Hospital Sad Quotes

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The sad truth is the truth is sad.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
The first duty of the novelist is to entertain. It is a moral duty. People who read your books are sick, sad, traveling, in the hospital waiting room while someone is dying. Books are written by the alone for the alone.
Donna Tartt
Frodo was now safe in the Last Homely House east of the Sea. That house was, as Bilbo had long ago reported, ‘a perfect house, whether you like food or sleep, or story-telling or singing, or just sitting and thinking best, or a pleasant mixture of them all.’ Merely to be there was a cure for weariness, fear and sadness.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
I wake up scared and I'm scared all day. I'm scared of being scared. Scared of "losing it". Scared of not being able to function. Scared of being hospitalized. Scared that I am not okay. Scared of what life is and if I am wasting mine. Scared that I have no home - that even the place I call home has no bottom to it and I will just keep falling under and under and under.
Melissa Broder (So Sad Today: Personal Essays)
I am...sad and angry. Why is my spirit so sad and angry? I look back at my life and all I can remember is rage and rage and rage.
Chris Adrian (The Children's Hospital)
What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that's why I want to be everyone - so no one can blame me for being I. So I won't have to take the responsibility for my own character development and philosophy. People are happy - - - if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges - no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people "find themselves." But the very content that comes from finding yourself is overshadowed by the knowledge that by doing so you are admitting you are not only a grotesque, but a special kind of grotesque.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
There is nothing for you in this bleak hospital room but a cold and empty nothingness that has no answers, can give no peace, will provide no comfort to the living.
Rebecca James (Beautiful Malice)
I’d felt this before, when my granddad was in the hospital before he died. We all camped out in the waiting room, eating our meals together, most of us sleeping in the chairs every night. Family from far-flung places would arrive at odd hours and we’d all stand and stretch, hug, get reacquainted, and pass the babies around. A faint, pale stream of beauty and joy flowed through the heavy sludge of fear and grief. It was kind of like those puddles of oil you see in parking lots that look ugly until the sun hits them and you see rainbows pulling together in the middle of the mess. And wasn’t that just how life usually felt—a confusing swirl of ugly and rainbow?
Laura Anderson Kurk (Perfect Glass)
With heart at rest I climbed the citadel's Steep height, and saw the city as from a tower, Hospital, brothel, prison, and such hells, Where evil comes up softly like a flower. Thou knowest, O Satan, patron of my pain, Not for vain tears I went up at that hour; But like an old sad faithful lecher, fain To drink delight of that enormous trull Whose hellish beauty makes me young again. Whether thou sleep, with heavy vapors full, Sodden with day, or, new appareled, stand In gold-laced veils of evening beautiful, I love thee, infamous city! Harlots and Hunted have pleasures of their own to give, The vulgar herd can never understand.
Charles Baudelaire
I thought of Shelley in the hospital, how she said sometimes sadness only looked like anger and judgment. Maybe fear did too.
Holly Cupala (Tell Me a Secret)
It's an unfortunate word, 'depression', because the illness has nothing to do with feeling sad, sadness is on the human palette. Depression is a whole other beast. It's when your old personality has left town and been replaced by a block of cement with black tar oozing through your veins and mind. This is when you can't decide whether to get a manicure or jump off a cliff. It's all the same. When I was institutionalised I sat on a chair unable to move for three months, frozen in fear. To take a shower was inconceivable. What made it tolerable was while I was inside, I found my tribe - my people. They understood and unlike those who don't suffer, never get bored of you asking if it will ever go away? They can talk medication all hours, day and night; heaven to my ears.
Ruby Wax
I used to feel sorry for them, or sad. Not so much any more. Now I wonder what they did, and I know what they did, and all I can think is how all that water is barely enough to cover it up.
Chris Adrian (The Children's Hospital)
Whether we are speaking of a flower or an oak tree, of an earthworm or a beautiful bird, of an ape or a person, we will do well, I believe, to recognize that life is an active process, not a passive one. Whether the stimulus arises from within or without, whether the environment is favorable or unfavorable, the behaviors of an organism can be counted on to be in the direction of maintaining, enhancing, and reproducing itself. This is the very nature of the process we call life. This tendency is operative at all times. Indeed, only the presence or absence of this total directional process enables us to tell whether a given organism is alive or dead. The actualizing tendency can, of course, be thwarted or warped, but it cannot be destroyed without destroying the organism. I remember that in my boyhood, the bin in which we stored our winter's supply of potatoes was in the basement, several feet below a small window. The conditions were unfavorable, but the potatoes would begin to sprout—pale white sprouts, so unlike the healthy green shoots they sent up when planted in the soil in the spring. But these sad, spindly sprouts would grow 2 or 3 feet in length as they reached toward the distant light of the window. The sprouts were, in their bizarre, futile growth, a sort of desperate expression of the directional tendency I have been describing. They would never become plants, never mature, never fulfill their real potential. But under the most adverse circumstances, they were striving to become. Life would not give up, even if it could not flourish. In dealing with clients whose lives have been terribly warped, in working with men and women on the back wards of state hospitals, I often think of those potato sprouts. So unfavorable have been the conditions in which these people have developed that their lives often seem abnormal, twisted, scarcely human. Yet, the directional tendency in them can be trusted. The clue to understanding their behavior is that they are striving, in the only ways that they perceive as available to them, to move toward growth, toward becoming. To healthy persons, the results may seem bizarre and futile, but they are life's desperate attempt to become itself. This potent constructive tendency is an underlying basis of the person-centered approach.
Carl R. Rogers
What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that's why I want to be everyone - so no one can blame me for being I. So I won't have to take the responsibility for my own character development and philosophy. People are happy - - - if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges - no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people "find themselves.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I've gotta something more important to offer, something I'm sure mom cares about more than anything. "Mommy, I am... so skinny right now. I'm finally down to 89 pounds." I'm in the ICU with my dying mother, and the thing that I'm sure will get her to wake up, is the fact that in the days since mom has been hospitalized, my fear and sadness have morphed into the perfect anorexia motivation cocktail, and finally I have achieved mom's current goal weight for me: 89 pounds.
Jennette McCurdy (I'm Glad My Mom Died)
I am...sad and angry. I look back at my life and all I can remember is rage and rage and rage.
Chris Adrian (The Children's Hospital)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
I realized that whilst crying over the loss, the living did not seem adequate because they were not my loved one. The room full of strangers hurt me profusely. Even as I saw thousands of young people; I felt incomplete and more saddened because the one I wanted to see was buried.
Phindiwe Nkosi (Behind the Hospital)
Irresponsibility. Maria’s never been irresponsible. When she was little, she was responsible for protecting everybody else from her own shit around her gender—responsible for making sure her parents didn’t have to have a weird kid. Of course, then they had a weird, sad kid anyway, right? Whatever. That’s when responsibility at the expense of self became a habit: she did not care about school, but she knew her parents would be sad if she didn’t go to college, since certain things are expected from you when you do well on standardized tests, so she scraped by and paid attention. Then, with drugs, it’s like, she took them all, but always in such moderation that it wasn’t really dangerous. Even when she was throwing up or incoherent, it was in a controlled situation. She never went to jail, never had the police bring her home, never got caught breaking curfew or went to the hospital or anything. And then she came to New York, paid her rent, had a job, kept her head down, had relationships with people where making the relationship run smoothly was more important than being present in it. Which did not work. It’s clear that being responsible has not been a positive force in her life. It has been fucking everything up.
Imogen Binnie (Nevada)
We began our hospital visits: one day Susan, one day me, everyday The Big Hoom. On one of these visits, she told me about the tap that opened at my birth and the lack drip filling her up, and it tore a hole in my heart. If this was what she could manage with a single sentence, what did thirsty years of marriage do to The Big Hoom?
Jerry Pinto
You scan the cheering bleachers for the strange boy’s face: handsome, reserved, with the eye patch, a little dramatic, a little scary. You finally find him sitting there in the middle of the sixth row. He is wearing a dark green army jacket and is staring back at you. He looks sad and beautiful, like a watercolor in a hospital room.
Joe Meno (Demons in the Spring)
Are Christians victims of this post-Christian world? No. Sadly, Christians are coconspirators. We embrace modernism’s perks when they serve our own lusts and selfish ambitions. We despise modernism when it crosses lines of our precious moralism. Our cold and hard hearts; our failure to love the stranger; our selfishness with our money, our time, and our home; and our privileged back turned against widows, orphans, prisoners, and refugees mean we are guilty in the face of God of withholding love and Christian witness. And even more serious is our failure to read our Bibles well enough to see that the creation ordinance and the moral law, found first in the Old Testament, is as binding to the Christian as any red letter. Our own conduct condemns our witness to this world.
Rosaria Champagne Butterfield (The Gospel Comes with a House Key: Practicing Radically Ordinary Hospitality in Our Post-Christian World)
Therapy dogs visit people in nursing homes, hospitals, and wherever else they are needed. They cheer people up who are sad or lonesome and just need a furry friend to hug.
Martha McKiever (Finn's Trail of Friends)
How are you? I'm shattered, thanks, how are you? I walk aimlessly through the rooms of my house, what have you been up to? I have woken up in the middle of the last 240 nights in a heart-pounding sweat, what's new with you? I sometimes wish I would never wake up, have you been on vacation this year? I ache for the arms of my sweetheart to hold me tight, how's your family? I feel barren and useless and creepy and mundane, seen any good movies lately? I'm terrified that I'll feel this way forever, I like that sweater you're wearing. I keep seeing his body on the hospital gurney, don't you love this weather. My broken heart is in my throat, let's do lunch. I'm so completely and utterly tired of being sad, thanks, how are you?
Christine Silverstein
Before I went to bed that night, Danny and I talked about my mother. Matilda was easily the movie I'd made that she was most excited about, but she had died while we were doing postproduction. I'd always felt sad that she wasn't able to see the completed film. I was floored when he told me he'd brought my mother the film while she was in the hospital. It hadn't been fully edited, but she had been able to see what we had. I feel such a sense of peace knowing that, and I'll always be grateful to Danny for it. You, and your story, were a part of her life till the very end.
Mara Wilson (Where Am I Now?)
There was, I thought, something calling to me from out in the dark. It came from out in the tempest, even from the lights of the fishing boats a mile out at sea. You can be called to a last effort, a final heroic statement, because I doubt you call yourself to leave comforts and certainties for an open road. But the call is inside your own head. It's a sad summons from the depths of your own wasted past. You could call it the imperative to go out with full-tilt trumpets and gunshots instead of the quietly desperate sound of the hospital ventilator. Victory instead of defeat.
Lawrence Osborne (Only to Sleep)
They've started to say "life-limiting" instead now. "Children and young people with life-limiting conditions..." The nurse says it gently as she explains that the hospital has started to offer a counseling service for young patients whose conditions are "terminal." She falters, flushing red. "Sorry, I meant life-limiting." Would I like to sign up? I could have the counselor come to my bed, or I could go to the special counseling room for teenagers. They have a TV in there now. The options seem endless, but the term is not new to me. I have spent many days at the airport. Years. And still, I have not flown away.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
Our society has tried to make death invisible, thinking that if we ignore it long enough it will go away. Often we as family and loved ones are so afraid of death that even mentioning the word to terminal patients is taboo. We think the dying are oblivious to what is happening to them. Sadly, a dying person frequently feels afraid to bring it up him or herself. When I enter a hospital room I often hear a sigh of relief. At last, someone is here to help the family come to terms with what is playing out before them. Death has too long been the elephant in the living room, while everyone awkwardly discusses the weather.
Megory Anderson (Sacred Dying: Creating Rituals for Embracing the End of Life)
She died." I had to prompt him. "Soon after?" "In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital." "Poor girl." "All past. All under the sea." "You make it seem present." "I do not wish to make you sad." "The scent of lilac." "Old man's sentiment. Forgive me." There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way. "Is this why you never married?" "The dead live." The blackness of the trees. I listened for footsteps, but none came. A suspension. "How do they live?" And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke. "By love.
John Fowles (The Magus)
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
James McBride (The Heaven & Earth Grocery Store)
I was recently inside a hospital that had gone wireless and it was a forest of microwave antennas! It is sad that the medical profession is in the process of becoming expert on microwave radiation sickness due to willfully inducing it into their own staff!
Steven Magee
She could not do distress. Anger was so much easier. And quicker and harder and better. If I start crying, I’ll never stop –you hear people say that; Kiki heard people say it all the time in the hospital. A backlog of sadness for which there would never be sufficient time
Zadie Smith (On Beauty)
Oh, Haifa. City of glistering grime, smog hovering over foamy sea. Of blocky apartment buildings facing the coast, topped with white water tanks crowded together like flocks of squat storks. Of palm trees and pine trees and electric wires, twisting green and black toward the chalky beachfront and rows of factory smokestacks. The way you put it once, Laith, your voice warped to mimic a radio announcer: 'Welcome to Haifa: you may die an early and also agonizing carcinogenic death, but at least you'll have a killer view from your hospital room.
Moriel Rothman-Zecher (Sadness Is a White Bird)
An associate of mine named William Congreve once wrote a very sad play that begins with the line 'Music has charms to sooth a savage beast,' a sentence which here means that if you are nervous or upset, you might listen to some music to calm you down or cheer you up. For instance, as I crouch here behind the alter of the Cathedral of the Alleged Virgin, a friend of mine is playing a sonata on the pipe organ, to calm me down and so that the sounds of my typewriter will not be heard by the worshipers sitting in the pews. The mournful melody of the sonata reminds me of a tune my father used to sing when he did the dishes, and as I listen to it I can temporarily forget six or seven of my troubles.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
But who am I to give lessons? There are no real messages in my fiction. The first duty of the novelist is to entertain. It is a moral duty. People who read your books are sick, sad, traveling, in the hospital waiting room while someone is dying. Books are written by the alone for the alone.
Donna Tartt
Curtis grew up to become King Cuz. A gangster well respected for his brain and his derring-do. His set, the Rollin’ Paper Chasers, was the first gang to have trained medics at their rumbles. A shoot-out would pop off at the swap meet and the stretcher-bearers would cart off the wounded to be treated in some field hospital set up behind the frontlines. You didn’t know whether to be sad or impressed. It wasn’t long after that innovation that he applied for membership to NATO. Everybody else is in NATO. Why not the Crips? You going to tell me we wouldn’t kick the shit out of Estonia?
Paul Beatty (The Sellout)
There are too few psych beds for too many bodies. Only extreme cases—like a woman who bit off her own finger because the voices told her to—get quick care. “This is the sad part of this work. People so psychotic they can’t even get to the hospital without doing something terrible to themselves
Susannah Cahalan (The Great Pretender: The Undercover Mission That Changed Our Understanding of Madness)
The symmetry of it all, or was it the emptied, seemingly ransacked neatness of his room, tied a knot in my throat. It reminded me less of a hotel room when you wait for the porter to help you take your things downstairs after a glorious stay that was ending too soon, than of a hospital room after all your belongings have been packed away, while the next patient, who hasn't been admitted yet, still waits in the emergency room exactly as you waited there yourself a week earlier. This was a test run for our final separation. Like looking at someone on a respirator before it's finally turned off days later.
André Aciman (Call Me by Your Name)
The nurses were busybodies, I could hear them scurrying about in the rooms adjacent to ours. They were telling jokes and laughing. Their happiness pissed me off. Stop fucking laughing, I thought, my kokum's lying here dead...She wrote up a report and closed my kokum's eyes, then walked out of the room and summoned a doctor. In the room beside us, another nurse was still laughing. Sometimes I don't like how life goes on. And sometimes I don't think it should.
Joshua Whitehead (Jonny Appleseed)
I believe the signs we are seeing today most certainly point to the rapture of the church. These are indeed end times. I believe that one day very soon, Jesus Christ Himself will come in the clouds and millions of people will see their battles end... I believe that followers of Christ from all around the world, of every race, creed, color, age, economic standing, and religious affiliation will vanish in a single moment of time ... gone. The Word of God describes it as a 'twinkling of an eye.' In an instant, there will be boardrooms without directors, classrooms without teachers, hospitals without doctors and nurses, cars without drivers, airplanes without pilots, and loved ones disappearing mid-sentance and mid-morning coffee. I am sure that complete chaos won't even begin to describe it. I imagine a worldwide crescendo of screaming voices. When the dust clears, everone left on earth will know emptiness beyond description and a greater sense of evil than has ever been thought to exist. It will be the condition of things. Overwhelming sadness, confusion, loss, and insecurity will be worldwide. It will happen at that time, even as it did on that September morning.
Leslie Haskin (Between Heaven and Ground Zero: One Woman's Struggle for Survival and Faith in the Ashes of 9/11)
For a while she cried silently until she tired herself out and the overwhelming feeling of sleepiness overcame her. The room around her was fairly silent, although she wasn’t the only one crying herself to sleep. It was quite common at places like this to hear cries in the dark. There were so many saddened and lonesome souls around her. It was usually at night when they were reminded of just how sad and lonely they actually were.
Jason Medina (No Hope For The Hopeless At Kings Park)
When I look at him, I don’t see the cowardly young man who sold me out to Jeanine Matthews, and I don’t hear the excuses he gave afterward. When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind. He is a part of me, always will be, and I am a part of him, too. I don’t belong to Abnegation, or Dauntless, or even the Divergent. I don’t belong to the Bureau or the experiment or the fringe. I belong to the people I love, and they belong to me--they, and the love and loyalty I give them, form my identity far more than any word or group ever could. I love my brother. I love him, and he is quaking with terror at the thought of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago: I would never deliver you to your own execution. “Caleb,” I say. “Give me the backpack.” “What?” he says. I slip my hand under the back of my shirt and grab my gun. I point it at him. “Give me the backpack.” “Tris, no.” He shakes his head. “No, I won’t let you do that.” “Put down your weapon!” the guard screams at the end of the hallway. “Put down your weapon or we will fire!” “I might survive the death serum,” I say. “I’m good at fighting off serums. There’s a chance I’ll survive. There’s no chance you would survive. Give me the backpack or I’ll shoot you in the leg and take it from you.” Then I raise my voice so the guards can hear me. “He’s my hostage! Come any closer and I’ll kill him!” In that moment he reminds me of our father. His eyes are tired and sad. There’s a shadow of a beard on his chin. His hands shake as he pulls the backpack to the front of his body and offers it to me. I take it and swing it over my shoulder. I keep my gun pointed at him and shift so he’s blocking my view of the soldiers at the end of the hallway. “Caleb,” I say, “I love you.” His eyes gleam with tears as he says, “I love you, too, Beatrice.” “Get down on the floor!” I yell, for the benefit of the guards. Caleb sinks to his knees. “If I don’t survive,” I say, “tell Tobias I didn’t want to leave him.
Veronica Roth (Allegiant (Divergent, #3))
Right above my head, on the shelf made out of sockets and switches, is the hospital's kind reminder of my impermanence. A whiteboard that says Lenni Petersson in red marker with a smudge near the final n. The thing about whiteboards is that they're so easily wiped clean. They're designed to be used again and again and again for the names of the unlucky few who find themselves in the May Ward. One day, in just the briefest stroke of a dry whiteboard eraser, I'll be gone.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
How are you so strong?' I asked her. She came over and held me. 'Anything is doable as long as it's time-limited,' she said. 'This pain will never go away, but it will get easier.' My mother was so sad, but so brave at the same time. Once when she was at work during this time, she had a contentious exchange with a table full of doctors at the hospital. Uncharacteristically, she burst into tears. While crying, she choked out: 'These tears are not about you. They are about my husband. But don't let the tears dilute the content of my message.
Megyn Kelly (Settle for More)
Aiden was the whole world stretched out beneath him. Aiden’s hair spread out on the sheets, Aiden moaning in his ear. The magnitude of his certainty tipped Harvard over the edge into terrifying and unwelcome knowledge. Terrible realization dawned, remorseless illumination shed on a whole landscape. Harvard found himself looking at his entire life in a new light. Aiden on their first day of school, on their first day of fencing class, on their last day in the hospital, on their first day at Kings Row. Inextricably part of every important moment in Harvard’s life. The bright and shining center of Harvard’s life, ever since he’d turned around and seen Aiden and thought, That boy looks sad, and wanted nothing but to give Aiden everything. Finding Aiden and being too young to understand what he’d found. Only knowing Aiden was necessary to him and wanting Aiden there always. Of course he loved his best friend, of course he did. That was always such an absolute truth that Harvard could never question it. Harvard gasped against Aiden’s mouth. He should have questioned it before now. He should have asked himself what he was feeling. Only he’d been afraid. Dating someone else hadn’t been Harvard’s idea, and with this new clarity he realized he didn’t actually want to do it. He hadn’t wanted to be alone, hadn’t wanted to be left behind, but it was impossible and distinctly horrible to think of being like this with anyone but Aiden. Only very recently, as Aiden dated more and more people and the potential for distance between them started to feel far more real, had Harvard started to feel lonely. If it hadn’t been for Coach suggesting dating, it might never have occurred to him. Why would he go out and look for a partner when he had one at home? Why would he go searching for a lightning strike when there was all the brightness and all the pain he could wish for, always with him? He’d never cared about dating, never really felt the need to find someone, because he’d been otherwise emotionally committed all along. Apparently, Harvard’s subconscious was insane, bent on his own ruin. Somewhere in the back of his mind he’d just decided he was Aiden’s boyfriend, without consulting Aiden. Without even consulting himself. He’d been in love with Aiden the whole time.
Sarah Rees Brennan (Striking Distance (Fence, #1))
After the shock wore off, I realized the beauty of the situation,” Dorian continues. “The day you lost your legs, fate gave me a great gift.” I look at him sharply, the anger rising again and overtaking the sadness. How dare he say that to me, when I'm suffering more than I've ever suffered in my life? The blood still stains my bandages. The pain is still very real. It's the only thing that feels real at this moment, in fact. Not Dorian and not this big, strange room. It all feels like a nightmare. “I stared at you in that hospital bed and I realized that you would never run from me again.
Whitney Bianca (Mansions)
When he woke up in the hospital, dry, and saw Sylvie on a chair next to him, his first thought was that he'd failed. The fact that he had failed meant he had to continue to walk forward with his life history--his mistakes--slung over his shoulders like a heavy backpack. This fact exhausted him, but he was too tired to reject it.
Ann Napolitano (Hello Beautiful)
The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
James McBride (The Heaven & Earth Grocery Store)
I was surprised how sad it made me to leave the hospital, to see the people hurrying to work, the men in their dry-cleaned suits, the women driving their kids to the public school, cursing because they missed the light at Montgomery and Morris Ave and now they were going to be late. Knowing that when you’re gone the grind will go on. No one is special enough to stop it.
Jessica Knoll (Luckiest Girl Alive)
I hate that phrase "the real world." Why is an aircraft factory more real than a university? Is it? In universities I've had in my office ex-cons on parole, young people in tears racked with deep sexual problems, people recently released from mental hospitals, confused, bewildered, frightened, hoping, with more desperation than some of us will ever be unlucky enough to know, that they will remain stable enough to stay in school, and out of hospitals forever. I've seen people so lovelorn that I've sat there praying as only an unreligious man can pray that I don't say something wrong, that I can spare their feelings, that I might even say something that will make their lives easier if only for a few moments. Sad drug addicts too. Not people you usually meet in industrial offices. . . In some ways the university is a far more real world than business.
Richard Hugo (The Triggering Town: Lectures and Essays on Poetry and Writing)
After four or five months of reading Hemingway, I decided to write a story. I had in the past written stories for English classes. These had all been about white people, because white people’s stories seemed to matter more. Also, I hadn’t known how to write about Indians. How would I translate the various family relations, the difference between an uncle who is a father’s brother and an uncle who is a mother’s brother? Having read Hemingway, I knew that I should just push all the exotic things to the side as if they didn’t matter, that this was how one used exoticism—by not bothering to explain. The first story I wrote was about my brother coughing. I woke one night to the sound of Birju coughing downstairs and then could not go back to sleep. To be woken this way and not be able to return to sleep struck me as sad enough to merit a reader’s attention. Also, Hemingway had written a story about a man being woken because somebody is dying nearby, and the man is forced to witness the death. I got up from my bed and turned on the light. I then returned to bed with a spiral-bound notebook and placed it against my knees. I began my story in the middle of the action the way Hemingway did. I wrote: The coughing wakes me. My wife coughs and coughs, and then when her throat is clear, she moans. The nurse’s aide moves back and forth downstairs. The hospital bed jingles. I wrote that it was a spouse coughing because that seemed something a reader could identify with, while a brother would be too specific to me. I lie here, listening to my wife cough, and it is hard to believe that she is dying. It was strange to write something down and for that thing to come into existence. The fact that the sentence existed made Birju’s coughing somehow less awful. As I sat on my bed, I thought about how I could end my story. I held my pencil above the sheet of paper. According to the essays I had read on Hemingway, all I needed to do was attach something to the end of the story that was both unexpected and natural. I imagined Birju dying; this had to be what would eventually happen. As soon as I imagined this, I did not want him gone. I felt a surge of love for Birju. Even though he was sick and swollen, I did not want him gone. I wrote: I lie in my bed and listen to her cough and am glad she is coughing because this means she is alive. Soon she will die, and I will no longer be among the lucky people whose wives are sick. Fortunate are the men whose wives cough. Fortunate are the men who cannot sleep through the night because their wives’ coughing wakes them.
Akhil Sharma (Family Life)
We lived here for a while, after my father died,’ Iris says. Esme has to swallow once, twice before she can speak, and it hurts her throat. ‘How did he die?’ she asks. ‘Oh, it was stupid. A stupid accident. He was in hospital for a routine operation and he was given a drug he was allergic to. He was young, only thirty-one.’ Esme gets flashes of this scene. She thinks she has seen this, or something like it. When? She can’t recall. But she remembers the convulsions, the thrashing body, the lolling tongue, and then the awful stillness. She has to concentrate on her plate to get rid of them. ‘That’s very sad,’ she says, and speaking the words is good because it distracts her mind into thinking about forming the syllables. ‘My parents were already separated by the time he died so I didn’t see him much, but I still miss him. It would have been his birthday next week.
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
We are Volunteers Fighting Disease, And we’re cheerful all day long. If someone said that we were sad, That person would be wrong. We visit people who are sick, And try to make them smile, Even if their noses bleed, Or if they cough up bile. Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon. We visit people who are ill, And try to make them laugh, Even when the doctor says He must saw them in half. We sing and sing all night and day, And then we sing some more. We sing to boys with broken bones And girls whose throats are sore. Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon. We sing to men with measles, And to women with the flu, And if you breathe in deadly germs, We’ll probably sing to you. Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
Whoever has been poor and lonely himself understands other poor and lonely people all the better. At least we should learn to understand our fellow beings, for we are powerless to stop their misery, their ignominy, their suffering, their weakness, and their death. One day Frau Wilke whispered, as she stretched out her hand and arm to me: "Hold my hand. It's like ice." I took her poor, old, thin hand in mine. It was cold as ice. Frau Wilke crept about her home now like a ghost. Nobody visited her. For days she sat alone in her unheated room. To be alone: icy, iron terror, foretaste of the grave, forerunner of unpitying death. Oh, whoever has been himself alone can never find another's loneliness strange. I began to realize that Frau Wilke had nothing to eat. The lady who owned the house, and later took Frau Wilke's rooms, allowing me to stay in mine, brought, of course in pity for her forsaken state, every midday and evening a cup of broth, but not for long, and so Frau Wilke faded away. She lay there, no longer moving: and soon she was taken to the city hospital, where, after three days, she died. One afternoon soon after her death, I entered her empty room, into which the good evening sun was shining, gladdening it with rose-bright, gay and soft colors. There I saw on the bed the things which the poor lady had till recently worn.... The strange sight of them made me unspeakably sad, and my peculiar state of mind made it seem to me almost that I had died myself, and life in all its fullness, which had often appeared so huge and beautiful, was thin and poor to the point of breaking. All things past, all things vanishing away, were more close to me than ever. For a long time I looked at Frau Wilke's possessions, which now had lost their mistress and lost all purpose, and at the golden room, gloried by the smile of the evening sun, while I stood there motionless, not understanding anything anymore.
Robert Walser (Berlin Stories)
How could it be, she wondered. How could it be that the simple act of having a child did this to you? Had every birth in the world ruined every woman in the world? Was this a secret they’d been keeping, or had she just not been listening? Underneath all the vacuous, cruel wisdom the women who saw her in her late stages of pregnancy imparted to her, most of which had to do with banking sleep or measuring every precious moment because it all goes so fast, were they really telling her to mark her personhood? The other women in her prenatal yoga class had kept up an email chain, and in their messages, she tried to discern that they, too, were terrified and violated and sad and broken, but they weren’t. Trust her, they just weren’t. They made jokes about how they were tired and it was a tragedy that one of them had had an epidural and it was a tragedy that one of them couldn’t produce enough milk for her baby and had to supplement with formula. She wanted to write back to tell them she couldn’t look in the mirror at herself. She wanted someone to understand how small she was now. She wanted to ask one of them if this was the real her—if the real her had been revealed to her suddenly that day in the hospital, or if she would somehow bounce back. Bouncing back was a language they understood: their vaginas needed to bounce back, their breasts needed to bounce back, would their abdomens ever bounce back. With a few small adjustments, these women would acclimate to life. They would recognize themselves. But would Rachel? Would Rachel bounce back? The entire phrase “bouncing back” seemed to her like it existed to make fun of her. There was no bouncing. There was no back.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
It Rained for Two Days Straight Yesterday, Ryan told me his grandfather was admitted to the hospital. It was raining the way it rains in the movies, like whoever does the dishes left the faucet running, heavy drops polishing everything in the city dark. We ran from one drooling awning to the next, quicker, then slower, quicker, slower. If one had watched from the sky, our bodies would have looked like two small needles being pulsed forward by some invisible machine, stitching the streets together. Today, Patric was left by a girl he did not love but did not not love. He told me it was impossible to imagine himself both alone and whole. It was still raining--the sky's silly metaphor for sadness, untimely, startling, the way it makes the whole world more honest. Death is like this, too. Heartache, also. The sudden absence of what was there but now not. I touched Patrick's shoulder, attempting to pass my human to his. I sent Ryan a poem. I cannot do more than this art of bearing witness, to be both the bucket and the mirror, to say, yes, you are here but I am here also, to say you won't be here forever, or to say nothing and just walk beside each other in the rain.
Sierra DeMulder (Today Means Amen)
With his child passed out on the couch, after arrests and drunk tanks and hospitalizations, Lynch, the undertaker and poet and essayist, looked at his dear addicted son with sad but lucid resignation, and he wrote: “I want to remember him the way he was, that bright and beaming boy with the blue eyes and the freckles in the photos, holding the walleye on his grandfather’s dock, or dressed in his first suit for his sister’s grade-school graduation, or sucking his thumb while drawing at the kitchen counter, or playing his first guitar, or posing with the brothers from down the block on his first day of school.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
Looking for this?” V held up a vial full of powder and tilted the thing back and forth, all tick-tock. “Mmm?” It was pathetic the way the fucker’s eyes latched on and bugged out. But V knew what that was like—how you needed the very burn you didn’t want, how it became all you could think of, how you withered from the not having of it. Thank God for Jane. Without her, he’d be walking that stretch of gnawing and ever-empty still. “And he doesn’t even deny how much he needs it,” V murmured as he approached the bed. Dayum, as the poor bastard reached out, it was clear that Assail’s hands were shaking too badly for him to hold on to anything. “Allow me, motherfucker.” Twisting the black top off, V turned the little brown bottle over and made a line down the inside of his own forearm. Assail took that shit like a pile driver, snorting half up one nostril, half up the other. Then he fell back against the hospital bed like he had a broken leg and his morphine drip had finally kicked in. And yup, from a clinical standpoint, it was a sad commentary on the SOB’s state that a stimulant like cocaine was bringing him down. But that was addiction for you. No damn sense. “Now, you want to try this again?” V muttered as he licked his arm clean and tasted bitterness. The buzz was not bad, either.
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
Don't worry," she whispered. "You're going to make it." "I know." His whisper came so quietly, and sounded so impossibly sad, that Luce wasn't sure she'd heard him right. Until then,she'd thought he was unconscious,but something in her voice seemed to reach him. His eyelids fluttered. Then, slowly, they opened. They were violet. The jug of water fell from her hands. Daniel. Her instinct was to crawl in next to him and cover his lips with kisses, to pretend he wasn't as badly wounded as he was. At the sight of her, Daniel's eyes widened and he started to sit up. But then the blood began to flow from his neck again and his face drained of all its color. Luce had no choice but to restrain him. "Shhh. She pressed his shoulders back against the stretcher, trying to get him to relax. He squirmed under her grip. Every time he did, bright new blood bloomed through the bandage. "Daniel,you have to stop fighting," she begged. "Please stop fighting. For me." They locked eyes for a long,intense moment=and then the ambulance came to an abrupt stop. The back door swung open. A shocking breath of fresh air flowed in. The streets outside were quiet, but the place had the feel of a big city,even in the middle of the night. Milan. That was where the soldier had said they were going when he assigned her to this ambulance. They must be at a hospital in Milan.
Lauren Kate (Passion (Fallen, #3))
So, therefore, that mortal man who hath more of joy than sorrow in him, that mortal man cannot be true--not true, or undeveloped. With books the same. The truest of all men was the Man of Sorrows, and the truest of all books is Solomon's, and Ecclesiastes is the fine hammered steel of woe. "All is vanity." ALL. This wilful world hath not got hold of unchristian Solomon's wisdom yet. But he who dodges hospitals and jails, and walks fast crossing graveyards, and would rather talk of operas than hell; call Cowper, Young, Pascal, Rousseau, poor devils all of sick men; and throughout a care-free lifetime swears by Rabelais as passing wise, and therefore jolly; not that man is fitted to sit down on tomb-stones, and break the green damp mould with unfathomably wondrous Solomon.
Herman Melville (Moby Dick)
For me, the biggest conflict with the surgery date was that it fell on the same day as Cole’s junior/senior formal at school. The formal had been a big night for Reed two years earlier, with the highlight being a special ring ceremony. Juniors receive their senior rings and ask two special people in their lives to turn the ring on their finger. Reed has asked me to be one of those two people for him, which was a special honor for me. If Cole wants me there, I will reschedule Mia’s surgery. “Cole, who are you planning on having turn your ring?” I asked. “I didn’t get a ring, Mom. I really don’t want one,” Cole replied. Seriously? I thought. Boy, are you your father’s son or what? “All I really care about is getting some really good pictures.” I knew Cole was telling me the truth. He is not about fanfare or rituals. But he did want to remember the night. “Absolutely! I’ll make sure we have plenty of pictures of you,” I exclaimed. As it turned out, I think he was the most photographed student that night. Since I could not be there in person, people texted, e-mailed, and tagged me on Facebook with pictures of him. Again, my friends and Cole’s friends’ parents did what they could to help us through this difficult time. Something as simple as taking pictures was priceless to me. Yes, Cole was completely fine with my not being at the formal, but he was also sad that he could not be at the hospital for Mia. I assured him that there’s never a good time for surgery, and he shouldn’t feel guilty about attending his event--all of us wanted him to go and have a great time.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
February 11: Andre de Dienes sends Marilyn a telegram calling her “Turkey Foot,” his nickname for her: “STOP FEELING SORRY FOR YOURSELF. GET OUT OF THE HOSPITAL. LET’S GO DRIVING AND HIKING THROUGH THE REDWOODS, INCOGNITO, AND TAKE BEAUTIFUL PICTURES LIKE NOBODY COULD EVER TAKE. IT WILL CURE YOU OF ALL YOUR ILLS. CALL ME UP. LOVE.” Nan Taylor, the wife of Frank Taylor, producer of The Misfits, writes to Marilyn: “It seems to me again, as it did last summer, very sad that we who have been given so much by you cannot give you even what little we might in return. You have my admiration for your courage, my gratitude for the many delights of charm and beauty and humor your presence has meant, and my deep sorrow for your troubles. I believe in your strength, Marilyn, as I believe in the sun. If at any time I can help in any way, please let me, Love, Nan.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Chapter 17   I was on my way from Rambam Hospital to Tiberias, when the news first came across the radio about a suicide bombing in Tel Aviv. Maggie was still at the Hematology  Ward. I tried to imagine how she felt listening to the news. Surely she was as shocked as everyone else. There in the ward, patients were fighting for their lives, and now in another place in the country, people had perished in seconds. The entire country was horrified by the horrible scenes that aired on all the media. Gradually, the magnitude of the disaster started to be known. A suicide bomber detonated a charge inside a bus, while travelers were going up and down the bus at the heart of the city. It was a few minutes before nine in the morning. There were over twenty dead and dozens wounded. At home, sitting in front of the TV, I watched the extensive coverage. This transition from the sick atmosphere of the hospital in the morning, to the atmosphere of the evening suicide bombing, was depressing. The TV coverage was painful and brought an atmosphere of sadness. I had a feeling that the broadcast intended to clarify to all the people who were still healthy  that their health would not help them. That their end could come just as it did to those victims of the terrorism act on the bus. People did not stop thinking about the event, and the harsh images which were shown repeatedly on the television. Reporters broadcasted from the scene in heightened excitement and everything was filmed live. It seemed that someone was afraid, lest, God forbid, there would be a single person in the country who did not watch this horror. It was appalling. It was one of the first suicide bombings in Israel, and perhaps one of the largest ones.
Nahum Sivan (Till We Say Goodbye)
In case you didn’t know
 I too went home after the ceremony
 And replayed the silent pauses of our failed encounter. I thought of a new clever thing I wish I said
 And you’ll never know it and I won’t know yours. In case you didn’t know
 I imagine weddings within the first hour of meeting you 
I felt your peek, but pretended not to look your way 
I looked you up online and now don’t know where to start That you whispered in my ear and I’ll masturbate
 To the once hot air on my neck. In case you didn’t know
 When I turned the corner, I cried. I thought I heard you, too. Maybe both our loved ones Share the same hospital. In case you didn’t know
 I wore bright colors and made the afternoon men laugh, But tonight I’ll drink to darkness because I have no one. They pay me well, but I only want that other thing— Your poetry, in case I didn’t know.
Kristian Ventura (The Goodbye Song)
My Voice by Paul Stephen Lynch Why was I born? What is my purpose here on this earth? Is there more out there after this life ends? At some point we all ask ourselves these questions. I can tell you with absolute certainty that for me, the answer to all three of these questions is… “I don’t know”. However, what I do know is that while I am here I am meant to learn from my mistakes, to grow through my pain, and to evolve. What will I be changed into? Again, I do not know. Perhaps I will become someone who is more courageous, more charitable, more peaceful, more dignified, more honest and more loving. I am very hopeful but nothing in life is guaranteed. Although, I have discovered that speaking from my heart and telling my truth is an integral part of my transformation. It is my voice. In those times in my life when I have experienced great pain – sadness, loss, conflict or depression – those have been the times that have brought me closest to this transformation. I recently realized that pain is one of the few things that seems to really get my attention and that I have spent a lot of my time just coasting down life’s path. Perhaps this is the reason why I seem to grow the most during the hard times, even though it often takes all the energy I can muster just to get through them. Quite a few years ago, while I was visiting a friend who was dying from AIDS, I saw a tapestry on the hospital wall that read: The Chinese word for “crisis” has two characters. One stands for danger; the other for opportunity. The times in my life that have been the most difficult have quite often proven to be my best opportunities for growth; to get closer to becoming the person I am meant to be. Of course, this doesn’t mean that painful circumstances ~ like HIV and AIDS ~ are good things or that they are in any way “all for the best” ~ or, that they even make any kind of sense. It just means that I know that there is always the possibility that something positive can ultimately come out of that which is incredibly bad. However, change does not happen in seclusion and I will likely need help from friends, family, teachers and even from people I do not know at all For me to continue moving closer to becoming the person I was born to be, I first needed to accept who I am. For me, that was relatively easy (easy does not mean painless mind you) and it happened at the unusually young age of twelve. The second step to transforming my life means I need to tell others the truth about who I am. I have been doing this ever since my personal acceptance occurred. As a result, I have learned that there will always be those people who cannot be trusted with the truth. There are also those who will simply never be able to understand my truth no matter what anyone says to them. However, others will hear the truth very clearly, understand it completely, and even care greatly. Moreover, I can hear, I understand, and I care. I have also learned that there are times when it is better to be silent. Sometimes words are just not necessary… Like when I am sharing with someone who already knows my heart. And then there are times when words are pointless… like when I have already spoken my truth to someone, yet they are simply not capable of hearing what it is that I am saying. This is when I need to find other ears. Sometimes, a silent sign of love is the best way, or even the only way that I can express myself. However, at those times, my silence is a choice that I am making. It is not being forced on me by fear or shame… and I will never let it be because… it is MY voice!
Paul S. Lynch
I spend a lot of free time—in California and when I’m traveling—visiting children’s hospitals. It makes me so happy to be able to brighten those kids’ day by just showing up and talking with them, listening to what they have to say and making them feel better. It’s so sad for children to have to get sick. More than anyone else, kids don’t deserve that. They often can’t even understand what’s wrong with them. It makes my heart twist. When I’m with them, I just want to hug them and make it all better for them. Sometimes sick children will visit me at home or in my hotel rooms on the road. A parent will get in touch with me and ask if their child can visit with me for a few minutes. Sometimes when I’m with them I feel like I understand better what my mother must have gone through with her polio. Life is too precious and too short not to reach out and touch the people we can. You know, when I was going
Michael Jackson (Moonwalk: A Memoir)
He pushed off from the bed against which he leaned. All signs of worry vanished from him. He forced a neutral expression onto his face. My Beast Lord. "Come," I whispered. He came over to my bed. "Closer . . ." He leaned in closer. It took all of my will. I lifted my hand and punched his jaw. It was the saddest punch on the planet. My fingers barely grazed his stubble and then my arm gave out and fell back on the bed. Curran blinked. "You looked sad," I explained. "Is this you trying to cheer me up?" "What are you . . . going . . . to do about it?" I asked. "Your Wussiness?" He touched his index finger to my forehead. His voice was rough. "Tap. You're out, Ass Kicker." "I leave you alone for five minutes and you're in here punching each other and playing grab-ass," Doolittle said from somewhere in the room. "I expect this from you, Kate, because you have no sense, but you, you should know better. Roughhousing in the hospital.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
You can't trust people, she said. Anytime you think you can, they just throw it back at you. Simon is the worst of all. You know what's wrong with him? I'm serious, it's called a martyr complex. He never needs anything from anyone, and he thinks that makes him a superior being. Whereas in reality, he just leads a sad stare on life, sitting alone in his apartment, telling himself what a good person he is. When I was really sick, I called him on the phone one night and he brought me to the hospital--that's all! And now I have to hear about it whenever I see him. What has he done with his life? Nothing. At least I can say I've contributed something to the world. And he thinks he's superior to me because he picked up the phone once. He goes around making friends with unstable people just so he can feel good about himself. Especially women, especially younger women. And if they have no money, that's even better! You know he's six years older than me? What has he done with his life?
Sally Rooney (Beautiful World, Where Are You)
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
James McBride (The Heaven & Earth Grocery Store)
If you can imagine this, perhaps you can understand that someone from another planet who came to visit us would have a similar experience with humans. But it isn’t our skin that is full of wounds. What the visitor would discover is that the human mind is sick with a disease called fear. Just like the description of the infected skin, the emotional body is full of wounds, and these wounds are infected with emotional poison. The manifestation of the disease of fear is anger, hate, sadness, envy, and hypocrisy; the result of the disease is all the emotions that make humans suffer. All humans are mentally sick with the same disease. We can even say that this world is a mental hospital. But this mental disease has been in this world for thousands of years, and the medical books, the psychiatric books, and the psychology books describe the disease as normal. They consider it normal, but I can tell you it is not normal. When the fear becomes too great, the reasoning mind starts to fail and can no longer take all those wounds with all the poison. In the psychology books we call this a mental illness. We call it schizophrenia, paranoia, psychosis, but these diseases are created when the reasoning mind is so frightened and the wounds so painful, that it becomes better to break contact with the outside world. Humans live in continuous fear of being hurt, and this creates a big drama wherever we go. The way humans relate to each other is so emotionally painful that for no apparent reason we get angry, jealous, envious, sad. To even say “I love you” can be frightening. But even if it’s painful and fearful to have an emotional interaction, still we keep going, we enter into a relationship, we get married, and we have children. In order to protect our emotional wounds, and because of our fear of being hurt, humans create something very sophisticated in the mind: a big denial system. In that denial system we become the perfect liars. We lie so perfectly that we lie to ourselves and we even believe our own lies. We don’t notice we are lying, and sometimes even when we know we are lying, we justify the lie and excuse the lie to protect ourselves from the pain of our wounds.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship (A Toltec Wisdom Book))
She sits in the hospital, awake in the silent night, People don’t say ‘Merry Christmas,’ they ask, “Will you be alright? It is so sad   you can’t be home at this special time”, But as she reads her Bible, tears come to her eyes,   She is reminded of why Christ was born, He came to comfort those who mourn, And He came to die that we might have life His light is so much brighter than all of the Christmas lights.   So if you’re alone in the silent night, And you feel you’ve gone too far and things can’t be made right, If holiday cheer, makes your sadness clear, Remember why we celebrate this time of year,   And be reminded of why Christ was born He came to comfort those who mourn, He came to die that we might have life Oh His light is so much brighter than all of the Christmas lights.   She lies in the hospital, wrapped with love in the silent night, For she is not alone, Jesus is by her side. He didn’t come for all the holly and all of the mistletoe, He came for us so we will never be alone.   So be reminded of why Christ was born He came to comfort those who mourn, And He came to die that we might have life His light is so much brighter than all of the Christmas lights.
Karen Anna Vogel (Knit Together: Amish Knitting Novel (Prequel to Amish Knitting Circle Series))
I pulled the sheet off their faces. Their faces were black with coal dust and didn't look like anything was wrong with them except they were dirty. The both of them had smiles on their faces. I thought maybe one of them had told a joke just before they died and, pain and all, they both laughed and ended up with a smile. Probably not true but but it made me feel good to think about it like that, and when the Sister came in I asked her if I could clean their faces and she said, "no, certainly not!" but I said, "ah, c'mon, it's me brother n' father, I want to," and she looked at me and looked at me, and at last she said, "of course, of course, I'll get some soap and water." When the nun came back she helped me. Not doing it, but more like showing me how, and taking to me, saying things like "this is a very handsome man" and "you must have been proud of your brother" when I told her how Charlie Dave would fight for me, and "you're lucky you have another brother"; of course I was, but he was younger and might change, but she talked to me and made it all seem normal, the two of us standing over a dead face and cleaning the grit away. The only other thing I remember a nun ever saying to me was, "Mairead, you get to your seat, this minute!
Sheldon Currie (The Glace Bay Miners' Museum: The novel)
Don’t cry Meg. It’s not that bad.” “It’s not that bad? Ha! I’m thirty years old, with two black eyes, a swollen nose, a big, honking, yellow knot on my forehead, and the haircut from hell. As if that isn’t enough, I had a transvestite in my bed this morning, my husband is a lying, cheating, cradle robbing, bastard, who at some point slept with my best friend.” Jack scooted over to the middle of the seat, and stopped listening to his head and wrapped his arms around her. Big mistake! From inside, four faces were pressed to the window. “My last orgasm-with a partner- was…hell I can’t remember when! I frequently knock myself out for entertainment purposes, I have little boobs, big feet, squishy panties, nosy neighbors and demon possessed fish. God hates me!” Jack held her tighter. “I have frequent flyer miles at the hospital. I fed my husband marijuana Ex-lax brownies and shoved a marble up his butt.” Jack pulled away to look at her and she was serious. And crying. Big, sad, alligator tears that made his heart swell. “My mother is a holy rolling, Catholic Dr. Ruth, complete with condoms and Rosary beads. I write about relationships and sex, both of which I suck at and I hired a Private Investigator to pimp me out.” Jack burst out laughing and she pushed him away and swatted his shoulder. “And now you’re laughing at me. Could things get any worse?
Amy Johnson
What is my life for and what am I going to do with it? I don’t know and I’m afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that’s why I want to be everyone – so no one can blame me for being I. So I won’t have to take the responsibility for my own character development and philosophy. People are happy – – – if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges – no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people “find themselves.” But the very content that comes from finding yourself is over-shadowed by the knowledge that by doing so you are admitting you are not only a grotesque, but a special kind of grotesque.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Pastor Ray O. Jones stated his feelings well as he wrote of a conversation he had with a nine-year–old boy. * The youngster had asked him, “What's it like to be a preacher?” Pastor Jones replied: “Being a pastor is something like many other tasks in life, and yet it is unlike anything else in all the world. It's being loved and unloved, wanted and unwanted, understood and misunderstood. It's joy and sadness. It's heaven—and just to be honest—a bit of hell at times. “My job keeps me in touch with birth and death, love and hate. As a pastor, I must be able to go from death to birth in a moment's notice. It's like talking with a drunken bum one minute and counseling with a beauty queen the next. It's climbing the stairs of a hospital wondering how many times I've climbed them before and how much—or how little—I've helped someone in pain. “It's someone saying, ‘If it hadn't been for you.’ It's walking across a lonely graveyard after a funeral and wondering about the old man you buried. It's picking a man up out of the gutter when no one seems to care and telling him God cares, that God loves him and sent Christ into the world to die for his sins. “There is no joy comparable to that of being a pastor. The heartaches and sorrows at times overwhelm us as shepherds of God's people, but the joy of serving, loving, and sharing with the people of God more than compensate for the hard and difficult hours.
Howard B. Foshee (Now That You're a Deacon)
Fear manifested itself as a physical presence that seemed to dominate the public sphere. Time almost stopped. Even without confirmation I could sense that something had gone terribly wrong.
Phindiwe Nkosi (Behind the Hospital)
Cheap And Cheerful I'm bored of cheap and cheerful I want expensive sadness Hospital bills, parole Open doors to madness I want you to be crazy 'Cause you're boring baby when you're straight I want you to be crazy 'Cause you're stupid baby when you're sane I'm sick of social graces Show your sharp tipped teeth Lose your cool in public Did the legal meet 'Cause love is just a dialogue You can't survive on ice-cream You got the same needs as a dog It's alright (it's alright) To be mean (to be mean) It's alright (it's alright) To be mean (to be mean) I want you to be crazy 'Cause you're boring baby when you're straight I want you to be crazy 'Cause you're stupid baby when you're sane It's alright (it's alright) To be mean (to be mean) It's alright (it's alright) To be mean (to be mean) It's alright (it's alright) To be mean (to be mean) It's alright (it's alright) To be mean (to be mean) I want you to be crazy 'Cause you're boring baby when you're straight I want you to be crazy 'Cause you're stupid baby when you're sane I want you to be crazy 'Cause you're boring baby when you're straight I want you to be crazy 'Cause you're stupid baby when you're sane
The Kills
Am I too serious, Diary? What else is wrong with me besides stating the obvious, that I am following head on into my father's footsteps? When my father was sick to death of life and his own was coloured with pale sadness and illness, he too went to the hospital for a 'rest'.
Abigail George
Today was a day to face that very temptation. A family who had become dear friends had left the church with no warning or explanation. Not even good bye. When they were missing on that first Sunday, we didn’t realize that they had removed themselves from our church. We thought maybe someone was sick or an alarm clock didn’t go off or something simple. If it had been something serious, they would have called us, of course. We had done so much for them and with them. We rejoiced when they rejoiced, we cried when they cried, we prayed with them, we prayed for them, we loved them and felt as if they loved us in return. Of course, one Sunday turned to two, and then three. I mentioned to Michael that I had called and left a message. He told me that he had the same thought as well. He had left a message and sent a card. We felt sad as the realization sank in: they had left the church. People don’t know how to leave a church, and many pastors don’t take such a loss graciously. In all our determinations about pastoring, we had considered the possibility of losing members, but this family was the first. It was time for a lesson for all of us, and I felt the Lord tugging at my spirit. I was to take the first step. Sunday afternoon, Michael taking a nap, kids playing games in their room... Now was as good a time as any. I got into my car and headed toward their house. Suddenly nervous, I sat in the driveway for a minute at first. What was I doing here again? Pastor’s wives don’t do this. I had been around pastor’s wives all my life. Since sensing my call to full time ministry at eighteen, I had been paying close attention to them, and I had never seen one of them do this. I got my words together. I needed an eloquent prayer for such a moment as this one: “Lord, help” (okay, so it wasn’t eloquent). I remembered a verse in Jeremiah: “I, the LORD, search the heart, I test the mind, Even to give every man according to his ways, According to the fruit of his doings” (17:10). The Lord knew my heart, and He understood. In this situation, I knew that I had opened myself up to Him. In this situation, I knew that my heart was pure before Him. All of a sudden, my courage returned. I opened the car door and willed myself toward the front porch. As I walked up the driveway, I also thought about Paul’s warning which I had read earlier that morning: “they failed to reach their goal... because their minds were fixed on what they achieved instead of what they believed” (Romans 9:31-32). This family was not my achievement; they were the Lord’s creation. What I believed was that I had been right in opening my heart to them. What I believed was that Michael and I had been faithful to the Lord and that we had helped this family while they were in our flock. I had not failed to reach my goal thus far, and I felt determined not to fail now. This front porch was not unfamiliar to me. I had been here before on many occasions, with my husband and children. Happy times: dinners, cook-outs, birthdays, engagement announcements, births.... Sad times as well: teenaged child rebelling, financial struggles, hospital stays or even death .... We had been invited to share heartache and joy alike. No, “invited” is the wrong word. We were needed. We were family, and family comes together at such times. This afternoon, however, was different. I was standing on this familiar front porch for a reason that had never brought me here before: I came to say good bye. On this front porch, I knocked on the door. This family had been with us for years, and we had been with them. Remembering how this family had helped and blessed our congregation, I quietly smiled. Remembering how they had enriched our personal lives with their friendship and encouragement, I could feel the tears burning behind my eyes. We would miss them. Remembering all that we had done for them, I wondered how they could leave with no word or even warning. Just stopped coming. Just
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
February 2 Donna Made a Difference Whatever you do, do it all for the glory of God.—1 Corinthians 10:31b Donna’s big brown eyes and sweet smile were like magnets drawing people to her. Her face had a glow that just can’t be described. Donna and I became good friends after meeting each other in a Bible study several years ago. My dear friend battled cancer for four years. She lost her battle, one day past her fifty-second birthday. Donna lived to glorify God. She always put God and others first in her life. Donna never complained about her years of suffering. When I telephoned her to see how she was doing, she always blessed me more than I blessed her. Donna never missed an opportunity to tell others the good news of Jesus Christ. Because her face glowed with God’s love, people listened to her. She shared the good news of Jesus to waitresses, to physicians, to nurses, to hospital employees. Instead of being consumed with her sad situation, she was concerned about others knowing how to have eternal life. Many people will be in heaven because Donna made a difference. I want to be more like Donna—patient, kind, uplifting, and always ready to tell someone about Jesus Christ. She was his faithful servant. She studied the Word, she claimed the Word, she lived the Word, and she shared the Word. Christians have the responsibility of representing Christ in all we do. We all need to be more like Donna. She did everything in the name of her Lord Jesus. She lived as Christ’s ambassador while on this earth. Today’s Scripture tells us that we should do everything for the glory of God. Glorifying God means that we give honor and praise to God. It means that we recognize His power and His importance. A good question that we might ask ourselves as a guiding principle is this: Will these words or this action bring glory to God? Do you make a difference?
The writers of Encouraging.com (God Moments: A Year in the Word)
For example, nowhere in the city of seventy thousand people did I find a single functioning school. Nor did I find any hospital seeking to provide care for the many people dying of disease and starvation. Everywhere my friends took me, their tour-guide spiel sounded sadly the same: “A school used to be here, that building over there used to be a hospital, this was where the police station was, a store used to be here, a sports field used to be there.” As I listened to this repeated refrain, I asked myself, In a place where so many of the things basic to life have to be spoken of in the past tense, is there any hope to turn things around and get to the future tense?
Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
When I was drafted into the army in April 1984, I was a nineteen-year-old boy. The club where they took us was a distribution centre. Officers came there from various military units and picked out the soldiers they wanted. My fate was decided in one minute. A young officer came up to me and asked, “Do you want to serve in the commandos, the Blue Berets?” Of course I agreed. Two hours later I was on a plane to Uzbekistan (a Soviet republic in Central Asia), where our training base was located. During the flight, I learned most of the soldiers from this base were sent to Afghanistan. I wasn’t scared. I wasn’t surprised. At that point I didn’t care anymore because I understood that it is impossible to change anything. ‘To serve in the Soviet army is the honourable duty of Soviet citizens” – as it’s written in our Constitution. And no one gives a damn whether you want to fulfil this “honourable duty” or not. But then I didn’t know anything about Afghanistan. Up until 1985, in the press and on television, they told us that Soviet soldiers in Afghanistan were planting trees and building schools and hospitals. And only a few knew that more and more cemeteries were being filled with the graves of eighteen- to twenty-year-old boys. Without the dates of their death, without inscriptions. Only their names on black stone … At the base we were trained and taught to shoot. We were told that we were being sent to Afghanistan not to plant trees. And as to building schools, we simply wouldn’t have the time … Three and a half months later, my plane was landing in Kabul, the capital of Afghanistan … We were taken to a club on base. A few minutes later, officers started to come by and choose soldiers. Suddenly, an officer with a smiling face and sad eyes burst in noisily. He looked us over with an appraising glance and pointed his finger at me: “Ah ha! I see a minesweeper!” That’s how I became a minesweeper. Ten days later, I went on my first combat mission.
Vladislav Tamarov (Afghanistan: A Russian Soldier's Story)
As the sun set, I ate a hospital meal and watched TV. Every few minutes, I glanced at the girl on the bed and tried to see Raven. I struggled to remember her smile and laugh. With her face so swollen, she didn’t seem like my love. I worried I’d lost her because I brought Caleb to Ellsberg. Eventually, the nurse showed me how to turn the chair into a pull out bed. I thanked her, but the thing was too damn small for me to fit on. Besides, I didn’t want to sleep until Raven woke up. Finally, I gave into my weird little urge to kiss the sleeping beauty. I needed to know she was okay. Know she wanted me to stay because she still loved me. I felt nervous until her swollen lips twitched into a smile after my kiss. “Tell me a story,” she mumbled while gripping my shirt with her good hand and tugging me into the bed with her. I adjusted our bodies just enough for me to rest next to her. While the position wasn’t comfortable, I finally relaxed at knowing my woman wanted me close. Caressing her battered face with my fingers, I loved how she smiled for me. Even in pain and after a hellish day, she soothed my fears. “Once upon a time,” I said and she smiled again, “there was a lonely fool who wasted one day after another of his life. One day, he met the most fascinating chick and she quickly wrapped the fool around her finger. She loved him in the best way and saved him from himself. He loved her too and only wanted for her to be happy and safe.” Hesitating, I frowned at the sight of her suffering. As if knowing what I was thinking, she reached up and ran a finger of my lips. “More.” “After the evil… let’s call them gnomes because I hate those ugly little fuckers. So, once the gnomes were destroyed, the fool and his lovely savior bought a big house for all the beautiful blond babies they would have together.” As Raven smiled at this idea, my uneasiness faded. “Their kids all had names with a V in them to honor their hot parents.” Raven laughed then moaned at the gesture. Still, she kept smiling for me. “The fool, his beautiful woman, and their army of glorious babies played videogames, bowled, and roller skated. They were always happy and never sad in a town with their friends and family. They all lived happily ever after.” Raven swollen lips smiled enough to show her missing tooth. Even though she was essentially blind with her battered eyes, she knew I’d seen her mouth and covered it with her hand. “You’re beautiful, darling. Nothing will ever change that.” Raven grunted, unconvinced. “There’s more to love about you than your beauty.” Another grunt followed by a hint of a pout. “Sugar, if I got all banged up and my stunning good looks were damaged, you’d still love me, right?” Raven laughed, but said nothing, so I answered for her. “Of course, you would. My amazing personality and giant brain would keep you horny even if my hot body wasn’t at its best.” Laughing harder now, Raven leaned against me. “I liked your story.” “Unlike most fairytales, this one is coming true.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
In the desert. How you looked at your father. Not looking to see him, but to see if he was paying attention. He was focused on Bud and his lawyer and me, so you would say something outrageous to get his attention. You needed to have him see you.” She glanced out the window. “I don’t care if he sees me or not.” “Not now maybe, but once. You wouldn’t need it so badly if you didn’t care.” She looked back at him, and now the line between her brows had softened. “And you can see all that by watching me?” “By seeing you. There’s a difference.” “And how is it you see so clearly?” Pike thought about whether or not he wanted to answer. Pike was a private man. He never talked about himself, and didn’t care much for people who did, but he figured the girl had a right to ask. “My folks and I would be watching TV, my mom and dad and me, or we’d be eating, and something would set him off. My old man would knock the hell out of me. Or her. I learned to watch for the signs. How his shoulders bunched, the way his lips pressed together, how much booze he poured. Half an inch more in the glass, he was ready to go. Little things tell you. You see them, you’re okay. You miss them, you go to the hospital. You learn to watch.” She was silent, and when Pike glanced over, her face was sad.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Inside, it could have been any hospital in the world, with attentive orderlies and wide, clean halls. Still, a sense of lingering sadness clung to the bricks, the strange sick smell of frustration and mental decay. I wasn’t sure if it was the weight of over a century of madness, festering and breeding in the shadows, or just my own personal demons reminding me they were never far away.
Craig Schaefer (The Long Way Down (Daniel Faust, #1))
An incident that spring involving our other London baby-sitter, Beth Chapman, illustrated how tenderhearted and thoughtful Diana always was. Nanny Chapman had been losing weight drastically that past fall, and we learned early in 1981 from her daughter, Penny Portlock of Norwich, that Nanny Chapman had terminal cancer. Penny wrote us that her mother was so proud to have “shared a baby” with the future Princess of Wales. Diana and Mrs. Chapman had met a few times when baby-sitting shifts switched over late in the day. I mentioned this sad situation in a letter to Diana, who promptly wrote to Nanny Chapman at her nursing home and sent a personalized photograph as well. Soon after, Penny informed us, sadly, of her mother’s death and told us that Diana’s letter and photograph had made her mother the envy of her hospital ward and had greatly brightened her mother’s final weeks. I then wrote to Diana to thank her for her kindness.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
and carefree. It is so good to have Greg back with us again, breathing the salty air, experiencing the breeze on his face. We spend at least an hour on that beach. Almost back at the car, Greg stops at a wooden bench that looks out onto the strand. ‘Let’s sit for a while.’ My stomach tightens. Greg settles at one end of the bench, Toby on his lap, Rachel next to them. I’m at the other. Bookends. ‘Guys,’ Greg says. ‘I want to explain why I’m in hospital.’ ‘It’s OK, Dad. We know,’ says Toby. ‘You’re exhausted.’ ‘Well, it’s a little more than that.’ He takes a breath. ‘I have a sickness that makes me sad sometimes. Other times it makes me very excited.’ They take time to digest that. Toby is first to speak. ‘But it’s OK to be sad, Dad. You said.’ He looks at Greg for confirmation. ‘I did. And it’s OK to cry when something happens to make you sad.’ ‘Yeah, you’re always telling us that.’ ‘It’s just that if there’s no reason to be sad and you’re sad anyway – all the time – well, that’s not good, is it?’ Toby shakes his head wildly. ‘No, that’d be…sad.’ ‘And not good,’ says Greg. ‘No,’ agrees Toby. Rachel’s quiet. Taking it all in. ‘And it’s OK to get excited too,’ continues Greg. ‘Lots of things are exciting…’ ‘Like Christmas and birthdays and fireworks and when you get onto the next level in a game.’ ‘Exactly.’ Greg smiles. ‘But being hyper isn’t good.’ ‘No.’ Toby shakes his head again. ‘When you have Coke or Skittles or something you get hyper. And that’s not good ‘cause you go bananas. Isn’t that right, Dad?’ ‘Yes, son.’ Greg kisses the top of his head. ‘But you eventually go back to normal, don’t you?’ ‘Yeah.’ Rachel, eyes fixed on her father, is oblivious to the breeze whipping her hair across her face. ‘Well,’ says Greg. ‘I have a sickness that makes me hyper for weeks. And that’s not good.’ ‘No.’ Toby squints. ‘Why not, again?’ ‘Well, it can make me do silly things, and can make
Aimee Alexander (The Accidental Life of Greg Millar)
Have you seen the tacky shit they sell in hospital gift shops? The worst of the bunch has a picture of Eeyore with a thought bubble floating over his mopey, sad-fuck donkey face: "After all, one can't complain. I have my friends.
J. C. Carleson
Visiting someone in a hospital recently, I watched an elderly couple. The man was in a wheelchair, the wife sitting next to him in the visitor's room. For the half-hour that I watched they never exchanged a word, just held hands and looked at each other, and once or twice the man patted his wife's face. The feeling of love was so thick in that room that I felt I was sharing in their communion and was shaken all day by their pain, their love, something sad and also joyful: the fullness of a human relationship.
Eda LeShan
Oh, God! It was Carl, the sad-looking, lonely hospital orderly.
Francine Pascal (Kidnapped! (Sweet Valley High Book 13))
Are Christians victims of this post-Christian world? No. Sadly, Christians are coconspirators. We embrace modernism’s perks when they serve our own lusts and selfish ambitions. We despise modernism when it crosses lines of our precious moralism.
Rosaria Champagne Butterfield (The Gospel Comes with a House Key: Practicing Radically Ordinary Hospitality in Our Post-Christian World)
When you see her, it is like an avalanche. You are staggered, blown away, your heart beating furiously in your chest. When you see her, your memories come tumbling down, crushing you beneath their weight. When you see her, you remember all that you have lost and that again, you have lost. You see her and you see the cancer eating away at her intestines, her hollow cheeks, her bloodshot eyes. You hear your arguments about money, about chemotherapy, about her family. You smell blood, and the antiseptic air of a hospital. You see her at age thirty-seven, her long chestnut hair windblown, her green eyes sad, her mouth open in an “o” of astonishment. There is no happiness in her face. You see her and you cannot say a word.
Su-Yee Lin (Thirteen Steps in the Underworld)
Dr. Lana says again. “It’s the very last thing we expected. The first 24 hours after surgery are always critical, but he seemed to be doing well. We thought he was going to make it. We are just all so very, very sorry.” There is a moment of silence. Everyone looks so sad. “He’s coming back to me. He’ll reincarnate,” They stare at me. “And he’ll be a Shih Tzu again. I don’t know if he’ll be a boy or a girl. I don’t know what he’ll look like, either. But I know he’s coming back to me.” I’m as astonished as they are. I can’t believe I’ve said such a thing out loud. Their expressions don’t change. They don’t disagree, or even argue. Of course, I think, they’re professionals. This is a veterinary hospital. They’re having to deal with this all the time. Animals come here because they’re hurt or sick, and some of them don’t make it. Most likely, they think I’m in denial. That’s the first stage of the grief process – denial.
Gail Graham (Will YOUR Dog Reincarnate?)
She seemed sad and wise beyond her years. All the giddy experimentation with sex, recreational drugs, and revolutionary politics that was still approaching its zenith in countercultural America was ancient, unhappy history to her. Actually, her mother was still in the midst of it—her main boyfriend at the time was a Black Panther on the run from the law—but Caryn, at sixteen, was over it. She was living in West Los Angeles with her mother and little sister, in modest circumstances, going to a public high school. She collected ceramic pigs and loved Laura Nyro, the rapturous singer-songwriter. She was deeply interested in literature and art, but couldn’t be bothered with bullshit like school exams. Unlike me, she wasn’t hedging her bets, wasn’t keeping up her grades to keep her college options open. She was the smartest person I knew—worldly, funny, unspeakably beautiful. She didn’t seem to have any plans. So I picked her up and took her with me, very much on my headstrong terms. I overheard, early on, a remark by one of her old Free School friends. They still considered themselves the hippest, most wised-up kids in L.A., and the question was what had become of their foxy, foulmouthed comrade Caryn Davidson. She had run off, it was reported, “with some surfer.” To them, this was a fate so unlikely and inane, there was nothing else to say. Caryn did have one motive that was her own for agreeing to come to Maui. Her father was reportedly there. Sam had been an aerospace engineer before LSD came into his life. He had left his job and family and, with no explanation beyond his own spiritual search, stopped calling or writing. But the word on the coconut wireless was that he was dividing his time between a Zen Buddhist monastery on the north coast of Maui and a state mental hospital nearby. I was not above mentioning the possibility that Caryn might find him if we moved to the island.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
Children need communication at times even as horrible as these, but it must be judicious communication. Do not mention suicidal thoughts or gestures. Just something simple. “Mommy is sick. She is very sad. She needs to go to the hospital. She will get better and be home soon. The doctors will take good care of her.” Even telling children that “Mommy has a brain disorder” is better than saying nothing, or than saying that her heart hurts.
Kathryn Greene-McCreight (Darkness Is My Only Companion: A Christian Response to Mental Illness)
Sadly, in nursing, and particularly in hospital nursing, you meet people during some of the most profound moments in their lives, and then they are gone from you for ever.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
You‟re your own opera, your own sad mime Laugh at yourself-you‟re funny Smile at yourself-your life is sunny Cry when you hurt-only you can feel it Snivel and mope-you‟ll deaden it Be your own hospital, your therapist Your own developer, your industrialist No one will stretch out and save You‟re the best you are, you‟re all you have.
Muziwandile Mahlangu (Deep from the Deep)
I don't think my friends back then even knew the extent of my sadness and depression. They didn't know how all-consuming my mom's Alzheimer's was for me. It wasn't like she was getting noticeably worse by the day. It wasn't like something bad or scary was happening to her every day. She had never been in the hospital because of her Alzheimer's. It wasn't like she was going to die tomorrow. But, I thought about her Alzheimer's all day, every single day.
Lauren Dykovitz (Learning to Weather the Storm: A Story of Life, Love, and Alzheimer's)
Το νοσοκομείο ειναι το βασίλειο του πόνου, της θλίψης , του θύμου ακόμα και της συγκατάβασης. Εδώ όλοι έρχονται γιατί υποφέρουν, και λαχταρούν να λυτρωθούν.
Γιόλα Δαμιανού-Παπαδοπούλου (Η ζωή είναι αγάπη)
How pleasant they were, those jolly college days! As I think of them, many kindly faces and joyous voices rise before me! Where are they all? Some lying with the colours on their breast beside the Euxine Sea, and along the line of the Pacific; some struck down by the assassin’s knife in the temples at Cawnpore; some sleeping beneath the sighing of the Delhi palms, or of the sad Atlantic waves; some wasting classic eloquence on country hinds, in moss-grown village churches; some fighting the great fight, between science and death, in the crowded hospital-wards of London; some wearing honour, and honesty, and truth from their hearts, in the breathless, up-hill press of the great world; — all of them, living or dead, scattered far away over the earth, since those old days, in the shadow of the academic walls!
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))