Hughes Brothers Quotes

I, too, sing America. I am the darker brother. They send me to eat in the kitchen When company comes, But I laugh, And eat well, And grow strong. Tomorrow, I'll be at the table When company comes. Nobody'll dare Say to me, "Eat in the kitchen," Then. Besides, They'll see how beautiful I am And be ashamed-- I, too, am America.

One: Hugh was my brother. Two: Bethany was my sister. Three: Claire was mine.

My whore of a brother has done it again." "Then, as always, orders me to clean up the mess." "I think I hate him." Poseidon to his brother, Zeus.

They sell courage of a sort in the taverns. And another sort, though not for sale, a man can find in the confessional. Try the alehouses and the churches, Hugh. In either a man can be quiet and think.

From as far back as I could remember, my mind had always been very clear about three things. One: Hugh was my brother. Two: Bethany was my sister. Three: Claire was mine.

I am the darker brother. They send me to eat in the kitchen when company comes, but I laugh and I eat well, and I grow strong. Tomorrow I'll sit in the table when company comes, nobody will dare say to me "eat in the kitchen" then. Besides they'll see how beautiful I am and be ashamed.

Remember that pride often closes our eyes, our ears, and our hearts. Don’t forget to ask and to listen.

I think about death all the time, but only in a romantic, self-serving way, beginning, most often, with my tragic illness and ending with my funeral. I see my brother squatting beside my grave, so racked by guilt that he’s unable to stand. “If only I’d paid him back that twenty-five thousand dollars I borrowed,” he says. I see Hugh, drying his eyes on the sleeve of his suit jacket, then crying even harder when he remembers I bought it for him.

God's command to have dominion over every living thing is a call to service, a test of responsibility, a rule of love, a cooperation with nature, whereas Satan's use of force for the sake of getting gain renders the earth uninhabitable. Brigham Young's views on the environment direct attention to man's responsibility to beautify the earth, to eradicate the influences of harmful substances, and to use restraint, that the earth may return to its paradisiacal glory.

The first sorrow of autumn is the slow good-bye of the garden that stands so long in the evening—a brown poppy head, the stalk of a lily, and still cannot go. The second sorrow is the empty feet of a pheasant who hangs from a hook with his brothers. The woodland of gold is folded in feathers with its head in a bag. And the third sorrow is the slow good-bye of the sun who has gathered the birds and who gathers the minutes of evening, the golden and holy ground of the picture. The fourth sorrow is the pond gone black, ruined, and sunken the city of water—the beetle's palace, the catacombs of the dragonfly. And the fifth sorrow is the slow good-bye of the woodland that quietly breaks up its camp. One day it's gone. It has only left litter—firewood, tent poles. And the sixth sorrow is the fox's sorrow, the joy of the huntsman, the joy of the hounds, the hooves that pound; till earth closes her ear to the fox's prayer. And the seventh sorrow is the slow good-bye of the face with its wrinkles that looks through the window as the year packs up like a tatty fairground that came for the children.

I'm looking for a house In the world Where white shadows Will not fall. There is no such house, Dark brother, No such house At all.

Television has greater power over the lives of most Americans than any educational system or government or church. It is the control center of most homes-more ubiquitous and more controlling than Orwell's Big Brother

There were thousands of women asleep. Many thousands. Charlotte thought of the army she could raise. But she wondered if Donny was right – if they would refuse to fight their fathers and husbands and brothers. It took a strange kind of courage to do that.

I can’t help but think that if she was going to kill herself, she might as well have done it earlier. Perhaps when I was a toddler. Or better yet, an infant. It certainly would have made my life easier. I asked my uncle Hugh (who is not really my uncle, but he is married to the stepsister of my current mother’s brother’s wife and he lives quite closeand he’s a vicar) if I would be going to hell for such a thought. He said no, that frankly, it made a lot of sense to him. I do think I prefer his parish to my own.

He is asking Caroline to produce a list," Georgina explained. "What sort of list?" Finchley asked. "A list of women to marry," Hugh said feeling as if his idea had been a stupid one. Now even Finchbird would take the piss out of him as well. "I find that one wife is more than enough," his brother-in-law said grinning.

Go and catch a falling star....

Sorry, but my name is not Ferris Bueller, and I don’t get a day off.

What was strange was when Frank Hughes or the other actors would talk to Robin Laing, and he'd say, 'Hey, Babe,' or 'Hey, Heffron.' It made me stop and look around.

Brothers, the Scriptures tell us that in the Church "you have come" (right now!) to these seven sublime realities: 1) to the city of God, 2) to myriads of angels, 3) to fellow believers, 4) to God, 5) to the Church Triumphant, 6) to Jesus, and 7) to forgiveness! If this does not create a wellspring of thanksgiving in your hearts and a longing for fellowship in the visible Church, nothing will!

Help a smuggler!’ said Miss Thane in shocked accents. ‘My good man, do you know that you are addressing the sister of a Justice of the Peace? Let me tell you that my brother, who is in the house at this moment, holds the strongest views on smugglers and smuggled goods!’ This, after all, she reflected, was quite true, and ought to impress the Exciseman – provided, of course, that Sir Hugh did not take it into his head to appear suddenly and explain the nature of his views.

Gee, I wonder who you could be referring to?" Owen said. "I mean you," Erebus said. "I just did not wish to be rude." "All you've been is rude." Owen muttered just under a whisper. "Some minds are more capable than others." Erebus smiled at Hugh.

So goes the life of social poet. I am sure none of these things would ever have happened to me had I limited the subject matter of my poems to roses and moonlight. But, unfortunately, I was born poor--and colored--and almost all the prettiest roses I have seen have been in rich white people's yards--not in mine. That is why I cannot write exclusively about roses and moonlight--for sometimes in the moonlight my brothers see a fiery cross and a circle of Klansmen's hoods. Sometimes in the moonlight a dark body sways from a lynching tree--but for his funeral there are no roses.

Here then is an undeniable fact. The man who does not keep the Second Commandment cannot even implicitly be keeping the First: the man who rejects Christ in man cannot accept Christ in God. “He that loveth not his brother whom he seeth, how can he love God, whom he seeth not?” ( 1 John 4:20 ).

That Hugh’s presence within walking distance of Biddenden Manor might not be conducive either to his happiness or to his self-esteem he did not allow to weigh with him, for he was a man with a strong sense of propriety, and he knew that it was his duty to feel affection for all his brothers and sisters.

I need to know how you can be so certain,' Daniel said, his voice dropping into a furious hush. 'Well...' Hugh brought his glass to his lips and took something deeper than a sip. 'If you must know, I told him that if anything happens to you, I would kill myself.' If Daniel had been holding anything, anything at all, it would have crashed to the ground. It was a remarkable thing that *he* did not crash to the ground. 'My father knows me well enough to know that I do not say such a thing lightly,' Hugh said, lightly. Daniel couldn't speak. 'So if you would...' Hugh took another drink, this time barely touching his lips to the liquid. 'I would appreciate if you would endeavor not to get yourself killed in an unhappy accident. I'm sure to blame it on my father, and honestly, I'd rather not see myself off unnecessarily.' 'You're mad,' Daniel whispered ... 'Why would you do such a thing?' Daniel could not imagine anyone else - not even Marcus, who was truly a brother to him - making the same sort of threat.

Blake, Cole, and I have been family for each other, because the ones we started with were for crap. Why they let me in, I still don’t know. But because they did, I believed I was worth more than I would have otherwise.” He nodded and gathered his thoughts for a moment. “Blake’s company made me want to hug trees and hear music. Cole’s company made me want to try harder to be a better person. I never imagined that anyone could love either of these men enough for me to let them go.” “But I didn’t know about the McHugh girls. Their love is fiercer than guns. More powerful than fistfuls of money. I can walk away because of them. Officer McHugh? I want to thank you again for letting me see this through. I know my peace of mind is far from your concern, but I appreciate it anyway.” Beckett held his glass up high. “To my brothers. They’ve finally gotten the lives they deserve.

Dance for me, Hugh,” said Agnes, out of the blue. “Eh?” answered Shuggie, rolling over on the carpet. Leek groaned, he didn’t like it when she made a pet of his brother. What good was a soft boy in a hard world? He left them to their nonsense. They listened to him slam his bedroom door and knew he would be hunched over, his heavy headphones on, drawing again in the black book. “Go on, dance for me. I want you to show me how the kids today dance.

Try to imagine what cinema would look like without them. Collaborating with behind-the-camera talents including John Landis, Ivan Reitman, Carl Reiner, and John Hughes-and fellow stars such as Tom Hanks, Robin Williams, and Golden Hawn-this new wave would produce a litany of big, brash blockbusters and evergreen oddities: National Lampoon's Animal House, The Jerk, The Blues Brothers, Caddyshack, 48 Hrs., Trading Places, The Man with Two Brains, Beverly Hills Cop, Ghostbusters, Fletch, Coming to America, and Scrooged, to name but some. That list alone makes a compelling case that this period is as good as things have ever gotten for big-screen comedy. Quentin Tarantino certainly thinks so. "I think the '80s is the worst decade, with the '50s being the second worst, in the history of Hollywood," the director said in 2015. "The only movies from the '80s that I find myself really, really hanging on to, oddly enough, are the silly comedies. They're the ones that you have the most affection for.

I rolled my eyes at the newcomer. "Hello, Carter." I'd known the angel was lurking in the kitchen, just as Peter had felt me coming down the hall. "Where's your better half tonight? I just saw him. I thought he was coming too." Carter strolled in and gave me one of his mocking smiles, gray eyes alight with secrets and mirth. He wore his usual transient ware, ripped jeans and a faded T-shirt. ... "Am I my brother's keeper?" Classic Carter answer. I looked to Hugh, who was, in a manner of speaking, our boss's keeper. Or at least a sort of administrative assistant. "He had to take off for a meeting," said the imp, stacking twenties. "Some kind of team building thing in L.A." I tried to imagine Jerome participating in a ropes course. "What kind of team building do demons do exactly?

Both the date of Lennon’s murder and the careful selection of this particular victim are very important. Six weeks after Lennon’s death, Ronald Reagan would become President. Reagan and his soon-to-be appointed cabinet were prepared to build up the Pentagon war machine and increase the potential for war against the USSR. The first strike would fall on small countries like El Salvador and Guatemala. Lennon, alone, was the only man (even without his fellow Beatles) who had the ability to draw out one million anti-war protestors in any given city within 24 hours if he opposed those war policies. John Lennon was a spiritual force. He was a giant, like Gandhi, a man who wrote about peace and brotherly love. He taught an entire generation to think for themselves and challenge authority. Lennon and the Beatles’ songs shout out the inequalities of American life and the messages of change. Change is a threat to the longtime status quo that Reagan’s team exemplified. On my weekly radio broadcast of December 7, 1980, I stated, “The old assassination teams are coming back into power.” The very people responsible for covering up the murders of President John F. Kennedy, Senator Robert Kennedy, Reverend Martin Luther King, for Watergate and Koreagate, and the kidnapping and murder of Howard Hughes, and for hundreds of other deaths, had only six weeks before they would again be removing or silencing those voices of opposition to their policies. Lennon was coming out once more. His album was cut. He was preparing to be part of the world, a world which was a worse place since the time he had withdrawn with his family. It was a sure bet Lennon would react and become a social activist again. That was the threat. Lennon realized that there was danger in coming back into public view. He took that dangerous chance and we all lost!

I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.

Hugh B. Brown, his counselor in the First Presidency, once told McKay of an incident that occurred when he was a young counselor in a bishopric, and a young woman in the congregation confessed to an indiscretion: The Bishop asked her to go in the other room while we talked it over, and when she left he said: “Brethren, what do you think we ought to do?” The first counselor said, “I move we cut her off the Church.” I said, “I second the motion.” The kind old Bishop said, “Brethren, there is one thing for which I am profoundly grateful and that is God is an old man. I am not going to cut her off the church.”… That young woman became the Stake President of the Relief Society up in Canada later on, to our chagrin, for if we had had our way, she would have been cast out of the Church. When I told that to President McKay, he said, “Brother Brown, let that lesson guide your judgment day by day. Remember that God our Father does not judge us until the end, and He gives us a chance to repent and come back.

That means we don’t exist in one place. Instead, everything we do is left in … like a trail out there, a big ring of decisions. Every action we take—” “And mistake.” He nodded and dabbed at his forehead with his sleeve. “And every mistake. But every good thing we do as well. They are immortal, every single touch we leave behind. Even if nobody sees them or remembers them, that doesn’t matter. That trail will always be what happened, what we did, every choice. The past lives on forever. There’s no changing it.” “Makes you not want to fuck up,” Juliette said, thinking on all the times she had, wondering if this box between them was one more mistake. She saw images of herself in a great loop of space: fighting with her father, losing a lover, going out to clean, a great spiral of hurts like a journey down the stairs with a bleeding foot. And the stains would never wash out. That’s what Lukas was saying. She would always have hurt her father. Was that the way to phrase it? Always have had. It was immortal tense. A new rule of grammar. Always have had gotten friends killed. Always have had a brother die and a mother take her own life. Always have had taken that damn job as sheriff. There was no going back. Apologies weren’t welds; they were just an admission that something had been broken. Often between two people. “You okay?” Lukas asked. “Ready to go on?” But she knew he was asking more than if her arm was tired. He had this ability to spot her secret worries. He had a keen vision that allowed him to glimpse the smallest pinprick of hurt through heavy clouds. “I’m fine,” she lied. And she searched her past for some noble deed, for a bloodless tread, for any touch on the world that had left it a brighter place. But when she had been sent to clean, she had refused. Always have had refused. She had turned her back and walked off, and there was no chance of going back and doing it any other way. ••••

Chapter 1 Death on the Doorstep LIVY HINGE’S AUNT lay dying in the back yard, which Aunt Neala thought was darned inconvenient. “Nebula!” she called, hoping her weakened voice would reach the barn where that lazy cat was no doubt taking a nap. If Neala had the energy to get up and tap her foot she would. If only that wretched elf hadn’t attacked her, she’d have made her delivery by now. Instead she lay dying. She willed her heart to take its time spreading the poison. Her heart, being just as stubborn as its owner, ignored her and raced on. A cat with a swirling orange pattern on its back ran straight to Neala and nuzzled her face. “Nebula!” She was relieved the cat had overcome its tendency to do the exact opposite of whatever was most wanted of it. Reaching into her bag, Neala pulled out a delicate leaf made of silver. She fought to keep one eye cracked open to make sure the cat knew what to do. The cat took the leaf in its teeth and ran back toward the barn. It was important that Neala stay alive long enough for the cat to hide the leaf. The moment Neala gave up the ghost, the cat would vanish from this world and return to her master. Satisfied, Neala turned her aching head toward the farmhouse where her brother’s family was nestled securely inside. Smoke curled carelessly from the old chimney in blissful ignorance of the peril that lay just beyond the yard. The shimmershield Neala had created around the property was the only thing keeping her dear ones safe. A sheet hung limply from a branch of the tree that stood sentinel in the back of the house. It was Halloween and the sheet was meant to be a ghost, but without the wind it only managed to look like old laundry. Neala’s eyes followed the sturdy branch to Livy’s bedroom window. She knew what her failure to deliver the leaf meant. The elves would try again. This time, they would choose someone young enough to be at the peak of their day dreaming powers. A druid of the Hinge bloodline, about Livy’s age. Poor Livy, who had no idea what she was. Well, that would change soon enough. Neala could do nothing about that now. Her willful eyes finally closed. In the wake of her last breath a storm rose up, bringing with it frightful wind and lightning. The sheet tore free from the branch and flew away. The kitchen door banged open. Livy Hinge, who had been told to secure the barn against the storm, found her lifeless aunt at the edge of the yard. ☐☐☐ A year later, Livy still couldn’t think about Aunt Neala without feeling the memories bite at her, as though they only wanted to be left alone. Thankfully, Livy wasn’t concerned about her aunt at the moment. Right now, Rudus Brutemel was going to get what was coming to him. Hugh, Livy’s twin, sat next to her on the bus. His nose was buried in a spelling book. The bus lurched dangerously close to their stop. If they waited any longer, they’d miss their chance. She looked over her shoulder to make sure Rudus was watching. Opening her backpack, she made a show of removing a bologna sandwich with thick slices of soft homemade bread. Hugh studied the book like it was the last thing he might ever see. Livy nudged him. He tore his eyes from his book and delivered his lines as though he were reading them. “Hey, can I have some? I’m starving.” At least he could make his stomach growl on demand.

It was the best of Carter, a profoundly caring man, loving his brother through stress, as honest as a political human knows how to be,” wrote Time’s Hugh Sidey, usually a stout Carter critic, in a piece representative of the consensus in Washington.

It’s a book. Iz would give me a book. I trace the aged leather, the letters pressed into the weathered cover. Montage of a Dream Deferred by Langston Hughes. I flip open the front cover, and my blood stands still in my veins when I note the date—1951—and the famous poet’s autograph. A signed first edition. I turn to the spot slotted by an index card, a crisp contrast to the worn, fragile pages. The poem is “Harlem,” and the familiar refrain asking what happens to a dream deferred stings tears in my eyes. I can’t ever read this poem without remembering the day my cousin died in the front yard. There are some moments in life that will always haunt us, no matter how many joys follow, and that day is one of those. I’ll never forget reciting this poem in my bedroom closet to keep Jade calm while one of her brothers shot the other. Iz couldn’t know its personal significance to me, but as I read the card, I understand why he chose it. GRIP, Our brothers live so long with dreams deferred, they forget how to imagine another life. For many of them, all they know is frustration, then rage, and for too many, the violence of finally exploding. You symbolize hope, and I know you take that responsibility seriously. I hope you know I believe that, and that nothing I’ve said led you to think otherwise. Bristol’s right—our biases are our weaknesses. Few are as patient as she is to give people time to become wiser. Thank her for me, for giving me time and for encouraging you to work with me. Together, I think we will restore the dreams of many. Merry Christmas, Iz

Shiloh’s Recommended Listening Tears for Fears. “Everybody Wants to Rule the World.” By Olzabal, Roland, Stanley, Ian and Hughes, Chris. Somerset, UK: Fontana/Mercury/Phonogram. Songs from the Big Chair. 1985. Joey Ramone. “What a Wonderful World.” By Thiele, Bob and Weiss, George David. Sanctuary Records Group. Don’t Worry About Me. 2002. The Moody Blues. “Question.” By Hayward, Justin. London, UK: Threshold Records. A Question of Balance. 1970. The Church. “Under the Milky Way.” By Kilbey, Steve and Jansson, Karin. Australia: Arista. Starfish. 1988. The Pixies. “Where is My Mind?” By Francis, Black. Boston, MA: 4AD. Surfer Rosa. 1988. The Beatles. “All You Need Is Love.” By Lennon-McCartney. London, UK: Parlophone Capitol. Magical Mystery Tour. 1967. Styx. “The Grand Illusion.” By Dennis DeYoung. Chicago, IL: A&M Records. The Grand Illusion. 1977. The Flaming Lips. “Do You Realize??” By Coyne, Wayne, Drozd, Steven, Ivins, Michael and Fridmann, Dave. New York, NY: Warner Brothers Records. Yoshimi Battles the Pink Robots. 2002. The Beatles. “Across the Universe.” By Lennon-McCartney, London, UK: Regal Starline. No One’s Gonna Change Our World. 1969.

The man of visionary mind may sit down before one solitary cabbage, and find food for his thought, if not for his palate, in the reflection, "Truly thou mightest have been my brother.

If some man like Hugh Akston had told me, when I started, that by accepting the mystics’ theory of sex I was accepting the looters’ theory of economics, I would have laughed in his face. I would not laugh at him now. Now I see Rearden Steel being ruled by human scum—I see the achievement of my life serving to enrich the worst of my enemies—and as to the only two persons I ever loved, I’ve brought a deadly insult to one and public disgrace to the other. I slapped the face of the man who was my friend, my defender, my teacher, the man who set me free by helping me to learn what I’ve learned. I loved him, Dagny, he was the brother, the son, the comrade I never had—but I knocked him out of my life, because he would not help me to produce for the looters. I’d give anything now to have him back, but I own nothing to offer in such repayment, and I’ll never see him again, because it’s I who’ll know that there is no way to deserve even the right to ask forgiveness.

I do not want my mother's death to be commemorated as if it had won an award. I wanted her life to be celebrated, the fact that she had existed, lived to the fullness of her ability, been happy and sad, tormented and ecstatic, and given birth to my brother and me.

frame Tom for the two murders. What did he have against Tom?’ ‘Ah,’ Richard said, ‘you’re right. He didn’t have anything against Tom. Not really. But I remembered something that your solicitor said when she showed me Grandfather William’s will. She said that when Freddie died, the trust would automatically be dissolved and would then be inherited in its entirety by Freddie’s firstborn, assuming that that person was over the age of eighteen, of sound mind and body, and – crucially – had no unspent prison time. ‘That’s why Matthew worked so hard to pin the murders on his brother. Because the moment we arrested Tom, he’d be stopped from inheriting anything. And when Tom was then convicted of double murder – as I’m sure he would have been, considering the evidence against him, both direct and indirect – then he’d have ended up in prison. Tom would have been ineligible to inherit. The whole estate would automatically have passed on to the next oldest child, Matthew. And seeing as Matthew has always been on record as wanting to sell the plantation, it wouldn’t have even begun to look suspicious when he then sold the plantation for five million dollars. ‘So Matthew wasn’t just killing the only two people in the world he thought knew his secret shame. He was also making sure he inherited five million dollars. And five million dollars is always an incentive to commit murder. Don’t you think, Sylvie?’ A few minutes later, Richard emerged from the shower room to see Dwayne and Fidel already guarding the locked boot of the Police jeep where a handcuffed Matthew was sitting inside. From the way his shoulders were heaving up and down, Richard could see that he was crying. As for Camille, she’d taken Andy Lucas off to the shade of a palm tree and was talking to him. ‘Detective Inspector?’ a voice said from behind Richard. Richard turned and saw Hugh standing by the entrance to the shower room with Rosie and Tom. As for Sylvie, she was already heading back to the main house on her own. ‘I’m sorry,’ Hugh said. ‘That you saw our family…like this. That you saw what we’re really like.’ Richard knew that there was nothing he could say that would make Hugh feel any better.

Things had been so challenging for us lately. It was nothing but lecturing. This was wrong, that was wrong. Follow your brother’s example, look how he entered the seminary.

My brother, Alberto, wasn’t too delighted about our family’s sudden notoriety and even attempted to get a confession out of me, but I didn’t dare tell him the truth. Honestly, I was more nervous at my mother’s reaction than the Roman Catholic Church’s and all its congregation.

Tom and his younger brothers, as they grew up, went on playing with the village boys, without the idea of equality or inequality (except in wrestling, running, and climbing) ever entering their heads; as it doesn't till it's put there by Jack Nastys or fine ladies' maids.

in?” Hugh took one

But if you are looking for true fellowship, give yourself to the gospel at home and around the world. Serve together with others in women’s Bible studies, children’s ministries, youth ministries. Do short-term missions. Join mercy work to alleviate suffering in places like the vast area devastated by disasters like Hurricane Katrina. Take the good news to the poor. Join a band of brothers and sisters to pray for the world. That is how you will experience genuine Christian fellowship.

Bagenal stood gaping as shot whizzed by his head. It was his brother-in-law, the traitor Tyrone. And the man had spotted him as well. Fury rose in Henry Bagenal and he strode out into the field to meet the bloody Irish devil. He and Tyrone would fight hand to hand, to the death, he swore to himself. He would have his revenge for Mabel, beautiful child, lost to this wretched land.   THE BALL FROM the musket of the proud Ulster marksman found the very center of Captain Bagenal’s forehead and blew out the back of the Englishman’s skull. Hugh O’Neill saw his brother-in-law fall, and though a great, joyful cry rose in his throat he never missed a step, leading his pikemen onward. But he found himself smiling as he marched, savoring the irony of the moment, for the ball that had smashed open Henry Bagenal’s head had been molded from the melted-down lead that old Lord Burleigh had foolishly sent for the roof of Mabel O’Neill’s proper English castle.

And then. Astonishing. Again. As she was skipping up the back stairs on her way to the attic bedroom to fetch something, something innocent - a book, a handkerchief, afterwards she would never remember what - she was almost sent flying by Howie on his way down. 'I was looking for a bathroom,' he said. 'Well, we only have one,' Ursula said, 'and it's not up these-' but before the sentence was finished she found herself pinned awkwardly against the neglected floral wallpaper of the backstairs, a pattern that had been up since the house was built. 'Pretty girl,' he said. His breath smelt of mint. And then again she was again subjected to pushing and shoving from the outsized Howie. But this time it was not his tongue trying to jam its way into her mouth but something inexpressibly more intimate. She tried to say something but before a sound came out his hand clamped over her mouth, over half her face in fact, and he grinned and said 'Ssh,' as if they were conspirators in a game. With his other hand he was fiddling with her clothes and she squealed in protest. Then he was butting up against her, the way the bullocks in the Lower Field did against the gate. She tried to struggle but he was twice, three times her size even and she might as well have been a mouse in Hattie's jaws. She tried to see what he was doing but he was pressed so tightly against her that all she could see was his big square jaw and the slight brush of stubble, unnoticeable from a distance. Ursula had seen her brothers naked, knew what they had between their legs - wrinkled cockles, a little spout - and it seemed to have little to do with this painful piston-driven thing that was now ramming inside her like a weapon of war. Her own body breached. The arch that led to womanhood did not seem so triumphal any more, merely brutal and completely uncaring. And then Howie gave a great bellow, more ox than Oxford man, and was hitching himself back together and grinning at her. 'English girls,' he said, shaking his head and laughing. He wagged his finger at her, almost disapproving, as if she had engineered the disgusting thing that had just happened and said, 'You really are something!' He laughed again and bounded down the stairs, taking them three at a time, as though his descent had been barely interrupted by their strange tryst. Ursula was left to stare at the floral wallpaper. She had never noticed before that the flowers were wisteria, the same flower that grew on the arch over the back porch. This must be what in literature was referred to as 'deflowering', she thought. It had always sounded like a rather pretty word. When she came back downstairs a half-hour later, a half-hour of thoughts and emotions considerably more intense than was usual for a Saturday morning, Sylvie and Hugh were on the doorstep waving a dutiful goodbye to the disappearing rear end of Howie's car. 'Thank goodness they weren't staying,' Sylvie said. 'I don't think I could have been bothered with Maurice's bluster.' 'Imbeciles,' Hugh said cheerfully. 'All right?' he said, catching sight of Ursula in the hallway. 'Yes,' she said. Any other answer would have been too awful.

Did you ever feel, Hugh, that it might be better to let even ill alone," wondered Cadfael ruefully, "rather than let loose worse?

Mid May 2012 Dearest Andy, After all these years, you have not changed. You’ll always be the Valet I’ve grown to love and adore. When I read your email, I can hear the sound of your voice as it was so long ago. Although we are miles apart, I continue to feel you close to my heart. After our separation, I looked for a ‘big brother’ and lover like you and failed miserably, until Walter came into my life. He inquires about you persistently. I think he is hoping for a triplet relationship, similar to the one we shared with Oscar. He thinks highly of you. Walter is very similar to you, in that you both know that you are gods who could do no wrong. In the majority of cases, that is how I remember you. Of course we both have our shortcomings, as humans do. The wonderful times we shared definitely overshadowed the negative moments. I fear that having two alpha males in the same house will be a disaster because you’ll both be competing for power and lording your masculinity over me. That’s scary! LOL! That said, my partner and I discuss you frequently. The difference between you two is that he fully supports the writing of my memoirs while you, my friend, have made it clear that writing about my adolescent life experiences isn’t a good idea. I respect both your differing opinions, but this is something I will have to decide on my own. I sincerely believe that now is the moment to tell my story and I will tell it without hurting or exposing anyone unnecessarily. I’ve changed the names of the schools, the society, and, of course, the people that played an important role in my young life. Do you remember when we were in Las Vegas working on “Sacred Sex In Sacred Places”? The Count told us that Howard Hughes was in town and you dragged me along for an audience with the tycoon? You desperately wanted an apprenticeship in his aerodynamics engineering company. I remember the episode well. That experience is definitely worth documenting in my memoirs. We will have many opportunities to reminisce, but for now I am simply happy that we are communicating regularly. Tell me more about yourself in your next correspondence. I love you and miss you. Wishing you all the best! Young.

As Hughes observed at first hand, the brothers were both serious men of similar temperament, always mischievous, for ever laughing, but where Larry was ultimately a dazzlingly clever man without faith of any kind, Gerry was a simple man of unshakeable conviction.

Many Americans wonder why Robert Kennedy took no action against Lyndon Johnson if he suspected the vice president’s complicity in the murder of his brother. In fact, we now know that Johnson was concerned that Robert Kennedy would object to his immediate ascendancy to the presidency. The very fact that Johnson would worry about something so constitutionally preordained virtually proved Johnson’s fear that Kennedy would see through his role in the murder. I now believe that Johnson’s call to Robert Kennedy to obtain the wording of the presidential oath was an act of obsequiousness to test Kennedy as well as an opportunity to twist the knife in Johnson’s bitter rival. We now know that the “oath” aboard Air Force One was purely symbolic; the US Constitution elevates the vice president to the presidency automatically upon the death of the president. Johnson’s carefully arranged ceremony in which he insisted that Jackie Kennedy be present was to put his imprimatur and that of the Kennedys, on his presidency. Additionally, Judge Sarah T. Hughes, who administered the oath, had recently been blocked from elevation on the federal bench by Attorney General Robert Kennedy. This impediment would be removed under President Lyndon Johnson. Robert Kennedy knew his brother was murdered by a domestic conspiracy and, at a minimum, suspected that Lyndon Johnson was complicit. Kennedy would tell his aide Richard Goodwin, “there’s nothing I can do about it. Not now.”86 In essence, Kennedy understood that with both the FBI and the Justice Department under the control of Lyndon Johnson and Kennedy nemesis J. Edgar Hoover, there was, indeed, nothing he could do immediately. While numerous biographers describe RFK as being shattered by the murder of his brother, Robert Kennedy was not so bereaved that it prevented him from seeking to maneuver his way onto the 1964 ticket as vice president. Indeed, RFK had Jackie Kennedy call Johnson to lobby for Bobby’s selection. Johnson declined, far too cunning to put Bobby in the exact position that he had maneuvered John Kennedy into three years previous. Robert Kennedy knew that only by becoming president could he avenge his brother’s death. After lukewarm endorsements of the Warren Commission’s conclusions between 1963 and 1968, while campaigning in the California primary, RFK would be asked about his brother’s murder. In the morning, he mumbled half-hearted support for the Warren Commission conclusions but asked the same question that afternoon he would tell a student audience in Northern California that if elected he would reopen the investigation into his brother’s murder. Kennedy’s highly regarded press secretary Frank Mankiewicz would say he was “shocked” by RFK’s comment because he had never said anything like it publicly before. Mankiewicz and Robert Kennedy aide Adam Walinsky would ultimately conclude that JFK had been murdered by a conspiracy, but to my knowledge, neither understood the full involvement of LBJ. Only days after Robert Kennedy said he would release all the records of the Kennedy assassination, the New York Senator would be killed in an assassination eerily similar to his brother’s, in which there are disputes, even today, about the number of shooters and the number of shots. The morning after Robert Kennedy was murdered a distraught Jacqueline Kennedy called close friend New York socialite Carter Burden, and said “They got Bobby, too,” leaving little doubt that she recognized that the same people who killed her husband also killed her brother in law.87

What's the matter with her?" he asked, worriedly. "She's hungry." He stiffened. "Oh." Perry, riding just ahead, turned and lifted an amused brow. Sir Hugh grinned. Charlotte's wails grew piercing. Lord Gareth cleared his throat. "I, uh ... suppose you'd better attend to things, then. We can stop here, and maybe you can take her off behind a tree or something..." Sir Hugh was downright snickering now. "I think I can manage right here, Lord Gareth," said Juliet. "Here?" "Why, yes."  She pulled the loose folds of her cloak up and around Charlotte, tugged down her bodice, and, behind the discreet veil, put the baby to her breast. Immediately, Charlotte quieted. No one could see, but nevertheless the Den of Debauchery members urged their horses into a trot and all but fled ahead. "I ... er ... don't know about this," Lord Gareth mumbled, deeply embarrassed. "You'll have to get used to it if you wish to be a father, my lord." "Yes, but ... I mean —  that is...." "She can't just sit down to a pork pie and a mug of ale," Juliet chided gently. She twisted around to look up at him. His handsome face was as pink as the dawn, and it went downright crimson as Charlotte began making very loud sucking noises. "God help me," Lord Gareth muttered, looking away. God

Having a good feel up there, Gareth? Sure are taking a damned long time about it!" "Can't blame him. Tisn't every day that a man gets to grope a stone horse!" "Wish I was hung half so well!" "You mean you aren't, Chilcot?" "Lord Gareth is!" cried Tess. "Why, 'e's built foiner than any stallion Oi've ever seen, stone or not!" Drunken laughter rang out, both male and female, and yet another bottle of Irish whiskey made its way among the shadowy figures who stood, or rather swayed, beneath poor Henry on his about-to-be-disgraced charger. "Hey Gareth!  Didn't know yer pref'rences ran to — hic! — bestiality!  What else haven't you tol' us about yershelf, eh?" "Shut up down there, you bacon-brains," Gareth said. "D'you want to wake up the whole damned village?"  But he was as foxed as the rest of them, and no one took him seriously. "Hic! — c'mon, Gareth, it can't take you more than five minutes to — hic! — paint its bollocks blue!" "This is not blue, it's purple. Royal purple. As befits its royal rider." Chilcot gave a credible imitation of a neighing stallion. Cokeham snorted, horselike, and clutched his stomach as he tried to contain his laughter. But the Irish whiskey was too much for him, and, losing his balance, he fell face‑first into the damp grass, still guffawing and holding his side. "Oh!  Oh, I fear I shall cast up my accounts if this keeps up ... oh, dear God...." Without missing a beat, Gareth dipped his brush in the paint and flicked it over the bewigged and powdered heads of his friends below. Howls pierced the night as he calmly went back to his task. "A plague on you, Gareth! — hic — you've jesht ruined my best wig!" "To hell with your damned wig, Hugh, look what he just did to my coat!" Chilcot gave another equine whicker, tucked his chin, and with his beautifully turned out leg began pawing the ground. "Shhhh‑h‑h‑h‑h‑h‑h!" "Oh ... oh, I do feel sick...." "Keep it up, you pillocks, and I shall dump the entire bucket on your heads," Gareth called down from above.

Frank John Hughes, who played Will Bill Guarnere, had a special duty that required his wearing his uniform/costume off the set. Looking exactly like an American paratrooper of 1944, complete with his set of jump wings, his pant legs bloused into his Corcoran boots, and a Screaming Eagle patch on his shoulder, Hughes reported to Heathrow Airport. * *In uniform, Hughes attracted many looks of admiration, especially from women.

telling him how people had thought the same thing long before he and his brother were born, that it was the hubris of each generation to think this anew, to think that their time was special, that all things would come to an end with them. His father said it was hope that made people feel this, not dread. People talked of the end coming with barely concealed smiles. Their prayer was that when they went, they wouldn’t go alone. Their hope was that no one would have the good fortune to come after and live a happy life without them. Thoughts

And are you thinking, Hugh, what I am thinking?

Serves you right," Lucien growled. He took the cloth from Juliet and hurled it at his brother's bare chest. "Put this against your head, and it won't hurt so bad." But Gareth, looking dazedly up at Juliet, wasn't paying him any attention. Instead, he was staring at his wife as though she was the dearest thing he had ever beheld, as though he had never expected to see her again. Which, Lucien reflected dryly, was not so unlikely a supposition. He had arrived at the dower house just after six to find his brother already gone to the fight — and his new sister-in-law packing her trunk and sobbing her eyes out. Crying females did not amuse him. Soppy tales of prideful husbands did not faze him. And her angry protests did not deter him when, his patience exhausted, he plucked Charlotte from her arms and thrust her into the stunned Sir Hugh's, bodily threw Juliet over his shoulder and, striding back outside to where Armageddon waited, personally brought her to the fight himself — where her bristling defiance had turned to heartbroken misery as she'd seen Gareth taking a beating from the Butcher and realized just what her husband was doing for her. Not for himself — but for her and Charlotte. Now, as Lucien stood there watching their nauseating display of love and forgiveness, he felt compelled to vent his spleen. "All right, that's enough of this damned sickly-sweet foolishness," he growled, stalking to the bed and glaring down at his brother. "You listen to me, and you listen well, Gareth. Your fighting days are over. And if I ever hear of you taking on a champion pugilist again —" Gareth waved him off. "Give me some credit, would you? After all, I did beat the fellow." Lucien tightened his jaw. So he had. He'd also won himself a lucrative estate, exposed Snelling for the murdering swindler he was, and won the hearts of the people of Abingdon with his courage against the Butcher. Earlier,

Ladies, ladies, ladies,” Hugh Shaughnessy said as he strode into the room with his son in his arms. “There is plenty of this baby – and his poop – to go around.

I was eager enough, for a walk alone with one of my brothers was always one of the special pleasures of life. The mere invitation was a pleasure, for it was cartian that they would not ask me if they didn't want me. I reflected on the superiotity of a brother to a lover, as a critic. Each one of my four brothers would have said to such a present -"Coosh".

Not so long ago, there lived in this little town four young men: Hughes, Clarke, Moran, and O’Brien. A band of brothers who, like many a brother, are enchanted by the pretty pint of porter after a hard week’s work. It was a Friday night in November.

This is where it starts—where it always starts: you peer out over your long nose and see green. It brushes against your outer coat and tickles the smooth skin of your belly. It blankets the ground beneath your paws. In place of the endless stone boxes the men built, giant green trunks rise up around you. You sit on your hindquarters but still can’t quite tilt your head back far enough to see their leafy tops. This isn’t your home. There’s no way you could’ve been here before. But somehow, it feels familiar. And there is something else you recognize. . . . Meat. Your whole body seems to shout the word at once. Fur bristles along your spine. Your muzzle twitches and saliva drips from your jowls. You feel the smooth sharpness of your tearing teeth. It has been so long. Where is the meat? Your ears stand upright, the fine hairs taking in everything. You hear the crisp snap of a small branch, then the whisper of fur brushing against leaves. You think you can even hear the trill of a heartbeat. More than anything, though, you can smell the creature, hidden in the shadows, between the darker shades of green. It smells like fear and food, like everything you love about the chase. It smells like life. Out of the corner of your vision, you sense motion. You spring forward from your back legs, and the animal bolts, a tawny blur. It’s not like the rodents you’re used to. This is bigger. It bounds instead of skitters, leaps instead of burrows. It’s all speed and grace, and you love the energy it takes to chase after it. Your pack is with you suddenly—brothers and sisters and second cousins, alphas and omegas. As you tear through the forest, head nodding and eyes watering, they trail in lines behind you, and you know without looking that your tail is streaming out like a flag. With the blood pumping inside your ears, each second sounds like a bark. The creature is faster than you are, but it’s losing steam. You’re panting but not tired. You run and run and run, watching the spindly legs flick through the underbrush ahead of you. You were made for this. There’s a flick of white, a flash of a hoof. You drive harder, your nails churning up cool dirt. The pack fans out and starts to close in, herding your prey closer and closer. It’s slowing. You’re gaining. It stumbles, and you dive. You open your jaws. You sink in your teeth. You savor.

his son turns against him and joins the king! And no half-measures, either. By all accounts, he’s fighting for Stephen as fiercely as he ever fought for Maud.’ ‘And bear in mind, Philip’s sister is wife to Ranulf of Chester,’ the courier pointed out, ‘and these two changes of heart chime together. Which of them swept the other away with him, or what else lies behind it, God he knows, not I. But there’s the plain fact of it. The king is the fatter by two new allies and a very respectable handful of castles.’ ‘And I’d have said, in no mood to make any concessions, even for the bishops,’ observed Hugh shrewdly. ‘Much more likely to be encouraged, all over again, to believe he can win absolute victory. I doubt if they’ll ever get him to the council table.’ ‘Never underestimate Roger de Clinton,’ said Leicester’s squire, and grinned. ‘He has offered Coventry as the meeting-place, and Stephen has as good as agreed to come and listen. They’re issuing safe conducts already, on both sides. Coventry is a good centre for all, Chester can make use of Mountsorrel to offer hospitality and worm his way into friendships, and the priory has housing enough for all. Oh, there’ll be a meeting! Whether much will come of it is another matter. It won’t please everyone, and there’ll be those who’ll do their worst to wreck it. Philip FitzRobert for one. Oh, he’ll come, if only to confront his father and show that he regrets nothing, but

Did that bastard, Osborn, relive it night after night in his sleep? Raffe knew he did not. Even when Lord Osborn had issued those orders which other men were forced to carry out, he had given less thought to them than a boy snapping the neck of a snared bird. He knew Gerard would have to carry out those commands. Osborn was Gerard's liege lord and Gerard was bound by the oath of fealty to serve him. To refuse to obey his command on the field of battle was unthinkable. Any man who did as much would be branded a coward and a traitor. That night, after it was all over, Raffe had watched Osborn with his younger brother, Hugh, tossing down a flagon of sweet cypress wine, already planning the next day's sport, and it was plain he had already forgotten the whole incident. But then it is easy to forget if you only have to say the words and don't have to look into terrified faces or hear the screams echoing again and again through all the long dark nights.

So you’ve lost your best suspect,’ said Cadfael thoughtfully. ‘The only one I had. And not sorry, so far as the fool himself is concerned, that he should turn out to be blameless. Well, short of murder, at least,’ Hugh corrected himself. ‘But contenders were thin on the ground from the start. And what follows now?’ ‘What follows,’ said Cadfael, ‘is that I tell you what I’ve come to tell you, for with even Conan removed from the field it becomes more substantial even than I thought. And then, if you agree, we might drain Conan dry of everything he knows, to the last drop, before you turn him loose. I can’t be sure, even, that anyone has so much as mentioned to you the box that Elave brought home for the girl, by way of a dowry? From the old man, before he died in France?’ ‘Yes,’ said Hugh wonderingly, ‘it was mentioned. Jevan told me, by way of accounting for Conan’s wanting to get rid of Elave. He liked the daughter, did Conan, in a cool sort of way, but he began to like her much better when she had a dowry to bring with her. So says Jevan. But that’s all I know of it. Why? How does the box have any bearing on the murder?’ ‘I have been baffled from the start,’ said Cadfael, ‘by the absence of motive. Revenge, said everyone, pointing the finger at Elave, but when that was blown clear away by young Father Eadmer, what was left? Conan may have been eager to prevent Aldwin from

By early afternoon the Carpathia had passed the last of the ice and could begin to pick up speed, but at 4:00 p.m its engines were stopped. Father Anderson then appeared on deck in his clerical garb, followed by Carpathia crewmen carrying four corpses sewn into canvas bags. These were the bodies of two male passengers, one fireman, and one seaman, that had been brought aboard from the lifeboats. Each of the canvas bags in turn was laid on a wide plank and covered with a flag. As the words “Unto Almighty God we commend the soul of our brother departed, and we commit his body to the deep” were read aloud, the bodies were tipped into the sea one at a time. A large crowd stood nearby with heads bared. The canvas bags had been weighted so that the bodies would fall feet first but one of them struck the water flat. A Carpathia passenger wrote that he would never forget the sound of that splash. One of those buried at sea was first-class passenger William F. Hoyt, the heavy man who had been pulled into Boat 14 and died shortly thereafter. When May Futrelle learned that a large man had been lifted into one of the lifeboats, she questioned the crew of Boat 14 but soon realized that the man they described could not have been her husband. She also heard that Archibald Gracie had been pulled under with the ship and worked up her courage to ask him if he had suffered as he was being dragged down. Gracie reassured her that if he had never come up, he would have had no more suffering, giving May some comfort that perhaps Jacques had not endured an agonizing death. That afternoon Charles Lightoller had a serious talk with the three other surviving officers, Pitman, Boxhall, and Lowe, about what lay ahead. It was agreed that their best hope for escaping what Lightoller called “the inquisition” that awaited in New York was to immediately board the Cedric, scheduled to sail for Liverpool on Thursday. Their case was taken to Bruce Ismay who sent a message to Philip Franklin suggesting that the Cedric be held for the Titanic’s crew and himself. Ismay also asked that clothes and shoes be put on board for him. The cable was signed “Yamsi,” his coded signature for personal messages.

While the Duff Gordons drank champagne at the Ritz that Thursday night, Margaret Brown was still on the Carpathia, helping out with the steerage passengers. Immigration and health officials had come on board to spare the Titanic’s third-class survivors the customary hiatus at Ellis Island, but it was after eleven o’clock before the first of them began to leave the ship. Still wearing the black velvet suit she had donned after the collision, “Queen Margaret,” as some in first class had dubbed her, worked to organize the disembarkation of the steerage women and help with their travel arrangements. The Countess of Rothes was doing likewise, and one passenger of particular concern for her was Rhoda Abbott, who was unable to walk due to her ordeal in Collapsible A. Although Rhoda assured the countess and Margaret Brown that she would be looked after by the Salvation Army, she was transferred by ambulance to New York Hospital at Noëlle’s expense and later to a hotel room that Mrs. Brown arranged for her. The small, slim countess eventually walked down the gangway and into the arms of her husband Norman, the Earl of Rothes, and before long, she, too, was in a suite at the Ritz-Carlton. But Margaret Brown remained on the ship, where she improvised beds in the lounge for the remaining steerage women and spent the night with them. The next day her brother, who had come from Denver to greet her, came on board and told Margaret that her ailing grandson—the reason she had come home on the Titanic—was recovering well. This encouraged her to stay in New York, where she set up headquarters for the Titanic Survivors’ Committee in her suite at the Ritz-Carlton.

Brother, you and I both know that you’re one of those guys who could go either way.  You could be the nice guy, who settles down with a nice wifey, and some brats.  Or you could end up being the guy who terrorises the fucking female population.  At least I just fuck them, and move on.  You’d end up keeping one as a fucking pet.  You remember what the doctors said back then.  Obsessive.  Borderline psychotic.

Choochiness is yet another British term that has no precise meaning, but, like pornography, you know it when you see it. The way I have things stacked up, choochiness is a particularly British amalgam of cuddlywuddliness, cutesypiedness, and butter-wouldn’t-melt-in-my-mouthedness that embraces everything from shops named The Ketch to Hugh Grant’s stammer. It is a grating and often maddening behavioral pattern that makes others want to reach out and pinch the choochster’s cheeks while secretly longing to stuff a hand grenade right down his throat. “Paul McCartney is choochy; John Lennon is not,” says my brother-in-law, Max, who fled England for France in 1976, largely to escape from rampant choochiness. “Paul McCartney: choochy. John Lennon: not choochy. That’s the difference.” THERE

Today’s Children, The Woman in White, and The Guiding Light crossed over and interchanged in respective storylines.) June 2, 1947–June 29, 1956, CBS. 15m weekdays at 1:45. Procter & Gamble’s Duz Detergent. CAST: 1937 to mid-1940s: Arthur Peterson as the Rev. John Ruthledge of Five Points, the serial’s first protagonist. Mercedes McCambridge as Mary Ruthledge, his daughter; Sarajane Wells later as Mary. Ed Prentiss as Ned Holden, who was abandoned by his mother as a child and taken in by the Ruthledges; Ned LeFevre and John Hodiak also as Ned. Ruth Bailey as Rose Kransky; Charlotte Manson also as Rose. Mignon Schrieber as Mrs. Kransky. Seymour Young as Jacob Kransky, Rose’s brother. Sam Wanamaker as Ellis Smith, the enigmatic “Nobody from Nowhere”; Phil Dakin and Raymond Edward Johnson also as Ellis. Henrietta Tedro as Ellen, the housekeeper. Margaret Fuller and Muriel Bremner as Fredrika Lang. Gladys Heen as Torchy Reynolds. Bill Bouchey as Charles Cunningham. Lesley Woods and Carolyn McKay as Celeste, his wife. Laurette Fillbrandt as Nancy Stewart. Frank Behrens as the Rev. Tom Bannion, Ruthledge’s assistant. The Greenman family, early characters: Eloise Kummer as Norma; Reese Taylor and Ken Griffin as Ed; Norma Jean Ross as Ronnie, their daughter. Transition from clergy to medical background, mid-1940s: John Barclay as Dr. Richard Gaylord. Jane Webb as Peggy Gaylord. Hugh Studebaker as Dr. Charles Matthews. Willard Waterman as Roger Barton (alias Ray Brandon). Betty Lou Gerson as Charlotte Wilson. Ned LeFevre as Ned Holden. Tom Holland as Eddie Bingham. Mary Lansing as Julie Collins. 1950s: Jone Allison as Meta Bauer. Lyle Sudrow as Bill Bauer. Charita Bauer as Bert, Bill’s wife, a role she would carry into television and play for three decades. Laurette Fillbrandt as Trudy Bauer. Glenn Walken as little Michael. Theo Goetz as Papa Bauer. James Lipton as Dr. Dick Grant. Lynn Rogers as Marie Wallace, the artist.

She started the engine, and he scrambled

But viewed from another angle, that same revolution looks more like a permission slip for the strong and privileged to prey upon the weak and easily exploited. This is the sexual revolution of Hugh Hefner and Larry Flynt and Joe Francis and roughly 98 percent of the online pornography consumed by young men. It’s the revolution that’s been better for fraternity brothers than their female guests, better for the rich than the poor, better for the beautiful than the plain, better for liberated adults than fatherless children ... and so on down a long, depressing list.

With the clock close to 11 p.m., Carrington had gone home and McDonnell was just putting on his cloak when the gates of New Palace Yard were flung open and a caravan of motor-cars puttered through. Out of the first scrambled the Home Secretary, Winston Churchill, and his wife, Clementine. The others disgorged Churchill’s mother and stepfather; his brother and sister-in-law; and Captain Hugh Warrender and the 9th Duke of Marlborough. Together, they advanced to the door. Churchill had made himself quite obnoxious in the days after Edward’s death. In one of his first meetings with the new King, he had tactlessly picked up where he had left off with his father, insisting that ‘a great change was necessary in the Constitution’. George had icily responded that he was ‘averse to violent changes’. Now, on the very eve of Edward’s funeral, the Home Secretary insisted on his right to a private viewing of the coffin. McDonnell refused point-blank. Churchill attempted to pull rank. Unwavering, McDonnell retorted that if he were not satisfied, he could go and rouse Carrington, who was asleep in a nearby house, and solicit a second opinion. For several minutes, the two men bickered on the threshold until the Home Secretary, thoroughly bested, flounced off with his relations. It was, the incandescent McDonnell wrote, ‘an amazing instance of vulgarity and indecency of which I should not have thought that even Churchill was capable’.

I am. Plenty. I’m afraid of being buried alive. I’m afraid of doing the wrong thing.” “Then do nothing,” she insisted. She nearly begged him right then to put a stop to this madness, to their isolation. They could go back to sleep and leave this to the machines and to the God-awful plans of others. “Let’s not do anything,” she pleaded. Her brother rose from his seat, squeezed her arm, and turned to leave. “That might be the worst thing,” he quietly said.

In truth McCandless had been raised in the comfortable upper-middle-class environs of Annandale, Virginia. His father, Walt, is an eminent aerospace engineer who designed advanced radar systems for the space shuttle and other high-profile projects while in the employ of NASA and Hughes Aircraft in the 1960s and 70s. In 1978, Walt went into business for himself, launching a small but eventually prosperous consulting firm, User Systems, Incorporated. His partner in the venture was Chris’s mother, Billie. There were eight children in the extended family: a younger sister, Carine, with whom Chris was extremely close, and six half-brothers and sisters from Walt’s first marriage.

Master Thomas, for the child that should be born to Aline and Hugh, for young Philip and the parents who had recovered him, for all who suffered injustice and wrong, and sometimes forgot they had a resource beyond the sheriff.