Hook And Emma Quotes

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Yeah,” he said, eyelashes lowering as his gaze traced the movement of her fingers. “It hurt me being away from you. It feels like there’s a hook dug in under my ribs, and there’s something pulling at the other end. Like I’m tethered to you, no matter the distance.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?” Clary sat up straight. She had held the Mortal Sword: she had felt the weight of it. The cold, like hooks in your skin, dragging the truth out of you. You couldn’t lie holding the Mortal Sword, but the truth, even a truth you wanted to tell, was agony. “They can’t,” she whispered. “He’s just a kid —” “He’s the oldest of the kids who escaped the Institute,” Jace said under his breath. “They don’t have a choice.” Julian nodded, his thin shoulders straight. “I’ll take it.” Robert Lightwood passed behind the podium then and went to the table. He took up the sword and returned to stand in front of Julian. The contrast between them was almost funny: the big, barrel-chested man and the lanky, wild-haired boy. Julian reached a hand up and took the sword. As his hand closed around the hilt, he shuddered, a ripple of pain that was quickly forced down. Emma, behind him, started forward, and Clary caught a glimpse of the look on her face — pure fury — before Helen caught at her and pulled her back.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Emma whirled and looked up. Someone stood at the top of the stairs: a young Shadowhunter with dark hair, a gleaming chakhram still in his right hand. Several others were hooked to his weapons belt. In the red light of the demon towers he seemed to glow- a tall, thin figure in dark gear against the darker black of night, the Accords Hall rising like a pale moon behind him. “Brother Zachariah?” said Helen in amazement.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
The hammock hangs on hooks in two trees at the very back of the yard, one is a shortish tree that’s only twice my tall and bent over, one is a million times high with silvery leaves.
Emma Donoghue (Room)
I gazed up at the sky and let my eyes flicker from one constellation to another, to another, jumping between stepping stones. I thought of the heavenly bodies throwing down their narrow ropes to hook us. I’ve never believed the future was inscribed for each of us the day we were born. If anything were written in the stars, it was we who joined those dots, and our lives were the writing. But baby Garrett, born dead yesterday, and all those whose stories were over before they began, and those who opened their eyes and found they were living in a long nightmare, like Bridie and baby White, who decreed that, I wondered, or at least allowed it?
Emma Donoghue (The Pull of the Stars)
It's nice to meet you, Evay.' I hold out my hand. She just stares at it - like it's a spider crawling out of the shower drain. 'I don't make direct female-to-female contact. It depletes the beautification cells.' O-kay. I glance at Billy. He seems unperturbed. I hook a thumb over my shoulder. 'So...do you guys want to eat? How about a booth?' When Evay answers, her tone is airy, dazed, like a concussion victim. Or an acting coach - *be the tree.* 'I have my lunch right here.' She opens he realm to reveal an assortment of capsules that make my prenatals look like baby candy. 'But I need water. Do you have clear water from a snowy mountain spring?' Wow. Somebody call Will Smith - aliens really have landed. 'Uh...we don't get much snow around here, this time of year. We have Greenville's finest tap water, though.' She shakes her head. And she still hasn't blinked. Not one freaking time. 'I only drink snowy mountain spring water.
Emma Chase (Twisted (Tangled, #2))
Picket instinctively stepped in front of Emma as the Preylords dropped lower and lower, nearing the edge of the city. “Shuffler, you’re going to have to stop doing that,” Emma said, hooking him with her arm. “It’s ‘my place beside you,’ not ‘my place blocking your view.
S.D. Smith (Ember's End (The Green Ember #4))
I thought of him, with his feet in the Chateau Marmont pool and his fork in a carrot cake. He was just a little kid. I was upset at what I had introduced him to, the records and films he didn't already know. I felt like a mother who had left syringes around the room and let her baby get hooked on hard drugs.
Emma Forrest (Namedropper)
On the landing yesterday’s poster hooked my attention ‘Would they be dead if they’d stayed in bed?’ I had an impulse to rip it down, but that probably constituted conduct unbecoming to a nurse, as well as treason. ‘Yes, they’d be bloody dead,’ I ranted silently. ‘Dead in their beds or at the kitchen table eating their onion a day. Dead on the tram, falling down in the street, whenever the bone-man happened to catch up with them. Blame the germs, the unburied corpses, the dust of war, the circulation of wind and weather, but Lord God Almighty, blame the stars, just don’t blame the dead, because none of them wished this on themselves.
Emma Donoghue (The Pull of the Stars)
You know what your mum might be?' 'You're not really asking, are you? This is rhetorical, isn't it?' 'A real life desperate housewife. Maybe your mum's hooking and she -' "What are you, drunk? There's a five-year-old in the back seat. And, PS, you're not helping. All she said is that she's at the station. Not in jail. Now, I don't want to talk anymore about it. Mark and I spend the remainder of the car trip in silence. Emma, on the other hand, takes it upon herself to sing every verse of It's Hard Out Here For A Pimp. Next chance I get I'm gonna confiscate her copy of Hustle and Flow and change her computer password from GEELOVE to MONOBROW. - Cat
Rebecca Sparrow (Joel and Cat Set the Story Straight)
And why can't I have an ignore button like my phone? As I hit it, his calls disappear from the screen and the ringing stops. But the tingles are still at my fingertips, as if he sent them through the phone to grab me. Shoving it in my purse-the pockets on skinny jeans must just be for show 'cause nothing else is fitting in there-I smile at Mark. Ah, Mark. The blue-eyed, blond-haired, all-American quarterback. Who knew he had a crush on me all these years? Not Emma McIntosh, that's for dang sure. And not Chloe. Which is weird, because Chloe was a collector of this kind of information. Maybe it's not true. Maybe Mark's only interested in me because Galen was-who wouldn't want to date the girl who dated the hottest guy in school? But that's just fine with me. Mark is...well, Mark isn't as fantabulous as I always imagined he would be. Still, he's good-looking, a star quarterback, and he's not trying to hook me up with his brother. So why am I not excited? The question must be all over my face because Mark's got his eyebrow raised. Not in a judgmental arch, more like an arch of expectation. If he's waiting for an explanation, his puny human lungs can't hold their breath long enough for an answer. Aside from not being his business, I can't exactly explain the details of my relationship with Galen-fake or otherwise. The truth is, I don't know where we can go from here. He ripped holes in my pride like buckshot. And did I mention he broke my heart? He's not just a crush. Not just a physical attraction, someone who can make me forget my own name by pretending to kiss me. Not just a teacher or a snobby fish with Royal blood. Sure, he's all of those things. But he's more than that. He's who I want. Possibly forever.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Thomas Paine is America’s single great revolutionary theorist. We have produced a slew of admirable anarchists (Alexander Berkman, Emma Goldman, Dorothy Day, and Noam Chomsky), and radical leaders have arisen out of oppressed groups (Sitting Bull, Frederick Douglass, Elizabeth Cady Stanton, Fannie Lou Hamer, Martin Luther King Jr., Malcolm X, Cornel West, and bell hooks). But we do not have a tradition of revolutionists. This makes Paine unique.
Chris Hedges (Wages of Rebellion)
She said, Then there's the beatings. I can feel them in my bones. I cleared my throat. Beatings for what? She shrugged. You might be made an example of for sleeping in the wrong position, or sneezing at mass. Writing with your left hand, losing a stud off your boot. Having hair that was curly, or red. I reached out to the faint fuzz of amber escaping from her pins. Why on earth— They said it was a mark of badness and hung me up by my bun from a coat hook. I pulled back my hand and put it over my mouth.
Emma Donoghue (The Pull of the Stars)
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Grom, I need to ask you something." Hesitant, Grom tears his gaze from the abyss and settles it on his brother, but his eyes still hold a distance. "Hmm?" "Do you believe in the pull?" The question visibly jolts Grom, replacing the detachment in his eyes with pain. "What kind of question is that?" Galen shrugs, guilt stabbing him like a trident. "Some say you felt the pull for Nalia." Grom massages his eyes with fingertips, but not before Galen sees the torment deepen. "I didn't realize you listened to gossip, little brother." "If I listened to gossip, I wouldn't bother to ask." "Do you believe in the pull, Galen?" "I don't know." Galen nods, sighing. "I don't know either. But if there is such a thing, I guess it would be safe to say I felt it toward Nalia." With a flit of his tail, he swims forward, turning away from his brother. "Sometimes I swear I can still sense her. It's faint, and it comes and goes. Some days it's so real, I think I'm losing my mind." "What...what does it feel like?" Galen almost can't ask. He'd already determined to never have this conversation with Grom. But things have changed. To his surprise, Grom chuckles. "Is there something I need to know, little brother? Has someone finally hooked you?" Galen doesn't quite get his mouth closed before his brother turns around. Grom's laugh seems foreign in this dismal place. "Looks like she's got you hooked and reeled. Who is she?" "None of your business." At least not yet. Grom grins. "So that's where you've been. Chasing after a female." "You could say that." In fact, his brother can say anything he wants. He's not telling Grom about Emma. Not while Paca is out there somewhere, just waiting to be mated with a Triton king. "If you won't tell me, I'll just ask Rayna." "If Rayna knew, there would have already been a public announcement." "True," Grom says, smirking. "You're smarter than I give you credit for, tadpole. So smart, in fact, that I know I don't have to tell you to keep her away from here, whoever she is. Just until things settle down." Galen nods. "You don't have to worry about that.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Some think Grom felt the pull toward Nalia," Toraf says softly. "Maybe it's a family trait." "Well, there's where you're wrong, Toraf. I'm not supposed to feel the pull toward Emma. She belongs to Grom. He's firstborn, third generation Triton. And she's clearly of Poseidon." Galen runs his hand through his hair. "I think that if Grom were her mate, he would have found Emma somehow instead of you." "That's what you get for thinking. I didn't find Emma. Dr. Milligan did." "Okay, answer me this," Toraf says, shaking a finger at Galen. "You're twenty years old. Why haven't you sifted for a mate?" Galen blinks. He's never thought of it, actually. Not even when Toraf asked for Rayna. Shouldn't that have reminded him of his own single status? He shakes his head. He's letting Toraf's gossip get to him. He shrugs. "I've just been busy. It's not like I don't want to, if that's what you're saying." "With who?" "What?" "Name someone, Galen. The first female that comes to mind." He tries to block out her name, her face. But he doesn't stop it in time. Emma. He cringes. It's just that we've been talking about her so much, she's naturally the freshest on my mind, he tells himself. "There isn't anyone yet. But I'm sure there would be if I spent more time at home." "Right. And why is that you're always away? Maybe you're searching for something and don't even know it." "I'm away because I'm watching the humans, as is my responsibility, you might remember. You also might remember they're the real reason our kingdoms are divided. If they never set that mine, none of this would have happened. And we both know it will happen again." "Come on, Galen. If you can't tell me, who can you tell?" "I don't know what you're talking about. And I don't think you do either." "I understand if you don't want to talk about it. I wouldn't want to talk about it either. Finding my special mate and then turning her over to my own brother. Knowing that she's mating with him on the islands, holding him close-" Galen lands a clean hook to Toraf's nose and blood spurts on his bare chest. Toraf falls back and holds his nostrils shut. Then he laughs. "I guess I know who taught Rayna how to hit." Galen massages his temples. "Sorry. I don't know where that came from. I told you I was frustrated." Toraf laughs. "You're so blind, minnow. I just hope you open your eye before it's too late." Galen scoffs. "Stop vomiting superstition at me. I told you. I'm just frustrated. There's nothing more to it than that." Toraf cocks his head to the side, snorts some blood back into is nasal cavity. "So the humans followed you around, made you feel uncomfortable?" "That's what I just said, isn't it?" Toraf nods thoughtfully. Then he says, "Imagine how Emma must feel then." "What?" "Think about it. The humans followed you around a building and it made you uncomfortable. You followed Emma across the big land. Then Rachel makes sure you have every class with her. Then when she tries to get away, you chase her. Seems to me you're scaring her off." "Kind of like what you're doing to Rayna." "Huh. Didn't think of that." "Idiot," Galen mutters. But there is some truth to Toraf's observation. Maybe Emma feels smothered. And she's obviouisly still mourning Chloe. Maybe he has to take it slow with Emma. if he can earn her trust, maybe she'll open up to him about her gift, about her past. But the question is, how much time does she need? Grom's reluctance to mate will be overruled by his obligation to produce an heir. And that heir needs tom come from Emma.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Hey, Rachel, it's Emma. Tell Toraf he's off the hook for tonight. I can't make it over there for practice today. Maybe I'll see him tomorrow." NOT. I don't need a babysitter. Galen needs to get it through his thicker-than-most head that I'm not one of his royal subjects. Besides, Toraf earned a place on my equivalent-to-zoo-dirt list, forcing Rayna to marry him and all. After a few minutes, Rachel makes good on Galen's promise. When I answer the phone, she says, "Hey there, cutie pie. You're not feeling bad again, are you?" "No, I'm fine. Just a little sore from yesterday, I guess. But Mom had to take my car to work, so I don't have a way to get over there." Contemplation hovers in the silence that follows. I'm surprised when she doesn't offer to come get me. Maybe she doesn't like me as much as she lets on. "Give me a call tomorrow, okay? Galen wants me to check in with you." "That's so sweet of him," I drawl. She chuckles. "Give the guy a break. His intentions are good. He hasn't figured out how to handle you yet." "I don't need to be handled." "Apparently, he thinks you do. And until he doesn't, I'm afraid you'll have to put up with me." I try not to sound curt when I say, "Do you always do what he says?" "Not always." "Yeah, right." "Emma, if I always did what I'm told, you'd be locked in a hotel room somewhere while I secured us a private jet to a place of Galen's choosing. Now get some rest. I'll be expecting your call tomorrow.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
WHY CHASING THE FUTURE DOES NOT LEAD TO SUCCESS The reason we are so hooked on getting things done is that we believe the payoff that comes from achievements—an award or a larger savings account—will ultimately lead to the biggest payoff of all: happiness. We have the illusion that the success, fame, money—fill in the blank—that we are chasing will bring us some kind of lasting fulfillment. We often expect that we’ll be happy when we get this or that project over with.
Emma Seppälä (The Happiness Track: How to Apply the Science of Happiness to Accelerate Your Success)
You’re pushing it, Corey.” I flip her on top of me. She squeals, but I overpower her easily, and then I sit up. “I’m pushing it? You think you can wear those panties then bend over right in fucking front of me and I’m not gonna be turned on by that? I’ve been thinking about what you’re wearing under that skirt since you walked out of that stadium. Since you were sitting on my fuckin’ car.” I hook my thumbs under her skirt and push it up. My hands cup her ass perfectly. It’s tight and firm, fitting in my palms like perfection. Like it was made for me. “What
Emma Hart (Blindsided (By His Game, #1))
The Director gave me Denise Giardina, the great chronicler of the years when West Virginia’s miners fought back against exploitative mine owners, and local poets Louise McNeill and Irene McKinney. She gave me Nikki Giovanni, and bell hooks, and taught me about the rich Affrilachian community that had been thriving in the region for centuries. I read Chad Berry, who directs the Loyal Jones Appalachian Center at Berea College in Kentucky, and learned about his idea of “the divided heart,
Emma Copley Eisenberg (The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia)
a steadily increasing number of millennials are finally beginning to wake up to the choice we face as a civilization, and to the value they’ve so long overlooked in traditional standards of morality and beauty. They are wondering: is modern culture really so great if it means we substitute Meghan Trainor for Mozart, Emma Sulkowicz for Da Vinci, or Bell Hooks for Plato? Is it really such a step forward that our civilization, which once shed both blood and ink debating Martin Luther’s 95 Theses, is now reduced to considering theses like VICE Magazine’s “Dear Straight Guys: It’s Time to Start Putting Things In Your Butt?” Is this all there is, or can we do better? No,
Lauren Southern (Barbarians: How The Baby Boomers, Immigration, and Islam Screwed my Generation)
The bad news is your flaws don’t come from nowhere. The world is deeply fucked from every angle; its damage is incomprehensibly vast and ancient, hooked into the future and printed upon you in endless, innumerable ways. You can’t reverse it. But art can unmake you differently. A perfect pop song, the kind that knees you in the chest while you’re standing in a checkout line, is the sound of something familiar resolving into something transcendent. A good poem finds the cracks in the foundations of your thinking and outlines them with glitter, or sets the whole building on fire. People make things with money they get from the government, or from jobs, or from stealing, and one time out of every 500 that you go to see those things they’ve made, some small corner of your world will come unlaced because of it. That’s not a lot, but it’s proof that the work of living can be more than just gesture: that there is more to do with structure than to surrender or be crushed by it. You can always be made a little more unsure; you can always be taken a little more apart.
Emma Healey
Cliff went to bed early that night. Knowing I’d not sleep I stayed by the stove trying to read, but my mind kept jumping in and out of the story. That word ‘erase’ really bothered me: as if you could just wipe out a person’s home and move them on somewhere else and expect life to pick up again as normal. Being evacuated had felt like that. You just had to get on with it and try to fit in. the Kindertransport, though, must’ve been so much worse because on top of everything else Esther had to learn a new language and new customs, which would have made the fitting in part doubly hard. I shut my book with a sigh. I was trying to understand her, I really was. It was’t surprising she was angry – difficult, Mum would say. I wondered what Esther thought of me: was I annoying? Quiet? Maybe. Or was the uncomfortable truth that perhaps, from Esther’s viewpoint, it was me who was the angry, difficult one? Mulling it over, I wasn’t really listening to Ephraim as he talked on the radio upstairs. But at some point I became aware that his voice was raised. ‘They were expected days ago, you know that. It was always going to be tough. With such a small window of time they’d have to be incredibly quick,’ he was saying. ‘No, I’ve not had any contact… no… not a word.’ I moved to the bottom of the stairs to listen properly. ‘The weather was set fair so that shouldn’t have been… She had the co-ordiantes… Yes, I know the whole north coast is German-occupied, that’s whny they had to act fast. And it’ll be dangerous landing a boat her without the light…’ He went silent. Somewhere in the crackle of the radio I detected a familiar woman’s voice – Queenie’s. It startled me for a moment, though it also made sense. My hunch from the other night had been right: whatever they were up to, they were in it together. ‘Patience, Ephraim,’ Queenie said. ‘We need to sit this out for a few more days.’ ‘But it’ll only get harder, won’t it? Spratt’s got other plans for the lighthouse. He told me so this afternoon…’ ‘Losing your nerve won’t help anyone,’ she insisted. ‘Look, it sounds like we need a meeting. I’ll contact the others. Come over as soon as you can.’ I only just managed to get back into my seat before Ephraim came rushing down the stairs. ‘I’m going out for an hour,’ he muttered, grabbing his oilskins from their hook. ‘Where?’ I tried to sound innocent. ‘Out,’ he repeated. The tension, still there in his voice, made me ever so slightly afraid. Whatever was going on involved a boat, and danger, and someone who’d been expected here but still hadn’t arrived. Once Ephraim had disappeared, I shut my reading book. I really couldn’t concentrate anymore.
Emma Carroll (Letters from the Lighthouse)
You live close.” “We live in one of the apartments over Mountain Treasures so I left my car parked and walked over. Let me find the waitress and… oh hell.” “What?” “Matt and Griff just came in. I got caught up. I was supposed to text Matt if I decided I didn’t want him to come in and give me an excuse to ditch you. Since I didn’t, we’re going to have the boys around so I won’t be able to pry any more out of you once you relax again.” “Is it enough that I’ve told you more than anyone but Granny?” “It’ll do for now.” Emma Kate smiled, waved her hand. “Your Matt’s awful cute.” “He really is. And really good with his hands.” As Shelby choked out a laugh, Matt worked his way through. He hooked his really good hands under Emma Kate’s elbows, lifted her off her feet, kissed her. “There’s my girl.” He set her on her feet, turned to Shelby. “And you’re Shelby.” “It’s nice to meet you.” “Really happy to meet you. You two weren’t leaving, were you?” “Just heading back to the table,” Emma Kate told him. “I’m ready for another round.” “This one’s on Griff.” “Two Black Bears. I think I’m going for a Bombardier.
Nora Roberts (The Liar)
Standing next to him is Dr. Petranek, nonbinary, in hir mid-thirties with the broad cheekbones of Eastern European heritage and curly brown hair. Ze, too, is tall and confident, standing with hir thumbs hooked into hir belt loops and laughing heartily at something Banks has said. Dr. Petranek is one of the best Noropean engineers of hir generation and the designer of several systems used to keep us alive here, I recall from the show. Secondary specializations in synthetic biology and human biology.
Emma Newman (Before Mars (Planetfall, #3))
It wasn't like Naina didn't know what an orgasm felt like. Riz, her vibrator, had some goodly miles on him. But when Vansh said he was going to make her scream, she was never again taking that lightly. Her throat felt raw as she sagged against him like he'd wring every last drop of pleasure from her, wrung every last scream and whimper from her. Had she begged? Yes, she'd begged. He'd taken her by surprise. Yet, God, he hadn't. He was panting between her legs like someone who'd sprinted up a hill. One of her knees was hooked over his shoulder. There was a thunderstorm inside her. Her entire wet body was throbbing and spasming like she'd turned into her vagina, all of her that one beautifully, blessedly pleasured organ.
Sonali Dev (The Emma Project (The Rajes, #4))
He reached out his hand and moved her heavy mane of hair away from her neck, stroking her, and he shifted his chair closer, so that his leg pressed against hers through the heavy layers of black silk. His fingers slid lower, brushing against the neckline of her dress, drifting against the swell of breasts. "Stop it," she hissed, trying to keep all expression from her face. "What will people think?" "Exactly what I want them to think, my pet," he said. She tried to scoot her chair away from him, but beneath the flow of her skirts, he'd managed to hook one foot around her chair leg, effectively trapping her against him. In the distance the soprano screeched, the accompanist pounded, and Emma felt uncharacteristically close to tears. "You said you were doing it for Darnley," she shot back. "He isn't even here." "But he'll be well informed." He slid his hand up her neck and caught her chin. The strength in those long, pale fingers was palpable, but he wasn't hurting her. Shaming her, arousing her, tormenting her. But there was no brute force in his touch. In a way, that almost made it worse, Emma thought. Cruelty, brutality, pain could be dealt with, shut out, endured. They were straightforward, something you could fight. But the velvet caress, the banked glance, the knowledge that it was all an elaborate game and she was nothing more than a convenient pawn, a toy to be moved back and forth on the chessboard, made the situation unbearable. She couldn't help it. A stifled murmur of misery escaped her before she could stop it, and Killoran suddenly stilled. His fingers still cupped her chin, but they were no longer stroking her. He simply stared at her, and for once there was no mockery, no wickedness, in his dark green eyes. He stared at her as if seeing for the first time, and if she didn't know better, she would have thought it was his conscience making a belated appearance. And then the moment passed, so swiftly it might have never existed. He leaned forward and put his mouth against the swell of her breast. His hand caught hers, holding her there, and her eyes fluttered closed as she felt the shocking caress. He used his tongue.
Anne Stuart (To Love a Dark Lord)