Hundreds Hall Quotes

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My nightly craft is winged in white, a dragon of night dark sea. Swift born, dream bound and rudderless, her captain and crew are me. We've sailed a hundred sleeping tides where no seaman's ever been And only my white-winged craft and I know the wonders we have seen.
Anne McCaffrey (Dragonsong (Harper Hall, #1))
The same person who would never raise his hand in a lecture hall of two hundred people might blog to two thousand, or two million, without thinking twice. The same person who finds it difficult to introduce himself to strangers might establish a persence online and then extend these relationships into the real world.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I wrapped my arms around my knees and stared through the window's wavy glass. The red velvet curtains were drawn around the tiny alcove, and I was enveloped by an odd sense of peace, knowing that in twenty minutes, the halls were going to be crowded; music was going to be blaring; and I was going to go from being an only child to one of a hundred sisters, so I knew to savor the silence while it lasted.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,
Max Porter (Grief Is the Thing with Feathers)
High Flight Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve climbed, and joined the tumbling mirth of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in the sunlit silence. Hov’ring there, I’ve chased the shouting wind along, and flung My eager craft through footless halls of air.... Up, up the long, delirious, burning blue I’ve topped the wind-swept heights with easy grace. Where never lark, or even eagle flew — And, while with silent, lifting mind I've trod The high untrespassed sanctity of space, - Put out my hand, and touched the face of God.
John Gillespie Magee Jr.
My boobs are willing; the rest of me will come along. I’m not one hundred percent sold on you like they seem to be.
Helena Hunting (Pucked (Pucked, #1))
We are all alike; we have no ties, we know nobody, we own nothing. When one of us dies, they scarcely know where to bury him. Our landlady and the delicatessen man are our mourners, and we leave nothing behind us but a frock-coat and a fiddle, or an easel, or a typewriter, or whatever took we got our living by. All we have ever managed to do is to pay our rent, that exorbitant rent that one has to pay for a few square feet of space near the heart of things. We have no house, no place, no people of our own. We live in the streets, in the parks, in the theaters. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.
Willa Cather (O Pioneers!)
I've loved this house from the moment I set eyes on it," Dad said quietly. "I just wish it were a little bigger," I said. "I need at least five hundred bedrooms to keep from feeling cramped, you know?
Rachel Hawkins (Demonglass (Hex Hall, #2))
The grass is full of ghosts tonight.' 'The whole campus is alive with them.' They paused by Little and watched the moon rise, to make silver of the slate roof of Dodd and blue the rustling trees. 'You know,' whispered Tom, 'what we feel now is the sense of all the gorgeous youth that has rioted through here in two hundred years.' ... And what we leave here is more than class; it's the whole heritage of youth. We're just one generation-- we're breaking all the links that seemed to bind us her to top-booted and high-stocked generations. We've walked arm and arm with Burr and Light-Horse Harry Lee through half these deep-blue nights.' 'That's what they are,' Tom tangented off, 'deep-blue-- a bit of color would spoil them, make them exotic.' Spries, against a sky that's a promise of dawn, and blue light on the slate roofs-- it hurts... rather--' 'Good-by, Aaron Burr,' Amory called toward deserted Nassau Hall, 'you and I knew strange corners of life.
F. Scott Fitzgerald (This Side of Paradise)
STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH WHEN WE SAW IT WAS GONE —” Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen. “— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —” Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb. “— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.” A ringing silence fell.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Try now, try now, it isn't too late' ... Excitement, like hysteria, bubbled up in me from a hundred unsealed springs. If it isn't too late, I thought confusedly, neither it is too early: I haven't much time left to spoil. It was the last flicker of instinct of self-preservation which had failed me so signally at Brandham Hall.
L.P. Hartley (The Go-Between)
AFTER THEIR FALL INTO TARTARUS, jumping three hundred feet to the Mansion of Night should have felt quick. Instead, Annabeth’s heart seemed to slow down. Between the beats she had ample time to write her own obituary. Annabeth Chase, died age 17. BA-BOOM. (Assuming her birthday, July 12, had passed while she was in Tartarus; but honestly, she had no idea.) BA-BOOM. Died of massive injuries while leaping like an idiot into the abyss of Chaos and splattering on the entry hall floor of Nyx’s mansion. BA-BOOM. Survived by her father, stepmother, and two stepbrothers who barely knew her. BA-BOOM. In lieu of flowers, please send donations to Camp Half-Blood, assuming Gaea hasn’t already destroyed it. Her feet hit solid floor. Pain shot up her legs, but she stumbled forward and broke into a run, hauling Percy after her.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The brave princess Lucretia raced through the marble halls of the palace. "I must find Cordelia, " she gasped. "I must save her." "I believe Prince James holds her even now, captive in his throne room!" Sir Jerrod exclaimed. "But Princess Lucretia, even though you are the most beautiful and wise lady that I have ever met, surely you cannot fight your way through a hundred of his stoutest palace guard!" The knight's green eyes flashed. His straight black hair was is disarranged, and his white shirt entirely undone. "But I must!" Lucretia cried.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
When the Duke [W.J.C. Scott-Bentinck] died, his heirs found all of the aboveground rooms devoid of furnishings except for one chamber in the middle of which sat the Duke's commode. The main hall was mysteriously floor less. Most of the rooms were painted pink. The one upstairs room in which the Duke had resided was packed to the ceiling with hundreds of green boxes, each of which contained a single dark brown wig. This was, in short, a man worth getting to know.
Bill Bryson (Notes from a Small Island)
For hundreds of years the monks have held the pen, and what they have written is what we take to be our history, but I do not believe it really is. I believe they have suppressed the history they don't like, and written one that is favourable to Rome.’ Henry
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
The boy is right,” Torin said, even though he and Cal were probably close to the same age (well, plus or minus five hundred years, I guess). “And the sooner, the better. We’re in stasis now, but something is coming. I sense a-“ “Great disturbance in the Force?” I interrupted before I could stop myself. Torin frowned. “I suspect you’re mocking me, but I don’t understand the reference.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
What is it that constitutes virtue, Mrs. Graham? Is it the circumstance of being able and willing to resist temptation; or that of having no temptations to resist? - Is he a strong man that overcomes great obstacles and performs surprising achievements, though by dint of great muscular exertion, and at the risk of some subsequent fatigue, or he that sits in his chair all day, with nothing to do more laborious than stirring the fire, and carrying his food to his mouth? If you would have your son to walk honourably through the world, you must not attempt to clear the stones from his path, but teach him to walk firmly over them - not insist upon leading him by the hand, but let him learn to go alone.' 'I will lead him by the hand, Mr. Markham, till he has strength to go alone; and I will clear as many stones from his path as I can, and teach him to avoid the rest - or walk firmly over them, as you say; - for when I have done my utmost, in the way of clearance, there will still be plenty left to exercise all the agility, steadiness, and circumspection he will ever have. - It is all very well to talk about noble resistance, and trials of virtue; but for fifty - or five hundred men that have yielded to temptation, show me one that has had virtue to resist. And why should I take it for granted that my son will be one in a thousand? - and not rather prepare for the worst, and suppose he will be like his - like the rest of mankind, unless I take care to prevent it?
Anne Brontë (The Tenant of Wildfell Hall)
You taught me about everything I had forgotten and things I’d never known. And the only way I can repay you is with my heart. You one hundred percent have my heart. It may not be worth much coming from a troubled man like me, but it’s real and it’s yours. Ti amo, mia leonessa.
Karina Halle (Racing the Sun)
Saying no can be ten times harder than saying yes, but it makes you feel a hundred times better.
Stacey Halls (Mrs. England)
Oh shut up—you know damn good and well there can be a hundred people in the room, 99 of them rushing up to say they love your dress, but until that one, the one you wore it for, says something, you might as well be wearing a trash bag.
S.E. Hall (Pretty Instinct (Finally Found, #1))
As I walked, I was thinking about the Great and Secret Knowledge, which the Other says will grant us strange new powers. And I realised something. I realised that I no longer believed in it. Or perhaps that is not quite accurate. I thought it was possible that the Knowledge existed. Equally I thought that it was possible it did not. Either way it no longer mattered to me. I did not intend to waste my time looking for it any more. This realisation – the realisation of the Insignificance of the Knowledge – came to me in the form of a Revelation. What I mean by this is that I knew it to be true before I understood why or what steps had led me there. When I tried to retrace those steps my mind kept returning to the image of the One-Hundred-and-Ninety-Second Western Hall in the Moonlight, to its Beauty, to its deep sense of Calm, to the reverent looks on the Faces of the Statues as they turned (or seemed to turn) towards the Moon. I realised that the search for the Knowledge has encouraged us to think of the House as if it were a sort of riddle to be unravelled, a text to be interpreted, and that if ever we discover the Knowledge, then it will be as if the Value has been wrested from the House and all that remains will be mere scenery. The sight of the One-Hundred-and-Ninety-Second Western Hall in the Moonlight made me see how ridiculous that is. The House is valuable because it is the House. It is enough in and of Itself. It is not the means to an end. This thought led on to another. I realised that the Other’s description of the powers that the Knowledge will grant has always made me uneasy. For example: he says that we will have the power to control lesser minds. Well, to begin with there are no lesser minds; there are only him and me and we both have keen and lively intellects. But, supposing for a moment that a lesser mind existed, why would I want to control it?
Susanna Clarke (Piranesi)
It’s not like I’m one hundred percent pure evil. Just like forty percent. That’s less than half.
Karina Halle (The Play)
A hundred bloodthirsty badgers, armed with rifles, are going to attack Toad Hall this very night, by way of the paddock. Six boatloads of Rats, with pistols and cutlasses, will come up the river and effect a landing in the garden; while a picked body of Toads, known as the Die-hards, or the Death-or-Glory Toads, will storm the orchard and carry everything before them, yelling for vengeance.
Kenneth Grahame (The Wind in the Willows)
By April 1999, the plain was nearly filled, all the way to the foothills. But the fiercely independent residents refused to incorporate. A new town would only impose new rules and new taxes. The 100,000 new arrivals filled one continuous suburb with no town center: no main street, no town hall, town library, or town name. No one was sure what to call it. Littleton is a quiet suburb south of Denver where the massacre did not actually occur. Although the name would grow synonymous with the tragedy, Columbine lies several miles west, across the South Platte River, in a different county with separate schools and law enforcement. The postal system slapped “Littleton” onto a vast tract of seven hundred square miles, stretching way up into the foothills.
Dave Cullen (Columbine)
Our kids are fighting for a world more just and more righteous than we had ever dared to dream of. The debates we have about gay marriage, transgender bathroom rights, immigration, whether it’s ‘all lives matter’ or ‘black lives matter’ have been largely settled in the social world of our youth and they are looking at us dismayed and perplexed at why we just don’t get it. In the days after the election of Donald Trump, my older son and a few hundred of his classmates walked out of class and marched to city hall. They were angry and frightened. They had been working so hard to build a better, more inclusive world, and we adults had just royally fucked it up for them. My son sent me video of the protest and I posted it online. Quite a few adults commented: “Shouldn’t these kids be learning instead of protesting?” But they had been learning, far more than we apparently had, and that was why they were protesting.
Ijeoma Oluo
Art is not like other culture because its success is not made by its audience. The public fills concert halls and cinemas every day, we read novels by the millions and buy records by the billions. We the people, affect the making and the quality of most of our culture, but not our art. The Art we look at is made by only a select few. A small group create, promote, purchase, exhibit and decide the success of Art. Only a few hundred people in the world have a real say. When you go to an Art gallery you are simply a tourist looking at a trophy cabinet of a few millionaries.
Banksy (Wall and Piece)
The human mind is only capable of absorbing a few things at a time. We see what is taking place in front of us in the here and now, and cannot envisage simultaneously a succession of processes, no matter how integrated and complementary. Our faculties of perception are consequently limited even as regards fairly simple phenomena. The fate of a single man can be rich with significance, that of a few hundred less so, but the history of thousands and millions of men does not mean anything at all, in any adequate sense of the word. The symmetriad is a million—a billion, rather—raised to the power of N: it is incomprehensible. We pass through vast halls, each with a capacity of ten Kronecker units, and creep like so many ants clinging to the folds of breathing vaults and craning to watch the flight of soaring girders, opalescent in the glare of searchlights, and elastic domes which criss-cross and balance each other unerringly, the perfection of a moment, since everything here passes and fades. The essence of this architecture is movement synchronized towards a precise objective. We observe a fraction of the process, like hearing the vibration of a single string in an orchestra of supergiants. We know, but cannot grasp, that above and below, beyond the limits of perception or imagination, thousands and millions of simultaneous transformations are at work, interlinked like a musical score by mathematical counterpoint. It has been described as a symphony in geometry, but we lack the ears to hear it.
Stanisław Lem (Solaris)
Burnout at its deepest level is not the result of some train wreck of examinations, long call shifts, or poor clinical evaluations. It is the sum total of hundreds and thousands of tiny betrayals of purpose, each one so minute that it hardly attracts notice. When a great ship steams across the ocean, even tiny ripples can accumulate over time, precipitating a dramatic shift in course. There are many Tertius Lydgates, male and female, inhabiting the lecture halls, laboratories, and clinics of today’s medical schools. Like latter-day Lydgates, many of them eventually find themselves expressing amazement and disgust at how far they have veered from their primary purpose.
Richard B. Gunderman
You see, but you do not observe. The distinction is clear. For example, you have frequently seen the steps which lead up from the hall to this room.” “Frequently.” “How often?” “Well, some hundreds of times.” “Then how many are there?” “How many? I don’t know.” “Quite so! You have not observed. And yet you have seen. That is just my point. Now, I know that there are seventeen steps, because I have both seen and observed.
Arthur Conan Doyle (The Complete Sherlock Holmes ebook: All 56 Stories and 4 Novels (Global Classics))
He reaches for his pen. He yawns and puts it down and picks it up again. I shall be found dead at my desk, he thinks, like the poet Petrarch. The poet wrote many unsent letters: he wrote to Cicero, who died twelve hundred years before he was born. He wrote to Homer, who possibly never even existed; but I, I have enough to do with Lord Lisle, and the fish traps, and the Emperor's galleons tossing on the Middle Sea. Between one dip of the pen, Petrarch writes, 'between one dip of the pen and the next, the time passes: and I hurry, I drive myself, and I speed towards death. We are always dying - I while I write, you while you read, and others while they listen or block their ears; they are all dying.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Again, the endless northern rain between us like a veil. Tonight, I know exactly where you are, which row, which seat. I stand at my back door. The light pollution blindfolds every star. I hold my hand out to the rain, simply to feel it, wet and literal. It spills and tumbles in my palm, a broken rosary. Devotion to you lets me see the concert hall, lit up, the other side of town, then see you leave there, one of hundreds in the dark, your black umbrella raised. If rain were words, could talk, somehow, against your skin, I’d say look up, let it utter on your face. Now hear my love for you. Now walk. - Bridgewater Hall
Carol Ann Duffy (Rapture)
The Chelsea was like a doll’s house in the Twilight Zone, with a hundred rooms, each a small universe. I wandered the halls seeking its spirits, dead or alive.
Patti Smith (Just Kids)
As ever, it was fifty percent fashion show, forty percent club, ten percent sex party, and one hundred percent annoying.
Alexis Hall (For Real (Spires, #3))
History is everything that's already happened, right up to the moment you read these words. That's a lot to tackle for one museum, but not to worry, there are hundreds.
Mackenzie Finklea (Beyond the Halls: An Insider's Guide to Loving Museums)
Mr. Grey trailed behind Mr. Saffron, frowning massively and watching the mysterious doors. There were hundreds--maybe thousands--of them along the endless corridor. None had names or markings of any kind. In the lead, Mr. Pink could be heard counting softly under his breath.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Some days he wishes that he could simply empty the chambers of the men, fill the halls instead with women: the short sharp shock of three thousand two hundred mothers. The ones who picked through the supermarket debris for pieces of their dead husbands. The ones who still laundered their gone son's bed sheets by hand. The ones who kept an extra teacup at the end of the table, in case of miracles. The elegant ones, the angry ones, the clever ones, the ones in hairnets, the ones exhausted by all the dying. They carried their sorrow--not with photos under their arms, or with public wailing, or by beating their chests, but with a weariness around the eyes.
Colum McCann (TransAtlantic)
We have no house, no place, no people of our own. We live in the streets, in the parks, in the theatres. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.
Willa Cather (O Pioneers!)
My conscience holds with the majority, which makes me know it does not speak false. “Against Henry’s kingdom, I have all the kingdoms of Christendom. Against each one of your bishops, I have a hundred saints. Against your one parliament, I have all the general councils of the church, stretching back for a thousand years.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
As we walked, Lara ratted off statistics that I only half listened to. They were unbelievable anyway. Over a million cubic feet of living space. More than three hundred rooms, thirty-one of which were kitchens. Ninety-eight bathrooms. Three hundred and fifty-nine windows. Two thousand four hundred and seventy-six lightbulbs.
Rachel Hawkins (Demonglass (Hex Hall, #2))
three-bedroom condo he and I shared with Trey. Braden had the master suite with his own bathroom, while Trey and I fought over the one in the hall. Not a bad deal, considering Braden’s dad owned the condo and only charged Trey and me a hundred dollars each, plus our share of the utilities, food and expenses. My parents would
Maris Black (Kage (Kage Trilogy, #1))
Harvard Square looked both new and familiar. I felt like I would have been able to tell just from looking that this configuration of buildings and streets was familiar and meaningful to lots of people, not just me. It was weird to visit a suburb that nobody else every visited or went to, and then to return to these widely known halls and buildings where famous statesmen and writers and scientists had been coming for hundreds of years.
Elif Batuman (The Idiot)
Love hurts. Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone. So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark. Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.
Damon Suede
I can’t really talk about it, but we’ve just got the English language rights for a really prestigious Swedish author. And everybody has been clamouring to read her debut novel, which is being billed as A Hundred Years of Solitude meets Gone Girl. But there was a lot of debate amongst the team over whether to give it an English title or stick with the Swedish original, and it all wound up being sorted out very last minute and so now the book’s gone to press as I’m Out of the Office at the Moment. Please Forward Any Translation Work to My Personal Email Address.
Alexis Hall (Boyfriend Material (London Calling, #1))
Yeah, I upgraded,” she said. “I got it from Byron. Swore it was one-hundred-percent shatterproof.” I raised an eyebrow, taking in the elaborate silver-and-amethyst setting. “It’s also one-hundred-percent tacky, but if it will keep you safe, then I’m all for it.” “I’m going to get you a matching one that says ‘BFFs’ in like, runes or something.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Write poorly. Suck Write awful Terribly Frightfully Don't care Turn off the inner editor Let yourself write Let it flow Let yourself fail Do something crazy Write fifty thousand words in the month of November. I did it. It was fun , it was insane , it was one thousand six hundred and sixty-seven words a day. It was possible. But you have to turn off your inner critic. Off completely. Just write. Quickly. In bursts. With joy. If you can't write, run away for a few. Come back. Write again. Writing is like anything else. You won't get good at it immediately. It's a craft, you have to keep getting better. You don't get to Juilliard unless you practice. If you want to get to Carnegie Hall, practice, practice, practice. ...Or give them a lot of money. Like anything else, it takes ten thousand hours to master. Just like Malcolm Gladwell says. So write. Fail. Get your thoughts down. Let it rest. Let it marinate. Then edit. But don't edit as you type, that just slows the brain down. Find a daily practice, for me it's blogging every day. And it's fun. The more you write, the easier it gets. The more it is a flow, the less a worry. It's not for school, it's not for a grade, it's just to get your thoughts out there. You know they want to come out. So keep at it. Make it a practice. And write poorly, write awfully, write with abandon and it may end up being really really good.
Colleen Hoover (Point of Retreat (Slammed, #2))
the center of the American Museum of Natural History’s Hall of Biodiversity, there’s an exhibit embedded in the floor. The exhibit is arranged around a central plaque that notes there have been five major extinction events since complex animals evolved, over five hundred million years ago. According to the plaque, “Global climate change and other causes, probably including collisions between earth and extraterrestrial objects,” were responsible for these events. It goes on to observe: “Right now we are in the midst of the Sixth Extinction, this time caused solely by humanity’s transformation of the ecological landscape.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
Studies have shown that, indeed, introverts are more likely than extroverts to express intimate facts about themselves online that their family and friends would be surprised to read, to say that they can express the “real me” online, and to spend more time in certain kinds of online discussions. They welcome the chance to communicate digitally. The same person who would never raise his hand in a lecture hall of two hundred people might blog to two thousand, or two million, without thinking twice. The same person who finds it difficult to introduce himself to strangers might establish a presence online and then extend these relationships into the real world.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Blindly, I ran to Archer, who was sitting on one of the thick mats we’d used in Defense. His elbows rested on his raised knees, and he had his head in his hands. I knelt in front of him, awkwardly wrapping my arms around his neck. He uncurled himself, pulling me to him. For a long time, we held each other, my hands fisted in his hair; his, stroking my back. “I’m okay,” he said at last. “I know that’s hard to believe, but nothing hurts. I mean, except for my mind and soul, but those were always a little broken.” Gently, we disentangled ourselves and rose to our feet. “Your magic is awesome, man,” he said to Cal, who I just realized was standing at the edge of the mat, next to Jenna. “Although I have to say, now that you’ve brought me back from the edge of death-what, like, hundreds of times?-I’m starting to feel like our relationship is a little unbalanced.” “You can buy me a burger when we get out of here,” Cal said, and as usual, I had no idea if he was joking or not.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
I was able to do an invisibility spell and get in. There must have been hundreds of Prodigium there. Anyway, that’s where Lara made the big announcement that your dad had been murdered by The Eye.” He nodded toward Aislinn. “With the help of the Brannicks.” Aislinn swore under her breath, and Mom lowered her head. “Okay,” I said slowly. “Look, I get that that’s bad, but can’t you just pop up and be like, ‘Hey, here I am! Totally not dead!” “I could,” said Dad, “but if it suits the Casnoffs’ purposes for me to be deceased, something tells me I wouldn’t stay ‘totally not dead’ for long.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her.
Max Porter (Grief Is the Thing with Feathers)
Compared with Iowa, Kansas City was a strange world. The Halls where she worked was in the most elegant place she’d ever been at that point, a made-up town for shopping, a Fifth Avenue on the prairie (when she got to the real Fifth Avenue, she wasn’t very impressed, because the Country Club Plaza had spoiled her).
Jane Smiley (Golden Age (Last Hundred Years: a Family Saga))
Then someone within closed the door, shutting Norah out into the howling dust of the night. The clouds parted briefly to reveal the full moon's cold eye, then closed again. Wind seared over the pavilion's double roof, its voice rising to a shriek. Distantly, among the maze of walls, came the frenzied barking of hundreds of tiny dogs. As she drifted towards wakefulness, Norah could not tell whether it was the wind that she heard just at the end, or whether, within the dark hall, the girl had begun to scream.
Barbara Hambly (Bride of the Rat God)
There is no stillness, only change. Yesterday’s here is not today’s here. Yesterday’s here is somewhere in Russia, in a wilderness in Canada, a deep blue nowhere out in the middle of the Atlantic Ocean. It’s behind the sun, it’s in deep space, hundreds of thousands, millions of miles left behind. We can never wake up in the same place we went to sleep in. Our place in the universe, the universe itself, it all changes faster and faster by the second. Every one of us standing on this planet, we’re all moving forwards and we’re never ever coming back. The truth is, stillness is an idea, a dream. It’s the thought of the friendly, welcoming lights still shining in all the places we’ve been forced to abandon.
Steven Hall (The Raw Shark Texts)
The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long.
John Darnielle (Wolf in White Van)
This is us, I think. Not the people we were inside the house, but the boy and girl who have spent a whole summer together, pledging their love beneath a hundred starry nights.
Clare Leslie Hall (Broken Country)
You never told me your name," he says, his voice so hauntingly familiar it causes a rush of heat to blanket my skin. I sigh,staring blankly down the hall when I say, "Psycho Girl-Psycho Horseback Singing Girl..." I shrug. "I've heard it both ways." He squints.His hand reaching for my shoulder,then falling away the instant he catches the look of reproach on my face. "Look," I say,knowing I need to stop him before he can go any further.His kindness will only distract me at a time when I need to stay focused. "I've had a really bad day.And if my calculations are right,I have three hundred and eight more,give or take, before I get to graduate and get the heck out of this place. So,why don't you just call me whatever you want. Everyone else does.It's not like it matters..." My cheeks go hot,my eyes start to sting, and I know I'm rambling like a lunatic,but I cant seem to stop,can't seem to care.The world's most socially inept Seeker-that's me in a nutshell. "Don't let them reduce you to that," he says,his gaze instense, his voice surprising me with its sincerity, its urgency. "Don't let them define how you see yourself,or your place here. And if you ever need someone to talk to,I'm not hard to find.I'm either in class, reading in the library,or eating lunch in the North hallway." The second he says it,my gaze flies down the length of him.Slipping past a gray V-neck tee and dark denim jeans,not the least bit surprised when I land on the same heavy,black, thick-soled shoes I spied earlier. Then before he can say anything more, I'm gone. Trying to ignore the comforting stream of kindness and love that swarms all around me.
Alyson Noel (Fated (Soul Seekers, #1))
My mind had no answers. It was limp and dulled, useless as my missing fingers. One thought came clear: I must do something. I could not stand by while a horror was loosed upon the world. I had the thought that I should find my sister’s workroom. Perhaps there would be something there to help me, some antidote, some great drug of reversal. It was not far, a hall off her bedchamber separated by a curtain. I had never seen another witch’s craft room before, and I walked its shelves expecting I do not know what, a hundred grisly things, kraken livers, dragons’ teeth, the flayed skin of giants. But all I saw were herbs, and rudimentary ones at that: poisons, poppies, a few healing roots. I had no doubt my sister could work plenty with them, for her will had always been strong. But she was lazy, and here was the proof. Those few simples were old and weak as dead leaves. They had been collected haphazardly, some in bud, some already withered, cut with any knife at any time of day. I understood something then. My sister might be twice the goddess I was, but I was twice the witch. Her crumbling trash could not help me. And my own herbs from Aiaia would not be enough, strong as they were. The monster was bound to Crete, and whatever would be done, Crete must guide me.
Madeline Miller (Circe)
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer. Rachel snorts. "If only you liked sweets." "I can't wait to see you tonight. Wear that pink shirt I like." Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?" "Eight-thirty? That's so far away. Can't I meet you sooner?" One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited. "Do you need to be checked out of school, son? Are you feeling ill?" Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you." A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago. "Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do." "Right now, nothing. But I might change my mind about skipping. I really miss you." Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?" Galen hangs up. Why is Emma laughing again? Mark can't be that funny. The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess." "Speaking of all these girls, how did they get my phone number?" She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Quantitative historians who use statistical tools to study big-picture historical trends, created a vast database of research on more than 36,000 slave ship voyages that took place over four hundred years. They found that there was a revolt on at least one in ten of these voyages. That was a much higher number than anyone expected. Revolts were never easy, but revolts on slave ships in the middle of the Atlantic Ocean were basically suicide missions. Nonetheless, many captives chose death over this exceptionally horrid new kind of slavery. This type of resistance was so expensive and time-consuming for the slavers, these historians estimate that it prevented at least a million more people from being captured and entering the slave trade. So why would a revolt happen on one ship and not another? The quantitative historians couldn't find a clear pattern, other than that captives tried to revolt whenever they would. But one thing did stand out: The more women onboard a slave ship, the more likely a revolt. Let me emphasize this point: the more women onboard a slave ship, the more likely a revolt would occur.
Rebecca Hall (Wake: The Hidden History of Women-Led Slave Revolts)
Except for the giant sword in his hand. "Is that really necessary?" I asked when I walked in, noting that his dagger was also hanging off his belt. His head jerked up, and I thought he might have been relieved to see me. But then he turned back to the Itineris, crouching down to pull something out of a black duffel bag at his feet. "Never hurts to be prepared," he said. "It just seems like overkill when you already have a dagger and I have supernatural magic at my disposal." "'Superpowerful?'" He stood up, a gold chain dangling from his fingers. "let me remind you of two words, Mercer: Bad. Dog." I rolled my eyes. "That was nearly a year ago. I'm way better now." "Yeah,well,I'm not taking any chances," he said. For the first time, I noticed there was some sort of holster thing on his back. He slid the sword into it so the hilt rose over his shoulders. "Besides," he added, "I thought you might not come. After what happened the other night..." he paused, studying my face. "Are you all right?" "I will be when people stop asking me that." "You know I had nothing to do with that, right?" "Yeah," I replied. "And if you did have something to do with it, I will vaporize you where you stand." The corner of his mouth quirked. "Good to know." He closed the distance between us, coming to stand entirely too close to me. "What are you doing?" I asked, hoping I didn't sound as breathless as I felt. He lifted his hands, and with surprising gentleness, placed the chain around both our necks. Looking down at it, I saw that the links were actually tiny figures holding hands. I'd seen it somewhere before. "This is the necklace one of the angels is wearing in the window at Hex Hall." "It is indeed." Reaching down to take my hands, he explained, "It's also a very powerful protection charm, which we're going to need." I swallowed as we laced our fingers and stepped closer to the Itineris. "Why?" "Because we're going a very long way." I involuntarily squeezed his fingers with mine. The last time I'd traveled through the Itineris, I'd only gone a few hundred miles, and that had made my head nearly explode. "Where are we going?" I asked. "Graymalkin Island," he answered. And then he yanked me into the doorway.
Rachel Hawkins (Demonglass (Hex Hall, #2))
... It is nonsense to talk about injuring no one but yourself ... Without injuring hundreds, if not thousands, besides, in a greater or less degree, either by the evil you do or the good you leave undone.
Anne Brontë (The Tenant of Wildfell Hall)
I don’t grudge them some bodily comforts. It cannot always be Lent. What I cannot stomach is hypocrisy, fraud, idleness—their worn-out relics, their threadbare worship, and their lack of invention. When did anything good last come from a monastery? They do not invent, they only repeat, and what they repeat is corrupt. For hundreds of years the monks have held the pen, and what they have written is what we take to be our history, but I do not believe it really is. I believe they have suppressed the history they don’t like, and written one that is favorable to Rome.” Henry appears to look straight through him,
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
I suggested that we might buy one hundred seats for one of Rochester's symphony concerts. We would select a concert in which the music would be relatively quiet. The hundred blacks who would be given tickets would first be treated to a three-hour pre-concert dinner in the community, in which they would be fed nothing but baked beans, and lots of them; them the people would go to the symphony hall--with obvious consequences.
Saul D. Alinsky (Reveille for Radicals)
A ‘library’ turned out to be a room where books were read. The fact that people used to have so many books that they needed a whole separate room just to store them, much less a word for the room, said everything Lan guessed she needed to know about the way the world used to be. In Norwood, loose pictures and salvaged magazines were locked up like other valuables. The mayor had a few books, including the town ledger where Lan’s own name had been written on the day of her birth and presumably crossed out along with her mother’s the day she’d left, but all of them together could have fit on one shelf. Here was a room the size of the dining hall, two stories tall and lined in bookshelves, with ladders on runners along every wall so that no shelf was out of reach. These were books that could not be measured in hundreds or even thousands, but in some greater number that had no name. If only she knew how to read.
R. Lee Smith (Land of the Beautiful Dead)
In this city, the victors had delusions of grandeur. It was visual. Across the street from the hotel stood City Hall, sporting an oversized Serb flag that hung from the roof to the ground, a hundred feet tall, fifty feet wide, three horizontal stripes of blue, white and red, so large that only a strong breeze could make it flap. The flag, hanging over a building where, fifty years earlier, Kurt Waldheim worked as a lieutenant in the Wehrmacht, was meant as a projection of Serb nationalism, as though size were all that mattered, rather than content. I had never thought of flags as weapons, but in Bosnia, as in the rest of Europe, they were becoming the deadliest weapons of all. p. 80
Peter Maass (Love Thy Neighbor: A Story of War)
I have performed the following experiment in workshops for nearly 40 years now: Everybody in the class is asked to describe the hall they passed through to get to the classroom. I must have tried this several hundred times by now, and I have never encountered two people who agreed totally about what was or was not in the hall, the color of the walls, or any similar data. We do not walk through the “same” hall: we walk through a reality-tunnel constructed by our imprinted, conditioned and learned brain circuits. The same experiment works with hearing, and other senses, as well as with vision and memory. Try it with a half-dozen friends. Let somebody with a watch say “Go!” and then all of you be silent and listen for one full minute — 60 surprisingly long seconds. You will all hear some sounds nobody else hears and miss some sounds everybody else caught. From 'In Doubt We Trust: Cults, religions, and BS in general
Robert Anton Wilson
hypocrisy, fraud, idleness—their worn-out relics, their threadbare worship, and their lack of invention. When did anything good last come from a monastery? They do not invent, they only repeat, and what they repeat is corrupt. For hundreds of years the monks have held the pen, and what they have written is what we take to be our history, but I do not believe it really is. I believe they have suppressed the history they don’t like, and written one that is favorable to Rome.” Henry appears
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
The bell rings. Hairwoman blocks the door to give out our assignment. A five-​hundred-​word essay on symbolism, how to find hidden meanings in Hawthorne. The whole class yells at Rachel/Rachelle in the hall. That's what you get for speaking up.
Laurie Halse Anderson (Speak)
By whiteman’s standards, Leaphorn thought, Bowlegs had a net worth of maybe one hundred dollars. The white world’s measure of his life. And what would the Navajo measure be? The Dinee made a harder demand—that man find his place in the harmony of things.
Tony Hillerman (Dance Hall of the Dead (Leaphorn & Chee, #2))
Churches serve for anything as far as she is concerned," said he to himself. "They console her for having married a Jew, enable her to assume an attitude of protestation in the world of politics and a respectable one in that of fashion, and serve as a shelter to her gallant rendezvous. So much for the habit of making use of religion as an umbrella. If it is fine it is a walking stick; if sunshiny, a parasol; if it rains, a shelter; and if one does not go out, why, one leaves it in the hall. And there are hundreds like that who care for God about as much as a cherry stone, but who will not hear him spoken against. If it were suggested to them to go to a hotel, they would think it infamous, but it seems to them quite simple to make love at the foot of the altar.
Guy de Maupassant (Bel-Ami)
And you have no business taking this class when you could have a study hall, and you can't afford this trip either, Emoni. But I don't say anything out loud to Angelica. I just take another bite of my sandwich, close my eyes, and savor, because I can't think of a single way to make my life more how I imagine it, but I can imagine a hundred ways to make this sandwich better. And sometimes focusing on what you can control is the only way to lessen the pang in your chest when you think about the things you can't.
Elizabeth Acevedo (With the Fire on High)
Nurses too became shell-shocked from the dying around them. Or from something as small as a letter. They would carry a severed arm down a hall, or swab at blood that never stopped, as if the wound were a well, and they began to believe in nothing, trusted nothing. They broke the way a man dismantling a mine broke the second his geography exploded. The way Hana broke in Santa Chiara Hospital when an official walked down the space between a hundred beds and gave her a letter that told her of the death of her father.
Michael Ondaatje (The English Patient)
As students, we took all of this for granted, like oxygen in a lecture hall, and we heaped harsh judgment on the Christian West,” John recalled. “But we rarely asked, ‘Compared to what?’ The ‘what’ was always some form of utopian ideal. But utopian ideals have not fared so well. In the twentieth century, secular utopian idealists presided over the extermination of a hundred million people, killed for ‘a higher good’ by the apostles of Darwin, Marx, and Nietzsche. History has never produced a more efficient set of butchers.
Nancy R. Pearcey (Finding Truth: 5 Principles for Unmasking Atheism, Secularism, and Other God Substitutes)
The debates we have about gay marriage, transgender bathroom rights, immigration, whether it’s “all lives matter” or “black lives matter” have been largely settled in the social world of our youth and they are looking at us dismayed and perplexed at why we just don’t get it. In the days after the election of Donald Trump, my older son and a few hundred of his classmates walked out of class and marched to city hall. They were angry and frightened. They had been working so hard to build a better, more inclusive world, and we adults had just royally fucked it up for them. My son sent me video of the protest and I posted it online. Quite a few adults commented: “Shouldn’t these kids be learning instead of protesting?” But they had been learning, far more than we apparently had, and that was why they were protesting.
Ijeoma Oluo (So You Want to Talk About Race)
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
Jean Lorrain (Monsieur de Phocas)
TO DODD, PAPEN’S REMARK ranked as one of the most idiotic he had heard since his arrival in Berlin. And he had heard many. An odd kind of fanciful thinking seemed to have bedazzled Germany, to the highest levels of government. Earlier in the year, for example, Göring had claimed with utter sobriety that three hundred German Americans had been murdered in front of Independence Hall in Philadelphia at the start of the past world war. Messersmith, in a dispatch, observed that even smart, well-traveled Germans will “sit and calmly tell you the most extraordinary fairy tales.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
Whilst ladies persist in maintaining the strictly defensive condition, men must naturally, as it were, take the oppposite line, that of attack; otherwise, if both parties held aloof, there would be no more marriages; and the two hosts would die in their respective inaction, without ever coming to a battle. Thus it is evident that as the ladies will not, the men must take the offensive... Is it not time that the ladies should take an innings? Let us widowers and bachelors form an association to declare that for the next hundred years we will make love no longer. Let the young women come and make love to us; let them write us verses; let them ask us to dance, get us ices and cups of tea, and help us on with our cloaks at the hall-door; and if they are eligible, we may perhaps be induced to yield and say, 'La, Miss Hopkins - I really never - I am so agitated - Ask papa!
William Makepeace Thackeray
Imagine you're in a rowing boat on a lake. It's summer, early morning. That time when the sun hasn't quite broken free of the landscape and long, projected shadows tigerstripe the light. The rays are warm on your skin as you drift through them, but in the shadows the air is still cold, greyness holding onto undersides and edges wherever it can. A low clinging breeze comes and goes, racing ripples across the water and gently rocking you and your boat as you float in yin-yang slices of morning. Birds are singing. It's a sharp, clear sound, clean without the humming backing track of a day well underway. There's the occasional sound of wind in leaves and the occasional slap-splash of a larger wavelet breaking on the side of your boat, but nothing else. You reach over the side and feel the shock of the water, the steady bob of the lake's movement playing up and down your knuckles in a rhythm of cold. You pull your arm back; you enjoy the after-ache in your fingers. Holding out your hand, you close your eyes and feel the tiny physics of gravity and resistance as the liquid finds routes across your skin, builds itself into droplets of the required weight, then falls, each drop ending with an audible tap. Now, right on that tap - stop. Stop imagining. Here's the real game. Here's what's obvious and wonderful and terrible all at the same time: the lake in my head, the lake I was imagining, has just become the lake in your head. It doesn't matter if you never know me, or never know anything about me. I could be dead, I could have been dead a hundred years before you were even born and still - think about this carefully, think past the obvious sense of it to the huge and amazing miracle hiding inside - the lake in my head has become the lake in your head.
Steven Hall (The Raw Shark Texts)
Mr. Wonderful was probably taking his sweet time, right?” “No, it was actually my fault this morning. I was busy with…paperwork.” “Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?” He smiled. “Nothing important.” Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact. Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor. He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century. I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together. As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!” Mr. Kadam asked, “What was that, Miss Kelsey?” “Nothing.” Ren raised an eyebrow and smirked. He probably heard me. Stupid tiger hearing. The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence. When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
It is written, ‘This world is like a vestibule before the world-to-come; prepare thyself in the vestibule, that thou mayest enter into the hall.’ The meaning is clear: The vestibule is this world, and the hall is the world-to-come. Listen. In gematriya, the words ‘this world’ come out one hundred sixty-three, and the words ‘the world-to-come’ come out one hundred fifty-four. The difference between ‘this world’ and ‘the world-to-come’ comes out to nine. Nine is half of eighteen. Eighteen is chai, life. In this world there is only half of chai. We are only half alive in this world! Only half alive!
Chaim Potok (The Chosen)
The shrines of Masonry are ornamented by the jewels of a thousand ages; its rituals ring with the words of enlightened seers and illuminated sages. A hundred religions have brought their gifts of wisdom to its altar. It is more than a faith; it is a path of certainty. It is more than belief; it is fact.
Manly P. Hall (The Lost Keys of Freemasonry (Also Includes: Freemasonry of the Ancient Egyptians / Masonic Orders of Fraternity))
I don’t know what you’ve done to me,” he says again, shaking his head slightly, awe in his gaze. “You’re more than the answer to my prayers. You’re the answer to prayers I never knew I had. You’re an enchantment, a treasure, a powerful curse in its own right and I am one hundred percent under your spell.
Karina Halle (A Ship of Bones and Teeth)
Veronica,” he says, adding a nervous smile, “Ronnie. Freckles. I am one-hundred-percent, madly, endlessly, hopelessly in love with you.” And there I go. Veronica Locke has lost her heart. Last seen in a puddle on the floor. Now suspected in this man’s hands. I can barely fucking breathe. He loves me. He loves me
Karina Halle (Heat Wave)
You see, but you do not observe. The distinction is clear. For example, you have frequently seen the steps which lead up from the hall to this room.” “Frequently.” “How often?” “Well, some hundreds of times.” “Then how many are there?” “How many? I don't know.” “Quite so! You have not observed. And yet you have seen.
Arthur Conan Doyle (The Complete Sherlock Holmes: Tales of a Consulting Detective)
There are children on the island who go barefoot all summer and wear feathers in their hair, the Volkswagen vans in which their parents arrived in the ’70s turning to rust in the forest. Every year there are approximately two hundred days of rain. There’s a village of sorts by the ferry terminal: a general store with one gas pump, a health-food store, a real-estate office, an elementary school with sixty students, a community hall with two massive carved mermaids holding hands to form an archway over the front door and a tiny library attached. The rest of the island is mostly rock and forest, narrow roads with dirt driveways disappearing into the trees.
Emily St. John Mandel (Station Eleven)
Bucket had started his criminal career in Braas, not far from when Allan and his new friends now found themselves. There he had gotten together with some like-minded peers and started the motorcycle club called The Violence. Bucket was the leader; he decided which newsstand was to be robbed of cigarettes next. He was the one who has chosen the name- The Violence, in English, not swedish. And he was the one who unfortunately asked his girlfriend Isabella to sew the name of the motorcycle club onto ten newly stolen leather jackets. Isabella had never really learned to spell properly at school, not in Swedish, and certainly not in English. The result was that Isabella sewed The Violins on the jackets instead. As the rest of the club members had had similar academic success, nobody in the group noticed the mistake. So everyone was very surprised when one day a letter arrived for The Violins in Braas from the people in charge of the concert hall in Vaxjo. The letter suggested that, since the club obviously concerned itself with classical music, they might like to put in am appearance at a concert with the city’s prestigious chamber orchestra, Musica Viate. Bucket felt provoked; somebody was clearly making fun of him. One night he skipped the newsstand, and instead went into Vaxjo to throw a brick through the glass door of the concert hall. This was intended to teach the people responsible lesson in respect. It all went well, except that Bucket’s leather glove happened to follow the stone into the lobby. Since the alarm went off immediately, Bucket felt it would be unwise to try to retrieve the personal item in question. Losing the glove was not good. Bucket had traveled to Vaxjo by motorbike and one hand was extremely cold all the way home to Braas that night. Even worse was the fact that Bucket’s luckless girlfriend had written Bucket’s name and adress inside the glove, in case he lost it." For more quotes from the novel visit my blog: frommybooks.wordpress.com
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
Some of his [Chester Bowles's] friends thought that his entire political career reflected his background, that he truly believed in the idea of the Republic, with an expanded town-hall concept of politics, of political leaders consulting with their constituency, hearing them out, reasoning with them, coming to terms with them, government old-fashioned and unmanipulative. Such governments truly had to reflect their constituencies. It was his view not just of America, but of the whole world. Bowles was fascinated by the political process in which people of various countries expressed themselves politically instead of following orders imposed by an imperious leadership. In a modern world where most politicians tended to see the world divided in a death struggle between Communism and free-world democracies, it was an old-fashioned view of politics; it meant that Bowles was less likely to judge a country on whether or not it was Communist, but on whether or not its government seemed to reflect genuine indigenous feeling. (If he was critical of the Soviet leadership, he was more sympathetic to Communist governments in the underdeveloped world.) He was less impressed by the form of a government than by his own impression of its sense of legitimacy. ... He did not particularly value money (indeed, he was ill at ease with it), he did not share the usual political ideas of the rich, and he was extremely aware of the hardships with which most Americans lived. Instead of hiring highly paid consultants and pollsters to conduct market research, Bowles did his own canvassing, going from door to door to hundreds of middle- and lower-class homes. That became a crucial part of his education; his theoretical liberalism became reinforced by what he learned about people’s lives during the Depression.
David Halberstam (The Best and the Brightest)
There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
But the launching had been a great success and now that the Space Hotel was safely in orbit, there was a tremendous hustle and bustle to send up the first guests. It was rumored that the President of the United States himself was going to be among the first to stay in the hotel, and of course there was a mad rush by all sorts of other people across the world to book rooms. Several kings and queens had cabled the White House in Washington for reservations, and a Texas millionaire called Orson Cart, who was about to marry a Hollywood starlet called Helen Highwater, was offering one hundred thousand dollars a day for the honeymoon suite. But you cannot send guests to a hotel unless there are lots of people there to look after them, and that explains why there was yet another interesting object orbiting the earth at that moment. This was the large Commuter Capsule containing the entire staff for Space Hotel “U.S.A.” There were managers, assistant managers, desk clerks, waitresses, bellhops, chambermaids, pastry chefs and hall porters. The capsule they were traveling in was manned by the three famous astronauts, Shuckworth, Shanks and Showler, all of them handsome, clever and brave. “In exactly one hour,” said Shuckworth,
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
Everywhere we went, every step we took, girls stopped talking and turned to stare. I'd never seen anything like it. But then, I don't suppose they'd ever seen anything like Reason. We found two seats together in the middle of the room and sat down while a low murmur of noise filled the lecture hall. It sounded like several hundred girls breathing "squee" all at once. I figured I might as well get used to it.
Taylor Longford (Reason (Greystone, #3))
Y-You love me?” Gazing down at her pert nose and the freckles that made him think of an adorable pixie, he felt his throat constrict. “I want you every hour of the day. I can’t imagine a future without you in it. The idea of returning to my empty house alone is so hellish that I’d rather wander the world at your heels than be without you. Tell me, is that love?” She cast him a blazing smile. “It sounds like it.” “Then I love you, my wonderful, sword-wielding, tart-tongued angel. I want you to be my wife. I want you to preside over my table and accompany me to balls and share my bed.” A most uncharacteristic happiness surged through him. “And I want to have children with you, lots of them, filling every room in Halstead Hall.” A sudden understanding lit her face. His clever love didn’t miss the fact that he was offering her not just himself, but everything else he’d neglected, as well. Everything that he wanted to put to rights. That he needed to put to rights. “Not filling every room, I hope,” she teased, even as tears shone in her eyes. “There are three hundred, after all.” “Then I suppose we’ll have to get started right away,” he said, matching her light tone. His heart near to bursting, he reached again for the buttons on the back of her gown. “These things should never be left until the last minute.” As a laugh of pure joy bubbled out of her, she began to untie his cravat. “I can see you’re going to be quite the lusty husband, aren’t you?” He stripped her gown from her, then turned her around to undo her stays. “You have no idea,” he murmured, and filled his hands with the breasts he’d freed. Moaning, she pressed her bottom against him. “I have some idea.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
But I’m old now and Ward has made himself rich and powerful. He has the resources to ensure that one day he’ll perfect his standardising system and if that happens, instead of a thousand Wards there will be a hundred thousand, a million, a billion. He’ll grow exponentially until there’s nothing and no one else left. Just Ward, Ward, Ward in every house, in every town and every city, in every country in the world. Forever.
Steven Hall (The Raw Shark Texts)
The National Revolution has begun!” Hitler shouted. “This building is occupied by six hundred heavily armed men. No one may leave the hall. Unless there is immediate quiet I shall have a machine gun posted in the gallery. The Bavarian and Reich governments have been removed and a provisional national government formed. The barracks of the Reichswehr and police are occupied. The Army and the police are marching on the city under the swastika banner.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
Wally Lamb (She's Come Undone)
I want to start a seed bank. There are half as many trees in the world as there were before we came down out of them.” “Because of us?” “One percent of the world forest, every decade. An area larger than Connecticut, every year.” He nods, as if no one paying attention would be surprised. “A third to a half of existing species may go extinct by the time I’m gone.” Her words puzzle him. She’s going somewhere? “Tens of thousands of trees we know nothing about. Species we’ve barely classified. Like burning down the library, art museum, pharmacy, and hall of records, all at once.” “You want to start an ark.” She smiles at the word, but shrugs. It’s as good as any. “I want to start an ark.” “Where you can keep . . .” The strangeness of the idea gets him. A vault to store a few hundred million years of tinkering. Hand on the car door, he fixes on something high up in a cedar. “What . . . would you do with them? When would they ever . . . ?” “Den, I don’t know. But a seed can lie dormant for thousands of years.
Richard Powers (The Overstory)
From that the talk turned to the great hoard itself and to the things that Thorin and Balin remembered. They wondered if they were still lying there unharmed in the hall below: the spears that were made for the armies of the great King Bladorthin (long since dead), each had a thrice-forged head and their shafts were inlaid with cunning gold, but they were never delivered or paid for; shields made for warriors long dead; the great golden cup of Thror, two-handed, hammered and carven with birds and flowers whose eyes and petals were of jewels; coats of mail gilded and silvered and impenetrable; the necklace of Girion, Lord of Dale, made of five hundred emeralds green as grass, which he gave for the arming of his eldest son in a coat of dwarf-linked rings the like of which had never been made before, for it was wrought of pure silver to the power and strength of triple steel. But fairest of all was the great white gem, which the dwarves had found beneath the roots of the Mountain, the Heart of the Mountain, the Arkenstone of Thrain.
J.R.R. Tolkien (The Hobbit)
I realised that the search for the Knowledge has encouraged us to think of the House as if it were a sort of riddle to be unravelled, a text to be interpreted, and that if ever we discover the Knowledge, then it will be as if the Value has been wrested from the House and all that remains will be mere scenery. The sight of the One-Hundred-and-Ninety-Second Western Hall in the Moonlight made me see how ridiculous that is. The House is valuable because it is the House. It is enough in and of Itself. It is not the means to an end.
Susanna Clarke (Piranesi)
I realized that the search for the Knowledge has encouraged us to think of the House as if it were a sort of riddle to be unravelled, a text to be interpreted, and that if ever we discover the Knowledge, then it will be as if the Value has been wrested from the House and all that remains will be mere scenery. The sight of the One-Hundred-and-Ninety-Second Western Hall in the Moonlight made me see how ridiculous that is. The House is valuable because it is the House. It is enough in and of itself. It is not the means to an end.
Susanna Clarke (Piranesi)
The radiation in Chernobyl’s Unit 4 reactor hall was now at an instantly-lethal 30,000 roentgens-per-hour. 500 roentgens, received over the course of 5 hours, is a fatal dose. 400 is fatal in 50% of victims. Anything even approaching that will hospitalise you for months if you’re lucky, or cripple you if you aren’t. The volume and intensity of radioactive particles thrown into the atmosphere on that night was equal to 10 Hiroshima bombs, not including the hundreds of tons of reactor fuel and graphite that landed all over the plant.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Hanford, says Marshall, “was a tough town. There was nothing to do after work except fight, with the result that occasionally bodies were found in garbage cans the next morning.”1902 Du Pont built saloons with windows hinged for easy tear-gas lobbing. Eventually some 5,000 construction workers struggled in the desert dust and Du Pont built more than two hundred barracks to house them. Meat rationing stopped at the edge of the reservation; there were no meatless Tuesdays in the vast Hanford mess halls, a significant enticement for recruiting
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
I didn’t return Mabel’s nine hundred texts because I knew we’d end up like this no matter what. What happened had broken us even if it wasn’t about us at all. Because I know that for all her care and understanding, when this visit is over and she’s back in LA with Jacob and her new friends, sitting in her lecture halls or riding the Ferris wheel in Santa Monica or eating dinner by herself in front of an open textbook, she’ll be the same as she’s always been—fearless and funny and whole. She’ll still be herself and I’ll be learning who I am now.
Nina LaCour (We Are Okay)
I didn't return Mabel's nine hundred texts because I knew we'd end up like this no matter what. What happened had broken us even if it wasn't about us at all. Because I know that for all her care and understanding, when this visit is over and she's back in LA with Jacob and her new friends, sitting in her lecture halls or riding the Ferris wheel in Santa Monica or eating dinner by herself in front of an open textbook, she'll be the same as she's always been - fearless and funny and whole. She'll still be herself and I'll be learning who I am now.
Nina LaCour (We Are Okay)
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
About a hundred million years ago, the dinosaurs had everything their own way. They thought they knew all the answers. They thought they could hear the grass growing. Maybe they could. But according to Titsling and Boukanowski, their social life was a disgrace. They changed their sex every other month and used profane language, and at the age of three, at the very tender age of three, they would go steady in no uncertain manner and bring forth eggs as large as footballs! Without benefit of clergy or city hall. Extinction! That's what they asked for, that’s what they got.
Brother Theodore
Having outgrown its Manhattan headquarters, most of Bell Labs moved to two hundred rolling acres in Murray Hill, New Jersey. Mervin Kelly and his colleagues wanted their new home to feel like an academic campus, but without the segregation of various disciplines into different buildings. They knew that creativity came through chance encounters. “All buildings have been connected so as to avoid fixed geographical delineation between departments and to encourage free interchange and close contact among them,” an executive wrote.11 The corridors were extremely long, more than the length of two football fields, and designed to promote random meetings among people with different talents and specialties, a strategy that Steve Jobs replicated in designing Apple’s new headquarters seventy years later. Anyone walking around Bell Labs might be bombarded with random ideas, soaking them up like a solar cell. Claude Shannon, the eccentric information theorist, would sometimes ride a unicycle up and down the long red terrazzo corridors while juggling three balls and nodding at colleagues.III It was a wacky metaphor for the balls-in-the-air ferment in the halls.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
The Bear’s Mouth is our death,’ said Heinrich, letting his voice rise, ‘we give our lives to Rowanoco if he gives us vengeance in return. If two hundred honourable men...’ he looked at Halla, ‘and women of Fjorlan have a place in the ice halls beyond the world...’ The company was as one, looking at the novice with wild eyes and rapt attention. ‘Then let us die with our enemies’ blood on our faces and their hearts in our hands.’ A low growling cheer began to form. ‘I pledge to you all that death is our right and we will take it... we will rip it from the limbs of any man foolish enough to face us.’ Heinrich’s voice grew louder with the accompaniment of two hundred warriors snarling into the air. Halla felt her breathing quicken. ‘We are the chosen of the Ice Giants. We are the instruments of death for those betrayers... and we will... not... fear...’ The last words came out at the top of Heinrich’s voice and he spat with the emotion he experienced at delivering the words of the Order of the Hammer. The company roared their agreement and the sound carried far in the cold air of Hammerfall, hanging for a moment over the funeral pyres, as each man pledged his death in the fight against Rulag the Betrayer.
A.J. Smith (The Dark Blood (The Long War Book 2))
Finally, on the fifth day of fasting, I left the apartment. Spending my last few hundred yen to buy a pastry and another part-time job magazine, I decided to start doing physical work that very day. Dive 199 Physical day labor. . . I mastered the work surprisingly easily, bringing supplies into event halls, helping with moving and the like. Once in a while, I made a mistake and got punched by one of the higher-ups; even so, the work was refreshing. The rougher I treated my body, the more and more empty my head became. For the first time in several years, I could go to sleep and wake up feeling refreshed.
Tatsuhiko Takimoto (Welcome to the N.H.K.)
This community participated in the institution of slavery," said Dr. DeGioia, making his announcement at Georgetown 's Gaston Hall before a crowd of hundreds of students, faculty members, and descendants, including Melissa and her mother. "This original evil that shaped the early years of the Republic was present here. We have been able to hide from this truth, bury this truth, ignore and deny this truth." But the time had come, he said, to recognize that truth and take action. "As a community and as individuals, we cannot do our best work if we refuse to take ownership of such a critical part of our history. We must acknowledge it.
Rachel L. Swarns (The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church)
1860 there had risen in West Dougherty perhaps the richest slave kingdom the modern world ever knew. A hundred and fifty barons commanded the labor of nearly six thousand Negroes, held sway over farms with ninety thousand acres tilled land, valued even in times of cheap soil at three millions of dollars. Twenty thousand bales of ginned cotton went yearly to England, New and Old; and men that came there bankrupt made money and grew rich. In a single decade the cotton output increased four-fold and the value of lands was tripled. It was the heyday of the nouveau riche, and a life of careless extravagance among the masters. Four and six bobtailed thoroughbreds rolled their coaches to town; open hospitality and gay entertainment were the rule. Parks and groves were laid out, rich with flower and vine, and in the midst stood the low wide-halled “big house,” with its porch and columns and great fireplaces. And yet with all this there was something sordid, something forced,—a certain feverish unrest and recklessness; for was not all this show and tinsel built upon a groan? “This land was a little Hell,” said a ragged, brown, and grave-faced man to me. We were seated near a roadside blacksmith shop, and behind was the bare ruin of some master’s home. “I’ve seen niggers drop dead in the furrow, but they were kicked aside, and the plough never
W.E.B. Du Bois (The Souls of Black Folk)
Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.
Elizabeth Hand (Wylding Hall)
One learns of a victory either after the war is over, or at once, from the hilarious joy of one’s hall porter. One discovers the touch of genius in Berma’s acting a week after one has heard her, in the criticism of some review, or else on the spot, from the thundering acclamation of the stalls. But this immediate recognition by the crowd was mingled with a hundred others, all quite erroneous; the applause came, most often, at wrong moments, apart from the fact that it was mechanically produced by the effect of the applause that had gone before, just as in a storm, once the sea is sufficiently disturbed, it will continue to swell, even after the wind has begun to subside. No matter; the more I applauded, the better, it seemed to me, did Berma act
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
I agree with you one hundred percent.“ Diana batted her lashes. “I think you’ve made a very wise decision, Colby.“ He ran his palm up her bare arm. “And I think you’re picking up the finer nuances of being a wife faster than I’d ever imagined you would. How the hell did I wind up agreeing to spend Christmas with Margaret Fulbrook?“ “How the hell did I wind up pregnant and unemployed and financially dependent on a man for the first time in my life?“ “You forgot barefoot,“ he said with satisfaction. “At the moment you’re barefoot, pregnant and unemployed.“ She started to tickle him in the ribs. A few minutes later Colby’s sexy laughter aroused Specter. The dog sighed heavily, got up and padded down the hall to find some peace and quiet in the living room.
Jayne Ann Krentz (Dreams: Part Two (Dreams, #2))
She believed that a good teacher should make a poor student good, and a good student superior. I remember her saying, “When our students fail, we, as teachers, have also failed.” She focused on identifying and magnifying each student’s unique gifts. Her mantra to her students was “Trust yourself. Think for yourself. Act for yourself. Speak for yourself. Be yourself.” She embodied the philosophy “You can’t teach what you don’t know, and you can’t guide where you don’t go.” We don’t have to teach thousands, hundreds, or even dozens. If we can show one person the way, if we can bring one person from darkness into light, if we can make a difference in one person’s development, we have succeeded as a teacher and a coach. It is true that when you light someone else’s path, you see your own more clearly.
Kevin Hall (Aspire: Discovering Your Purpose Through the Power of Words)
On the first day I walked into Simon’s bustling headquarters, just across from City Hall, I encountered an intense young fund-raiser sitting in an open cubicle, working his quarry over the phone. Curious, I stopped to watch the spectacle. “Five hundred bucks? Five hundred bucks! You know what you’re telling me? You don’t give a shit about Israel,” the intense, wiry young man shouted at God knows which mover and shaker on the other end of the line. “I’d be embarrassed for you to take your five hundred bucks.” The kid hung up and stared at the phone, which rang an instant later. “Yeah, that’s better,” he said, in a markedly calmer tone. “Thanks.” Even at twenty-four, Rahm Emanuel had a gift for getting his point across, a quality I would see on display many times as we teamed up in the decades to come.
David Axelrod (Believer: My Forty Years in Politics)
The woman [Cadsuane] looked at the battered tea things as if she had all the time in the world. “Now you know,” she said at last, calm as ever, “that I know your future, and your present. The Light’s mercy fades to nothing for a man who can channel. Some see that and believe the Light denies those men. I do not. Have you begun to hear voices, yet?” “What do you mean?” he asked slowly. He could feel Lews Therin listening. [...] “Some men who can channel begin to hear voices.” She spoke almost absently, frowning at the flattened sphere of silver and gold. “It is a part of the madness. Voices conversing with them, telling them what to do.” The teapot drifted gently to the floor by her feet. “Have you heard any?” [...] “I will ask the questions,” Rand said firmly. “You seem to forget. I am the Dragon Reborn.” You are real, aren’t you? he wondered. There was no answer. Lews Therin? Sometimes the man did not answer, but Aes Sedai always drew him. Lews Therin? He was not mad; the voice was real, not imagination. Not madness. A sudden desire to laugh did not help. Cadsuane sighed. “You are a young man who has little idea where he is going or why, or what lies ahead. You seem overwrought. Perhaps we can speak when you are more settled. Have you any objection to my taking Merana and Annoura away for a little while? I’ve seen neither in quite some time.” Rand gaped at her. She swooped in, insulted him, threatened him, casually announced she knew about the voice in his head, and with that she wanted to leave and talk with Merana and Annoura? Is she mad? Still no answer from Lews Therin. The man was real. He was! “Go away,” he said. “Go away, and...” He was not mad. “All of you, get out! Get out!” [...] Finally they were all gone, and he was alone. Alone. Convulsively he hurled the Dragon Scepter. The spear-point stuck quivering in the back of one the chairs, the tassels swaying. “I am not mad,” he said to the empty room. Lews Therin had told him things; he would never have escaped Galina’s chest without the dead man’s voice. But he had used the Power before he ever heard the voice; he had figured out how to call lightning and hurl fire and form a construct that had killed hundreds of Trollocs. But then, maybe that had been Lews Therin, like those memories of climbing trees in a plum orchard, and entering the Hall of the Servants, and a dozen more that crept up on him unawares. And maybe those memories were all fancies, mad dreams of a mad mind, just like the voice.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Don't you think Rycca would like to hear about Hadding, the warrior Odin rescued from his enemies? Indeed, so would I for as I recall, the last time I asked about him, you told the story in great haste without the scantiest details." There was a gleam in her eyes that Rycca had come to understand meant she was up to something, but she had no idea what might lurk behind so seemingly innocent a suggestion. Dragon grinned and looked at his brother, who leaned back in his chair and laughed. When Rycca appeared puzzled, Cymbra said, "I confess, when I noticed how attentive you are to Dragon's stories I was reminded of myself. At Wolf's and my wedding feast, I persuaded Dragon to tell a great many tales. He was the soul of patience." "He was?" Wolf interjected. "I was the one with the patience. My dear brother knew perfectly well I was sitting there contemplating various possibilities for doing away with him and he enjoyed every moment of it." "Now how could I have known that, brother?" Dragon challenged. "Just because the wine goblet you were holding was twisted into a very odd shape?" "It was that or your neck, brother," Wolf replied pleasantly. He looked at Rycca reassuringly. "Don't worry, if I hadn't already forgiven him, that sword he gave me would force me to." "It is a magnificent blade," Dragon agreed. "They both are. Every smithy in Christendom is trying to work out what the Moors are doing but..." "It's got something to do with the temperature of the steel," Wolf said. "And with the folding. They fold more than we do, possibly hundreds of times." "Hundreds,really? Then the temperature has to be very high or they couldn't pound that thin. I wonder how much carbon they're adding-" Cymbra sighed. To Rycca, she said, "We might as well retire.They can talk about this for hours." Wolf heard her and laughed. He draped an arm over her chair, pulling her closer. Into her ear, he said something that made the redoubtable Cymbra blush. She cleared her throat. "Oh, well, in that case, you might as well retire, too." Standing up quickly, she took her husband's rugged hand in her much smaller and fairer one. "Good night, Rycca, good night, Dragon. Sleep well." This last was said over her shoulder as she tugged Wolf from the hall. Her obvious intent startled Rycca, who even now could not think herself as being so bold, but it made both the Hakonson brothers laugh. "As you may gather," Dragon said in the aftermath of the couple's departure, "my brother and his wife are happily wed.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Gerlitz, Claudia Förster, and fifteen-year-old Jutta Pfennig—are transported from Essen to Berlin to work in a machine parts factory. For ten hours a day, six days a week, they disassemble massive forging presses and stack the usable metal in crates to be loaded onto train cars. Unscrewing, sawing, hauling. Most days Frau Elena works close by, wearing a torn ski jacket she has found, mumbling to herself in French or singing songs from childhood. They live above a printing company abandoned a month before. Hundreds of crates of misprinted dictionaries are stacked in the halls, and the girls burn them page by page in the potbelly stove. Yesterday Dankeswort, Dankesworte, Dankgebet, Dankopfer. Today Frauenverband, Frauenverein, Frauenvorsteher, Frauenwahlrecht. For meals they have cabbage and barley in the factory canteen at noon, endless ration lines
Anthony Doerr (All the Light We Cannot See)
I knew from experience that before you went swimming off a dock for the first time each summer, you needed to check the sides and the ladder carefully for bryozoan, colonies of slimy green critters that grew on hard surfaces underwater (think coral, but gelatinous-shudder). They wouldn’t hurt you, they were part of a healthy freshwater ecosystem, their presence meant the water was pristine and unpolluted, blah blah blah-but none of this was any consolation if you accidentally touched them. Poking around with a water ski and finding nothing, I spent the rest of the afternoon watching for Sean from the water. And getting out occasionally when he sped by in the boat, in order to woo him like Halle Berry coming out of the ocean in a James Bond movie (which I had seen with the boys about a hundred times. Bikini scene, seven hundred times). Only I seemed to have misplaced my dagger.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
In Texas in May 1916, a black farm worker named Jesse Washington, accused of murdering the white woman he worked for, was lynched in front of the Waco city hall. Washington was not hanged. First he was castrated, then his fingers were cut off, then he was raised and lowered over a bonfire for two hours, until he finally died. His charred body was then dismembered, the torso dragged through the streets, and other parts of his body sold as souvenirs. It happened in broad daylight, in the middle of the day, as some 10,000 spectators watched, including local officials, police officers and children on their school lunch break. Photographs were taken of Washington’s carbonised body hanging above grinning white people and turned into postcards. That’s the reality of what being ‘one hundred per cent American’ and for ‘America first’ meant to a great many citizens of the United States in the first decades of the twentieth century.
Sarah Churchwell (Behold, America: The Entangled History of "America First" and "the American Dream")
Then other memories intruded and a different Robin peeled away from this picture of a safe and ordered past: and there in front of him stood a woman who would not have been out of place in the SIB. This was the Robin who had taken advanced driving courses, who had concussed herself in the pursuit of a killer, who had calmly wrapped her coat like a tourniquet around his bleeding arm after he was stabbed and taken him to hospital. The Robin who had improvised so successfully in interrogating suspects that she had winkled out information that the police had not managed to get, who had invented and successfully embodied Venetia Hall, who had persuaded a terrified young man who wanted his leg amputated to confide in her, who had given Strike a hundred other examples of initiative, resourcefulness and courage that might have turned her into a plain-clothes police officer by now, had she not once walked into a dark stairwell where a bastard in a mask stood waiting.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
She pictures herself in early 1939, aged nine, standing in front of the astronomical clock in Prague’s Old Town Hall square. She’s sneaking a peek at the old skeleton. It keeps watch over the rooftops of the city with huge empty eye sockets. They’d told them at school that the clock was a piece of mechanical ingenuity, invented by Maestro Hanuš more than five hundred years ago. But Dita’s grandmothers told her a darker story. The king ordered Hanuš to construct a clock with figures, automatons that paraded on the stroke of every hour. When it was completed, the king ordered his bailiffs to blind the clockmaker so that he could never make another wonder like it. But the clockmaker took revenge, putting his hand into the mechanism to disable it. The cogs shredded his hand, the mechanism jammed, and the clock was broken, unfixable for years. Sometimes Dita had nightmares about that amputated hand snaking its way around the serrated wheels of the mechanism. Dita,
Antonio Iturbe (The Librarian of Auschwitz)
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
After initial annoyance about the surprise drills, the Pentagon quickly saw value in the president’s interest. “It is the first time in years that they have a president who takes his role as Commander-in-Chief seriously,” a White House aide bragged. “They’re ecstatic.” Amid Vietnam, Watergate, and a relatively calm period of the Cold War in general, Johnson, Nixon, and Ford had shown little interest in the emergency procedures, which for the most part had continued to chug along far off the White House’s radar. Carter’s administration, on the other hand, ran the only full-scale activation of the Greenbrier congressional relocation facility—on cue, the Forsythe Associates team hauled hundreds of desks out of their warehouse on the resort grounds and—while the conference facilities were closed to the public—set up the exhibit hall as if Congress had successfully relocated there. Outside the small Forsythe Associates crew, none of the resort guests or staffers noticed. •
Garrett M. Graff (Raven Rock: The Story of the U.S. Government's Secret Plan to Save Itself--While the Rest of Us Die)
Certainly there had been an intelligence left in the ancient computers below the city, a single living organism which had long ago ceased to exist sanely under conditions that, within its merciless dipolar circuits, could only be absolute reality. It had held its increasingly alien logic within its banks of memory for eight hundred years and might have held them for eight hundred more, if not for the arrival of Roland and his friends; yet this mens non corpus had brooded and grown ever more insane with each passing year; even in its increasing periods of sleep it could be said to dream, and these dreams grew steadily more abnormal as the world moved on. Now, although the unthinkable machinery which had maintained the Beams had weakened, this insane and inhuman intelligence had awakened in the rooms of ruin and had begun once more, although as bodiless as any ghost, to stumble through the halls of the dead. In other words, Blaine the Mono was preparing to get out of Dodge.
Stephen King (The Waste Lands (The Dark Tower, #3))
Harry had never even imagined such a strange and splendid place. It was lit by thousands and thousands of candles which were floating in mid-air over four long tables, where the rest of the students were sitting. These tables were laid with glittering golden plates and goblets. At the top of the Hall was another long table where the teachers were sitting. Professor McGonagall led the first-years up here, so that they came to a halt in a line facing the other students, with the teachers behind them. The hundreds of faces staring at them looked like pale lanterns in the flickering candlelight. Dotted here and there among the students, the ghosts shone misty silver. Mainly to avoid all the staring eyes, Harry looked upwards and saw a velvety black ceiling dotted with stars. He heard Hermione whisper, ‘It’s bewitched to look like the sky outside, I read about it in Hogwarts: A History.’ It was hard to believe there was a ceiling there at all, and that the Great Hall didn’t simply open on to the heavens.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
There were clear differences in how the young men responded to being called a bad name. For some, the insult changed their behavior. For some it didn’t. The deciding factor in how they reacted wasn’t how emotionally secure they were, or whether they were intellectuals or jocks, or whether they were physically imposing or not. What mattered—and I think you can guess where this is headed—was where they were from. Most of the young men from the northern part of the United States treated the incident with amusement. They laughed it off. Their handshakes were unchanged. Their levels of cortisol actually went down, as if they were unconsciously trying to defuse their own anger. Only a few of them had Steve get violent with Larry. But the southerners? Oh, my. They were angry. Their cortisol and testosterone jumped. Their handshakes got firm. Steve was all over Larry. “We even played this game of chicken,” Cohen said. “We sent the students back down the hallways, and around the corner comes another confederate. The hallway is blocked, so there’s only room for one of them to pass. The guy we used was six three, two hundred fifty pounds. He used to play college football. He was now working as a bouncer in a college bar. He was walking down the hall in business mode—the way you walk through a bar when you are trying to break up a fight. The question was: how close do they get to the bouncer before they get out of the way? And believe me, they always get out of the way.” For the northerners, there was almost no effect. They got out of the way five or six feet beforehand, whether they had been insulted or not. The southerners, by contrast, were downright deferential in normal circumstances, stepping aside with more than nine feet to go. But if they had just been insulted? Less than two feet. Call a southerner an asshole, and he’s itching for a fight. What Cohen and Nisbett were seeing in that long hall was the culture of honor in action: the southerners were reacting like Wix Howard did when Little Bob Turner accused him of cheating at poker.
Malcolm Gladwell (Outliers: The Story of Success)
As they moved through the halls and galleries the children darting from one exhibit to another, he felt at peace with the world. There was nothing like a museum for calming the mind, for putting the problems of everyday life in their true perspective. Here, surrounded by the infinite variety and wonder of Nature, he was reminded of truths he had forgotten. He was only one of a million million creatures that shared this planet Earth. The entire human race, with its hopes and fears, its triumphs and its follies, might be no more than an incident in the history of the world. As he stood before the monstrous bone of Diplodocus - the children for once awed and silent - he felt the winds of Eternity blowing through his soul. He could no longer take so seriously the gnawing of ambition, the belief that he was the man the nation needed. What nation, if it came to that? A mere two centuries ago this summer, the Declaration of Independence had been signed but this old American had lain in the Utah rocks for a hundred million years -
Arthur C. Clarke (The Nine Billion Names of God & Other Stories (The Collected Stories of Arthur C. Clarke #3))
You know, Micah, that first night, when I saw you on Bridge Street, I wanted to kill you. I wanted to cut your throat and watch your blood soak into the dirt. I wanted to wrap a strangle cord around your neck and throttle you while you kicked and messed yourself." "I'm shaking in my boots," Micah said, looking Han dead in the eyes. Han stood and took a step toward him. "I'm what's hiding in the side street when you walk home from The Four Horses," he said. "I'm the shadow in Greystone Alley when you go out to take a piss. I'm the foot pad in the corridor when you visit the girlie at Grievous Hall." Micah's eyes narrowed, his self-assurance wilting a bit. Han could tell he was going back over a hundred suspicious sights and sounds. "You've been following me?" "I can come and go from your room, any time I want," Han said. "I can tell you what you say when you talk in your sleep. I know what your down low girlie whispers in your ear." He laughed... Michah licked his lips. "Perhaps you take some kind of perverse pleasure in stalking me...
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
In the northern colonies, European Americans tended to own one or two slaves who worked on the family farm or were hired out. Rhode Island and Connecticut had a few large farms, where twenty or thirty slaves would live and work. Plantation-based slavery was more common in the South, where hundreds of slaves could be owned by the same person and forced to work in tobacco, indigo, or rice fields. In most cities, slaveholdings were small, usually one or two slaves who slept in the attic or cellar of the slave owner’s home. Abigail Smith Adams, a Congregational minister’s daughter, grew up outside Boston in a household that owned two slaves, Tom and Pheby. As an adult, she denounced slavery, as did her husband, John Adams, the second President of the United States. Historians recently discovered the remains of slaves found in the African Burial Ground near today’s City Hall in New York City. By studying the skeletons, scientists discovered that the slaves of New York suffered from poor nutrition, disease, and years of backbreaking labor. Most of them died young.
Laurie Halse Anderson (Chains (Seeds of America #1))
Out on the northwest side of Nashville, Tennessee, Judge Seth Norman has come to expect phone calls to start pouring in around late January every year. “The legislature comes back in session in January,” Norman said. The calls come from state legislators, each with the same problem: an addicted son, a daughter, a brother-in-law. “‘Um, uh, my nephew down in Camden, you think maybe you might be able to help?’ I get those kinds of calls,” he told me while we sat in the office adjacent to his courtroom. Most of the country’s twenty-eight hundred drug courts are set up to divert drug abusers away from jail and prison and into treatment somewhere. Seth Norman runs the only drug court in America that is physically attached to a long-term residential treatment center. He takes addicts accused of drug-related nonviolent felonies—theft, burglary, possession of stolen property, drug possession—and puts them in treatment for as long as two years as an alternative to prison. Down the hall from his court are dorms with beds for a hundred people—sixty men and forty women. I
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
It helps, of course, that Denmark is essentially one giant middle class or, as the Danes would have you believe, effectively classless. The creation of this economically and gender-equal society has driven much of Denmark’s social and economic development over the last hundred or so years. One very well-known Danish quotation sums this up—it is another line, like Holst’s “What was lost without…” that every Dane knows by heart, and was written by N. F. S. Grundtvig: Og da har i rigdom vi drevet det vidt, når få har for meget og færre for lidt. (And we will have made great strides in equality, when few have too much and fewer too little.) It sounds like some kind of utopian fantasy but, by and large, the Danes have succeeded in achieving it. As historian Tony Hall writes in Scandinavia: At War with Trolls, Grundtvig’s Folk High Schools were founded on the principle of “teaching them, whenever feasible, that regardless of their social rank and occupation, they belonged to one people, and as such had one mother, one destiny and one purpose.” The result is that, according to the New Statesman, “90 percent of the population [of Denmark] enjoy an approximately identical standard of living.
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
Cassian asked, 'What stair did you make it to?' 'One hundred eleven.' Nesta didn't rise. 'Pathetic.' Her fingers pushed into the floor, but her body didn't move. 'This stupid House wouldn't give me wine.' 'I figured that would be the only motivator to make you risk ten thousand stairs.' Her fingers dug into the stone floor once more. He threw her a crooked smile, glad for the distraction. 'You can't get up, can you?' Her arms strained, elbows buckling. 'Go fly into a boulder.' Cassian pushed off the wall and reached her in three strides. He wrapped his hands under her arms and hauled her up. She scowled at him the entire time. Glared at him some more when she swayed and he gripped her tighter, keeping her upright. 'I knew you were out of shape,' he observed, stepping away when she'd proved she wasn't about to collapse, 'but a hundred steps? Really?' 'Two hundred, counting the ones up,' she grumbled. 'Still pathetic.' She straightened her spine and raised her chin. Keep reaching out your hand. Cassian shrugged, turning toward the hall and the stairwell that would take him up to his rooms. 'If you get tired of being weak as a mewling kitten, come to training.' He glanced over a shoulder. Nesta still panted, her face flushed and furious. 'And participate.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
I also kept wondering, throughout that week in the summer of 2016, what if all I wanted to do was bang Nick Jonas (a question still) and maybe wrote a fifteen-hundred-word ode, talking about his chest and his ass and his dumb-sexy face and the fact I didn’t really like his music—would that have been a dis on Nick? Or what if a woman wanted to write about how she really hated Drake’s music but found him so physically hot and desirable that she was lusting for him anyway? Where would that put her? Where would that put me? Would either of these pieces raise any eyebrows? Were we then equal? No, not even close, because in our culture social-justice warriors always prefer women to be victims. The responses from Jezebel and Flavorwire and Teen Vogue all recast Ferreira as a victim, reinforcing her (supposed) violation at the hands of a male writer—the usual hall-of-mirrors loop people find themselves in when looking for something, anything, to get angry about, and one where they can occasionally, eventually, get tripped up. The reality is that men look at women, and men look at other men, and women look at men, and women especially size up other women and objectify them. Has anybody who’s ever been on a dating app recently not seen how our Darwinian impulses are gratified by a swipe or two?
Bret Easton Ellis (White)
Ocean Acidification is sometimes referred to as Global Warming's Equally Evil Twin. The irony is intentional and fair enough as far as it goes... No single mechanism explains all the mass extinctions in the record and yet changes in ocean chemistry seem to be a pretty good predictor. Ocean Acidification played a role in at least 2 of the Big Five Extinctions: the End-Permian and the End-Triassic. And quite possibly it was a major factor in a third, the End-Cretaceous. ...Why is ocean acidification so dangerous? The question is tough to answer only because the list of reasons is so long. Depending on how tightly organisms are able to regulate their internal chemistry, acidification may affect such basic processes as metabolism, enzyme activity, and protein function. Because it will change the makeup of microbial communities, it will alter the availability of key nutrients, like iron and nitrogen. For similar reasons, it will change the amount of light that passes through the water, and for somewhat different reasons, it will alter the way sound propagates. (In general, acidification is expected to make the seas noisier.) It seems likely to promote the growth of toxic algae. It will impact photosynthesis—many plant species are apt to benefit from elevated CO2 levels—and it will alter the compounds formed by dissolved metals, in some cases in ways that could be poisonous. Of the myriad possible impacts, probably the most significant involves the group of creatures known as calcifiers. (The term calcifier applies to any organism that builds a shell or external skeleton or, in the case of plants, a kind of internal scaffolding out of the mineral calcium carbonate.)... Ocean acidification increases the cost of calcification by reducing the number of carbonate ions available to organisms that build shells or exoskeletons. Imagine trying to build a house while someone keeps stealing your bricks. The more acidified the water, the greater the energy that’s required to complete the necessary steps. At a certain point, the water becomes positively corrosive, and solid calcium carbonate begins to dissolve. This is why the limpets that wander too close to the vents at Castello Aragonese end up with holes in their shells. According to geologists who work in the area, the vents have been spewing carbon dioxide for at least several hundred years, maybe longer. Any mussel or barnacle or keel worm that can adapt to lower pH in a time frame of centuries presumably already would have done so. “You give them generations on generations to survive in these conditions, and yet they’re not there,” Hall-Spencer observed.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
Your Bible makes more than a hundred references to the Holy Spirit. Jesus says more about the Spirit than he does about the church, marriage, finances, and the future. Why the emphasis on him? God does not want a bunch of stressed-out, worn-out, done-in, and washed-up children representing him in the world. He wants us to be fresher day by day, hour by hour. But let’s be careful. The topic of the Holy Spirit seems to bring out the extremists among us. On one hand there are the show-offs. These are the people who make us feel unspiritual by appearing super-spiritual. They are buddy-buddy with the Spirit, wear a backstage pass, and want everyone to see their healing gifts, hear their mystical tongue. They make a ministry out of making others feel less than godly. They like to show off. On the opposite extreme is the Spirit Patrol. They clamp down on anything that seems out of line or out of control. They are self-deputized hall monitors of the supernatural. If an event can’t be explained, they dismiss it. Somewhere in between is the healthy saint. He has a childlike heart. She has a high regard for Scripture. He is open to fresh strength. She is discerning and careful. Both he and she seek to follow the Spirit. They clutch with both hands this final promise of Jesus: “You shall receive power when the Holy Spirit has come upon you” (Acts 1:8 NKJV). God
Max Lucado (Help Is Here: Finding Fresh Strength and Purpose in the Power of the Holy Spirit)
TO DODD, PAPEN’S REMARK ranked as one of the most idiotic he had heard since his arrival in Berlin. And he had heard many. An odd kind of fanciful thinking seemed to have bedazzled Germany, to the highest levels of government. Earlier in the year, for example, Göring had claimed with utter sobriety that three hundred German Americans had been murdered in front of Independence Hall in Philadelphia at the start of the past world war. Messersmith, in a dispatch, observed that even smart, well-traveled Germans will “sit and calmly tell you the most extraordinary fairy tales.” Now here was the nation’s vice-chancellor claiming not to understand why the United States had entered the world war against Germany. Dodd looked at Papen. “I can tell you that,” he said, his voice just as level and even as before. “It was through the sheer, consummate stupidity of German diplomats.” Papen looked stunned. His wife, according to Sigrid Schultz, looked strangely pleased. A new silence filled the table—not one of anticipation, as before, but a charged emptiness—until suddenly everyone sought to fill the chasm with flecks of diverting conversation. In another world, another context, it would have been a minor incident, a burst of caustic banter readily forgotten. Amid the oppression and Gleichschaltung of Nazi Germany, however, it was something far more important and symbolic.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
It would appear that certain transcendent realities emit all around them a radiance to which the crowd is sensitive. So it is that when any great event occurs, when on a distant frontier an army is in jeopardy, or defeated, or victorious, the vague and conflicting reports which we receive, from which an educated man can derive little enlightenment, stimulate in the crowd an emotion by which that man is surprised, and in which, once expert criticism has informed him of the actual military situation, he recognises the popular perception of that ‘aura’ which surrounds momentous happenings, and which may be visible hundreds of miles away. One learns of a victory either after the war is over, or at once, from the hilarious joy of one’s hall porter. One discovers the touch of genius in Berma’s acting a week after one has heard her, in the criticism of some review, or else on the spot, from the thundering acclamation of the stalls. But this immediate recognition by the crowd was mingled with a hundred others, all quite erroneous; the applause came, most often, at wrong moments, apart from the fact that it was mechanically produced by the effect of the applause that had gone before, just as in a storm, once the sea is sufficiently disturbed, it will continue to swell, even after the wind has begun to subside. No matter; the more I applauded, the better, it seemed to me, did Berma act.
Marcel Proust (In the Shadow of Young Girls in Flower)
A reply dated 13 May finally arrived from the town clerk. Mr Mottershead could open the zoo subject to: 1) the type of animals being limited to those already described in previous correspondence; 2) the estate should not be used as an amusement park, racing track or public dance hall; and 3) no animals were to be kept within a distance of a hundred feet from the existing road. This necessitated the purchase of an additional strip of land between the road and the estate, which would have to be securely enclosed, but which couldn't be used for animals. (First it was used as a children's playground and later became a self-service cafe.) Somehow my dad managed to get a further mortgage of £350 to pay for the land and fencing. Of all the conditions, the most damaging in the long term was the last: the zoo was allowed 'no advertisement, sign or noticeboard which can be seen from the road above-mentioned'. Only a small sign at the entrance to the estate would be permitted, which meant the lodge, which was a good twenty-five yards from the road was completely invisible to any passing car. This would remain a problem for a very long time. For many years, the night before bank holidays, Dad and his friends would have to go out and hang temporary posters under the official road signs on the Chester bypass. The police turned a blind eye as long as they were taken down shortly afterwards.
June Mottershead (Our Zoo)
Am I dying?” “Yes.” “Can you cure me?” Luthe sighed. “I’m not sure. I think so. Had not…” “Had not I listened to Maur’s head, I would have come here long since,” Aerin said dreamily. “Had it not told me that I could not win against the Black Dragon, for no one could, I might have believed that there was enough left of my life to be worth healing; but I am Dragon-Killer, the least of my family, and if I have done a great thing, then I must die of it.” Her words floated on the air, half visible, like spider silk. “You are not the least of your family,” Luthe said violently; “your mother was worth seven of her husband, and you’ve the courage she had, or she’d not have borne you, and you would not be standing here now after Maur has done to you—and does to you yet.” Aerin stared at him. “Does to me yet?…They hung its skull in the great hall, and it spoke to me. I was stronger for a while, till I saw it there, and it spoke to me.” “Spoke—? His could anyone, even a hundred generations later, be so stupid as to bring back the Black Dragon’s head as a trophy and hang it on a wall for folk to gape at? Surely—” “I asked them to take it away—where no one might look at it again.” Luthe paced twice around the table before he said anything. “Dragon-Killer indeed. They do not know how lucky they are to have had you. To have had you at all. And I am fool enough to want to give you back to them.” Witchwoman’s daughter, Aerin thought. But I told Tor I would come back if I could.
Robin McKinley (The Hero and the Crown (Damar, #2))
One of our best dates was actually a weekend when we went to the wedding of a friend from the Teams. The couple married in Wimberley, Texas, a small town maybe forty miles south of Austin and a few hours’ drive from where we lived. We were having such a pleasant day, we didn’t want it to end. “It doesn’t have to end,” suggested Chris as we headed for the car. “The kids are at my parents’ for the weekend. Where do you want to go?” We googled for hotels and found a place in San Antonio, a little farther south. Located around the corner from the Alamo, the hotel seemed tailor-made for Chris. There was history in every floorboard. He loved the authentic Texan and Old West touches, from the lobby to the rooms. He read every framed article on the walls and admired each artifact. We walked through halls where famous lawmen-and maybe an outlaw or two-had trod a hundred years before. In the evening, we relaxed with coffee out on the balcony of our room-something we’d never managed to do when we actually owned one. It was one of those perfect days you dream of, completely unplanned. I have a great picture of Chris sitting out there in his cowboy boots, feet propped up, a big smile on his face. It’s still one of my favorites. People ask about Chris’s love of the Old West. It was something he was born with, really. It had to be in his genes. He grew up watching old westerns with his family, and for a time became a bronco-bustin’ cowboy and ranch hand. More than that, I think the clear sense of right and wrong, of frontier justice and strong values, appealed to him.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
My best friend growing up was a boy named Barry,” Buzan recalled, sitting outside on his patio with his pink shirt unbuttoned and a pair of large, wraparound geriatric sunglasses protecting his eyes. “He was always in the 1-D classes, while I was in 1-A. One-A was for the bright kids, D for the dunces. But when we went out into nature, Barry could identify things by the way they flew over the horizon. Just from their flight patterns, he could distinguish between a red admiral, a painted thrush, and a blackbird, which are all very similar. So I knew he was a genius. And I got a top mark in an exam on nature, a perfect mark, answering questions like ‘Name two fish you can find living in an English stream.’ There are a hundred and three. But when I got back my perfect mark on the test, I suddenly realized that the kid sitting down the hall in the dunces’ class, my best friend, Barry, knew more than I knew—much more than I knew—in the subject in which I was supposedly number one. And therefore, he was number one, and I was not number one. “And suddenly, I realized the system that I was in did not know what intelligence was, didn’t know how to identify smart and not smart. They called me the best, when I knew I wasn’t, and they called him the worst, when he was the best. I mean, there could be no more antipodal environment. So I began to question: What is intelligence? Who says? Who says you’re smart? Who says you’re not smart? And what do they mean by that?” Those questions, at least according to Buzan’s tidy personal narrative, dogged him until he got to college. Buzan’s introduction
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“ “That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’” “Fifty paces? Are you mad? It would have to be a hundred at least.” Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.” “Don’t remind me,” Celia grumbled. “Gabe also said he won a kiss from you.” “Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.” “Perhaps he was just trying to be polite.” Celia sighed. “Probably. I didn’t kiss you “properly” today because I was afraid if I did I might not stop. “The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.” Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?” Celia nodded. Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?” “Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.” “He hasn’t mentioned marriage?” “No.” Concern crossed Minerva’s face. “And love? What of that?” “That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.” Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.” Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.” “Mr. Pinter doesn’t strike me as that sort.” “Well, he didn’t strike me as having an ounce of passion until he started kissing me.” Minerva shot her a sly glance. “How is his kissing?” Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure. “That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?” “Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.” “You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.” I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either. Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
…and then Aerin caught a sudden whiff of smoke as from, and then the smell of cooking. She sat down hard, but Talat’s ears flicked back at her. What do you mean stop here? and went on. And there was a small campfire, tucked in the curve of the trail where there was a little clearing and a stream curving around the other side. “Good day to you,” said Luthe. Talat whickered a greeting, and Aerin slid off him and he went forward alone to nose Luthe's hands and browse his hair. “I thought you never left your hall and your lake,” said Aerin. “Rarely,” said Luthe. “In fact, increasingly exceedingly rarely. But I can be prodded from time to time by extraordinary circumstances.” Aerin smiled faintly. “You have plenty to choose from here recently.” “Yes.” “May I ask, which particular circumstance was sufficiently extraordinary in this case?” “Aerin—” Luthe paused, and then his voice took on its bantering tone again. “I thought you might like to be dragged back to the present, that you might arrive in time to give Tor his Crown and end the siege; and of course now instead of a few hundred years hence there is no jungle to be compelled to claw your way through. I’ve no doubt you could have done it, but it would have put you in a foul temper, and you would have been in a fouler one by the time you came back to the Lake of Dreams—assuming you would still have had the sense to to make your way there, not in your case something one can count on. You would have needed my assistance to regain your own time—if lighting a little fire made you see double, charging about in time without assistance would have blinded you for good—the longer you’re out of it, the harder it would have been to get you back in. So I came to meet you.” Aerin stared at the fire, for she couldn’t think at all when she looked at Luthe. “I really was a long time climbing, then,” she said. “Yes,” said Luthe. “A very long time.” “And a very long time falling.” “And a very long time falling.” Aerin said nothing more while she pulled Talat’s saddle off and dropped it by the fire, and rubbed his back dry, and checked his feet for small stones. “I suppose I should forgive you, then, for making me other than mortal,” she said. “You might. I would appreciate it if you did.
Robin McKinley (The Hero and the Crown (Damar, #2))
It all began with the forging of the Great Rings. Three were given to the Elves; immortal, wisest and fairest of all beings. Seven, to the Dwarf Lords, great miners and craftsmen of the mountain halls. And nine, nine rings were gifted to the race of Men, who above all else desire power. For within these rings was bound the strength and the will to govern over each race. But they were all of them deceived, for another ring was made. In the land of Mordor, in the fires of Mount Doom, the Dark Lord Sauron forged in secret, a master ring, to control all others. And into this ring he poured all his cruelty, his malice and his will to dominate all life. One ring to rule them all. One by one, the free peoples of Middle Earth fell to the power of the Ring. But there were some who resisted. A last alliance of men and elves marched against the armies of Mordor, and on the very slopes of Mount Doom, they fought for the freedom of Middle-Earth. Victory was near, but the power of the ring could not be undone. It was in this moment, when all hope had faded, that Isildur, son of the king, took up his father's sword. And Sauron, enemy of the free peoples of Middle-Earth, was defeated. The Ring passed to Isildur, who had this one chance to destroy evil forever, but the hearts of men are easily corrupted. And the ring of power has a will of its own. It betrayed Isildur, to his death. And some things that should not have been forgotten were lost. History became legend. Legend became myth. And for two and a half thousand years, the ring passed out of all knowledge. Until, when chance came, the ring ensnared a new bearer. The ring came to the creature Gollum, who took it deep into the tunnels under the Misty Mountains, and there it consumed him. The ring gave to Gollum unnatural long life. For five hundred years it poisoned his mind; and in the gloom of Gollum's cave, it waited. Darkness crept back into the forests of the world. Rumor grew of a shadow in the East, whispers of a nameless fear, and the Ring of Power perceived. Its time had now come. It abandoned Gollum. But then something happened that the Ring did not intend. It was picked up by the most unlikely creature imaginable. A Hobbit, Bilbo Baggins, of the Shire. For the time will soon come when Hobbits will shape the fortunes of all...
Tolkien J. R. R. (The Fellowship of the Ring (The Lord of the Rings, #1))
Perceptive and valuable personal explorations of time alone include A Book of Silence by Sara Maitland, Party of One by Anneli Rufus, Migrations to Solitude by Sue Halpern, Journal of a Solitude by May Sarton, The Point of Vanishing by Howard Axelrod, Solitude by Robert Kull, Pilgrim at Tinker Creek by Annie Dillard, The Diving Bell and the Butterfly by Jean-Dominique Bauby, A Field Guide to Getting Lost by Rebecca Solnit, The Story of My Heart by Richard Jefferies, Thoughts in Solitude by Thomas Merton, and the incomparable Walden by Henry David Thoreau. Adventure tales offering superb insight into solitude, both its horror and its beauty, include The Long Way by Bernard Moitessier, The Strange Last Voyage of Donald Crowhurst by Nicholas Tomalin and Ron Hall, A Voyage for Madmen by Peter Nichols, Into the Wild by Jon Krakauer, and Alone by Richard E. Byrd. Science-focused books that provided me with further understanding of how solitude affects people include Social by Matthew D. Lieberman, Loneliness by John T. Cacioppo and William Patrick, Quiet by Susan Cain, Neurotribes by Steve Silberman, and An Anthropologist on Mars by Oliver Sacks. Also offering astute ideas about aloneness are Cave in the Snow by Vicki Mackenzie, The Life of Saint Anthony by Saint Athanasius, Letters to a Young Poet by Rainer Maria Rilke, the essays of Ralph Waldo Emerson (especially “Nature” and “Self-Reliance”) and Friedrich Nietzsche (especially “Man Alone with Himself”), the verse of William Wordsworth, and the poems of Han-shan, Shih-te, and Wang Fan-chih. It was essential for me to read two of Knight’s favorite books: Notes from the Underground by Fyodor Dostoyevsky and Very Special People by Frederick Drimmer. This book’s epigraph, attributed to Socrates, comes from the C. D. Yonge translation of Diogenes Laërtius’s third-century A.D. work The Lives and Opinions of Eminent Philosophers. The Hermitary website, which offers hundreds of articles on every aspect of hermit life, is an invaluable resource—I spent weeks immersed in the site, though I did not qualify to become a member of the hermit-only chat groups. My longtime researcher, Jeanne Harper, dug up hundreds of reports on hermits and loners throughout history. I was fascinated by the stories of Japanese soldiers who continued fighting World War II for decades on remote Pacific islands, though none seemed to be completely alone for more than a few years at a time. Still, Hiroo Onoda’s No Surrender is a fascinating account.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
Flynn lived in a shiny glass apartment tower on the water in Melbourne. The building looked like hundreds of mirrors reflecting the bright blue sky. He lived at the top of the high-rise. Kope and I stepped off the elevator and looked down the hall at Flynn’s door. We’d been silent. Nodding to each other, we sent our hearing into the apartment. With a quiet gasp, I yanked my auditory sense back to normal. Flynn was busy with company at the moment. Very busy. Kope made a low sound and closed his eyes, shaking his head as if to clear away the sounds he’d heard. My face heated and I shifted from foot to foot, fighting back the nervous smile that always wanted to surface at inappropriate times. I found a small sitting area around the corner with glass walls overlooking the city. We sat, taking in the view. When my stupid urge to smile finally settled, I braved another look at Kope and pointed to myself, using my new, limited sign-language skills to tell him I’d listen. Given the new information about his inclination for lust, it was only fair. I quickly looked away, embarrassed by the crassness of the situation. I wasn’t going to listen the whole time. I’d just pop in for a quick check. Ten minutes passed. Still busy. Half an hour passed. Busy. Forty-five minutes passed. I shook my head to let Kope know they were still at it. He fidgeted and paced, out of his normal, calm comfort zone. An hour and ten minutes passed, and I took a turn at stretching my legs. I was getting hungry. I thought we’d be through with our talk by this time. We could interrupt Flynn, but I didn’t want him to freak out in front of somebody. We needed his guest to leave so we could talk alone. At the hour and a half mark, Kope checked his watch and looked at me. I sent my hearing into the room. Oh, they weren’t in the bedroom anymore. Finally! I wiggled my hearing around until it hit the sound of running water. A shower. This was a good sign. But wait . . . nope. I shook my head, eyes wide. Was this normal? Kope did something uncharacteristic then. He grinned, giving a little huff through his nose. This elicited a small giggle from me and I pressed both hands over my mouth. It was too late, though. At this point, I wouldn’t be able to stop myself. I could feel the crazy, unfortunate amusement rising. I jumped up and ran as spritely as I could to the stairwell with Kope on my heels. We sprinted down several flights before I fell back against the wall, laughter bubbling out. It went on and on, only getting worse when Kope joined in with his deep chuckling, a joyful rumble.
Wendy Higgins (Sweet Peril (Sweet, #2))
Events in the African American town of Hamburg, in the Edgefield District of South Carolina, were typical of many others across the former Confederacy where white paramilitary groups mobilized to regain control of state governments. Their aim was simple: prevent African Americans from voting. In July 1876, a few months before the election that gave the presidency to Hayes, a violent rampage in Hamburg abolished the civil rights of freed slaves. Calling itself the Red Shirts, a collection of white supremacists killed six African American men and then murdered four others whom the gang had captured. Benjamin Tillman led the Red shirts; the massacre propelled him to a twenty-four-year career as the most vitriolic racist in the U.S. Senate. Following the massacre, the terror did not abate. In September, a 'rifle club' of more than 500 whites crossed the Savannah River from Georgia and camped outside Hamburg. A local judge begged the governor to protect the African American population, but to no avail. The rifle club then moved on to the nearby hamlet of Ellenton, killing as many as fifty African Americans. President Ulysses S. Grant then sent in federal troops, who temporarily calmed things down but did not eliminate the ongoing threats. Employers in the Edgefield District told African Americans they would be fired, and landowners threatened black sharecroppers with eviction if they voted to maintain a biracial state government. When the 1876 election took place, fraudulent white ballots were cast; the total vote in Edgefield substantially exceeded the entire voting age population. Results like these across the state gave segregationist Democrats the margin of victory they needed to seize control of South Carolina's government from the black-white coalition that had held office during Reconstruction. Senator Tillman later bragged that 'the leading white men of Edgefield' had decided to 'seize the first opportunity that the Negroes might offer them to provoke a riot and teach the Negroes a lesson.' Although a coroner's jury indicted Tillman and ninety-three other Red Shirts for the murders, they were never prosecuted and continued to menace African Americans. Federal troops never came to offer protection. The campaign in Edgefield was of a pattern followed not only in South Carolina but throughout the South. With African Americans disenfranchised and white supremacists in control, South Carolina instituted a system of segregation and exploitation that persisted for the next century. In 1940, the state legislature erected a statute honoring Tillman on the capitol grounds, and in 1946 Clemson, one of the state's public universities, renamed its main hall in Tillman's honor. It was in this environment that hundreds of thousands of African Americans fled the former Confederacy in the first half of the twentieth century.
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
I now understand why you’re determined to thwart her,” Maria went on. “She does have a hateful side.” He stared down into the goblet. “I suppose you’d see it that way. She sees it as protective.” “Yet you’re angry at her.” “Oh, for God’s sake, will you stop harping on that? I’m not angry at Gran.” He stepped closer to her. “And if you intend to stand out here all night and plague me with questions about it, I’ll give you something better to do with your mouth.” She gazed up at him, perplexed. “I don’t under-“ He cut her off with a kiss. Let her knee him in the groin. Let her slap him. Anything was better than having her ask him about things he didn’t want to discuss. Ever. But she didn’t kick him. She stayed very, very still, but she didn’t fight him. He drew back to eye her suspiciously. “Well? Aren’t you going to punch me in the kidney? Pull a knife on me?” A smile curved her lips. “You’d like that, wouldn’t you? I kick your shin and march off in a huff, and you don’t have to answer me. But I’m wise to your tricks now, Oliver. I’m not going to stop asking just because-“ He kissed her again, dropping the goblet so he could drag her close and take advantage of her gasp to plunge his tongue into her mouth. Her sweet, silky mouth. So warm and innocent. So dangerous. Swiftly, he retreated. She did not. “What was that…you just did?” she asked in a breathless voice. Such clear evidence of her arousal made something resonate deep in his chest. And that wasn’t good. “It’s another way of kissing.” He ran his thumb over her lower lip, unable to stop himself. “A very intimate way.” Maria heard his explanation in a daze. Another way of kissing? There was more than one? Was it supposed to make her pulse jump and her heart thunder? And why had Nathan never done it to her? Great heavens, Nathan. She had let the villainous Rockton himself kiss her, without a thought for her fiancé! Still, she wanted to know why kissing was different with Oliver. Was it her? Or was it just that Oliver had experience that the respectable Nathan could never have? “Do it again,” she blurted out. Oliver’s eyes, black as the mouth of hell, glittered in the moonlight. “Why?” “Don’t you want to?” Her heart sank. It was her. She’d been so inept that even a debauched scoundrel like Oliver lacked any urge to kiss her again. “Of course I want to,” he growled. “But I don’t fancy having your knee shoved in my groin.” “I won’t hurt you. I just…want to see what it’s like. That’s all.” He narrowed his gaze on her. “Didn’t your Nathan ever kiss you?” “Not like that.” “Never?” She tipped up her chin. “Not all men are as shamelessly wicked as you.” The faintest of smiles touched his lips. “True.” Then he kissed her again, taking advantage of her slightly parted lips to thrust his tongue inside her mouth. And it was glorious, a hundred times more thrilling than any kiss Nathan had ever given her.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few. “Kestrel, do you hear me? You can’t toy with him.” “He started it.” “That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.” “Maybe that’s not as easy for me as it is for you.” He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?” They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.” He flinched as if slapped. His voice came low: “You can make people feel so small.” Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled. He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home. The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag. Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix… Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin. Quietly, Arin said, “He’ll be buried today, with the others.” “He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet. Arin helped her, his touch gentle. “I’ll make certain it’s done right.” Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream. She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought. Tears came again. Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
It wasn't as though we didn't know how overwhelmingly the army outnumbered us. But the strange thing was, it didn't matter. Ever since the uprising began, I'd felt something coursing through me, as overwhelming as any army. Conscience. Conscience, the most terrifying thing in the world. The day I stood shoulder to shoulder with hundreds of thousands of my fellow civilians, staring down the barrels of the soldiers' guns, the day the bodies of those first two slaughtered were placed in a handcart and pushed at the head of the column, I was startled to discover an absence inside myself: the absence of fear. I remember feeling that it was all right to die; I felt the blood of a hundred thousand hearts surging together into one enormous artery, fresh and clean ... the sublime enormity of a single heart, pulsing blood through that vessel and into my own. I dared to feel a part of it.” (p. 120-121) “Some memories never heal. Rather than fading with the passage of time, those memories become the only things that are left behind when all else is abraded. The world darkens, like electric bulbs going out one by one. I am aware that I am not a safe person. Is it true that human beings are fundamentally cruel? Is the experience of cruelty the only thing we share as a species? Is the dignity that we cling to nothing but self-delusion, masking from ourselves this single truth: that each one of us is capable of being reduced to an insect, a ravening beast, a lump of meat? To be degraded, damaged, slaughtered - is this the essential fate of humankind, one which history has confirmed as inevitable? I once met someone who was a paratrooper during the Busan uprising. He told me his story after hearing my own. He said that they'd been ordered to suppress the civilians with as much violence as possible, and those who committed especially brutal actions were awarded hundreds of thousands of won by their superiors. One of his company had said, 'What's the problem? They give you money and tell you to beat someone up, then why wouldn't you?' I heard a story about one of the Korean army platoons that fought in Vietnam. How they forced the women, children and elderly of one particular village into the main hall, and then burned it to the ground. Some of those who came to slaughter us did so with the memory of those previous times, when committing such actions in wartime had won them a handsome reward. It happened in Gwangju just as it did on Jeju Island, in Kwantung and Nanjing, in Bosnia and all across the American continent when it was still known as the New World, with such a uniform brutality it's as though it is imprinted in our genetic code. I never let myself forget that every single person I meet is a member of this human race. And that includes you, professor, listening to this testimony. As it includes myself. Every day I examine the scar on my hand. This place where the bone was once exposed, where a milky discharge seeped from a festering wound. Every time I come across an ordinary Monami biro, the breath catches in my throat. I wait for time to wash me away like muddy water. I wait for death to come and wash me clean, to release me from the memory of those other, squalid deaths, which haunt my days and nights. I'm fighting, alone, every day. I fight with the hell that I survived. I fight with the fact of my own humanity. I fight with the idea that death is the only way of escaping this fact. So tell me, professor, what answers do you have for me? You, a human being just like me.” (p. 140-142)
Han Kang (Human Acts)
Lady Thornton, how very good of you to find the time to pay us a social call! Would it be too pushing of me to inquire as to your whereabouts during the last six weeks?” At that moment Elizabeth’s only thought was that if Ian’s barrister felt this way about her, how much more hatred she would face when she confronted Ian himself. “I-I can imagine what you must be thinking,” she began in a conciliatory manner. He interrupted sarcastically, “Oh, I don’t think you can, madam. If you could, you’d be quite horrified at this moment.” “I can explain everything,” Elizabeth burst out. “Really?” he drawled blightingly. “A pity you didn’t try to do that six weeks ago!” “I’m here to do it now,” Elizabeth cried, clinging to a slender thread of control. “Begin at your leisure,” he drawled sarcastically. “here are only three hundred people across the hall awaiting your convenience.” Panic and frustration made Elizabeth’s voice shake and her temper explode. “Now see here, sir, I have not traveled day and night so that I can stand here while you waste time insulting me! I came here the instant I read a paper and realized my husband is in trouble. I’ve come to prove I’m alive and unharmed, and that my brother is also alive!” Instead of looking pleased or relieved he looked more snide than before. “Do tell, madam. I am on tenterhooks to hear the whole of it.” “Why are you doing this?” Elizabeth cried. “For the love of heaven, I’m on your side!” “Thank God we don’t have more like you.” Elizabeth steadfastly ignored that and launched into a swift but complete version of everything that had happened from the moment Robert came up behind her at Havenhurst. Finished, she stood up, ready to go in and tell everyone across the hall the same thing, but Delham continued to pillory her with his gaze, watching her in silence above his steepled fingertips. “Are we supposed to believe that Banbury tale?” he snapped at last. “Your brother is alive, but he isn’t here. Are we supposed to accept the word of a married woman who brazenly traveled as man and wife with another man-“ “With my brother,” Elizabeth retorted, bracing her palms on the desk, as if by sheer proximity she could make him understand. “So you want us to believe. Why, Lady Thornton? Why this sudden interest in your husband’s well-being?” “Delham!” the duchess barked. “Are you mad? Anyone can see she’s telling the truth-even I-and I wasn’t inclined to believe a word she said when she arrived at my house! You are tearing into her for no reason-“ Without moving his eyes from Elizabeth, Mr. Delham said shortly, “Your grace, what I’ve been doing is nothing to what the prosecution will try to do to her story. If she can’t hold up in here, she hasn’t a chance out there!” “I don’t understand this at all!” Elizabeth cried with panic and fury. “By being here I can disprove that my husband has done away with me. And I have a letter from Mrs. Hogan describing my brother in detail and stating that we were together. She will come here herself if you need her, only she is with child and couldn’t travel as quickly as I had to do. This is a trial to prove whether or not my husband is guilty of those crimes. I know the truth, and I can prove he isn’t.” “You’re mistaken, Lady Thornton,” Delham said in a bitter voice. “Because of its sensational nature and the wild conjecture in the press, this is no longer a quest for truth and justice in the House of Lords. This is now an amphitheater, and the prosecution is in the center of the stage, playing a starring role before an audience of thousands all over England who will read about it in the papers. They’re bent on giving a stellar performance, and they’ve been doing just that. Very well,” he said after a moment. “Let’s see how well you can deal with them.
Judith McNaught (Almost Heaven (Sequels, #3))
He could probably save a few but not hundreds, and how would you decide who lives and who dies? It’s the only way, sweeting.” She slithered over and kissed my nose. “But it’s adorable that you care.” “I’m not sure that opposing mass murder counts as a cute little foible.
Alexis Hall (Shadows & Dreams (Kate Kane, Paranormal Investigator #2))
When I enter the Vestibule, the Hall has a hundred decoration for the Christmas Tree.
Petra Hermans (Voor een betere wereld)
Charlestown’s most characteristic pastime had long been the reckless sport of “looping.” The young “looper” played by a rigid set of rules. First, he stole a car in downtown Boston. Then he roared into Charlestown, accelerating as he reached City Square, where the District 15 police station stood in a welter of bars, nightclubs, and pool halls. Often he had to take a turn around the square before the first policeman dashed for his patrol car or motorcycle. Then the chase was on: down Chelsea Street to Hayes Square, up the long slope of Bunker Hill Street to St. Francis de Sales’ Church at the crest, then down again, picking up speed, often to 70 or 80 miles per hour, until a screeching left into Sullivan Square took him onto Main Street, where, dodging the stanchions of the El, he roared into City Square again, completing the “loop.” All that remained was to ditch the car before the police caught up. Looping was an initiation rite, proof that a Townie had come of age. But it was something else as well: a challenge flung at authority, a middle finger raised to the powers that be. Before long, looping became a kind of civic spectacle, pitting the Town’s young heroes against the forces of law and order. Plans for a loop circulated well in advance. At the appointed hour, hundreds of men, women, and children gathered along Bunker Hill Street, awaiting the gladiators. When the stolen car came in sight, racing up the long hill, a cheer would rise from the spectators, followed by jeers for the pursuing policemen. The first recorded “loop” was performed in 1925 by a sixteen-year-old daredevil named Jimmy “Speed King” Murphy, but most renowned of all was “Shiner” Sheehan, the teenage son of a federal alcohol agent, whose exploits so electrified the Town that he drew round him a group of young acolytes. Membership in their “Speeders Club” was limited to those who could produce newspaper clippings showing they had bested the police.
J. Anthony Lukas (Common Ground: A Turbulent Decade in the Lives of Three American Families (Pulitzer Prize Winner))
Onion Soup Gratinée YIELD: 4 SERVINGS ONE OF MY greatest treats when working in Paris was to go with my fellow chefs and commis to les Halles, the big market of Paris that spreads through many streets of the Châtelet neighborhood. The excitement in the streets and cafés started a little before 3:00 A.M. and ended around 7:00 or 8:00 A.M. Our nocturnal forays would, more often than not, finish at Le Pied de Cochon (The Pig’s Foot), the quintessential night brasserie of les Halles. There, large, vociferous butchers in bloody aprons would rub shoulders with tuxedoed and elegantly evening-gowned Parisians stopping by for late-night Champagne and a meal after the opera or the theater. The restaurant was famous for its onion-cheese gratinée; it was one of the best in Paris, and hundreds of bowls of it were served every night. For this recipe, you will need four onion soup bowls, each with a capacity of about 12 ounces and, preferably, with a lip or rim around the edge that the cheese topping will stick to as it melts to form a beautiful crust on top of the soup. 2 tablespoons unsalted butter 3 onions (about 12 ounces), cut into thin slices About 7 cups good-quality chicken stock, or a mixture of chicken and beef stock About ½ teaspoon salt, more or less, depending on the saltiness of the stock ½ teaspoon freshly ground black pepper 16 slices of baguette, each cut about ⅜ inch thick About 3 cups grated Swiss cheese, preferably Gruyère, Comté, or Emmenthaler (about 10 ounces) Melt the butter in a saucepan, and sauté the sliced onions in the butter over medium to high heat for about 8 minutes, or until lightly browned. Add the stock, salt, and pepper, and boil gently for 15 minutes. Meanwhile, preheat the oven to 400 degrees. Arrange the bread slices in a single layer on a tray, and bake them for 8 to 10 minutes, or until they are nicely browned. Divide the toast among the bowls, and sprinkle ¼ cup of cheese into each bowl. When the stock and onions have cooked for 15 minutes, pour the soup into the bowls, filling each to the top. Sprinkle on the remainder of the cheese, dividing it among the bowls and taking care not to push it down into the liquid. Press the cheese around the rim or lip of the bowls, so it adheres there as it cooks and the crust does not fall into the liquid. Arrange the soup bowls on a baking sheet, and bake for 35 to 45 minutes, or until a glorious brown, rich crust has developed on top. Serve hot right out of the oven.
Jacques Pépin (The Apprentice: My Life in the Kitchen)
More important in aggregate population were about two hundred castle towns (Jōkamachi), distributed throughout the breadth of the archipelago, which ranged in population from one or two thousand to over a hundred thousand (Hall 1968; Rozman 1986). There was also a range of other urban settlements, most of which were smaller than the castle towns, such as the post towns (shukubamachi) along the main trunk highways, port towns (minato), market towns (ichibamachi), and religious centres (monzenmachi).
André Sorensen (The Making of Urban Japan: Cities and Planning from Edo to the Twenty First Century (Nissan Institute/Routledge Japanese Studies))
Tourists enter Tehran from the south on a carriageway built by order of the Shah. On the city’s outskirts they pass through the green belt he envisioned would protect Tehran from the twin scourges of desert wind and dust. In the central city visitors pass by the government ministries, hospitals, universities, schools, concert halls, monuments, bridges, sports complexes, hotels, museums, galleries, and gleaming underground metro that were among his many pet projects. … He championed the social welfare state that today provides Iranians with access to state-run health care and education. He raised the scholarship money that allowed hundreds of thousands of Iranian university students, including many luminaries of the Islamic Republic, to study abroad at leading American and European universities. The Shah ordered the fighter jets that made Iran’s air force the most powerful in southwestern Asia. He established the first national parks and state forests and ordered strict water, animal, and conservation measures. Perhaps it is no surprise that Iran today has the look and feel of a haunted house. The man who built modern Iran is nowhere to be seen but his presence is felt everywhere. The revolutionaries who replaced the Shah may not like to hear it, but Iran today is as much his country as it is theirs.
Andrew Scott Cooper (The Fall of Heaven: The Pahlavis and the Final Days of Imperial Iran)
Mayor-elect Duvall promised to stuff city hall with members of the hooded order—from the parks department to the police rolls. In hundreds of small ways these loyalists could make things worse for those who were not white Protestants. In where you could live and where you could send your kids to school, in enforcement of the law, in deciding who would be hired and who would be shunned, in garbage pickup and parade permits and health department inspection of restaurants—all of this would have to go through Klan filters. On January 1, “city hall will be turned over to the Ku Klux Klan,” wrote the Indianapolis Times.
Timothy Egan (A Fever in the Heartland: The Ku Klux Klan's Plot to Take Over America, and the Woman Who Stopped Them)
D’you mind not offending the only people who believe me?” Harry asked Hermione as they made their way into class. “Oh, for heaven’s sake, Harry, you can do better than her,” said Hermione. “Ginny’s told me all about her, apparently she’ll only believe in things as long as there’s no proof at all. Well, I wouldn’t expect anything else from someone whose father runs The Quibbler.” Harry thought of the sinister winged horses he had seen on the night he had arrived and how Luna had said she could see them too. His spirits sank slightly. Had she been lying? But before he could devote much more thought to the matter, Ernie Macmillan had stepped up to him. “I want you to know, Potter,” he said in a loud, carrying voice, “that it’s not only weirdos who support you. I personally believe you one hundred percent. My family have always stood firm behind Dumbledore, and so do I.” “Er — thanks very much, Ernie,” said Harry, taken aback but pleased. Ernie might be pompous on occasions like these, but Harry was in a mood to deeply appreciate a vote of confidence from somebody who was not wearing radishes in their ears. Ernie’s words had certainly wiped the smile from Lavender Brown’s face and, as he turned to talk to Ron and Hermione, Harry caught Seamus’s expression, which looked both confused and defiant. To nobody’s surprise, Professor Sprout started their lesson by lecturing them about the importance of O.W.L.s. Harry wished all the teachers would stop doing this; he was starting to get an anxious, twisted feeling in his stomach every time he remembered how much homework he had to do, a feeling that worsened dramatically when Professor Sprout gave them yet another essay at the end of class. Tired and smelling strongly of dragon dung, Professor Sprout’s preferred brand of fertilizer, the Gryffindors trooped back up to the castle, none of them talking very much; it had been another long day. As Harry was starving, and he had his first detention with Umbridge at five o’clock, he headed straight for dinner without dropping off his bag in Gryffindor Tower so that he could bolt something down before facing whatever she had in store for him. He had barely reached the entrance of the Great Hall, however, when a loud and angry voice said, “Oy, Potter!” “What now?” he muttered wearily, turning to face Angelina Johnson, who looked as though she was in a towering temper. “I’ll tell you what now,” she said, marching straight up to him and poking him hard in the chest with her finger. “How come you’ve landed yourself in detention for five o’clock on Friday?
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
What the universe actually does is a tiny proportion of all the things it could have done instead. For instance, suppose that a car park has one hundred parking slots, and that cars are either red, blue, green, white, or black. When the car park is full, how many different patterns of colour are there? Ignore the make of car, ignore how well or badly it is parked; focus solely on the pattern of colours. Mathematicians call this kind of question ‘combinatorics’, and they have devised all sorts of clever ways to find answers. Roughly speaking, combinatorics is the art of counting things without actually counting them. Many years ago a mathematical acquaintance of ours came across a university administrator counting light bulbs in the roof of a lecture hall. The lights were arranged in a perfect rectangular grid, 10 by 20. The administrator was staring at the ceiling, going ‘49, 50, 51 …’ ‘Two hundred,’ said the mathematician. ‘How do you know that?’ ‘Well, it’s a 10 by 20 grid, and 10 times 20 is 200.’ ‘No, no,’ replied the administrator. ‘I want the exact number.’*2 Back
Terry Pratchett (The Globe: The Science of Discworld II (Science of Discworld, #2))
On the day of the christening, Elizabeth, with Tomas by her side, carried her daughter, who was swathed in a lace robe, towards the priest who stood in the main hall. As she looked around the assembled guests, smiling, one in particular caught her eye and she stumbled, staggering with the baby in her arms. Damien Chegwidden. She couldn't help but to be reminded of the tale of the bad fairy at the christening of Sleeping Beauty, a story that had fascinated her as a child. She had often wondered what it must be like to sleep for a hundred years and then wake to find a world utterly changed. Was his presence to be a bad omen for her daughter?
Kayte Nunn (The Botanist's Daughter)
The goblin wrinkled his nose. Harry watched the goblin on their right weighing a pile of rubies as big as glowing coals. ‘Got it,’ said Hagrid at last, holding up a tiny golden key. The goblin looked at it closely. ‘That seems to be in order.’ ‘An’ I’ve also got a letter here from Professor Dumbledore,’ said Hagrid importantly, throwing out his chest. ‘It’s about the You-Know-What in vault seven hundred and thirteen.’ The goblin read the letter carefully. ‘Very well,’ he said, handing it back to Hagrid, ‘I will have someone take you down to both vaults. Griphook!’ Griphook was yet another goblin. Once Hagrid had crammed all the dog-biscuits back inside his pockets, he and Harry followed Griphook towards one of the doors leading off the hall. ‘What’s the You-Know-What in vault seven hundred and thirteen?’ Harry asked. ‘Can’t tell yeh that,’ said Hagrid mysteriously. ‘Very secret. Hogwarts business. Dumbledore’s trusted me. More’n my job’s worth ter tell yeh that.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
I met with several hundred college students at a town hall that same day. The Chinese authorities, wary of my usual unscripted format, had handpicked the participants from some of Shanghai’s most elite universities—and although they were courteous and enthusiastic, their questions had little of the probing, irreverent quality that I was used to hearing from youth in other countries. (“So what measures will you take to deepen this close relationship between cities of the United States and China?” was about as tough as it got.) I couldn’t decide whether party officials had prescreened all the questions or the students just knew better than to say anything that could land them in hot water.
Barack Obama (A Promised Land)
The Primary Act. As they entered the cinema, Dr Nathan confided to Captain Webster, ‘Talbert has accepted in absolute terms the logic of the sexual union. For him all junctions, whether of our own soft biologies or the hard geometries of these walls and ceilings, are equivalent to one another. What Talbert is searching for is the primary act of intercourse, the first apposition of the dimensions of time and space. In the multiplied body of the film actress - one of the few valid landscapes of our age - he finds what seems to be a neutral ground. For the most part the phenomenology of the world is a nightmarish excrescence. Our bodies, for example, are for him monstrous extensions of puffy tissue he can barely tolerate. The inventory of the young woman is in reality a death kit.’ Webster watched the images of the young woman on the screen, sections of her body intercut with pieces of modern architecture. All these buildings. What did Talbert want to do - sodomize the Festival Hall? Pressure Points. Koester ran towards the road as the helicopter roared overhead, its fans churning up a storm of pine needles and cigarette cartons. He shouted at Catherine Austin, who was squatting on the nylon blanket, steering her body stocking around her waist. Two hundred yards beyond the pines was the perimeter fence. She followed Koester along the verge, the pressure of his hands and loins still marking her body. These zones formed an inventory as sterile as the items in Talbert’s kit. With a smile she watched Koester trip clumsily over a discarded tyre. This unattractive and obsessed young man - why had she made love to him? Perhaps, like Koester, she was merely a vector in Talbert’s dreams. Central Casting. Dr Nathan edged unsteadily along the catwalk, waiting until Webster had reached the next section. He looked down at the huge geometric structure that occupied the central lot of the studio, now serving as the labyrinth in an elegant film version of The Minotaur . In a sequel to Faustus and The Shrew , the film actress and her husband would play Ariadne and Theseus. In a remarkable way the structure resembled her body, an exact formalization of each curve and cleavage. Indeed, the technicians had already christened it ‘Elizabeth’. He steadied himself on the wooden rail as the helicopter appeared above the pines and sped towards them. So the Daedalus in this neural drama had at last arrived. An Unpleasant Orifice. Shielding his eyes, Webster pushed through the camera crew. He stared up at the young woman standing on the roof of the maze, helplessly trying to hide her naked body behind her slim hands. Eyeing her pleasantly, Webster debated whether to climb on to the structure, but the chances of breaking a leg and falling into some unpleasant orifice seemed too great. He stood back as a bearded young man with a tight mouth and eyes ran forwards. Meanwhile Talbert strolled in the centre of the maze, oblivious of the crowd below, calmly waiting to see if the young woman could break the code of this immense body. All too clearly there had been a serious piece of miscasting. ‘Alternate’ Death. The helicopter was burning briskly. As the fuel tank exploded, Dr Nathan stumbled across the cables. The aircraft had fallen on to the edge of the maze, crushing one of the cameras. A cascade of foam poured over the heads of the retreating technicians, boiling on the hot concrete around the helicopter. The body of the young woman lay beside the controls like a figure in a tableau sculpture, the foam forming a white fleece around her naked shoulders.
J.G. Ballard (The Atrocity Exhibition)
The sun at that altitude is an enormous ball of light so powerful that it can burn the inside of your mouth and the inside of your nose. If you take off those protective glasses, within ten minutes your retinas will be seared to total blindness. Hence, I expected that, once the sun was fully out, even behind my jet-black lenses my pupils would clamp down to pinpoints and everything would be infinitely focused. I was certain I was right. It had to work. In the predawn darkness, however, I was too blind to climb. So I stepped out of line and let everyone pass, going from fourth out of thirty-some climbers to absolutely dead last. It wasn’t unpleasant, really, watching everybody traipse past me. I basically stood there chatting and acting like a Wal-Mart greeter until the sun began to illuminate the summit face. As I expected, my vision did begin to clear, and I was able to dig in the front knives on my boots, move across, and head on up to the summit ridge. Then I compounded my problem by reaching to wipe my face with an ice-crusted glove. A crystal painfully lacerated my right cornea, leaving that eye completely blurred. That meant I had no depth perception, and that’s not good in that environment. My left eye was a little blurry but basically okay. But I knew that I could not climb above this point, a living-room size promontory called the Balcony, about fifteen hundred feet below the summit, unless my vision improved. Still believing it would, I said to Rob, “You guys go ahead and boogie on up the hill. At a point that I can see, I’ll just wander up after you.” It was about 7:30 A.M. “Beck,” he answered in that unmistakable Kiwi accent, “I don’t like that idea. You’ve got thirty minutes. If you can see in thirty minutes, climb on. If you cannot see in thirty minutes, I don’t want you climbing.” “Okay.” I hesitated. “I’ll accept that.” This was not a willing and happy answer; I had come too far to quit so close to the summit. But I also recognized the common sense in what Hall said.
Beck Weathers (Left for Dead: My Journey Home from Everest)
Neal, Mike and Klev somehow did find High Camp that night, but were on their hands and knees by the time they did. None of them had anything left. They weren’t going to return for us; they couldn’t. The Sherpas in camp wouldn’t. There was no one else to try, except for the Russian, Anatoli Boukreev. That day, Anatoli had forsaken his duty as a guide. While everyone was struggling up and down the ridge to the summit, or stacked up like cordwood at the Hillary Step, Anatoli climbed for himself, by himself, without oxygen. He just went straight up, tagged the summit, and came straight back down. Because he lacked oxygen, he couldn’t persist in the cold, and was forced to retreat to the shelter of his tent. So Boukreev had been in his tent recovering for hours, and if that was where his story had ended that night, the climbing community would have stripped the flesh right off his bones. They are not a forgiving bunch. But Anatoli did what no one else could, or would do. He went out into that storm three times, searching both for Scott Fischer, who froze to death on the mountain, about twelve hundred feet above the South Col, and for us. Boukreev twice was driven back to camp by the wind and cold. The third time he located our little huddle by the face and brought in each of the three Fischer climbers—Tim, Charlotte and Sandy. He left behind Yasuko and me, the Hall climbers.
Beck Weathers (Left for Dead: My Journey Home from Everest)
No one could forget about you, Paisley.” Least of all me. First crush. First kiss...the girl next door type is right—one hundred percent.
Ellie Hall (Dare to Love the Guy Next Door (Forever Marriage Match, #2))
Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve climbed, and joined the tumbling mirth of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in the sunlit silence. Hov’ring there, I’ve chased the shouting wind along, and flung My eager craft through footless halls of air.... Up, up the long, delirious, burning blue I’ve topped the wind-swept heights with easy grace. Where never lark, or even eagle flew — And, while with silent, lifting mind I've trod The high untrespassed sanctity of space, - Put out my hand, and touched the face of God.
John Gillespie Magee Jr.
Oksana’s voice chased them, booming down the smoky halls and scratching at their ankles. Every word shook something loose. A floorboard buckled and rose. A painting slid down the wall. Something crunched underfoot and his boot lost traction. Hundreds of snails carpeted the floor. “Do you know what it’s like to have nothing? To be reduced to the barest scrap of existence? To eat desperation? Of course not. You and your friends, you whine about hardships, but you’ve never tasted misery. You’re a tourist to suffering.
Andrew Van Wey (Head Like a Hole)
Just like a city, parts of the Archives teemed with activity. The Scriptorium held rows of desks where scrivs toiled over translations or copied faded texts into new books with fresh, dark ink. The Sorting Hall buzzed with activity as scrivs sifted and reshelved books. The Buggery was not at all what I expected, thank goodness. Instead, it proved to be the place where new books were decontaminated before being added to the collection. Apparently all manner of creatures love books, some devouring parchment and leather, others with a taste for paper or glue. Bookworms were the least of them, and after listening to a few of Wilem’s stories I wanted nothing more than to wash my hands. Cataloger’s Mew, the Bindery, Bolts, Palimpsest, all of them were busy as beehives, full of quiet, industrious scrivs. But other parts of the Archives were quite the opposite of busy. The acquisitions office, for example, was tiny and perpetually dark. Through the window I could see that one entire wall of the office was nothing but a huge map with cities and roads marked in such detail that it looked like a snarled loom. The map was covered in a layer of clear alchemical lacquer, and there were notes written at various points in red grease pencil, detailing rumors of desirable books and the last known positions of the various acquisition teams. Tomes was like a great public garden. Any student was free to come and read the books shelved there. Or they could submit a request to the scrivs, who would grudgingly head off into the Stacks to find if not the exact book you wanted, then at least something closely related. But the Stacks comprised the vast majority of the Archives. That was where the books actually lived. And just like in any city, there were good neighborhoods and bad. In the good neighborhoods everything was properly organized and cataloged. In these places a ledger-entry would lead you to a book as simply as a pointing finger. Then there were the bad neighborhoods. Sections of the Archives that were forgotten, or neglected, or simply too troublesome to deal with at the moment. These were places where books were organized under old catalogs, or under no catalog at all. There were walls of shelves like mouths with missing teeth, where longgone scrivs had cannibalized an old catalog to bring books into whatever system was fashionable at the time. Thirty years ago two entire floors had gone from good neighborhood to bad when the Larkin ledger-books were burned by a rival faction of scrivs. And, of course, there was the four-plate door. The secret at the heart of the city. It was nice to go strolling in the good neighborhoods. It was pleasant to go looking for a book and find it exactly where it should be. It was easy. Comforting. Quick. But the bad neighborhoods were fascinating. The books there were dusty and disused. When you opened one, you might read words no eyes had touched for hundreds of years. There was treasure there, among the dross. It was in those places I searched for the Chandrian.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Her heart was racing. This was reckless. Stupid and selfish and a hundred other terrible things. And nothing was going to stop Madeline from doing it.
Emily Rath (Alcott Hall (Second Sons, #3))
Tughluk was far too free in shedding blood,’ writes Battuta. ‘Every day hundreds of people—chained, pinioned and fettered—were brought to [the sultan’s hall] and those who were for execution were executed, those for torture tortured, and those for beating beaten. It was but seldom that the entrance to his palace was without a corpse. One day as I arrived at the palace my horse shied at the sight of a white fragment on the ground. I asked what it was and one of my companions said: "It is the torso of a man who was [this morning] cut into three pieces.
William Dalrymple (City of Djinns: A Year in Delhi)
In European music-halls scores and hundreds of women appear nude on the stage. Does it not strike you that such a public exhibition of the naked female ought to call forth some protest from the mothers, wives, and sisters of the European intellectuals? I am discussing the significance of this cynical pastime not from the ‘moral’ point of view but with an eye to biology and social hygiene. To me this vile and vulgar pastime is indisputable proof of the savagery and of the deep-going decadence of the European bourgeoisie. I am convinced that the evident and rapid growth of homosexuality and Lesbianism, which find their economic explanation in the high cost of family life, is accelerated by this disgusting public spectacle of burlesque women.
Maxim Gorky (Culture and People)
One such muscle-bound freak—six-three, so pale he was practically transparent, with hair as orange as a clementine—went by the name of Sheamus O’Shaunessy. We scoffed at the pure Irishness of it. Like he was trying to get Vince McMahon’s attention all the way from this school hall with the two hundred people in attendance. “Pffft. As if. Bet he can’t work for shit,” we sneered as if we were the authority on working, regular Dean Malenkos we thought we were. We quickly shut up as we watched him club the ever-living shite out of some poor young fella. Knowing full well that if this Sheamus fella did stick to it, he would be snapped up by WWE in a heartbeat. What a sellout.
Rebecca Quin (Becky Lynch: The Man: Not Your Average Average Girl)
They’re still doing it nearly twelve hundred years later and claim not to have ever missed a night.’ ‘How many times is that, then, sir?
J.R. Ellis (The Murder at Redmire Hall (Yorkshire Murder Mysteries, #3))
Sometimes in life, you can’t be one hundred percent sure…” She gives me a hard, meaningful look. Something tells me she isn’t talking about floor tiles anymore. “Sometimes, you have to take a risk. Even when you aren’t ready. When you aren’t sure.” “Uh…yeah.” I turn my attention back to the work in front of me. Eventually, she sighs in frustration and spins on her heel but then she pauses again. She just can’t control herself. “You do realize that that was a metaphor, right?” I laugh deep in my throat. “Yes, Sophia. I get the deeper meaning.” She’s telling me to take a risk on Reese even though I have no idea what the hell I’m doing. She looks pleased with herself and smiles wide. “There’s more cupcakes in the kitchen if you want.” Her heels click loudly as she disappears back down the hall.
Cassie-Ann L. Miller (Lover Boy (Blue Collar Bachelors, #1))
In the end, David Freese had a fine career. It was not a Hall of Fame career. But he got a thousand hits and hit more than a hundred home runs. He made an All-Star team. A fine career. But those are just numbers. David Freese lived the dream. Do you know how many players grew up rooting for a team and then ended up playing for that team and then led that team to the World Series, then saved that team from defeat and then hit the walk-off home run that won the biggest game?
Joe Posnanski (Why We Love Baseball: A History in 50 Moments)
Plantation owners redefined their former slaves as sharecroppers to maintain harsh and exploitative conditions. Events in the African American town of Hamburg, in the Edgefield District of South Carolina, were typical of many others across the former Confederacy where white paramilitary groups mobilized to regain control of state governments. Their aim was simple: prevent African Americans from voting. In July 1876, a few months before the election that gave the presidency to Hayes, a violent rampage in Hamburg abolished the civil rights of freed slaves. Calling itself the Red Shirts, a collection of white supremacists killed six African American men and then murdered four others whom the gang had captured. Benjamin Tillman led the Red Shirts; the massacre propelled him to a twenty-four-year career as the most vitriolic racist in the U.S. Senate. Following the massacre, the terror did not abate. In September, a “rifle club” of more than 500 whites crossed the Savannah River from Georgia and camped outside Hamburg. A local judge begged the governor to protect the African American population, but to no avail. The rifle club then moved on to the nearby hamlet of Ellenton, killing as many as fifty African Americans. President Ulysses S. Grant then sent in federal troops, who temporarily calmed things down but did not eliminate the ongoing threats. Employers in the Edgefield District told African Americans they would be fired, and landowners threatened black sharecroppers with eviction if they voted to maintain a biracial state government. When the 1876 election took place, fraudulent white ballots were cast; the total vote in Edgefield substantially exceeded the entire voting age population. Results like these across the state gave segregationist Democrats the margin of victory they needed to seize control of South Carolina’s government from the black-white coalition that had held office during Reconstruction. Senator Tillman later bragged that “the leading white men of Edgefield” had decided “to seize the first opportunity that the Negroes might offer them to provoke a riot and teach the Negroes a lesson.” Although a coroner’s jury indicted Tillman and ninety-three other Red Shirts for the murders, they were never prosecuted and continued to menace African Americans. Federal troops never again came to offer protection. The campaign in Edgefield was of a pattern followed not only in South Carolina but throughout the South. With African Americans disenfranchised and white supremacists in control, South Carolina instituted a system of segregation and exploitation that persisted for the next century. In 1940, the state legislature erected a statue honoring Tillman on the capitol grounds, and in 1946 Clemson, one of the state’s public universities, renamed its main hall in Tillman’s honor. It was in this environment that hundreds of thousands of African Americans fled the former Confederacy in the first half of the twentieth century.*
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
Our five-hundred-plus library-loving comedians march down the halls behind me.
James Patterson (I Funny: School of Laughs (I Funny Series Book 5))
That evening the House of Representatives voted to impeach the president of the United States for a second time. Ten members of his own party, including the chairwoman of the House Republican Conference, Representative Liz Cheney of Wyoming, joined with Democrats in supporting the article, making it the most bipartisan impeachment in American history. One hundred and ninety-seven Republicans voted against removing the president for inciting the insurrection. Many seemed more concerned about the metal detectors that had been placed outside the House chamber, believing the devices interfered with their right to carry firearms in the halls of Congress.
Daniel Silva (The Cellist (Gabriel Allon, #21))
In the next two days, as cases grew (reaching one hundred civilian cases and another nine hundred at a local barracks), Starkloff asked the city’s mayor and other leaders for legal authority to issue public health edicts. His request was granted. Starkloff’s actions were swift and forceful. Starting on October 8, theaters, pool halls, and other public amusement venues were ordered shut. All public gatherings were banned. Churches were also shut. Schools were ordered closed the next day.25 The difference in the response times between Philadelphia and St. Louis amounted to fourteen days when measured from the first reported cases—but those two weeks represented about three to five doubling times for a flu epidemic.
Scott Gottlieb (Uncontrolled Spread: Why COVID-19 Crushed Us and How We Can Defeat the Next Pandemic)
Charles stopped. Spun around. “You ever hear of a woman named Norma Leah McCorvey?” he asked. Daniel leaned back on the wall so his bad leg wouldn’t drain his batteries. “Didn’t she pass away? She lived two halls over, right? The woman with—” “No, no. That was Norma Robinson. Yeah, she passed away in ’32. Norma McCorvey lived, oh, over a hundred years ago. She was more famously known as Jane Roe.” Daniel knew that name. “Roe v. Wade,” he said. “That’s right. One of the biggest decisions before your wife came along . . .” The nurse-bot studied his shoes again. “And people remember her for that—for the decision. They remember her as Roe, not as McCorvey.” “I don’t follow,” Daniel told Charles. He eyed his wife’s door and fought the urge to be rude. “Well, most people don’t know, but years later—Norma regretted her part in history. Wished she’d never done it. Converted to one of the major religions of her day and fought against the progress she’d fostered. I just . . .” He looked back up. “I’ll always remember you and your wife for the right reasons, is all.” He turned to his cart without another word and started down the hall.
Hugh Howey (Machine Learning: New and Collected Stories)
The last great hope of humankind, I believe, lies not in governmental interventions or global treaties but in international business. It is here, in the web of personal and corporate relationships that crisscross borders and time zones, that we find our best chance for a peaceful and prosperous world. Every hand we shake, every deal we close, every bridge we build between cultures and economies holds more promise than a hundred resolutions passed in the halls of the United Nations.
Craig Maginness (Go Glocal: The Definitive Guide to Success in Entering International Markets)
Even now, after all this time, I remember the heavy scent of smoke and mead in the air. I remember the glints from the hundreds of golden shields on the walls and the ceiling. I remember the look of pride in my father’s eyes looking across the einherjar. I remember the rush of voices when Thor came once in a while and walked through the hall, Mjolnir hanging from his belt and his wealth of red hair lighting up the gloom like another coal burner. And this is my story. I, who have lived across time and space. I, who have jumped worlds and turned back on my choices. I, who gave up one identity for another. I understand now why I chose as I did. It wasn’t a random act or even an unknowing one. I had it all figured out all along. I knew where I was going and I chose every step of the way. The most common mistake is asking: “Why? Why did this happen to me? Why is it this way? Why can’t it be otherwise?” The problem isn’t the why. The problem is that it is turned outwards. Instead, ask: Why did I choose this? The answer will always be: Because this is how I get my thrills. Always. It all comes down to how you want your story to be.
Louise H.A. Trankjær (The End of Immortality)
The battle raged, the blood, gore and the stench of death of hundreds of the fallen, of both Saxons and Vikings permeated the air around her. With Every move Her chest guard dug painfully into her side from a gouge from a broad sword. Her helm obscured her peripheral vision as it had been her brothers, and sat awkwardly on her head due to its size. No time to catch her breath as the huge Saxon assaulted her, her shield fending off the vicious blows of his claymore. Being nearly half his size, she needed to be nimble and smart, a swift upper cut to his jaw with her shield caught him off balance, followed by a slice from her modified broad sword. The Saxon fell to his knees, allowing just enough decrease in stature for Brynhild to finish him off with a jab to the neck, arterial spray covered her face and chest. No time to rest, the next Saxon was upon her, hacking forcefully at her shield she was sure it would splinter. It took all her strength to maintain her footing. His attack was merciless, forcing her to careen backwards, steel crashed against steel in a maddened melee. She feinted left, then put all her velocity in shouldering him in his midsection, momentum taking him swiftly to the blood sodden ground. In the distance a call to retreat was heard from the Saxon Lord, the battle broke, the Viking horde was victorious, Brynhild slumped down a nearby tree, too exhausted and weak to move her last conscious thought was to wonder who the strong Shield-maiden was that gently picked her up and carried her forward. The next thing she knew, she was in a magnificent Hall, filled with raucous laughter and the scent of roasted boar. The sound of sword play was also heard from a nearby doorway. Warriors sat with horns filled with mead, in earnest discourse of the battles they had fought. A clearing of a throat brought her eyes to the great table at the head of the hall, there stood a heavily muscled bearded, one-eyed Man, the hall was moved to silence as the great man strode toward her. “Welcome to Valhalla Brynhild,” he clapped a hand on her shoulder “You have fought bravely, Please take your place among the warriors and enjoy the feast.” Shouts of Skal! filled the hall. Happiness assailed her, resurrected, to one day fight again for Odin in the twilight of the Gods, The Battle of Ragnarök.
Shelly MacDougall Tremblay
After thirty-plus years as a latter-day robber baron and almost as many as a fiercely acquisitive retiree, the old man clapped both hands to his head, made a sound like a peevish crow, and collapsed to the floor. He landed in the middle of the immense Aubusson carpet in the Great Room of Galtonbrook Hall, the pile of marble that had been his home and would be his memorial. Galtonbrook Hall loomed less than half a mile from Columbia Presbyterian Hospital, and an ambulance got there in minutes, but they didn’t have to rush. Martin Greer Galton, born March 7, 1881, in Latrobe, Pennsylvania, was almost certainly dead by the time he hit the floor. Now, fifty years later, his house lived on. He’d devoted the first half of his life to making money and the second half to spending it, collecting art and artifacts in great profusion, and building Galtonbrook Hall to house himself for his lifetime and his treasures for all eternity. That at least was the plan, and he’d funded the enterprise sufficiently to see it carried out. What had been a home was now a museum, open to the public six days a week. Out-of-towners rarely found their way to the Galtonbrook; it didn’t get star treatment in the guidebooks, and it was miles from midtown, miles from the Upper East Side’s Museum Mile. As a result it was rarely crowded. You had to know about it and you had to have a reason to go there, and if you were in the neighborhood you’d probably wind up at the Cloisters instead. “We’ll go to the Galtonbrook the next time,” you’d tell yourself, but you wouldn’t. Neither Carolyn nor I had been there until our visit five days earlier, on a Thursday afternoon. We’d stood in front of a portrait of a man in a plumed hat, and its brass label identified it as the work of Rembrandt. The guidebook I’d consulted had its doubts, and repeated an old observation: Rembrandt painted two hundred portraits, of which three hundred are in Europe and four hundred in the United States of America. “So it’s a fake,” she said. “If it is,” I said, “we only know
Lawrence Block (The Burglar Who Counted the Spoons (Bernie Rhodenbarr, #11))
If there’s no game, what’s the point? Why are we all even here?” Mattie groans. “What’s happening?” “It’s my new low-key vibe,” Robbie explains, without really explaining. “The days of drunk Jenga are behind me. Plus, we all know how that ended last time.” “Russ and Aurora fucked, and Henry ran down Maple Avenue naked. Two beautiful things that wouldn’t have happened if you didn’t stay true to yourself, Rob. Nate and Stassie, you and Lols… it happened at your parties. Where there were games! Hen and Halle, too! You’re the invisible string, brother. Why are you holding out on the rest of us?” “Does he always talk like this? Like if he just keeps going people will believe what he says? Because I’m almost one hundred percent confident that’s not what invisible string theory is about. Me and Halle listen to the song about it every single work shift.” “Yes,” multiple people say at once. “When he’s really drunk he likes to reimagine things to suit whatever he’s trying to do,” Robbie adds. “You don’t need a drinking game to have a good time, Mattie.
Hannah Grace (Daydream (Maple Hills, #3))
Why should I write to the newspapers instead of to the machines themselves, why not summon a monster meeting of machines, place the steam engine in the chair, and hold a council of war?” asked the anonymous “mad correspondent.” “I answer, the time is not yet ripe for this. . . . Our plan is to turn man’s besotted enthusiasm to our own advantage, to make him develop us to the utmost, and find himself enslaved unawares. “My object is to do my humble share towards pointing out what is the ultimatum, the ne plus ultra of perfection in mechanized development,” the writer continued, “even though that end be so far off that only a Darwinian posterity can arrive at it. I therefore venture to suggest that we declare machinery and the general development of the human race to be well and effectually completed when—when—when—Like the woman in white, I had almost committed myself of my secret. Nay, this is telling too much. I must content myself with disclosing something less than the whole. I will give a great step, but not the last. We will say then that a considerable advance has been made in mechanical development, when all men, in all places, without any loss of time, are cognizant through their senses, of all that they desire to be cognizant of in all other places, at a low rate of charge, so that the back country squatter may hear his wool sold in London and deal with the buyer himself—may sit in his own chair in a back country hut and hear the performance of Israel in Ægypt at Exeter Hall—may taste an ice on the Rakaia, which he is paying for and receiving in the Italian opera house Covent garden. Multiply instance ad libitum—this is the grand annihilation of time and place which we are all striving for, and which in one small part we have been permitted to see actually realised.”67 This letter, bearing the stamp of Samuel Butler in style if not in name, was signed “Lunaticus.” One hundred years after Erasmus Darwin gathered his circle of Lunaticks in the English Midlands, a strand of telegraph wire was uncoiled at the antipodes of the earth. Sparked by the transit of a few pulses of electromagnetic code over this embryonic fragment of a net, Samuel Butler foresaw the evolution, perhaps not so far off as he imagined, of that phenomenon, somewhere between mechanism and organism, now manifested as the World Wide Web.
George Dyson (Darwin Among The Machines: The Evolution Of Global Intelligence (Helix Books))
To Merveilleuse's surprise she comes across a large ram in a clearing, with gilt horns and a garland of flowers round his neck, reposing on a couch of orange blossom beneath a pavilion of golden cloth. But still, a ram, with his nose like an ink blot, flies on his white lashes, wool the color of curds. Around him a hundred gaily decked sheep graze not on grass but coffee, sherbet, ices, and sweetmeats, whilst partaking in games of basset and lansquenet. Soon he takes her into a cavern, which is a gate to his underworld kingdom. It has meadows of a thousand different flowers; a broad river of orange-flower water; fountains of Spanish wine and liqueurs. There are entire avenues of trees, stuffed with partridges better larded and dressed than you would get them at the finest Paris restaurants; quails, young rabbits, and ortolans. In certain parts, where the atmosphere appears a little hazy, it rains bisque d'écrevisses, foie gras, and ragout of sweetbreads. His palace is formed by tangled orange trees, jasmines, honeysuckle, and little musk-roses, whose interlaced branches form cabinets, halls, and chambers, all hung with golden gauze and furnished with large mirrors and fine paintings.
Clare Pollard (The Modern Fairies)
He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house.
G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
Tonight," said Potapov, and his wrinkled nose quivered above his thin lips, "we intend to adopt a new resolution, not only for Ispas, but for all the villages in the region. From this moment on, until further notice, every breeder of horses, like you, Comrade Lazar, will endeavor— No, he won't try, he will succeed! - Yes, he will succeed 100 percent The pregnancy and birth of all female mares!" The fifty people in the hall fell silent, and Potapov asked, "Is that clear? Something unclear in my words?" "Something unclear in my words?" Isabel came back after him. "Yes, Comrade Potapov," said Roman. "There are some unclear things." Isabelle and Sissy pinched him, and Isabelle continued to whisper in Potapov's unpleasant tenor voice, "One hundred percent pregnancy and birth of all female mares!" Sissy almost laughed out loud. Roman broke away from his wife and sister and walked to the aisle between the pews, from which He could speak without interruption from them. "You said you were an animal enclosure expert from Moscow?" Roman asked. "Please teach us how to achieve such extraordinary results." Ostap rose - Ostap, who never spoke at these assemblies! Even Yana was shocked. "Forgive me," said Ostap, seeming not to believe his own impudence, "but that's what they call female mares in Moscow, 'mares women'? Because here in Ukraine they simply say 'mares'." "Never mind," said Potapov. "And the mares, by the way, don't give birth," added Ostap with eyes burning with hatred and in a low voice with contempt. "They give birth." "Well, let's talk." Potapov pointed to the members of the Lazar family who were sitting with Mirik and Petka. "Comrade Zhuk told me about you, the Lazar family," Potapov said. Petka immediately got up and moved to another place. Mirik also moved his chair a little further - only a few centimeters, but still! He was staying away so he wouldn't be lumped in with those troublesome lazars, Isabelle thought. Unbelievable. Problematic like his wife, himself and his flesh. "We believe," said Potapov, "that you are using your horses by means of sabotage against the Soviet state." "And how do we do that?" asked Roman, who stood beside his brother. By having your mares give birth only once a year!" I don't create a horse, Comrade Potapov, I only quarter him." The mare's gestation period is eleven months," Roman said. "If you need to improve! Why do your horses, which you are apparently so famous for, only give birth to one foal per horse?" Potapov asked. "Why is their pregnancy so long? Almost a year? It's unthinkable! Can't you speed up the birth earlier and quarter them again? Or see if there's a way to make a mare carry two foals in one place? That would be very productive!" The members of the Lazar family looked forward and not at each other, lest they openly express contempt and be arrested for the crime of rowing under the Soviet Union. It is impossible to respect something that is despised, the Christian Jesus was right in that, Isabel thought, and wished that Roman would bite his tongue. Vitaly and Stan, Oleg Tretyak, the evicted Kubal, and most recently Andreyush - all these poor people were witnesses and victims of Stalin's total dedication to the reign of terror. Soon even the pretense that the rule of law exists will be abandoned. Yana got to her feet with an effort and held the chair rest. "I have to go," she said. "As you can see, I'm a pregnant female about to give birth. But maybe the experts from Moscow should spend some time around the stable during the calving season before they start giving recommendations." Yana nodded to Roman and Ostap and left the hall with a wobbly gait. Isabelle thought that Yana was slowing down for Potapov's sake. Just a few hours ago she jumped on the back of a horse and then got off above him without help and without effort. Potapov paid no attention to Yana's words or to her departure. "We need to solve th''e horse problem!" said the man.
Paulina Simons
The Framing Effect Context also shapes perception. In a social experiment, world-class violinist Joshua Bell decided to play a free impromptu concert in a Washington, DC subway station.[lxiv] Bell regularly sells out venues such as the Kennedy Center and Carnegie Hall for hundreds of dollars per ticket, but when placed in the context of the DC subway, his music fell upon deaf ears. Almost nobody knew they were walking past one of the most talented musicians in the world.
Nir Eyal (Hooked: How to Build Habit-Forming Products)
There were now two angels, which were all that the late prayer cover could provide, and they were doing their best to grab and to destroy the demons who were still trying to get inside. But unfortunately, two angels were no match of the hundreds of demons who had already flooded the hall under Balzor's orders. Although individual demons were no match for one of God's angels, in large numbers, the advantage was turned, and in tight quarters a swarm of demons could drive away an angel with thousands of sharp bites. So the two angels had to remain outside, and the grand ballroom where Fuller would soon speak was sadly almost as dark as midnight. Only the flames burning inside the many Christian men seated at the tables illuminated any of the eternal players in the ballroom.
Parker Hudson (On The Edge: A Novel of Spiritual Warfare)
After a few minutes, though, I started to take in what all the attendees were looking at: hundreds and hundreds of historical documents, self-published books, CD-ROMs with lists of lists of names, databases chock-full of people who had once lived and whom no living person now remembered. Everyone in this hall was looking for someone who was gone forever.
Christine Kenneally (The Invisible History of the Human Race: How DNA and History Shape Our Identities and Our Futures)
Calvin slowly knelt to unlace his boots. When he was done, he stood to gingerly kick them off. He’d become the prey, his every move scrutinized by the near-three-hundred-pound apex predator before him. Ethan was still, waiting for the right moment to pounce. His eyes promised a night Calvin wouldn’t soon forget. Calvin pulled his uniform shirt off and dropped it to the floor so it wouldn’t get torn. He glanced down the hall to Ethan’s bedroom before moving his gaze back to Ethan. A small smile tugged at his partner’s lips. It was on. Calvin bolted down the hall. He didn’t see or hear Ethan, but he didn’t have to. He could feel him.
Charlie Cochet (Catch a Tiger by the Tail (THIRDS, #6))
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter. Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night. And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens. “…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…” Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice. “…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.” Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin. “There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))