Hoops Sayings And Quotes

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All the world's a circus. Sometimes you choose your act and sometimes it's assigned to you. I had roamed the arena for far too long, roaring and bellowing, believing that I wasn't brave enough to leap through fire. But all along, she had stood there, constant and calm."I can't make the fire go away," she had seemed to say, "I can't guarantee you won't get burned. But I can hold this hoop for you, I can remain steady and strong, because I believe in you. Because you are mine." And in the end, I had jumped. And the other side was just as glorious as her eyes had promised.
Mia Sheridan (Leo)
I bought some crackers and a piece of hoop cheese and an apple at a grocery store and sat on a nail keg by the stove and had a cheap yet nourishing lunch. You know what they say, "Enough is as good as a feast.
Charles Portis (True Grit)
I can't make the fire go away," she had seemed to say, "I can't guarantee you won't get burned. But I can hold this hoop for you, I can remain steady and strong, because I believe in you. Because you are mine.
Mia Sheridan (Leo)
So that night after Wyatt goes to bed, I can't sleep. And I see this piece of paper with this song he's writing and it's clearly about me. It says something about a redhead and mentioned the hoop earrings that I was wearing all the time. And then he had this chorous about me having a big heart but no love in it. I kept looking at the words, thinking, This isn't right. He didn't understand me at all. So I thought about it for a little while and got out a pen and paper. I wrote some things down. When he woke up, I said, "Your chorus should be more like 'Big eyes, big soul/big heart, no control/but all she got to give is tiny love.'" Wyatt grabbed a pen and paper and he said, "Say that again?" I said, "It was just an example. Write your own goddamn song." Simone: "Tiny Love"was the Breeze's biggest hit. And Wyatt pretended he wrote the whole thing.
Taylor Jenkins Reid (Daisy Jones & The Six)
Talking of being eaten by dogs, there’s a dachshund at Brinkley who when you first meet him will give you the impression that he plans to convert you into a light snack between his regular meals. Pay no attention. It’s all eyewash. His belligerent attitude is simply—" Sound and fury signifying nothing, sir?" That’s it. Pure swank. A few civil words, and he will be grappling you . . . What’s the expression I’ve heard you use?" Grappling me to his soul with hoops of steel, sir?" In the first two minutes. He wouldn’t hurt a fly, but he has to put up a front because his name’s Poppet. One can readily appreciate that when a dog hears himself addressed day in and day out as Poppet, he feels he must throw his weight about. Is self-respect demands it." Precisely, sir." You’ll like Poppet. Nice dog. Wears his ears inside out. Why do dachshunds wear their ears inside out?" I could not say, sir." Nor me. I’ve often wondered.
P.G. Wodehouse
Your dreams and ambitions got swallowed up when you had to follow Caleb,” I say, holding her eyes with mine. “I want you to know there’s someone who will follow you.
Kennedy Ryan (Long Shot (Hoops, #1))
I’m a mix of everything the bayou could come up with,” she continues, taking a sip of her drink. “So my cousin says I had more ingredients than—” “Gumbo,” I finish with her. We share a smile, and she nods. “So you’re a mutt like me.
Kennedy Ryan (Long Shot (Hoops, #1))
I don’t give a damn about odds,” she says. “Odds don’t tell me what I can’t do. Odds just tell me how hard I’ll have to work to get what I want. Don’t allow anyone to make you feel less.
Kennedy Ryan (Block Shot (Hoops, #2))
…I’d let those entering (grad) students in on my secret—higher education is all about perseverance. It has nothing to do with smarts or creativity or anything else. It’s about cultivating the willingness and stamina for hoop jumping. Jump through the hoops, I’d say. Do it well. Do it relentlessly. And in a few years you can join the elite of the American education system secure in the knowledge that you too can endure with the best of them.
Melanie Wells (When the Day of Evil Comes (Day of Evil, #1))
cultivation of the hard skills, while failing to develop the moral and emotional faculties down below. Children are coached on how to jump through a thousand scholastic hoops. Yet by far the most important decisions they will make are about whom to marry and whom to befriend, what to love and what to despise, and how to control impulses. On these matters, they are almost entirely on their own. We are good at talking about material incentives, but bad about talking about emotions and intuitions. We are good at teaching technical skills, but when it comes to the most important things, like character, we have almost nothing to say.
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
In my opinion, the best time to be alive is always right now. People are aways whining about how they were born in the wrong century, but they really haven't thought things through. They picture the old castle they wish they could live in, but they don't think about the drafts in the winter or the pitch darkness at night, or all the spiders and the lice. They can't imagine the everyday pain of a life without movies or recorded music or... or... Interet videos about cats. And don't even get me started on women who idealize the past. Do you have any idea what it was like to be a woman even a hundred years ago? Horrible! And a hundred years before that, the situation practically defies description. We might as well have been slaves. Trussed up in hoop skirts and corsets, married off like racehorses. Good riddance to history, I say!
Tommy Wallach (Thanks for the Trouble)
It’s us admitting to the universe we don’t have all the answers. Too often religion says yes, I do have all the answers, and if you don’t like them, you can’t sit at my table. So we have all these tables. Too many tables, and not enough love.
Kennedy Ryan (Hook Shot (Hoops, #3))
MiMi says she was tutored by the bayou, by the Mississippi itself. She says that river is the blood meandering through Louisiana’s veins, and it casts a spell on all who love it.
Kennedy Ryan (Long Shot (Hoops, #1))
What?” I ask, smiling back involuntarily. “Your laugh,” he says. “I want to make you laugh like that every day.
Kennedy Ryan (Block Shot (Hoops, #2))
There’s nothing wrong with you at all. Sometimes people say or do things that are mean because there's something the matter with them. With Lydia, it seems there’s always something wrong with her.
Nathan Reese Maher (Lights Out: Book 2)
You heard me. I don’t have a girlfriend anymore. Cindy and I broke up.” “But I’m not your type,” I blurt. “And yet I broke up with her so you,” he says, laying the tip of one long finger on my breastbone, “would kiss me.
Kennedy Ryan (Block Shot (Hoops, #2))
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
Ah,' she says. 'But I know where your heart was. I know where it still is. And so do you.' He's gone,' I say. I lock the canvas into a hoop and hand it back to her. 'Here.' Then you must find him,' she says. 'You'll never stop loving him, you know. He'll never really be gone. My Gabriel is still here.' Your Gabriel?' Yes, my Gabriel. My husband.' You mean Lawrence,' I say. Lawrence, her husband who disappeared in a storm over thirty years ago. I mean my Gabriel. Everyone has one.' Ada takes my hand it puts it over her chest. 'Eva, my heart is ancient. But it still beats for him. Only for him.' I look into Ada's glistening eyes. She is telling the truth. You must find him.' I know that she is right. (Anxious Hearts)
Tucker Shaw
What I’m saying is be unafraid to want it all and be disciplined enough to work hard to get it.
Kennedy Ryan (Block Shot (Hoops, #2))
I lift my chin, tighten my thighs at his hips, and roll again. Clench tighter, introducing his cock to its new mistress. I will possess this warrior under me. The man they call Gladiator taken captive by a girl half his size and a decade younger. I'm a girl he could crush, but everything in the way he looks at me says cherish. Says treasure. Says protect. Says I'm his, too.
Kennedy Ryan (Hook Shot (Hoops, #3))
What is it with that argument? Why is it that you have to jump through hoops of fire to find out that someone's decent? The fact that someone is a bitch on the surface says heaps about them.
Melina Marchetta
I reach up to toy with her gold hoop earrings. “I like these.” “Thank you. My boyfriend gave them to me,” she says pointedly. I bite back a grin. That’s so cute. She thinks I give a fuck about her boyfriend.
Kennedy Ryan (Block Shot (Hoops, #2))
Her clients love her,” August says, a sly look in his eye that tells me he’s trying to get under my skin. He should know by now I don’t have skin to get under anymore. Just an exoskeleton to ward off provocation and bullshit.
Kennedy Ryan (Block Shot (Hoops, #2))
He runs a finger over my nose. I jerk back, startled. “You still have the freckles.” “What?” I rub my nose, wiping away his touch. “You had seven freckles on your nose then,” he says, one side of his mouth canted up. “You still do.
Kennedy Ryan (Block Shot (Hoops, #2))
A few moments with the truth don’t chase away the lies forever,” she says, pushing back the sweat-dampened hair clinging to my face. “Lies don’t give up easily. You’ll have to remind yourself and heal yourself over and over, every time they come.” “You mean I need to talk to a therapist?” I ask. I’ve thought of that and probably will at some point. “Yes.” Her smile is that of a younger woman, knowing, teasing. “And sleep naked sometimes. Soon, you’ll want again.
Kennedy Ryan (Long Shot (Hoops, #1))
Too many people, too many times, have come between us. Not again.” This man, this beautiful, unattainable man is mine. And he loves me like a Mack truck—the huge ones that just keep coming and don’t stop for anything in their path. Being the object of such singular focus can be overwhelming, but it’s also the best feeling in the world. “Are you saying you want this for good?” I ask, more confident than I’ve ever been. “For good?” He frowns and gives a quick shake of his head. “For good is too sanitized. I want your dirt and your pain and your darkness. Your weakness and your flaws.” He sprinkles kisses over my cheeks and nose, leaving adoration everywhere he touches me. “I don’t want you for good, Banner,” he says. “I want you forever.” I gasp at hearing the future in his words, of the picture he’s painting. “I love you,” he tells me again. “I didn’t even think I was capable of saying that, much less feeling it, but I feel it for you.
Kennedy Ryan (Block Shot (Hoops, #2))
Every wife who slaves to… build up his [her husband's] pride and confidence in himself at the expense of his sense of reality… to encourage him to reject the consensus of opinion and find reassurance only in her arms is binding her mate to her with hoops of steel that will strangle them both. Every time a woman makes herself laugh at her husband's often-told jokes she betrays him. The man who looks at his woman and says, “What would I do without you?” is already destroyed (p. 157).
Joyce Catlett (The Ethics of Interpersonal Relationships)
I never knew it happened like that." I snap my gaze to her. "What?" "You know. Romeo and Juliet stuff. Love at first sight and all that." "It's not like that," I say quickly. "You could have fooled me." We're up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will's there, fighting laughter. "Nice," he says. "Glad I'm downcourt of you." I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you." His smile slips then, and he's looking at me with that strange intensity again. Only I understand. I know why. He must remember...must recognize me on some level even though he can't understand it. "You want to go out?" he asks suddenly. I blink. "As in a date?" "Yes. That's what a guy usually means when he asks that question." Whistles blow. The guys and girls head in opposite directions. "Half-court scrimmage," Will mutters, looking unhappy as he watches the coaches toss out jerseys. "We'll talk later in study hall. Okay?" I nod, my chest uncomfortably tight, breath hard to catch. Seventh period. A few hours to decide whether to date a hunter. The choice should be easy, obvious, but already my head aches. I doubt anything will ever be easy for me again.
Sophie Jordan (Firelight (Firelight, #1))
When they find out what I do for a living, many people tell me they love music listening, but their music lessons 'didn't take.' I think they're being too hard on themselves. The chasm between musical experts and everyday musicians that has grown so wide in our culture makes people feel discouraged, and for some reason this is uniquely so with music. Even though most of us can't play basketball like Shaquille O'Neal, or cook like Julia Child, we can still enjoy playing a friendly backyard game of hoops, or cooking a holiday meal for our friends and family. This performance chasm does seem to be cultural, specific to contemporary Western society. And although many people say that music lessons didn't take, cognitive neuroscientists have found otherwise in their laboratories. Even just a small exposure to music lessons as a child creates neural circuits for music processing that are enhanced and more efficient than for those who lack training. Music lessons teach us to listen better, and they accelerate our ability to discern structure and form in music, making it easier for us to tell what music we like and what we don't like.
Daniel J. Levitin (This Is Your Brain on Music)
The agility with which this particular katsina moves, and the long lines of his body, are familiar. I marvel at his footwork and wonder if, underneath the mask, this might not be Derek, the hoop dancer we met in Phoenix, Ruthann's nephew. "Isn't that--" "No, it's not." Ruthann says. "Not today.
Jodi Picoult (Vanishing Acts)
Thanks, Jared. His views are pretty antediluvian.” Shit. Those lips wrapping around the word “antediluvian” may as well be wrapped around my cock. Has my brain always been a sex organ, or did she do this to me? “Did you hear me?” she asks, frowning. “Sorry.” I was busy adjusting myself under the table. “What’d you say?
Kennedy Ryan (Block Shot (Hoops, #2))
We need good liturgies, and we need natural ones; we need a life neither patternless nor over patterned, if the city is to be built. And I think the root of it all is caring. Not that that will turn the trick all by itself, but that we can produce nothing good without it. True liturgies take things for what they really are, and offer them up in loving delight. Adam naming the animals is instituting the first of all the liturgies; speech, by which man the priest of creation picks up each of the world's pieces and by his wonder bears it into the dance. "By George," he says, "there's an elephant in my garden; isn't that something!" Adam has been at work a long time; civilization is the fruit of his priestly labors. Culture is the liturgy of nature as it is offered up by man. But culture can come only from caring enough about things to want them really to be themselves - to want the poem to scan perfectly, the song to be genuinely melodic, the basketball actually to drop through the middle of the hoop, the edge of the board to be utterly straight, the pastry to be really flaky. Few of us have very many great things to care about, but we all have plenty of small ones; and that's enough for the dance. It is precisely through the things we put on the table, and the liturgies we form around it, that the city is built, caring is more than half the work.
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
Say it again.” He advances deeper into the room until he stands right in front of me. “I need to hear it again.” “I love you,” I say, my voice sober and honest. “I think I have for a long time.” He cups my cheek and kisses my hair. “Me, too,” he says, the look in his eyes belying the casual tone of his voice. “Since senior year, to be exact.
Kennedy Ryan (Block Shot (Hoops, #2))
How can she stand up there so tall as she’s telling us how her mother beat her and her father molested her when she was a little girl? How is it possible for her to look so proud? How is she not being consumed by shame? She should be disintegrating before our eyes. She should be struck by lightning, and God’s big, angry, booming voice should be shaking the room with “How dare you? I told you never to tell.” But that’s not her God, she says. Her God is loving and kind and wants what’s best for her. Her God loves peace and serenity and forgiveness. Her God doesn’t make her keep secrets. I thought I knew God all my life, but maybe it was some other guy the whole time. I want this God. I want Val’s God. I want a God who doesn’t make me jump through hoops and hate myself to earn his love.
Amy Reed (Clean)
I don't dislike life the way you seem to do. But then you may be a fish out of water. I'm not. I'm where I want to be, doing what I want to do. But even so, there's nothing wonderful about it. Most of the time it's like - let's say - living with a lion. One day you can make it jump through hoops, or even ride on its back. But get careless, make a wrong move, and it'll have you in a corner and be tearing an arm off.
J.B. Priestley
Grandma, he had often wanted to say, Is this where the world began? For surely it had begun in no other than a place like this. The kitchen, without doubt, was the center of creation, all things revolved about it; it was the pediment that sustained the temple. Eyes shut to let his nose wander, he snuffed deeply. He moved in the hell-fire steams and sudden baking-powder flurries of snow in this miraculous climate where Grandma, with the look of the Indies in her eyes and the flesh of two warm hens in her bodice, Grandma of the thousand arms, shook, basted, whipped, beat, minced, diced, peeled, wrapped, salted, stirred. Blind, he touched his way to the pantry door. A squeal of laughter rang from the parlor, teacups tinkled. But he moved on into the cool underwater green and wild-persimmon country where the slung and hanging odor of creamy bananas ripened silently and bumped his head. Gnats fizzed angrily about vinegar cruets and his ears. He opened his eyes. He saw bread waiting to be cut into slices of warm summer cloud, doughnuts strewn like clown hoops from some edible game. The faucets turned on and off in his cheeks. Here on the plum-shadowed side of the house with maple leaves making a creek-water running in the hot wind at the window he read spice-cabinet names.
Ray Bradbury (Dandelion Wine)
It’s usually used for scientists or inventors. The phenomenon of two people discovering something in different places at essentially the same time,” I say. “You’d be surprised how often it happens. Calculus, oxygen, the blast furnace . . . all multiple discoveries. Even Darwin’s Theory of Evolution was postulated at the same time by someone else.” Zo lifts his brows, silently asking what my nerd talk has to do with the price of tacos in Mexico. “I think that’s what happened to us,” I continue. “We both met Banner at the same time in her life, and we saw something in her no one else saw yet. We made a spectacular discovery, and the rest of the world didn’t recognize it. Couldn’t see it when we could. It’s like we shared a secret, the two of us.” “I get that,” he says quietly, lifting a speculative gaze to mine. “And how is it resolved? When two discover something at the same time?” I shrug, shove my hands into the pocket of my pants. “It becomes a matter of who tells the secret first,” I explain. “A rush to claim.” “So are you saying if I had met Banner first, she would have chosen me?” Dark humor fills his eyes. “No, I don’t think so,” I answer. “Banner is my opposite, but she’s my match.” My equinox. “The only way Banner would have chosen you,” I tell him frankly, honestly, “is if she’d never met me.
Kennedy Ryan (Block Shot (Hoops, #2))
In my opinion, the best time to be alive is always right now. People are aways whining about how they were born in the wrong century, but they really haven't thought things through. They picture the old castle they wish they could live in, but they don't think about the drafts in the winter or the pitch darkness at night, or all the spiders and the lice. They can't imagine the everyday pain of a life without antibiotics or anesthetics. The tedium of a world without movies or recorded music or... or... Internet videos about cats. And don't even get me started on women who idealize the past. Do you have any idea what it was like to be a woman even a hundred years ago? Horrible! And a hundred years before that, the situation practically defies description. We might as well have been slaves. Trussed up in hoop skirts and corsets, married off like racehorses. Good riddance to history, I say!
Tommy Wallach (Thanks for the Trouble)
There’s this part in Spanglish, one of Adam Sandler’s chick flicks. He and his kids’ nanny share dinner at his restaurant. It’s just one meal, a few hours. The narrator, the nanny’s daughter, says, “My mother has often referred to that evening at the restaurant as the conversation of her life.” I’m pretty sure I rolled my eyes when I heard it and said, ‘That was some conversation.’ But now, with her, standing at the edge of goodbye, all I can think is . . . that was some conversation.
Kennedy Ryan (Long Shot (Hoops, #1))
I hired a nurse to take care of me so you don’t have to do so much or come over all the time.” Praise Jesus. I’m going to church every week from now on. “A nurse?” Consternation wrinkles Banner’s expression. “Why? I can—” “No, you can’t, Banner,” he says gently, firmly. “I need you not to for a while.” She still looks confused, but I’m not. Zo needs to fall out of love with Banner and can’t while she’s there all the time being exactly the woman he wants. “I personally think it’s a great idea,” I chime in, just in case they’re wondering.
Kennedy Ryan (Block Shot (Hoops, #2))
So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.
Sophie Jordan (Firelight (Firelight, #1))
Blame this dress,” I tell her. “It shows off the sexiest parts of you.” “Let me guess.” Her laugh rumbles into me. “The ass?” I caress the dramatic curve from her back to her butt, rubbing my hand along her spine. “No, this is the sexiest thing about you.” The laughter leaves my voice. “This gorgeous backbone.” She pulls back to study my face in the shadows. With the sun setting, soon we’ll have to pick each other out of the dark like we did the first time we made love. “Your strength,” I continue, pressing my fingers along the delicate bones strung up her back. “And this.” I skim the curve of her breasts, but don’t stop there, not until I reach the skin left bare by the neckline of her dress. Until my hand rests on her heart. “This heart of yours.” My laugh is full of self-deprecation. “That you somehow miraculously have given to me, it’s the other sexiest thing about you.” She traces the line of my eyebrows, the slant of my cheekbones, my lips. I know what she sees. A good-looking guy with a not-always-good heart. Not a heart like hers. “That’s just about the most perfect thing anyone’s ever said to me,” she says.
Kennedy Ryan (Block Shot (Hoops, #2))
I know it was you, the one she betrayed me with.” Even shrunken there is command in his voice, in the look he gives me. “You can’t have her.” “I already have her,” I answer simply, not even bothering to deny my role in their break up. Rage sparks in his tired eyes. “Fucking her once doesn’t make her yours.” Once? What about a dozen times? A dozen ways? On every surface? In every corner? Eating her pussy until she weeps? What will it take, Zo, for you to accept that she’s mine? Just tell me. I’ve probably already done it. Would you like to taste her on my fingers right now? I want to say it all, but remain silent.
Kennedy Ryan (Block Shot (Hoops, #2))
Nature has decreed that there are certain things in life which shall act as hoops of steel, grappling the souls of the elect together. Golf is one of these; a mutual love of horseflesh another; but the greatest of all is bees. Between two beekeepers there can be no strife. Not even a tepid hostility can mar their perfect communion. The petty enmities which life raises to be barriers between man and man and between man and woman vanish once it is revealed to them that they are linked by this great bond. Envy, malice, hatred and all uncharitableness disappear, and they look into each other's eyes and say "My brother!
P.G. Wodehouse (Uneasy Money)
Giving up, I admire the rose gold chain in my hand, letting it slip through my fingers like running water. It’s not a necklace, but a lanyard for my school ID badge. The delicate chain breaks every few inches with small diamond-encrusted hoops, a matching rose gold whistle hanging off a clip. My thumb rubs methodically over the words etched into the circular pendant connecting the chain to the clip. Miss Parker it says on one side. Turning it over in my palm, I smile through my quickly blurring vision at the words on the back: World’s hottest teacher. But my favorite part? The tiny hockey skate charm that dangles next to the whistle
Becka Mack (Consider Me (Playing For Keeps, #1))
Don’t even bother,” I tell her. “That batting eyelash trick doesn’t work on me.” “I’m well aware that you are immune to my charms,” she says with a laugh, pulling out of my arms to walk ahead of me. Her ass, though. That little sway of her rounded hips seduces me every time. The way that dress molds to the curve of her— “Damn! You’re doing it!” I say, realizing the lashes don’t get me, but I fall for that ass every time. She’s looking over her shoulder watching me watch her ass, mischief in her grin. I love that the woman who once asked if her ass was square feels confident enough in my love for her body exactly as she is to use that ass against me.
Kennedy Ryan (Block Shot (Hoops, #2))
From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.
Michael Chabon (The Yiddish Policemen's Union)
I’ve always struggled with my weight. For most of my life I compared myself to my sister, who was naturally slim. I compared myself to women in magazines, who looked nothing like me. I let men determine how I felt about my body based on how they saw me. I allowed those things to make me feel smaller than I was. Not on the outside, on the inside. On the inside I was a highly intelligent woman who spoke several languages, was the first in my family to go to college, and won full scholarships to the schools of my choice, but I hid that girl under bulky clothes.” Banner disabuses me of the notion that I’ve gone undetected when she looks directly at me, finds me in the very back. “I hid her in the dark,” she says more softly, holding my stare for a few seconds before moving past me, but even when she looks away, I feel seared. Like in one glance and with a few words she’s burned years away. She takes us back to a darkened laundromat. The bright swirl of whites flashing in the washing machine. The toss and slap of darks in the dryer. The thump-thump of my heart while I waited to kiss her again. “I don’t hide anymore,” Banner continues. “Not in the dark. Not under bulky clothes. Not even behind my intelligence, which I sometimes used as a shield to keep people out. Whether I’m five pounds up or ten pounds down, I’m done hiding. I am done letting my waistline and other people define me.
Kennedy Ryan (Block Shot (Hoops, #2))
Mr. Harrison is gallant, and he understands art. Deene says the menfolk chatted away an entire afternoon while Jenny eavesdropped, and Mr. Harrison had eyes only for her.” Maggie picked up Timothy, though how he’d gotten into the room was a mystery. “Mr. Harrison insisted Jenny be free to help him complete his commissions, though when I pop into the studio, Jenny’s always before her own easel, spattered in paint and looking…” “Happy,” Sophie said. “She looks happy when she paints.” The cat started purring in Maggie’s lap, loud enough for all to hear. “We’re agreed, then,” Louisa said. “Mr. Harrison makes Jenny happy, and Paris would make her miserable.” Eve yawned, Maggie stroked the cat, and Sophie picked up an embroidery hoop. “Paris would make her miserable, if she were allowed to go, which will never come to pass as long as Their Graces draw breath.
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
Shut up, Ban,” I cut in softly. “I’m not giving you that out. Tonight you face the truth.” “Which is what?” she asks. “Do you have any idea how many women I’ve been with?” I ask instead of answering her question directly. “No, I—” “Neither do I. I literally don’t remember some of them. Just a blur of hair and faces. I got some of their names wrong the night they were in my bed.” I grasp her stubborn chin, lift it. “But you? I remember exactly how tight you were. How wet. I still hear the sounds you made in the dark, and I know how we smell together. I have perfect recall of every second I was inside of you. That’s the truth.” Her pupils dilate and she draws a stuttering breath. “Banner, you’re my match.” Finally saying the words out loud, declaring it, feels right. “I’m not your match,” she says, one imperious brow ascending. “I’m too good for you.” “True,” I grin, tightening my hand at her waist. “But I’m going to have you anyway.
Kennedy Ryan (Block Shot (Hoops, #2))
In his worn blue jeans and a black T-shirt, the early-morning sun hits Isaiah just right, highlighting him like he’s a relaxed tiger bathing in the warmth. The light glints off his double rows of hoop earrings and there’s a twinkle in his eyes that makes me feel like he has a secret, but not the type kept from me. No, it’s the type that suggests I’m in on it, and that it involves a lack of my clothes. And maybe some of his. As if I spoke the thought instead of keeping it internal, Isaiah lifts his shirt to scratch at a spot right above his hip bone. Good Lord, he’s pretty. I soak in the sight of the muscles in his abdomen like I’m a plant in the Sahara Desert, except it doesn’t quench my thirst. It only causes my mouth to run dry. Isaiah smiles like he knows what I’m thinking, and heat licks up my body and pools in my cheeks. What really causes my blood to curve into itself is the wicked gleam in his eye. It’s a spark that says he’s done very naughty things I’ve never even heard about.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Look into this one,' the Bomb says with a strange expression. It's Cardan as a very small child. He is dressed in a shirt that's too large for him. It hangs down like a gown. He is barefoot, his feet and shirt streaked with mud, but he wears dangling hoops in his ears, as though an adult gave him their earrings. A horned faerie woman stands nearby, and when he runs to her, she grabs his wrists before he can put his dirty hands on her skirts. She says something stern and shoves him away. When he falls, she barely notices, too busy being drawn in to conversation with other courtiers. I expect Cardan to cry, but he doesn't. Instead, he stomps off to a tree that an older boy is climbing. The boy says something, and Cardan grabs for his ankle. A moment later, the boy is on the ground, and Cardan's small grubby hand is forming a fist. At the sound of the scuffle, the faerie woman turns and laughs, clearly delighted by his escapade. When Cardan looks back at her, he's smiling, too. I shove the crystal ball back in to the drawer. Who would cherish this? It's horrible.
Holly Black (The Wicked King (The Folk of the Air, #2))
So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.
C.R.R. Crawford (Sins from my Stepmother: Forbidden Desires)
listening to Mariana, and saying very little … one day Ruth finally interrupted. What she said was simple, direct, and devastating. Ruth suggested, as gently as she could, that Mariana was in denial about her father. That after everything she had heard, she had to question Mariana’s assessment of him as a loving parent. The man Ruth heard described sounded authoritarian, cold, emotionally unavailable, often critical and highly unkind—even cruel. None of these qualities had anything to do with love. “Love isn’t conditional,” Ruth said. “It’s not dependent on jumping through hoops to please someone—and always failing. You can’t love someone if you’re afraid of them, Mariana. I know it’s hard to hear. It’s a kind of blindness—but unless you wake up and see clearly, it will persist throughout your whole life, affecting how you see yourself, and others too.” Mariana shook her head. “You’re wrong about my father,” she said. “I know he’s difficult—but he loves me. And I love him.” “No,” said Ruth firmly. “At best, let’s call it a desire to be loved. At worst, it’s a pathological attachment to a narcissistic man: a melting pot of gratitude, fear, expectation
Alex Michaelides (The Maidens)
The hallmark of egotistical love, even when it masquerades as altruistic love, is the negative answer to the question ‘Do I want my love to be happy more than I want him to be with me?’ As soon as we find ourselves working at being indispensable, rigging up a pattern of vulnerability in our loved ones, we ought to know that our love has taken the socially sanctioned form of egotism. Every wife who slaves to keep herself pretty, to cook her husband’s favourite meals, to build up his pride and confidence in himself at the expense of his sense of reality, to be his closest and effectively his only friend, to encourage him to reject the consensus of opinion and find reassurance only in her arms is binding her mate to her with hoops of steel that will strangle them both. Every time a woman makes herself laugh at her husband’s often-told jokes she betrays him. The man who looks at his woman and says ‘What would I do without you?’ is already destroyed. His woman’s victory is complete, but it is Pyrrhic. Both of them have sacrificed so much of what initially made them lovable to promote the symbiosis of mutual dependence that they scarcely make up one human being between them.
Germaine Greer (The Female Eunuch)
I seem to remember carrying him that evening to the window with uncommon tenderness (following the setting sun that was to take him away), and telling him with not unnatural bitterness that he had got to leave me because another child was in need of all his pretty things; and as the sun, his true father, lapt him in its dancing arms, he sent his love to a lady of long ago whom he called by the sweetest of names, not knowing in his innocence that the little white birds are the birds that never have a mother. I wished (so had the phantasy of Timothy taken possession of me) that before he went he could have played once in the Kensington Gardens, and have ridden on the fallen trees, calling gloriously to me to look; that he could have sailed on paper-galleon on the Round Pond; fain would I have had him chase one hoop a little way down the laughing avenues of childhood, where memory tells us we run but once, on a long summer-day, emerging at the other end as men and women with all the fun to pay for; and I think (thus fancy wantons with me in these desolate champers) he knew my longings, and said with a boy-like flush that the reason he never did these things was not that he was afraid, for he would have loved to do them all, but because he was not quite like other boys; and, so saying, he let go my finger and faded from before my eyes into another and olden ether; but I shall ever hold that had he been quite like the other boys there would have been none braver than my Timothy
J.M. Barrie (The Little White Bird; Or, Adventures in Kensington Gardens (German Edition))
A moment ago, when he entered this human aviary, the pictures, modestly enclosed in four wooden mouldings, remained flat and silent before him; in order to wrest their secret from them, he must believe in them. He wanted to believe in them. He stood in front of one of the canvases. Between the two walls, drenched in sunlight, a single hoop rolled towards that point where the parallels meet in infinity. Little by little, as he looked at it, the picture came alive. What it was saying he could not be translated into words; it was said in painting and no other language could have expressed its meaning; but it spoke. He advanced a few paces. Under his attentive gaze, all the pictures came alive; they awoke memories more ancient than the beginning of the world; they evoked the unpredictable face of the earth far beyond the revolutions to come; they exposed the secrets of a jagged coastline, of a dessert sprinkled with shells, as they remained solitary within themselves, protected from any conscience. Statues without faces, men turned to pillars of salt, landscapes scorched by the flames of death, oceans frozen into immobility of the absolute instant: these were the thousand shapes of absence. And while he looked at this universe devoid of onlookers, it seemed as if he were absent from himself, and that he remained, outside his own personal history, in an empty white eternity. And yet that dream of purity and absence only existed because I was there to lend it the strength of my life.
Simone de Beauvoir
At the time of the Fourth Fire, the history of another people came to be braided into ours. Two prophets arose among the people, foretelling the coming of the light-skinned people in ships from the east, but their visions differed in what was to follow. The path was not clear, as it cannot be with the future. The first prophet said that if the offshore people, the zaaganaash, came in brotherhood, they would bring great knowledge. Combined with Anishinaabe ways of knowing, this would form a great new nation. But the second prophet sounded a warning: He said that what looks like the face of brotherhood might be the face of death. These new people might come with brotherhood, or they might come with greed for the riches of our land. How would we know which face is the true one? If the fish became poisoned and the water unfit to drink, we would know which face they wore. And for their actions the zaaganaash came to be known instead as chimokman—Vne long-knife people. The prophecies described what eventually became history. They warned the people of those who would come among them with black robes and black books, with promises of joy and salvation. The prophets said that if the people turned against their own sacred ways and followed this black-robe path, then the people would suffer for many generations. Indeed, the burial of our spiritual teachings in the time of the Fifth Fire nearly broke the hoop of the nation. People became separated from their homelands and from each other as they were forced onto reservations. Their children were taken from them to learn the zaaganaash ways. Forbidden by law to practice their own religion, they nearly lost an ancient worldview. Forbidden to speak their languages, a universe of knowing vanished in a generation. The land was fragmented, the people separated, the old ways blowing away in the wind; even the plants and animals began to turn their faces away from us. The time was foretold when the children would turn away from the elders; people would lose their way and their purpose in life. They prophesied that, in the time of the Sixth Fire, “the cup of life would almost become the cup of grief.” And yet, even after all of this, there is something that remains, a coal that has not been extinguished. At the First Fire, so long ago, the people were told that it is their spiritual lives that will keep them strong. They say that a prophet appeared with a strange and distant light in his eyes. The young man came to the people with the message that in the time of the seventh fire, a new people would emerge with a sacred purpose. It would not be easy for them. They would have to be strong and determined in their work, for they stood at a crossroads. The ancestors look to them from the flickering light of distant fires. In this time, the young would turn back to the elders for teachings and find that many had nothing to give. The people of the Seventh Fire do not yet walk forward; rather, they are told to turn around and retrace the steps of the ones who brought us here. Their sacred purpose is to walk back along the red road of our ancestors’ path and to gather up all the fragments that lay scattered along the trail. Fragments of land, tatters of language, bits of songs, stories, sacred teachings—all that was dropped along the way. Our elders say that we live in the time of the seventh fire. We are the ones the ancestors spoke of, the ones who will bend to the task of putting things back together to rekindle the flames of the sacred fire, to begin the rebirth of a nation.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
I'm in sore straits, Jeeves.' 'I am sorry to hear that, sir.' 'You'll be sorrier when I explain further. Have you ever seen a garrison besieged by howling savages, with their ammunition down to the last box of cartridges, the water supply giving our and the United States Marines nowhere in sight?' 'Not to my recollection, sir.' 'Well, my position is roughly that of such a garrison, except that compared with me they're sitting pretty. Compared with me they haven't a thing to worry about.' 'You fill me with alarm, sir.' 'I bet I do, and I haven't even started yet. I will begin by saying that Miss Cook, to whom I'm engaged, is a lady for whom I have the utmost esteem and respect, but on certain matters we do not... what's the expression?' 'See eye to eye, sir?' 'That's right. And unfortunately those matters are the what-d'you-call-it of my whole policy. What is it that policies have?' 'I think the word for which you are groping, sir, may possibly be cornerstone.' 'Thank you, Jeeves. She disapproves of a variety of things which are the cornerstone of my policy. Marriage with her must inevitably mean that I shall have to cast them from my life, for she has a will of iron and will have no difficulty in making her husband jump through hoops and snap sugar off his nose. You get what I mean?' 'I do, sir. A very colourful image.' 'Cocktails, for instance, will be barred. She says they are bad for the liver. Have you noticed, by the way, how frightfully lax everything's getting now? In Queen Victoria's day a girl would never have dreamed of mentioning livers in mixed company.' 'Very true, sir. Tempora mutanter, nos et mutamur in illis.' 'That, however, is not the worst.' 'You horrify me, sir.' 'At a pinch I could do without cocktails. It would be agony, but we Woosters can rough it. But she says I must give up smoking.' 'This was indeed the most unkindest cut of all, sir.' 'Give up smoking, Jeeves!' 'Yes, sir. You will notice that I am shuddering.
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
Two years ago, having been walking towards La Nouvelle France, I turned to the left, and willing to extend my walk round Montmartre, crossed the village of Clignancourt. As I walked along, thoughtful, and regardless of the surrounding objects, I felt something clasp my knees, and immediately perceived it was a child of about five or six years old, clinging round them, who at the same time looked up so fondly and familiarly in my face, that I was greatly moved, saying to myself, "thus I should have been treated by my own." I took the child in my arms, and after having kissed it several times, in a kind of transport, continued my way. I felt as I walked on that something was wanting to complete my satisfaction, and this obliged me to return. I reproached myself with having quitted the child so soon, thinking I had discovered in its manner a kind of inspiration, which ought not to have been slighted. Giving into the temptation, I ran towards the child, embraced it again, and gave him money to buy some small Nanterre loaves, a man who sold them happening to be passing by. J began to make him talk; and on asking who's son he was? He pointed to a man that was hooping some barrels. I was just preparing to quit the child, in order to speak to the father, when I was prevented by seeing a man whisper him, who appeared to be one of those spies who are ever at my heels. While this person was speaking, I remarked that the cooper's eyes were fixed attentively on me, with no very friendly aspect: this sight contracted my heart in an instant, and I quitted both father and child, with greater expedition than I had returned to them; but with a sensation less agreeable, and which altered my whole chain of feelings. I have, notwithstanding, frequently felt these sentiments revive, and have often passed Clignancourt, in hopes of seeing this child again, but have never since met either with him or his father, and the only result of this encounter is, a lively remembrance, intermingled with that pleasing melancholy which is natural to me in all those emotions that penetrate my heart.
Jean-Jacques Rousseau (The Reveries of the Solitary Walker)
About four months into it, we were shooting hoops in my dad’s driveway when Chip stopped in his tracks, held me in his arms, looked into my eyes under the starry sky, and said, “I love you.” And I looked at him and said, “Thank you.” “Thank you?” Chip said. I know I should have said, “I love you too,” but this whole thing had been such a whirlwind, and I was just trying to process it all. No guy had ever told me he loved me before, and here Chip was saying it after what seemed like such a short period of time. Chip got angry. He grabbed his basketball from under my arm and went storming off with it like a four-year-old. I really thought, What in the world is with this girl? I just told her I loved her, and that’s all she can say? It’s not like I just went around saying that to people all the time. So saying it was a big deal for me too. But now I was stomping down the driveway going, Okay, that’s it. Am I dating an emotionless cyborg or something? I’m going home. Chip took off in his big, white Chevy truck with the Z71 stickers on the side, even squealing his tires a bit as he drove off, and it really sank in what a big deal that must have been for him. I felt bad--so bad that I actually got up the courage to call him later that night. I explained myself, and he said he understood, and by the end of the phone call we were right back to being ourselves. Two weeks later, when Chip said, “I love you” again, I responded, “I love you too.” There was no hesitation. I knew I loved him, and I knew it was okay to say so. I’m not sure why I ever gave him a second chance when he showed up ninety minutes late for our first date or why I gave him another second chance when he didn’t call me for two months after that. And I’m not sure why he gave me a second chance after I blew that romantic moment in the driveway. But I’m very glad I did, and I’m very glad he did too--because sometimes second chances lead to great things. All of my doubts, all of the things I thought I wanted out of a relationship, and many of the things I thought I wanted out of life itself turned out to be just plain wrong. Instead? That voice from our first date turned out to be the thing that was absolutely right.
Joanna Gaines (The Magnolia Story)
After my dad started making duck calls, he’d leave town for a few days, driving all over Louisiana, Arkansas, Mississippi, and Texas trying to sell them. He left me in charge of the fishing operation. I was only a teenager, but it was my responsibility to check almost eighty hoop nets three times a week. Looking back now, it was pretty dangerous work for a teenager on the river, especially since I’d never done it alone. If you fell out of the boat and into the river, chances were you might drown if something went wrong and you were alone. But I was determined to prove to my father that I could do it, so I left the house one morning and spent all day on the river. I checked every one of our hoop nets and brought a mound of fish back to Kay to take to market. I was so proud of myself for pulling it off without anyone’s help! When Dad came home a couple of days later, Mom told him about the fish I’d caught and how much money we’d made. I could see the smile on his face. But then he went outside to check his boat and noticed that a paddle was missing. Instead of saying, “Good job, son,” he yelled at me for losing a paddle! I couldn’t believe he was scolding me over a stupid oar! I’d worked from daylight to dusk and earned enough money for my family to buy a dozen paddles! Where was the gratitude? I was so mad that I jumped in the boat and headed to the nets to see if I could find the missing paddle. After checking about seventy nets, I was resigned to the fact that it was probably gone. But when I finally reached the seventy-ninth net, I saw the paddle lying in a few bushes where I’d tied up a headliner, which is a rope leading to the net. It was almost like a religious experience for me. What were the odds of my finding a lost paddle floating in a current on a washed-out river? It was like looking for a needle in a haystack. I took the paddle back to my dad, but he was still mad at me for losing it in the first place. I have never liked the line “up a creek without a paddle” because of the trouble boat paddles caused me. I swore I would never lose another one, but lo and behold, the next year, I broke the same paddle I’d lost while trying to kill a cottonmouth water moccasin that almost bit me. My dad wasn’t very compassionate even after I told him his prized paddle perhaps saved my life. I finally concluded that everyone has quirks, and apparently my dad has some sort of weird love affair with boat paddles.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
In the future that globalists and feminists have imagined, for most of us there will only be more clerkdom and masturbation. There will only be more apologizing, more submission, more asking for permission to be men. There will only be more examinations, more certifications, mandatory prerequisites, screening processes, background checks, personality tests, and politicized diagnoses. There will only be more medication. There will be more presenting the secretary with a cup of your own warm urine. There will be mandatory morning stretches and video safety presentations and sign-off sheets for your file. There will be more helmets and goggles and harnesses and bright orange vests with reflective tape. There can only be more counseling and sensitivity training. There will be more administrative hoops to jump through to start your own business and keep it running. There will be more mandatory insurance policies. There will definitely be more taxes. There will probably be more Byzantine sexual harassment laws and corporate policies and more ways for women and protected identity groups to accuse you of misconduct. There will be more micro-managed living, pettier regulations, heavier fines, and harsher penalties. There will be more ways to run afoul of the law and more ways for society to maintain its pleasant illusions by sweeping you under the rug. In 2009 there were almost five times more men either on parole or serving prison terms in the United States than were actively serving in all of the armed forces.[64] If you’re a good boy and you follow the rules, if you learn how to speak passively and inoffensively, if you can convince some other poor sleepwalking sap that you are possessed with an almost unhealthy desire to provide outstanding customer service or increase operational efficiency through the improvement of internal processes and effective organizational communication, if you can say stupid shit like that without laughing, if your record checks out and your pee smells right—you can get yourself a J-O-B. Maybe you can be the guy who administers the test or authorizes the insurance policy. Maybe you can be the guy who helps make some soulless global corporation a little more money. Maybe you can get a pat on the head for coming up with the bright idea to put a bunch of other guys out of work and outsource their boring jobs to guys in some other place who are willing to work longer hours for less money. Whatever you do, no matter what people say, no matter how many team-building activities you attend or how many birthday cards you get from someone’s secretary, you will know that you are a completely replaceable unit of labor in the big scheme of things.
Jack Donovan (The Way of Men)
It wasn’t that funny,” Cat muttered. “On the contrary,” Wilson said. “You just weren’t looking at the request from my point of view. I was just lying there thinking that I’d never felt so used up and satisfied in my life, and then you’re asking about a repeat performance.” Cat lifted her chin in the air, then arched an eyebrow. “If the request was beyond your abilities, all you had to do was say so.” Wilson reached up and pulled her back down in his arms, then rolled until she was beneath him. When she looked up, her breath caught in the back of her throat. A bit of light was reflecting off the gold hoop in his ear, and there was a sheen of moisture on his lips, as if he’d just licked them. Without thinking, she ran the tip of her tongue along her bottom lip, and as she did, Wilson kissed her, hard and fast. Cat groaned. Wilson paused, then looked down at her. “Still interested?” he drawled. Cat’s nostrils flared as she locked her legs around his waist. Wilson’s eyes widened, then closed in disbelief. It was the last thing Cat saw before she pulled him under.
Sharon Sala (Nine Lives (Cat Dupree, #1))
I don’t know — yet. But Lorel wouldn’t say it without good reason. Don’t look now, but there’s a squirrel on the fence.” David turned his head. A pepper-gray squirrel was balancing neatly on the flat bar between two railing hoops. “Oh, wow. It’s Snigger — I think.” Chuk! went the squirrel, flagging its tail. It lifted one paw and appeared to smile.
Chris d'Lacey (Icefire (The Last Dragon Chronicles, #2))
The train must have been late,” Pandora said crossly, playing with the dogs on the receiving room floor. “I hate waiting.” “You could occupy yourself with a useful task,” Cassandra said, poking away at her needlework. “That makes waiting go faster.” “People always say that, and it’s not true. Waiting takes just as long whether one is being useful or not.” “Perhaps the gentlemen have stopped for refreshments on the way from Alton,” Helen suggested, leaning over her embroidery hoop as she executed a complicated stitch. Kathleen looked up from an agricultural book that West had recommended to her. “If that’s the case, they had better be famished when they arrive,” she said with mock indignation. “After the feast Cook has prepared, nothing less than gluttony will suffice.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
You’ll have to pay,” Lo says. Caleb breaks stride, like her voice sprouted tentacles that slithered through the air and locked around his ankles.
Kennedy Ryan (Long Shot (Hoops, #1))
I empty myself of all I was before and take whatever she has to give. There’s a newness when our eyes meet—wonder in the laughter we share while I hold her. We don’t speak, but there’s eloquence in our fingertips, in our hands as we touch and explore. Our bodies commune, confess. I don’t have to say the words. She knows I’m hers.
Kennedy Ryan (Long Shot (Hoops, #1))
It’s not our home crowd, but everyone cheers as I’m hoisted on the stretcher and taken toward the locker room. Every face I pass shows sympathy, even the Stingers’ players. When I pass Caleb, though, a black satisfaction darkens his blue eyes. There’s retribution in the curl of his lip. The defending player is supposed to give the player with the ball room to land. Caleb didn’t do that. It was a dirty play. No reasonably informed person watching what just happened would say otherwise. His scorn and cruelty cover me under the blinding lights and flashing cameras, and I wonder if Iris is still here. If she saw the play. Caleb did this to warn me, but I hope Iris takes it as a warning, too.
Kennedy Ryan (Long Shot (Hoops, #1))
was running out of valuable athletic clichés. Would beach volleyball say much about proposals for federal health care reform? Could I use mumblety-peg comparisons to explain the North American Free Trade Agreement negotiations? Golf, however, is ideal for these purposes. “Christian fundamentalists put a wicked slice in the Republican party platform.” “Somebody should replace the divot on the back of Al Gore’s head.” “Let’s go hit Congress with a stick.” I also wanted a sport with a lot of equipment. All truly American sports are equipment intensive. Basketball was strictly for hoop-over-the-barn-door Hoosiers and Jersey City Y’s until two-hundred-dollar gym shoes were invented. And synchronized swimming will never make it to network prime time because how often do you need new nose plugs? I’m an altruistic guy, in my own Reaganomics way. Sports gear purchases are about all that’s keeping the fragile U.S. economy alive, and you’d have to get into America’s Cup yachting or cross-country airplane racing to find a sport that needs more gear than golf. I’ve bought the shoes, hats, socks, pants, shirts, umbrellas, windbreakers, and plus fours—all in colors that Nirvana fans wouldn’t dye their hair. Then there are the drivers, irons, putters, and the special clubs: parking-lot wedge, back-of-the-tree mashie, nearby highway niblick. MasterCard has installed a plaque on the wall of its headquarters to commemorate my taking up golf.
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
Anyway, I wanted to tell you this story, since it just rolled into my gourd while I was into that 1950 Lighthouse shot. I never told you about the Legend of the Gigantic Fart, did I?” “Put the beer in a paper bag. Let’s get it on the road.” “No, man, this story became a legend and is still told in the high schools around the county. You see, it was at the junior prom, a very big deal with hoop dresses and everybody drinking sloe gin and R.C. Cola outside in the cars. Now, this is strictly a class occasion if you live in a shitkicker town. Anyway, we’d been slopping down the beer all afternoon and eating pinto-bean salad and these greasy fried fish before we got to the dance. So it was the third number, and I took Betty Hoggenback out on the floor and was doing wonderful, tilting her back like Fred Astaire doing Ginger Rogers. Then I felt this wet fart start to grow inside me. It was like a brown rat trying to get outside. I tried to leak it off one shot at a time and keep dancing away from it, but I must have left a cloud behind that would take the varnish off the gym floor. Then one guy says, ‘Man, I don’t believe it!’ People were walking off the floor, holding their noses and saying, ‘Pew, who cut it?’ Then the saxophone player on the bandstand threw up into the piano. Later, guys were shaking my hand and buying me drinks, and a guy on the varsity came up and said that was the greatest fart he’d ever seen. It destroyed the whole prom. The saxophone player had urp all over his summer tux, and they must have had to burn the smell out of that piano with a blowtorch.” Buddy was laughing so hard at his own story that tears ran down his cheeks. He caught his breath, drank out of the beer glass, then started laughing again. The woman behind the bar was looking at him as though a lunatic had just walked into the normalcy of her life.
James Lee Burke (The Lost Get-Back Boogie)
Fine, then just tell me what I need to do. It’s your specialty, right? Turning a diamond in the rough into a polished gem.” She regarded him skeptically. “Assuming there’s a precious stone under that exterior.” “Ha. You know it, sugar pie.” “New rule,” she said. “Don’t go around calling women names like sugar pie.” “If I called men names like that, people would think I’m queer.” “And don’t say queer.” “Everybody says queer. It’s even in the name of that show.” “It’s a matter of context. And judgment. Just do yourself a favor and don’t use that word.” “What should I use? Ho-mo-sexual?” He separated the word into obnoxious-sounding syllables. “How about you avoid the subject altogether? People can go for long periods of time without debating sexual orientation.” She assessed him with her eyes. “Unless this is a preoccupation of yours.” He snorted. “Right. You slay me, lady. You really do. First, you rag on me for being a Lothario. Which, by the way, I looked up. I’m nothing like that guy. He was banging anything in hoop skirts. And I’m not. I don’t have that problem. At the moment, my biggest problem is you. And you’re supposed to be helping me.” “I am, but I need some cooperation from you.” “You got it,” he said, polishing off the doughnut. “Sugar pie.
Susan Wiggs (Fireside (Lakeshore Chronicles #5))
Why is it that you have to jump through hoops of fire to find out that someone's decent? The fact that someone is a bitch on the surface says heaps about them.
Marchetta Melina
we read a little farther in James, we find that the tongue cannot be tamed (James 3:7 – 8). Every creature, reptile, bird, or animal can be tamed, but not the tongue. Imagine a colossal circus full of every kind of creature: dancing bears, prancing horses — even a ferocious looking feline or two performing tricks or jumping through hoops when their trainers give the signal. But way off in one corner stands a booth with a closed curtain and a sign that reads: “The Utterly Untamable.” Then, at a very strategic time during the spectacular show the ringmaster hushes the audience in order to display this beast that will not bend. When he throws open the concealing curtain, sitting behind it is a woman
Karen Ehman (Keep It Shut: What to Say, How to Say It, and When to Say Nothing at All)
Those who wish to rewrite history and make America’s narrative Christian in its telling make wild accusations, dismiss historical evidence, and jump through all kinds of rhetorical hoops so they can say, “They didn’t really mean that.
C. Andrew Doyle (Citizen: Faithful Discipleship in a Partisan World)
Like Barbra Streisand, who just opened her mouth and sang without ever having a singing lesson, it was hard for Brando to view something that came so naturally to him as a great gift, let alone genius. Praised for his acting versatility, he recoiled: “You can say the same thing about a hula hoop.
William J. Mann (The Contender: The Story of Marlon Brando)
He's annoyed, she thinks, although there are no signs of it. He thinks he keeps his feelings to himself, but he doesn't really; he just expresses them indirectly, so that everyone has to jump through hoops to interpret whatever he means in his one-word answers, his silent staring at the TV, his getting up from the dinner table without saying a word to anybody.
Oisín McKenna (Evenings and Weekends)
I believe we go where we’re supposed to go when we’re supposed to and that people are in our lives when they’re supposed to be.
Kennedy Ryan (Long Shot (Hoops, #1))
The point in saying that Jesus is lowly is that he is accessible. For all his resplendent glory and dazzling holiness, his supreme uniqueness and otherness, no one in human history has ever been more approachable than Jesus Christ. No prerequisites. No hoops to jump through.
Dane C. Ortlund (Gentle and Lowly: The Heart of Christ for Sinners and Sufferers)
I'm mooring my rowboat / at the dock of the island called God. / This dock is made in the shape of a fish / and there are many boats moored / at many different docks. / 'It's okay,' I say to myself / with blisters that broke and healed / and broke and healed -- / saving themselves over and over. / And salt sticking to my face and arms like / a glue-skin pocked with grains of tapioca. / I empty myself from my wooden boat / and onto the flesh of The Island. 'On with it!' He says and thus / we squat on the rocks by the sea / and play - can it be true - / a game of poker. / He calls me. / I win because I hold a royal straight flush. / He wins because He holds five aces, / A wild card had been announced / but I had not heard it / being in such a state of awe / when he took out the cards and dealt. / As he plunks down his five aces / and I am still grinning at my royal flush, / He starts to laugh, / and laughter rolling like a hoop out of His mouth / and into mine / and such laughter that He doubles right over me / laughing a Rejoice-Chorus at our two triumphs. / Then I laugh, the fishy dock laughs / the sea laughs. The Island laughs. / The Absurd laughs. Dearest dealer, / I with my royal straight flush, / love you so for your wild card, / that untamable, eternal, gut-driven ha-ha / and lucky love.
Anne Sexton (The Awful Rowing Toward God)
Mma Ramotswe smiled at her old friend. You can go through life and make new friends every year -- every month practically -- but there was never any substitute for those friendships of childhood that survive into adult years. Those are the ones in which we are bound to one another with hoops of steel. She reached out and touched Dr. Maketsi on the arm, gently, as old friends will sometimes do when they have nothing more to say.
Alexander McCall Smith (The No. 1 Ladies Detective Agency)
Her future plans never referenced Dad, though sometimes she talked about a time when she'd live among Brian, me, and the grandkids she expected. "I want two kids from you and four from Brian," she'd say, and I never understood why she wanted fewer kids from me than my older brother. The fact is, I didn't want any number of kids, really. I was content with myself as a gay man, and I knew gay men could have kids, of course, but it didn't seem worth jumping through all the hoops-- the surrogates, or the adoption, all the paperwork. The only time I took the idea of kids seriously was when I thought about everyone who had died, two million points of connection reincarnated into the abyss, how young Cambos like me should repopulate the world with more Cambos, especially those with fancy college degrees, whose kids could be legacy admits.
Anthony Veasna So (Afterparties)
throughout my life, using skills or talents or a person’s raw physical power to help them rise to the top of their society came and went. In the beginning, it was the strength in their arms to swing their swords. Then the tongue to sway large groups to accomplish something together. It became those who developed the sciences, and then—to a degree—it was those again who had physical prowess and could run or shoot a ball into a hoop. Yet, it was those who produced the food, built the homes, protected society, or taught the children or young adults who often weren’t supported. They would do their jobs, punch their time cards, and do what needed to get done to keep society going. My suggestion is to consider all work—if done well—equal. Government needs to be in place, but we’ll require some form of service as your debt to society. Perhaps you are a musician but can test into working with an R&D lab in the future. Can that be your service?” “That,” Bethany Anne replied, “could be a nightmare. Just think about the ongoing effort for some of Jean Dukes’ stuff. There’s no way we could place a person into a project for two weeks and then they leave.” Michael tapped a finger on the table. “I understand. However, let me give you a quote from a worker to Jack Welch.” “Who?” Peter interrupted. Stephen answered, “Jack Welch. He was the CEO of General Electric—GE—back on Earth in the twentieth century.” Michael continued, “He was talking to the assembly line workers at one of their businesses and one of the men spoke up, telling Welch that ‘for twenty-five years you paid for my hands when you could have had my brain as well for nothing.’” The table was quiet a moment, thinking about that. Peter was the first to break it. “Makes sense. We use that concept in the Guardians all the time. Everyone has a role to play, but if you have ideas you need to speak up.” “It would,” Addix added, “allow those interacting to bring new ways of thinking to perhaps old and worn-out strategies.” “What about those who truly hated the notion?” Stephen asked. “I can think of a few.” “I’m tempted to say ‘fuck ‘em.’” Bethany Anne snorted. “However, I know people, and they might fuck up the works. What about a ten-percent charge of their annual wealth if they wish to forego service?” “Two weeks,” Michael interjected, “is at best four percent of their time.” “Right,” Bethany Anne agreed, “so I’d suggest they do the two weeks. But if they want to they can lose ten percent of their annual wealth—which is not their annual income, because that shit can be hidden.” The Admiral asked, “So a billionaire who technically made nothing during the year would owe a hundred million to get out of two weeks’ service?” “Right,” Bethany Anne agreed. “And someone with fifty thousand owes five thousand.” “Where does the money go?” Peter asked. Admiral Thomas grinned. “I suggest the military.” “Education?” Peter asked. “It’s just a suggestion, because that is what we are talking about.” Stephen scratched his chin. “I can imagine large corporations putting income packages together for their upper-level executives to pay for this.” “I suggest,” Bethany Anne added, “putting the names of those who opt out on a public list so everyone knows who isn’t working.” “What about sickness, or a family illness they need to deal with?” Stephen countered. “With Pod-docs we shouldn’t have that issue, but there would have to be some sort of schedule. Further, we will always have public projects. There are always roads to be built, gardens to be tended, or military
Michael Anderle (The Kurtherian Endgame Boxed Set (The Kurtherian Endgame #1-4))
don’t mind heavy,” she says softly. “Life is heavy sometimes.
Kennedy Ryan (Block Shot (Hoops, #2))
They looked at my stomach and between my legs. They never said nothing to me. Only one looked at me. Looked at my face, I mean. I looked right back at him. He dropped his eyes and turned red. He knowed, I reckon, that maybe I weren't no horse foaling. But them others. They didn't know. They went on. I seed them talking to them white women: 'How you feel? Gonna have twins?' Just shucking them, of course, but nice talk. Nice friendly talk. I got edgy, and when them pains got harder, I was glad. Glad to have something else to think about. I moaned something awful. The pains wasn't as bad as I let on, but I had to let them people know having a baby was more than a bowel movement. I hurt just like them white women. Just 'cause I wasn't hooping and hollering before didn't mean I wasn't feeling pain. What'd they think? That just 'cause I knowed how to have a baby with no fuss that my behind wasn't pulling and aching like theirs? Besides, that doctor don't know what he talking about. He must never seed no mare foal. Who say they don't have no pain? Just 'cause she don't cry? 'Cause she can't say it, they think it ain't there? If they looks in her eyes and see them eyeballs lolling back, see the sorrowful look, they'd know.
Toni Morrison (The Bluest Eye)
To say that that which was true in the 17th century cannot possibly be true today, because we travel in jet planes while they traveled in horse carts—is like saying that modern men do not need food, as men did in the past, because they are wearing trenchcoats and slacks, instead-of powdered wigs and hoop skirts.
Ayn Rand (The Ayn Rand Column)
Breathe out the lies,” she says. “That it was your fault. That you failed. That you are what he said you were.
Kennedy Ryan (Long Shot (Hoops, #1))
I bend over so he sees me upside down. “I’m only asking you once, Caleb,” I say calmly, while his eyes bug and he starts to turn red. “Where is she?” “He can’t breathe!” the trainer guy says, sputtering and pointing.
Kennedy Ryan (Long Shot (Hoops, #1))
Touch a lady’s knife,” MiMi says, some humor sprinkled in her words, “you better be prepared to use it.
Kennedy Ryan (Long Shot (Hoops, #1))
Let nothing hold you back or keep you down,” he says, kindling my memory. “Isn’t that what you told me in our interview?
Kennedy Ryan (Long Shot (Hoops, #1))
Hmmmph. She’s failing herself,” Sheila says. “When somebody is beating the shit out of you, how hard is ‘bye?
Kennedy Ryan (Long Shot (Hoops, #1))
I have said that science is impossible without faith. By this I do not mean that the faith on which science depends is religious in nature or involves the acceptance of any of the dogmas of the ordinary religious creeds, yet without faith that nature is subject to law there can be no science. No amount of demonstration can ever prove that nature is subject to law. For all we know, the world from the next moment on might be something like the croquet game in Alice in Wonderland, where the balls are hedgehogs which walk off, the hoops are soldiers who march to other parts of the field, and the rules of the game are made from instant to instant by the arbitrary decree of the Queen. It is to a world like this that the scientist must conform in totalitarian countries, no matter whether they be those of the right or of the left. The Marxist Queen is very arbitrary indeed, and the fascist Queen is a good match for her. What I say about the need for faith in science is equally true for a purely causative world and for one in which probability rules. No amount of purely objective and disconnected observation can show that probability is a valid notion. To put the same statement in other language, the laws of induction in logic cannot be established inductively. Inductive logic, the logic of Bacon, is rather something on which we can act than something which we can prove, and to act on it is a supreme assertion of faith. It is in this connection that I must say that Einstein's dictum concerning the directness of God is itself a statement of faith. Science is a way of life which can only flourish when men are free to have faith. A faith which we follow upon orders imposed from outside is no faith, and a community which puts its dependence upon such a pseudo-faith is ultimately bound to ruin itself because of the paralysis which the lack of a healthily growing science imposes upon it.
Norbert Wiener (The Human Use of Human Beings: Cybernetics and Society)
When someone says something, don’t ask yourself if it is true. Ask what it might be true of.” That was his intellectual instinct, his natural first step to the mental hoop: to take whatever someone had just said to him and try not to tear it down but to make sense of it.
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
Yo momma is so fat… when a bus hit her she said, “Who threw the pebble?” Yo momma is so fat… when she puts on her yellow rain coat and walks down the street people shout out “taxi”! Yo momma is so fat… she uses the interstate as a slip and slide. Yo momma is so fat… you could use her bellybutton as a wishing well. Yo momma is so fat… the government forced her to wear taillights and blinkers so no one else would get hurt. Yo momma is so fat… she supplies 99% of the world’s gas. Yo momma is so fat… when she goes to Taco Bell, they run for the border! Yo momma is so fat… she rolled out of bed and everybody thought there was an earthquake. Yo momma is so fat… when God said, “Let there be light,” he had to ask her to move out of the way. Yo momma is so fat… she has more chins than a Chinese phone book. Yo momma is so fat… she jumped in the air and got stuck. Yo momma is so fat… she's got to wake up in sections. Yo momma is so skinny… Yo momma is so skinny… she can hang glide with a Dorito! Yo momma is so skinny… she swallowed a meatball and thought she was pregnant. Yo momma is so skinny… she turned sideways and disappeared. Yo momma is so skinny… she hula hoops with a cheerio. Yo momma is so skinny… she has to run around in the shower just to get wet. Yo momma is so skinny… she don’t get wet when it rains. Yo momma is so skinny… her nipples touch. Yo momma is so skinny… she has to wear a belt with her spandex pants. Yo momma is so skinny… she can see through peepholes with both eyes. Yo momma is so skinny… she can dive through a chain-linked fence. Yo momma is so skinny… she uses cotton balls for pillows. Yo momma is so old… Yo momma is so old… she knew the Great Wall of China when it was only good! Yo momma is so old… that her bus pass is in hieroglyphics! Yo momma is so old… she was wearing a Jesus starter jacket! Yo momma is so old… her birth certificate is in Roman numerals. Yo momma is so old… she ran track with dinosaurs. Yo momma is so old… she knew Burger King while he was still a prince. Yo momma is so old… her birth certificate says expired on it. Yo momma is so old… she has a picture of Moses in her yearbook. Yo momma is so old… that when she was in school there was no history class. Yo momma is so old… her social security number is 1! Yo momma is so old… I told her to act her own age, and she died. Yo momma is so short… Yo momma is so short… she does backflips under the bed. Yo momma is so short … she can play handball on the curb. Yo momma is so short… she can use a sock for a sleeping bag. Yo momma is so short… she can tie her shoes while standing up. Yo momma is so short… she can sit on a dime and swing her legs. Yo momma is so short … she has to use a ladder to pick up a dime. Yo momma is so short … she poses for trophies! Yo momma is so short… she has a job as a teller at a piggy bank. Yo momma is so short… she has to use rice to roll her hair up. Yo momma is so short… she uses a toothpick as pool stick. Yo momma is so short… she can surf on a popsicle stick.
Various (151+ Yo Momma Jokes)
What John Ayers was doing seemed routine. But to the few who knew, and watched, it was a thing of beauty. The ball is snapped and John Ayers sees Taylor coming, and slides quickly back one step and to his left. And as he slides, he steps to meet his future. He’s stepping into 1985, when the turf will be fast and he won’t be able to deal with Lawrence Taylor…. Another quick step, back and left, and it’s 1986, and he’s injured and on the sidelines when the Giants send Joe Montana to the hospital and the 49ers home on the way to their own Super Bowl victory…. A third quick step and he crouches like one power forward denying another access to the hoop. But now it’s 1987 and Coach Bill Walsh is advising John Ayers to retire. Ayers ignores the advice and then learns that Walsh won’t invite him back to training camp…. He takes his final quick step back and left and times his blow, to stop dead in his tracks the most terrifying force ever launched at an NFL quarterback. “I don’t think I’ve ever played against a football player who had more drive and intensity to get to the quarterback,” John Ayers will say, after it’s all over, and he’s been given the game ball by his teammates. “It was almost like he was possessed.”…But now it’s 1995, and John Ayers has just died of cancer, at forty-two, and left behind a wife and two children. Joe Montana charters a plane to fly a dozen teammates to Amarillo, Texas, to serve as pall-bearers. At the funeral of John Ayers the letter of tribute from Bill Walsh is read aloud.
Michael Lewis (The Blind Side: Evolution of a Game)
You’re the point guard. The floor general. Involve your teammates more,” he says. “Slow the game down so they can catch up. Open the floor. What happened to the passing we’ve been working on all season? You’ve reverted to hoarding the ball. Where’s your head, man?
Kennedy Ryan (Long Shot (Hoops, #1))
Jesus, Ban,” he says softly but with intensity. “I call and text every day and you ignore me, so I give you space. I lie back as long as I can stand it so you can sort this shit out with Zo, and you assume I don’t want you? What the hell?” Welcome to the female mind. Hope you enjoy your stay. He crosses over to the recliner where I’m seated and takes my hand. “Do you know why I came here tonight?” he asks, stroking the lifeline of my palm with the pad of his thumb. “No,” I whisper and look up to find an emotion so naked on Jared’s face I almost don’t recognize him. “Why’d you come?” “To make sure he didn’t forgive you.
Kennedy Ryan (Block Shot (Hoops, #2))
Banner,” he says, still kneeling, his hair damp and cool against my thigh. “Watch me eat this pussy.
Kennedy Ryan (Block Shot (Hoops, #2))
One newspaper article claims that elite American schools are good at producing only excellent sheep, the kind that can jump through hoop after hoop and not ask why. The same goes for Asians, another article says. Give them a task and they will achieve it with high success. They will do everything you say but ask them to think on their own and they cannot. They will also never ask why. The best friend and the shrink say that I should care less about what others think of me, so I have stopped reading those articles.
Weike Wang (Chemistry)
when he was a university professor, Danny would tell students, “When someone says something, don’t ask yourself if it is true. Ask what it might be true of.” That was his intellectual instinct, his natural first step to the mental hoop: to take whatever someone had just said to him and try not to tear it down but to make sense of it. The question the Israeli military had asked him—Which personalities are best suited to which military roles?—had turned out to make no sense. And so Danny had gone and answered a different, more fruitful question: How do we prevent the intuition of interviewers from screwing up their assessment of army recruits?
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)