Homecoming Love Quotes

We've searched our database for all the quotes and captions related to Homecoming Love. Here they are! All 100 of them:

I am the prodigal son every time I search for unconditional love where it cannot be found.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
The hideous thing is this: I want to forgive him. Even after everything, I do. A baby before my 17th birthday and a future as lonely as the surface of the moon and still the sight of him feels like a homecoming, like a song I used to know but somehow forgot.
Katie Cotugno (How to Love)
For most of my life I have struggled to find God, to know God, to love God. I have tried hard to follow the guidelines of the spiritual life—pray always, work for others, read the Scriptures—and to avoid the many temptations to dissipate myself. I have failed many times but always tried again, even when I was close to despair. Now I wonder whether I have sufficiently realized that during all this time God has been trying to find me, to know me, and to love me. The question is not “How am I to find God?” but “How am I to let myself be found by him?” The question is not “How am I to know God?” but “How am I to let myself be known by God?” And, finally, the question is not “How am I to love God?” but “How am I to let myself be loved by God?” God is looking into the distance for me, trying to find me, and longing to bring me home.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
What's agitating about solitude is the inner voice telling you that you should be mated to somebody, that solitude is a mistake. The inner voice doesn't care about who you find. It just keeps pestering you, tormenting you--if you happen to be me--with homecoming queens first, then girls next door, and finally anybody who might be pleased to see you now and then at the dinner table and in bed on occasion. You look up from reading the newspaper and realize that no one loves you, and no one burns for you.
Charles Baxter (El festín del amor)
Addiction" might be the best word to explain the lostness that so deeply permeates society. Our addiction make us cling to what the world proclaims as the keys to self-fulfillment: accumulation of wealth and power; attainment of status and admiration; lavish consumption of food and drink, and sexual gratification without distinguishing between lust and love. These addictions create expectations that cannot but fail to satisfy our deepest needs. As long as we live within the world's delusions, our addictions condemn us to futile quests in "the distant country," leaving us to face an endless series of disillusionments while our sense of self remains unfulfilled. In these days of increasing addictions, we have wandered far away from our Father's home. The addicted life can aptly be designated a life lived in "a distant country." It is from there that our cry for deliverance rises up.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
He wanted to show her how to live, even after he was gone.
Kass Morgan (Homecoming (The 100, #3))
In the past I always thought of gratitude as a spontaneous response to the awareness of gifts received, but now I realize that gratitude can also be lived as a discipline. The discipline of gratitude is the explicit effort to acknowledge that all I am and have is given to me as a gift of love, a gift to be celebrated with joy.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Unlike a fairy tale, the parable provides no happy ending. Instead, it leaves us face to face with one of life’s hardest spiritual choices: to trust or not to trust in God’s all-forgiving love.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Talk is cheap. If it wasn't, people might not toss around "I love you" like a marked-down phrase in a sale bin.
Tonya Hurley (Homecoming (Ghostgirl, #2))
If God is compassionate, then certainly those who love God should be compassionate as well.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
I'll say that you were so beautiful, you made me do ridiculous, reckless things.
Kass Morgan (Homecoming (The 100, #3))
But leaving is just something that happens in life. We all do it someday, one way or another. There's worse things than going away with the taste of love still fresh in our mouths.
Jenny Wingfield
Consider it this way: what would you say if a blond homecoming queen fell in love with a short Japanese businessman? He treats her cruelly, then goes home for three years, during which time she prays to his picture and turns down marriage from a young Kennedy. Then, when she learns he has remarried, she kills herself. Now I believe you should consider this girl to be a deranged idiot, correct? But because it's an Oriental who kills herself for a Westerner–ah!–you find it beautiful.
David Henry Hwang (M. Butterfly)
They were going to drag the boy she loved into the clearing, point a gun at the kindest, bravest person she'd ever met, and end his life with the twitch of a finger.
Kass Morgan (Homecoming (The 100, #3))
A future as lonely as the surface of the moon and still just the sight of him feels like a homecoming, like a song I used to know but forgot.
Katie Cotugno (How to Love)
Although claiming my true identity as a child of God, I still live as though the God to whom I am returning demands an explanation. I still think about his love as conditional and about home as a place I am not yet fully sure of. While walking home, I keep entertaining doubts about whether I will be truly welcome when I get there. As I look at my spiritual journey, my long and fatiguing trip home, I see how full it is of guilt about the past and worries about the future. I realize my failures and know that I have lost the dignity of my sonship, but I am not yet able to fully believe that where my failings are great, 'grace is always greater.' Still clinging to my sense of worthlessness, I project for myself a place far below that which belongs to the son, (p. 52).
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
She’s not just a nanny. She’s Aurora. She’s my reckoning and saviour all at once. She’s her namesake, those northern lights that brighten the darkest winter skies. She’s my homecoming. And I’m in love with her.
Karina Halle (A Nordic King (Nordic Royals, #3))
The leap of faith always means loving without expecting to be loved in return, giving without wanting to receive, inviting without hoping to be invited, holding without asking to be held. And every time I make a little leap, I catch a glimpse of the One who runs out to me and invites me into his joy, the joy in which I can find not only myself, but also my brothers and sisters. Thus the disciplines of trust and gratitude reveal the God who searches for me, burning with desire to take away all my resentments and complaints and to let me sit at his side at the heavenly banquet.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Jack kissed him so carefully that August thought he would fall to pieces. Kissed him with the weight of knowing the price of risk. Then he gazed back at August like his heart was already breaking. It was the same face that Jack had made on the roof, in the middle of the night, when they rolled in the grass, when he sat back with August’s blood and ink on his hands, when his face was lit orange with flames, when he’d opened the door to Rina’s room, when he stared across the gym at the homecoming dance, when he pulled him from the river and breathed him back to life. Jack had been waiting. He’d been trying. He was scared. There were tears in his eyes and it took August’s breath away.
K. Ancrum (The Wicker King (The Wicker King, #1))
We wander in our thousands over the face of the earth, the illustrious and the obscure, earning beyond the seas our fame, our money, or only a crust of bread; but it seems to me that for each of us going home must be like going to render an account. We return to face our superiors, our kindred, our friends--those whom we obey, and those whom we love; but even they who have neither, the most free, lonely, irresponsible and bereft of ties,--even those for whom home holds no dear face, no familiar voice,--even they have to meet the spirit that dwells within the land, under its sky, in its air, in its valleys, and on its rises, in its fields, in its waters and its trees--a mute friend, judge, and inspirer.
Joseph Conrad (Lord Jim)
The human soul is hungry for beauty; we seek it everywhere – in landscape, music, art, clothes, furniture, gardening, companionship, love, religion and in ourselves. No-one would desire not to be beautiful. When we experience the Beautiful, there is a sense of homecoming. Some of our most wonderful memories are of beautiful places where we felt immediately at home. We feel most alive in the presence of the Beautiful for it meets the needs of our soul.
John O'Donohue (Divine Beauty: The Invisible Embrace)
Someone I used to know a long time ago told me once that fear is the doorway to opportunity. And I can assure you, my love, that every good thing that's happened to me since has come through acting despite my fears.
Kate Morton (Homecoming)
Aloha. It meant welcome and homecoming. It meant love.
Clemence McLaren (Dance For The Land)
Love was supposed to be like that, wasn’t it? A sort of joyful, barely contained madness…
Nell Stark (Homecoming)
Being a McKettrick meant claiming a piece of ground to stand on and putting your roots down deep into it. Holding on, no matter what came at you. It meant loving with passion and taking the rough spots with the smooth. It meant fighting for what you wanted, letting go when that was the best thing to do.
Linda Lael Miller (Sierra's Homecoming (McKettricks, #5))
I am beginning to see that much of praying is grieving. This grief is so deep not just because the human sin is so great, but also—and more so—because the divine love is so boundless. To become like the Father whose only authority is compassion, I have to shed countless tears and so prepare my heart to receive anyone, whatever their journey has been, and forgive them from that heart.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
The world he had left was not ready for his return, or rather, he was not ready to return to the world he had left.
Matthew J. Hefti (A Hard And Heavy Thing)
The Father’s love does not force itself on the beloved.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
So," Benji says when Chloe finds Georgia next to him, "I know things have been crazy, but I just wanted to say, oh my god! Shara Wheeler is in love with you, and Georgia has been secretly dating a member of the Homecoming Court. Like, what is going on?? Also, when do I get a hot person??" "I saw you flirting with Ace," Chloe counters. "Yeah, he's, like, Dodge Truck Month level straight. I'm not wasting my time.
Casey McQuiston (I Kissed Shara Wheeler)
I love the homecoming because I have known what it is to leave. I have seen the city I love from the sky just as I have seen the city I love from the cracks in between metal bars. Cherish the homecoming, because you know what lasts forever and what does not.
Hanif Abdurraqib (There's Always This Year: On Basketball and Ascension)
if I am able to look at the world with the eyes of God’s love and discover that God’s vision is not that of a stereotypical landowner or patriarch but rather that of an all-giving and forgiving father who does not measure out his love to his children according to how well they behave, then I quickly see that my only true response can be deep gratitude.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
I wanted the first time to be special, and I wanted to give it to a man that I loved "Homecoming
Keegan Kennedy
God is looking for you. He will go anywhere to find you. He loves you, he wants you home, he cannot rest unless he has you with him.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
God looks at his people as children of a family who are happy that those who have done only a little bit are as much loved as those who accomplish much.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
I look like the troubled girl parents warn their kids away from, and Ethan looks like the homecoming king.
Lauren Layne (Isn't She Lovely (Redemption, #0.5))
I was playing a new part in a new play: the messed-up adult child coming home in a truly pitiful state in the back of her parents’ luxury sedan. It was a glorious suburban homecoming.
Inna Swinton (The Many Loves of Mila)
Living out this spiritual fatherhood requires the radical discipline of being home. As a self-rejecting person always in search of affirmation and affection, I find it impossible to love consistently without asking for something in return. But the discipline is precisely to give up wanting to accomplish this myself as a heroic feat. To claim for myself spiritual fatherhood and the authority of compassion that belongs to it, I have to let the rebellious younger son and the resentful elder son step up on the platform to receive the unconditional, forgiving love that the Father offers me, and to discover there the call to be home as my Father is home.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
The elder brother compares himself with the younger one and becomes jealous. But the father loves them both so much that it didn’t even occur to him to delay the party in order to prevent the elder son from feeling rejected. I am convinced that many of my emotional problems would melt as snow in the sun if I could let the truth of God’s motherly non-comparing love permeate my heart.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Where was Bewcastle? But then he was there, standing on the terrace some distance away, and such was the power of his presence that everyone seemed to sense it an fell back away from Alleyne even as they stopped talking. There was still all sorts of noise, of course - horses, carriage wheels, voices, the water spouting out of the fountain - but it seemed to Alleyne as if complete silence fell. Bewcastle had already seen him. His gaze was steady and silver-eyed and inscrutable. His hand reached for the gold-handled, jewel-studded quizzing glass he always wore with formal attire and raised it halfway to his eyes in a characteristic gesture. Then he came striding along the terrace with uncharacteristic speed and did not stop coming until he had caught Alleyne up in a tight, wordless embrace that lasted perhaps a whole minute while Alleyne dipped his forehead to his brother's shoulder and felt at last that he was safe. It was an extraordinary moment. He had been little more than a child when his father died, but Wulfric himself had been only seventeen. Alleyne had never thought of him as a father figure. Indeed, he had often resented the authority his brother wielded over them with such unwavering strictness, and often with apparant impersonality and lack of humor. He had always thought of his eldest brother as aloof, unfeeling, totally self sufficient. A cold fish. And yet it was in Wulfric's arm that he felt his homecoming most acutely. He felt finally and completely and unconditionally loved. An extraordinary moment indeed.
Mary Balogh (Slightly Sinful (Bedwyn Saga, #5))
Leaving home is living as though I do not yet have a home, and must look far and wide to find one. Home is the center of my being, where I can hear the voice that says, “You are my beloved. On you my favor rests,” the same voice that gave life to the first Adam and spoke to Jesus, the second Adam. The same voice that speaks to all the children of God and sets them free to live in the midst of a dark world while remaining in the light. I have heard that voice. It has spoken to me in the past and continues to speak to me now. It is the never-interrupted voice of love speaking from eternity and giving life and love wherever it is heard. When I hear that voice, I know that I am home with God and have nothing to fear. As the beloved of my heavenly Father, “I can walk in the valley of darkness: no evil would I fear.” As the beloved I can “cure the sick, raise the dead, cleanse the lepers, cast out devils.” Having “received without charge,” I can “give without charge.” As the Beloved, I can confront, console, admonish, and encourage without fear of rejection or need for affirmation. As the Beloved I can suffer persecution without desire for revenge and receive praise without using it as a proof of my goodness. As the Beloved I can be tortured and killed without ever having to doubt that the love that is given to me is stronger than death. As the Beloved I am free to live and give life, free also to die while giving life. Jesus has made it clear to me that the same voice that he heard at the river Jordan and on Mount Tabor can also be heard by me.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
A canon is a guarded catalogue of that speech, music and art which houses inside us, which is irrevocably familiar to our homecomings. And this will include, if honestly arrived at and declared (even if solely to oneself), all manner of ephemera, trivial, and possibly mendacious matter…No manor woman need justify his personal anthology, his canonic welcomes. Love does not argue its necessities.
George Steiner (Real Presences)
I waved away a fly that buzzed in my ear, my hand caked with blood both my own and foreign. I’d always thought death would be some sort of peaceful homecoming—a sweet, sad lullaby to usher me into whatever waited afterward. I crunched down with an armored boot on the flagpole of a Loyalist standard-bearer, smearing red mud across the tusked boar embroidered on its emerald flag. I now wondered if the lullaby of death was not a lovely song, but the droning of flies. If flies and maggots were all Death’s handmaidens.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The more I reflect on the elder son in me, the more I realize how deeply rooted this form of lostness really is and how hard it is to return home from there. Returning home from a lustful escapade seems so much easier than returning home from a cold anger that has rooted itself in the deepest corners of my being. My resentment is not something that can be easily distinguished and dealt with rationally. It is far more pernicious: something that has attached itself to the underside of my virtue. Isn’t it good to be obedient, dutiful, law-abiding, hardworking, and self-sacrificing? And still it seems that my resentments and complaints are mysteriously tied to such praiseworthy attitudes. This connection often makes me despair. At the very moment I want to speak or act out of my most generous self, I get caught in anger or resentment. And it seems that just as I want to be most selfless, I find myself obsessed about being loved. Just when I do my utmost to accomplish a task well, I find myself questioning why others do not give themselves as I do. Just when I think I am capable of overcoming my temptations, I feel envy toward those who gave in to theirs. It seems that wherever my virtuous self is, there also is the resentful complainer.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
You knew, from the first day in Miss Garber’s class that I was going to do the play, didn’t you. When you looked at me and smiled?” She nodded. “Yes.” “And when I asked you to the homecoming dance, you made me promise that I wouldn’t fall in love, but you knew that I was going to, didn’t you?” She had a mischievous gleam in her eye. “Yes.” “How did you know?” She shrugged without answering, and we sat together for a few moments, watching the rain as it blew against the windows. “When I told you that I prayed for you,” she finally said to me, “what did you think I was talking about?
Nicholas Sparks (A Walk to Remember)
I never came upon the place without emotion, and in all that country it was the spot most dear to me. I loved the dim superstition, the propitiatory intent, that had put the grave there; and still more I loved the spirit that could not carry out the sentence—the error from the surveyed lines, the clemency of the soft earth roads along which the home-coming wagons rattled after sunset. Never a tired driver passed the wooden cross, I am sure, without wishing well to the sleeper.
Willa Cather (My Ántonia)
Constantly falling back into an old trap, before I am even fully aware of it, I find myself wondering why someone hurt me, rejected me, or didn't pay attention to me. Without realizing it, I find myself brooding about someone else's success, my own loneliness, and the way the world abuses me. Despite my conscious intentions, I often catch myself daydreaming about becoming rich, powerful, and very famous. All of these mental games reveal to me the fragility of my faith that I am the Beloved One on whom God's favor rests. I am so afraid of being disliked, blamed, put aside, passed over, ignored, persecuted, and killed that I am constantly developing strategies to defend myself and thereby assure myself of the love I think I need and deserve. And in so doing I move far away from my father's home and choose to dwell in a "distant country," (pp. 41 & 42).
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
No one would understand the truth. That she’s not just a nanny. She’s Aurora. She’s my reckoning and savior all at once. She’s her namesake, those northern lights that brighten the darkest winter skies. She’s my homecoming. And I’m in love with her.
Karina Halle (A Nordic King (Nordic Royals, #3))
there are many other voices, voices that are loud, full of promises and very seductive. These voices say, “Go out and prove that you are worth something.” Soon after Jesus had heard the voice calling him the Beloved, he was led to the desert to hear those other voices. They told him to prove that he was worth love in being successful, popular, and powerful. Those same voices are not unfamiliar to me. They are always there and, always, they reach into those inner places where I question my own goodness and doubt my self-worth. They suggest that I am not going to be loved without my having earned it through determined efforts and hard work. They want me to prove to myself and others that I am worth being loved, and they keep pushing me to do everything possible to gain acceptance. They deny loudly that love is a totally free gift. I leave home every time I lose faith in the voice that calls me the Beloved and follow the voices that offer a great variety of ways to win the love I so much desire.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Spiritual fatherhood has nothing to do with power or control. It is a fatherhood of compassion. But the father of the prodigal son is not concerned about himself. His long-suffering life has emptied him of his desires to keep in control of things. Can I give without wanting anything in return, love without putting any conditions on my love?
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
now I realize that the real sin is to deny God’s first love for me, to ignore my original goodness. Because without claiming that first love and that original goodness for myself, I lose touch with my true self and embark on the destructive search among the wrong people and in the wrong places for what can only be found in the house of my Father.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
I leave home every time I lose faith in the voice that calls me the Beloved and follow the voices that offer a great variety of ways to win the love I so much desire.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
May we all experience that kind of acceptance and love.
Ava Chin (Mott Street: A Chinese American Family's Story of Exclusion and Homecoming)
Stars are exploding everywhere throughout the universe, creating new worlds and possibilities. You can always choose to be one of them.
Keith Anthony Blanchard (Homecoming: Crossing the Bridge to the Soul)
Suffering is a choice, and things will remain the way they are until you change your agreement with reality.
Keith Anthony Blanchard (Homecoming: Crossing the Bridge to the Soul)
I focus on my favorite daydream, the one where I return from London at the end of the summer and am all glamorous and drop-dead gorgeous and every girl in my school is completely jealous when Quinn McKeyan asks me to Fall Homecoming because he can’t resist my charm. Hey, it’s my daydream. I can dream what I want to. The thing is, Quinn’s face keeps getting replaced in my head by Dante’s. Since I’ve had a mad crush on Quinn from the time we started kindergarten all the way through our junior year last year, that’s saying something. Every daydream I’ve had for eleven years has been of him. I’m a very loyal daydreamer. And I suddenly feel like I’m cheating on my imaginary boyfriend, a boy who happens to be real, but who has been dating my best friend Becca for the past two years. And no. Becca has no idea that I’m secretly in love with her boyfriend. It’s the one secret that I’ve kept from her.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
I expected to be happy, but let me tell you something. Anticipating happiness and being happy are two entirely different things. I told myself that all I wanted to do was go to the mall. I wanted to look at the pretty girls, ogle the Victoria's Secret billboards, and hit on girls at the Sam Goody record store. I wanted to sit in the food court and gorge on junk food. I wanted to go to Bath and Body Works, stand in the middle of the store, and breathe. I wanted to stand there with my eyes closed and just smell, man. I wanted to lose myself in the total capitalism and consumerism of it all, the pure greediness, the pure indulgence, the pure American-ness of it all. I never made it that far. I didn't even make it out of the airport in Baltimore with all its Cinnabons, Starbucks, Brooks Brothers, and Brookstones before realizing that after where we'd been, after what we'd seen, home would never be home again.
Matthew J. Hefti (A Hard And Heavy Thing)
The leap of faith always means loving without expecting to be loved in return, giving without wanting to receive, inviting without hoping to be invited, holding without asking to be held.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
How could he have abandoned—no, shoved away the most important person in the world to him? The one person in the world to whom he, in turn, was also most important? God, he was a monster.
Rachel Haimowitz (Homecoming (The Flesh Cartel #7))
I never came upon the place without emotion, and in all that country it was the spot most dear to me. I loved the dim superstition, the propitiatory intent, that had put the grave there; and still more I loved the spirit that could not carry out the sentence—the error from the surveyed lines, the clemency of the soft earth roads along which the home-coming wagons rattled after sunset.
Willa Cather (My Antonia)
Here is the God I want to believe in: a Father who, from the beginning of creation, has stretched out his arms in merciful blessing, never forcing himself on anyone, but always waiting; never letting his arms drop down in despair, but always hoping that his children will return so that he can speak words of love to them and let his tired arms rest on their shoulders. His only desire is to bless.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Without trust, I cannot let myself be found. Trust is that deep inner conviction that the Father wants me home. As long as I doubt that I am worth finding and put myself down as less loved than my younger brothers and sisters, I cannot be found. I have to keep saying to myself, “God is looking for you. He will go anywhere to find you. He loves you, he wants you home, he cannot rest unless he has you with him.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
To be real on this path you must be humble -- If you look down at others you'll get pushed down the stairs. If your heart goes around on high, you fly far from this path. There's no use hiding it -- What's inside always leaks outside. Even the one with the long white beard, the one who looks so wise -- If he breaks a single heart, why bother going to Mecca? If he has no compassion, what's the point? My heart is the throne of the Beloved, the Beloved the heart's destiny: Whoever breaks another's heart will find no homecoming in this world or any other. The ones who know say very little while the beasts are always speaking volumes; One word is enough for one who knows. If there is any meaning in the holy books, it is this: Whatever is good for you, grant it to others too -- Whoever comes to this earth migrates back; Whoever drinks the wine of love understands what I say -- Yunus, don't look down at the world in scorn -- Keep your eyes fixed on your Beloved's face, then you will not see the bridge on Judgment Day.
Yunus Emre (The Drop That Became the Sea: Lyric Poems)
God does not love the younger son more than the elder. In the story the father goes out to the elder son just as he did to the younger, urges him to come in, and says, “My son, you are with me always, and all I have is yours.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
We can allow ourselves to be found by God and healed by his love through the concrete and daily practice of trust and gratitude. Trust and gratitude are the disciplines for the conversion of the elder son. By telling myself that I am not important enough to be found, I amplify my self-complaint. I must totally disown my self-rejecting voice and claim the truth that God does indeed want to embrace me as much as he does my wayward brothers and sisters.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
I want to celebrate my homecoming, not my funeral. I still have so much I want to say and do. Life is too short not to live it right … from this day forward I will embrace everything good and desecrate all that is evil. I’ve seen enough evil to last a lifetime now. I want the good in life without worrying. To be with people who are caring, smiles that last for miles, and love that’s forever lasting, a home that I call my own, not a prison. I may be defeated and beaten down, only to get back up again, to stand tall with head held high and my pride not shaken. Only to survive this horrible nightmare with my heart still attached and my soul not stolen and walk away without a scar on me.
Michelle Knight (Finding Me: A Decade of Darkness, a Life Reclaimed: A Memoir of the Cleveland Kidnappings)
But as to your writing me that I don’t love you very much, I don’t know whether you’re saying this in earnest or whether I should realise that you’re joking with me. Still, what you say disturbs me. You are measuring a very healthy expression of a wife’s loyalty by the standard of the insincere flattery of well-worn phrases. But I shall love you, my husband. What does it mean to you that you reassure me with those trivial little compliments? Do you want me to believe that you expect me to comb my hair in a stylish fashion for your homecoming? Or to feign adoring looks with a painted face? Let women without means, who worry and have no confidence in their virtue, flutter their eyelashes and play games to gain favour with their husbands. This is the adulation of a fox and the birdlime of deceitful bird hunting. I don’t want to have to buy you at such a price. I’m not a person who lays more stock in words than duty. I am truly your Laura, whose soul is the same one you in turn had hoped for.
Laura Cereta
Calm seeped through her body, taking the place of the fear. She experienced a blissful sense of homecoming, a peace she had never known, as the tiger became her and she became the tiger. In one fragment of time she understood all the mysteries of creation, that every living being was part of every other living being, that all were part of God, bound by love, put on earth to care for one another. She knew then that there was no fear, no disease, no death. Nothing of any importance existed but love.
Susan Elizabeth Phillips (Kiss an Angel)
There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet. Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something. "I feel infinite" And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
Stephen Chbosky (The Perks of Being a Wallflower)
The joy at the dramatic return of the younger son in no way means that the elder son was less loved, less appreciated, less favored. The father does not compare the two sons. He loves them both with a complete love and expresses that love according to their individual journeys.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
When a child is deprived and neglected, he has a much harder time delaying gratification. Our wounded inner child believes that there is a severe scarcity of love, food, strokes, and enjoyment. Therefore, whenever the opportunity arises to have these things, our inner kid goes overboard.
John Bradshaw (Homecoming: Reclaiming and Healing Your Inner Child)
Anger, resentment, jealousy, desire for revenge, lust, greed, antagonisms, and rivalries are the obvious signs that I have left home. And that happens quite easily. When I pay careful attention to what goes on in my mind from moment to moment, I come to the disconcerting discovery that there are very few moments during the day when I am really free from these dark emotions, passions and feelings. Constantly falling back into an old trap, before I am even fully aware of it, I find myself wondering why someone hurt me, rejected me, or didn't pay attention to me. Without realizing it, I find myself brooding about someone else's success, my own loneliness, and the way the world abuses me. Despite my conscious intentions, I often catch myself daydreaming about becoming rich, powerful, and very famous. All of these mental games reveal to me the fragility of my faith that I am the Beloved One on whom God's favor rests. I am so afraid of being disliked, blamed, put aside, passed over, ignored, persecuted, and killed, that I am constantly developing strategies to defend myself and thereby assure myself of the love I think I need and deserve. And in so doing I move far away from my father's home and choose to dwell in a "distant country.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
As the Father, I have to dare to carry the responsibility of a spiritually adult person and dare to trust that the real joy and real fulfillment can only come from welcoming home those who have been hurt and wounded on their life’s journey, and loving them with a love that neither asks nor expects anything in return.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
In Latin, to bless is benedicere, which means literally: saying good things. The Father wants to say, more with his touch than with his voice, good things of his children. He has no desire to punish them. They have already been punished excessively by their own inner or outer waywardness. The Father wants simply to let them know that the love they have searched for in such distorted ways has been, is, and always will be there for them. The Father wants to say, more with his hands than with his mouth: “You are my Beloved, on you my favor rests.” He is the shepherd, “feeding his flock, gathering lambs in his arms, holding them against his breast.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Amy read Ovid and Virgil and Aristophanes and Homer. She read dry histories and scandalous love poetry (her governesses, who had little Latin and less Greek, naïvely assumed that anything in a classical tongue must be respectable), but mostly she returned again and again to The Odyssey. Odysseus had fought to go home, and so would Amy.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
The return to the "Father from whom all fatherhood takes its name" allows me to let my dad be no less than the good, loving, but limited human being he is, and to let my heavenly Father be the God whose unlimited, unconditional love melts away all resentments and anger and makes me free to love beyond the need to please or find approval.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Resentment and gratitude cannot coexist, since resentment blocks the perception and experience of life as a gift. My resentment tells me that I don’t receive what I deserve. It always manifests itself in envy. The discipline of gratitude is the explicit effort to acknowledge that all I am and have is given to me as a gift of love, a gift to be celebrated with joy. Gratitude as a discipline involves a conscious choice. I can choose to be grateful even when my emotions and feelings are still steeped in hurt and resentment. I can choose to be grateful when I am criticized, even when my heart still responds in bitterness. There is always the choice between resentment and gratitude.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Both trust and gratitude require the courage to take risks because distrust and resentment, in their need to keep their claim on me, keep warning me how dangerous it is to let go of my careful calculations and guarded predictions. At many points I have to make a leap of faith to let trust and gratitude have a chance. The leap of faith always means loving without expecting to be loved in return, giving without wanting to receive, inviting without hoping to be invited, holding without asking to be held. And every time I make a little leap, I catch a glimpse of the One who runs out to me and invites me into his joy, the joy in which I can find not only myself, but also my brothers and sisters.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
...He found himself filled with joy, for now his existence had a meaning. He had a future, because he was part of a world that had a future, and instead of wanting to decide for himself and determine that future for everyone else, he knew that he would be glad just to touch some small part of it. To marry and give happiness to his wife. To have a child and give it the same love that his parents gave him. To have a friend and ease his burdedn now and then. To have a skill or a secret and teach it to a student whose life might be changed a little by what he learned. Why had he dreamed of leading armies, whichwould accomplish nothing, when he could do these miraculous small things and change the world?
Orson Scott Card (Earthborn (Homecoming, #5))
Here lies hidden the great call to conversion: to look not with the eyes of my own low self-esteem, but with the eyes of God’s love. As long as I keep looking at God as a landowner, as a father who wants to get the most out of me for the least cost, I cannot but become jealous, bitter, and resentful toward my fellow workers or my brothers and sisters. But if I am able to look at the world with the eyes of God’s love and discover that God’s vision is not that of a stereotypical landowner or patriarch but rather that of an all-giving and forgiving father who does not measure out his love to his children according to how well they behave, then I quickly see that my only true response can be deep gratitude.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Scarlet, before you go through this, I want to remind you of September 7th, 1988. It was the first time that I saw you. You were reading Less Than Zero, and you were wearing a Guns 'n' Roses t-shirt. I'd never seen anything so perfect. I remember thinking that I had to have you or I'd die... then you whispered that you loved me at the homecoming dance, and I felt so peaceful... and safe... because I knew that no matter what happened, from that day on, nothing can ever be that bad... because I had you. And then I, uh... I grew up and I lost my way. And I blamed you for my failures. And I know that you think you have to do this today... but I don't want you to. But I guess... if I love you, I should let you move on.
Mike O'Donnell
I remembered the scene in the Bible when Jacob asks Rachel for water and on hearing her speak the words that were prophesied for him, throws up his hands to heaven and kisses the ground by the well. Me Jewish, Celan Jewish, Oliver Jewish—we were in a half ghetto, half oasis, in an otherwise cruel and unflinching world where fuddling around strangers suddenly stops, where we misread no one and no one misjudges us, where one person simply knows the other and knows him so thoroughly that to be taken away from such intimacy is galut,Hebrew word for exile and dispersal. Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome. It never occurred to me that if one word word from him could make me so happy, another could just as easily crush me, that if I didn’t want to be unhappy, I should learn to beware of such small joys as well.
André Aciman (Call Me by Your Name: A Novel)
I did exactly what you told me to do, Nick. Didn't you tell me to just write the stupid book already? And that even doing the worst thing on the planet had to count for something? Well I can't think of anything worse than what I'm about to do, which is why I think you deserve an explanation. And maybe after you read it you'll realize why I don't have the hope that you have. The truth is this: We begin and end alone.
Matthew J. Hefti (A Hard And Heavy Thing)
He gave the briefest of glances at Lissie, barely acknowledging her presence as he gently eased Violet onto the seat. For good measure, and Violet was sure it was premeditated, he gave her a long, sweet kiss before closing her door. Violet was surprised at how quickly she responded to his touch, even when she knew it was more for Lissie’s benefit than for hers. But she had to suppress a triumphant smile when she stole a quick look at the other girl’s disgusted expression before Jay put the car in drive and left Lissie standing there, gawking after them. “Sorry about that,” he said apologetically as he concentrated on maneuvering through the busy parking lot. “I’ve been so worried about strange men following you around that I forgot how dangerous Homecoming Queens can be.” Violet smiled at him. “That’s okay. That kiss was a nice touch, by the way. Sheer genius.” “Yeah, that one just came to me,” he chuckled. “Maybe you can show it to me again . . . later,” she said playfully. He reached over and gave her leg a squeeze, his eyes never leaving the road. “I like the way you think, my friend.” “Is that how it is now, we’re back to just friends?” Violet asked, raising her eyebrows at him challengingly. “I’ll remember to keep that in mind next time we’re ‘doing homework.’” He was suddenly serious, his tone determined. “We’ll never be just friends again, not if I have anything to do with it.” And then with conviction he added, “I love you too much to go back now, Vi.” It was still strange to hear him saying things like that. The words sounded so foreign to her ears, but her heart responded, as if it had been waiting a lifetime to hear them, by beating erratically.
Kimberly Derting (The Body Finder (The Body Finder, #1))
There’s our homecoming picture. Last Halloween, when I dressed up as Mulan and Peter wore a dragon costume. There’s a receipt from Tart and Tangy. One of his notes to me, from before. If you make Josh’s dumb white-chocolate cranberry cookies and not my fruitcake ones, it’s over. Pictures of us from Senior Week. Prom. Dried rose petals from my corsage. The Sixteen Candles picture. There are some things I didn’t include, like the ticket stub from our first real date, the note he wrote me that said, I like you in blue. Those things are tucked away in my hatbox. I’ll never let those go. But the really special thing I’ve included is my letter, the one I wrote to him so long ago, the one that brought us together. I wanted to keep it, but something felt right about Peter having it. One day all of this will be proof, proof that we were here, proof that we loved each other. It’s the guarantee that no matter what happens to us in the future, this time was ours. When he gets to that page, Peter stops. “I thought you wanted to keep this,” he said. “I wanted to, but then I felt like you should have it. Just promise you’ll keep it forever.” He turns the page. It’s a picture from when we took my grandma to karaoke. I sang “You’re So Vain” and dedicated it to Peter. Peter got up and sang “Style” by Taylor Swift. Then he dueted “Unchained Melody” with my grandma, and after, she made us both promise to take a Korean language class at UVA. She and Peter took a ton of selfies together that night. She made one her home screen on her phone. Her friends at her apartment complex said he looked like a movie star. I made the mistake of telling Peter, and he crowed about it for days after. He stays on that page for a while. When he doesn’t say anything, I say, helpfully, “It’s something to remember us by.” He snaps the book shut. “Thanks,” he says, flashing me a quick smile. “This is awesome.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Once these two had been joined together in love, or something like love; they had made two babies, and yet, only fifteen years later, the last tie between them was broken now. All lost, all gone. Nothing lasted, nothing. Even this forty-million-year world that the Oversoul had preserved as if in ice, even it would melt before the fire. Permanence was always an illusion, and love was just the disguise that lovers wore to hide the death of their union from each other for a while.
Orson Scott Card (The Memory of Earth (Homecoming, #1))
When Jesus speaks about the world, he is very realistic. He speaks about wars and revolutions, earthquakes, plagues and famines, persecution and imprisonment, betrayal, hatred and assassinations. There is no suggestion at all that these signs of the world’s darkness will ever be absent. But still, God’s joy can be ours in the midst of it all. It is the joy of belonging to the household of God whose love is stronger than death and who empowers us to be in the world while already belonging to the kingdom of joy.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
We were perched on the precipice of manhood, drunk on our own importance, our futures promising, the present full of opportunity for seemingly endless firsts and lasts--first drink, first kiss, first love, first lay; last dance, last test, last performance, last season, last game. There were many dance and parties to attend: homecoming at both Steptoe and Yeatman, Steptoe's winter formal, holiday celebrations, and, in the spring, proms and the Tennessee Breeders' Cup. At times, it seemed our education was getting in the way of the events surrounding it.
Ed Tarkington (The Fortunate Ones)
God rejoices when one repentant sinner returns. Statistically that is not very interesting. But for God, numbers never seem to matter. Who knows whether the world is kept from destruction because of one, two, or three people who have continued to pray when the rest of humanity has lost hope and dissipated itself? From God’s perspective, one hidden act of repentance, one little gesture of selfless love, one moment of true forgiveness is all that is needed to bring God from his throne to run to his returning son and to fill the heavens with sounds of divine joy.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
To a child, abandonment is death. In order to meet my two most basic survival needs (my parents are okay and I matter), I became Mom’s emotional husband and my younger brother’s parent. To help her and others made me feel that I was okay. I was told and believed that Dad loved me but was too sick to show it and that Mom was a saint. All of this covered up my sense of being worth-less than my parents’ time (toxic shame). My core material was composed of selected perceptions, repressed feelings, and false beliefs. This became the filter through which I interpreted all new experiences in my life.
John Bradshaw (Homecoming: Reclaiming and Healing Your Inner Child)
In all cultures, ceremonies are designed to communicate the experience of one group of people to the wider community. When people bury loved ones, when they wed, when they graduate from college, the respective ceremonies communicate something essential to the people who are watching... if contemporary America doesn’t develop ways to publicly confront the emotional consequences of war those consequences will continue to burn a hole through the vets themselves... ...Offer veterans all over the country the use of their town hall every Veteran’s Day to speak freely about their experience at war... A community ceremony like that would finally return the experience of war to our entire nation, rather than just leaving it to the people who fought. The bland phrase “I support the troops” would then mean showing up at the town hall once a year to hear these people out.
Sebastian Junger (Tribe: On Homecoming and Belonging)
Violet didn't bother responding, and Jay bounded from the car to help her inside. He gave the briefest of glances at Lissie, barely acknowledging her presence as he gently eased Violet onto the seat. For good measure, and Violet was sure it was premeditated, he gave her a long, sweet kiss before closing her door. Violet was surprised at how quickly she responded to his touch, even when she knew it was more for Lissie's benefit than for hers. But she had to suppress a triumphant smile when she stole a quick look at the other girl's disgusted expression before Jay put the car in drive and left Lissie standing there, gawking after them. "Sorry about that," he said apologetically as he concentrated on maneuvering through the busy parking lot. "I've been so worried about strange men following you around that I forgot how dangerous Homecoming Queens can be." Violet smiled at him. "That's okay. That kiss was a nice touch, by the way. Sheer genius." "Yeah, that one just came to me," he chuckled. "Maybe you can show it to me again...later," she said playfully. He reached over and gave her leg a squeeze, his eyes never leaving the road. "I like the way you think, my friend." "Is that how it is now, we're back to just friends?" Violet asked, raising her eyebrows at him challengingly. "I'll remember to keep that in mind next time we're 'doing homework.'" He was suddenly serious, his tone determined. "We'll never be just friends again, not if I have anything to do with it." And then with conviction he added, "I love you too much to go back now, Vi." It was still strange to hear him saying things like that. The words sounded so foreign to her ears, but her heart responded, as if it had been waiting a lifetime to hear them, by beating erratically.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Dear Lucas, I never met a boy with manners as good as yours. You ought to have a British accent. At homecoming, you wore a cravat and it suited you so well I think you could wear one all the time and get away with it. Oh, Lucas! I wish I knew what kind of girls you liked. As far as I can tell, you haven’t dated anyone…unless you have a girlfriend at another school. You’re just so mysterious. I hardly know a thing about you. The things I know are so unsubstanial, so unsatisfying, like that you eat a chicken sandwich every day at lunch, and you’re on the golf team. I guess the one remotely real thing I know about you is you’re a good writer, which must mean you have deep reserves of emotion. Like that short story you wrote in creative writing about the poisoned well, and it was from a six-year-old boy’s perspective. It was so sensitive, so keen! That story made me feel like I knew you at least a little bit. But I don’t know you, and I wish I did. I think you’re very special. I think you are probably one of the most special people at our school, and I wish more people knew that about you. Or maybe I don’t, because sometimes it’s nice to be the only one who knows something. Love, Lara Jean
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
The place to take the true measure of a man is not in the darkest place or in the amen corner, nor the cornfield, but by his own fireside. There he lays aside his mask and you may learn whether he is an imp or an angel, cur or king, hero or humbug. I care not what the world says of him: whether it crowns him boss or pelts him with bad eggs. I care not a copper what his reputation or religion may be: if his babies dread his homecoming and his better half swallows her heart every time she has to ask him for a five-dollar bill, he is a fraud of the first water, even though he prays night and morning until he is black in the face. But if his children rush to the front door to meet him and love's sunshine illuminates the face of his wife every time she hears his footfall, you can take it for granted that he is pure, for his home is a heaven. I can forgive much in that fellow mortal who would rather make men swear than women weep; who would rather have the hate of the whole world than the contempt of his wife; who would rather call anger to the eyes of a king than fear to the face of a child (W. C. Brann, “A Man’s Real Measure,” in Elbert Hubbard’s Scrapbook, New York: Wm. H. Wise and Co., 1923, p. 16)
W.C. Brann
I was not able to sleep that night. To be honest, I didn’t even try. I stood in front of my living room window, staring out at the bright lights of New York City. I don’t know how long I stood there; in fact, I didn’t see the millions of multicolored lights or the never-ending streams of headlights and taillights on the busy streets below. Instead, I saw, in my mind’s eye, the crowded high school classrooms and halls where my friends and I had shared triumphs and tragedies, where the ghosts of our past still reside. Images flickered in my mind. I saw the faces of teachers and fellow students I hadn’t seen in years. I heard snatches of songs I had rehearsed in third period chorus. I saw the library where I had spent long hours studying after school. Most of all, I saw Marty. Marty as a shy sophomore, auditioning for Mrs. Quincy, the school choir director. Marty singing her first solo at the 1981 Christmas concert. Marty at the 1982 Homecoming Dance, looking radiant after being selected as Junior Princess. Marty sitting alone in the chorus practice room on the last day of our senior year. I stared long and hard at those sepia-colored memories. And as my mind carried me back to the place I had sworn I’d never return to, I remembered.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
How come you never dated anybody?” I shrug. “I don’t know…because nobody ever asked?” “Bullshit. I know for a fact that Martinez asked you to homecoming and you said no.” I’m surprised he knows about that. “What is it with you guys all calling each other by your last name?” I ask him. “It’s so--” I struggle to find the right word. “Effected? Affected?” “Don’t change the subject.” “I guess I said no because I was scared.” I stare out the window and run my finger along the glass, making an M for Martinez. “Of Tommy?” “No. I like Tommy. It’s not that. It’s scary when it’s real. When it’s not just thinking about a person, but, like, having a real live person in front of you, with, like, expectations. And wants.” I finally look at Peter, and I’m surprised by how hard he’s paying attention; his eyes are intent and focused on me like he’s actually interested in what I’m saying. “Even when I liked a boy so much, loved him even, I would always rather be with my sisters, because that’s where I belong.” “Wait. What about right now?” “Right now? Well, I don’t like you that way so…” “Good,” Peter says. “Don’t go falling for me again, okay? I can’t have any more girls in love with me. It’s exhausting.” I laugh out loud. “You’re so full of yourself.” “I’m kidding,” he protests, but he’s not.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
She forced herself to turn back to Luke, who’d closed his eyes but was now gripping her hand with renewed intensity. “I love you,” she said, but her words were swallowed up by the screams all around them. Suddenly, with a bone-shaking crack, the dropship slammed into Earth, and everything went black. In the distance, Glass heard a low, guttural moaning, a sound full of more anguish than anything she’d ever heard. She tried to open her eyes, but the slightest effort sent her head into a sickening spin. She gave up and allowed herself to sink back into the darkness. A few moments passed. Or was it a few hours? Again, she struggled against the comforting quiet, fighting her way toward consciousness. For a sweet, groggy millisecond, she had no idea where she was. All she could focus on was the barrage of strange smells. Glass hadn’t known it was possible to smell so many things at once: There was something she sort of recognized from the solar fields—her favorite spot to meet Luke—but amplified a thousand times over. There was something sweet, but not like sugar or perfume. Deeper, richer. Every breath she took sent her brain into overdrive as it struggled to identify the swirling scents. Something spicy. Metallic. Then a familiar scent jolted her brain to attention. Blood. Glass’s
Kass Morgan (Homecoming (The Hundred, #3))
Probably, we should all hate you,” he was saying to Cade. “Illinois played against Northwestern that year for our homecoming, and you totally slaughtered us—” He broke off at the sound of a knock on the interior door to the suite. A woman in her early twenties, dressed in a skirt and a black T-shirt with “Sterling Restaurants” in red letters, walked into the suite pushing a three-tiered dessert cart. “Sweet Jesus, it’s here,” Charlie whispered reverently. Brooke fought back a smile. The dessert cart was something Sterling Restaurants had introduced a year ago, as a perk for all of the skyboxes and luxury suites at the sports arenas they collaborated with. Needless to say, it had been a huge success. Four kinds of cake (chocolate with toffee glaze, carrot cake, traditional cheesecake, and a pineapple-raspberry tart), three types of cookies (chocolate chip, M&M, and oatmeal raisin), blond brownies, dark chocolate brownies, lemon squares, peach cobbler, four kinds of dessert liquors, taffy apples, and, on the third tier, a make-your-own sundae bar with all the fixings. “Wow. That is some spread,” Vaughn said, wide-eyed. Simultaneously, the men sprang forward, bulldozed their way through the suite door, and attacked the cart like a pack of starving Survivor contestants. All except for one. Cade stayed right there, on the terrace. He leaned back against the railing, stretching out his tall, broad-shouldered frame. “Whew. I thought they’d never leave
Julie James (Love Irresistibly (FBI/US Attorney, #4))
All at once the anger ran out of John Harkless; he was a hard man for anger to tarry with. And in place of it a strong sense of home-coming began to take possession of him. He was going home. “Back to Plattville, where I belong,” he had said; and he said it again without bitterness, for it was the truth. “Every man cometh to his own place in the end.” Yes, as one leaves a gay acquaintance of the playhouse lobby for some hard-handed, tried old friend, so he would wave the outer world God-speed and come back to the old ways of Carlow. What though the years were dusty, he had his friends and his memories and his old black brier pipe. He had a girl’s picture that he should carry in his heart till his last day; and if his life was sadder, it was infinitely richer for it. His winter fireside should be not so lonely for her sake; and losing her, he lost not everything, for he had the rare blessing of having known her. And what man could wish to be healed of such a hurt? Far better to have had it than to trot a smug pace unscathed. He had been a dullard; he had lain prostrate in the wretchedness of his loss. “A girl you could put in your hat — and there you have a strong man prone.” He had been a sluggard, weary of himself, unfit to fight, a failure in life and a failure in love. That was ended; he was tired of failing, and it was time to succeed for a while. To accept the worst that Fate can deal, and to wring courage from it instead of despair, that is success; and it was the success that he would have. He would take Fate by the neck. But had it done him unkindness? He looked out over the beautiful, “monotonous” landscape, and he answered heartily, “No!” There was ignorance in man, but no unkindness; were man utterly wise he were utterly kind.
Booth Tarkington (The Gentleman from Indiana)
We keep on striving and we keep on fighting. We think we have only two choices: rebellion or religion? We think we are confined to only two options. However, Jesus came to show us that there is another way. Father God is so in love with mankind that He gave His only begotten Son to show us the right way and to die in our place. The Father is more than willing to bring us back to our rightful place, to live in His Presence. He proved His commitment by bringing His only Son to the altar of sacrifice. He told Abraham to hold back the dagger, but Father did not withhold His Son. He allowed the world to defile and crucify His precious Son. Even though His Son cried out, “Why have you forsaken me?” Father refused to answer because He knew it was the only way we could be restored to Him. Father God is waiting outside His home, and He is on the lookout for His prodigal and religious sons and daughters. He is waiting for both the prodigal and religious children who continue to strive far away from His Presence. The table is set and the entire house has been prepared for your homecoming. The only thing missing is you. Start the long journey home. Father is waiting for you. Reflection Invite the presence of your Father and ask Him to go deep into your spirit and just let Him love on you for a while. Activation Father, show me if there is any way in which I live or behave as if I have no home. Father, are there any areas in my life where I protect myself from rejection? There is no fear in love and perfect love casts out fear. So, Father, show me any place in my life where fear is stronger than love. Declaration Father, I know you did not give me a spirit of fear or shame! You fashioned me from your likeness and made me YOUR son! You are my Father! I know you have plans to prosper me and not to harm me, to give me a hope and a future. I trust you completely! Remove my fears and replace them with your perfect love!
Leif Hetland (Healing the Orphan Spirit)
Since my visit to the Hermitage, I had become more aware of the four figures, two women and two men, who stood around the luminous space where the father welcomed his returning son. Their way of looking leaves you wondering how they think or feel about what they are watching. These bystanders, or observers, allow for all sorts of interpretations. As I reflect on my own journey, I become more and more aware of how long I have played the role of observer. For years I had instructed students on the different aspects of the spiritual life, trying to help them see the importance of living it. But had I, myself, really ever dared to step into the center, kneel down, and let myself be held by a forgiving God? The simple fact of being able to express an opinion, to set up an argument, to defend a position, and to clarify a vision has given me, and gives me still, a sense of control. And, generally, I feel much safer in experiencing a sense of control over an undefinable situation than in taking the risk of letting that situation control me. Certainly there were many hours of prayer, many days and months of retreat, and countless conversations with spiritual directors, but I had never fully given up the role of bystander. Even though there has been in me a lifelong desire to be an insider looking out, I nevertheless kept choosing over and over again the position of the outsider looking in. Sometimes this looking-in was a curious looking-in, sometimes a jealous looking-in, sometimes an anxious looking-in, and, once in a while, even a loving looking-in. But giving up the somewhat safe position of the critical observer seemed like a great leap into totally unknown territory. I so much wanted to keep some control over my spiritual journey, to be able to predict at least a part of the outcome, that relinquishing the security of the observer for the vulnerability of the returning son seemed close to impossible. Teaching students, passing on the many explanations given over the centuries to the words and actions of Jesus, and showing them the many spiritual journeys that people have chosen in the past seemed very much like taking the position of one of the four figures surrounding the divine embrace. The two women standing behind the father at different distances the seated man staring into space and looking at no one in particular, and the tall man standing erect and looking critically at the event on the platform in front of him--they all represent different ways of not getting involved. There is indifference, curiosity, daydreaming, and attentive observation; there is staring, gazing, watching, and looking; there is standing in the background, leaning against an arch, sitting with arms crossed, and standing with hands gripping each other. Every one of these inner and outward postures are all too familiar with me. Some are more comfortable than others, but all of them are ways of not getting directly involved," (pp. 12-13).
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)