Vault Boy Quotes

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I believe in the Supreme Being, in a Creator, whatever he may be. I care little who has placed us here below to fulfil our duties as citizens and fathers of families; but I don't need to go to church to kiss silver plates, and fatten, out of my pocket, a lot of good-for-nothings who live better than we do. For one can know him as well in a wood, in a field, or even contemplating the eternal vault like the ancients. My God! mine is the God of Socrates, of Franklin, of Voltaire, and of Beranger! I am for the profession of faith of the 'Savoyard Vicar,' and the immortal principles of '89! And I can't admit of an old boy of a God who takes walks in his garden with a cane in his hand, who lodges his friends in the belly of whales, dies uttering a cry, and rises again at the end of three days; things absurd in themselves, and completely opposed, moreover, to all physical laws, which proves to us, by the way, that priests have always wallowed in turpid ignorance, in which they would fain engulf the people with them.
Gustave Flaubert (Madame Bovary)
It was like a vault , this house, but still you got the impression it could, with a great deal of effort, and only if you made it very angry, lift itself off its manicured haunches and chase after you at a terrible pace. That it could overtake you and chase after you at a terrible pace. That it could overtake you and pin you down by the shirttail, and then it could carefully lower itself right back down, all the vast weight of its ancient rock-heaps and stones bearing down on top of you, crushing you
Jeanine Cummins (The Outside Boy)
Most of all he missed the times he and his father would sit out at night on the cabin’s porch and stare up into the astonishing swirls of stars shimmering in the black vault of the Idaho night sky, saying
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
She was a wonder junkie. In her mind, she was a hill tribesman standing slack-jawed before the real Ishtar Gate of ancient Babylon; Dorothy catching her first glimpse of the vaulted spires of the Emerald City of Oz; a small boy from darkest Brooklyn plunked down in the Corridor of Nations of the 1939 World’s Fair, the Trylon and Perisphere beckoning in the distance; she was Pocahontas sailing up the Thames estuary with London spread out before her from horizon to horizon. been voyaging between the stars when the ancestors of humans were still brachiating from branch to branch in the dappled sunlight of the forest canopy. Drumlin, like many others she had known over the years, had called her an incurable romantic; and she found herself wondering again why so many people thought it some embarrassing disability. Her romanticism had been a driving force in her life and a fount of delights. Advocate and practitioner of romance, she was off to see the Wizard.
Carl Sagan (Contact)
Oh! in his rapture he was weeping even over those stars, which were shining to him from the abyss of space, and "he was not ashamed of that ecstasy." There seemed to be threads from all those innumerable worlds of God, linking his soul to them, and it was trembling all over "in contact with other worlds." He longed to forgive everyone and for everything, and to beg forgiveness. Oh, not for himself, but for all men, for all and for everything. "And others are praying for me too," echoed again in his soul. But with every instant he felt clearly and, as it were, tangibly, that something firm and unshakable as that vault of heaven had entered into his soul. It was as though some idea had seized the sovereignty of his mind -- and it was for all his life and for ever and ever. He had fallen on the earth a weak boy, but he rose up a resolute champion, and he knew and felt it suddenly at the very moment of his ecstasy. And never, never, his life long, could Alyosha forget that minute.
Fyodor Dostoevsky (The Brothers Karamazov)
The air smelled of paper and dust and years. Jon plucked a scroll from a bin, blew off the worst of the dust. A corner flaked off between his fingers as he unrolled it. “Look, this one is crumbling,” he said, frowning over the faded script. “Be gentle.” Sam came around the table and took the scroll from his hand, holding it as if it were a wounded animal. “The important books used to be copied over when they needed them. Some of the oldest have been copied half a hundred times, probably.” “Well, don’t bother copying that one. Twenty-three barrels of pickled cod, eighteen jars of fish oil, a cask of salt . . .” “An inventory,” Sam said, “or perhaps a bill of sale.” “Who cares how much pickled cod they ate six hundred years ago?” Jon wondered. “I would.” Sam carefully replaced the scroll in the bin from which Jon had plucked it. “You can learn so much from ledgers like that, truly you can. It can tell you how many men were in the Night’s Watch then, how they lived, what they ate . . .” “They ate food,” said Jon, “and they lived as we live.” “You’d be surprised. This vault is a treasure, Jon.” “If you say so.” Jon was doubtful. Treasure meant gold, silver, and jewels, not dust, spiders, and rotting leather. “I do,” the fat boy blurted. He was older than Jon, a man grown by law, but it was hard to think of him as anything but a boy. “I found drawings of the faces in the trees, and a book about the tongue of the children of the forest . . . works that even the Citadel doesn’t have, scrolls from old Valyria, counts of the seasons written by maesters dead a thousand years . . .” “The books will still be here when we return.” “If we return . . .
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
You want to come back to the bank vault?” Jack says. The bank vault. That’s what Jack calls his house.
Allen Zadoff (Boy Nobody (The Unknown Assassin, #1))
Crayfish,” I said. I dumped out a tin of water. “Really?” I nodded. “Big ones?” “Not these. You can find them, though.” “Can I see?” She dropped down off the bank just like a boy would, not sitting first, just putting her left hand to the ground and vaulting the three-foot drop to the first big stone in the line that led zigzag across the water. She studied the line a moment and then crossed to the Rock. I was impressed. She had no hesitation and her balance was perfect. I made room for her. There was suddenly this fine clean smell sitting next to me. Her eyes were green. She looked around. To all of us back then the Rock was something special. It sat smack in the middle of the deepest part of the brook, the water running clear and fast around it.
Jack Ketchum (The Girl Next Door)
Today the city melted in a heat wave. The crystal skyscrapers glittered like knives (this is a city of knives), steel-and-glass blades inlaid with the reflections of other knives, mirrors within mirrors within mirrors, knives that thrust up at the scorched clouds, presaging that evening's little death… As always, beneath the vaulted brilliance the infernal shadows of the streets were filled with the phantoms of murdered girls.
Richard Calder (Dead Girls, Dead Boys, Dead Things)
The Vienna Boys Choir decked out in top hats and evil clown make-up could be directly next to me pole-vaulting over giant rotating knives and I'd never know because I'm gazing into the distance deliberating some vaguely imperceptible angst.
Bill Gray
Edmund jumped and somersaulted in midair, vaulting neatly onto the roof of the carriage. As he did so, he drew weapons from the concealing folds of his garments: the two whips he had spoken of before, arcs of sizzling light against the night sky. He wielded them with cutting precision, their light waking golden fire in his tousled hair and casting a glow on his carved features, and by that light Magnus saw his face changed from a laughing boy's to the stern countenance of an an angel.
Cassandra Clare (The Bane Chronicles)
One reason might be that if I hadn't tripped, I'd have been hamburger. When this sort of thing occurs, people often say that there was some power greater than themselves at work. This sounds reasonable. I am just suggesting that it is not necessary to equate "greater than ourselves" with "stretched across the heavenly vault." It could mean "just slightly greater." A cocoon of energy that we carry with us, that is capable, under some conditions, of affecting physicality. Furthermore, I conjecture that the totality of all these souls is what constitutes the Godhead. I mean this in the same sense as the "Leviathan" of Thomas Hobbes, whereby man, that is everyone together, creates "that great Leviathan called a Commonwealth or State, which is but an artificial man, though of greater statute and strength than the natural, for whose protection and defense it was created." And that leads me to my Insight: God was not there at the beginning of evolution; God is what lies at the end of it.
Paul Quarrington (The Boy on the Back of the Turtle: Seeking God, Quince Marmalade, and the Fabled Albatross on Darwin's Islands)
Awareness rippled through her as she was trapped between the cold, hard wall and the warm, hard man who held her. His body was different from how she remembered it, no longer loose-limbed and narrow, but bigger, heavier, imbued with the strength of a male in his full-blooded prime. McKenna was no longer the winsome boy she remembered... he had become someone else entirely. A powerful, ruthless man, with a body to match. Fascinated by the difference in him, Aline could not stop herself from sliding her hands beneath his coat. Her fingers passed over the burgeoning muscles of his chest, the sturdy vault of his ribs. McKenna went still, disciplining himself so sternly that a tremor of effort went through his limbs.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
The obvious costs of such a policy became apparent to me as I sat along the back wall of vault V22 at NSA headquarters with two of the more talented infrastructure analysts, whose workspace was decorated with a seven-foot-tall picture of Star Wars’ famous wookie, Chewbacca. I realized, as one of them was explaining to me the details of his targets’ security routines, that intercepted nudes were a kind of informal office currency, because his buddy kept spinning in his chair to interrupt us with a smile, saying, “Check her out,” to which my instructor would invariably reply “Bonus!” or “Nice!” The unspoken transactional rule seemed to be that if you found a naked photo or video of an attractive target—or someone in communication with a target—you had to show the rest of the boys, at least as long as there weren’t any women around. That was how you knew you could trust each other: you had shared in one another’s crimes.
Edward Snowden (Permanent Record)
I think you were here. Not in the vault, but close by. Where you could smell tears when the wind was right. Where you could hear the laughter of the men or boys who pushed over Heath Holmes’s stone and then likely urinated on his grave. In spite of the day’s heat, Holly felt cold. Given more time, she might have investigated those empty places. There was no danger; the outsider was long gone from Ohio. Very likely gone from Flint City, too. She snapped four pictures:
Stephen King (The Outsider)
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.” There was a beat. Then John said cautiously, “What do you mean?” “The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?” John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me. And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another. “Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“ “Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“ I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say. “Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.” “I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.” “I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.” I raised my gaze to his. “You’re right about that, at least,” I said. “So am I forgiven?” he asked. I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his. Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it. “Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.” John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
Meg Cabot (Underworld (Abandon, #2))
I picked up a pencil and held it over a sheet of white paper, but my feelings stood in the way of my words. Well, I would wait, day and night, until I knew what to say. Humbly now, with no vaulting dream of achieving a vast unity, I wanted to try to build a bridge of words between me and that world outside, that world which was so distant and elusive that it seemed unreal. I would hurl words into this darkness and wait for an echo, and if an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight, to create a sense of the hunger for life that gnaws in us all, to keep alive in our hearts a sense of the inexpressibly human.
Richard Wright (Black Boy)
Half inebriated, he vaulted up the stairs to find them lolling in chairs in the hall outside Maria’s door. Gabe clasped a bunch of violets in his hand while Jarret held a rolled-up piece of parchment in his. “What are you two louts doing here in the middle of the night?” he growled. “It’s nearly dawn,” Gabe said coolly. “Hardly the middle of the night. Not that you would have noticed, in your drunken state.” Scowling, Oliver took a step toward them. “It’s still earlier than you, at least, every rise.” Gabe glanced at Jarret. “Clearly, the old boy doesn’t remember what today is.” “I believe you’re right,” Jarret returned, a hint of condemnation in his tone. Oliver glared at them both as he sifted through his soggy brain for what they menat. When it came to him, he groaned. St. Valentine’s Day. That sobered him right up. “That doesn’t explain why you’re lurking outside Maria’s door.” Jarret cast him a scathing glance as he got to his feet. “Why do you care? You ran off to town to find your entertainment. Seems to me that you’re relinquishing the field.” “So you two intend to step in?” he snapped. “Why not?” Gabe rose to glower at him. “Since your plan to thwart Gran isn’t working, and it’s looking as if we’ll have to marry someone, we might as well have a go at Miss Butterfield. She’s an heiress and a very nice girl, too, in case you hadn’t noticed If you’re stupid enough to throw her over for a bunch of whores and opera dancers, we’re more than happy to take your place. We at least appreciate her finer qualities.” The very idea of his brothers appreciating anything of Maria’s made his blood boil. “In the first place, I didn’t throw her over for anyone. In the second, I am damned well not relinquishing the field. And I’m certainly not giving it over to a couple of fortune hunters like you.” The sound of footsteps coming down the hall from the servants’ stairs made them whirl in that direction. Betty walked slowly toward them, one hand shading her eyes. That’s when it hit him. His brothers were here because of that silly superstition about a maiden’s heart being joined to that of whoever was the first man she spotted on St. Valentine’s Day. “Good morning, gentlemen,” Betty murmured as she approached, carefully avoiding looking at any of them. A devilish grin lit Gabe’s face. “Betty, catch!” he cried and tossed a violet at her. She didn’t even move a finger to stop it from bouncing off her and falling to the floor. “If your lordships will excuse me,” she said in a decidedly snippy tone, “my mistress rang the bell for me.” With a sniff that conveyed her contempt for them, she slipped inside Maria’s rom and shut the door firmly behind her. “That was shameful,” Jarret told Gabe. “You know bloody well that Betty and John are sweethearts.” “It’s not my fault that John didn’t show up this morning so she could see him first,” Gabe said with a shrug.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
saw nothing finer or more moving in Russia than Tolstoy’s grave. That illustrious place of pilgrimage lies out of the way, alone in the middle of the woods. A narrow footpath leads to the mound, nothing but a rectangle of soil raised above ground level, with no one guarding or keeping watch on it, only two huge trees casting their shade. Leo Tolstoy planted those trees himself, so his granddaughter told me beside his grave. When he and his brother Nikolai were boys, they had heard one of the village women say that a place where you planted trees would be a happy one. So they planted two saplings, partly as a kind of game. Only later did the old man remember that promise of happiness, and then he expressed a wish to be buried under the trees he had planted. And his wish was carried out. In its heart-rending simplicity, his grave is the most impressive place of burial in the world. Just a small rectangular mound in the woods with trees overhead, no cross, no tombstone, no inscription. The great man who suffered more than anyone from his own famous name and reputation lies buried there, nameless, like a vagabond who happened to be found nearby or an unknown soldier. No one is forbidden to visit his last resting place; the flimsy wooden fence around it is not kept locked. Nothing guards that restless man’s final rest but human respect for him. While curious sightseers usually throng around the magnificence of a tomb, the compelling simplicity of this place banishes any desire to gape. The wind rushes like the word of God over the nameless grave, and no other voice is heard. You could pass the place without knowing any more than that someone is buried here, a Russian lying in Russian earth. Napoleon’s tomb beneath the marble dome of Les Invalides, Goethe’s in the grand-ducal vault at Weimar, the tombs in Westminster Abbey are none of them as moving as this silent and movingly anonymous grave somewhere in the woods, with only the wind whispering around it, uttering no word or message of its own.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
It was a school photograph and although the face was immediately recognisable she couldn’t have pulled it up from her memory, it had long ago been replaced by the bloat of decomposed flesh. Caleb wore the same uniform that she had, shared the same classes and, possibly, aspirations but that’s where the similarities with his life ended. On the occasions that Eleanor had forced herself to look at him she’d taste again the cascade of emotions that both defied and defiled her. Caleb was her ‘safe word’, the boy who had experienced all of the world’s horror so she wouldn’t have to. Her hands steadier, she slid the remains back into the box and piled her life back on top of it.
Karen Long (The Vault (DI Eleanor Raven, #2))
One of the best romances I’ve read lately had the parents of the guy being in law enforcement and the parents of the girl being criminals. There was a scene where the kids are being introduced for the first time and the boy’s father’s tracking dog wouldn’t stop barking because the girl’s mother is wearing the same shoes she had on when cutting into a vault.
E.M. Foner (Book Night on Union Station (EarthCent Ambassador, #13))
In the Sultan Suite   Andy was eagerly awaiting my reappearance. He had nailed as many engaging pictures as he could, and he had done superbly – but I didn’t know that yet.               When I regained position, Lihaar had straddled Aziz’s firmness, and Jabril’s thickness was gyrating within her derriere. The men rocked into her in rhythmic synchronicity while moans of zealous fervencies rose in crescendo from the singer’s throat. Coraline seized the opportunity and plunged her tilting pelvis onto the actress’s face. As if executing a perfect dance the Indian twirled her lecherous tongue into the big sister’s blossoming crevice. Afraid the dark-haired female would evade her pleasure vault, Coraline’s tenacious hands gripped her tightly.               Aziz drove his slithering tongue into Narnia’s wetness, teasing her nether region to groans of rapturous ecstasy. His probing fingers buried deep in her rousing bottom, driving her to bouts of climactic liberations. She shuttered unquenchably to each heaving motion of intimate deliverance. Waves of euphoric ecstasies filled her girlishness. She delivered her youthful exuberance again and again until her heaving breasts laid heavy against the Arab’s muscular chest. After all, I had been taught by great masters of the day – and I was the sorcerer’s apprentice. Therefore, no encouragements were required for me to capture affectionate kisses and private embraces from every bewitching angle. But my task was by no means over. Exotic shots of erotic discharges arrived in the shapely form of Ms. Lihaar riding both phalluses with abandon. Like her little sister Narnia, Coraline had delivered curls of billowing euphoria onto the actress’s face, coating the flawless beauty with dribbling wetness before lapping at her deliverance with sensual jubilations.               The men could no longer withhold their deposits. Sprays of masculinity filled the actress as she milked their pounding manliness to blissful nirvana. Together, my chaperone and I had garnered superlative shots for our patron when we left the Sultan cavern quietly, returning to the Maharajah in pursuit of a saturnalia of unbridled revelry.
Young (Turpitude (A Harem Boy's Saga Book 4))
You move against this boy,” said Lestat, “you try to take up your combative posture where he is concerned, and as God is my witness, I’ll wipe you out. I’ll leave you nothing but your empty libraries and your overflowing vaults. I’ll start with the Motherhouse in Louisiana and then I’ll move to the Motherhouses all over the world. It’s a cinch for me to do it. I’ll pick you off one at a time. Even if the ancients do rise to protect you, it won’t happen immediately, and what I can immediately is an enormous amount of harm.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
Break into the fae palace and into their vault and steal their wings back? Wings that are stored in some unknown magical vessel while the entire fae court is on top of us, helmed by a petty fae queen and her resurrected evil mother?
Nikki St. Crowe (The Fae Princes (Vicious Lost Boys, #4))
GROWING UP changes one’s definition of what is fun — maturation does that, thankfully — so I hate to admit now that as a boy I thoroughly enjoyed throwing rocks at cars. It was a thrill to wait in hiding, ambush the car driving by, and then make our escape. Occasionally, a driver would stop their vehicle and get out to yell at us. But if we were really fortunate, they would chase us. We would run just far enough ahead to encourage them, but when they got close, we would turn on the afterburners of youth, leaving them far behind while we laughed hysterically. Once in a while, the police would come by — usually in unmarked cars — and the chase would be much more dramatic until we reached the ten-foot-tall fences at the end of the neighborhood field. To the police, it must have appeared as if they had us trapped. They had no idea, however, how practiced we were at vaulting those fences. We treated it like an Olympic event, running at full speed toward the fence and then leaping high into the air, grabbing the chain links, and allowing the momentum of our feet to swing us over the top and down on the other side. We would laugh at the police as we ran off, knowing there was no way they would follow us. Today I have great admiration for the police, who risk their lives on a daily basis to protect our lives, freedom, and property.
Ben Carson (America the Beautiful: Rediscovering What Made This Nation Great)
Cricket was a manly game. Manly masters spoke of the 'discipline of the hard ball'. Schools preferred manly games. Games were only manly if it was possible while playing them to be killed or drowned or at the very least badly maimed. Cricket could be splendidly dangerous. Tennis was not manly, and if a boy had asked permission to spend the afternoon playing croquet he would have been instantly punished for his 'general attitude'. Athletics were admitted into the charmed lethal circle as a boy could, with a little ingenuity, get impaled during the pole-vault or be decapitated by a discus and did a manly death. Fives were thought to be rather tame until one boy ran his head into a stone buttress and got concussion and another fainted dead away from heat and fatigue. Then everybody cheered up about fives.
Arthur Marshall (Girls Will Be Girls)
It was our responsibility to provide a detailed assessment of our treatment during our residence at each Household. These recorded accounts were documented and archived in the school's extensive security vault. The school authorities made sure that each Household complied with the E.R.O.S. rules and regulations. The same applied to each student and his or her guardian. Any complaints filed by any of the three parties would be investigated fully. The E.R.O.S. organization ran smoothly and efficiently, on every level. There were many checks and balances.
Young (Initiation (A Harem Boy's Saga Book 1))
It led on and on; vistas of forgotten metal; moribund, stiff in a thousand attitudes of mortality; with not a rat, not a mouse; not a bat, not a spider. Only the Lamb, sitting in his high chair with a faint smile upon his lips; alone in the luxury of his vaulted chamber, where the red carpet was like blood, and the walls were lined with books that rose up...up... volume after volume until the shadows engulfed them.
Mervyn Peake (Boy in Darkness and Other Stories)