutting across the activities that insisted upon my presence; would enjoy them almost illicitly, coming out of the lyce, or the exit of a métro, or on my balcony between two sessions of work, or hurrying along the boulevard to meet André. Now I walked about Paris, free, receptive, and frigidly indifferent. My overflowing leisure handed me the world and at the same time prevented me from secing it. Just as the sun, filtering through the closed venetian blinds on a hot afternoon, makes the whole magnificence of summer blaze in my mind; whereas if I face its direct harsh glare it blinds me.
Simone de Beauvoir
My Christmas present? That’s nice. But I’m not really in the mood to—” “Open the goddamn thing or I’ll kill you where you stand.” “Sir! Opening it.” She ripped the paper, stuffed it hurriedly in her pocket, and pulled off the lid. “It’s a key code.” “That’s right. It’s to the ground transpo that’ll be at the airport over in that foreign country. Air transpo’s been arranged, for two, on one of Roarke’s private shuttles. Round trip. Merry fricking Christmas. Do what you want with it.” “I—you—one of the shuttles? Free?” Peabody’s cheeks went pink as a summer rose. “And—and—and—a vehicle when we get there? It’s so… It’s so seriously mag.” “Great. Can we go now?” “Dallas!” “No. No. No hugs. No hugs. No. Oh, shit,” she muttered as Peabody threw her arms around her and squeezed. “We’re on duty, we’re in public. Let me go or I swear I’ll kick your ass so hard that extra five pounds you’re whining about will end up in Trenton.
J.D. Robb
chewing gum, particularly peppermint chewing gum, which they were allergic to, but they ran to the pots. Violet picked one up and Sunny picked up the other, while Klaus hurriedly made the beds. “Give them to me,” Foreman Flacutono snapped, and grabbed the pots out of the girls’ hands. “Now, workers, we’ve wasted enough time already. To the mills! Logs are waiting for us!” “I hate log days,” one of the employees grumbled, but everyone followed Foreman Flacutono out of the dormitory and across the dirt-floored courtyard to the lumbermill, which was a dull gray building with many smokestacks sticking out of the top like a porcupine’s quills. The three children looked at one another worriedly. Except for one summer day, back when their parents were still alive, when the Baudelaires had opened a lemonade stand in front of their house, the orphans had never had jobs, and they were nervous. The Baudelaires followed Foreman Flacutono into the
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist.
Alaya Dawn Johnson (The Summer Prince)
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
off a different lane entirely.” “Oh, right. Well, maybe we’ll get to see that another day,” Mia smiled, her heart rate rising. “Thanks!” The old lady nodded, then watched as the girls turned their ponies. Mia, Rosie and Charlie couldn’t keep the smiles from their faces as they headed through the trees and back across the brook onto the Dovecote estate. “So, there are hoof prints in the brook right opposite the most remote corner of Chestnut Grove,” Charlie said in a rush. “Which means that Freddie could easily have led Foxy from his paddock,” Mia figured, “across this brook, then hidden him in Dovecote Hall!” “We’d better hurry up, then,” Rosie said, starting to get excited. “We haven’t got long to check out the rest of the estate and find Foxy!
Belinda Rapley (Foxy: Rivalry at Summer Camp (The Pony Detectives, #5))
Let's Play Cat & Mouse It was a beautiful day as he walked the streets, filled with flowers of summer and the green of the trees. The sun just rising, the freshness in the air. In the distance, something rolled across the road, pushed and played with by a fluffy, tiger like cat. It rolled, and was poked and pushed to the edge … Stop that, Stop that, Stop that now … it’s tiny little legs on the floor as it stretched as tall as it could, arms in front, as it looked up at fluffy … No, No, No You can’t catch me … Shocked and amazed was fluffy … As his morning breakfast, scurried and hurried along the side of the road … Goodbye, Good Day, have a wonderful Day … As they continued their day … No more time for Let’s play cat and mouse. by Natasha Parker Copyright © 2014 by Luisa Natasha Parker
Luisa Natasha Parker (Natasha a Journey to Freedom, Love and Happiness)
Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.
Lawrence Bransby (Two Fingers On The Jugular)
achieved an outcome that he could call a victory by capturing fifty-three women and children. But in the process, he failed to support his detachment of scouts led by Major Joel Elliott. The detachment was killed and butchered by an army of warriors that Custer didn’t know was there. Benteen, for one, never forgave Custer for failing to make a stronger effort to save Elliott and the scouts. Now, Custer faced a similar problem. He believed the noncombatants were running north from the village. But to his south, Reno’s battalion was in danger of being destroyed. He couldn’t capture the noncombatants and save Reno at the same time. As Custer deliberated, his youngest brother, Boston, rode up. Boston had ridden back to the pack train to exchange his horse for a fresh mount. Along the way, he passed Benteen’s battalion, and now he told his brother that Benteen’s men were on the trail to the battlefield and the pack train was only a mile behind them. Custer decided he needed a better view of the landscape. He led his column farther north, across a wide ravine and up onto a high ridge. From there, he saw even more of the village and realized it was even larger than he’d previously believed. He also saw a dust cloud to the south that he thought was a sign of Benteen’s battalion. If Benteen hurried as ordered, he could reunite with Custer in less than half an hour. That thought solidified the decision in Custer’s mind, and Custer explained his plan to his senior officers. Custer split his command into two wings. He told his old friend Captain George Yates to lead the smaller wing, with two of the five companies, over the hills and down a ravine toward the river. Yates would make a big show of acting like he was going to charge across the river and into the village, but in reality, he would secure a place to cross for the rest of the column. Custer would stay with the larger wing—the three companies commanded by Captain Myles Keogh—and wait for Benteen. If Benteen arrived soon, his three companies would join with Keogh’s three companies and rush down to Yates’s position. Then all eight companies would cross the river together and storm the village. If Benteen was delayed, then Keogh’s companies would fire
Chris Wimmer (The Summer of 1876: Outlaws, Lawmen, and Legends in the Season That Defined the American West)
During that time, “Hurry up or we’ll be late” was commonly heard, either yelled from the kitchen or hissed while we scurried into the back row at church. There was too much to do in too little time. Life was a blur. And I thought everyone lived like this. That was until I read about “hurry sickness” in The Life You’ve Always Wanted by John Ortberg. My heart was skewered when I read that one of its symptoms is a diminished capacity to love. My children could have told you I had a problem. Only it wasn’t hurry sickness, it was hurry addiction. God dealt with my addiction to overload and hurry by taking it all away in a cross-country move. He made me go cold turkey as I said good-bye to working at my job, directing the children’s ministry, coleading the women’s ministry, being on the praise team, having my small group, leading Vacation Bible Study each summer, and more. God moved us 2,100 miles away—so far that I couldn’t even sneak back to lead a women’s event. I had no job, no church, and no friends, just lots of time. Since two of the boys were in school and the youngest had just started preschool, I had plenty of time to think and pray. And while there were lots of tears, I also experienced God in a new way. Very quickly, God connected me with Proverbs 31 Ministries. I started to learn that God had a better plan for my life than I did, and that I should look to Him for direction on my daily activities. I also learned that my first line of ministry was inside my home. I wasn’t completely cured of my hurry addiction yet, so I decided I would become the Best Homemaker Ever. And then I picked up a book called No Ordinary Home by Carol Brazo. And right in the beginning of the book I read something that brought about the biggest change in my life: If there were one biblical truth I wish I could give my children and lay hold of in my own deepest parts, it would be this one thing. He created me, He loves me, He will always love me. Nothing I do will change who I am. Being versus doing. The error was finally outlined in bold. I was always worried about what I was doing. . . . God’s only concern was and is what I am being—a child of His, forgiven, justified by the work of His Son, His Heir.[2] You know when you feel like an author has peeked into your living room window and knows exactly who you are? That’s what reading this was like for me. God wired me to be highly productive, but I hadn’t undergirded that with an understanding of my true identity. So in order to feel worthwhile and valued and confident, I was driven to take on more. More accomplishments equaled more worth. But it was never enough.
Glynnis Whitwer (Taming the To-Do List)
Some kind of relaxed and beautiful thing kept flickering in with the tide and looking around. Black as a fisherman’s boot, with a white belly. If you asked for a picture I would have to draw a smile under the perfectly round eyes and above the chin, which was rough as a thousand sharpened nails. And you know what a smile means, don’t you? * I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know, whoever I was, I was alive for a little while. * It was evening, and no longer summer. Three small fish, I don’t know what they were, huddled in the highest ripples as it came swimming in again, effortless, the whole body one gesture, one black sleeve that could fit easily around the bodies of three small fish. * Also I wanted to be able to love. And we all know how that one goes, don’t we? Slowly * the dogfish tore open the soft basins of water. * You don’t want to hear the story of my life, and anyway I don’t want to tell it, I want to listen to the enormous waterfalls of the sun. And anyway it’s the same old story – - - a few people just trying, one way or another, to survive. Mostly, I want to be kind. And nobody, of course, is kind, or mean, for a simple reason. And nobody gets out of it, having to swim through the fires to stay in this world. * And look! look! look! I think those little fish better wake up and dash themselves away from the hopeless future that is bulging toward them. * And probably, if they don’t waste time looking for an easier world, they can do it.
Mary Oliver
Shade Branch, except for a deep hole or two, dries up in the summer. But as the light weakens and the days shorten, the winter rains start it running again. One of the happiest moments of my walks is when I get to where I can hear the branch. The water comes down in a hurry, tossing itself this way and that as it tumbles among the broken pieces of old sea bottom. The stream seems to be talking, saying any number of things as it goes along. Sometimes, at a certain distance, it can sound like several people talking and laughing. But you listen and you realize it is talking absolutely to itself. If our place has a voice, this is it. And it is not talking to you. You can't understand a thing it is saying. You walk up and stand beside it, loving it, and you know it doesn't care whether you love it or not. The stream and the woods don't care if you love them. The place doesn't care if you love it. But for your own sake you had better love it. For the sake of all else you love, you had better love it.
Wendell Berry (Hannah Coulter)
They spent three more long days in the whitened mountain ash trees on the whitened bay. Tatiana baked pies in Nellie’s big kitchen. Alexander read all the papers and magazines from stem to stern and talked post-war politics to Tatiana and Jimmy, and even to indifferent Nellie. In Nellie’s potato fields, Alexander built snowmen for Anthony. After the pies were in the oven, Tatiana came out of the house and saw six snowmen arrayed like soldiers from big to little. She tutted, rolled her eyes and dragged Anthony away to fall down and make angels in the snow instead. They made thirty of them, all in a row, arrayed like soldiers. On the third night of winter, Anthony was in their bed restfully asleep, and they were wide awake. Alexander was rubbing her bare buttocks under her gown. The only window in their room was blizzarded over. She assumed the blue moon was shining beyond. His hands were becoming very insistent. Alexander moved one of the blankets onto the floor, silently; moved her onto the blanket, silently; laid her flat onto her stomach, silently, and made love to her in stealth like they were doughboys on the ground, crawling to the frontline, his belly to her back, keeping her in a straight line, completely covering her tiny frame with his body, clasping her wrists above her head with one hand. As he confined her, he was kissing her shoulders, and the back of her neck, and her jawline, and when she turned her face to him, he kissed her lips, his free hand roaming over her legs and ribs while he moved deep and slow! amazing enough by itself, but even more amazingly he turned her to him to finish, still restraining her arms above her head, and even made a brief noise not just a raw exhale at the feverish end...and then they lay still, under the blankets, and Tatiana started to cry underneath him, and he said shh, shh, come on, but didn’t instantly move off her, like usual. “I’m so afraid,” she whispered. “Of what?” “Of everything. Of you.” He said nothing. She said, “So you want to get the heck out of here?” “Oh, God. I thought you’d never ask.” “Where do you think you’re going?” Jimmy asked when he saw them packing up the next morning. “We’re leaving,” Alexander replied. “Well, you know what they say,” Jim said. “Man proposes and God disposes. The bridge over Deer Isle is iced over. Hasn’t been plowed in weeks and won’t be. Nowhere to go until the snow melts.” “And when do you think that might be?” “April,” Jimmy said, and both he and Nellie laughed. Jimmy hugged her with his one good arm and Nellie, gazing brightly at him, didn’t look as if she cared that he had just the one. Tatiana and Alexander glanced at each other. April! He said to Jim, “You know what, we’ll take our chances.” Tatiana started to speak up, started to say, “Maybe they’re right—” and Alexander fixed her with such a stare that she instantly shut up, ashamed of questioning him in front of other people, and hurried on with the packing. They said goodbye to a regretful Jimmy and Nellie, said goodbye to Stonington and took their Nomad Deluxe across Deer Isle onto the mainland. In this one instant, man disposed. The bridge had been kept clear by the snow crews on Deer Isle. Because if the bridge was iced over, no one could get any produce shipments to the people in Stonington. “What a country,” said Alexander, as he drove out onto the mainland and south.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
animal with her hair blowing behind her. It was simultaneously inhuman and intoxicating. Seth didn’t want to fight it anymore. He kissed her. It wasn’t like their first kiss when Jericho attacked the summer camp, which had been brief and hurried. His lips fell on hers, and they both paused—waiting, probably, to see if one of them would draw back. She reached up and laid her fingers on the back of his neck. That small gesture was enough. His lips parted, and then they were kissing, really kissing. She tasted like blood. He didn’t care. When they parted, she was smiling. He smiled back. A voice spoke from behind them. “So that’s how it is.” Eleanor. Seth moved to conceal Rylie, but his mom lifted her hands in the universal gesture of peace. She looked terrible. It was like she had aged a decade overnight. Deep lines scored the sides of her mouth and between her eyebrows. He couldn’t see a gun, but that didn’t mean it wasn’t there. “What do you want?” Rylie growled. “This isn’t worth it, Seth,” Eleanor said. “Let’s go. We’ll leave her alone. That’s what you want, isn’t it?” She looked defeated. He had never seen his mother like that. “Where’s Abel?” “He’s packing,” she said stiffly. “For what?” “He says…” She cleared his throat. “He doesn’t like what I’ve done. He thinks it’s time to go out on his own. So it’s time for you and me to go.” She thought Seth would go with her? The idea was ridiculous. He might have been seventeen, but he wasn’t an idiot. “Would you have shot me?” Seth asked. A muscle in her jaw twitched. “You’re my baby. I would never shoot you.” He couldn’t tell if she was lying or not. “I’m not going with you. I’m done fighting Dad’s battles.” She stiffened.
S.M. Reine (All Hallows' Moon (Seasons of the Moon, #2))
Rollo and Cynthia Bankvole are bellringers, just as Tess and I once were. Rollo’s latest yearning is to become a squirrel and join the band of Sam and Elmtail to become part of the Mossflower Patrol. That Rollo, he will probably want to be a badger next. Constance is getting ready to sit out in the sun and take things easy. She is teaching Auma all she knows, and some season soon Auma will become the Mother of Redwall. She is dearly loved by every creature in our Abbey. Orlando is Constance’s firm friend and they are seldom apart. His axe hangs in Great Hall. As Lord of the Western Plains he only has to stand on the west battlements to survey his lands. Last summer the Churchmouse family was united to the Warriors, much to the delight of my mother and Cornflower. Mattimeo and my sister Tess were married. Our parents like to sit out in the sun a lot, my mother and father, Cornflower and Matthias. Like all life, they are growing no younger. They prefer to talk of the old times with friends, and that is good. They deserve a little rest and peace after bringing us up, though Matthias still joins Basil and Orlando to train the defenders. It is difficult to believe that we have all grown from young scamps into responsible creatures. But I am rambling. I will finish my writings and go outside into the sunlight, to the ceremony and the feast at the main gate. Forgive me for not telling you earlier, but today we have a new Redwall Champion and a naming party. Matthias is to place the great sword in the paws of his son Mattimeo, and he will be our Abbey Warrior from henceforth; there is one scamp who made doubly good. Did I not tell you? Tess and Mattimeo have a little son and I am an uncle! My mother and Cornflower chose the new baby’s name; he is to be called Martin. So the legend of Redwall has come full circle, through Martin to Matthias, from Matthias to Mattimeo, and finally back to the little life we are all so proud of: Martin, Son of the Warrior. The bells are tolling for the ceremony, so you will have to pardon me for hurrying off like this. May your lives be as full and happy as ours, and may the seasons be kind to you and your friends. The door of our Abbey is always open to any traveller roaming the dusty path between the woodlands and the plains. Tim Churchmouse (Recorder of Redwall Abbey in Mossflower country).
Brian Jacques (Mattimeo (Redwall, #3))
Sarah Jane’s mother came over, I was sure the answer would be no. But it wasn’t! If Laura’s parents really wanted two houseguests, I could go. The next few days were a flurry of getting ready. “I’ll only need to take my very best summer dresses, Ma,” I told her, “and my good shoes.” “What do you plan to wear to play in?” she asked me. “You can’t run around outside in your good clothes.” “I don’t think you run around outside in the city,” I replied. “I think you just dress up and look pretty.” “That could get old in a hurry. You’d better take a few things, just in case.” My box was packed and repacked several times before the Monday arrived to leave. “If you don’t stand still,” Ma warned me that morning, “I won’t have your hair combed by the time the Clarks get here. You don’t want to keep them waiting, do you?
Arleta Richardson (Still More Stories from Grandma's Attic (Grandma's Attic Series Book 3))
I believe Lady Freddy could use your assistance to finish dressing for tonight’s card party. She muttered dire imprecations should she be outshone by a Mrs. Flynn. One fears for her health when such moods overtake her.” The professor’s references to her ladyship’s décolletage were a marvel of delicacy. Milly hurried past him up the stairs. “Summer is coming, Professor. We can hope for a mild evening.” “A wiser bet than hoping her ladyship might learn a bit of decorum. My thanks, Miss Danforth.
Grace Burrowes (The Traitor (Captive Hearts, #2))
Ted, my husband, asked me to introduce his story because I am the one who heard it first. We had been married for two years when his “gift” was given to us. It was about 4:00 a.m. on a Sunday morning. We were both asleep in our home in Tonkawa, Oklahoma, when he sat up in bed and said, “I know how I died!” I awoke to those words, astonished as he began to tell the end of his life in a different-sounding voice and using words and a dialect I had not heard before. After a few moments of an intense outpouring of emotional facts, places, names, and events, I knew I had to write “his story” down on paper. I climbed out of bed in the dark, found a legal-size yellow pad and pencil and began writing as fast as I could. He did not slow down to help me catch up; the tale just kept flowing from his mouth. The hairs on my arms stood on end and chills continued as he told in detail events that happened over one hundred years ago. My fingers began to cramp as I kept trying to keep up with him. The descriptions were so vivid that I could visualize what he was saying like a movie playing before my eyes. Eventually we hurried to the living room after I found a small tape recorder in our dresser drawer. Ted continued to talk in this unusual voice, causing me to laugh and cry as this true-to-life saga of the 1870s began to unravel. He told me how he died at about the age of sixty. Then he went to the beginning, when Tom Summers, who was sixteen years old, left home to join the Union Army. He lied about his age and was able to join the army and fight in the Civil War. The journey takes you into the war, on into Indian Territory and westward. Every day for Tom was an adventure, and Ted will share it with you. Anyone who meets Ted is drawn to him instantly. His manner is one of confidence: of a very genuine, honest, loveable guy. He will win you over with his “Just one more story” or a big bear hug if you are not careful. We met at a teen hop in the 1950s, when I was fifteen and he was seventeen. We dated in rural America for about a year. He was then leaving the farm to go to Oklahoma State University, and he asked me to marry him. We both married other people and raised our children. Forty-one years later, we discovered each other again. This time, I said, “Yes.” Join us on our fascinating journey into the Old West as seen through Tom Summers’s “beautiful blue eyes.
Linda Riddle (A True-To-Life Western Story: No Lookin' Back)
sweaty, aching, and covered in earth. Everyone traipsed back to the castle for a quick wash and then the Gryffindors hurried off to Transfiguration. Professor McGonagall’s classes were always hard work, but today was especially difficult. Everything Harry had learned last year seemed to have leaked out of his head during the summer. He was supposed to be turning a beetle into a button, but all he managed to do was give his beetle a lot of exercise as it scuttled over the desktop avoiding his wand. Ron was having far worse problems. He had patched up his wand with some borrowed Spellotape, but it seemed to be damaged beyond repair. It kept crackling and sparking at odd moments, and every time Ron tried to transfigure his beetle
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
When any gift is shared with me it is greatly appreciated, though the gift may not be used for a while, it is cherished always, and when the time is right and comfortable it is enjoyed in peace without pressure or hurry. Sometimes we receive the gift of a warm blanket in the heat of summer. In the sweltering heat, it is readily cast aside, however, once the numbing chill sets in the blanket is gratefully gathered up once more.
Raymond D. Longoria Jr.
I put the sweater on and watched the waves come up and fall down on the beach. But not clumsily. On purpose, with a green sort of elegance. Even a drunken man could not collapse with such elegance as those waves. It was September. In the last days when things are getting sad for no reason. The beach was so long and lonely with only about six people on it. The kids quit bouncing the ball because somehow the wind made them sad, too, whistling the way it did, and the kids sat down and felt autumn come along the endless shore. All of the hot-dog stands were boarded up with strips of golden planking, sealing in all the mustard, onion, meat odors of the long, joyful summer. It was like nailing summer into a series of coffins. One by one the places slammed their covers down, padlocked their doors, and the wind came and touched the sand, blowing away all of the million footprints of July and August. It got so that now, in September, there was nothing but the mark of my rubber tennis shoes and Donald and Delaus Arnold's feet, down by the water curve. Sand blew up in curtains on the sidewalks, and the merry-goround was hidden with canvas, all of the horses frozen in mid-air on their brass poles, showing teeth, galloping on. With only the wind for music, slipping through canvas. I stood there. Everyone else was in school. I was not. Tomorrow I would be on my way west across the United States on a train. Mom and I had come to the beach for one last brief moment. There was something about the loneliness that made me want to get away by myself. "Mama, I want to run up the beach aways," I said. "All right, but hurry back, and don't go near the water.
Ray Bradbury (The Lake)