“
There were two ways of forgetting. For many years, he had envisioned (unimaginatively) a vault, and at the end of the day, he would gather the images and sequences and words that he didn’t want to think about again and open the heavy steel door only enough to hurry them inside, closing it quickly and tightly. But this method wasn’t effective: the memories seeped out anyway. The important thing, he came to realize, was to eliminate them, not just to store them. So he had invented some solutions. For small memories—little slights, insults—you relived them again and again until they were neutralized, until they became near meaningless with repetition, or until you could believe that they were something that had happened to someone else and you had just heard about it. For larger memories, you held the scene in your head like a film strip, and then you began to erase it, frame by frame. Neither method was easy: you couldn’t stop in the middle of your erasing and examine what you were looking at, for example; you couldn’t start scrolling through parts of it and hope you wouldn’t get ensnared in the details of what had happened, because you of course would. You had to work at it every night, until it was completely gone. Though they never disappeared completely, of course.
”
”
Hanya Yanagihara (A Little Life)
“
We write our personal story as intermittent authors; the narrator is always searching for a unitive point of view. We strive to perceive oneself from a unified perspective, but it is virtually impossible to do so. Human perception of the self is an illusion. We constantly sift through shifting memories. We experience the present under the fragrance cast by the past and under the illusionary aura of the future.
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”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Conscious fun takes effort. This seeming paradox—Why should fun be work?—stops us in our tracks. So we overindulge in effortless fun (scrolling through Instagram . . .) It is the effortful fun that makes today different, and makes today land in memory. You don’t say “Where did the time go?” when you remember where the time went.
”
”
Laura Vanderkam (Off the Clock: Feel Less Busy While Getting More Done)
“
Nothing cuts a neural route faster through the brain then a pinch of pain. Periods of unhappiness penetrate and scar the brain. Experiencing intense periods of unpleasantness incites us to grow. If we can bunt the destructive forces of extreme pain and embrace its forceful impact for its educational value, experiencing profound pain causes us to appreciate the pleasure of simply living in the moment, enjoying each blade of grass in nature’s glorious bouts of beauty.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Most new ideas come to us not through pure logic, but through a fusion of memory and imagination. If new ideas were purely a product of rationality, other people would quickly grasp and embrace novel solutions. People’s lack of imagination prevents them from comprehending the significance of an innovative idea.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
There were two ways of forgetting. For many years, he had envisioned (unimaginatively) a vault, and at the end of the day, he would gather the images and sequences and words that he didn’t want to think about again and open the heavy steel door only enough to hurry them inside, closing it quickly and tightly. But this method wasn’t effective: the memories seeped out anyway. The important thing, he came to realize, was to eliminate them, not just to store them. So he had invented some solutions. For small memories—little slights, insults—you relived them again and again until they were neutralized, until they became near meaningless with repetition, or until you could believe that they were something that had happened to someone else and you had just heard about it. For larger memories, you held the scene in your head like a film strip, and then you began to erase it, frame by frame. Neither method was easy: you couldn’t stop in the middle of your erasing and examine what you were looking at, for example; you couldn’t start scrolling through parts of it and hope you wouldn’t get ensnared in the details of what had happened, because you of course would. You had to work at it every night, until it was completely gone. Though they never disappeared completely, of course. But they were at least more distant—they weren’t things that followed you, wraithlike, tugging at you for attention, jumping in front of you when you ignored them, demanding so much of your time and effort that it became impossible to think of anything else. In fallow periods—the moments before you fell asleep; the minutes before you were landing after an overnight flight, when you weren’t awake enough to do work and weren’t tired enough to sleep—they would reassert themselves, and so it was best to imagine, then, a screen of white, huge and light-lit and still, and hold it in your mind like a shield.
”
”
Hanya Yanagihara (A Little Life)
“
Conscious fun takes effort. This seeming paradox—Why should fun be work?—stops us in our tracks. So we overindulge in effortless fun (scrolling through Instagram posts about dinner parties), and underindulge in effortful fun (throwing a dinner party ourselves). But “although minutes spent in boredom or anxiety pass slowly,” writes Grudin, “they nonetheless add up to years which are void of memory.
”
”
Laura Vanderkam (Off the Clock: Feel Less Busy While Getting More Done)
“
An artist adopts a radically different view regarding the importance of time than a businessperson does. Instead of perceiving time as a merchantable facet doled out incrementally according to marketplace demands, an artist portrays time as an agent of destruction. The irrevocability of time frames the human condition. Time might the medium of all human experience, but its passage obscures and eventually obliterates all human endeavors. Time unchecked leads to a blank slate of nothingness. Time’s destructive march towards meaningless is arrested through memory and art depicting humankind’s struggles and accomplishments.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
It is rumored by the wise-brained rats which burrow the citied earth and by the knowledgeable cats that stalk its shadows and by the sagacious bats that wing its night and by the sapient zats which soar through airless space, slanting their metal wings to winds of light, that those two swordsmen and blood-brothers, Fafhrd and the Gray Mouser, have adventured not only in the World of Nehwon with its great empire of Lankhmar, but also in many other worlds and times and dimensions, arriving at these through certain secret doors far inside the mazy caverns of Ningauble of the Seven Eyes—whose great cave, in this sense, exists simultaneously in many worlds and times. It is a Door, while Ningauble glibly speaks the languages of many worlds and universes, loving the gossip of all times and places. In each new world, the rumor goes, the Mouser and Fafhrd awaken with knowledge and speaking skills and personal memories suitable to it, and Nehwon then seems to them only a dream and they know not its languages, though it is ever their primal homeland. It is even whispered that on one occasion they lived a life in that strangest of worlds variously called Gaia, Midgard, Terra, and Earth, swashbuckling there along the eastern shore of an inner sea in kingdoms that were great fragments of a vasty empire carved out a century before by one called Alexander the Great. So much Srith of the Scrolls has to tell us. What we know from informants closer to the source is as follows:
”
”
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
“
The poetry of music composes each generation of Americans’ autobiographical memories. Language and music represent two rotaries of the revolving and evolving wheels that we employ to internalize the axis of identification. Music plays a profound role in the definitive stages of most people’s lives. Reminiscent of the sounds and smells that flavored our youth, musical intonations organize our personal memories into temporal time sequence. Modulation of musical memories comprises an important quotient in people’s autographical memory system. If we listen to enough music, its pitch, tone, timbre, and cadence eventually seeps into our unconsciousness. The lilt of music becomes a portal through which we perceive, feel, and experience worldly inflections and how we synthesize swirling emotions.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Books...books are magic. That is the simple answer. And books are traps as well...Books are a form of magic because they span time and distance more surely than any spell or charm. What did so-and-so think about such-and-such two hundred years agone? Can you fly back through the ages and ask him? No-or at least, probably not. But, ah! If he wrote down his thoughts, if somewhere there exists a scroll, or a book of his logical discourses...he speaks to you! Across centuries! And if you wish to visit far Nascadu or lost Khandia, you have also but to open a book...A piece of writing is a trap, and the best kind. A book, you see, is the only kind of trap that keeps its captive-which is knowledge-alive forever. The more books you have, the more traps, then the better chance of capturing some particular, elusive, shining beast-one that might otherwise die unseen.
”
”
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
“
Only an hour in, and already the first temptation: the warmth of my blankets and bed, my pillows and the fake-fur throw Hannah's mom left here after a weekend visit. They're all saying, Climb in. No one will know if you stay in bed all day. No one will know if you wear the same sweatpants for the entire month, if you eat every meal in front of television shows and use t-shirts as napkins. Go ahead and listen to that same song on repeat until its sound turns to nothing and you sleep the winter away.
I only have Mabel's visit to get through, and then all this could be mine. I could scroll through Twitter until my vision blurs and then collapse on my bed like an Oscar Wilde character. I could score myself a bottle of whiskey and let it make me glow, let all the room's edges go soft, let the memories out of their cages.
Maybe I would hear him sing again, if all else went quiet.
”
”
Nina LaCour (We Are Okay)
“
Self-evaluation proved to be distasteful business. The refraction of light created from an undulating wave of critical self-observation passing through a tarnished lens produces its own morose, self-negating fixations that can result in a dangerous downward spiral. Unless timely arrested, murderous bouts of self-hatred can destroy a person. A person must use self-detestation exclusively as a means to pry oneself away from the haunting specter created courtesy of the clamor, filth, and grunginess of their prior anarchism. Kick starting a stranded person’s emotional motors through reflective contemplation and thoughtful rumination acts to prod loose remote memories seared in the unspoken silence of a person’s unconscious memory bank. Self-discovery is also an uplifting affair. Contemplation helps one confront their streaked presence and realign their inner voice with the sanguine spirits of their ancestors that preceded one in the walk through time.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Without the aid of memory, human cognition would be nil. Without memory, there can be no thinking, no learning, no accumulation of shared knowledge, and no philosophy. Thinking requires the capacity to recall. Thinking is what enables human beings the ability to understand cause and effect, recognize patterns of significance, comprehend the unique context of experience, measure personal activities, and respond to the world in a meaningful way. Knowledge is memory based. Learning demands the acquisition of studious observations and learned information, the ability to recall a slew of previously held factoids on command, and logically and intuitively to extrapolate from such objective facts. Without memory, there could be no morality. Awareness of humankind’s ineluctable sense of impermanence requires the ability to comprehend times passage through use of stored memories. Without the epic sense of being that memory supplies us, there would be no understanding of eternity, we would remain ignorant of the unremitting thump of time, and therefore, we would be forever unaware of humankind’s wretched transience.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Only the passage of time ultimately separates each generation. Our humanity remains stalwartly impervious to political manipulations and to the social, culture and economic tidings that each generation must etch out a living. Our sense of time past, present and future is the common denominator that each generation shares because time refuses to standstill for mere human beings. Time cannot be ignored or shunted, but must be respected for the indomitable power that its relentless pressure applies upon each of us. The unyielding power of time sneers at each of us regardless of our race, religion, creed, nationality, gender, age, or sexual orientation. Potency of time is irreducible, it is irreversible, and it is inerasable. Through the periscope of memory, we can dice snippets of time’s atoms into infinitesimal pictures of mere moments; we can harness select prized memories to build a molecular mind’s magical playhouse. The capacity of the human mind for memory enables people to preserve, retain, and subsequently recall knowledge, information, and experience. Replaying snapshots of the past enables us to comprehend the magnitude of the present and take account of the inevitability of our future.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Ancient generations passed down wisdom that all succeeding generations must apply and build upon. We are constantly learning how to interpret the past, not simply ancient history, but also from variegated educational encounters experienced in our own lifetime. We must listen to the voices of our ancestors whom passed along their hopes and dreams. We must also listen to our own youthful voice that optimistically projected the best type of world for us to live in and pass along to future generations of compassionate persons. The collective voices of passionate mavens of nature linked through time created the world that we now enjoy and together they shall alter this world in a profound manner for other people to witness and explore.
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Kilroy J. Oldster (Dead Toad Scrolls)
“
We are finite creates in a world of boundless space, endless time, and infinite matter. At any given moment, we are each a composition of our past memories, our present day exigencies, and our future expectations. Each passing day we modify our identity, filtering a continuum of past memories with our present day hopes and desires. The design of our future prospects shapes not only our present life, but also the furious pursuit of our dreams provides contexture for the lives of other people who will follow our loose-limbed march through time’s corridor. We search for an understanding of how to live in an age that will soon no longer exist. I am a bubble in space-time, an organic organism that will soon burst apart. I need to know why I lived. Acclaimed Russian author Leo Tolstoy wrote in 1877 novel “Anna Karenina,” “Without knowledge of what I am and why I am here, it is impossible to live, and since I cannot know that, I cannot live either.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Smiling to myself, I pictured our family one sunny afternoon last fall. It had been a warm day, and we were on our way to the city aquarium. Dad had the car windows rolled down, and I recalled the feel of the wind in my hair and the scent of Mom’s perfume wafting from the seat in front of me. Mom and Dad were chatting and I was scrolling through my Instagram feed. But the moment the song sounded on the radio, I squealed. “Turn it up!” I said, leaning forward in my seat, enough that the belt tightened across my chest. As soon as Dad reached over and turned the knob, I started singing the lyrics aloud. Both Mom and Dad joined in. With the wind in my hair and the music filling the car, a warmth had filled my insides, almost as if I were wrapped in my favorite fuzzy blanket. The memory was fresh in my mind and I could still see Mom’s head bob up and down as she sang while Dad tapped his fingers on the steering wheel. “Come on, Dad!” I said, giggling. “Sing with us.” He glanced over his shoulder at me. “I’m waiting for my favorite part. I don’t want to stretch my singing muscles.” “What singing muscles?” Mom smiled at him. He put a finger in the air for her to wait. “Here we go.” When the chorus of the song began, Dad screeched out the lyrics in a really high voice. He was trying to mimic the singer’s voice but he wasn’t even close and the sound he made was terrible. I burst out laughing. He ignored me and continued to sing, all the while, waving a hand through the air with wide flourishes, as if conducting an orchestra. He tilted his head back and belted out the high notes. When we pulled up at a red traffic light and the car slowed to a stop, Dad was oblivious of the carload of people alongside us watching him. The passengers of the other car had their windows open too and I stared at them in horror. Their eyes were glued to Dad and they shook their heads and rolled their eyes. “Dad!” I called to him. “Those people are watching you.” But he didn’t hear me and continued to sing. I sank into my seat, my cheeks flushing. He finally realized he had an audience but instead of being embarrassed, he waved to them. “Hello, there!” he said. “Did you enjoy my singing?” The light turned green, and the carload of people cracked up laughing as their car lurched forward in their hurry to escape the weird man in the car next to theirs. Dad shrugged. “I guess not.’ Mom and I burst out laughing too, unable to hold it in any longer. Dad waved a dismissive hand. “They wouldn’t know good music if it hit them in the face.” Tears sprang from my eyes because I was laughing so hard. My dad could be so embarrassing sometimes, but that day, it didn’t bother me at all. Dad had always managed to make me laugh at the silliest things. He had a way of making me feel happy, regardless of what mood I was in. Deep down I thought he was a really cool dad. My friends thought so too. He wasn’t boring and super strict like their dads. He was fun to be around and everyone loved him for it, including my friends. Our little family was perfect, and I wouldn’t have changed it for the world.
”
”
Katrina Kahler (The Lost Girl - Part One: Books 1, 2 and 3: Books for Girls Aged 9-12)
“
Many modern movies premise the action upon themes identified in ancient myths. Americans are still attracted to the thematic urgency of ancient lore. Despite the advances made by scientist and America’s technological revolution, the universal questions that haunt human beings’ quietude remain unchanged. The subjects that interest us as a people provide useful instructions pertaining how to live. Do we choose the myths that we live by? Do we sort through a bin of past events and select telling stories that we wish to use to define our existence? Do we modify or eliminate handpicked memories that do not fit the fable that we nominate to define our walk through life?
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
We measure time through a mental framework trussed with two major stakes: memory and expectation. Memory is that spottiness that takes place behind the eyes: memory takes place in the cloistered theater that houses diffused still pictures. We file mental pictures that encapsulate our prior life into mental shelves for a wayward librarian to cull through and forward select recollection to the recall center whenever summoned. Expectations arise from thoughtful consideration of our future prospects in life.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
According to the scientist, time is interminable and inexhaustible. The artist is more inclined to relate the passage of time as a subject involving the randomness of memory and humankind’s ability to create vivid recollections. Astute artists depict collections of disjointed thought fragments in paintings and literature in order to stir the pot of human consciousness. Art rests upon the correspondence between the impact of external experience and the finiteness of human life. An artist attempts to articulate answers to the mystery of being by rendering a thoughtful interpretation of the world that we occupy and experience through our senses.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
A plaited link exists between every person and his or her ancestors, not simply through genealogical records, but in the same manner that the soul of a child, from which we sprang from, traces a direct connection to the matured soul of the adult.
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Kilroy J. Oldster (Dead Toad Scrolls)
“
The whole of eternity is present now. We apprehend eternity through our senses and mental imagination. We can never recapture lost time. Memory allows us to taste the scintillating experience of living by recollecting our past in a series of sequential personal events and an orderly arrangement of a linked series of cultural happenings. Writing our personal story calls for us to remember the sensation of what it entails to live tactilely before losing lucidity of the mind.
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Kilroy J. Oldster (Dead Toad Scrolls)
“
Imagination and recollection of cherished memories of the pastimes are closely related. We do not recall memories verbatim. As our perspective changes regarding our place in the world, we shift through our recollections and revise our memories. People possess the ability to edit their memories by repressing unbearable episodes and highlighting incidences that generate fond memories. How we perceive and comprehend ourselves in the past, the present, and the future shapes our evolving sense of self. Humankind’s ability to repress unpleasant events and humankind’s ability to act as the solo editors of our germinating awareness of the world that we occupy is ultimately responsible for activating our metamorphosing sense of identity.
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Kilroy J. Oldster (Dead Toad Scrolls)
“
A person experiences time by traveling through the environment consisting of time and space, and encounters a variety of sense impressions. Time is the combined experience and cataloguing what is taking place now, a recollecting what took place before now, and the anticipation or expectation of a person registering future physical and mental sensations. Time is a happening that will arrive from the future and it will last for about as long as it takes to a person to inhale and exhale one deep bodily breath. In each recognizable segment of time, a person experiences in a thematic breathing cycle a tangible sense perception of either seeing, hearing, smelling, tasting, touching, or some combination thereof. Then that distinct morsel of life detected by the physical senses passes from the slipstream of now and lodges into the silted fold of bygone memories.
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Kilroy J. Oldster (Dead Toad Scrolls)
“
As you will see when scrolling through the quality settings, the higher the quality, the fewer pictures you will be able to fit on your card. If you have a 4 GB memory card, the quality setting we have selected
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”
Anonymous
“
I scrolled up through the history of our text messages. Only a few bubbles above, she’d written ‘I love you, my only. Come back soon.’ She must still love me, I thought. The human heart can’t have a shorter memory than a phone.
”
”
Rory Dunlop (What We Didn't Say)
“
Unlike uplifting light fiction, narrative nonfiction’s trammeled territory provides no safe room where an unnerved writer can banish their unpleasant memories. Narrative nonfiction must make use of our sour feelings, pungent memories, gloomy thoughts, and other indigestible nougats of a black disposition. Given a choice between experiencing nothing and inconsolable grief, the writer will always take the epic grief that composes the grandeur of human tragedy. Without a mask of consolation to shunt the unseemly undercurrent that disturbs them, writers whom dabble in memoir or personal essay writing must swallow hard and make use of the entire range of their toxic temperament. The tonicity of narrative nonfiction need not be bleak, but it must be true to the full panoply of both positive and negative emotions that heave through the writer’s torrid veins.
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Kilroy J. Oldster (Dead Toad Scrolls)
“
Memory and imagination allow us to enter the womb of creation, devise the lens through which we translate our surroundings, and create the spectrum that transliterates our experiences.
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Kilroy J. Oldster (Dead Toad Scrolls)
“
What’s another word for comfort?” ask, “What are images of comfort?” or, “When I think of comfort, what memories come up?” Or try a Google image search for “comfort”. You’ll scroll through images of hammocks, beanbag chairs, thick woolly socks, and wood-burning fireplaces. You’ll see a cup of hot chocolate, mom’s baked mac n’ cheese, a hug from a grandma, or a cuddle with a sleeping puppy. All of these images should inspire something more visceral than a word on thesaurus.com
”
”
Dan Nelken (A Self-Help Guide for Copywriters: A resource for writing headlines and building creative confidence)
“
Ayesha’s memories of Syria are fractured. She relives a feeling of constant exhaustion, of feeling unsafe, and then those moments before the injury. Her thoughts shift to the aftermath, the vision of displaced persons flooding over Turkey’s border and back into Syria, even while the conflict peaked.
But even after endless painful and traumatic surgeries, Ayesha sits in bed with her schoolbooks and shrugs.
“Never give in, never give up,” she stresses, scrolling through her toddler photographs — evidence of the life “before.”
“Even when you think hope is lost, it will be back in you.”
Nothing is permanent, I think to myself. We may not be able to alter the experience of what has happened to us, but sunshine eventually casts aside even the gloomiest days. If we are willing to ride it out, the prospect of betterment always returns.
”
”
Hollie McKay (WORDS THAT NEVER LEAVE YOU: Fifty Pearls of Wisdom and Reflection from Survivors Across the World)
“
Self-image is the product of our very own spin machine. Revolutions of long-term memories and the gyrations of short-term thoughts fabricate the epicycle of our present self-image. Once a synchronized self-image is developed, the human mind exhibits a tenacious tendency to maintain that centralized self-image through selective recall of prior events and by displaying a corresponding perception bias in interpreting present day experiences. In short, once we come to a firm belief of what we are, we exercise various mental and emotional prejudices to confirm and sustain our self-image.
”
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Kilroy J. Oldster (Dead Toad Scrolls)
“
Books,” Morgenes said grandly, leaning back on his precarious stool, “—books are magic. That is the simple answer. And books are traps as well.” “Magic? Traps?” “Books are a form of magic—” the doctor lifted the volume he had just laid on the stack, “—because they span time and distance more surely than any spell or charm. What did so-and-so think about such-and-such two hundred years agone? Can you fly back through the ages and ask him? No—or at least, probably not. “But, ah! If he wrote down his thoughts, if somewhere there exists a scroll, or a book of his logical discourses . . . he speaks to you! Across centuries! And if you wish to visit far Nascadu, or lost Khandia, you have also but to open a book. . . .” “Yes, yes, I suppose I understand all that.” Simon did not try to hide his disappointment. This was not what he had meant by the word ‘magic.’ “What about traps, then? Why ‘traps’?” Morgenes leaned forward, waggling the leather-bound volume under Simon’s nose. “A piece of writing is a trap,” he said cheerily, “and the best kind. A book, you see, is the only kind of trap that keeps its captive—which is knowledge—alive forever. The more books you have,” the doctor waved an all-encompassing hand about the room, “the more traps, then the better chance of capturing some particular, elusive, shining beast—one that might otherwise die unseen.
”
”
Tad Williams (The Dragonbone Chair (Memory, Sorrow, and Thorn, #1))
“
Sharing our noble journey, attentively quantifying our reality, dreams, fears, and spiritual renaissance for other communal souls to witness, while giving voice to our own spark of divinity, inspiration, and mythos through storytelling, is the preeminent act of human beings.
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”
Kilroy J. Oldster (Dead Toad Scrolls)
“
I Couldn't Believe It! I was sipping coffee and scrolling through cat videos one minute, and life was good. The next, my laptop screen flickered, turned black, and flashed back on, this time blood-red, with a message that sent my heart plummeting into my gut. "Your files have been encrypted. Pay $50,000 in Bitcoin, or say goodbye to your data forever." Hackers had hijacked my system, and I was locked out of my $450,000 Bitcoin wallet. I stared at the screen in horror, my coffee abandoned and my cat videos a distant memory. I rattled my fingers as I tried every password to which I believed I could gain access, but it was for nothing. The hackers had me in their sights. Tears accumulated in my head as a nasty thought ran through my mind, would I be forced to end up on my mother's couch again? I mean, I love her, but waking up under my childhood Justin Bieber posters at 35 wasn't what I envisioned for myself. On frantic hours of Googling, reading through forums filled with terms that I couldn't even start to make sense of, I stumbled upon TRUST GEEKS HACK EXPERT at web w w w :// trust geeks hack expert . c o m / . It was something from a fantasy novel, but desperate times call for desperate measures, and I needed Gandalf at this point. I called them, praying for deafness or a scam, but their response was speedy and professional. They did not just talk tech, they listened to my desperation. They assured me that they had handled ransomware cases before, and their words were a lifeline in my sea of despair. The next nine days took nine years off my life, but our staff kept us up to date at every stage. I could envision them hacking around in their shades, like a scene from an action movie. When they called and informed me that they got back my wallet, I hit the floor on my knees and prayed to whatever higher power my mind could conceive. Every Satoshi was accounted for. My $450,000 was safe. Bonus? Mom can now go ahead and convert my childhood bedroom into the guest suite she's dreamed of—without me as a permanent houseguest. E m a i l : Trustgeekshackexpert @ fast s e r v i c e .. c o m
Thank you, TRUST GEEKS HACK EXPERT
”
”
HIRE A SKILLED CRYPTO RECOVERY HACKER – FAST & RELIABLE/ TRUST GEEKS HACK EXPERT
“
I Couldn't Believe It! I was sipping coffee and scrolling through cat videos one minute, and life was good. The next, my laptop screen flickered, turned black, and flashed back on, this time blood-red, with a message that sent my heart plummeting into my gut. "Your files have been encrypted. Pay $50,000 in Bitcoin, or say goodbye to your data forever." Hackers had hijacked my system, and I was locked out of my $450,000 Bitcoin wallet. I stared at the screen in horror, my coffee abandoned and my cat videos a distant memory. I rattled my fingers as I tried every password to which I believed I could gain access, but it was for nothing. The hackers had me in their sights. Tears accumulated in my head as a nasty thought ran through my mind, would I be forced to end up on my mother's couch again? I mean, I love her, but waking up under my childhood Justin Bieber posters at 35 wasn't what I envisioned for myself. On frantic hours of Googling, reading through forums filled with terms that I couldn't even start to make sense of, I stumbled upon TRUST GEEKS HACK EXPERT at web w w w :// trustgeekshackexpert. com/ . It was something from a fantasy novel, but desperate times call for desperate measures, and I needed Gandalf at this point. I called them, praying for deafness or a scam, but their response was speedy and professional. They did not just talk tech, they listened to my desperation. They assured me that they had handled ransomware cases before, and their words were a lifeline in my sea of despair. The next nine days took nine years off my life, but our staff kept us up to date at every stage. I could envision them hacking around in their shades, like a scene from an action movie. When they called and informed me that they got back my wallet, I hit the floor on my knees and prayed to whatever higher power my mind could conceive. Every Satoshi was accounted for. My $450,000 was safe. Bonus? Mom can now go ahead and convert my childhood bedroom into the guest suite she's dreamed of—without me as a permanent houseguest. Email: Trustgeekshackexpert @ fast service ..c o m
Thank you, TRUST GEEKS HACK EXPERT
”
”
HIRE A SKILLED CRYPTO RECOVERY HACKER – FAST & RELIABLE/ TRUST GEEKS HACK EXPERT