Hot Like A Heater Quotes

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I wanna be your vacuum cleaner Breathing in your dust I wanna be your Ford Cortina I will never rust If you like your coffee hot Let me be your coffee pot You call the shots babe I just wanna be yours Secrets I have held in my heart Are harder to hide than I thought Maybe I just wanna be yours I wanna be yours, I wanna be yours Wanna be yours, wanna be yours, wanna be yours Let me be your 'leccy meter and I'll never run out And let me be the portable heater that you'll get cold without I wanna be your setting lotion (I wanna be) Hold your hair in deep devotion (How deep?) At least as deep as the Pacific Ocean I wanna be yours Read more: Arctic Monkeys - I Wanna Be Yours Lyrics | MetroLyrics
Alex Turner
I wanna be your vacuum cleaner Breathing in your dust I wanna be your Ford Cortina I will never rust If you like your coffee hot Let me be your coffee pot You call the shots babe I just wanna be yours Secrets I have held in my heart Are harder to hide than I thought Maybe I just wanna be yours I wanna be yours,I wanna be yours Wanna be yours, wanna be yours, wanna be yours Let me be your 'leccy meter and I'll never run out And let me be the portable heater that you'll get cold without I wanna be your setting lotion (I wanna be) Hold your hair in deep devotion (How deep?) At least as deep as the Pacific Ocean I wanna be yours
Alex Turner
Is what I am not saying, young LaMont Chu, is why you cease to seem to give total effort of self since you begin with the clipping pictures of great professional figures for your adhesive tape and walls. No? Because, privileged gentlemen and boys I am saying, is always something that is too. Cold. Hot. Wet and dry. Very bright sun and you see the purple dots. Very bright hot and you have no salt. Outside is wind, the insects which like the sweat. Inside is smell of heaters, echo, being jammed in together, tarp is overclose to baseline, not enough of room, bells inside clubs which ring the hour loudly to distract, clunk of machines vomiting sweet cola for coins. Inside roof too low for the lob. Bad lighting, so. Or outside: the bad surface. Oh no look no: crabgrass in cracks along baseline. Who could give the total, with crabgrass. Look here is low net high net. Opponent’s relatives heckle, opponent cheats, linesman in semifinal is impaired or cheats. You hurt. You have the injury. Bad knee and back. Hurt groin area from not stretching as asked. Aches of elbow. Eyelash in eye. The throat is sore. A too pretty girl in audience, watching. Who could play like this? Big crowd overwhelming or too small to inspire. Always something.’ [p.458]
David Foster Wallace (Infinite Jest)
then I must have dropped off. It wasn’t much later that I awoke—the story of my life since my mate passed away. I get tired, wiped out, even, but can’t seem to sleep more than a few hours at a stretch. It’s such a weird time to be awake—noon. Spooky, really. There have been a few occasions when, tired of just standing there and hoping to fall back to sleep, I got up and flew around. The dining options were definitely interesting—lapdogs, ducklings, I even saw an iguana sunning himself on top of a Styrofoam cooler. But there was also a lot of traffic and noise. I never liked the world I saw during the day. Then I started hating the one I saw at night and wondered, What’s left? What changed things, albeit slowly, was learning. It’s like there’s a hole where my life used to be, and I’m filling it with information—about potatoes. About hot water heaters. Anything will do. These leeches, though. For the first time in memory, I was unable to sleep not because I was anxious but because I was excited. To live in a damp crowded asshole and sing—if these guys don’t know the secret to living, I don’t know who does.
David Sedaris (Squirrel Seeks Chipmunk)
Oi, doll, ignore him,' said Sia, using a notebook to fan her face. 'Sweet lord, I'm like a human hot-water bottle wrapped in doona in front of a heater at the moment. And did I tell you about the constant farting?
Gabrielle Tozer (Faking It (The Intern, #2))
Hopefully, once they’d spoken to Grace, she’d have more to ask and the calls would necessitate themselves.  Roper turned into the street with the shelter on it and pulled the handbrake up without pressing the button. It clicked angrily and Jamie resisted the urge to tell him that it wasn’t good for the car. They got out and she breathed through her nose again.  The air was marginally fresher.  Her watch told her it was half past twelve and the smell of soup coming out of the shelter, as well as the growing line of homeless people, told her that it was nearly lunchtime.  The door was closed and another piece of paper had been stuck over the last one. It read ‘Hot food for all. 1pm.’  The people outside were lined up neatly, hugging the right-hand rail and stretching down onto the pavement and along the street. Jamie did a quick headcount down and got to twenty-two before Roper moved in front of her and she lost the number.  He looked back, dipped his head towards the door, and she went after him.  A guy with a shaggy beard and a lined face wearing two coats opened his mouth to tell them there was a line, and then had his sixth-sense tweaked and clammed up.  Roper gave him a glance and then pulled the door open and headed inside.  The room was much the same as it was before — except it was now empty of bodies and a dozen or so folding chairs had been set out for people to sit and eat. The camp table at the back that the coffee still had been on was now mostly filled by a big soup heater. It looked like it was older than Jamie was and the caked droplets of a thousand broths stained the side.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Imagine that you have to break someone’s arm. Right or left, doesn’t matter. The point is that you have to break it, because if you don’t…well, that doesn’t matter either. Let’s just say bad things will happen if you don’t. Now, my question goes like this: do you break the arm quickly — snap, whoops, sorry, here let me help you with that improvised splint — or do you drag the whole business out for a good eight minutes, every now and then increasing the pressure in the tiniest of increments, until the pain becomes pink and green and hot and cold and altogether howlingly unbearable? Well exactly. Of course. The right thing to do, the only thing to do, is to get it over with as quickly as possible. Break the arm, ply the brandy, be a good citizen. There can be no other answer. Unless. Unless unless unless. What if you were to hate the person on the other end of the arm? I mean really, really hate them. This was a thing I now had to consider. I say now, meaning then, meaning the moment I am describing; the moment fractionally, oh so bloody fractionally, before my wrist reached the back of my neck and my left humerus broke into at least two, very possibly more, floppily joined-together pieces. The arm we’ve been discussing, you see, is mine. It’s not an abstract, philosopher’s arm. The bone, the skin, the hairs, the small white scar on the point of the elbow, won from the corner of a storage heater at Gateshill Primary School — they all belong to me. And now is the moment when I must consider the possibility that the man standingbehind me, gripping my wrist and driving it up my spine with an almost sexual degree of care, hates me. I mean, really, really hates me. He is taking for ever. His name was Rayner. First name unknown. By me, at any rate, and therefore, presumably, by you too. I suppose someone, somewhere, must have known his first name — must have baptised him with it, called him down to breakfast with it, taught him how to spell it — and someone else must have shouted it across a bar with an offer of a drink, or murmured it during sex, or written it in a box on a life insurance application form. I know they must have done all these things. Just hard to picture, that’s all. Rayner, I estimated, was ten years older than me. Which was fine. Nothing wrong with that. I have good, warm, non-arm-breaking relationships with plenty of people who are ten years older than me. People who are ten years older than me are, by and large, admirable. But Rayner was also three inches taller than me, four stones heavier, and at least eight however-you-measure-violence units more violent. He was uglier than a car park, with a big, hairless skull that dipped and bulged like a balloon full of spanners, and his flattened, fighter’s nose, apparently drawn on his face by someone using their left hand, or perhaps even their left foot, spread out in a meandering, lopsided delta under the rough slab of his forehead.
Hugh Laurie (The Gun Seller)