Hook Insult Quotes

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Attention to the meaning of the central male slang term for sexual intercourse—"fuck"— is instructive. To fuck a woman is to have sex with her. To fuck someone in another context… means to hurt or cheat a person. And when hurled as a simple insult (“fuck you”) the intent is denigration and the remark is often a prelude to violence or the threat of violence. Sex in patriarchy is fucking. That we live in a world in which people continue to use the same word for sex and violence, and then resist the notion that sex is routinely violent and claim to be outraged when sex becomes overtly violent, is testament to the power of patriarchy.
bell hooks (The Will to Change: Men, Masculinity, and Love)
She held up her hand. “My forgiveness after years of insults will only be given to you if you come out with me tonight. Hooking up with Josh is strictly optional, but encouraged.
Heather Demetrios (I'll Meet You There)
They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.
Upton Sinclair (The Jungle)
You... you don't look like a Jew,' she heard him mumble. 'What does a Jew look like, you fatuous bastard'? - 'Do you think I should have a nose like a boat hook, you stupid old prick!
Ben Elton (Two Brothers)
Personal importance, or taking things personally, is the maximum expression of selfishness because we make the assumption that everything is about “me.” During the period of our education, or our domestication, we learn to take everything personally. We think we are responsible for everything. Me, me, me, always me! Nothing other people do is because of you. It is because of themselves. All people live in their own dream, in their own mind; they are in a completely different world from the one we live in. When we take something personally, we make the assumption that they know what is in our world, and we try to impose our world on their world. Even when a situation seems so personal, even if others insult you directly, it has nothing to do with you. What they say, what they do, and the opinions they give are according to the agreements they have in their own minds. Their point of view comes from all the programming they received during domestication. If someone gives you an opinion and says, “Hey, you look so fat,” don’t take it personally, because the truth is that this person is dealing with his or her own feelings, beliefs, and opinions. That person tried to send poison to you and if you take it personally, then you take that poison and it becomes yours. Taking things personally makes you easy prey for these predators, the black magicians. They can hook you easily with one
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
White suffragists felt that white men were insulting white womanhood by refusing to grant them privileges that were to be granted black men. They admonished white men not for their sexism but for their willingness to allow sexism to overshadow racial alliances. Stanton, along with other white women’s rights supporters, did not want to see blacks enslaved, but neither did she wish to see the status of black people improved while the status of white women remained the same.
bell hooks (Ain't I a Woman: Black Women and Feminism)
Sir, you have insulted me!" she cried theatrically. "I challenge you to a duel!" "What weapons do ladies duel with?" Hugh laughed. "Crochet hooks at dawn!
Ken Follett (A Dangerous Fortune)
I didn’t fuck around with her. I love her. I’ll keep loving her through everything, no matter what you or anyone else says, or whatever you try to do to break us up. It’s insulting for you to even think I’d be with Maya to fuck around with your racing. She’s the end game. I don’t hook up with her for a shitty trophy, and sure as fuck not for a Championship win. I want everything with her. Everything after this.
Lauren Asher (Throttled (Dirty Air, #1))
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
Wow, Angela and Holly,” Ash said, sounding awed. “Hot.” “Excuse me, what is wrong with you?” Kami demanded. “Other people’s sexuality is not your spectator sport.” Ash paused. “Of course,” he said. “But—” “No!” Kami exclaimed. “No buts. That’s my best friend you’re talking about. Your first reaction should not be ‘Hot.’ ” “It’s not an insult,” Ash protested. “Oh, okay,” Kami said. “In that case, you’re going to give me a minute. I’m picturing you and Jared. Naked. Entwined.” There was a pause. Then Jared said, “He is probably my half brother, you know.” “I don’t care,” Kami informed him. “All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind’s eye can see. Masculine groans fill the air, husky and—” “Stop it,” Ash said in a faint voice. “That isn’t fair.” Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them. “Ash is right, this is totally unfair,” Jared told her. “If you insist on this—” “Oh, I do,” Kami assured him. “Then I insist on hooking up with Rusty instead of Ash. It’s the least you can do.” “Ugh,” Ash protested. “You guys, stop.” “She’s making a point,” Jared said blandly. “I recognize her right to do that. But considering the alternative, I want Rusty.” Ash gave this some thought. “Okay, I’ll have Rusty too.” The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised. “Don’t fight, boys,” he remarked mildly. “There’s plenty of Rusty to go around.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
what happened was that one of the engineers must have heard the Sunkist vocal tape and for reasons best known to himself – shits and giggles, probably – cobbled together a bootleg, a Sunkist ‘Blue Monday’ take for fun. He obviously gave it to someone, who gave it to someone . . . until eventually it ended up with Sunkist, who grabbed it, put their logo on it, did an edit using some of the ‘Touched by the Hand of God’ video and issued it as an official advert. We protested and they ended up pulling the ad, but of course by that time the damage had been done and, like it or not, we’d advertised Sunkist. To add insult to injury, we never got paid for it. Not a cent. It’s still up on YouTube, check it out.
Peter Hook (Substance: Inside New Order)
MAKING BLISS BRAIN A HABIT I want Bliss Brain to become a habit for you, as it is for the One Percent. Once you experience the neurochemicals of bliss I describe in Chapter 5, and they start to condition your brain, you’ll be hooked for life. Within 8 weeks you’ll build the neural circuits to regulate your negative emotions and control your attention, as we saw in Chapter 6. You’ll turn on the Enlightenment Circuit and downgrade the suffering of Selfing. Within a few months you’ll have created the brain hardware of resilience, creativity, and joy. You’ll transform feeling good from a state to a trait. Then, Bliss Brain isn’t just how you feel. Bliss Brain is who you are. Bliss Brain has become your nature, hardwired into the circuits of the four lobes of your brain. It has become your possession, and one so precious that you would never give it up. No one can ever take it away from you. PERSPECTIVE ON LOCAL LIFE When you flip the switch into Bliss Brain in meditation each day, you find yourself in a place of infinite peace and joy. You’re in a place of pure consciousness. You’re not limited by your body or your history. Experiencing this state feels like the only thing that really matters in life. Local life and local mind have meaning and purpose only when they’re lived from this place of nonlocal mind. Daily morning meditation is what anchors you to the experience of infinite awareness. All the rest of your life is then lived from that place of connection with nonlocal mind. It frames everything, putting local reality into perspective. All the things that seem so important when you’re trapped inside the limits of a local mind seem trivial: money, fame, sex, admiration, opinions, body image, deadlines, goals, achievements, failures, problems, solutions, needs, routines, self-talk, physical ailments, the state of the world, comfort, insults, impulses, discomfort, memories, thoughts, desires, frustrations, plans, timelines, tragedies, events, news, sickness, entertainment, emotions, hurts, games, wounds, compliments, wants, pains, aspirations, past, future, worries, disappointment, urgent items, and demands for your time and attention. All these things fade into insignificance. All that remains is consciousness. The vast universal now, infused with perfection. This becomes the perspective from which you view your local life. It’s the starting point for each day. It becomes the origination point for everything you think and do that day. Your local reality is shaped by nonlocal mind. You are everything. You have everything. You lack nothing. You proceed into your day, creating from this anchor of perfection. What you create reflects this perfection.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
Yo, where you at, pretty boy?” Braeden hollered and came around the corner. I grinned and he laughed. “You ready for today?” he said and hooked me around the neck with his arm and tried to bend me down so he could mess up my hair. “Hells yeah,” I said, dodging his attempt. The guys that were around us all starting trading insults, so we joined in until the sound of music cut through the laughter. Some old song about how the guy singing was too sexy burst through the noise, and we all started to laugh. “B-man!” someone shouted a row over. “Phone’s ringing.
Cambria Hebert (#Hater (Hashtag, #2))
He bows to the two of us, and when he speaks, his voice fills the room, far louder and more booming than a voice should be before noon. “I intend to ride the estate today, if you two would like to join me.” I open my mouth to give him a quick, No thanks, I’d rather pull out my own hair, but Emily beats me to it. “How kind of you to offer! We would love to.” Huh? I can’t figure out why Emily doesn’t hate Alex. He’s a jerk and he’s done nothing to help her out of her engagement. And now she’s volunteering to hang out with him? An excuse…I need some kind of excuse to get out of this. Alex walks to the window and looks out, offering a rather flattering view of the back of his riding pants. “Did you enjoy the dance last evening?” Is he making small talk? That’s a first. “Yes, very much so,” Emily says. “It was delightful.” I nod. “Yeah. I guess so.” I won’t say I had fun because I don’t want him to get the wrong idea. I don’t want him to know dancing with him was the most exciting part of my evening and the most agonizingly long half hour of my life. Alex looks at me for a long silent moment. You’d think he’d bring up the big “lady” versus “miss” debacle. Or just that we’d danced. But he doesn’t. “Yes, I rather enjoyed myself as well,” he says. Seriously, what does that mean? I was the only girl he danced with. The entire night. Is he trying to tell me something? Ha. Right. He probably means that it was all sorts of fun to insult me. And that’s when Emily starts rubbing her temple. She sets her needlepoint down and frowns, massaging in circular motions on the side of her face. Oh, no, she’s not-- “Dear cousin, I am coming down with a headache. Perhaps you and Rebecca ought to ride without me.” I get a twinge when I hear Rebecca. Every day it feels more like we’re friends--and more like I’m betraying her. And then she turns to me, knowing Alex can’t see her, and winks. “Oh, no, I--” I start to say, because I suddenly realize what she’s trying to do. This can not happen. A horseback ride alone with Alex? No thank you! But Alex cuts in before I can stop her. “Yes, I would not have you overexerting yourself. We shall check on you when we return.” Okay, this is not how I want to spend my afternoon. Alone with Alex? I’d rather get a root canal. But…maybe it’s my chance to talk to him about Emily. Maybe he doesn’t know about Trent. Emily said Trent was wealthy, right? He’s not titled, but he has money. If Alex knew about him…maybe he would get Emily off the hook with Denworth. Maybe that’s why Emily is trying to arrange for me to spend time with Alex. She so owes me after this. I can do this. I can hang out with him for a couple hours--long enough to talk him into helping us. Emily jumps up from her chair far too quickly for someone with a headache and leaves the room before I can do anything. I rub my eyes. It’s going to be a long afternoon.
Mandy Hubbard (Prada & Prejudice)
Problem #5: Critical Attitudes Stress is often caused by working with or for someone who is supercritical. People will get hooked into either trying to win over the critical person, which can almost never be done, or by allowing the person to provoke them to anger. Some people internalize the criticism and get down on themselves. All of these reactions indicate an inability to stand apart from the critical person and keep one’s boundaries. Allow these critical people to be who they are, but keep yourself separate from them and do not internalize their opinion of you. Make sure you have a more accurate appraisal of yourself, and then disagree internally. You may also want to confront the overly critical person according to the biblical model (Matt. 18). At first tell her how you feel about her attitude and the way it affects you. If she is wise, she will listen to you. If not, and her attitude is disruptive to others as well, two or more of you might want to talk to her. If she will not agree to change, you may want to tell her that you do not wish to talk with her until she gets her attitude under control. Or you can follow the company’s grievance policy. The important thing to remember is that you can’t control her, but you can choose to limit your exposure to her, either physically or emotionally distancing yourself from her. This is self-control. Avoid trying to gain the approval of this sort of person. It will never work, and you will only feel controlled. And avoid getting in arguments and discussions. You will never win. Remember the proverb, “Whoever corrects a mocker invites insult; whoever rebukes a wicked man incurs abuse. Do not rebuke a mocker or he will hate you; rebuke a wise man and he will love you” (Prov. 9:7–8). If you allow them to draw you in, thinking that you will change them, you are asking them for trouble. Stay separate. Keep your boundaries. Don’t get sucked into their game. Problem
Henry Cloud (Boundaries: When To Say Yes, How to Say No)
Okay, so you won't go out with me because you don't find me attractive. And I thought I was shallow." "It's not just that. It's everything about you. You're arrogant, misogynistic, cocky. And this whole... 'every girl wants me, I'm the best in the world' persona you have going on, is very unattractive." Her cold words flew out her mouth like knives but not once did he flinch. Or even seem bothered. He appeared amused, even. As his eyes squinted and the smirk curling his lips deepened, the more she insulted him. It was as
Taisha S. Ryan (HOOK'D)
Oui. There’s always a reason, even if reason doesn’t figure into it. It almost always starts with some emotion. A hurt feeling. A slight. An insult, a betrayal. It digs in like a hook, and festers. Dragging that person toward the cliff. It could take years, and for some it never goes that far. It becomes a low-level hum of anger all their lives.
Louise Penny (The Madness of Crowds (Chief Inspector Armand Gamache, #17))
I am being quite reasonable, Mister Cotton, I assure you,’ Charlie said, unable to keep himself from grinning. ‘Mary is accustomed to us. She is more than an elephant, she is a pet, a friend, and a companion. I wouldn’t trust an elephant I don’t know to Barnum and Bailey, let alone a pet, friend, and companion. I’m fully aware of your employers’ liberal use of bull hooks in training. The conditions in which those elephants are crammed together, night after night. Out of love for Mary, I say unreservedly no. I am also aware of the business practices of your employers and know full well the extent of their philanthropic nature. You wouldn’t have turned up here, all false charm and sleazy grin, waving an envelope of cash around, if you didn’t already know Mary was worth a hundred times the value. So, don’t threaten my elephants, firstly, Mister Cotton. And secondly, dare not to insult my intelligence, in my own office. For God’s sake, man.
Max Davine (Mighty Mary)
Where is your fire?” Trenton asked, every word punctuated with another blow.   Shea kept silent and concentrated on getting out of the encounter with no internal bleeding. With the way he was hammering at her guard, he’d cause an injury if a blow landed.   “Is this the woman who convinced her men to follow her on a fool’s errand?”   Shea didn’t respond.   “Where is the spirit that drove you off a cliff onto a shadow beetle?”   He was very talkative as he drove her across the small practice ring. She envied him the ability.   “You’re weak.”   Now he was onto insults.   “You don’t belong here.”   Yeah, yeah, yeah. She’d heard that one before.   He closed with her, bearing down with his blade until her arms were shaking with the strain. His face was close to hers as their match became a test of strength. “Your stupidity is going to get everyone killed.”   Abruptly, Shea released the blade with one hand, sidestepped and launched a punch straight into his ear. His head rocked to the side and Shea, taking advantage of his distraction, grabbed his arm and hooked her leg around his before pushing with all her might.   He toppled backwards, landing hard on the ground for the first time that day. Shea didn’t wait for him to recover and kicked him in the ribs. He rolled into her legs as she prepared to do it again, bringing her to the ground with him.   She kicked, punched and wiggled her way back to standing and quickly backed up as he rose to his feet.   He didn’t look happy. Shea backed up even further.   The dark expression on his face was a bit scary. Guess she shouldn’t have kicked him when he was down. The biting probably didn’t help either. Trying to dig her fingers into his eyes had been a low blow. Even she could admit that. This was practice. Some things were just off limits.   He started for her, not even bothering to pick up his practice sword. Shea prepared to run. New energy coursed through her as she felt genuine danger rolling off Trenton.   “Test complete,” the old man crowed.   “What?” Shea asked in disbelief.   “You passed.”   “That’s it?”   The test had been difficult but not impossible. She’d been expecting impossible given the hesitation the old man showed in testing her.   “Mostly.”   That’s what she thought.
T.A. White (Pathfinder's Way (The Broken Lands, #1))
Live a headless life. Move as a total being, and accept things. Just for twenty-four hours, try it – total acceptance, whatsoever happens. Somebody insults you, accept it, don’t react, and see what happens. Suddenly you will feel an energy flowing in you that you have not felt before. Somebody insults you: you feel weak, you feel disturbed, you start thinking of how to get your revenge. That man has hooked you, and now you will move round and round. For days, nights, months, even years you will not be able to sleep or dream. People can waste their whole life over a small thing, just because someone insulted them.
Osho (The Empty Boat: Encounters with Nothingness)
There is a fine line between sinful anxiety and planning for the future. We can and should prepare for the future; we just can’t sin as we do so. To be sure, there is much that can cause anxiety these days, but Christians are called to fear not (Luke 12:23). z We are commanded to not be anxious about the future (John 14:1). z We are called to have our emotions under control (Galatians 5:22–23). z We are warned that anxiety about the future is an insult to God (Matthew 5:25–39). While we might be comforted by the fact that every human being on earth has committed the sin of anxiety, that does not let us off the hook. We are accountable for our emotions. Fear of the future is common, but it is not acceptable. That is why you must be aware of which feeling you are actually having. If you are sad because of sin, death, or disaster, that is fine. If you are sad because you are worried about tomorrow, that is not fine.
Todd Friel (Stressed Out: A Practical, Biblical Approach to Anxiety)
I didn't fuck around with her. I love her. I'll keep loving her through everything, no matter what you or anyone else says or whatever you try to do to break us up. It's insulting for you to even think I'd be with Maya to fuck around with your racing. She's the endgame. I don't hook up with her for a shitty trophy, and sure as fuck not for a championship win. I want everything with her. Everything after this.
Lauren Asher (Throttled (Dirty Air, #1))