Michelle Remembers Quotes

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I knew one hundred little things about Noah Shaw but when he kissed me I couldn't remember my own name.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it.
Michelle Zauner (Crying in H Mart)
Even if we didn't know the context, we were instructed to remember that context existed. Everyone on earth, they'd tell us, was carrying around an unseen history, and that alone deserved some tolerance.
Michelle Obama (Becoming)
I knew Noah worshipped Charlie Parker and that his toothbrush was green. That he wouldn't bother to button his shirts correctly but always made his bed. That when he slept he curled into himself and that his eyes were the color of the clouds before it rained, and I knew he had no problem eating meat but would subtly leave the room if animals started to kill one another on the Discovery Channel. I knew one hundred little things about Noah Shaw but when he kissed me I couldn't remember my own name.
Michelle Hodkin
Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.
Michelle Zauner (Crying in H Mart)
We will do this while we can, and when we can’t anymore, I will remember the feel of your mouth on me and the taste of your tongue and the weight of your hands on mine, and I will be happy.” I whisper against her skin, “If you choose me.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
My chest cracked open at his words. I stared into Noah's perfect face and tried to see what he saw. I tried to see us - not individually, not the arrogant, beautiful, reckless lost boy and the angry, broken girl - but what we were, who we were, together. I tried to remember holding his hand at my kitchen table and feeling for the first time since I'd left Rhode Island that I wasn't alone in this. That I belonged.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you.
Michelle Zauner (Crying in H Mart)
Sometimes my grief feels as though I’ve been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.
Michelle Zauner (Crying in H Mart)
I shake my head. "Remember, Mother. There are no mistakes." She smiles through her tears, leaning in to kiss my cheek "No mistakes, my angel.
Michelle Zink (Prophecy of the Sisters (Prophecy of the Sisters, #1))
We all play a role in this democracy. We need to remember the power of every vote. I continue, too, to keep myself connected to a force that’s larger and more potent than any one election, or leader, or news story—and that’s optimism. For me, this is a form of faith, an antidote to fear.
Michelle Obama (Becoming)
Even if we didn’t know the context, we were instructed to remember that context existed. Everyone on earth, they’d tell us, was carrying around an unseen history, and that alone deserved some tolerance.
Michelle Obama (Becoming)
Remember when i slept with my head in a puddle at your feet? It was humility, or atonement. later your ankle was a pillow and finally you pulled me up and in my sleep i placed your hand above my heart, like i forgot i didn't live there anymore
Michelle Tea
I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn't eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it'd be set with a heaping double portion, served alongside the various other preferences that made you, you.
Michelle Zauner (Crying in H Mart)
Don’t you remember how hot we were together, Lane? God.” He takes a quick breath through clenched teeth and runs his hand down my side, “The things I can do to your body if you’d let me.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Sometimes my grief feels as though I’ve been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I’m colliding into a wall that won’t give. There’s no escape, just a hard wall that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.
Michelle Zauner
Noel chuckles. “I don’t remember you being this fun back in high school.” “Yeah, well, I don’t remember you being this much of a dick.” I duck behind the menu and bit the inside of my cheek and curse myself for talking to him this way. I’m going to lose this job before dinner is even over. He clears his throat. “You know, Lane. If you keep talking to me like that, I might have to show you just how nice I can be.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
You have her smile,” people said, and I remember looking into the casket at her face, wondering if that meant I’d taken it from her, and the wave of guilt descended on me.
Michelle Hodkin (The Becoming of Noah Shaw (The Shaw Confessions, #1))
I want to tell him how much I miss my mother. How he should be kind to his mom, remember that life is fragile and she could be gone at any moment.
Michelle Zauner (Crying in H Mart)
History will remember this," she says. "I do not need to.
Michelle Moran (Madame Tussaud: A Novel of the French Revolution)
You can be our Gandalf,” I said, remembering our conversation from weeks ago, and smiling. “I’m only a year older than you. But I’ll take it as a compliment, if you let me be Dumbledore instead.” “If you insist.” I shrugged. “But Dumbledore is more dead.” “Point,” Daniel acknowledged. “You’re neither, actually.” Jamie looked up from a file he was reading. “You’re a muggle—” “Hey, now.” “Which makes you Giles.” Daniel considered it for a moment. “I’ll take it.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
And as I watched her dying, I don’t remember the look of surprise on her face or the fear in her eyes, or seeing any sadness in her at all. I remember seeing relief there instead.
Michelle Hodkin (The Becoming of Noah Shaw (The Shaw Confessions, #1))
The bullies never remember, but the bullied never forget.
Michelle Hodkin (The Becoming of Noah Shaw (The Shaw Confessions, #1))
It was like trying to recall a forgotten dream—each time I felt close to remembering where we’d met, the memories slipped away.
Michelle Madow (Remembrance (Transcend Time, #1))
Ignorance and stupidity are not the same. Remember that. Ignorance can always be alleviated.
Michelle Sagara (Cast in Flight (Chronicles of Elantra, #12))
I have a hunch that our obsession with photography arises from an unspoken pessimism; it is our nature to believe the good things will not last. . . But photos provide a false sense of security> like our flawed memory, they are guaranteed to fade. . . . We take photographs in order to remember, but it is in the nature of a photograph to forget (pg 157)
Michelle Richmond (The Year of Fog)
Always remember… A blooming rose bush catches the eye of admirers, but it grew from a seed buried in dirt. A butterfly may be free and delicately beautiful, but it spent days shedding skin and dramatically changing inside its chrysalis so it could grow wings to fly. Accept your process.
Kristin Michelle Elizabeth
Wind whips under my skirt. My tights are no protection against the frigid air, so I burrow deeper into my new velvet jacket, slightly remorseful for not wearing something more substantial. If I freeze to death, I just have to remember it's for the sake of fashion.
Michelle Warren (Wander Dust (The Seraphina Parrish Trilogy, #1))
Teela turned to Severn. "I'm having trouble remembering why I haven't strangled her yet." Severn shrugged. "I have that problem myself some days. At the moment, though, the only betting pool in the office seems to be on the Sergeant." "Ha-ha." Kaylin said with a distinct lack of cheer. And then, because she was a fiefling, "What odds?" He cuffed the top of her head.
Michelle Sagara West (Cast in Courtlight (Chronicles of Elantra, #2))
It's hard not to be demolished by the thought of her because I have lived in a body that has loved her and eyes that have witnessed her. She is part of my muscles, my tissue. She is unforgettable. Presumably, if she ever remembers me, it is only when she catches a perfume that is vaguely familiar, and it takes her hours to recognize it as mine.
Chloe Michelle Howarth (Sunburn)
The casualties of war are true heroes that everybody forgets to remember, even those who fight wars within themselves…
Michelle Horst (The Land of Shadows (Vaalbara, #2))
Your vagina is your strongest weapon—always remember that.
Michelle A. Valentine (Phenomenal X (Hard Knocks, #1))
remember talking with my sister Maureen once about the severe short haircuts we all had as children. “Doesn’t it seem like Mom was trying to desexualize us?” I asked. Maureen, the mother of three, suppressed a laugh mixed with irritation. “Wait until you have kids, Michelle,” she said. “Short haircuts aren’t desexualizing. They’re easy.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety. That the months my mother had been a vessel for me, her organs shifting and cramping together to make room for my existence, and the agony she’d endured upon my exit could be repaid by carrying this pain in her place. The rite of an only daughter. But I could do no more than lie nearby, ready to be her advocate, listening to the slow and steady beeping of machinery, the soft sounds of her breathing in and out.
Michelle Zauner (Crying in H Mart)
Elizabeth Michelle Emerson,” she whispers, stroking Liz’s hair away from her face. She remembers being just two floors above here, holding Liz when she was still just a small bundle of pink in her arms. She remembers shifting Liz from one arm to the other so that she and her husband could sign the birth certificate beneath the name that they had chosen so carefully. Through her tears, she says softly, “Please don’t make me write it on a tombstone,
Amy Zhang (Falling into Place)
remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it.
Michelle Zauner (Crying in H Mart)
People are more apt to remember how you made them feel than what you said.
Michelle Tillis Lederman (The 11 Laws of Likability: Relationship Networking . . . Because People Do Business with People They Like)
If you walk away from this, from us, my only hope is that you look back twenty years from now and remember that there is no person on earth more deserving to be cherished than you.
Michelle Hughes (Cherished (Master of My Heart, #1))
Remember there are no losses, because if God did not grant you a desire it is simply because it was not written.
Mirtha Michelle Castro Mármol (Letters, To The Men I Have Loved)
MINDFUL MOMENT: When I’m hungry, I eat what I love. When I’m bored, I do something I love. When I’m lonely, I connect with someone I love. When I feel sad, I remember that I am loved.
Michelle May (Eat What You Love, Love What You Eat: A Mindful Eating Program to Break Your Eat-Repent-Repeat Cycle)
I've progressed only slowly to where I am today. If you are a young person reading this, please remember to be patient with yourself. You are at the beginning of a long and interesting journey, one that will not always be comfortable. You will spend years gathering data about who you are and how you operate and only slowly will you find your way towards more certainty and a stronger sense of self. Only gradually will you begin to discover and use your light!
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
You are a bit like that painting, Minnow. Remember how lovingly and carefully formed you are. Your thoughts, your talents, your memories, your mistakes.... they all make the complete canvas of you. Even though others may mistake your worth, you must never value yourself any less.
Michelle Marcos
Death was silence, loss, guilt. And anger. But life led that way, anyway. From birth, it was a slow, long march to the grave. Who said that? She couldn’t remember now. But it was true. They were born dying. If they were very lucky, the dying was called aging. They reached toward if as if they were satellites in unstable orbits. And then when they got there, they were just dead. One moment in time separated the living from the ghosts.
Michelle Sagara West (Silence (The Queen of the Dead, #1))
Sometimes my grief feels as though I've been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I'm colliding with a wall that won't give. There's no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.
Michelle Zauner (Crying in H Mart)
Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again. —
Michelle Zauner (Crying in H Mart)
Which is another important thing to remember about friendship: You’re crazy if you think you get to make all the rules. What mattered was that we just kept showing up, in closeness, in commitment, in compromise, and even in fatigue. For me, it’s all about showing up.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
Just because I haven't said anything about it, doesn't mean I don't know the REAL story. Remember, people talk. :-)
L. Michelle
Trust me--you come close to death, you'll remember how you stepped out of its way
Michelle Sagara (Cast in Secret (Chronicles of Elantra, #3))
Hello?” The voice was low. He spoke slowly. She recognized it immediately. “Remember when we played?
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
That’s one reason I’m opening up my life in this book: I want everyone to remember those who are lost.
Michelle Knight (Finding Me: A Decade of Darkness, a Life Reclaimed: A Memoir of the Cleveland Kidnappings)
How he should be kind to his mom, remember that life is fragile and she could be gone at any moment.
Michelle Zauner (Crying in H Mart)
The glass is either half empty or half full, and remember that whatever your perspective, it is entirely your choice.
Michelle Lederman, 11 Laws of Likability
Sometimes my grief feels as though I’ve been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give.
Michelle Zauner (Crying in H Mart)
The media-contamination hypothesis usually focuses on the book Michelle Remembers (Smith and Pazder, 1980) and the movie Rosemary's Baby;. These images were in the popular culture for centuries before survivor memories started to surface in therapy; therefore, the media-contamination hypothesis fails to account for the time lag and cannot provide a full account of the phenomenona.
Colin A. Ross (Satanic Ritual Abuse: Principles of Treatment)
She remembered which banchan side dish you emptied first so the next time you were over it’d be set with a heaping double portion, served alongside the various other preferences that made you, you.
Michelle Zauner (Crying in H Mart)
remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn’t eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it’d be set with a heaping double portion, served alongside the various other preferences that made you, you.
Michelle Zauner (Crying in H Mart)
I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn’t eat seafood, if you had a large appetite.
Michelle Zauner (Crying in H Mart)
But the thing is, when someone does light up for us, we remember it. The feeling lands. I can still summon the warmth I felt from my third-grade teacher, Miss Seals, who seemed genuinely happy to see her students each day.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
If I died, I didn’t want people remembering me for the stacks of legal briefs I’d written or the corporate trademarks I’d helped defend. I felt certain that I had something more to offer the world. It was time to make a move.
Michelle Obama (Becoming)
In those darkest moments of your life, I want you to remember one thing – it’s okay... It’s okay to cry. It’s okay to break. It’s okay to scream. It’s okay to stay in bed until you feel like your body has become a part of the mattress. It’s okay… Because you are human and you need time to just breathe. Please remember that you are not weak when you break. You are beautifully broken and so much stronger when the storm passes. Please remember that you are not alone. Please remember that you are worth a chance at a beautiful life. Remember that, once you let go and you break to pieces as you hit the bottom of that dark pit, there is only one way to go and that’s up.      
Michelle Horst (Predator (Men of Honor #1))
On her First Holy Communion, Majella could remember sitting in the chapel for a long time, with Jesus stuck to the roof of her mouth, and her trying to peel him off with her tongue. Somehow she knew picking him off with her finger was all wrong.
Michelle Gallen (Big Girl, Small Town)
When I was eight, I saw some older boys torture a dog. At first they only kicked it. Then one of them took out his penknife and slit its eyes. I remember watching it stagger down the street. I was desperate for its suffering to end; please please let it be run over. But the creature blundered across the road and round the corner, and when I got there it was gone. For weeks I prayed that it had died quickly. But young as I was, I suspected that a God who allows such cruelty wouldn’t have cared about bringing it to an end
Michelle Paver (Dark Matter: A Ghost Story)
I remember a scared, young girl hiding in the guise of arrogance and rebellion. I remember feeling lost in a world where everyone else seemed to have it all figured out. I remember the tears of pain, the rants of anger and the hell that seemed to have swallowed me whole. Although I remember these things, it is now, over a decade later, more like a story that I find hard to believe. Did it all really happen? Even as I write this, my eyes begin to swell. It really did happen. I was that girl. And I’m sorry she had to suffer so. But, that is over now...
Karen Michelle Miller (Words to Ponder About Life, Love and Men)
We walked to a nearby bar in the same manner we always seemed to walk, with me a step forward and him a step back. Barack was an ambler. He moved with a loose-jointed Hawaiian casualness, never given to hurry, even and especially when instructed to hurry. I, on the other hand, power walked even during my leisure hours and had a hard time decelerating. But I remember how that night I counseled myself to slow down, just a little—just enough so that I could hear what he was saying, because it was beginning to dawn on me that I cared about hearing everything he said.
Michelle Obama (Becoming)
Ainsley Michelle James had been in my heart for as long as I could remember I was only just realizing she’d been in my soul for just as long. Our destinies had been written the moment I’d laid eyes on her, and I wasn’t going to give her up ever again. I’m fucking coming for you, Sunshine.
Amie Knight (See Through Heart (Heart #1))
Pierre Janet, a French professor of psychology who became prominent in the early twentieth century, attempted to fully chronicle late- Victorian hysteria in his landmark work The Major Symptoms of Hysteria. His catalogue of symptoms was staggering, and included somnambulism (not sleepwalking as we think of it today, but a sort of amnesiac condition in which the patient functioned in a trance state, or "second state," and later remembered nothing); trances or fits of sleep that could last for days, and in which the patient sometimes appeared to be dead; contractures or other disturbances in the motor functions of the limbs; paralysis of various parts of the body; unexplained loss of the use of a sense such as sight or hearing; loss of speech; and disruptions in eating that could entail eventual refusal of food altogether. Janet's profile was sufficiently descriptive of Mollie Fancher that he mentioned her by name as someone who "seems to have had all possible hysterical accidents and attacks." In the face of such strange and often intractable "attacks," many doctors who treated cases of hysteria in the 1800s developed an ill-concealed exasperation.
Michelle Stacey (The Fasting Girl: A True Victorian Medical Mystery)
I was fortunate I knew her here." She heard her voice, clipped, distant—suddenly—as if she were describing a third-form teacher who had taught her Linnaean classification. No, she said to herself. I was blessed to have her here. Her passion of place. Her sense of the people. Here is her; leave it at that.
Michelle Cliff (No Telephone to Heaven)
I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn’t eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it’d be set with a heaping double portion, served alongside the various other preferences that made you, you.
Michelle Zauner (Crying in H Mart)
Relax,” the woman said. “It’s just me.” “Just you?” Hale asked with heavy irony, remembering the black leather and predator’s eyes with a stab of heat. Dangerous beauty had always been his downfall. “I’m watching your back.” “Sure you are,” he snorted. Beauty or not, he wasn’t stupid enough to trust. Screw, sure. Trust, no way.
Michelle O'Leary (The Third Sign)
The Arab people are known for their friendliness and generosity towards foreigners. I remember once, at the Foreign and Commonwealth Office, the ambassador told me to never openly admire something that an Arab person had in their possession because they would feel obliged by custom to give it to you even if it meant the world to them
Michelle Peach (Gazelle in the Shadows)
On April 6, 2001, two days after the news linking the East Area Rapist and the Original Night Stalker hit the media, the phone rang in a house on Thornwood Drive in east Sacramento. A woman in her early sixties answered. She’d lived in the house for nearly thirty years, though her last name had changed. “Hello?” The voice was low. He spoke slowly. She recognized it immediately. “Remember when we played?
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
Life is unfair, and sometimes it helps to irrationally blame someone for it. Sometimes my grief feels as though I’ve been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.
Michelle Zauner (Crying in H Mart)
Everything happens at night. The world changes, the shadows grow, there's secrecy and privacy in dark places. First kiss at night, by the monkey bars and the old swings that the children and their parents have vacated; second, longer kiss, by the bike stands, swirl of dust around feet in the dry summer air. Awkward words, like secrets just waiting to be broken, the struggle to find the right ones, the heady fear of exposure --- what if, what if --- the joy when the words are returned. Love, in the parkette, while the moon waxes and the clouds pass. Promises at night. Not first promises --- those are so old they can't be remembered --- but new promises, sharp and biting; they almost hurt to say, but it's a good hurt. Dreams at night, before sleep, and dreams during sleep. Everything, always, happens at night.
Michelle Sagara (Silence (The Queen of the Dead, #1))
She’d been only four, much too little to understand what was happening, when her mother walked out. She hardly remembered Michelle. Yet the loss was still with her, not really a pain, more like an emptiness, as if something that ought to be inside of her were missing. She worried that more losses would leave other empty spaces in her, until she would be as hollow as a shell from which the egg had been drained through a pinhole.
Dean Koontz (Elsewhere)
The absence of life is not the same as material privation: we will never again see the same soul occupying the same space. The world refers to them as pets, but that is what we do, not really what they are. Affection pays for itself in proportion to the love we offer, and if the love we lavished on him was any indication, we are inconsolable. The suffering is more on our side now, for he led an enormously happy and productive life, and we are left to remember and agonize. It is all wretchedness now. Grief is the currency for death, leaving us in emotional debt perhaps forever, but love is the tax we happily pay toward the investment of another's company, and we would all rather pay it and be happy and poor than be rich in a friendless life. He is gone, and we are now beholden to him, but we are so much happier for his having been here than we deserve to be. On the death of Ted, beloved cat
Michelle Franklin
What I won’t allow myself to do, though, is to become cynical. In my most worried moments, I take a breath and remind myself of the dignity and decency I’ve seen in people throughout my life, the many obstacles that have already been overcome. I hope others will do the same. We all play a role in this democracy. We need to remember the power of every vote. I continue, too, to keep myself connected to a force that’s larger and more potent than any one election, or leader, or news story—and that’s optimism.
Michelle Obama (Becoming)
Every latent dream awakens only when someone is glad for it. When a teacher says, I am glad that you came to school today. Or a colleague says, I am glad you are expressing your thoughts. Or a life partner says, I am glad that after all this time, you still wake up next to me in the morning. We can remember to give these messages first, to put them up front. I am glad that we work side by side. I’m glad for who you are. And I’m glad for myself, too. This is the light we carry, and the light we are capable of sharing.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden.
Michelle Zauner (Crying in H Mart)
She was my champion. She was my archive. She had taken the utmost care to preserve the evidence of my existence and growth. Capturing me in images. Saving all my documents and possessions. She had all knowledge of my being memorized. The time I was born. My unborn cravings. The first book I read. The formation of every characteristic. Every ailment and little victory. She observed me with unparalleled interest. Inexhaustible devotion. Now that she was gone, there was no one left to ask about these things. The knowledge left unrecorded died with her. What remained were documents and my memories. And now it was up to me to make sense of myself, aided by the signs she left behind. How cyclical and bittersweet, for a child to retrace the image of their mother. For a subject to turn back to document the archivist… The memories I had stored, I could not let fester. Could not let trauma infiltrate and spread to spoil and render them useless. They were moments to be tended. The culture we shared was active, effervescent in my gut and in my genes and I had to seize it, foster it, so it did not die in me, so that I could pass it on someday. The lessons she imparted, the proof of her life lived on in me in my every move and deed. I was what she left behind. If I could not be with my mother, I would be her.
Michelle Zauner (Crying in H Mart)
I asked her to tell me what the best moment of her life had been Did she? Yes, she told me about a trip the two of you had taken to Europe together right after you graduated from high school. Pascal in Paris, it had been a dream of hers to visit Pascal’s grave. On that trip she finally did. I’d never seen her so excited. That wasn’t it. It wasn’t? No, it was in a hostel in Venice. The two of you had been travelling for a couple of weeks and all of your clothes were filthy. You didn’t mind the dirty clothes very much. Lila said you were able to roll with the punches and for you, everything about the trip, even the dirty laundry, was a great adventure. But Lila liked things a certain way, and she hated being dirty. That day she had gone off in search of a laundry mat but hadn’t been able to find one. You were sleeping in a room with a dozen bunks, women and men together. In the middle of the night Lila woke up and realized you weren’t in your bed. She thought you must have gone to the bathroom, but after a couple minutes when you hadn’t returned she became worried. She climbed down from her bunk and went to the bathroom to find you, you weren’t there. She wondered up and down the hallway softly calling your name. A few of the rooms were private and had the doors closed. As she became increasingly worried she began putting her ear to those doors listening for you. Then she heard banging down below. Alarmed she went down the dark stairwell to the basement. She saw you before you saw her. You were working in the dim light of a single blub standing over an old hand operated washing machine. She asked what you were doing, what does it look like you said smiling. What Lila remembered from that night was that you actually looked happy to be standing there in the cold basement in the middle of the night washing clothes by hand. And she knew you wouldn’t have minded wearing dirty clothes for another week or two, you were doing it for her. She said that. Yes when I asked her what the best moment of her life had been she had told me that story. But it was nothing. To her it was.
Michelle Richmond (No One You Know)
April remembered her hesitation when she first stepped into Marthe’s apartment and saw the dust-caked furniture clumped in groups and shrouded from the outside. Assessing so many pieces seemed dauntingly hopeless at the time, never mind the matter of how to make sense of the assets’ meaning and value. Still, April dug in and ultimately found what she needed. Provenance mattered. History mattered. But it could not guarantee what might happen next. Her marriage was no less overwhelmed, no less cluttered. This time, though, April knew what kind of courage would be required, the honesty it would take, to root around until her hands cracked and fingernails bled. After tackling Marthe’s chaos, her own did not appear quite so bad. There was value there. And unlike with Madame de Florian, there were only two people who needed to see it.
Michelle Gable (A Paris Apartment)
Mom, you spent two and a half decades telling me to focus on school and work and not to think about boys. Maybe the reason I’m not married is because I’m such a guai nui.” Such a good girl. It’s one of the only Cantonese phrases she knows, the one her parents and her grandparents would say to her as a compliment—when they were in front of their friends, when she did something they approved of, when they were reassuring each other in hushed tones after the funeral that Helen would never do something like this. Helen has always been a good girl. She remembers her frustration watching Michelle move through the world and finding ways to upset everyone, all the time. She had envied it a little bit too—the idea of just not caring seemed so foreign to her, she sometimes couldn’t believe they had the same parents. She recognizes an uncharitable feeling of resentment rise against her little sister, even all these years later.
Yulin Kuang (How to End a Love Story)
The important parts of my story, I was realizing, lay less in the surface value of my accomplishments and more in what undergirded them—the many small ways I’d been buttressed over the years, and the people who’d helped build my confidence over time. I remembered them all, every person who’d ever waved me forward, doing his or her best to inoculate me against the slights and indignities I was certain to encounter in the places I was headed—all those environments built primarily for and by people who were neither black nor female. I thought of my great-aunt Robbie and her exacting piano standards, how she’d taught me to lift my chin and play my heart out on a baby grand even if all I’d ever known was an upright with broken keys. I thought of my father, who showed me how to box and throw a football, same as Craig. There were Mr. Martinez and Mr. Bennett, my teachers at Bryn Mawr, who never dismissed my opinions. There was my mom, my staunchest support, whose vigilance had saved me from languishing in a dreary second-grade classroom. At Princeton, I’d had Czerny Brasuell, who encouraged me and fed my intellect in new ways. And as a young professional, I’d had, among others, Susan Sher and Valerie Jarrett—still good friends and colleagues many years later—who showed me what it looked like to be a working mother and consistently opened doors for me, certain I had something to offer. These were people who mostly didn’t know one another and would never have occasion to meet, many of whom I’d fallen out of touch with myself. But for me, they formed a meaningful constellation. These were my boosters, my believers, my own personal gospel choir, singing, Yes, kid, you got this! all the way through. I’d never forgotten it. I’d tried, even as a junior lawyer, to pay it forward, encouraging curiosity when I saw it, drawing younger people into important conversations.
Michelle Obama (Becoming)
As Mollie said to Dailey in the 1890s: "I am told that there are five other Mollie Fanchers, who together, make the whole of the one Mollie Fancher, known to the world; who they are and what they are I cannot tell or explain, I can only conjecture." Dailey described five distinct Mollies, each with a different name, each of whom he met (as did Aunt Susan and a family friend, George Sargent). According to Susan Crosby, the first additional personality appeared some three years after the after the nine-year trance, or around 1878. The dominant Mollie, the one who functioned most of the time and was known to everyone as Mollie Fancher, was designated Sunbeam (the names were devised by Sargent, as he met each of the personalities). The four other personalities came out only at night, after eleven, when Mollie would have her usual spasm and trance. The first to appear was always Idol, who shared Sunbeam's memories of childhood and adolescence but had no memory of the horsecar accident. Idol was very jealous of Sunbeam's accomplishments, and would sometimes unravel her embroidery or hide her work. Idol and Sunbeam wrote with different handwriting, and at times penned letters to each other. The next personality Sargent named Rosebud: "It was the sweetest little child's face," he described, "the voice and accent that of a little child." Rosebud said she was seven years old, and had Mollie's memories of early childhood: her first teacher's name, the streets on which she had lived, children's songs. She wrote with a child's handwriting, upper- and lowercase letters mixed. When Dailey questioned Rosebud about her mother, she answered that she was sick and had gone away, and that she did not know when she would be coming back. As to where she lived, she answered "Fulton Street," where the Fanchers had lived before moving to Gates Avenue. Pearl, the fourth personality, was evidently in her late teens. Sargent described her as very spiritual, sweet in expression, cultured and agreeable: "She remembers Professor West [principal of Brooklyn Heights Seminary], and her school days and friends up to about the sixteenth year in the life of Mollie Fancher. She pronounces her words with an accent peculiar to young ladies of about 1865." Ruby, the last Mollie, was vivacious, humorous, bright, witty. "She does everything with a dash," said Sargent. "What mystifies me about 'Ruby,' and distinguishes her from the others, is that she does not, in her conversations with me, go much into the life of Mollie Fancher. She has the air of knowing a good deal more than she tells.
Michelle Stacey (The Fasting Girl: A True Victorian Medical Mystery)
Consider the recent papal visit and apology. Again, I recognize that some people were able to find peace in hearing the pontiff's words. But, for many, his words fell far short. Where was the acknowledgement of genocide against Indigenous Peoples through these schools? Yes, he spoke those words later, but not directly to the people who suffered it. Further, it cannot be ignored that the Catholic Church has failed to meet its financial obligation to survivors and its failure was officially sanctioned by the federal government and the courts. The Catholic Church is one of the richest, if not the richest, corporations in the world. It is worth billions and billions of dollars. I remember visiting the Vatican Museum in Rome. The art and artifacts alone are worth billions of dollars without even considering the vast worldwide holdings of the Catholic Church. I will never forget seeing Nero's bathtub, a huge, circular stone edifice made of material that no longer exists on earth. The bathtub is described as "invaluable beyond calculation." So why not just sell off the tub and meet their obligations to survivors? It is beyond comprehension how the Catholic Church can express remorse while refusing to abide by the terms of the settlement they originally agreed to and still expect their words to be taken seriously.
Michelle Good (Truth Telling: Seven Conversations about Indigenous Life in Canada)
My mother never seemed to listen to much music, but she loved Barbara Streisand, counting The Way We Were and Yentl as two of her favorite films. I remembered how we used to sing the song "Tell Him" together, and skipped through the album until I found it on track four. "Remember this?" I laughed, turning up the volume. It's a duet between Babe and Celine Dion, two powerhouse divas joining together for one epic track. Celine plays the role of a young woman afraid to confess her feelings to the man she loves, and Barbara is her confidant, encouraging her to take the plunge. "I'm scared, so afraid to show I care... Will he think me weak, if I tremble when I speak?" Celine begins. When I was a kid my mother used to quiver her lower lip for dramatic effect when she sang the word "tremble." We would trade verses in the living room. I was Barbara and she was Celine, the two of us adding interpretive dance and yearning facial expressions to really sell it. "I've been there, with my heart out in my hand..." I'd join in, a trail of chimes punctuating my entrance. "But what you must understand, you can't let the chance to love him pass you by!" I'd exclaim, prancing from side to side, raising my hand to urge my voice upward, showcasing my exaggerated vocal range. Then, together, we'd join in triumphantly. "Tell him! Tell him that the sun and moon rise in his eyes! Reach out to him!" And we'd ballroom dance in a circle along the carpet, staring into each other's eyes as we crooned along to the chorus. My mom let out a soft giggle from the passenger seat and we sang quietly the rest of the way home. Driving out past the clearing just as the sun went down, the scalloped clouds flushed with a deep orange that made it look like magma.
Michelle Zauner (Crying in H Mart)
They kept in touch for years and years. Momma believed in the goodness of people and she believed in the prayer of protection, that wherever she was, God was, too. Mom had a way of taking people under her wing and making you feel special when you were talking to her. Your story mattered. And whenever she thought I was getting a little too full of myself, she’d remind me: “Robin, your story is no more important than anybody else’s story. When you strut, you stumble.” Meaning: When you think that you’re all that and a bag of chips, you’re gonna fall flat on your face. Thank you, Momma, for that invaluable lesson. We were overwhelmed with the outpouring of love for our mother. President and Michelle Obama sent a beautiful flower arrangement to our house. It was the first time I had seen Mom’s grandchildren smile in days. It was a proud moment for them. The president of the United States. They asked if they could take pictures of the flowers and Instagram them to their friends. It was painful to make the final arrangements for Mom. The owners of the Bradford-O’Keefe Funeral Home were incredibly kind and gentle. Our families have known each other for decades, and they also handled my father’s homegoing service. Mom had always said she wanted to be laid to rest in a simple pine box. We were discussing what to put on her tombstone. I had been quiet up to that point, just numb. Mom and Dad were both gone. I was left with such an empty feeling. Grandma Sally had passed when Mom was in her seventies, and I remember Mom saying she now felt like an orphan. I thought that was strange. But now I knew exactly what Mom meant. There was a lot of chatter about what words to use on Mom’s tombstone. I whispered it should simply read: A CHILD OF GOD. Everyone agreed.
Robin Roberts (Everybody's Got Something)
Would it trouble you if I remained?” “No,” she replied, around a mouthful of chicken. He took his accustomed seat to her left, but said nothing. “Do you want any of this?” “No,” he answered gravely. “I do not normally eat this mortal fare.” “You should try it.” She stopped, trying to remember if she had ever seen the Lady of Elliath eat anything. Her memory wasn’t up to it. She doubted if anyone’s was—with the possible exception of Latham or Belfas. Stefanos watched as the fork fell slowly away from her mouth. He saw her face lengthen and felt his hand clenching once again into a fist. This time he felt he knew what he had done. “Sarillorn,” he said, almost quickly, “if you wish, I will try what you are eating.” She started and then looked up. “Pardon?” “I will have some—chicken?” The plate stared up at her as if it had become a living entity. Very slowly she cut a piece of her dinner and handed him her fork. Her hands were trembling. He looked at it, his expression no less grave than it was when he asked if he might remain each evening. Then he took it and raised it to his mouth. Erin watched as he chewed, each movement precise and almost meticulously timed. She counted to five and then watched him swallow. He turned to meet her wide stare. “It is—interesting,” he said, still grave. “Perhaps I will join you in more of this—” He gave a controlled gesture. “—at another time.” Erin laughed. The sound seemed to come from everywhere, enclosing him as her light had once done. “You, you’re the most powerful force the Enemy has—and you’ve never lifted a fork!” He was torn then, torn between pleasure at this strange laugh and anger at being the cause of it. No mortal had ever laughed at him before. But unlike other laughter, this held a sense of wonder in it. It puzzled him; he listened. “Tomorrow,” Erin said, a smile lingering, “we can try vegetables.” She began to laugh anew, but he did not ask why.
Michelle Sagara West (Into the Dark Lands (The Sundered, #1))
The important parts of my story, I was realizing, lay less in the surface value of my accomplishments and more in what undergirded them—the many small ways I’d been buttressed over the years, and the people who’d helped build my confidence over time. I remembered them all, every person who’d ever waved me forward, doing his or her best to inoculate me against the slights and indignities I was certain to encounter in the places I was headed—all those environments built primarily for and by people who were neither black nor female.
Michelle Obama (Becoming)
We all play a role in this democracy. We need to remember the power of every vote.
Michelle Obama (Becoming)
Even if we didn't know the context, we were instructed to remember that context existed.
Michelle Obama (Becoming)
Remember that, once you let go and you break to pieces as you hit the bottom of that dark pit, there is only one way to go and that’s up.
Michelle Horst (Predator (Men of Honor #1))
Try to enjoy every day, but know that you will not. Try to forgive others and yourself. Forget the bad stuff, remember the good. Eat cookies, but not too many. Challenge yourself to do more, to see more. Make plans, celebrate when they pan out, persevere when they don’t. Laugh when things are good, laugh when things are bad. Love with abandon, love selflessly. Life is simple, life is complex, life is short. Your only real currency is time—use it wisely.
Michelle Richmond (The Marriage Pact)
Ten minutes later, Alex’s spare phone gave a beep. We all turned to look at it. I grabbed the phone and read the message aloud. “‘You’re most welcome, Aubrey. Keep sharing!’” Aubrey. That was such a distinctive name. “I know I’ve heard that name before, I just can’t remember where or how. Sound familiar to you guys?” They both shook their heads. I started pacing again as I tried to squeeze my brain for the memory. Alex sat down at his computer. He started to read off the screen. “Aubrey, Aubrey . . . wow, lots of girls named Aubrey.” Michelle watched me. “Was it during this case?” I nodded. “Maybe you heard it in court?” I shook my head. “No, I know I didn’t hear it in court.” I might not remember my own phone number, but I never forgot what anyone said in court. “Did it have something to do with this case?” Michelle asked. I stopped and stared at the floor. “No, I don’t think so.” Alex read from the screen again. “Aubrey Plaza, Allison Aubrey, there’s a town in France.” I stared at him. “You’re not helping, you know.” He glanced up. “Sorry.” But he kept scanning the monitor. “What about outside court?” Michelle asked. “I mean, when you were talking to reporters?” Something tickled the back of my brain. I had that frustrating feeling that it was hovering just out of reach. I tried to grasp it. And failed. “Damn it!” “Okay, let it go,” Michelle said. “You can’t force it. Talk about something else.” But I couldn’t. I kept pacing. Alex picked up their empty bowls. “That guy Marc was a lot smaller than this Aubrey dude. I thought models were supposed to be buff.” I’d noticed that, too. “At least more buff than Marc was. But as I recall, Golden said the agency was trying to get him to buff up.” Alex
Marcia Clark (Blood Defense (Samantha Brinkman, #1))
We went back and forth, week after week, as I remember it. I was stubborn and so was she. I had a point of view and she did, too. In between disputes, I continued to play the piano and she continued to listen, offering a stream of corrections. I gave her little credit for my improvement as a player. She gave me little credit for improving. But still, the lessons went on.
Michelle Obama (Becoming)
The so-called birthers had tried during the previous campaign to feed a conspiracy theory claiming that Barack’s Hawaiian birth certificate was somehow a hoax and that he’d in fact been born in Kenya. Trump was now actively working to revive the argument, making increasingly outlandish claims on television, insisting that the 1961 Honolulu newspaper announcements of Barack’s birth were fraudulent and that none of his kindergarten classmates remembered him. All the while, in their quest for clicks and ratings, news outlets—particularly the more conservative ones—were gleefully pumping oxygen into his groundless claims. The whole thing was crazy and mean-spirited, of course, its underlying bigotry and xenophobia hardly concealed. But it was also dangerous, deliberately meant to stir up the wingnuts and kooks.
Michelle Obama (Becoming)
Suddenly ravenous, April reached for a piece of bread and spared no caution in slathering it with a thick coat of butter. She’d just proved Luc’s theory, that Americans loved their snacking, but April didn’t much care. It was worth it. Along with her memories of every café, every midnight dinner, the thousands of glasses of wine, April remembered the butter. It was creamier in Paris, saltier. “Tell me more about the grand-mère,” April said and sat on her hands so she couldn’t physically take another bite. The thought of leaning over and lapping her baguette and beurre cat-style briefly occurred to her.
Michelle Gable (A Paris Apartment)
Tapping the fingers of her right hand on the wheel, she used her left to pull her ponytail around the curve of her neck, a comfort gesture she’d adopted in childhood. Corinne hadn’t needed any comfort. She was always the strong one. Even as a young child, when Michelle pulled that ponytail around her neck, the unruly curls winding around her ear, Corinne would get that little line between her brows to show her displeasure at her elder sister’s weakness. Remembering,
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
Remember that in change, no matter how strange or slight the chance, all hope lies.
Michelle Sagara West (Into the Dark Lands (The Sundered, #1))
The fact of Barack Obama, of Michelle Obama, changed our lives. Their very existence opened a market. It is important to say this, to say it in this ugly, inelegant way. It is important to remember the inconsequence of one's talent and hard work and the incredible and unmatched sway of luck and fate. I knew it even as it was happening. I felt that I had not changed, but the world was changing around me. It was as if I had spent my years jiggling a key into the wrong lock. The lock was changed. The doors swung open, and we did not know how to act.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)