Pots Awareness Quotes

We search for happiness everywhere, but we are like Tolstoy's fabled beggar who spent his life sitting on a pot of gold, under him the whole time. Your treasure--your perfection--is within you already. But to claim it, you must leave the buy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart.

A philosophical question: if a tree falls in a forest and no one is around to hear it, does it make a sound? And if a woman who's wholly alone occasionally talks to a pot plant, is she certifiable? I think that it is perfectly normal to talk to oneself occasionally. It's not as though I'm expecting a reply. I'm fully aware that Polly is a houseplant.

When everyone is trying to be something, be nothing. Range with emptiness. Human should be like a pot. As the pot is hold by its emptiness inside, human is hold by the awareness of his nothingness.

Some people read for instruction, which is praiseworthy, and some for pleasure, which is innocent, but not a few read from habit, and I suppose that is neither innocent nor praiseworthy. Of that lamentable company am I. Conversation after a time bores me, games tire me, and my own thoughts, which we are told are the unfailing resource of a sensible man, have a tendency to run dry. Then I fly to my book as the opium-seeker to his pipe. I would sooner read the catalogue of the Army and Navy stores or Bradshaw's Guide than nothing at all, and indeed I have spent many delightful hours over both these works. At one time I never went out without a second-hand bookseller's list in my pocket. I know no reading more fruity. Of course to read in this way is as reprehensible as doping, and I never cease to wonder at the impertinence of great readers who, because they are such, look down on the illiterate. From the standpoint of what eternity is it better to have read a thousand books than to have ploughed a million furrows? Let us admit that reading with us is just a drug that we cannot do without — who of this band does not know the restlessness that attacks him when he has been severed from reading too long, the apprehension and irritability, and the sigh of relief which the sight of a printed page extracts from him? — and so let us be no more vainglorious than the poor slaves of the hypodermic needle or the pint-pot. And like the dope-fiend who cannot move from place to place without taking with him a plentiful supply of his deadly balm I never venture far without a sufficiency of reading matter. Books are so necessary to me that when in a railway train I have become aware that fellow-travellers have come away without a single one I have been seized with a veritable dismay. But when I am starting on a long journey the problem is formidable.

The song is an unvarnished love shout, an implorement tinged with...anger? Something like anger, but the anger of a philosoher, the anger of a pot. An anger directed at the transience of the world, at its heartbreaking beauty that collides constantly with our awareness of the fact that everything gets taken away, that we're being shown marvels but reminded always that they don't belong to us. They're sultans' treasures; we're lucky, we're expected to feel lucky to have been invited to see them at all.

The Universe was a damned silly place at best . . . but the least likely explanation for its existence was the no-explanation of random chance, the conceit that some abstract somethings "just happened" to be some atoms that "just happened" to get together in configurations which "just happened" to look like consistent laws and then some of these configurations "just happened" to possess self-awareness and that two such "just happened" to be the Man from Mars and the other a bald-headed old coot with Jubal himself inside. No, Jubal would not buy the "just happened" theory, popular as it was with men who called themselves scientists. Random chance was not a sufficient explanation of the Universe--in fact, random chance was not sufficient to explain random chance; the pot could not hold itself.

I talk to her sometimes, I'm not ashamed to admit it. When the silence and the aloneness press down and around me, crushing me, carving me like ice, I need to speak aloud sometimes, if only for proof of life. A philosophical question: if a tree falls in a forest and no one is around to hear it, does it make a sound? And if a woman who's wholly alone occasionally talks to a pot plant, is she certifiable? I'm confident that it is perfectly normal to talk to oneself occasionally. It's not as though I'm expecting a reply. I'm fully aware that Polly is a houseplant.

For God is infinite, Within the body and without, Like a mirror, And the image in a mirror. As the air is everywhere, Flowing around a pot And filling it, So God is everywhere, Filling all things And flowing through them forever.

Emma felt frightened, apprehensive, yes, but also elated and excited, her feelings all tumbled and mixed together like a stew of varied ingredients tossed into the same pot. She was aware of the blood coursing through her veins, the beat of her heart, the breath in her lungs. Was aware, too, of that clenched knot that hung in the pit of her stomach. This was what it was to be alive, to be at the edge, facing survival eye to eye, knowing, KNOWING, you would win.

Culture can only be produced, it can only be created—not conserved, not saved or rescued. Culture arises without our really being aware of it; in the deepest sense culture is innocent and unconscious. When an Egyptian potter turned a pot on the wheel, he didn't sit there thinking that now he was producing Egyptian Culture—he was working for a living. That what he made was also lovely, is due to his professional skill—but also to something extra which came of itself, like love. That can't be rescued either, when it ends. It comes and goes of itself. Neither culture nor love can be saved, not even by the police. —"The Traitor" (1961)

If you think of memory not just as looking back but as being aware of time and how it passes and what the passage of it feels like, then there is something about being in motion that does cause it. Through some sleight of mind, physical forward motion makes time seem visible. Which causes me to think that maybe the unnatural speed of cars and jets actually creates nostalgia. Because the simplest way to block out the strangeness of time passing before your eyes is to fix it in place, to edit it down to monuments or potted plants. Like,

Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.

In the great meteor shower of August, the Perseid, I wail all day for the shooting stars I miss. They’re out there showering down, committing hari-kiri in a flame of fatal attraction, and hissing perhaps into the ocean. But at dawn what looks like a blue dome clamps down over me like a lid on a pot. The stars and planets could smash and I’d never know. Only a piece of ashen moon occasionally climbs up or down the inside of the dome, and our local star without surcease explodes on our heads. We have really only that one light, one source for all power, and yet we must turn away from it by universal decree. Nobody here on the planet seems aware of that strange, powerful taboo, that we all walk about carefully averting our faces, this way and that, lest our eyes be blasted forever.

I'm an inclusionist. I've always divided up (very, very broadly, I admit) the artistic instincts into the inclusionist and the exclusionist. The exclusionist is Raccine. The inclusionist is Shakespeare. I've always felt like I'd prefer to throw 45 things into the pot and hope that maybe 36 of them will taste good. You may choke on 9 of them. I'd rather do that than only have half that number of elements and each one perfect. That's because I know that people choke on different things.... I think that when I was a kid, the experience of things, the experience of just finding words for things, of finding somebody else's world and being able to leap into it and, like any world, you pick up the geography instantly. You expected the thing to unfold, you expected there to be valleys that upon entering that world you were barely aware of. For me a novel, particularly a large novel, one you put down at the end and think, 'Hell, that was interesting. I'm not sure I understood Chapters X, Y and Z, but maybe next time I read it or talk to someone about it, I will'... that's a very different experience to the immaculately formed, beautifully honed, finished 'art' thing.

[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.

When preparing for Book One, I talked to a couple of psychiatrists about psychosomatic phenomena, neuroses and dissociative conditions, for example the so—called hysterical blindness suffered by many who saw the Killing Fields in Pol Pot’s Cambodia: their eyes objectively see, but they are not aware of it and are blind because they believe they can’t see. One specialist told me that among modern Western people, ’metaphorical’ symptoms such as Fredy or those Cambodians evince are much rarer now than earlier in the twentieth century or before. Nowadays most people are better equipped by education to verbalise their neuroses, and have lots of jargon in which to do so. For most of the dissociative dimension, I could draw on things I knew from within myself.

The Universe was a damned silly place at best . . . but the least likely explanation for its existence was the no-explanation of random chance, the conceit that some abstract somethings “just happened” to be some atoms that “just happened” to get together in configurations which “just happened” to look like consistent laws and then some of these configurations “just happened” to possess self-awareness and that two such “just happened” to be the Man from Mars and the other a bald-headed old coot with Jubal himself inside. No, Jubal would not buy the “just happened” theory, popular as it was with men who called themselves scientists. Random chance was not a sufficient explanation of the Universe—in fact, random chance was not sufficient to explain random chance; the pot could not hold itself.

I got you out of the police barracks the best way I could,” a male voice—the same that Joe had heard on the radio—said. “A strange way,” Joe said. “To you strange. Strange to me have been a number of things you’ve done since the time I first became aware of you.” Joe said, “Like giving away my coins.” “No, I understood that. What strikes me as odd is your having sat for all those months in your work cubicle, waiting.

on the storey higher, have my arranging to manage of my pretty new books and my three hyacinths, and a pot of primroses which dear Mr. Kenyon had the good nature to carry himself through the streets to our door. But all the flowers forswear me, and die either suddenly or gradually as soon as they become aware of the want of fresh air and light in my room. Talking of air and light, what exquisite weather this is! What a summer in winter!

My friend Wicker once said to be careful what and how you say what you’re really thinking to a woman. After much screwing up in that department with Emma, I’ve learned it’s not what you should hide, but what you say that makes her react the way she does. If I am unable to make myself clear, as I so often do, it’s more likely going to go to pot if I try to explain how I really feel. Instead, I rework in my brain what she needs to hear. I don’t always nail it, but I’m getting better at it. And it’s always the truth even if it isn’t how I see it. Is it deceiving? No. It’s being considerate and aware that she is an emotional creature, and that for some crazy reason, craves my attention. I love to make her happy. My jumbled up mess of a mind isn’t important in the long run if it just confuses her. So I chose words carefully. When something goes right, I use it over and over again. -Ames

The Middle East is the melting pot for human Consciousness, and the world gets crippled if the alien nations were denied access to it. The whole world also basks in misery when Aryan powers intervene in it, witnessing thereby their irrevocable dependence on it; fated to remain as the only geopolitical destiny for whatever awareness the foreign nations mold by their own wills and hands abroad. The Middle East ever overshadows Caesar and his empire.

If you think of memory not just as looking back but as being aware of time and how it passes and what the passage of it feels like, then there is something about being in motion that does cause it. Through some sleight of mind, physical forward motion makes time seem visible. Which causes me to think that maybe the unnatural speed of cars and jets actually creates nostalgia. Because the simplest way to block out the strangeness of time passing before your eyes is to fix it in place, to edit it down to monuments or potted plants.

The worse I do in school, the more I rebel. I drink, I smoke pot, I act like an ass. I’m dimly aware of the inverse ratio between my grades and my rebellion, but I don’t dwell on it. I prefer Nick’s theory. He says I don’t do well in school because I have a hard-on for the world. It might be the only thing he’s ever said about me that’s halfway accurate. (He typically describes me as a cocky showboater who seeks the limelight. Even my father knows me better than that.) My general demeanor does feel like a hard-on—violent, involuntary, unstoppable—and so I accept it as I accept the many changes in my body.

The Nazis had succeeded in turning the legal order on its head, making the wrong and the malevolent the foundation of a new “righteousness.” In the Third Reich evil lost its distinctive characteristic by which most people had until then recognized it. The Nazis redefined it as a civil norm. Conventional goodness became a mere temptation which most Germans were fast learning to resist. Within this upside-down world Eichmann (perhaps like Pol Pot four decades later) seemed not to have been aware of having done evil. In matters of elementary morality, Arendt warned, what had been thought of as decent instincts were no longer to be taken for granted.

Your life is too short and too valuable to fritter away in work. If you don’t get out now, you may end up like the frog that is placed in a pot of fresh water on the stove. As the temperature is gradually increased, the frog feels restless and uncomfortable, but not uncomfortable enough to jump out. Without being aware that a chance is taking place, he is gradually lulled into unconsciousness. Much the same thing happens when you take a person and put him in a job which he does not like. He gets irritable in his groove. His duties soon become a monotonous routine that slowly dulls his senses. As I walk into offices, through factories and stores, I often find myself looking into the expressionless faces of people going through mechanical motions. They are people whose minds are stunned and slowly dying.

Carrie could not remember how long it was since some other person had cherished her. Had said, 'You look tired.' And, 'How about a little rest?' She had spent too many years being strong, looking after others and their problems...The day progressed, and through her window Carrie watched the weather and was glad she did not have to be out in it. Snow showers came and went; the sky was grey. From time to time she heard the faint keening of wind, whining around the old house. It was all rather cosy. She remembered as a child being ill, and in bed, and the awareness of others getting on with the business of day-to-day life without herself having to participate in any sort of way. Telephones rang, and someone else hurried to answer the call. Footsteps came and went; from behind the closed door, voices called and answered. Doors opened and shut. Towards noon, there came smells of cooking. Onions frying, or perhaps a pot of soup on the boil. The luxuries of self-indulgence, idleness, and total irresponsibility were all things that Carrie had long forgotten.

My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.

I have talked to many people about this and it seems to be a kind of mystical experience. The preparation is unconscious, the realization happens in a flaming second. It was on Third Avenue. The trains were grinding over my head. The snow was nearly waist-high in the gutters and uncollected garbage was scattered in a dirty mess. The wind was cold, and frozen pieces of paper went scraping along the pavement. I stopped to look in a drug-store window where a latex cooch dancer was undulating by a concealed motor–and something burst in my head, a kind of light and a kind of feeling blended into an emotion which if it had spoken would have said, “My God! I belong here. Isn’t this wonderful?” Everything fell into place. I saw every face I passed. I noticed every doorway and the stairways to apartments. I looked across the street at the windows, lace curtains and potted geraniums through sooty glass. It was beautiful–but most important, I was part of it. I was no longer a stranger. I had become a New Yorker. Now there may be people who move easily into New York without travail, but most I have talked to about it have had some kind of trial by torture before acceptance. And the acceptance is a double thing. It seems to me that the city finally accepts you just as you finally accept the city. A young man in a small town, a frog in a small puddle, if he kicks his feet is able to make waves, get mud in his neighbor’s eyes–make some impression. He is known. His family is known. People watch him with some interest, whether kindly or maliciously. He comes to New York and no matter what he does, no one is impressed. He challenges the city to fight and it licks him without being aware of him. This is a dreadful blow to a small-town ego. He hates the organism that ignores him. He hates the people who look through him. And then one day he falls into place, accepts the city and does not fight it any more. It is too huge to notice him and suddenly the fact that it doesn’t notice him becomes the most delightful thing in the world. His self-consciousness evaporates. If he is dressed superbly well–there are half a million people dressed equally well. If he is in rags–there are a million ragged people. If he is tall, it is a city of tall people. If he is short the streets are full of dwarfs; if ugly, ten perfect horrors pass him in one block; if beautiful, the competition is overwhelming. If he is talented, talent is a dime a dozen. If he tries to make an impression by wearing a toga–there’s a man down the street in a leopard skin. Whatever he does or says or wears or thinks he is not unique. Once accepted this gives him perfect freedom to be himself, but unaccepted it horrifies him. I don’t think New York City is like other cities. It does not have character like Los Angeles or New Orleans. It is all characters–in fact, it is everything. It can destroy a man, but if his eyes are open it cannot bore him. New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it–once you have lived in New York and it has become your home, no place else is good enough. All of everything is concentrated here, population, theatre, art, writing, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything. It goes all right. It is tireless and its air is charged with energy. I can work longer and harder without weariness in New York than anyplace else….

Did you read the Peter Rabbit books when you were young?” I asked. “That’s what this place reminds me of--the Rabbits’ burrow.” “I’m glad.” He began to smile. I realized it was the first time I had ever seen him smile. “You look different when you smile,” I said softly. His eyes caught mine, resting on them for a moment before looking down at my bloody hands. “Come here.” He gestured for me to sit on the carpet in front of the fireplace. “This is going to sting, but it’s the only way to clean out those cuts.” He poured salt into the now-hot water and crouched down behind me, reaching around to circle my wrists and lower my hands slowly into the pot. I gasped at the shock. I closed my eyes and tried to shut out the pain. As the clear water reddened with blood and the bits of glass and metal loosened from my skin, I began to feel acutely aware of Wesley, still kneeling there behind me, his breath tickling my ear. He stood up abruptly. “Stay here. I’m going to see if I can find us anything to eat.

When water is being filled in a pot, the sound we hear is a function of the pot, not of the water. Same water makes different sounds in different pots. Each of us, described in Sanskrit as Ghata, meaning pot, responds in a unique way to the stimuli from the surrounding environment. Do not be surprised when the response of another appears entirely different from yours. The pot has created the illusion of a wall, of mine and other. Once you become aware of that illusion, otherness melts and the universe becomes a unified verse again, with apparently diverse responses becoming part of the same symphony.

Drop by drop is a water pot filled. Likewise, the wise person, gathering it little by little, fills themselves with good.” THE BUDDHA (DHAMMAPADA, VERSE 122)

Being present, means being aware of what's going on and inquiring into it. I've learned to appreciate negative emotions - it's not that I enjoy them, but that they signal a pot of gold at the end of the rainbow if we can stay present to them. When you feel a negative emotion, stop and ask yourself, 'What's going on here?' so you can begin to understand the issue behind the feelings and then make what is going on within you visible to the team. But that requires the group to be a safe container, so you can say what's actually going on.

I’ve always hated when people say that. They’re only young once, as if parents who are stressed the fuck out aren’t already painfully aware of that. As if it doesn’t stir the never-ending pot of guilt. It’s always old people, whose kids probably fucking hate them now, too.

For a long time I took a purely theological standpoint on the issue, which is actually so fundamental that it can be used as a springboard for any debate – if environment is the operative factor, for example, if man at the outset is both equal and shapeable and the good man can be shaped by engineering his surroundings, hence my parents’ generation’s belief in the state, the education system and politics, hence their desire to reject everything that had been and hence their new truth, which is not found within man’s inner being, in his detached uniqueness, but on the contrary in areas external to his intrinsic self, in the universal and collective, perhaps expressed in its clearest form by Dag Solstad, who has always been the chronicler of his age, in a text from 1969 containing his famous statement “We won’t give the coffee pot wings”: out with spirituality, out with feeling, in with the new materialism, but it never struck them that the same attitude could lie behind the demolition of old parts of town to make way for roads and parking lots, which naturally the intellectual Left opposed, and perhaps it has not been possible to be aware of this until now when the link between the idea of equality and capitalism, the welfare state and liberalism, Marxist materialism and the consumer society is obvious because the biggest equality creator of all is money, it levels all differences, and if your character and your fate are entities that can be shaped, money is the most natural shaper, and this gives rise to the fascinating phenomena whereby crowds of people assert their individuality and originality by shopping in an identical way while those who ushered all this in with their affirmation of equality, their emphasis on material values and belief in change, are now inveighing against their own handiwork, which they believed the enemy created, but like all simple reasoning this is not wholly true either, life is not a mathematical quantity, it has no theory, only practice, and though it is tempting to understand a generation’s radical rethink of society as being based on its view of the relationship between heredity and environment, this temptation is literary and consists more in the pleasure of speculating, that is, of weaving one’s thoughts through the most disparate areas of human activity, than in the pleasure of proclaiming the truth.

One can appreciate the flavor, the heat and the ingredients that went into the pot that will merge together to provide sustenance. But it’s on the second day that a soup really reveals itself and releases the blending of spices and aromas onto the tastebuds. In the same way, as Maisie walked through the rooms in her mind’s eye, she was aware of the rigid control that pervaded the Waite household and must have enveloped Charlotte like a shroud.

I went along on this ride, as did Adolph, and we returned to the Feudenheim district of Mannheim, which was where our apartment stood. The roads were extremely cratered from the frequent bombings and the driver had to carefully circumvent these deep chasms. As we drove along we were fully aware that we could also become an inviting target, but eventually we arrived at the house safely. Surprisingly, the house was still relatively undamaged and my flat was locked up and further secured with a padlock, which I had used. It was apparent from the drawn blinds that everyone had moved out. Luckily I still had the keys and could open the door. Letting ourselves in, we looked around. It was really surprising that everything was still in place and that looters hadn’t ransacked everything, as was usually the case. Pointing out the items of furniture I would need, Herr Meyer quickly organized the boys, in a military fashion, and had them carry my things down the three flights of stairs. Even the truck driver helped carry my things, and to my delight the move went smoothly. When the truck was finally loaded, the weight became apparent. Weighted down with an old coal stove and its chimney sections, kitchen cupboard, a radio, double bed and mattress, a sofa and my wardrobe as well as pots and pans, it was down onto its axles.

With the letter in hand and handbag flapping at her waist, Margo raced across the backyard to the studio and flung open the door. Mumbling to herself, she almost forgot her mission to inform Chris. Maybe this was the secret Grandma had referred to for years. It didn’t seem plausible, but what if it was true? Her husband stepped out of the office. “Talking to yourself again?” he teased as he walked toward her, passing stacks of pots waiting to be fired. Margo jumped—her usual response when jostled from her inner world. If only she didn’t plunge so deep in thought she’d be more aware…and not carry on a one-sided conversation. “What’s

Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--” He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.” Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.” He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question. “Do you hunger for food?” he asked her softly. Loretta clamped a hand to her waist. “You know, actually I am hungry. Famished! Aren’t you? What sounds good?” She threw a frantic look at the cooking pots behind him. “I’ll bet stew would strike your fancy, wouldn’t it? After traveling so far and eating nothing but jerked meat. Yes, stew would be just the thing.” Hunter’s mouth quirked. “Blue Eyes, a stew will take a very long time.” All night, if she was lucky. “Oh, not that long. It’s no trouble, really!” She made a wide circle around him toward the pots. “I make a wonderful stew, really I do. I’m sure Maiden has some roots and onions I can borrow. Just you--” Loretta leaped at the touch of his hand on her shoulder. She turned to face him, a large pot wedged between them, her hand white-knuckled on the handle. “Blue Eyes, I do not want stew,” Hunter whispered, his voice laced with tenderness. “If you hunger, we will have nuts and fruit, eh?” Loretta swallowed a lump of air. Fruit and nuts were better than the alternative. Maybe, if she ate one nut at a time…“All right, fruit and nuts.” He spread a buffalo robe beside the fire while she put the pot away and dug up a parfleche of fruit and nuts from his store of preserved edibles. Kneeling beside him, Loretta munched industriously, staring into the leaping flames, aware with every bite she took that Hunter watched her. When she reached for her fourth handful, he clamped his long fingers around her wrist. “Enough,” he said evenly. “You will sicken your gut if you eat more.” Loretta’s gut was already in sorry shape. She swallowed, trying to avoid his gaze and failing miserably. When their eyes met, she felt as if the ground fell away. There was no mistaking that look in his eye. The moment of reckoning had come.

Blue Eyes, I do not want stew,” Hunter whispered, his voice laced with tenderness. “If you hunger, we will have nuts and fruit, eh?” Loretta swallowed a lump of air. Fruit and nuts were better than the alternative. Maybe, if she ate one nut at a time…“All right, fruit and nuts.” He spread a buffalo robe beside the fire while she put the pot away and dug up a parfleche of fruit and nuts from his store of preserved edibles. Kneeling beside him, Loretta munched industriously, staring into the leaping flames, aware with every bite she took that Hunter watched her. When she reached for her fourth handful, he clamped his long fingers around her wrist. “Enough,” he said evenly. “You will sicken your gut if you eat more.” Loretta’s gut was already in sorry shape. She swallowed, trying to avoid his gaze and failing miserably. When their eyes met, she felt as if the ground fell away.

If you hunger, we will have nuts and fruit, eh?” Loretta swallowed a lump of air. Fruit and nuts were better than the alternative. Maybe, if she ate one nut at a time…“All right, fruit and nuts.” He spread a buffalo robe beside the fire while she put the pot away and dug up a parfleche of fruit and nuts from his store of preserved edibles. Kneeling beside him, Loretta munched industriously, staring into the leaping flames, aware with every bite she took that Hunter watched her. When she reached for her fourth handful, he clamped his long fingers around her wrist. “Enough,” he said evenly. “You will sicken your gut if you eat more.” Loretta’s gut was already in sorry shape.

Where are you from?” is a common question I receive upon meeting someone for the first time. America is such a melting pot, and I believe the curiosity behind this question overrides their self-awareness as they unconsciously probe to identify my race. Indeed, this question creates a level of discomfort that I live with every time I hear it.

Rhyme in poems can be like the glue that has been used to put a broken pot back together. It’s structurally important but you’re not aware of it. – Robert Saxton

Between the five of us we finished off a pot of coffee and two packs of cigarettes and fourteen bottles of beer and shared the dim awareness that a small but sturdy union had been formed.

The second he caught her scent, he stopped. “Leelan! Are you sure you should be up?” Turned out the smell of the food was one hell of a distraction: the spike of hunger she got in response enough to halt her in her tracks. “Ah . . . yeah, I feel okay. I’m hungry, actually.” As well as scared to death. While the staff continued on into the billiards room, filing in past some sheets of heavy plastic, Wrath came over to the base of the stairs. “Let’s get you into the kitchen.” Heading all the way down to join him, she let him take her arm, and leaned into his strength, taking a deep, easing breath. She’d probably just imagined everything up there. Really. Probably. Crap. “You know, I slept well,” she murmured as if to reassure herself. Which didn’t work. “Yeah?” “Mm-hm.” Together, they walked past the long dining table, and went through the flap door in the far corner. On the other side, iAm was once again at the stove, stirring a great pot. The Shadow turned—and immediately frowned as he looked at her. “What?” She put her hands to her stomach. “What are you—” “Nothing,” he said, banging his wooden spoon on the steel vat. “You two like chicken soup?” “Oh, yes, that sounds perfect.” Beth hopped up onto a stool. “And some bread maybe—” Fritz materialized at her elbow with a baguette and a plate with butter. “For you, madam.” She had to laugh. “How did you know?” As Wrath sat on the stool next to her, George parked it between them. “I had him on standby.” A steaming bowl of soup was slid in front of her by the Shadow. “Enjoy.” “Him, too?” she asked of iAm. “Yeah, the Shadow mighta been on it as well.” Picking up the spoon Fritz offered her, she dug in, aware the three males were staring at her—Wrath with such intensity, it was almost as if he’d gotten his sight back— “Mmmmm,” she said—and meant it. The soup was perfect, simple, not too heavy, and warm, warm, warm. Maybe it was just that she’d been through the needing and not eaten for how long? “So what’s going on in the billiards room,” she asked, to try to distract the males. “They’re cleaning up after me.” She winced. “Ah.” Wrath patted around for the baguette and broke off the hard end, putting it aside. The piece he then tore for her was soft in the middle, crunchy on the outside—and the butter he put on it was the unsalted, sweet kind. The combo was great with the soup. “Would you like something to drink?” Fritz asked. “Wine?” iAm said—before catching himself. “No, not wine. Milk. You need the calcium.” “Good idea, Shadow,” Wrath chimed in as he nodded at Fritz. “Make it whole—” “No, no, that will make me gag.” Annnnd didn’t that stop all of them in their tracks. “Which was true before all the, well, you know. But the skim does sound good.” And so it went, the three of them waiting on her: More soup? iAm hit her bowl again right away. More bread with butter? Husband was on it. More milk? The butler raced for the fridge.

Din momentul în care Herodot și Tucidide au inventat practic istoria și Biblia ne-a povestit cine a procreat pe cine la începuturile istoriei, civilizația vestică e depins în totalitate de cronologie. Evreii și vechii greci sunt de acord în privința asta - timpul este cu adevărat important. Progresul depinde de timp, evoluția depinde de timp, măsurătorile, fără de care nu ar exista științe exacte, se bazează pe dimensiunea timp. Noțiunile de ”nou” și ”îmbunătățit”, care îți stârnesc dorința de a consuma, sunt invenții ale timpului. Mintea vestică are probleme în a-și opri ceasul. Concepe viața interioară în termenii ceasului biologic și chiar bătăile inimii sunt numite tictacuri. Micul dispozitiv electronic pe care îl purtăm la mână simbolizează perfect gândirea vestică centrată în jurul ideii de timp. În limba engleză, cuvântul ”ceas” (watch) vine din aceeași rădăcină lexicală cu cuvintele ”treaz” (awake) și ”conștient” (aware). Credem cu tărie că absolut totul se mișcă în timp, al cărui fluviu poartă cu sine întreaga lume, toate speciile și toți indivizii. Privim totul din perspectivă temporală și adesea lăsăm impresia că putem arăta cu degetul însăși prezența fizică a Timpului. Pentru a ne modifica viziunea trebuie să ne îndrăgostim. Doar atunci putem vedea altfel ceea ce știm deja de mult. Asemenea iubirii, schimbarea viziunii ne poate aduce mântuirea - nu în sens religios, ci într-un sens mult mai pragmatic. Ca într-un centru de reabilitare, schimbarea de perspectivă ne aduce înapoi ceva ce am pierdut deoarece nu am apreciat la adevărata sa valoare. Simptomele care ne irită zilnic pot fi reevaluate și putem descoperi care este utilitatea lor în viața noastră.

The thinking mind can at times be severely fragmented. In fact, it almost always is. This is the nature of thought. But awareness, teased out of each moment with conscious intent, can help us to perceive that even in the midst of this fragmentation, our fundamental nature is already integrated and whole. Not only is it not limited by the potpourri of our thinking mind, awareness is the pot which cradles all the fragments, just as the soup pot holds all the chopped-up carrots, peas, onions, and the like and allows them to cook into one whole, the soup itself. But it is a magical pot, much like a sorcerer’s pot, because it cooks things without having to do anything, even put a fire underneath it. Awareness itself does the cooking, as long as it is sustained. You just let the fragments stir while you hold them in awareness. Whatever comes up in mind or body goes into the pot, becomes part of the soup. Meditation does not involve trying to change your thinking by thinking some more. It involves watching thought itself. The watching is the holding. By watching your thoughts without being drawn into them, you can learn something profoundly liberating about thinking itself, which may help you to be less of a prisoner of those thought patterns—often so strong in us—which are narrow, inaccurate, self-involved, habitual to the point of being imprisoning, and also just plain wrong.

I smell liniment,” she said, perplexed. “The kind we use on the horses.” “Mr. Bloom sent up a pot of it from the stables and demanded that we apply a poultice to my ribs. I didn’t dare refuse.” “Oh.” Her brow cleared. “It works very well,” she assured him. “It heals the horses’ pulled muscles in half the usual time.” “I’m sure it does.” A rueful grin crossed his lips. “If only the camphor weren’t burning a hole through my hide.” “Did Sutton apply it full strength?” she asked with a frown. “That concentration was intended for horses--he should have cut it with oil or white wax.” “No one told him.” “It should be removed right away. Let me help.” She began to reach for him but paused uncertainly. The poultice was bound to him beneath his white nightshirt. Either she would have to pull up the shirt and reach beneath the hem, or she would have to unbutton the placket down the front. Seeing her uneasiness, Devon smiled and shook his head. “I’ll wait until Sutton returns.” “No, I’m perfectly able to do it,” Kathleen insisted, pink-cheeked. “I was a married woman, after all.” “So worldly,” Devon mocked gently, his gaze caressing. Her lips pressed together in a determined line. Trying to appear composed, she began on the placket of buttons. The garment was made of exceptionally smooth white linen, the fabric heavy with a slight sheen. “This is a very fine nightshirt,” she remarked inanely. “I wasn’t even aware that I owned one, until Sutton brought it out.” Kathleen paused, perplexed. “What do you wear to sleep, if not a nightshirt?” Devon gave her a speaking glance, one corner of his mouth quirking. Her jaw went slack as his meaning sank in. “Does that shock you?” he asked, a glint of laughter in his eyes. “Certainly not. I was already aware that you’re a barbarian.

The Luftons have offered to take Hamlet, provided we undertake the expense of building a pen and covered enclosure. The twins are willing to give the pig away if they have Mr. Lufton’s personal guarantee of his welfare.” Kathleen smiled. “How did that come about?” The footman brought a tea tray from the sideboard, and held it while she measured a few spoonfuls of loose leaves into a small pot. West spread a liberal helping of preserves on a slice of toast. “I told the twins, as tactfully as possible, that Hamlet was never barrowed in infancy, as he should have been. I had no idea the procedure was necessary, or I would have made certain it was done.” “Barrowed?” Kathleen asked, perplexed. West made a scissoring gesture with two fingers. “Oh.” “Remaining, er…intact,” West continued, “has made Hamlet unfit for future consumption, so there’s no reason to fear he’ll end up on the dinner table. But he’ll become increasingly aggressive as he goes through pubescence. It seems he’ll become malodorous as well. He’s now suited for only one purpose. “Do you mean--” Kathleen began. “Might this wait until after breakfast?” Devon asked from behind a newspaper. West sent Kathleen an apologetic grin. “I’ll explain later.” “If you’re going to tell me about the inconvenience of having an uncastrated male in the house,” Kathleen said, “I’m already aware of it.” West choked a little on his toast. There was no sound from Devon’s direction.