Handbags For Ladies Quotes

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A lady I will be, but a man's accessory, his handbag, no thank you. I will not be someone's ornament. I will not just be someone's honey, baby, sweetheart.
Deb Caletti (Honey, Baby, Sweetheart)
Jack: Actually, I was found. Lady Bracknell: Found? Jack: Uh, yes, I was in... a handbag. Lady Bracknell: A handbag? Jack: Yes, it was... [makes gestures] Jack: an ordinary handbag.
Oscar Wilde (The Importance of Being Earnest)
Despite being what would now be called a deprived child in a one parent family, I did not grow up with an urge to smash windows or to bash old ladies over the head in order to steal handbags.
Eva Hart
It turns out brushing her hair isn’t enough. Bella produces a stiff woolen dress from her office closet. It’s one of those respectable, pocketless affairs that obliges ladies to carry stupid little handbags, so Juniper can’t take so much as a melted candle-stub or a single snake tooth with her. Bella informs her that this is the precise reason why women’s dresses no longer have pockets, to show they bear no witch-ways or ill intentions, and Juniper responds that she has both, thank you very damn much.
Alix E. Harrow (The Once and Future Witches)
This is something that has been puzzling me for years. Women will stand there watching their items being rung up, and then when the till lady says, ‘That’s £4.20, love,’ or whatever, they suddenly look as if they’ve never done this sort of thing before. They go ‘Oh!’ and start rooting in a flustered fashion in their handbag for their purse or chequebook, as if no-one had told them that this might happen.
Bill Bryson (Notes From A Small Island: Journey Through Britain)
Outside, I avoided the gazes of passersby and slid gratefully into the cavernous interior of Godric's car. I didn't like to say "This is yours?" because wherever I placed the stress in that sentence, it sounded faintly insulting. It felt as if I were sitting inside a very pricey black leather handbag. Things glittered at me, and the bits that weren't leather or glittering were sort of dull black. It all smelled wildly expensive.
Hester Browne (Little Lady, Big Apple (The Little Lady Agency, #2))
Three youths in Hanover who snatched a lady’s handbag in the black-out have been sentenced to death.
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
Walking back home that afternoon, I felt more aware of the poverty and opulence on every sidewalk—we brushed past a raven-haired lady with a thousand-dollar handbag and a skinny child with toeless shoes begging for change.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
He also loved the city itself. Coming to and leaving Cousin Joe’s, he would gorge himself on hot dogs and cafeteria pie, price cigarette lighters and snap-brim hats in store windows, follow the pushboys with their rustling racks of furs and trousers. There were sailors and prizefighters; there were bums, sad and menacing, and ladies in piped jackets with dogs in their handbags. Tommy would feel the sidewalks hum and shudder as the trains rolled past beneath him. He heard men swearing and singing opera. On a sunny day, his peripheral vision would be spangled with light winking off the chrome headlights of taxicabs, the buckles on ladies’ shoes, the badges of policemen, the handles of pushcart lunch-wagons, the bulldog ornaments on the hoods of irate moving vans. This was Gotham City, Empire City, Metropolis. Its skies and rooftops were alive with men in capes and costumes, on the lookout for wrongdoers, saboteurs, and Communists. Tommy
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
throats in a dreadful silence. The infection will spread outward from that point. Old ladies will crack skulls with their deadly handbags. Cars will plunge down the crowded sidewalks. Drivers will be torn out of their cars and stomped. It will spread to all the huge cities of the world, and by dawn of the next day there will be a horrid silence of sprawled bodies and tumbled vehicles, gutted buildings and a few wisps of smoke. And through that silence will prowl a few, a very few of the most powerful ones, ragged and bloody, slowly tracking each other down.
John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
Yep,” Annabeth said weakly. “He really did it.” The giant belched. He wiped his steaming greasy hands on his robe and grinned at us. “So, if you’re not breakfast, you must be customers. What can I interest you in?” He sounded relaxed and friendly, like he was happy to talk with us. Between that and the red velour housecoat, he almost didn’t seem dangerous. Except of course that he was ten feet tall, blew fire, and ate cows in three bites. I stepped forward. Call me old-fashioned, but I wanted to keep his focus on me and not Annabeth. I think it’s polite for a guy to protect his girlfriend from instant incineration. “Um, yeah,” I said. “We might be customers. What do you sell?” Cacus laughed. “What do I sell? Everything, demigod! At bargain basement prices, and you can’t find a basement lower than this!” He gestured around the cavern. “I’ve got designer handbags, Italian suits, um…some construction equipment, apparently, and if you’re in the market for a Rolex…” He opened his robe. Pinned to the inside was a glittering array of gold and silver watches. Annabeth snapped her fingers. “Fakes! I knew I’d seen that stuff before. You got all this from street merchants, didn’t you? They’re designer knockoffs.” The giant looked offended. “Not just any knockoffs, young lady. I steal only the best! I’m a son of Hephaestus. I know quality fakes when I see them.
Rick Riordan (The Heroes of Olympus: The Demigod Diaries)
We stood at the gate, considering the marvel of the World where people, such is the deception of memory, did as they pleased, owned furniture, dressing tables with doilies on them and wardrobes with mirrors; and doors they could open and shut and open as many times as they chose; and no name tapes sewn inside the neck of their clothes; and handbags to carry, with nail files and make-up; and no one to watch while they were eating and to collect and count the knives afterwards and say in a frightening voice, ‘Rise, Ladies.
Janet Frame (Faces In The Water)
He had grown used to the eyes upon him as he and his uncle traveled from their bedroom community in Brooklyn to Chinatown. When one woman dropped her purse at his feet and Shim handed it back to her with “Your handbag, m’lady,” and a flourish, she’d nearly jumped out of her seat in surprise. He mentioned none of this to Chun, because after nearly a month in Hong Kong in her steady presence, the sharp edges of being treated with suspicion were blunted by a film of nostalgia. New York was home; this trip had made him realize that.
Ava Chin (Mott Street: A Chinese American Family's Story of Exclusion and Homecoming)
She was not beautiful, or anywhere near it; but her face, a little too broad, and her firm quiet body, had the confidence of women who have never missed beauty, having had all they want from life without it. She wore a plain dark-red dress which was neither good nor bad; chosen, it seemed, with a thoughtless negative taste, assimilated to herself, and forgotten. She was almost wholly lacking in the paraphernalia of female competition; but its absence was like the absence of small change in the handbag of a queen. Hers was the rare, prideless assurance of the woman whose womanhood has not only succeeded, but has known what to take of success and what to leave aside. She was the kind of woman of whom other women say that they don’t know what men see in her. But Leo knew.
Mary Renault (The Friendly Young Ladies)
earnestly. Drab to Desirable? What am I? A chuffing living room? Sonja reaches from underneath the desk and hands me a starchy white gown. It looks like a hospital nightie, a fact that doesn’t exactly fill me with confidence. I’m not really an expert on beauty salons, having only been to one three times in my life, but I’m pretty sure there is supposed to be champagne. And why is there no soothing music playing in the background? Where’s the friendly lady who will chat to me about her children while doing my nails in pretty pearly pink? ‘I don’t know if I can afford all this,’ I whisper to Dionne, as Sonja types my details into an expensive-looking computer. ‘Oh, no worries. Bull knows someone. It’s on the house.’ ‘Oh.’ A gangster salon! ‘We are ready!’ Sonja says brightly, clapping her hands. ‘Natalie, if you could leave your belongings right here, I vill put them in the safe.’ I hand over my coat and handbag. ‘Now, if
Kirsty Greenwood (Yours Truly)
Pat and I smiled to see a small evening bag with a short handle hooked over her left elbow. We wondered why she would carry a handbag in her own home. What would she possibly need from it? I was longing to walk over to Her Majesty, the Queen, and tell her, mother to mother, “Your Majesty, we’ve known Lady Diana quite well for the past year and a half. We’d like you to know what a truly lovely young woman your son is about to marry.” A sincere and uncontroversial prewedding remark. Unfortunately, this was not only the groom’s mother but also Her Majesty, the Queen of England. Protocol prevented our approaching her, since we had not been personally introduced. I toyed briefly with the idea of walking up to her anyway and pretending that, as an American, I didn’t know the rules. But I was afraid of a chilling rebuff and did not want to embarrass Diana, who had been kind enough to invite us. Pat did not encourage me to plunge ahead. In fact, this time he exclaimed, “Have you lost your mind?” Maybe I should have taken a chance. Too timid again! Our next glimpse of the royal family was Prince Philip, socializing a room or two away from the queen and surrounded by attractive women. He was a bit shorter than he appears in photographs, but quite handsome with a dignified presence and a regal, controlled charm. Pat was impressed by how flawlessly Prince Philip played his role as host, speaking graciously to people in small groups, then moving smoothly on to the next group, unhurried and polished. I thought he had an intimidating, wouldn’t “suffer fools gladly” air—not a person with whom one could easily make small talk, although his close friends seemed relaxed with him. It was easy to believe that he had been a stern and domineering father to Prince Charles. The Prince of Wales had seemed much warmer and more approachable.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Miss Matfield was now busy rummaging in her handbag, and all she said was “Curse!” rather like a villain in an old-fashioned melodrama. It is only these strictly modern young ladies, who live their own life by pounding a typewriter all day and then retiring to tiny bed-sitting rooms in clubs, these beings who are supposed to be the inheritors of the earth, who can afford to talk like villains in old-fashioned melodramas.
J.B. Priestley
When I did Dangerous Lady, they told me it was too violent and I said – she’s hardly going to hit them with her handbag!
Martina Cole (Dangerous Lady: A gritty thriller about the toughest woman in London's criminal underworld)
as neat as a lady preacher’s handbag.
Max Hardberger (Freighter Captain)
In the bus an old lady clinging to her handbag, her umbrella, her gloves, clutching her glasses as if they were going to be taken away from her, as if she knew she would soon have to separate from them because we do not believe in burying the dead with their possessions.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 3: 1939-1944)
Use a knife?” he sputters. “Would you prefer a revolver?” Isla says. “Although, now that you mention it—” “I did not mention it. You did.” “I should like a revolver. One of those tiny ones that American ladies carry in their handbags.” “They do not carry pistols in their handbags, Isla. You have been reading too many of those novels of yours.” “But one would fit in a handbag, would it not? That is an excellent idea, Hugh. Thank you for suggesting it.” “I did not suggest it.
Kelley Armstrong (A Rip Through Time (A Rip Through Time #1))
Suzie always complimented my clothes, my hair, handbags, even my smile. And I don’t think all of it was worthy of recognition. But after she’d compliment me in some way, I’d have an extra bounce in my step. It’s so easy to give someone a little bounce. So why the heck don’t we do it more often? It took two seconds and virtually no energy to compliment that lady’s handbag, but she’ll have that extra bounce in her step for … well, potentially the rest of the night.
Jewel E. Ann (Before Us)
When you’re from a small country like the Netherlands, you easily learn to speak other languages,” she’d said considerately. To this day, I do resort to English unless I’m really sure of the Greek words I’m using. I remember one early morning waiting on the Flying Dolphin to Athens, I’d closed my eyes briefly and opened them to see a Greek lady waiting to sit in the seat next to me. I quickly moved my handbag out of her seat and told her “Signome, eimai horismeni.” The lady looked at me with a very strange expression, sat in the seat and didn’t look my way or speak again. Well no wonder she doesn’t bother with me after I said that—what a dumb thing to say: “Excuse me, I’m tired.” Yet again I was embarrassed again at my lack of ability to communicate easily. “What exactly did you say?” Mia asked when I related the incident at our next Ladies’ Night. As soon as I repeated the words, everyone burst out laughing. “Pamela, kourasmini is the word for ‘tired’. What you told the woman was, “Excuse me, I’m divorced!
Pamela Jane Rogers (GREEKSCAPES Illustrated: Journeys with an Artist)
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Samuel Kent (The Grammar of Heraldry, or Gentleman's Vade Mecum, &C: Containing I. Rules of Blazoning, Cautions and Observations; II. Practical Directions for ... Of an Atchievement; III. A Large Collection)
Excerpted From Chapter One “Rock of Ages” floated lightly down the first floor corridor of the Hollywood Hotel’s west wing. It was Sunday morning, and Hattie Mae couldn’t go to church because she had to work, so she praised the Lord in her own way, but she praised Him softly out of consideration for the “Do Not Disturb” placards hanging from the doors she passed with her wooden cart full of fresh linens and towels. Actually Sundays were Hattie Mae’s favorite of the six days she worked each week. For one thing, her shift ended at noon on Sundays. For another, this was the day Miss Lillian always left a “little something” in her room to thank Hattie Mae for such good maid service. Most of the hotel’s long-term guests left a little change for their room maids, but in Miss Lillian’s case, the tip was usually three crinkly new one dollar bills. It seemed like an awful lot of money to Hattie Mae, whose weekly pay was only nineteen dollars. Still, Miss Lillian Lawrence could afford to be generous because she was a famous actress in the movies. She was also, Hattie Mae thought, a very fine lady. When Hattie Mae reached the end of the corridor, she knocked quietly on Miss Lillian’s door. It was still too early for most guests to be out of their rooms, but Miss Lillian was always up with the sun, not like some lazy folks who laid around in their beds ‘til noon, often making Hattie Mae late for Sunday dinner because she couldn’t leave until all the rooms along her corridor were made up. After knocking twice, Hattie Mae tried Miss Lillian’s door. It opened, so after selecting the softest towels from the stacks on her cart, she walked in. With the curtains drawn the room was dark, but Hattie Mae didn’t stop to switch on the overheard light because her arms were full of towels. The maid’s eyes were on the chest of drawers to her right where Miss Lillian always left her tip, so she didn’t see the handbag on the floor just inside the door. Hattie Mae tripped over the bag and fell headlong to the floor, landing inches from the dead body of Lillian Lawrence. In the dim light Hattie Mae stared into a pale face with a gaping mouth and a trickle of blood from a small red dot above one vacant green eye. Hattie Mae screamed at the top of her lungs and kept on screaming.
H.P. Oliver (Silents!)
It’s one of those respectable, pocketless affairs that obliges ladies to carry stupid little handbags, so Juniper can’t take so much as a melted candle-stub or a single snake tooth with her. Bella informs her that this is the precise reason why women’s dresses no longer have pockets, to show they bear no witch-ways or ill intentions, and Juniper responds that she has both, thank you very damn much.
Alix E. Harrow (The Once and Future Witches)
Am perfectly aware that passport is in my small purple dressing-case, where I put it a week ago, and have looked at it two or three times every day ever since—last time just before leaving my room forty-five minutes ago. Am nevertheless mysteriously impelled to open hand-bag, take out key, unlock small purple dressing-case, and verify presence of passport all over again.
E.M. Delafield (Diary of a Provincial Lady)
Or he’ll see some skeletons stealing an old lady’s handbag,” Carl went on, “and he’ll say, ‘Don’t you know, stealing an old lady’s handbag is bad for your ELF!’” “O-k,” said Dave. “Do you get it?” Carl asked. “Instead of ‘health’ he says ‘elf’. Because he’s an elf.” “I get it!” said Dave.
Dave Villager (Dave the Villager 12: An Unofficial Minecraft Book (The Legend of Dave the Villager))
I’m still waiting for that Hollywood movie which shows two guys on a bike slowly moving towards an old lady, then when they’re near enough they grab her handbag, leave her fallen on the road, and they speed away. I’ve never seen that before and I think I know why: Only Malaysian thieves resort to shit like this.
Alwyn Lau (Jampi)
Objectively, I know that I’m an adult, and I now have a husband, a healthy credit score and a couple of nice handbags, and all the trappings that, if I were a lady in a book, would convince even the casual reader that I’m real – but I still worry that I’m really Tom Hanks in Big, and one day I’ll wake up, brush my teeth and see a child reflected back at me in the bathroom mirror.
Daisy Buchanan (How to Be a Grown-Up)
Salvatore returned after two hours, puffing his distress. “They all refused to pay me. All of them. The Chinese chef chased me off with a knife. The dress shop lady locked me inside the store, shouted to her customers that I was trying to rob her, and then five of them hit me with their handbags.
Renae Kaye (The Hero and the Hidden Royal (Royal Powers, #2))