Honey Comb Quotes

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Last night as I was sleeping, I dreamt -- O, marvelous error -- That there was a beehive here inside my heart And the golden bees were making white combs And sweet honey from all my failures.
Antonio Machado
Last night as I was sleeping, I dreamt—marvelous error!— that a spring was breaking out in my heart. I said: Along which secret aqueduct, Oh water, are you coming to me, water of a new life that I have never drunk? Last night as I was sleeping, I dreamt—marvelous error!— that I had a beehive here inside my heart. And the golden bees were making white combs and sweet honey from my old failures. Last night as I was sleeping, I dreamt—marvelous error!— that a fiery sun was giving light inside my heart. It was fiery because I felt warmth as from a hearth, and sun because it gave light and brought tears to my eyes. Last night as I slept, I dreamt—marvelous error!— that it was God I had here inside my heart.
Antonio Machado
Last night, as I was sleeping, I dreamt - marvellous error! - that I had a beehive here inside my heart. And the golden bees were making white combs and sweet honey from my old failures.
Antonio Machado
I can say something in Sadhese, if you like.” He drops his lips to my ear, and the spice of his breath sends a pleasant shiver through me. “Menaya es poolan dila dekanala.” I sigh. No wonder Tribesmen can sell anything. His voice is warm and deep, like summer honey dripping off the comb. “What—” My voice is hoarse, and I clear my throat. “What does it mean?” He gives me that smile again. “I’d really have to show you.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Do you know the only value life has is what life puts upon itself? And it is of course overestimated, for it is of necessity prejudiced in its own favour. Take that man I had aloft. He held on as if he were a precious thing, a treasure beyond diamonds of rubies. To you? No. To me? Not at all. To himself? Yes. But I do not accept his estimate. He sadly overrates himself. There is plenty more life demanding to be born. Had he fallen and dripped his brains upon the deck like honey from the comb, there would have been no loss to the world. The supply is too large.
Jack London (The Sea Wolf)
The sun has come. The mist has gone. We see in the distance... our long way home. I was always yours to have. You were always mine. We have loved each other in and out of time. When the first stone looked up at the blazing sun and the first tree struggled up from the forest floor I had always loved you more. You freed your braids... gave your hair to the breeze. It hummed like a hive of honey bees. I reached in the mass for the sweet honey comb there.... Mmmm...God how I love your hair. You saw me bludgeoned by circumstance. Lost, injured, hurt by chance. I screamed to the heavens....loudly screamed.... Trying to change our nightmares into dreams... The sun has come. The mist has gone. We see in the distance our long way home. I was always yours to have. You were always mine. We have loved each other in and out in and out in and out of time.
Maya Angelou
Jean was visited by one of her rare moments of happiness, one of those moments when the goodness of God was so real to her that it was like taste and scent; the rough strong taste of honey in the comb and the scent of water. Her thoughts of God had a homeliness that at times seemed shocking, in spite of their power, which could rescue her from terror or evil with an ease that astonished her.
Elizabeth Goudge (The Scent of Water)
Do you know the only value life has is what life puts upon itself? And it is of course over-estimated since it is of necessity prejudiced in its own favour. Take that man I had aloft. He held on as if he were a precious thing, a treasure beyond diamonds or rubies. To you? No. To me? Not at all. To himself? Yes. But I do not accept his estimate. He sadly overrates himself. There is plenty more life demanding to be born. Had he fallen and dripped his brains upon the deck like honey from the comb, there would have been no loss to the world. He was worth nothing to the world. The supply is too large. To himself only was he of value, and to show how fictitious even this value was, being dead he is unconscious that he has lost himself. He alone rated himself beyond diamonds and rubies. Diamonds and rubies are gone, spread out on the deck to be washed away by a bucket of sea- water, and he does not even know that the diamonds and rubies are gone. He does not lose anything, for with the loss of himself he loses the knowledge of loss. Don't you see? And what have you to say?
Jack London (The Sea Wolf)
Beehive" Within this black hive to-night There swarm a million bees; Bees passing in and out the moon, Bees escaping out the moon, Bees returning through the moon, Silver bees intently buzzing, Silver honey dripping from the swarm of bees. Earth is a waxen cell of the world comb, And I, a drone, Lying on my back, Lipping honey, Getting drunk with silver honey, Wish that I might fly out past the moon And curl forever in some far-off farmyard flower.
Jean Toomer
According to natural selection, bees should not exist. Although workers construct the comb, tend to the queen, and feed the larvae, they’re sterile themselves, and don’t pass those productive genes to the next generation. Plus, stinging is suicide, and passing on a suicide gene makes no biological sense. And yet, the species has been around for a hundred million years. Why? A biologist will say it’s because of group selection.
Jodi Picoult (Mad Honey)
I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
Ox Cart Man In October of the year, he counts potatoes dug from the brown field, counting the seed, counting the cellar's portion out, and bags the rest on the cart's floor. He packs wool sheared in April, honey in combs, linen, leather tanned from deerhide, and vinegar in a barrel hoped by hand at the forge's fire. He walks by his ox's head, ten days to Portsmouth Market, and sells potatoes, and the bag that carried potatoes, flaxseed, birch brooms, maple sugar, goose feathers, yarn. When the cart is empty he sells the cart. When the cart is sold he sells the ox, harness and yoke, and walks home, his pockets heavy with the year's coin for salt and taxes, and at home by fire's light in November cold stitches new harness for next year's ox in the barn, and carves the yoke, and saws planks building the cart again.
Donald Hall
She nuzzled his chest as his fingertips combed through the wavy tendrils of her hair. The gentle motion lulled her eyes closed and drew a deep yawn from her tired body. “This,” she murmured sleepily, “being here with you like this, it’s a lovely escape, too.” Ronin kissed her forehead in agreement, momentarily tightening his hold on her. “That it is, honey,” he breathed as she drifted off to sleep. “That it is…
Sibylla Matilde (Little Conversations (Conversations, #1))
In and Out of Time The sun has come. The mist has gone. We see in the distance... our long way home. I was always yours to have. You were always mine. We have loved each other in and out of time. When the first stone looked up at the blazing sun and the first tree struggled up from the forest floor I had always loved you more. You freed your braids... gave your hair to the breeze. It hummed like a hive of honey bees. I reached in the mass for the sweet honey comb there.... Mmmm...God how I love your hair. You saw me bludgeoned by circumstance. Lost, injured, hurt by chance. I screamed to the heavens....loudly screamed.... Trying to change our nightmares into dreams... The sun has come. The mist has gone. We see in the distance our long way home. I was always yours to have. You were always mine. We have loved each other in and out in and out in and out of time.
Maya Angelou
Last night I dreamed—blessed illusion— that I had a beehive here in my heart and that the golden bees were making white combs and sweet honey from my old failures. — Naomi Shihab Nye, Honeybee: Poems (HarperCollins, 2009)
Naomi Shihab Nye (Honeybee: Poems and Short Prose)
He had no name for it in the language of Ka; there was no name for it because he was the first Crow ever to feel it within him. Pity for them in the awful complications of the lives they built for themselves, laboring as helplessly and ceaselessly as bees building their combs, but their combs held no honey, he thought now. Useless, useless, and worse than useless, needless: the labor of their lives, the battles and deaths, and all their own doing. He lifted his wings to fly, to fly from this pity, but he could not; folded them in disorder; bowed with open mouth in pity. If only he had not gone into Ymr. For out of Ymr he had brought pity into Ka, and now could never get it out.
John Crowley (Ka: Dar Oakley in the Ruin of Ymr)
. . . may causality forbid Commandant ever dispatch me to one of your viny-hivey elfworlds, profusely floral, all arcing elder trees, neural pollen, bees gathering memories from eyes and tongue, honey libraries dripping knowledge from the comb.
Amal El-Mohtar (This is How You Lose the Time War)
I shudder to imagine an equal and opposite incursion—may causality forbid Commandant ever dispatch me to one of your viny-hivey elfworlds, profusely floral, all arcing elder trees, neural pollen, bees gathering memories from eyes and tongue, honey libraries dripping knowledge from the comb. I harbor no illusions I’d succeed. You would find me in an instant, crush me faster—I’d walk a swath of rot through your verdancy, no matter how light I tried to step. I have a Cherenkov-green thumb.
Amal El-Mohtar (This is How You Lose the Time War)
Susan was haunted by the gap between the sensation of three boys climbing her torso like a tree, combing sticky fingers through her hair, muttering into her ears—and the constraint of adulthood: How are you, honey? You look a little tired. Is there anything I can do? How about a hug for your old mom? If she’d had an inkling, back then, of the ache this constraint would cause her, she would never—not once!—have said, “Let go of me, boys, I just need a minute,” and shaken them off. She would have held still and let them pick her clean, understanding that there would be nothing better to save herself for.
Jennifer Egan (The Candy House)
Crystals of old honey on her body's tongue, long hardened, were loosening in the warmth of her spilling blood, turning from grain to syrup, a slow sweet hum of wings unfurling from deep within her and looping outward, solid and multitudinous, the comb in her chest and the workers in her veins, and the hive all around her.
Emma Törzs (Ink Blood Sister Scribe)
The chamber was more like a cave than the rest of the Priory, dimmed to calm the mind. Passage from one womb to another - that was how she had seen it then, in the first clouded hour of holding him close. After the clearing, in her dreams, she remembered this room not as womb, but as tomb, as comb. No honey in a womb. No bees. She had brought him from the darkness to his end.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
Perhaps to satisfy my curiosity, my mother enrolled me in Sunday school. We were taught by rote, Bible verses and the words of Jesus. Afterward we stood in line and were rewarded with a spoonful of comb honey. There was only one spoon in the jar to serve many coughing children. I instinctively shied from the spoon but I swiftly accepted the notion of God. It pleased me to imagine a presence above us, in continual motion, like liquid stars.
Patti Smith (Just Kids)
Georgia closed her eyes and concentrated on the sensations of the island--- the bracing, spicy scent of evergreen needles, the briny creaminess of an oyster still in its shell, the chewy, viscous luxury of Star's honey on the comb, the light acidity of a local cider. And then she cooked what she felt, that sense of wonder, the lightness and clean sea salt air. A sprinkle of salt, the crispness of fresh vegetables, the unctuous luxury of good olive oil.
Rachel Linden (Recipe for a Charmed Life)
I took a step toward her, but she turned from me and stomped back to her car. I watched her drive off. After a moment, I walked up the limestone steps and through the phantom oak-and-glass front doors of the house where I grew up. I paced the hall, entered the long rectangle of dining room, rested a hand on the carved cherrywood mantel, then passed into the kitchen. The house was so real around me that I could smell the musty linen in the cedar closet, the gas from the leaky burner on the stove, the sharp tang of geraniums that I had planted in clay pots. I lay down on the exact place where the living room couch had been pushed tight under the leaded-glass windows. I closed my eyes and it was all around me again. The stuffed bookshelves, the paneling, the soft slap of my mother's cards on the table. I could see from the house of my dark mind the alley, from the alley the street leading to the end of town, its farthest boundary the lucid silence of the dead. Between the graves my path, and along that path her back door, her face, her timeless bed, and the lost architecture of her bones. I turned over and made myself comfortable in the crush of wild burdock. A bee or two hummed in the drowsy air. The swarm had left the rubble and built their houses beneath the earth. They were busy in the graveyard right now, filling the skulls with white combs and the coffins with sweet black honey.
Louise Erdrich (The Plague of Doves)
I was looking at Gavin's face this morning when he saw you in that dress and, honey, he liked what he saw! Now you lie here and take a nap. When you wake up, I'll help you bathe and we'll put some of that good-smelling stuff on you and comb your hair pretty. Tonight when he comes to bed, you prance around for a while real innocent-like in your lacy undergarments. Then strip 'em off, jump into bed, and cuddle up close to 'im. If he doesn't consummate the wedding, then he deseves to be called a damn gelding!
Charlotte McPherren (Song of the Willow)
In the evenings they would sometimes sit out in the garden and listen to the steady hum of the bees‘ industry and breathe in the honey in full flow. The Boys learnt how the different sounds from the hive denoted different moods, different activities, and that each worker, far from being a mere gatherer of nectar or builder of comb, carried out a whole host of duties at various points in her short life―a nursemaid to the larvae, a sentry to keep out robber bees, a carpet sweeper to keep the hive tidy, a punka-wallah when it got too hot.
Mick Jackson (Five Boys)
Almost everything about bees is amazing. Worker bees fly up to three miles from the hive and visit ten thousand flowers in a day. Their wings beat two hundred times a second, and they perform elaborate dances on the face of the comb to tell other workers where and how far away food sources are. In summer there are fifty thousand of them in the hive, and each dies of exhaustion after about five weeks. In its whole lifetime a worker collects about a quarter of an ounce of honey, less than half a teaspoonful, but the yield from one hive in a good year can be over eighty pounds.
John Carey (The Unexpected Professor: An Oxford Life in Books)
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
Better a fallen rocket than never a burst of light. Dante reserved a place in his Inferno for those who wilfully live in sadness - sullen in the sweet air, he says. Your 'honour' is all shame and timidity and compliance. Pure of stain! But the artist is the secret criminal in our midst. He is the agent of progress against authority. you are right to be a scholar. A scholar is all scruple, an artist is none. The artist must lie, cheat, deceive, be untrue to nature and contemptuous of history. I made my life into my art and it was an unqualified success. The blaze of my immolation threw its light into every corner of the land where uncounted young men sat each in his own darkness. What would I have done in Megara!? - think what I would have missed! I awoke the imagination of the century. I banged Ruskin's and Pater's heads together, and from the moral severity of one and the aesthetic soul of the other I made art a philosophy that can look the twentieth century in the eye. I had genius, brilliancy, daring, I took charge of my own myth. I dipped my staff into the comb of wild honey. I tasted forbidden sweetness and drank the stolen waters. I lived at the turning point of the world where everything was waking up new - the New Drama, the New Novel, New Journalism, New Hedonism, New Paganism, even the New Woman. Where were you when all this was happening?
Tom Stoppard (The Invention of Love)
Before that, before it was ever a hotel at all, five full centuries ago, it was the home of a wealthy privateer who gave up raiding ships to study bees in the pastures outside Saint-Malo, scribbling in notebooks and eating honey straight from combs. The crests above the door lintels still have bumblebees carved into the oak; the ivy-covered fountain in the courtyard is shaped like a hive. Werner’s favorites are five faded frescoes on the ceilings of the grandest upper rooms, where bees as big as children float against blue backdrops, big lazy drones and workers with diaphanous wings—where, above a hexagonal bathtub, a single nine-foot-long queen, with multiple eyes and a golden-furred abdomen, curls across the ceiling.
Anthony Doerr (All the Light We Cannot See)
Dinner with Trimalchio as explained on Angelfire.com Fragment 35 The next course is not as grand as Encolpius expects but it is novel. Trimalchio has a course made that represent the 12 signs of the Zodiac, again showing his superstitious nature. Over each sign of the zodiac is food that is connected with the subject of the sign of the zodiac. Ares the ram - chickpeas (the ram is a sign of virility and chickpeas represent the penis in satire) Taurus the bull - a beefsteak . Beef is from cattle and the bull represents strength. Gemini (The heavenly twins) - Testicles and kidneys (since they come in pairs!) Cancer the Crab- a garland (which looks like pincers) but we also learn later (fragment 39 ) that the is Trimalchios sign and by putting a garland over his sign he is honouring it. Leo the Lion - an African fig since lions were from Africa. Virgo the Virgin - a young sows udder , symbol of innocence. Libra the scales - A pair of balance pans with a different dessert in each! Scorpio - a sea scorpion Sagittarius the archer - a sea bream with eyespots, you need a good eye to practise archery. Capricorn- a lobster Aquarius the water carrier - a goose i.e. water fowl. Pisces the fish - two mullets (fish!) In the middle of the dish is a piece of grass and on the grass a honey comb. We are told by Trimalchio himself that this represents mother earth (fragment 39) who is round like a grassy knoll or an egg and has good things inside her like a honey comb.
Petronius (Satyricon & Fragments: Latin Text (Latin Edition))
April 1 MORNING “Let Him kiss me with the kisses of His mouth.” — Song of Solomon 1:2 FOR several days we have been dwelling upon the Saviour’s passion, and for some little time to come we shall linger there. In beginning a new month, let us seek the same desires after our Lord as those which glowed in the heart of the elect spouse. See how she leaps at once to Him; there are no prefatory words; she does not even mention His name; she is in the heart of her theme at once, for she speaks of Him who was the only Him in the world to her. How bold is her love! it was much condescension which permitted the weeping penitent to anoint His feet with spikenard — it was rich love which allowed the gentle Mary to sit at His feet and learn of Him — but here, love, strong, fervent love, aspires to higher tokens of regard, and closer signs of fellowship. Esther trembled in the presence of Ahasuerus, but the spouse in joyful liberty of perfect love knows no fear. If we have received the same free spirit, we also may ask the like. By kisses we suppose to be intended those varied manifestations of affection by which the believer is made to enjoy the love of Jesus. The kiss of reconciliation we enjoyed at our conversion, and it was sweet as honey dropping from the comb. The kiss of acceptance is still warm on our brow, as we know that He hath accepted our persons and our works through rich grace. The kiss of daily, present communion, is that which we pant after to be repeated day after day, till it is changed into the kiss of reception, which removes the soul from earth, and the kiss of consummation which fills it with the joy of heaven. Faith is our walk, but fellowship sensibly felt is our rest. Faith is the road, but communion with Jesus is the well from which the pilgrim drinks. O lover of our souls, be not strange to us; let the lips of Thy blessing meet the lips of our asking; let the lips of Thy fulness touch the lips of our need, and straightway the kiss will be effected.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
He started for the companion stairs, but turned his head for a final word. "Do you know the only value life has is what life puts upon itself? And it is of course over-estimated since it is of necessity prejudiced in its own favour. Take that man I had aloft. He held on as if he were a precious thing, a treasure beyond diamonds or rubies. To you? No. To me? Not at all. To himself? Yes. But I do not accept his estimate. He sadly overrates himself. There is plenty more life demanding to be born. Had he fallen and dripped his brains upon the deck like honey from the comb, there would have been no loss to the world. He was worth nothing to the world. The supply is too large. To himself only was he of value, and to show how fictitious even this value was, being dead he is unconscious that he has lost himself. He alone rated himself beyond diamonds and rubies. Diamonds and rubies are gone, spread out on the deck to be washed away by a bucket of sea- water, and he does not even know that the diamonds and rubies are gone. He does not lose anything, for with the loss of himself he loses the knowledge of loss. Don't you see? And what have you to say?
Jack London (The Sea Wolf By Jack London)
Marvellous lovingkindness." Psalm 17:7 When we give our hearts with our alms, we give well, but we must often plead to a failure in this respect. Not so our Master and our Lord. His favours are always performed with the love of his heart. He does not send to us the cold meat and the broken pieces from the table of his luxury, but he dips our morsel in his own dish, and seasons our provisions with the spices of his fragrant affections. When he puts the golden tokens of his grace into our palms, he accompanies the gift with such a warm pressure of our hand, that the manner of his giving is as precious as the boon itself. He will come into our houses upon his errands of kindness, and he will not act as some austere visitors do in the poor man's cottage, but he sits by our side, not despising our poverty, nor blaming our weakness. Beloved, with what smiles does he speak! What golden sentences drop from his gracious lips! What embraces of affection does he bestow upon us! If he had but given us farthings, the way of his giving would have gilded them; but as it is, the costly alms are set in a golden basket by his pleasant carriage. It is impossible to doubt the sincerity of his charity, for there is a bleeding heart stamped upon the face of all his benefactions. He giveth liberally and upbraideth not. Not one hint that we are burdensome to him; not one cold look for his poor pensioners; but he rejoices in his mercy, and presses us to his bosom while he is pouring out his life for us. There is a fragrance in his spikenard which nothing but his heart could produce; there is a sweetness in his honey-comb which could not be in it unless the very essence of his soul's affection had been mingled with it. Oh! the rare communion which such singular heartiness effecteth! May we continually taste and know the blessedness of it!
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
I see all this and I feel no amazement because making the shell implied also making the honey in the wax comb and the coal and the telescopes and the reign of Cleopatra and the films about Cleopatra and the Pyramids and the design of the zodiac of the Chaldean astrologers and the wars and empires Herodotus speaks of and the words written by Herodotus and the works written in all languages, including those of Spinoza in Dutch, and the fourteen-line summary of Spinoza’s life and works in the instalment of the encyclopedia in the truck passed by the ice-cream van, and so I feel as if, in making the shell, I had also made the rest.
Anonymous
The Bible is like: a lamp to our feet (Ps. 119:105); bread for the soul (Matt. 4:4); a hammer that shatters the rock (Jer. 23:29); honey in the comb (Ps. 19:9–10); rain and snow that water the earth (Isa. 55:10–11); gold that enriches us (Ps. 19:9–10), fire that warms or burns us (Jer. 23:29); seed planted in the heart (Luke 8:11); water for washing (Eph. 5:26); a mirror for seeing and correcting ourselves (James 1:22–25); nourishing milk and meat for the soul (Heb. 5:12–13); and a double-edged sword (Heb. 4:12).
Robert J. Morgan (100 Bible Verses Everyone Should Know by Heart)
I see all this and I feel no amazement because making the shell implied also making the honey in the wax comb and the coal and the telescopes and the reign of Cleopatra and the films about Cleopatra and the Pyramids and the design of the zodiac of the Chaldean astrologers and the wars and empires Herodotus speaks of and the words written by Herodotus and the works written in all languages, including those of Spinoza in Dutch, and the fourteen-line summary of Spinoza’s life and works in the instalment of the encyclopedia in the truck passed by the ice-cream van, and so I feel as if, in making the shell, I had also made the rest.
Italo Calvino (The Complete Cosmicomics)
HE PARABLE OF A FLY IN A HONEYCOMB As a fly was searching for food, he spied a comb of honey in a corner. Overcome with longing, he began to buzz loudly: “Where is the noble fellow who will guide me into this honeycomb in exchange for a grain of barley? I wish to enter this hive because the bees seem so happy inside.” Someone took the fly’s grain of barley and let the insect into the hive. When the fly got busy with the honey, his feet became stuck. He floundered about until his joints grew weak. The more he struggled, the more stuck he became. “Help!” he cried out. “This honey kills worse than poison. I gave a grain of barley to enter this hive, but now I would give two to get out.” --- Distracted heart, you’ve spent your time in absentmindedness for an age, following fruitless pursuits. Where will you find another lifetime to correct this?
Attar of Nishapur
Brilliant little irruptions Brilliant little connections Brilliant little illusions Brilliant little lips Brilliant little altercations Very brilliant little honey combs Brilliant little adversities Very brilliant little ravages Brilliant little cogs Brilliant little circumvolutions Around a vertical axis Why has the deficiency of the mentally deficient become a cultural fact, whereas the very much more terrible fact of ordinary stupidity strikes no one as very odd?
Jean Baudrillard (Cool Memories)
trees were laden with apples, honey was dripping in the combs, and the corn was tall and full.
J.R.R. Tolkien (The Lord of the Rings)
There is a small worm in a dog’s tongue…: if this is removed from the animal while a pup, it will never become mad or lose its appetite. This worm, after being carried thrice round a fire, is given to persons who have been bitten by a mad dog, to prevent them from becoming mad. This madness, too, is prevented by eating a cock’s brains; but the virtue of these brains lasts for one year only, and no more. They say, too, that a cock’s comb, pounded, is highly efficacious as an application to the wound; as also, goose-grease, mixed with honey. The flesh also of a mad dog is sometimes salted, and taken with the food, as a remedy for this disease. In addition to this, young puppies of the same sex as the dog that has inflicted the injury, are drowned in water, and the person who has been bitten eats their liver raw. The dung of poultry, provided it is of a red colour, is very useful, applied with vinegar; the ashes, too, of the tail of a shrew-mouse, if the animal has survived and been set at liberty; a clod from a swallow’s nest, applied with vinegar; the young of a swallow, reduced to ashes; or the skin or old slough of a serpent that has been cast in spring, beaten up with a male crab in wine.
Bill Wasik (Rabid: A Cultural History of the World's Most Diabolical Virus)
The black ash that inundated the island was suitable for a superior quality of concrete, and the resulting caves, bunkers, pillboxes and large rooms were elaborate. Up to one quarter of the entire garrison was enlisted in the tunneling, and while some of the caves were suitable for two to three men with gear, others could hold up to 400, with multiple entrances and exits to prevent forces from becoming trapped. Ventilation systems were engineered to contend with the danger of sulfur fumes common to the island. On Mount Suribachi itself, the 60 foot-deep crater with a 20 foot ledge on which one could walk the entire circumference of the rim was particularly well-developed as a fortress. The Japanese had constructed elaborate caves all the way around the crater, and according to one of the 28th Marines who took the summit, “It was down in the crater that the Japanese were honey-combed.”[3]
Charles River Editors (The Greatest Battles in History: The Battle of Iwo Jima)
You who are wise in the ways of Love, who faithfully adhere to the customs and usages of his court and have never violated his injunctions no matter what the consequences, tell me: is it possible to behold the object of one's love without trembling and growing pale? Should someone doubt me in this, I can easily refute his argument: for whoever does not grow pale and tremble, and does not lose sense and memory, is only out to steal what does not rightfully belong to him. A servant who does not fear his master should not stay in his company or serve him. You fear your master only if you respect him; and unless you hold him dear you do not respect him, but rather seek to deceive him and steal his goods. A servant should tremble with fear when his master calls or summons him, and whoever devotes himself to Love makes Love his lord and master. Thus it is right that whoever wishes to be numbered among the court of Love should greatly revere and honour him. Love without fear and tredipation is like a fire without flame or heat, a day without sunlight, a comb without honey, summer without flowers, winter without frost, a sky without a moon, or a book without letters. So I wish to challenge the opinion that love can be found where there is no fear. Whoever wishes to love must feel fear; if he does not, he cannot love. But he must fear only the one he loves, and be emboldened in her sake for all else.
Chrétien de Troyes (Arthurian Romances)
Love in the Father is like honey in the flower; it must be in the comb before it be for our use. Christ must extract and prepare this honey for us. He draws this water from the fountain through union and dispensation of fullness; we by faith, from the wells of salvation that are in Him.
Randall J. Pederson (Daily Readings - The Puritans)
He had a sudden longing, which wasn't a bit like him now, though it was like the person he had been before the Saxons burned his home, to give Ness things, to bring them and heap them into her lap. New songs and the three stars of Orion's belt, and honey-in-the-comb, and branches of white flowering thorn at mid-winter . . .
Rosemary Sutcliff (The Lantern Bearers)
He was still stunned by what had happened in the flat. He was sure he hadn't kissed her the way a gentleman would. Thankfully, she hadn't seemed to mind. He'd tried to hold back, but it had been impossible. That mouth... sweet as honey from the comb. And the way she had molded bonelessly to him. she'd felt so exquisite in his arms, so fine and lush and warm. He would relive that kiss in a thousand dreams. It had been as unlike anything that had happened in his life before, as it would be from everything that came after.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I’m one walker that’s stood way up and looked way down acrost aplenty of pretty sights in all their veiled and nakedest season. Thumbing it. Hitching it. Walking and talking it. Chalking it. Marking it. Sighting it and hearing it. Seeing and feeling and breathing and smelling it in, sucking down me, rubbing it all in the pores of my skin, and the wind between my eyes knocking honey in my comb….
Woody Guthrie
Long divorced, a real estate agent whose social life included lovers (occasionally married), Susan was haunted by the gap between the sensation of three boys climbing her torso like a tree, combing sticky fingers through her hair, muttering into her ears—and the constraint of adulthood: How are you, honey? You look a little tired. Is there anything I can do? How about a hug for your old mom? If she’d had an inkling, back then, of the ache this constraint would cause her, she would never—not once!—have said, “Let go of me, boys, I just need a minute,” and shaken them off. She would have held still and let them pick her clean, understanding that there would be nothing better to save herself for.
Jennifer Egan (The Candy House)
Later, during harvesting season, I would check the hives to see how much honey the bees had produced, and then I would put the combs into the extractors and fill the tubs, scraping off the residue to collect the golden liquid beneath. It was my job to protect the bees, to keep them healthy and strong, while they fulfilled their task of making honey and pollinating the land to keep us alive.
Christy Lefteri (The Beekeeper of Aleppo)
And suddenly Esther began to feel it. Crystals of old honey on her body’s tongue, long hardened, were loosening in the warmth of her spilling blood, turning from grain to syrup, a slow sweet hum of wings unfurling from deep within her and looping outward, solid and multitudinous, the comb in her chest and the workers in her veins and the hive all around her.
Emma Törzs (Ink Blood Sister Scribe)
He must be a dull man who can examine the exquisite structure of a comb, so beautifully adapted to its end, without enthusiastic admiration. We hear from mathematicians that bees have practically solved a recondite problem, and have made their cells of the proper shape to hold the greatest amount of honey, with the least possible consumption of precious wax in their construction. Charles Darwin, On the Origin of Species, chapter 8, “Instinct
Pulak Prasad (What I Learned About Investing from Darwin)
Jean was visited by one of her rare moments of happiness, one of those moments when the goodness of God was so real to her that it was like a taste and scent; the rough strong taste of honey in the comb and the scent of water. Her thoughts of God had a homeliness that at times seemed shocking, in spite of their power, which could rescue her from terror or evil with an ease that astonished her.
Elizabeth Goudge (The Scent of Water)
This was America's new cable-wired, online nationalism, honey-combed lives intersecting during collective agony, the knee-pad titillation of Oval Office sex, the rubbernecking of celebrity violence. Until the Women's World Cup, the two biggest sports-related stories of the 1990s were the murder trial of O.J. Simpson and the knee-whacking shatter of figure skating's porcelain myth. Fans cheer for professional city teams and alma maters, but there is no grand, cumulative rooting in the United States except for the disposable novelty of the Olympics. With the rare exception of the Super Bowl is background noise, commercials interrupted by a flabby game, the Coca-Cola bears more engaging than the Chicago Bears.
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
You are not pretty. Pretty is a china figurine on a shelf. Pretty fades and cracks and withers away. You are beautiful, Charley Alcott. Your beauty flows out from you like honey from a comb, every time you comfort a wounded man, every time you heal a pain. You are beautiful here," he kissed her forehead, "and here," he said, kissing her graceful neck, "and especially inside here," he finished, putting his hand on her breastbone. "You will always be beautiful, Charley, when pretty is only a memory, you will be beautiful because of who you are.
Darlene Marshall (Sea Change (High Seas #1))
Stockings, but no drawers?" he teased, breathlessly. He nudged the neckline of her gown lower with his teeth, exposing her breast, distracting her as his hand glided farther up her thigh, to come gently to rest against the damp, silken curls at the crook of them. "Too warm for... drawers... but I liked the... garters..." She gasped out the words, and he gave a short laugh before he took her nipple into his mouth. Puckered velvet, it was, the palest, most delicate pink, like her lips; her breast could fill the palm of his hand. He knew because he skimmed his palm over the other one. "Kit," she rasped. "God." "One and the same," he murmured. He heard her gasp something, either a tortured laugh or a word, which may have been "beast," but she stopped abruptly when he took her nipple into his mouth again and drew slow circles around it with his tongue. Her softly sighed, "oh," her back arching up to meet him, her fingers combing over his head, made him wilder than he thought he could bear. But he would bear it. Today was for her, and today was all there would be. He settled for tucking his hips closer to her, his aching erection brushing against her. His fingers stroked lightly over the curls between her legs, twining in them. And then he returned his lips to hers, gently, because he wanted to watch her eyes when he slid a finger lightly along her cleft. He felt her body go taut when he did; she drew in a sharp breath. His hand stilled. "No?" he said softly. "Yes," she disagreed on a whisper, touching his face. He kissed her softly, as his finger slid lightly again, and then again, and at last her legs slipped open wider still, inviting him in. Desire clawed him, a great bird of prey clinging to his back, he could scarcely breathe. With his fingers, he circled her gently, slowly at first, and then insistently, listening to the pulse of her breath, to her soft murmurs, to learn the rhythm she wanted, until her desire drenched his fingers. He touched nearly chaste kisses to her mouth as his fingers played over her, and watched, triumphant, as her pupils grew large, her beautiful, complicated eyes opaque, her breathing become a quiet storm. "Kit?" she whispered urgently. "I---it's---" "I know," he sympathized hoarsely. "Move with me now." And she began to move her hips in time with his knowing fingers, colluding with him in her own pleasure, and he moved his own hips against her, craving his own release even as he knew he must deny it. He covered her moth with a kiss, a deep kiss, tangling his tongue with hers, and oh the taste of her: honey and velvet, rich as plums. He moved his fingers in time with his tongue, knew by her escalating breathing, the rhythm of her hips, that it would be soon. She took her lips from his, her head thrashed to one side. "Please..." "Hold on to me, Susannah." She was utterly focused on her journey now, and God, how he wanted to go there with her. At last, her fingers dug into his arms and she bowed up with a soft cry, pulsing against his hand. And somehow, this seemed nearly as precious as the beat of her heart, and the pleasure he took in her release was so acute it might well have been his own.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
Honey, we have other things to think about,” I said, forcing myself to smile, forcing myself to sound calm. One corner of my brain pictured a pink ambulance screeching to a halt outside to disgorge emergency beauticians with cases of scissors, combs, and hair spray. “Dealing with a little hair damage can wait until tomorrow. It’s a lot more important to find out who did this and why.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
I wish I was a smoker,” Haven said with a brittle laugh, walking around the apartment with jittery energy. “This is one of those times when chain-smoking seems appropriate.” “Oh, no you don’t,” Hardy murmured, reaching out to catch her wrist. “You got enough bad habits already, honey.” He drew her between his thighs as he leaned against the sofa, and she nestled against him. “Including you,” she said, her voice muffled. “You’re my worst habit.” “That’s right.” He combed his fingers through her dark curls, and kissed her head. “And there’s no getting over me.” -Haven & Hardy
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
The heavens proclaim the glory of God. The skies display his craftsmanship. Day after day they continue to speak; night after night they make him known. They speak without a sound or word; their voice is never heard. Yet their message has gone throughout the earth, and their words to all the world. God has made a home in the heavens for the sun. It bursts forth like a radiant bridegroom after his wedding. It rejoices like a great athlete eager to run the race. The sun rises at one end of the heavens and follows its course to the other end. Nothing can hide from its heat. The instructions of the LORD are perfect, reviving the soul. The decrees of the LORD are trustworthy, making wise the simple. The commandments of the LORD are right, bringing joy to the heart. The commands of the LORD are clear, giving insight for living. Reverence for the LORD is pure, lasting forever. The laws of the LORD are true; each one is fair. They are more desirable than gold, even the finest gold. They are sweeter than honey, even honey dripping from the comb. They are a warning to your servant, a great reward for those who obey them. How can I know all the sins lurking in my heart? Cleanse me from these hidden faults. Keep your servant from deliberate sins! Don’t let them control me. Then I will be free of guilt and innocent of great sin. May the words of my mouth and the meditation of my heart    be pleasing to you, O LORD, my rock and my redeemer.
Anonymous
Mingling frames from the broodnest with frames from honey supers also causes problems. The material in the cells and the bees walking on this darkened wax will darken the honey stored in the combs and add bits and flavors of what was there before, reducing the pristine quality of the honey you want to harvest. The bottom line: Don’t mix frames used for honey with frames used for brood.
Kim Flottum (The Backyard Beekeeper: An Absolute Beginner's Guide to Keeping Bees in Your Yard and Garden)
I love big breakfasts with new-laid eggs boiled until the yolks are set but still a bit soft, and hot buttered muffins spread with comb honey, and rashers of fried bacon and slabs of Hampshire ham, and bowls of ripe blackberries just picked from the hedgerows-
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
I want to tell her more. I want to tell her that I envy my sire’s twin daughters, their soft shoulders, their hair pale and thin as spider’s silk, their lessons, their linens, their cream-colored, paper-thin dresses. I want to tell her that when I listen at their doors, I am taking one thing for myself, one thing that none of them would give. I say the tutor’s words in my head again, trying not to feel guilty at my mother’s worried frown, the way her anxiety makes her stab her spoon into the pot. Wax, honey, bee-bread, combs. How to apologize for wanting some word, some story, some beautiful thing for my own?
Jesmyn Ward (Let Us Descend)