Horses Teach Us Quotes

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Isn’t it funny how we make rational excuses for being out of alignment? We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.” Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result. There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it? Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves! Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go! Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it. I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
When we encounter a friend who's depressed or afraid, we automatically try to take that distress away and to cheer the person up. While we may be operating with the best of intentions, this Band-Aid approach only reinforces the condition. Unless people experience their pain completely and begin to undrstand it, they will not only fail to overcome it, they'll also lose the opportunity of using it to advance their own growth. Pain can get you somewhere, and that somewhere can be a life-enhancing experience. We all tend to forget that pain can signal change. Alleviating the symptoms of pain in someone, without helping them to get at its underlying source, robs them of an important to for self-exploration. It's also a way of placating that reinforces the person'S need to cave in and succumb to another. This attitude undermines healthy character development and contributes to psychospiritual, moral, and ultimately social decay.
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
I ask you to come down to earth," said the Baron in a calm, rather faint voice, "and to take up the duties of your station!" "I have no intention of obeying you, my Lord Father," said Cosimo. "I am very sorry." They were ill at ease, both of them, bored. Each knew what the other would say. "And what about your studies? Your devotions as a Christian?" said the father. "Do you intend to grown up like an American Savage?" Cosimo was silent. These were thoughts he had not yet put to himself and had no wish to. Then he exclaimed: "Just because I'm a few yards higher up, does it mean that good teaching can't reach me?" This was an able reply too, though it diminished, in a way, the range of his gesture; a sign of weakness. His father realized this and became more pressing. "Rebellion cannot be measured by yards," said he. "Even when a journey seems no distance at all, it can have no return." Now was the moment for my brother to produce some other noble reply, perhaps a Latin maxim, but at that instant none came into his head, though he knew so many by heart. Instead he suddenly got bored with all this solemnity, and shouted: "But from the trees I can piss farther," a phrase without much meaning, but which cut the discussion short. As though they had heard the phrase, a shout went up from the ragamuffins around Porta Capperi. The Baron of Rondo's horse shied, the Baron pulled the reins and wrapped himself more tightly in his cloak, ready to leave. Then he turned, drew an arm out of his cloak, pointed to the sky, which had suddenly become overcast with black clouds, and exclaimed: "Be careful, son, there's Someone who can piss on us all!"...
Italo Calvino
When you say you want all peoples to unite, you really mean that you want all peoples to unite to learn the tricks of your people. If the Bedouin Arab does not know how to read, some English missionary or schoolmaster must be sent to teach him to read, but no one ever says, 'This schoolmaster does not know how to ride on a camel; let us pay a Bedouin to teach him.' You say your civilisation will include all talents. Will it? Do you really mean to say that at the moment when the Esquimaux has learnt to vote for a County Council, you will have learnt to spear a walrus? I recur to the example I gave. In Nicaragua we had a way of catching wild horses—by lassooing the fore feet—which was supposed to be the best in South America. If you are going to include all the talents, go and do it. If not, permit me to say what I have always said, that something went from the world when Nicaragua was civilised.
G.K. Chesterton (The Napoleon of Notting Hill)
As I pass through my incarnations in every age and race, I make my proper prostrations to the Gods of the Market Place. Peering through reverent fingers I watch them flourish and fall, And the Gods of the Copybook Headings, I notice, outlast them all. We were living in trees when they met us. They showed us each in turn That Water would certainly wet us, as Fire would certainly burn: But we found them lacking in Uplift, Vision and Breadth of Mind, So we left them to teach the Gorillas while we followed the March of Mankind. We moved as the Spirit listed. They never altered their pace, Being neither cloud nor wind-borne like the Gods of the Market Place, But they always caught up with our progress, and presently word would come That a tribe had been wiped off its icefield, or the lights had gone out in Rome. With the Hopes that our World is built on they were utterly out of touch, They denied that the Moon was Stilton; they denied she was even Dutch; They denied that Wishes were Horses; they denied that a Pig had Wings; So we worshipped the Gods of the Market Who promised these beautiful things. When the Cambrian measures were forming, They promised perpetual peace. They swore, if we gave them our weapons, that the wars of the tribes would cease. But when we disarmed They sold us and delivered us bound to our foe, And the Gods of the Copybook Headings said: "Stick to the Devil you know." On the first Feminian Sandstones we were promised the Fuller Life (Which started by loving our neighbour and ended by loving his wife) Till our women had no more children and the men lost reason and faith, And the Gods of the Copybook Headings said: "The Wages of Sin is Death." In the Carboniferous Epoch we were promised abundance for all, By robbing selected Peter to pay for collective Paul; But, though we had plenty of money, there was nothing our money could buy, And the Gods of the Copybook Headings said: "If you don't work you die." Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew And the hearts of the meanest were humbled and began to believe it was true That All is not Gold that Glitters, and Two and Two make Four And the Gods of the Copybook Headings limped up to explain it once more. As it will be in the future, it was at the birth of Man There are only four things certain since Social Progress began. That the Dog returns to his Vomit and the Sow returns to her Mire, And the burnt Fool's bandaged finger goes wabbling back to the Fire; And that after this is accomplished, and the brave new world begins When all men are paid for existing and no man must pay for his sins, As surely as Water will wet us, as surely as Fire will burn, The Gods of the Copybook Headings with terror and slaughter return!
Rudyard Kipling
This got me thinking of how animals define beauty versus us humans and how drastically different these opinions are. Animals don’t see beauty or judge us based on it. If a cat is comfortable with you and trusts you, it does not care what you look like. You could have a missing eye or two missing eyes or a freakish pimple on your face, and the horse you are riding or brushing will not care one bit. Animals teach us the meaning of beautiful every day. Do you take the time to listen?
Jaycee Dugard (Freedom: My Book of Firsts)
I did not know death then, that he is no more to be feared than the man on the black horse. He can be kind, time teaches us. He will lend a hand. Grace is his comrade, memory his foe. In the end he prevails, but triumphs not, so long as we remember.
Glendon Swarthout (The Melodeon)
we have all, at some time or another, been guilty of mercilessness. Our own evil is a fact we often choose to ignore. Evil is not just "out there" but is the shadow Carl Jung described as lurking within every human. Whether we like it or not, it is our legacy, part and parcel of the human package. To step outside of our comfort zones and admit this takes courage, but without this sobering recognition we're more likely to lose our capacity for compassion, humility and forgiveness. If we lose our awareness of this side of our own nature, we risk becoming slaves to our own dark side. What goes unacknowledged in us has a tendency to grow larger. Tenderness and compassion are qualities we must cultivate and never take for granted. This alone would make the world a better place by far. We
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
What’s left for us to prize? I think it’s this: to do (and not do) what we were designed for. That’s the goal of all trades, all arts, and what each of them aims at: that the thing they create should do what it was designed to do. The nurseryman who cares for the vines, the horse trainer, the dog breeder—this is what they aim at. And teaching and education—what else are they trying to accomplish? So that’s what we should prize. Hold on to that, and you won’t be tempted to aim at anything else. And if you can’t stop prizing a lot of other things? Then you’ll never be free—free, independent, imperturbable. Because you’ll always be envious and jealous, afraid that people might come and take it all away from you. Plotting against those who have them—those things you prize. People who need those things are bound to be a mess—and bound to take out their frustrations on the gods. Whereas to respect your own mind—to prize it—will leave you satisfied with your own self, well integrated into your community and in tune with the gods as well—embracing what they allot you, and what they ordain.
Marcus Aurelius (Meditations)
There is a story in Zen circles about a man and a horse. The horse is galloping quickly, and it appears that the man on the horse is going somewhere important. Another man, standing alongside the road, shouts, "Where are you going?"and the first man replies, "I don't know! Ask the horse!" This is also our story. We are riding a horse, we don't know where we are going, and we can't stop. The horse is our habit energy pulling us along, and we are powerless. We are always running,and it has become a habit. We struggle all the time, even during our sleep. We are at war within ourselves, and we can easily start a war with others. We have to learn the art of stopping.
Thich Nhat Hanh (The Heart of the Buddha's Teaching: Transforming Suffering into Peace, Joy, and Liberation)
What I Should Have Said There's nothing that says you can't call. I spend the weekdays teaching and moving my children from breakfast to bedtime. What else, I feel like a traitor telling someone else things I can't tell to you. What is it that keeps us together? Fingertip to fingertip, from Santa Fe to Albuquerque? I feel bloated with what I should say and what I don't. We drift and drift, with few storms of heat inbetween the motions. I love you. The words confuse me. Maybe they have become a cushion keeping us in azure sky and in flight not there, not here. We are horses knocked out with tranquilizers sucked into a deep deep sleeping for the comfort and anesthesia death. We are caught between clouds and wet earth and there is no motion either way no life to speak of.
Joy Harjo (She Had Some Horses)
In the scene when Belle begs La Bête for permission to visit her father, La Bête, moved by her plea, decides to let her go, but requires her, at the cost of his own life, to return in a week. He explains to her that his magic exists by the force of five power objects—the rose, the key, the mirror, the glove, and the horse. These five are the root of La Bête’s creativity and magic. The point is, if a young artist were to ask Cocteau directly what he would need to pursue the life and work of an artist, these five elements would be the answer. The rose represents beauty. The key represents technique—literally, the means by which the “door” to creativity is opened. The horse represents strength and stamina. The mirror represents the path itself, without which the dream of the artist cannot be accomplished. The meaning of the glove eluded me for a long time, but finally, and unexpectedly, I understood that the glove represents nobility. By this symbol Cocteau asserts that the true nobility of mankind are the artist-magician creators. This scene, which leads directly to the resolution of the fairy tale, is framed as the most significant moment of the film and is the message we are meant to take away with us: Cocteau is teaching about creativity in terms of the power of the artist, which we now understand to be the power of transformation.
Philip Glass (Words Without Music: A Memoir)
People in this country who are in positions of privilege must learn to find ways of fighting for the just treatment of others not by centering and platforming themselves but by holding up the ones who are suffering. It’s not about shame or repentance, it’s about understanding that Dr. King still gets the bullhorn while many of us must organize, galvanize voters, peacefully protest, teach our children, plead with our parents, pray, resist, and amplify.
Brandi Carlile (Broken Horses)
Ultimately, this story teaches us that things simply happen in life. They are not good or bad—they just are. They all serve the greater purpose of providing life lessons, but if we are too quick to judge them as good or bad based on initial impressions, we run the risk of losing sight of the real lessons. So next time something “bad” happens to you and makes you feel upset, remember: Sai Ong loses horse. Who knows if it isn’t a blessing? Chapter 9 The Wolves What Is the Best Way to Handle Negative People?
Derek Lin (The Tao of Daily Life: The Mysteries of the Orient Revealed The Joys of Inner Harmony Found The Path to Enlightenment Illuminated)
All the same,” I said, “when you read the prints in the snow and the evidence of the branches, you did not yet know Brunellus. In a certain sense those prints spoke of all horses, or at least all horses of that breed. Mustn’t we say, then, that the book of nature speaks to us only of essences, as many distinguished theologians teach?” “Not entirely, dear Adso,” my master replied. “True, that kind of print expressed to me, if you like, the idea of ‘horse,’ the verbum mentis, and would have expressed the same to me wherever I might have found it. But the print in that place and at that hour of the day told me that at least one of all possible horses had passed that way. So I found myself halfway between the perception of the concept ‘horse’ and the knowledge of an individu?al horse. And in any case, what I knew of the universal horse had been given me by those traces, which were singular. I could say I was caught at that moment between the singularity of the traces and my ignorance, which assumed the quite diaphanous form of a univer?sal idea. If you see something from a distance, and you do not understand what it is, you will be content with defining it as a body of some dimension. When you come closer, you will then define it as an animal, even if you do not yet know whether it is a horse or an ass. And finally, when it is still closer, you will be able to say it is a horse even if you do not yet know whether it is Brunellus or Niger. And only when you are at the proper distance will you see that it is Brunellus (or, rather, that horse and not another, however you decide to call it). And that will be full knowledge, the learning of the singular. So an hour ago I could expect all horses, but not because of the vastness of my intellect, but because of the paucity of my deduction. And my intellect’s hunger was sated only when I saw the single horse that the monks were leading by the halter. Only then did I truly know that my previous reasoning, had brought me close to the truth. And so the ideas, which I was using earlier to imagine a horse I had not yet seen, were pure signs, as the hoofprints in the snow were signs of the idea of ‘horse’; and sins and the signs of signs are used only when we are lacing things.
Umberto Eco (The Name of the Rose)
When we put bits into the mouths of horses to make them obey us, we also guide the whole animal. James 3:3 A vital element in learning to walk by faith and obedience is learning to talk by faith and obedience. We might think of it like this: God’s words are omnipotent. Our words are potent. Both the Bible and our own personal experience teach us that human words possess a great deal of power. James 3:4 compares the tongue to a small rudder with the power to steer a large ship. James 3:6 compares the tongue to a fire that can corrupt and set aflame the whole person. Our words are potent no matter how we use them, but what would happen if we allowed God to take hold of them?
Beth Moore (Believing God Day by Day: Growing Your Faith All Year Long)
ADVENTURERS AVAUNT! There is no greater plague upon the lands than the chartered adventurer. Crown-sanctioned mischief makers, brigands whose thefts, casual murders, rapine and pillage are excused where the same things done by a cobbler or a milkmaid would be answered with severings of hands or other appendages, plus brandings—or all of those and hanging or death by drawing between four horses. Yet there is no more necessary plague. Adventurers make even kings think twice about cruelly oppressing all who pass within reach, teach prudence to high priests and even rogue wizards, and are almost the only curb upon the numbers of dragons and other large and monstrous beasts. On the whole, I think the balance comes out about even. What makes us keep adventuring charters instead of burning them along with their bearers is the entertainment adventurers afford the populace. In hamlets and at waymoots, after one’s grumbled about the weather, taxes, the latest rumors of war and orc raids, and the all-too-paltry gossip about the indiscretions of royalty and nobility, there’s little else to talk about but the foolish escapades of adventurers. Thundaerlel Maurlatrimm Four Decades of Innkeeping published in the Year of the Highmantle
Ed Greenwood (Swords of Eveningstar (The Knights of Myth Drannor #1))
Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.” “What makes you think I don’t know how to play cribbage?” Sage asked. “You do?” Ben sounded surprised. “I happen to be an excellent cribbage player,” Sage said. “Really…because I’m what one might call a cribbage master,” Ben said. “I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something? “I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.” “Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said. “Deal ‘em,” Ben said. Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy. “Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?” “European history. In Europe,” Sage said. “Small college. They taught me a lot.” Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?” “I would say that. In fact, I believe I just did.” Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions. “So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles. “Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?” “Nice…very nice.” Ben nodded. “Well done.” It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird. After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them. For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.
Hilary Duff (Elixir (Elixir, #1))
And immediately we rushed like horses, wild with the knowledge of this song, and bolted into a startingly loud harmony: 'Rule Britannia, Britannia rules the waves; Britons, never-never-ne-verr shall be slaves!' and singing, I saw the kings and the queens in the room with us, laughing in a funny way, and smiling and happy with us. The headmaster was soaked in glee. And I imagined all the glories of Britannia, who, or what or which, had brought us out of the ships crossing over from the terrible seas from Africa, and had placed us on this island, and had given us such good headmasters and assistant masters, and such a nice vicar to teach us how to pray to God - and he had come from England; and such nice white people who lived on the island with us, and who gave us jobs watering their gardens and taking out their garbage, most of which we found delicious enough to eat...all through the ages, all through the years of history; from the Tudors on the wall, down through the Stuarts also on the wall, all through the Elizabethans and including those men and women singing in their hearts with us, hanging dead and distant on our schoolroom walls; Britannia, who, or what or which, had ruled the waves all these hundreds of years, all these thousands and millions of years, and kept us on the island, happy - the island of Barbados (Britannia the Second), free from all invasions. Not even the mighty Germans; not even the Russians whom our headmaster said were dressed in red, had dared to come within submarine distance of our island! Britannia who saw to it that all Britons (we on the island were, beyond doubt, little black Britons, just like the white big Britons up in Britannialand. The headmaster told us so!) - never-never-ne-verr, shall be slaves!
Austin Clarke (Amongst Thistles and Thorns (Caribbean Modern Classics))
I freely admit that the best of my fun, I owe it to Horse and Hound - Whyte Melville (1821-1878) "Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility: But when the blast of war blows in our ears, Then imitate the action of the tiger; Stiffen the sinews, summon up the blood, Disguise fair nature with hard-favour'd rage; Then lend the eye a terrible aspect; Let pry through the portage of the head Like the brass cannon; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height. On, on, you noblest English. Whose blood is fet from fathers of war-proof! Fathers that, like so many Alexanders, Have in these parts from morn till even fought And sheathed their swords for lack of argument: Dishonour not your mothers; now attest That those whom you call'd fathers did beget you. Be copy now to men of grosser blood, And teach them how to war. And you, good yeoman, Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding; which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. The game's afoot: Follow your spirit, and upon this charge Cry 'God for Harry, England, and Saint George!" ... King Henry V 1598 (William Shakespeare) I can resist anything except temptation - Oscar Wilde (Lady Windermere's Fan, 1892) In order to be irreplaceable, one must always be different - Coco Chanel When it comes to pain and suffering, she's right up there with Elizabeth Taylor - Truvy (Steel Magnolias) She looks too pure to be pink (Rizzo, Grease) I can't think about that right now. If I do, I'll go crazy. I'll think about that tomorrow - Scarlett O'Hara (Gone With The Wind.)
George John Whyte-Melville
When we are young, we yearn for battle. In the firelit halls we listen to the songs of heroes; how they broke the foemen, splintered the shield wall, and soaked their swords in the blood of enemies. As youngsters we listen to the boast of warriors, hear their laughter as they recall battle, and their bellows of pride when their lord reminds them of some hard-won victory. And those youngsters who have not fought, who have yet to hold their shield against a neighbour's shield in the wall, are despised and disparaged. So we practise. Day after day we practise, with spear, sword, and shield. We begin as children, learning blade-craft with wooden weapons, and hour after hour we hit and are hit. We fight against men who hurt us in order to teach us, we learn not to cry when the blood from a split skull sheets across the eyes, and slowly the skill of the sword-craft builds. Then the day comes when we are ordered to march with the men, not as children to hold the horses and to scavenge weapons after the battle, but as men. If we are lucky we have a battered old helmet and a leather jerkin, maybe even a coat of mail that hangs like a sack. We have a sword with a dented edge and a shield that is scored by enemy blades. We are almost men, not quite warriors, and on some fateful day we meet an enemy for the first time and we hear the chants of battle, the threatening clash of blades on shields, and we begin to learn that the poets are wrong and that the proud songs lie. Even before the shield walls meet, some men shit themselves. They shiver with fear. They drink mead and ale. Some boast, but most are quiet unless they join a chant of hate. Some men tell jokes, and the laughter is nervous. Others vomit. Our battle leaders harangue us, tell us of the deeds of our ancestors, of the filth that is the enemy, of the fate our women and children face unless we win, and between the shield walls the heroes strut, challenging us to single combat, and you look at the enemy's champions and they seem invincible. They are big men; grim-faced, gold hung, shining in mail, confident, scornful, savage. The shield wall reeks of shit, and all a man wants is to be home, to be anywhere but on this field that prepares for battle, but none of us will turn and run or else we will be despised for ever. We pretend we want to be there, and then the wall at last advances, step by step, and the heart is thumping fast as a bird's wing beating, the world seems unreal. Thought flies, fear rules, and then the order to quicken the charge is shouted, and you run, or stumble, but stay in your rank because this is the moment you have spent a lifetime preparing for, and then, for the first time, you hear the thunder of shield walls meeting, the clangour of battle swords, and the screaming begins. It will never end. Till the world ends in the chaos of Ragnarok, we will fight for our women, for our land, and for our homes. Some Christians speak of peace, of the evil of war, and who does not want peace? But then some crazed warrior comes screaming his god's filthy name into your face and his only ambitions are to kill you, to rape your wife, to enslave your daughters, and take your home, and so you must fight.
Bernard Cornwell (The Flame Bearer (The Saxon Stories, #10))
The "kindness of giving you a body" means that, at first, our bodies are not fully matured nor are our pleasant complexions. We started in the mother's womb as just an oval spot and oblong lump, and from there we developed through the vital essence of the mother's blood and flesh. We grew through the vital essence of her food while she endured embarrassment, pain, and suffering. After we were born, from a small worm until we were fully grown, she developed our body. The "kindness of undergoing hardships for you" means that, at first, we were not wearing any clothes with all their ornamentation, did not possess any wealth, and did not bring any provisions. We just came with a mouth and stomach-empty-handed, without any material things. When we came to this place where we knew no one, she gave food when we were hungry, she gave drink when we were thirsty, she gave clothes when we were cold, she gave wealth when we had nothing. Also, she did not just give us things she did not need. Rather, she has given us what she did not dare use for herself, things she did not dare eat, drink, or wear for herself, things she did not dare employ for the happiness of this life, things she did not dare use for her next life's wealth. In brief, without looking for happiness in this life or next, she nurtured her child. She did not obtain these things easily or with pleasure. She collected them by creating various negative karmas, by sufferings and hardships, and gave them all to the child. For example, creating negative karma: she fed the child through various nonvirtuous actions like fishing, butchering, and so forth. For example, suffering: to give to the child, she accumulated wealth by working at a business or farm and so forth, wearing frost for shoes, wearing stars as a hat, riding on the horse of her legs, her hem like a whip, giving her legs to the dogs and her face to the people. Furthermore, she loved the unknown one much more than her father, mother, and teachers who were very kind to her. She watched the child with eyes of love, and kept it warm in soft cloth. She dandled the child in her ten fingers, and lifted it up in the sky. She called to it in a loving, pleasant voice, saying, "Joyful one, you who delight Mommy. Lu, lu, you happy one," and so forth. The "kindness of giving you life" means that, at first, we were not capable of eating with our mouth and hands nor were we capable of enduring all the different hardships. We were like feeble insects without strength; we were just silly and could not think anything. Again, without rejection, the mother served us, put us on her lap, protected us from fire and water, held us away from precipices, dispelled all harmful things, and performed rituals. Out of fear for our death or fear for our health, she did divinations and consulted astrologers. Through many ritual ceremonies and many other different things, in inconceivable ways, she protected the life of her child. The "kindness of showing you the world" means that, at first, we did not come here knowing various things, seeing broadly, and being talented. We could only cry and move our legs and hands. Other than that, we knew nothing. The mother taught us how to eat when we did not know how. She taught us how to wear clothes when we did not know how. She taught us how to walk when we did not know how. She taught us how to talk when we did not know how to say "Mama," or "Hi," and so forth. She taught us various skills, creative arts, and so forth. She tried to make us equal when we were unequal, and tried to make the uneven even for us. Not only have we had a mother in this lifetime, but from beginningless samsara she served as a mother countless times.
Gampopa (The Jewel Ornament of Liberation: The Wish-Fulfilling Gem of the Noble Teachings)
This was a media beat-up at its very worst. All those officials reacting to what the media labeled “The Baby Bob Incident” failed to understand the Irwin family. This is what we did--teach our children about wildlife, from a very early age. It wasn’t unnatural and it wasn’t a stunt. It was, on the contrary, an old and valued family tradition, and one that I embraced wholeheartedly. It was who we were. To have the press fasten on the practice as irresponsible made us feel that our very ability as parents was being attacked. It didn’t make any sense. This is why Steve never publicly apologized. For him to say “I’m sorry” would mean that he was sorry that Bob and Lyn raised him the way they did, and that was simply impossible. The best he could do was to sincerely apologize if he had worried anyone. The reality was that he would have been remiss as a parent if he didn’t teach his kids how to coexist with wildlife. After all, his kids didn’t just have busy roads and hot stoves to contend with. They literally had to learn how to live with crocodiles and venomous snakes in their backyard. Through it all, the plight of the Tibetan nuns was completely and totally ignored. The world media had not a word to spare about a dry well that hundreds of people depended on. For months, any time Steve encountered the press, Tibetan nuns were about the furthest thing from the reporter’s mind. The questions would always be the same: “Hey, Stevo, what about the Baby Bob Incident?” “If I could relive Friday, mate, I’d go surfing,” Steve said on a hugely publicized national television appearance in the United States. “I can’t go back to Friday, but you know what, mate? Don’t think for one second I would ever endanger my children, mate, because they’re the most important thing in my life, just like I was with my mum and dad.” Steve and I struggled to get back to a point where we felt normal again. Sponsors spoke about terminating contracts. Members of our own documentary crew sought to distance themselves from us, and our relationship with Discovery was on shaky ground. But gradually we were able to tune out the static and hear what people were saying. Not the press, but the people. We read the e-mails that had been pouring in, as well as faxes, letters, and phone messages. Real people helped to get us back on track. Their kids were growing up with them on cattle ranches and could already drive tractors, or lived on horse farms and helped handle skittish stallions. Other children were learning to be gymnasts, a sport which was physically rigorous and held out the chance of injury. The parents had sent us messages of support. “Don’t feel bad, Steve,” wrote one eleven-year-old from Sydney. “It’s not the wildlife that’s dangerous.” A mother wrote us, “I have a new little baby, and if you want to take him in on the croc show it is okay with me.” So many parents employed the same phrase: “I’d trust my kids with Steve any day.
Terri Irwin (Steve & Me)
13. You Can’t Become A Horseman Until You’ve Fallen Off A Horse When I was a kid, my dad and I would often rent a couple of horses and go riding on the beaches of the Isle of Wight where I grew up. They are some of my best childhood memories, even though there were many times I fell off on to the hard wet sand. But just as I was about to burst into tears, my dad would then start to applaud me. Applaud the fall? But why? Dad wanted me to understand that I could only become a horseman if I had fallen off a horse a few times - that we only become good at something when we do it enough. That means there will be times when we get thrown off and find ourselves face down in the mud. Life is much the same. It’s a vital lesson for almost any path we choose to take in life: whatever you want to do, the chances are that if it is worth doing it will be difficult. We all fall off a few horses. And getting thrown to the ground by the unexpected is a big part of learning how to ride. It is how to get good at something - don’t be afraid to make mistakes. So see the inevitable setbacks and mishaps as vital parts of the learning process. The stumbles teach us more about how to stay up than they do about falling down.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
Jesus is not suggesting we serve simply by writing a check, or even by stocking a food pantry. As the women who anointed his feet made direct physical contact with him, so he wants his disciples to make direct physical contact with others. Service is up close and personal; service is something others can see and appreciate; service means getting down off one’s high horse and manifesting meekness and humility. It teaches us that we are not the important ones: the ones we serve are the ones who are important. And we, in turn, might receive that same service when we need it. The foot washing may be a singular event, but its meaning should permeate one’s life.
Amy-Jill Levine (Entering the Passion of Jesus: A Beginner's Guide to Holy Week)
Clio, the patron goddess of history, has a sense of humor; she teaches us that not all problems have solutions
Tom Kratman (Riding the Red Horse)
His tone was filled with both amusement as well as remorse, “I would think the air gets mighty thin up on that high horse of yours, my lady. You may have your ideals and your equality, but there is much we can teach you too. This trip may be in your mind about teaching some of those precious morals to us barbarians of Tarn, but stop for a moment. Stop and consider what we can teach you. You seek peace. Seek understanding and maybe then you shall find peace.” As quickly as he came, he was gone. The air around her was suddenly much colder and the fire offered no such warmth for the ice in her soul.
Irene Daniels (Blood of Dragons (Taviny's Blood Book 1))
Breeding horses is one thing, I’ve never approved of doing the same for people. Never mind the fact that horses and hounds and cats teach us that in-breeding rarely works out well in the long-run.” Benton blinked at the addition of the cats, that was entirely new. It struck him oddly. Mind, he had been thinking more about cats, because of Cassie’s, and how soothing it was to have something soft and warm curled up against you. Working dogs were not the same, and horses did not fit on a sofa.
Celia Lake (On the Bias (Mysterious Charm #6))
What is this animal?” “A horse.” The chief smiled slightly, and then shouted something to his men in Sioux. They laughed heartily. “The white eye should stay out of the sun,” said the chief. Marsh couldn’t help but become a little defensive. “Wait. You’ve seen a horse’s bones, haven’t you?” The chief nodded. “Look at it closely.” Marsh held the tiny skull up alongside the head of Red Cloud’s mount, comparing the two. The chief reached down and took the skull gingerly, and peered at it intently, turning it in his enormous but surprisingly dexterous hands. “A small horse?” “Precisely,” said Marsh, indicated the size with his hands. “Very small.” The other Sioux laughed, but Red Cloud was fascinated. “Where are these small horses? Show me one.” “I’m sorry, I can’t. They are all dead. They died many, many years ago. Many snows. We search for their bones.” “Why?” “To . . . to honor them. To learn from them.” “They speak to you?” Marsh smiled. “Oh yes.” “What do they say?” “They tell us of their world. A world that has long since vanished.” The chief looked down at the skull, then at Marsh. He shouted again to his men, in Sioux, and they lowered their rifles. He dismounted and turned to face Marsh. “I am Red Cloud.” “My name is Professor Marsh.” “Marsh.” Red Cloud tested the name out loud, and then nodded in approval. “I will hear what these small horses have to teach.
Wynne McLaughlin
And these words that I command you today shall be on your heart. (Deuteronomy 6) Our children become less important than our workers. We admonish our workers for our own financial benefit, but our children receive no instruction or correction, in effect being regarded as less valuable than our workers. But why even compare our children with other humans? We take better care of our cattle and horses than our children. Those who own a mule make sure to find the best driver for it, not some idiot who is a dishonest and inexperienced drunk. But if our child needs a teacher, we take the first person who comes along, haphazardly and without consideration. Yet no profession is more important than teaching. For what even remotely compares with guiding the soul and forming the mind and character of a young person? A teacher should be more skilled than a painter, and certainly more virtuous. But we completely neglect this. The one thing that matters to us is that our child learns to speak well — and just for the sake of money! In fact, if a person could become wealthy without being able to speak at all, we would not bother with our language lessons. Money exercises a tyranny over the world! It invades all of life and forces people to go where it chooses, like slaves. We make verbal attacks against it, but it defeats us by the sheer force of events. Nevertheless, I will not stop attacking it with my mouth, and if I achieve anything, you and I will both be better off. John Chrysostom
James Stuart Bell (Awakening Faith: Daily Devotions from the Early Church)
So you knew Jack growing up?” “I had a bit of a crush on him through the years, but there was nothing between us until much later when I ran into him at Stanford. I was getting my master’s degree in art history there, and he was working at a teaching hospital. As destiny would have it, I broke my sternum in a fall from a horse. My human friends insisted I go to the emergency room to get checked out. Of course I knew it would heal on its own, but I humored them anyway. Jack was my doctor that day.” “So you began dating and got likenessed, or whatever?” “The dating part followed the getting-likenessed part,” she explained. “He walked in, looked up from his clipboard, and there was a complete…mental connection. That’s the only way I can explain it. Likeness is a melding of minds and once it happens it can never be undone.” Doing a quick rewind of what happened between Ian and myself during lunch, I cried out. “Oh, no! No!” What? Brandy asked, mirroring my alarm. “I think that mental connection, likeness thing, happened to me and Ian this afternoon,” I replied in a panic. She pulled to the side of the road. “Calm down,” she said. “I would have sensed it if it had. Hang on—I did sense something.” I couldn’t catch my breath. I was started to see stars. “It wasn’t likeness, though,” she stated with certainty. “Explain exactly what happened.” “Ian used his joining on me during lunch. It was supposed to be a shortcut to show me how joinings work. Things started out fine, everything was all business, but then it took a turn.” “So what’s the problem?” she asked. “The problem is…it turned into some kind of weird mind-kissing thing. That sounds crazy, but there is nothing else I can compare it to.
Gloria Craw (Atlantis Rising (Atlantis Rising, #1))
Individuals who continually play it safe in life, taking the path of least resistance and risk, deny themselves rich opportunities for personal growth. Some
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
The mistrust we have in our intuitive abilities leaves us, like sheep, extremely vulnerable. Our culture's present emphasis on the importance of intellect at the expense of instinctual knowing has rendered us defenseless. We have crippled ourselves in our hesitation to mobilize our instincts, even when to do so would save our lives. We
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
You must also remember the yellow-hair may give you many more children than a Comanche woman. Take care or you could father more children than you can feed. I’ve never seen a white woman yet who wasn’t a good breeder.” A slow grin spread across Hunter’s mouth. “You will tell her this, yes? So far she isn’t showing the proper enthusiasm.” “She’ll come around. Give her time. Be patient. The rewards will be worth the wait.” Hunter tossed aside the poker and rose. “I will think long on your words.” “You sound like a man with eyes going two different directions. What maiden in the village entices you?” “There is no one.” “Hmmph. Bullheaded, just as I suspected. I used to hope you might outgrow it. I see you never will.” “I have the strongest arm in my lodge circle. Her pouting will not sway me. If that’s being bullheaded, then I sure enough am.” Many Horses rolled his eyes. “You think my arm is not the strongest?” “I think you should fight your battles with men on the battlefield, my son, where you have a chance of winning. That is what I think. But when have you ever listened to me?” He reached for the bow he was so skillfully crafting. “I suppose you must learn life’s lessons your own way.” Choosing to ignore his father’s digs, Hunter said, “It’s a very small bow. Who is it for?” “Turtle,” Many Horses replied with a mischievous smile. “At my age, there is little pleasure in life. It is time I watched my grandson learn to shoot. I and my friends are placing bets. I have two horses that say he will shoot Warrior in the thigh. Old Man thinks it will be in the rump. Want to wager?” Hunter’s smile turned wry. “I don’t think so. If I recall, I told Warrior that I would teach Turtle how to shoot.” Many Horses nodded, then quirked an eyebrow. “So it’s your thigh I’m wagering on, eh? Hmm. Sometime today, bring your yellow-hair by to meet me.” “Why?” “She may want to bet with us.” “My yellow-hair?” Many Horses grinned. “If Turtle aims a little high, think of all the grief he might save her.” Hunter gave a snort of disgust and left the lodge.
Catherine Anderson (Comanche Moon (Comanche, #1))
It’s a very small bow. Who is it for?” “Turtle,” Many Horses replied with a mischievous smile. “At my age, there is little pleasure in life. It is time I watched my grandson learn to shoot. I and my friends are placing bets. I have two horses that say he will shoot Warrior in the thigh. Old Man thinks it will be in the rump. Want to wager?” Hunter’s smile turned wry. “I don’t think so. If I recall, I told Warrior that I would teach Turtle how to shoot.” Many Horses nodded, then quirked an eyebrow. “So it’s your thigh I’m wagering on, eh? Hmm. Sometime today, bring your yellow-hair by to meet me.” “Why?” “She may want to bet with us.” “My yellow-hair?” Many Horses grinned. “If Turtle aims a little high, think of all the grief he might save her.” Hunter gave a snort of disgust and left the lodge.
Catherine Anderson (Comanche Moon (Comanche, #1))
This internal exploration is well worth while. For there is something within the mind of man and beast, something that is neither intellect nor feeling, but deeper than both, to which the name of intuition, may fitly be given. When science can truly explain why a horse will take its drunken rider or driver for miles through the dark and find its own way home; why field-mice seal up their holes before the cold weather comes; why sheep move away to the lee side of a mountain before severe storms; when it can tell us what warns the tortoise to retire to rest and refuge before every shower of rain; and when it can really explain who guides a vulture many miles distant to the dead body of an animal, we may then learn that intuition is sometimes a better guide than intellect.
Paul Brunton (The Secret Path: Meditation Teachings from One of the Greatest Spiritual Explorers of the Twentieth Century)
Tonight," said Potapov, and his wrinkled nose quivered above his thin lips, "we intend to adopt a new resolution, not only for Ispas, but for all the villages in the region. From this moment on, until further notice, every breeder of horses, like you, Comrade Lazar, will endeavor— No, he won't try, he will succeed! - Yes, he will succeed 100 percent The pregnancy and birth of all female mares!" The fifty people in the hall fell silent, and Potapov asked, "Is that clear? Something unclear in my words?" "Something unclear in my words?" Isabel came back after him. "Yes, Comrade Potapov," said Roman. "There are some unclear things." Isabelle and Sissy pinched him, and Isabelle continued to whisper in Potapov's unpleasant tenor voice, "One hundred percent pregnancy and birth of all female mares!" Sissy almost laughed out loud. Roman broke away from his wife and sister and walked to the aisle between the pews, from which He could speak without interruption from them. "You said you were an animal enclosure expert from Moscow?" Roman asked. "Please teach us how to achieve such extraordinary results." Ostap rose - Ostap, who never spoke at these assemblies! Even Yana was shocked. "Forgive me," said Ostap, seeming not to believe his own impudence, "but that's what they call female mares in Moscow, 'mares women'? Because here in Ukraine they simply say 'mares'." "Never mind," said Potapov. "And the mares, by the way, don't give birth," added Ostap with eyes burning with hatred and in a low voice with contempt. "They give birth." "Well, let's talk." Potapov pointed to the members of the Lazar family who were sitting with Mirik and Petka. "Comrade Zhuk told me about you, the Lazar family," Potapov said. Petka immediately got up and moved to another place. Mirik also moved his chair a little further - only a few centimeters, but still! He was staying away so he wouldn't be lumped in with those troublesome lazars, Isabelle thought. Unbelievable. Problematic like his wife, himself and his flesh. "We believe," said Potapov, "that you are using your horses by means of sabotage against the Soviet state." "And how do we do that?" asked Roman, who stood beside his brother. By having your mares give birth only once a year!" I don't create a horse, Comrade Potapov, I only quarter him." The mare's gestation period is eleven months," Roman said. "If you need to improve! Why do your horses, which you are apparently so famous for, only give birth to one foal per horse?" Potapov asked. "Why is their pregnancy so long? Almost a year? It's unthinkable! Can't you speed up the birth earlier and quarter them again? Or see if there's a way to make a mare carry two foals in one place? That would be very productive!" The members of the Lazar family looked forward and not at each other, lest they openly express contempt and be arrested for the crime of rowing under the Soviet Union. It is impossible to respect something that is despised, the Christian Jesus was right in that, Isabel thought, and wished that Roman would bite his tongue. Vitaly and Stan, Oleg Tretyak, the evicted Kubal, and most recently Andreyush - all these poor people were witnesses and victims of Stalin's total dedication to the reign of terror. Soon even the pretense that the rule of law exists will be abandoned. Yana got to her feet with an effort and held the chair rest. "I have to go," she said. "As you can see, I'm a pregnant female about to give birth. But maybe the experts from Moscow should spend some time around the stable during the calving season before they start giving recommendations." Yana nodded to Roman and Ostap and left the hall with a wobbly gait. Isabelle thought that Yana was slowing down for Potapov's sake. Just a few hours ago she jumped on the back of a horse and then got off above him without help and without effort. Potapov paid no attention to Yana's words or to her departure. "We need to solve th''e horse problem!" said the man.
Paulina Simons
We do not have to wait for others to come to our aid. We are not victims. We are not helpless. Letting go of faulty thinking means we realize there are no knights on white horses, no magical grandmothers in the sky watching, waiting to rescue us. Teachers may come our way, but they will not rescue. They will teach. People who care will come, but they will not rescue. They will care. Help will come, but help is not rescuing. We are our own rescuers. Our relationships will improve dramatically when we stop rescuing others and stop expecting them to rescue us.
Melody Beattie (The Language of Letting Go: Daily Meditations on Codependency (Hazelden Meditation Series))
And now tell me"-in the end I could not restrain myself "how did you manage to know?" "My good Adso," my master said, "during our whole journey I have been teaching you to recognize the evidence through which the world speaks to us like a great book. Alanus de Insulis said that omnis mundi creatura quasi liber et pictura nobis est in speculum and he was thinking of the endless array of symbols with which God, through His creatures, speaks to us of the eternal life. But the universe is even more talkative than Alanus thought, and it speaks not only of the ultimate things (which it does always in an obscure fashion) but also of closer things, and then it speaks quite clearly. I am almost embarrassed to repeat to you what you should know. At the cross roads, on the still-fresh snow, a horse's hoofprints stood out very neatly, heading for the path to our left. Neatly spaced, those marks said that the hoof was small and round, and the gallop quite regular --and so I deduced the nature of the horse, and the fact that it was not running wildly like a crazed animal. At the point where the pines formed a natural roof, some twigs had been freshly broken off at a height of five feet. One of the blackberry bushes where the animal must have turned to take the path to his right, proudly switching his handsome tail, still held some long black horsehairs in its brambles. ... You will not say, finally, that you do not know that path leads to the dungheap, because as we passed the lower curve we saw the spill of waste down the sheer cliff below the great south tower, staining the snow; and from the situation of the crossroads, the path could only lead in that direction." "Yes," I said, "but what about the small head, the sharp ears, the big eyes...?" "I am not sure he has those features, but no doubt the monks firmly believe he does. As Isidore of Seville said, the beauty of a horse requires that the head be small, siccum prope pelle ossibus adhae rente, short and pointed ears, big eyes, flaring nostrils, erect neck, thick mane and tail, round and solid hoofs.' If the horse whose passing I inferred had not really been the finest of the stables, stableboys would have been out chasing him, but instead, the cellarer in person had undertaken the search. And a monk who considers a horse excel lent, whatever his natural forms, can only see him as the auctoritates have described him, especially if" and here he smiled slyly in my direction-"the describer is a learned Benedictine." "All right," I said, "but why Brunellus?" "May the Holy Ghost sharpen your mind, son!" my master exclaimed. "What other name could he possibly have? Why, even the great Buridan, who is about to become rector in Paris, when he wants to use a horse in one of his logical examples, always calls it Brunellus This was my master's way. He not only knew how to read the great book of nature, but also knew the way monks read the books of Scripture, and how they thought through them. A gift that, as we shall see, was to prove useful to him in the days to follow. His explanation, moreover, seemed to me at that point so obvious that my humiliation at not having discovered it by myself was surpassed only by my pride at now being a sharer in it, and I was almost congratulat ing myself on my insight. Such is the power of the truth that, like good, it is its own propagator. And praised be the holy name of our Lord Jesus Christ for this splendid revelation I was granted.
Unberto Eco
When I lost my way, I was accustomed to throw the reins on his neck, and he always discovered places where I, with all my observation and boasted superior knowledge, could not. -Napoléon Bonaparte about his horse Marengo
Vint Virga (The Soul of All Living Creatures: What Animals Can Teach Us About Being Human)
We teach residents when you hear hoof beats – think horses not zebras. It means that the most obvious answer is usually right. It keeps doctors from heading down the wrong path. It helps us stick to the truth.
Shonda Rhimes
The change that comes our way will come in many forms. In sights that are mysterious to our eyes, in sounds that are grating on our ears, in ways of thinking that will crash like thunder in our hearts and minds. But we must learn to ride each one of these horses of change. It is what the future asks of us and our survival depends on it. That is the spirit teaching of the Horse.
Richard Wagamese (Indian Horse)
The narrow sea would still lie between us. I shall fear the Dothraki the day they teach their horses to run on water.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The horse is our habit energy pulling us along, and we are powerless. We are always running, and it has become a habit. We struggle all the time, even during our sleep. We are at war within ourselves, and we can easily start a war with others.
Thich Nhat Hanh (The Heart of the Buddha's Teaching: Transforming Suffering into Peace, Joy, and Liberation)
Horse have so much to teach us.
Camille Matthews
orking with serious mental illness, criminal behavior and substance addiction over the years has forced us to travel into interpersonal realms where few have gone. Over and over, we have had to face our own feelings of vulnerability, helplessness, fear and despair, only to find that, in the end, there is hope. Our experiences, although sometimes terrifying, compelled us to look deep inside ourselves, where we found an unexpected peace. It is through this upheaval and self-scrutiny that we have come to know joy. As therapists, it was a surprise to find out that so much of what we learned academically had so little to do with the reality of working with severely disturbed people. Not once during our academic careers were we ever realistically prepared for the roller-coaster nature of the professional path we were setting out on. We were not told of the horror, the helplessness or the elation we would feel in treating maladies of the human heart. So, when we launched our practice, it was trial by fire. When
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
orking with serious mental illness, criminal behavior and substance addiction over the years has forced us to travel into interpersonal realms where few have gone. Over and over, we have had to face our own feelings of vulnerability, helplessness, fear and despair, only to find that, in the end, there is hope. Our experiences, although sometimes terrifying, compelled us to look deep inside ourselves, where we found an unexpected peace. It is through this upheaval and self-scrutiny that we have come to know joy. As therapists, it was a surprise to find out that so much of what we learned academically had so little to do with the reality of working with severely disturbed people. Not once during our academic careers were we ever realistically prepared for the roller-coaster nature of the professional path we were setting out on. We were not told of the horror, the helplessness or the elation we would feel in treating maladies of the human heart. So, when we launched our practice, it was trial by fire. When we were finally faced with patients in the depths of despair or the throes of violence-a humbling experience-we learned we had to drop the professional persona and rely on our own intuition. There
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
Samuel Butler (1835-1902) said, "The great pleasure of a dog is that you may make a fool of yourself with him and not only will he not scold you, but he will make a fool of himself too." 7
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)