Hits Blunt Quotes

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You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was young I shoved my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.
Ray Bradbury (Fahrenheit 451)
It's the truth. I'm sorry to be blunt about it, but girls don't like guys who are doormats. Especially pretty girls, because there's no novelty in it. Guys are hitting on them all of the time. They can't walk down the street or order a coffee or stand on a corner without some idiot making a comment about how attractive they are. And the women smile because it's easier than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
Karin Slaughter (Pretty Girls)
I know, i know. You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was younger I shoved my ignorance in people's faces. They beat me with sticks. By the times I was fort my blunt instrument has been honed to a fine cutting point for me. If you hid your ignorance, no one will hit you and you'll never learn.
Ray Bradbury (Fahrenheit 451)
But you would think, wouldn't you, that getting hit forty-five times in the neck with a blunt axe would qualify you to join the Headless Hunt? - Sir Nicholas de Mimsy
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Mistakes can be profited by Man, when i was young I showed my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.
Ray Bradbury (Fahrenheit 451)
I later learn that what I suffered was called blunt force trauma. It's remarkably similar to how I felt after the election, as if I'd been slammed into a wall or hit by a car. Both pains persist-show no signs, in fact, of ever going away. The damage is permanent. I will never be the same as I was before the accident/election.
David Sedaris (Calypso)
My feet," said Montag. "I can't move them. I feel so damn silly. My feet won't move!" "Listen. Easy now," said the old man gently. "I know, I know. You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was young I shoved my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.
Ray Bradbury (Fahrenheit 451)
You really broke his nose and hit him with a blunt instrument?" "Clawed his face and stabbed him in the lower stomach too," said Frankie. Lydia looked down at her niece in disbelief. "You look so sweet, it's just hard imagining you swinging a hammer at someone's head.
Suzanne Wright (Wild Hunger (The Phoenix Pack, #7))
Oh, you didn't want to hear that? I'm sorry. You'll just have to forget that I wrote it. There are several convenient ways to do that. I hear hitting yourself on the head with a blunt object can be very effective. You should try using one of Brandon Sanderson's fantasy novels. They're big enough, and goodness knows, that's really the only useful thing to do with them.
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians #2))
Listen. Easy now," said the old man gently. "I know, I know. You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was young I shoved my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.
Ray Bradbury (Fahrenheit 451)
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
Tell me, how many real motherfuckers feel me? I smoke a blunt and freak the funk until these jealous motherfuckers kill me I'm out the gutter, pick a hero I'm 165 and staying high til I die, my competion's zero Cause I could give a fuck about you, better duck Or I'll be forced to hit yo ass up I give a fuck I'm sick inside my mind, why you sweatin me? It's gonna take an army full of crooked ass cops to come and get me Niggaz know I ain't the one to sleep on, I'm under pressure Gotta sleep with my piece, an extra clip beside my dresser Word to God I've been ready to die since I was born I don't want no shit but niggaz trip and yo it's on Open fire on my adversaries, don't even worry Better have on a vest aim for the chest and then you buried
2Pac
Some statements are too blunt for everyday, consensual discourse. In national “debate,” it is the smoother pebbles that are customarily gathered from the stream, and used as projectiles. They leave less of a scar, even when they hit. Occasionally, however, a single hard-edged remark will inflict a deep and jagged wound, a gash so ugly that it must be cauterized at once. In
Christopher Hitchens (The Trial of Henry Kissinger)
But what she wanted to do was slip between cool sheets and fall asleep in a breeze from an open window. She wanted to sleep for days on end, and to wake up when the whole sorry business of the inquest and the missing boys had been resolved. She wanted sleep in order to put Mrs. Stone’s testimony out of her head, and at the same time she wanted to bind all those words together into a club and hit every man in the room over the head with it. Because they hadn’t really understood the story behind the story, and what Mrs. Stone was trying to tell them about Janine Campbell’s life. Mrs. Stone had called herself plain-speaking and blunt, but she had wrapped every observation in the language of well-brought-up women, with the result that none of the men had any real sense of the anger and frustration that drove Janine Campbell.
Sara Donati (The Gilded Hour (Waverly Place #1))
Royce started for the steps. Hadrian whirled with his hand up. “No! Just relax. Let me deal with this.” Royce hesitated, more because Hadrian was blocking the way than because he agreed. Everyone turned to look at Hadrian as he began kicking at one of the pretty lathed spindles that decorated the porch railing. He snapped one off and wrenched it free. “Hey!” Abby said. “Sorry, I’ll fix it later, but I need something blunt to hit them with.” This got the men’s attention and the one let go of Jasmine, who escaped into the house. “All I can say is you’d better do a good job,” Royce threatened. “If either of them leaves that porch, they’re mine.” “Royce, they’re not even armed.” “They have arms—but I’ll remedy that.
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))
Man, when I was younger I shoved my ignorance in people’s faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you’ll never learn.
Ray Bradbury (Fahrenheit 451)
It’s the truth. I’m sorry to be blunt about it, but girls don’t like guys who are doormats. Especially pretty girls, because there’s no novelty to it. Guys are hitting on them all of the time. They can’t walk down the street or order a coffee or stand on a corner without some idiot making a comment about how attractive they are. And the women smile because it’s easier than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
Karin Slaughter (Pretty Girls)
Words can be powerful, but talkative fools make things worse. They don’t know how to shut up. They’re incapable of silence. They think that if they keep talking, they’ll eventually say something true. But even if they hit the truth, they won’t have the sense to know it. They can’t tell where they’re going or where they’ve been. They can’t even tell where they are! Fools drift aimlessly. A nation is in big trouble if its rulers are demagogues and its lawmakers are drunks. Laziness in high places leads to broken windows, leaky roofs, and weak walls. Given
Adam S. Miller (Nothing New Under the Sun: A Blunt Paraphrase of Ecclesiastes)
Hatch didn’t mean for the words to be so blunt and cold. But the truth sometimes was. Actually, most truth hit like a jackhammer in the gut. It’s the simple reason so many people softened those blows by padding them with little white lies. She found the practice counterproductive
L.T. Ryan (Drift (Rachel Hatch #1))
I know, I know. You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was younger I shoved my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.
Ray Bradbury (Fahrenheit 451)
I know, I know. You’re afraid of making mistakes. Don’t be. Mistakes can be profited by. Man, when I was younger I shoved my ignorance in people’s faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you’ll never learn. Now, pick up your feet,
Ray Bradbury (Fahrenheit 451)
Listen. Easy now,” said the old man gently. “I know, I know. You’re afraid of making mistakes. Don’t be. Mistakes can be profited by. Man, when I was younger I shoved my ignorance in people’s faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you’ll never learn.[...]
Ray Bradbury (Fahrenheit 451)
Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start." My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me." His smile was sin and promise. "You like that, honey?" "Yes." He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?" "There is..." My breath caught. He pushed in, long strong fingers filling me. "Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it. I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good." He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me." The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out. With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips. I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me. I couldn't take it. It was too much. I came again, writhing against his mouth. "That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth." Oh, hell. I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.
Kristen Callihan (Make It Sweet)
I stabbed him," Lizzy said bluntly. "That's how he got that scar." "Why? I'm sorry. That's personal. I shouldn't ask that." She blushed. "It's okay." Lizzy laid a hand on the woman's arm. "I was mad at a woman for flirting with him and he tried to take the knife away from me. It was an accident." "I'll be right back with your drinks and appetizer." She turned so fast that she ran into a bus boy with a tray of dirty glasses and he had to do some fancy footwork to keep it all from hitting the floor. "Lying on Sunday?" Toby chuckled. "The preacher will make you deliver the benediction next week as penance." -Lizzy, a waitress and Toby
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Let me illustrate what I mean by “the opportunity costs of working.” I was recently in the market for domestic help, and a young woman I wanted to hire as a housekeeper refused the job because I wouldn’t pay her under the table. No, she wasn’t an illegal alien—she just wanted me to treat her as one. The reason she made this unusual demand was that if she had income to report, she would suddenly have to start making student loan payments and paying taxes. To work for me would have cost her hundreds of dollars every month, creating a big enough hit to her bottom line that it wasn’t worth working anymore. (Perhaps she wasn’t savvy enough to apply for all of the available government programs, but she could have just as well pointed out that my hiring her would have cost her thousands annually in food stamps and other welfare payments.) Just imagine—there are so many unemployed people today, and yet government is making it too expensive for anyone to come and clean your floors for a fair wage. (By the way, the job I offered paid close to $40,000 per year.) Here was someone who admitted that reality quite bluntly—and I still regret the fact that I couldn’t hire her legally.
Peter Schiff (The Real Crash: America's Coming Bankruptcy: How to Save Yourself and Your Country)
The Rabbit The rabbit wanted to grow. God promised to increase his size if he would bring him the skins of a tiger, of a monkey, of a lizard, and of a snake. The rabbit went to visit the tiger. “God has let me into a secret,” he said confidentially. The tiger wanted to know it, and the rabbit announced an impending hurricane. “I’ll save myself because I’m small. I’ll hide in some hole. But what’ll you do? The hurricane won’t spare you.” A tear rolled down between the tiger’s mustaches. “I can think of only one way to save you,” said the rabbit. “We’ll look for a tree with a very strong trunk. I’ll tie you to the trunk by the neck and paws, and the hurricane won’t carry you off.” The grateful tiger let himself be tied. Then the rabbit killed him with one blow, stripped him, and went on his way into the woods of the Zapotec country. He stopped under a tree in which a monkey was eating. Taking a knife, the rabbit began striking his own neck with the blunt side of it. With each blow of the knife, a chuckle. After much hitting and chuckling, he left the knife on the ground and hopped away. He hid among the branches, on the watch. The monkey soon climbed down. He examined the object that made one laugh, and he scratched his head. He seized the knife and at the first blow fell with his throat cut. Two skins to go. The rabbit invited the lizard to play ball. The ball was of stone. He hit the lizard at the base of the tail and left him dead. Near the snake, the rabbit pretended to be asleep. Just as the snake was tensing up, before it could jump, the rabbit plunged his claws into its eyes. He went to the sky with the four skins. “Now make me grow,” he demanded. And God thought, “The rabbit is so small, yet he did all this. If I make him bigger, what won’t he do? If the rabbit were big, maybe I wouldn’t be God.” The rabbit waited. God came up softly, stroked his back, and suddenly caught him by the ears, whirled him about, and threw him to the ground. Since then the rabbit has had big ears, short front feet from having stretching them out to break his fall, and pink eyes from panic. (92)
Eduardo Galeano (Genesis (Memory of Fire Book 1))
No teacher of RE ever said to me: “Beyond the limited realm of the senses, the shallow pool of the known, is a great untamable ocean, and we don’t have a fucking clue what goes on in there.” What we receive through sight, sound, smell, taste, and touch is all we know. We have tools that can enhance that information, we have theories for things that we suspect lie beyond that information, filtered through an apparatus limited once more to those senses. Those senses are limited; the light range we detect is within a narrow spectrum, between infrared light and ultraviolet light; other species see light that we can’t see. In the auditory realm, we hear but a fraction of the sound vibrations; we don’t hear high-pitched frequencies, like dog whistles, and we don’t hear low frequencies like whale song. The world is awash with colors unseen and abuzz with unheard frequencies. Undetected and disregarded. The wise have always known that these inaccessible realms, these dimensions that cannot be breached by our beautifully blunt senses, hold the very codes to our existence, the invisible, electromagnetic foundations upon which our gross reality clumsily rests. Expressible only through symbol and story, as it can never be known by the innocent mind. The stories are formulas, poems, tools for reflection through which we may access the realm behind the thinking mind, the consciousness beyond knowing and known, the awareness that is not connected to the haphazard data of biography. The awareness that is not prickled and tugged by capricious emotion. The awareness that is aware that it is aware. In meditation I access it; in yoga I feel it; on drugs it hit me like a hammer—at sixteen, staring into a bathroom mirror on LSD, contrary to instruction (“Don’t look in the mirror, Russ, it’ll fuck your head up.” Mental note: “Look in mirror.”). I saw that my face wasn’t my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I’d taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature.
Russell Brand (Revolution)
A folded triangle of paper landed in the center of his notebook. Normally he’d unfold it discreetly, but Beamis was so clueless that the note could have hit him in the head and he wouldn’t notice. Loopy script in purple pen. The paper smelled like her. What’s your #? Wow. Hunter clicked his pen and wrote below her words. I have a theory about girls who ask for your number before asking for your name. Then he folded it up and flicked it back. It took every ounce of self-control to not watch her unfold it. The paper landed back on his desk in record time. I have a theory about boys who prefer writing to texting. He put his pen against the paper. I have a theory about girls with theories. Then he waited, not looking, fighting the small smile that wanted to play on his lips. The paper didn’t reappear. After a minute, he sighed and went back to his French essay. When the folded triangle smacked him in the temple, he jumped a mile. His chair scraped the floor, and Beamis paused in his lecture, turning from the board. “Is there a problem?” “No.” Hunter coughed, covering the note with his hand. “Sorry.” When the coast was clear, he unfolded the triangle. It was a new piece of paper. My name is Kate. Kate. Hunter almost said the name out loud. What was wrong with him? It fit her perfectly, though. Short and blunt and somehow indescribably hot. Another piece of paper landed on his notebook, a small strip rolled up tiny. This time, there was only a phone number. Hunter felt like someone had punched him in the stomach and he couldn’t remember how to breathe. Then he pulled out his cell phone and typed under the desk. Come here often? Her response appeared almost immediately. First timer. Beamis was facing the classroom now, so Hunter kept his gaze up until it was safe. When he looked back, Kate had written again. I bet I could strip na**d and this guy wouldn’t even notice. Hunter’s pulse jumped. But this was easier, looking at the phone instead of into her eyes. I would notice. There was a long pause, during which he wondered if he’d said the wrong thing. Then a new text appeared. I have a theory about boys who picture you na**d before sharing their name. He smiled. My name is Hunter. Where you from? This time, her response appeared immediately. Just transferred from St. Mary’s in Annapolis. Now he was imagining her in a little plaid skirt and knee-high socks. Another text appeared. Stop imagining me in the outfit. He grinned. How did you know? You’re a boy. I’m still waiting to hear your theory on piercings. Right. IMO, you have to be crazy hot to pull off either piercings or tattoos. Otherwise you’re just enhancing the ugly. Hunter stared at the phone, wondering if she was hitting on him—or insulting him. Before he could figure it out, another message appeared. What does the tattoo on your arm say? He slid his fingers across the keys. It says “ask me about this tattoo.” Liar. Mission accomplished, I’d say. He heard a small sound from her direction and peeked over. She was still staring at her phone, but she had a smile on her face, like she was trying to stifle a giggle. Mission accomplished, he’d say.
Brigid Kemmerer (Spirit (Elemental, #3))
The First Lady had a different sort of liveliness. She once threw a Bible at an agent on her detail, hitting him in the back of the head. He bluntly let her know it wasn’t acceptable. He told me that story himself. Assignment to her detail was a form of punishment handed down by passive-aggressive middle management.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
into a crouch, using the force of the momentum to thwack the blunt side of her sword against the back of Balin's knees. The warrior buckled and crashed downward, catching himself with his free hand. He scooped a mound of snow into his fist. "You've discovered my weakness. Height can be a disadvantage as well as a benefit." At least I can enter the shadowwalk to ease my loneliness, and you cannot block me. Guilt seized her at the thought of the forbidden power, and she hesitated, losing sight of her surroundings for a moment. A shower of snow hit her face, blinding her. She heard Balin grunt as he moved. Astrid reached up to rub the freezing wet powder from her eyes, but when her vision cleared Balin was nowhere to be seen. She spun, but something whacked her across the middle of her back, sending her flying. The force of the blow knocked her several paces forward, plunging her into the snow. Her face met the bite of frost as she fell flat on the ground. A chill spread through her. She spat flurries from her mouth, struggling to get upright. The frigid tip of Balin's blade pinched the side of her neck, pressing her back down. Caught, she
Mande Matthews (The Spellbound Box Set)
And even then, it might not have been too awful, but his head snapped back and he hit a rock, breaking like a blunt molar from the ground.
Sanjida Kay (Bone by Bone)
two entertainers got together to create a 90-minute television special. They had no experience writing for the medium and quickly ran out of material, so they shifted their concept to a half-hour weekly show. When they submitted their script, most of the network executives didn’t like it or didn’t get it. One of the actors involved in the program described it as a “glorious mess.” After filming the pilot, it was time for an audience test. The one hundred viewers who were assembled in Los Angeles to discuss the strengths and weaknesses of the show dismissed it as a dismal failure. One put it bluntly: “He’s just a loser, who’d want to watch this guy?” After about six hundred additional people were shown the pilot in four different cities, the summary report concluded: “No segment of the audience was eager to watch the show again.” The performance was rated weak. The pilot episode squeaked onto the airwaves, and as expected, it wasn’t a hit. Between that and the negative audience tests, the show should have been toast. But one executive campaigned to have four more episodes made. They didn’t go live until nearly a year after the pilot, and again, they failed to gain a devoted following. With the clock winding down, the network ordered half a season as replacement for a canceled show, but by then one of the writers was ready to walk away: he didn’t have any more ideas. It’s a good thing he changed his mind. Over the next decade, the show dominated the Nielsen ratings and brought in over $1 billion in revenues. It became the most popular TV series in America, and TV Guide named it the greatest program of all time. If you’ve ever complained about a close talker, accused a partygoer of double-dipping a chip, uttered the disclaimer “Not that there’s anything wrong with that,” or rejected someone by saying “No soup for you,” you’re using phrases coined on the show. Why did network executives have so little faith in Seinfeld? When we bemoan the lack of originality in the world, we blame it on the absence of creativity. If only people could generate more novel ideas, we’d all be better off. But in reality, the biggest barrier to originality is not idea generation—it’s idea selection. In one analysis, when over two hundred people dreamed up more than a thousand ideas for new ventures and products, 87 percent were completely unique. Our companies, communities, and countries don’t necessarily suffer from a shortage of novel ideas. They’re constrained by a shortage of people who excel at choosing the right novel ideas. The Segway was a false positive: it was forecast as a hit but turned out to be a miss. Seinfeld was a false negative: it was expected to fail but ultimately flourished.
Adam M. Grant (Originals: How Non-Conformists Move the World)
The game had only two rules. The first was that every statement had to have at least two words in which the first letters were switched. “You’re not my little sister,” Shawn said. “You’re my sittle lister.” He pronounced the words lazily, blunting the t’s to d’s so that it sounded like “siddle lister.” The second rule was that every word that sounded like a number, or like it had a number in it, had to be changed so that the number was one higher. The word “to” for example, because it sounds like the number “two,” would become “three.” “Siddle Lister,” Shawn might say, “we should pay a-eleven-tion. There’s a checkpoint ahead and I can’t a-five-d a ticket. Time three put on your seatbelt.” When we tired of this, we’d turn on the CB and listen to the lonely banter of truckers stretched out across the interstate. “Look out for a green four-wheeler,” a gruff voice said, when we were somewhere between Sacramento and Portland. “Been picnicking in my blind spot for a half hour.” A four-wheeler, Shawn explained, is what big rigs call cars and pickups. Another voice came over the CB to complain about a red Ferrari that was weaving through traffic at 120 miles per hour. “Bastard damned near hit a little blue Chevy,” the deep voice bellowed through the static. “Shit, there’s kids in that Chevy. Anybody up ahead wanna cool this hothead down?” The voice gave its location. Shawn checked the mile marker. We were ahead. “I’m a white Pete pulling a fridge,” he said. There was silence while everybody checked their mirrors for a Peterbilt with a reefer. Then a third voice, gruffer than the first, answered: “I’m the blue KW hauling a dry box.” “I see you,” Shawn said, and for my benefit pointed to a navy-colored Kenworth a few cars ahead. When the Ferrari appeared, multiplied in our many mirrors, Shawn shifted into high gear, revving the engine and pulling beside the Kenworth so that the two fifty-foot trailers were running side by side, blocking both lanes. The Ferrari honked, weaved back and forth, braked, honked again. “How long should we keep him back there?” the husky voice said, with a deep laugh. “Until he calms down,” Shawn answered. Five miles later, they let him pass. The trip lasted about a week, then we told Tony to find us a load to Idaho. “Well, Siddle Lister,” Shawn said when we pulled into the junkyard, “back three work.” — THE WORM CREEK OPERA HOUSE announced a new play: Carousel. Shawn drove me to the audition, then surprised me by auditioning himself. Charles was also there, talking to a girl named
Tara Westover (Educated)
Classical literature not only questioned the reality of divine beings, it frequently laughed at them too. The works of Greek and Roman philosophy were full of punchy one-liners poking fun at religion. In one famous story, the Greek philosopher Diogenes finds himself standing next to a wall covered in temple inscriptions left by grateful sailors saved at sea. Noticing a man marvelling at the inscriptions, Diogenes remarks: ‘There would have been far more, if those who were not saved had set up offerings.’ In another story, Diogenes is watching some temple officials arrest a man who has stolen items from a temple treasury. Look, he says: ‘The great thieves are leading away the little thief.’ In yet another yarn – one whose punchline hit even closer to the mark – a philosopher named Antisthenes finds himself listening to a priest of Orphism, a Greek cult that believed in an afterlife. The priest explains at length how initiates to his religion would enjoy great advantages in the afterlife. Why then, asks Antisthenes bluntly, ‘don’t you die?
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
I’ll let you know,” Oedipa said. “I’ll keep you in mind.” She left, wondering if she should’ve called him something, or tried to hit him with any of a dozen surplus, heavy, blunt objects in easy reach. There had been no witnesses. Why hadn’t she? You’re chicken, she told herself, snapping her seat belt. This is America, you live in it, you let it happen. Let it unfurl. She drove savagely along the freeway, hunting for Volkswagens. By the time she’d pulled into Bortz’s
Thomas Pynchon (The Crying of Lot 49)
When women's lib hit the headlines many of these second-generation ranch women sniffed around its edges and pitched it back like a dead carp. If equality meant doing a man's work, you could have it. That brand of equality had dug their mothers an early grave and was three feet down on their own. They'd come a long way baby, and were on the road back to being real ladies -- or so it appeared.
Judy Blunt (Breaking Clean)
Jeff’s expression changed from confused to mad to upset as he looked from one of them to the other. When he appeared to have made up his mind, he tossed down his napkin and rose. “Well.” It was all he got out. Delilah got her only satisfaction from the fact that the goon was in a booth, and he didn’t make it all the way to standing before he hit his thighs against the table and had to scoot out, ungracefully, to the side. “Goodnight.” He raised his weak chin high and stamped out of the bar like a child. Delilah let loose in a low growl, and it cost her every effort to keep her response to mere words. If she’d had her way, her focus was strong enough to create a small wind around her and make her eyes burn red. But her witchcraft had cost her enough already where Brandon was concerned. Even though she was mad enough to burn all bridges and say to hell with it, she kept it in check. “What are you doing?” He laughed. “What, you don’t remember Tiger and Muffin?” She drew a deep breath and held her emotions on tight rein. The waitress chose that moment to saunter her bare belly up to their booth and ask if they wanted anything else. Delilah merely ground out the word ‘no.’ The waitress didn’t seem to notice, simply smiled and said ‘thank you,’ instantaneously producing a check and sliding it to the middle of the table, before she sauntered away. Great, Delilah thought, the obnoxious Jeff had downed five very over-priced snobby beers and she was stuck with the bill. She didn’t think this could get any worse. /> But Brandon had her pinned into the booth, the fake sad look gone from his face. The humor now missing as well. Which was just fine, since she didn’t have any of her own. She asked him again. “What are you doing here in my booth?” “Running your date off. Sparing him memory loss and who knows what.” He reached out and snaked her mojito away, before taking a healthy gulp. “That’s mine!” His smile resembled a shark’s. “After everything else we’ve done, sharing a glass isn’t going to kill you.” He took another drink, draining half of what remained and a lot of her sanity. “I had to save the dweeb from you.” “He didn’t need saving.” She tried again to push past him, but he didn’t budge. “So you weren’t going to take him home and screw his brains out and make him forget everything?” She was so shocked by his blunt but accurate assessment of their first night together that she didn’t think, just blurted out, “No!” That startled Brandon, and he asked, “why not?” out of genuine curiosity, before she could regroup. “I didn’t like him.” Crap, that was a whole other can of worms. She sat back, at last resigned to this going from bad to worse. It was Brandon’s turn to be startled.
Savannah Kade (WishCraft (Touch of Magick, #1))
But hang on a second, if he’s the one who hit on you and you said no, why are your panties all in a twist? Unless…” Houdini nodded like he was onto something. “Is he still wantin’ to pet the Panther?” God save me from Houdini and his horrible humor. “Pet the Panther? Really?” “Would stroke have been better?” “Nothing would’ve been better. But thanks, now I have that in my head.” “You’re welcome. So, okay, what’s the problem? He wants to fuck and you…don’t?” At Houdini’s blunt assessment of the situation, words escaped me. “Or maybe you do. Is that it? I mean, from a straight dude’s standpoint, I can see the appeal. Solo’s hot.” Oh my fucking God. “Stop talking or I swear on my mother I will shove the rest of that sub down your throat.” “Ahh, so that’s how you like it, huh?
Brooke Blaine (Danger Zone (The Elite, #1))
Nearly Headless Nick, starting and looking round. He wore a dashing, plumed hat on his long curly hair, and a tunic with a ruff, which concealed the fact that his neck was almost completely severed. He was pale as smoke, and Harry could see right through him to the dark sky and torrential rain outside. ‘You look troubled, young Potter,’ said Nick, folding a transparent letter as he spoke and tucking it inside his doublet. ‘So do you,’ said Harry. ‘Ah,’ Nearly Headless Nick waved an elegant hand, ‘a matter of no importance … it’s not as though I really wanted to join … thought I’d apply, but apparently I “don’t fulfil requirements”.’ In spite of his airy tone, there was a look of great bitterness on his face. ‘But you would think, wouldn’t you,’ he erupted suddenly, pulling the letter back out of his pocket, ‘that getting hit forty-five times in the neck with a blunt axe would qualify you to join the Headless Hunt?
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Ah, so ye will escort me to my cousin’s then, will ye?” she said in a voice so sweet she was surprised it did not make her teeth ache. “Nay, they willnae,” drawled an all too familiar voice from behind her. Inwardly cursing, Bridget turned to face Cathal. “I have decided ’tis time for me to continue on my journey.” “And ye decided ye had to do it now? Right now? Without most of your belongings?” “Aye. I got to thinking—” “A dangerous thing for a lass to do. Ow!” Jankyn rubbed his stomach where Bridget had just hit him with her sack of belongings, and grinned at her. “Why are ye nay out with the others, howling at the moon?” “At least I am nay dancing beneath it.” He laughed when she blushed. “Ye were watching me?” “I heard ye singing.” “That was so rude.” If he had been drawn by her singing then he could not have seen her naked, Bridget mused, and relaxed. “I had left the camp to seek a few moments of privacy.” Cathal grasped Bridget by the arm, turning her attention back to him. “Why were ye leaving?” Bridget could feel the blunt truth on the tip of her tongue, but could not bring herself to speak it. It was as if she feared that, in speaking the words, the truth could no longer be ignored. That was absurd. She knew the truth. By the way the three men looked at her, they knew she had guessed all their secrets. It made no difference. She simply could not utter the dark, terrifying name aloud. In some odd, twisted way, she was actually concerned about offending them. “I decided I wasnae going to play your game any longer,” she replied. “I was going to my cousin’s.” “Alone? At night?” “Tis the best time for an escape.” But not here, she realized, and inwardly cursed her own stupidity. At Cambrun high noon on a sunny day would have been a better choice. “I have prepared for a visit with Barbara for months. I want to go to court, to see all the fine clothes, and to watch all the courtiers and their ladies. I want to sit down to a feast and listen to all the whispers about who is sinning with whom. I want to hear the minstrels sing and I want to dance with some fine, courtly gentlemon who will tell me all manner of sweet lies about how bonnie I am. I want—” A squeak of surpise and outrage escaped her when Cathal suddenly picked her up and slung her over his shoulder. The soft laughter of Jankyn and Raibeart only added to her anger over being so roughly handled. Bridget dropped her belongings and proceeded to pound her fists against his broad back. Cathal did not even flinch as he continued to take her back to her bedchamber and that, too, increased her fury. Under her breath she cursed him and his stubborness. “Tis nay just me who is blindly stubborn,” muttered Cathal as he entered the bedchamber and kicked the door shut behind him. “Tis ye who refuses to give up this plan to go to court. And for what? To hear empty flatteries and malicious tales?” He paused by the bed. “Undo your cloak.” Even as she blindly obeyed that terse command, Bridget wondered why she did so. Such quick obedience was not in her nature. She growled softly when her cloak was pulled from her and tossed to the floor. Before she could say anything, she was tossed down onto the bed. Her body was still bouncing slightly when Cathal sprawled on top of her, gently but firmly pinning her down. Bridget scowled at him, more angry than afraid, and tried not to let the beauty of his face distract her. She had a right to be angry and she would hold fast to that feeling no matter how warm and itchy he made her feel. “Ye are staying here,” Cathal said. “I am going to woo ye and then we will be married.” “Oh! What arrogance! Ye may woo me, but that doesnae necessarily mean ye will win me.” Bridget
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
Yeah. Get it nice and wet,” Ruxs whispered. He kept his finger deep in his mouth while he leaned in and licked the side of Green’s lips. Holding them flush against each other, Ruxs backed them up until Green’s back hit the window in his dining room. Ruxs lifted the hem of his robe, not caring if someone was down on the street. If they were they’d get a damn good view of his ass. Ruxs slowly pulled his finger out of Green’s mouth and reached around to his ass. With one hand gripping a furry ass cheek, spreading him open, Ruxs rubbed his slick finger around Green’s anxious hole. He braced his hands on Ruxs’ wide shoulders, his head resting in the crook of his neck. Ruxs smelled so fucking good, smelled like his body wash. Green latched on to Ruxs’ throat, sucking up a dark, red welt just above where his pulse beat against his tongue. The more Ruxs pushed that blunt finger deeper into him, the harder Green groaned and the more powerful his suction. “Damn baby. Tight fuckin’ hole.” Ruxs sounded like he was on the edge again already. “Wanna fuck you. Come inside you. Right fuckin’ now.” Green’s ass clenched and twitched around Ruxs’ finger, obviously loving that suggestion. Green hissed as Ruxs pegged his gland. “Goddamnit, Mark.” “Yeah.” Ruxs groaned, pushing in even more, making Green rise up on his toes. Ruxs released a satisfied moan as he pushed in and out of Green’s warm passage. “You want something bigger in your greedy ass don’t you, sweetheart? Want my cock.” Ruxs
A.E. Via (Here Comes Trouble (Nothing Special #3))
My day just splits again, and I am at the table sitting with the girls, Jenny is hearing me say all this… I am saying at lunch to all of them not leaving out one gross detail- and Jenny said- ‘Damn I have loaded in my undies right now just leasing to this crap.’ Liv and Maddie are kissing like to ribbed- hot- b*tch dogs in heat over it, so yeah, it's hot. I said- ‘I am coming – OH-hh-Aaa- UM-mmm-COME-meeting!!!’ So loud that I know that the rooms in the apartments could hear me, one even said back to my god- yet Miss Wilddickersion is eighty-eight I know who you are… a girl over there, rolled my eyes feeling so award.’ I am so going to hell for this- I said out loud. Do you ever look back over the crap you say, and say what the freak was I thinking? I just had the thought of this crap I am saying. Jenny said- nope not really- my dad hears me coming all the time so- like last night he said- ‘Stop it! You’re going to go throw your bedroom floor girl, and it’s four in the morning! ‘Yet I hear their freaking headboard hitting my wall- but- but that’s okay?’ I said about to have the old b*tch over in the next apart room there getting off too- ‘We all do’ -said Maddie and Olivia. Have you ever had the cops come, over that crap? Jenny said- ‘Well- freak know- Maybe…? I’ve done an officer here at the school, said Jenny proudly, so the whole cafeteria could hear her. Hey- Jenny- no one cares to hear about you being a slutty ho,’ Said- Marcel, yelling it at a table or two away. Maddie- ‘So was it that good?’ ‘It’s good under the hood.’ Said Maddie, I said the same thing too, in a different way, I said- ‘If you know what you’re doing down there.’ Jenny- ‘I- am- the- one that showed you-you b*tch, and your sis too.’ It’s all good! I speak! Not sure if I am going to keep my nasty pizza down at this point really, I don’t want to have thoughts played around in my mind freaking and fingering my brain. I put my feet up all girly and per-die on the table, and he sits accused from me to check me out so why not give him what he wants, and I don’t give a crap if I am in a skirt, I spread them out sloughing like a dude, and Marcel turns bright red, I want him to see that, I was not wearing annoying underneath I know that someone took a picture of my p*ssy and all of his freaked-up face- yep jaw-dropping moments, good thing I shaved it! The teaching that was looking over us freaking fainted at the sight of my va-jay-jay, is that a good thing? Oliva was saying please don’t fart- please don’t fart- she had the set on the other side of me, yet she was all pressed up to Maddie, so I knew he could see all of this- YOU-NO! I said- ‘Dude shut up! You’re freaking me over, and I put my one hand down between my legs, and start to play with myself, caressing it all around, sometimes up and down or in a little circular pattern, making lots of sounds. I even put my long fingers down inside and feel all the wetness and wroth, and I hear voices coming out of me, so he could see the come on my fingers unstop of my dark purple nail polish, and I come right in front of everyone, but it was only for him to see.’ Jenny- ‘do I see a d*ick; you need one to freak that p*ssy? I said- ‘Nah- dude that’s just my heart throbbing clit, and I get written up by another old b*tch teach, that must have a hairy one, or something like that- she has always been up against my ass hole.’ ‘Sometimes you are as blunt as the butt end of a fork, freaking strapping you in the one boob!’ said- Oliva. I see Marcel in the lunch line making a cute almost kiss-ie face at me, and I rankle up my nose and turn my head off to the right side and shake it in a short fast yet deliberate quiver. I walk up to where more than friends and at this point, I hug him and the cafeteria gaps, he kisses me in front of everyone, and I look up before walking and saying with flirty eyes- (You’re such a weirdo!)
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
If it makes you feel better, Bastille dies by the end of this book. Oh, you didn’t want to hear that? I’m sorry. You’ll simply have to forget that I wrote it. There are several convenient ways to do that. I hear hitting yourself on the head with a blunt object can be very effective. You should try using one of Brandon Sanderson’s fantasy novels. They’re big enough, and goodness knows that’s really the only useful thing to do with them.
Brandon Sanderson (The Scrivener's Bones (Alcatraz, #2))
Mr Hardy said that that was splendid and that he’d be round right away, in the meantime Mrs Keble was not to be allowed to escape. If necessary Mrs Martell had better hit her over the head with a blunt instrument.
Elizabeth Eliot (Mrs. Martell)
It’s just . . . I’m fine. Which makes me almost feel even worse. I mean, I should be having nightmares. I should be having trouble sleeping and eating. But I’m not. It’s as if those two days didn’t actually happen.” “Can I be blunt?” Gray asked. Allye smiled. “Because you haven’t been so far?” He didn’t return her smile. “It’s gonna hit you. When you least expect it. You’ll be going about your day, and boom, you’ll see something that reminds you, and you’ll have a reaction. Or you’ll wake up in the middle of the night and remember. And it’s okay. If I’ve learned nothing else in my life, I’ve learned that it’s okay to freak out or have a bad reaction to something that happened to you.
Susan Stoker (Defending Allye (Mountain Mercenaries, #1))
I know you don't like mangoes." A faint curl of humor danced on his lips. "You know?" How? How did he know this? "I've been feeding you this whole time, remember?" With his hot buttered voice, it sounded dirty, illicit. "I remember." I sounded far too breathless. He clearly noticed, that small private smile moved to his eyes. "You never eat the mango slices when I put them in any meals." Understanding hit me, and I recalled that while I'd had breakfast fruit trays with mangoes, they'd stopped being included after the second time. Wide eyed, I silently gaped back at him. Lucian's long clever fingers delicately picked up a cream puff. "Which is why I made some of these with vanilla-ginger cream." Had I been gaping before? My mouth fell wide open. Behind me, I heard Dougal sigh, as if impressed. But I could only stare at Lucian, who looked smug but oddly shy as well. "You did that for me?" I croaked. His broad shoulder moved under his jacket. "That, and the combination of vanilla, ginger, and mango mirrored what Delilah and Saint had wanted in their original cake." I could fall for this man. Fall hard. Maybe I already had, because my heart was too big, beating too fast. He gave me another small, barely there smile, his pale eyes gleaming with something soft and intent. "Come now, honeybee," he murmured. "Try my cream." I sputtered out a shocked laugh, and my face flamed, but as he'd commanded, I opened my mouth. Lucian's nostrils flared. His hand shook a little as he lifted the cream puff and placed it one the edge of my lips. I opened my mouth wider, my tongue flicking out for that first sweet taste. Rich, almost nutty caramel, the gentle crust of pastry, a burst of smooth light cream with a hint of vanilla and ginger spice. Slowly, I chewed, my eyes locked with his, my body tight, and my mouth in heaven. He stayed with me, feeding me another bite, cream getting on his thumb. My tongue slipped over the blunt end, and he grunted. Hard.
Kristen Callihan (Make It Sweet)
You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was younger I showed my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.
Ray Bradbury, Fahrenheit 451
boom rolls over the terrain but stops sharply in a close-ended way, as if jerked back. A hit is blunt and solid like an airborne grunt. When the sound is heard and identified, it isn’t easily forgotten. When Wyoming Game Warden Joe Pickett heard the sound, he was building a seven-foot elk fence on the perimeter of a rancher’s haystack. He paused, his fencing pliers frozen in midtwirl. Then he stepped back, lowered his head, and listened. He slipped the pliers into the back pocket of his jeans and took off his straw cowboy hat to wipe his forehead with a bandanna. His red uniform shirt stuck to his chest, and he felt a single, warm trickle of sweat crawl down his spine into his Wranglers. He waited. He had learned over the years that it was easy to be fooled by sounds of any kind outside, away from town. A single, sharp crack heard at a distance could be a rifle shot, yes, but it could also be a tree falling, a branch snapping, a cow breaking through a sheet of ice in the winter, or the backfire of a motor. “Don’t confirm the first gunshot until you hear the second” was a basic tenet of the outdoors. Good poachers knew that, too. It tended to improve their aim. In a way, Joe hoped he wouldn’t hear a second shot. The fence wasn’t done, and if someone was shooting, it was his duty to investigate.
C.J. Box (Open Season (Joe Pickett #1))
You mean the Blackbird, right? Those never hit Hypersonic speeds.” “No, they didn’t, but this one has some advantages over the originals,” Dan said, “including a new engine design we pulled from the X-39 project.” “There’s an X-39?” “Not anymore,” Isaacs said bluntly. “They’re missing their engines.
Evan Currie (Semper Fi (Superhuman, #3))
Move on to who? It ain’t nobody but you for me. You got something you want to get off ya chest? Because da way I see it, we already wasted months not fucking with each other. I fucked up and you fucked up too. But fuck it. Everything on the table and shit good with our families. Take a nigga back, shut da fuck up, and let a real nigga give you real love.” Rodney hit his blunt, and Juicy’s eyes got big. “Rodney!” she yelled, wondering what had got into him. “If it ain’t yes daddy, I ain’t trying to hear the shit to be real with you.” “Oh, you trying to make this pussy wet?
Dejah Rice (Hood Rich, Toxic & He Got My Heart 2: An Urban Romance)
The good news was that the smoke, whatever its source, was not getting closer to us. The bad news was that it was moving towards Oban. We wasted no time rowing across the loch. The group we’d already sent over remained visible and clearly busy, though doing what was anybody’s guess from our vantage point in the birlinn. It was getting on past noon, and I hated the idea of leaving the birlinn behind. Crafting it had been a singularly powerful experience, one that I wasn’t sure was repeatable. The birlinn we’d made was unique. In the end, though, it was a boat. It wasn’t alive like the three hundred people we were trying to keep breathing. Not to mention the thousands in Oban who could die. I’d planned to take one of the oars to give a rower a break, but I must have looked haggard. When I’d gone to offer, the bloke with the oar had taken one look at me and said, “Naw, mate.” Sitting on a thwart next to Eilidh, I fervently wished for something to distract me from the radiating warmth on my left. Rowing would at least give me something to do that wasn’t thinking about that heat or second guessing all the decisions we’d made in the past few days. We could have taken the strongest of us and returned to Oban, leaving the other three hundred to take the slower route around the loch. Sure, that was a possibility. But if we’d done that, we’d have left them vulnerable, including the children. That wasn’t acceptable to me or to anyone else. Oban had the advantage of numbers and at least some preparation at this point; the people with us did not. There were any number of things we could be questioning, but if we sat here picking apart the instincts we’d followed, all we’d do was pick up an ulcer. We were still alive. That was all that mattered. I tuned back in to the birlinn to hear a couple of the rowers talking, both of them darting glances at me and Eilidh in the process. “. . . wrecked all of Sackington’s guns and stole his grenades,” one of them said, not really trying to be quiet. Eilidh zeroed in on him like a bloodhound catching a whiff of the quarry. “Yes. We did.” “Erm, he wasn’t saying it was a bad thing!” one of the rowers blurted out. “Yes, I was! We could have used those instead of hitting things with sticks, for fuck’s sake,” the other one said. “No offense.” “Mate, they don’t even work anymore,” I said, and when I could almost see his thoughts pivot to but there’s magic now, I sighed. “We happened to be present when someone figured out how to use their magic to fire a rifle at one of Bawbag’s simulacra. Not only did the bullet literally bounce right back, but it killed his daughter when it ricocheted, and his next shot was dead on. Can you guess what happened then?” “He died,” said the guy who had tried to reassure me they weren’t questioning that decision. He had sandy brown hair that was a mess of waves half stuck to his head with sweat from the exertion, and his muscles were bulging out of his shirt—guess he was getting those Strength increases. “Did he die?” the other bloke asked. “Aye, he might as well have just shot himself in the heart. Even swords bounced right off that damn thing—piercing it with the point seems to be the only thing even marginally successful, and that might be imbuing it with Purifire more than the actual poke.” “I know how to shoot a gun,” Eilidh said bluntly. “And amateurs with firearms tend to hurt much more than they help, let alone in a state of active combat. This isn’t the fucking Wild West.” She sounded Done with a capital D, and I didn’t blame her. To his credit, the bloke seemed to mull that over for a bit before nodding as if ceding the point. Whatever the Ascended Alliance knew about friendly fire of an arcane nature, that did not extend to human-made explosives. If
Mati Ocha (The Ascendent Sky (The Transcendent Green #2))
We had entered the museum together, but soon I was separated from the group. I lingered near the start of the display, fascinated as well as repelled, transported to the days of my youth in Rhodesia, as I listened to an interview. It was a filmed interview, on a loop, and so the images and the words recurred at regular intervals. A white woman, in her mid-thirties, speaking with those clipped southern African vowels, was setting out her concerns about majority rule. I cannot remember any more detail. But in familiar code-word language, in a reasonable tone, quite matter of fact, as if spelling out the obvious, she justified an evil system. Over, and over, and over again. It became the voice I had heard throughout my youth, and beyond. I watched and listened, mesmerised by this voice from the fifties. Then it hit me. I was overwhelmed by a great wash of sadness for generations lost during the scourge of apartheid. Not just for the millions who died, directly or indirectly, victims of war or preventable disease; but for the might-have-beens, the should-have-beens, the could-have-beens: the unread writers, the unheard musicians, the uncelebrated athletes, the talented and the ordinary – lost to Africa, lost to the world, sacrificed to prejudice. Suddenly and unexpectedly, I was weeping. Or to put it bluntly, I sobbed. There was none of the dignity that can be associated with the word ‘weep’. These were not discreet tears, not dignified drops, rolling down my cheeks. My shoulders shook and my nose ran copiously.
Adam Roberts (Soweto Inside Out: Stories About Africa's Famous Township)
David continued, “I recommend a twofold strategy: leave the highlands of Judah and the desert of Negeb to me. I will secure your interests in that region. Instead of your forces attacking the interior, which will draw the fullness of Saul’s forces into maximum conflict, I suggest you hit him on the periphery where you are strongest and he is weakest, on the flatlands of the Jezreel Valley up north.” Achish thought for a moment, then blurted out, “Brilliant!” Then he paused skeptically. “But that is quite a distance from our own stronghold.” “But it is flat plains all the way up the coast and inland to the city of Shunem. You could secure that whole region and therefore box Saul in from both north and south.” David felt like the reverse of the Serpent in the Garden, leading the real serpent with his own whispering rhetoric. Achish’s mind was not as sharp as usual under the influence of wine, but it was not blunted completely. “How many Philistine forces will you require? That might split my own strength in half.” “None, my lord.” “None?” This was looking better every moment to Achish. “I will not lie to you. Even though my men are rebels and dissidents from Saul, they are still Israelites, and they do not like fighting alongside Philistines. But they are loyal to me. So, if you give us our own city near the Negeb, and grant us a measure of independence, you need never fear an uprising. I will lead them in flash raids against Israelite clans in the far south to secure the desert territory. That way, they can work out their enmity with rival tribes, without feeling as if they are fighting for you.” Achish moaned with agreement, but eyed him suspiciously. “You will be outside the pentapolis.” “But still inside Philistia,” replied David. “Autonomy,” pondered Achish. “Under your sovereignty,” pandered David. “I will be at your beck and call. If Saul goes after me, Israel will be ripe for your taking. If he splits his forces against you and me, then you will still have an easy victory in the north.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
What's your name?" Oedipa said. "Winthrop Tremaine," replied the spirited entrepreneur, "Winner, for short. Listen, now we're getting up an arrangement with one of the big ready-to-wear outfits in L.A. to see how SS uniforms go for the fall. We're working it in with the back-to-school campaign, lot of 37 longs, you know, teenage kid sizes. Next season we may go all the way and get out a modified version for the ladies. How would that strike you?""I'll let you know," Oedipa said. "I'll keep you in mind." She left, wondering if she should've called him something, or tried to hit him with any of a dozen surplus, heavy, blunt objects in easy reach. There had been no witnesses. Why hadn't she?
Thomas Pynchon (The Crying of Lot 49)
Not All Outcomes Are Created Equal Here’s the easiest and quickest way I know to illustrate this point: Two people attempt to cross a road; one looks very carefully both ways, runs across, and gets hit by a car. The other person covers his eyes and blindly runs right into heavy traffic, but makes it to the other side safely. Does that mean the person who made it safely across the road did a smart thing? What would happen if this scenario was repeated 100 times? Who do you think would have a higher success rate of making it to the other side? The result does not justify the
Mark Minervini (Think & Trade Like a Champion: The Secrets, Rules & Blunt Truths of a Stock Market Wizard)
Another thing: Mom’s taste in men is akin to a crackhead’s taste in crack cocaine. Any old hit will do. And it sucks for all nearby loved ones (me) when mi madre is hitting the man-pipe again, because she sorta loses her frickin’ mind—to put it bluntly.
Matthew Quick (Sorta Like a Rock Star)
Although Schreiner had been the second-round draft pick of the Detroit Lions, Stuhldreher dissuaded him from even considering it. Pro ball was good for a little quick money, maybe, but players hung on too long and after that could not adjust to other fields. He spoke from experience, having played professionally for three years, watching men unable to cope with the inevitable diminishment of their physical skills, their bodies breaking down from too many hits, too much viciousness, and too much disregard for injuries. “They are not a credit to anyone,” he wrote, the one thing they were good at being of no use in the real world. He bluntly told Schreiner that he would never top the laurels he had already received in college football, so there was no point in going pro
Buzz Bissinger (The Mosquito Bowl: A Game of Life and Death in World War II)