Hill We Climb Quotes

We've searched our database for all the quotes and captions related to Hill We Climb. Here they are! All 100 of them:

When day comes, we step out of the shade of flame and unafraid. The new dawn balloons as we free it. For there is always light, if only we’re brave enough to see it. If only we’re brave enough to be it.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
That is the promised glade, The hill we climb, if only we dare it: Because being American is more than a pride we inherit— It’s the past we step into, and how we repair it.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
Let the globe, if nothing else, say this is true: That even as we grieved, we grew That even as we hurt, we hoped That even as we tired, we tried
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
The person who hurt you--who raped you or killed your family--is also here. If you are still angry at that person, if you haven't been able to forgive, you are chained to him. Everyone could feel the emotional truth of that: When someone offends you and you haven't let go, every time you see him, you grow breathless or your heart skips a beat. If the trauma was really severe, you dream of revenge. Above you, is the Mountain of Peace and Prosperity where we all want to go. But when you try to climb that hill, the person you haven't forgiven weighs you down. It's a personal choice whether or not to let go. No one can tell you how long to mourn a death or rage over a rape. But you can't move forward until you break that chain.
Leymah Gbowee (Mighty Be Our Powers: How Sisterhood, Prayer, and Sex Changed a Nation at War)
Neither of us moves for a moment, locked instead in each other's eyes and in the branches of this Hill we might never finish climbing.
Ally Condie (Matched (Matched, #1))
And thus ever by day and night, under the sun and under the stars, climbing the dusty hills and toiling along the weary plains, journeying by land and journeying by sea, coming and going so strangely, to meet and to act and react on one another, move all we restless travellers through the pilgrimage of life.
Charles Dickens (Little Dorrit)
I wish we lived like children. Run till you are out of breath, flop on the grass, stare at clouds, jump up again, chase a squirrel around every tree in the park, walk on your hands because the world looks different upside down, climb little hills and roll down the other side, do somersaults . . . just because you can. What do we do instead? We surround ourselves with all these big and small blinking screens, while our bodies and minds slowly forget how to tumble, how to wonder, how to live.
Twinkle Khanna (Mrs Funnybones: She's just like You and a lot like Me)
There are going to be difficult hills to climb, and we might slip, but we have to know that God has a good grip on us and He will pull us up at the right time.
Charlena E. Jackson (No Cross No Crown)
our people diverse and beautiful will emerge, battered and beautiful When day comes we step out of the shade, aflame and unafraid
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
Somehow we've weathered and witnessed a nation that isn't broken but simply unfinished. . . And yes we are far from polished far from pristine but that doesn't mean we are striving to form a union that is perfect We are striving to forge a union with purpose
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
The new dawn blooms as we free it, For there is always light, If only we're brave enough to see it, If only we're brave enough to be it.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
Somehow we’ve weathered and witnessed A nation that isn’t broken, but simply unfinished.
Amanda Gorman (Call Us What We Carry: Poems)
If we're to live up to our own time, then victory won't lie in the blade. But in all the bridges we've made, that is the promise to glade, the hill we climb. If only we dare. It's because being American is more than a pride we inherit, it's the past we step into and how we repair it.
Amanda Gorman (Call Us What We Carry)
My old friend, what are you looking for? After years abroad you’ve come back with images you’ve nourished under foreign skies far from you own country.’ ‘I’m looking for my old garden; the trees come to my waist and the hills resemble terraces yet as a child I used to play on the grass under great shadows and I would run for hours breathless over the slopes.’ ‘My old friend, rest, you’ll get used to it little by little; together we will climb the paths you once knew, we will sit together under the plane trees’ dome. They’ll come back to you little by little, your garden and your slopes.’ ‘I’m looking for my old house, the tall windows darkened by ivy; I’m looking for the ancient column known to sailors. How can I get into this coop? The roof comes to my shoulders and however far I look I see men on their knees as though saying their prayers.’ ‘My old friend, don’t you hear me? You’ll get used to it little by little. Your house is the one you see and soon friends and relatives will come knocking at the door to welcome you back tenderly.’ ‘Why is your voice so distant? Raise your head a little so that I understand you. As you speak you grow gradually smaller as though you’re sinking into the ground.’ ‘My old friend, stop a moment and think: you’ll get used to it little by little. Your nostalgia has created a non-existent country, with laws alien to earth and man.’ ‘Now I can’t hear a sound. My last friend has sunk. Strange how from time to time they level everything down. Here a thousand scythe-bearing chariots go past and mow everything down
George Seferis
We’ve learned that quiet isn’t always peace, And the norms and notions of what “just is” Isn’t always justice.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
We will not march back to what was, But move to what shall be: A country that is bruised but whole, Benevolent but bold, Fierce and free.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
For there is always light, If only we’re brave enough to see it, If only we’re brave enough to be it.
Amanda Gorman (The Hill We Climb: An Inaugural Poem)
When day comes, we step out of the shade, Aflame and unafraid. The new dawn blooms as we free it, For there is always light, If only we’re brave enough to see it, If only we’re brave enough to be it.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
I wish we lived like children. Run till you are out of breath, flop on the grass, stare at clouds, jump up again, chase a squirrel around every tree in the park, walk on your hands because the world looks different upside down, climb little hills and roll down the other side, do somersaults . . . just because you can.
Twinkle Khanna (Mrs Funnybones: She's just like You and a lot like Me)
There is a sacred horror about everything grand. It is easy to admire mediocrity and hills; but whatever is too lofty, a genius as well as a mountain, an assembly as well as a masterpiece, seen too near, is appalling. Every summit seems an exaggeration. Climbing wearies. The steepnesses take away one's breath; we slip on the slopes, we are hurt by the sharp points which are its beauty; the foaming torrents betray the precipices, clouds hide the mountain tops; mounting is full of terror, as well as a fall. Hence, there is more dismay than admiration. People have a strange feeling of aversion to anything grand. They see abysses, they do not see sublimity; they see the monster, they do not see the prodigy.
Victor Hugo (Ninety-Three)
Scripture tells us to envision that: “Everyone shall sit under their own vine and fig tree, And no one shall make them afraid.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
If we merge mercy with might, and might with right, Then love becomes our legacy,  And change, our children’s birthright.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
Somehow, we’ve weathered and witnessed A nation that isn’t broken, but simply unfinished.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
God is there to give us strength for every hill we have to climb.
Suzanne Woods Fisher (Amish Proverbs: Words of Wisdom from the Simple Life)
What shall we do there?" "Climb up the hill to the old fort and look at the little wriggling gold snakes, and watch the lizards sun themselves.
Kate Chopin (The Awakening and Selected Short Stories)
In a dog’s life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us. We could have bought a small yacht with what we spent on our dog and all the things he destroyed. Then again, how many yachts wait by the door all day for your return? How many live for the moment they can climb in your lap or ride down the hill with you on a toboggan, licking your face?
John Grogan (Marley & Me: Life and Love with the World's Worst Dog)
When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.
John Steinbeck
God is there to give us strength for every hill we have to climb.
Linda Castillo (Outsider (Kate Burkholder, #12))
It was during those long and lonely years that my hunger for the freedom of my own people became a hunger for the freedom of all people, White and black. I knew as well as I knew anything that the oppressor must be liberated just as surely as the oppressed. A man who takes away another man’s freedom is a prisoner of hatred, he is locked behind the bars of prejudice and narrow-mindedness. I am not truly free if I am taking away someone else’s freedom, just as surely as I am not free when my freedom is taken from me. The oppressed and the oppressor alike are robbed of their humanity. When I walked out of prison, that was my mission, to liberate the oppressed and the oppressor both. Some say that has now been achieved. But I know that that is not the case. The truth is that we are not yet free; we have merely achieved the freedom to be free, the right not to be oppressed. We have not taken the final step of our journey, but the first step on a longer and even more difficult road. For to be free is not merely to castoff one’s chains, but to live in a way that respects and enhances the freedom of others. The true test of our devotion to freedom is just beginning. I have walked that long road to freedom. I have tried not to falter; I have made missteps along the way. But I have discovered the secret that after climbing a great hill, one only finds that there are many more hills to climb. I have taken a moment here to rest, to steal a view of the glorious vista that surrounds me, to look back on the distance I have come. But I can rest only for a moment, for with freedom come responsibilities, and I dare not linger, for my long walk is not yet ended.
Nelson Mandela (Long Walk to Freedom)
If we merge mercy with might, and might with right, Then love becomes our legacy, And change, our children's birthright. So let us leave behind a country better than the one we were left.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
We climbed this hill. Each step up we could see farther, so of course we kept going. Now we’re at the top. Science has been at the top for a few centuries now. And we look out across the plain and we see this other tribe dancing around above the clouds, even higher than we are. Maybe it’s a mirage, maybe it’s a trick. Or maybe they just climbed a higher peak we can’t see because the clouds are blocking the view. So we head off to find out—but every step takes us downhill. No matter what direction we head, we can’t move off our peak without losing our vantage point. So we climb back up again. We’re trapped on a local maximum. But what if there is a higher peak out there, way across the plain? The only way to get there is to bite the bullet, come down off our foothill and trudge along the riverbed until we finally start going uphill again. And it’s only then you realize: Hey, this mountain reaches way higher than that foothill we were on before, and we can see so much better from up here. But you can’t get there unless you leave behind all the tools that made you so successful in the first place. You have to take that first step downhill.
Peter Watts (Echopraxia (Firefall, #2))
Otis, on the other hand, didn't miss home a bit. He had always hated the stairs in our house in Massachusetts. He was now five years old and very large for a golden retriever. I thought he was fat, but Bruce insisted he was just "big-boned". Either way, climbing the steep stairs at home was a challenge. Whenever Bruce and I went upstairs, Otis would sit near the bottom step, carefully calculating whether we would be on the second floor long enough to make it worthwhile to heave himself up the stairs. And on the way down the stairs, Otis was like a fully loaded eighteen-wheeler barreling down a steep hill. We just got out of his way. But in the new Washington apartment building, Otis had an elevator. As far as he was concerned, life was sweet.
Elizabeth Warren
With Kit, Age Seven, at the Beach We would climb the highest dune, from there to gaze and come down: the ocean was performing; we contributed our climb. Waves leapfrogged and came straight out of the storm. What should our gaze mean? Kit waited for me to decide. Standing on such a hill, what would you tell your child? That was an absolute vista. Those waves raced far, and cold. "How far could you swim, Daddy, in such a storm?" "As far as was needed," I said, and as I talked, I swam.
William Stafford
And running, Will thought, Boy, it’s the same old thing. I talk. Jim runs. I tilt stones, Jim grabs the cold junk under the stones and—lickety-split! I climb hills. Jim yells off church steeples. I got a bank account. Jim’s got the hair on his head, the yell in his mouth, the shirt on his back and the tennis shoes on his feet. How come I think he’s richer? Because, Will thought, I sit on a rock in the sun and old Jim, he prickles his arm-hairs by moonlight and dances with hoptoads. I tend cows. Jim tames Gila monsters. Fool! I yell at Jim. Coward! he yells back. And here we—go!
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
That year, and every year, it seemed, we began by studying the Revolutionary War. We were taken in school buses on field trips to visit Plymouth Rock, and to walk the Freedom Trail, and to climb to the top of the Bunker Hill Monument. We made dioramas out of colored construction paper depicting George Washington crossing the choppy waters of the Delaware River, and we made puppets of King George wearing white tights and a black bow in his hair. During tests we were given blank maps of the thirteen colonies, and asked to fill in names, dates, capitals. I could do it with my eyes closed.
Jhumpa Lahiri (Interpreter of Maladies)
Even memory though, can hardly be relied on. Can anyone say for certain what really happened to us back then? If we’re blessed though, a few words might remain by our side. They climb to the top of the hill during the night, crawl into small holes dug to fit the shape of their bodies, stay quite still, and let the stormy winds of time blow past. Dawn finally breaks, the wild wind subsides, and the surviving words quietly peek out from the surface. For the most part they have small voices—they are shy and only have ambiguous ways of expressing themselves. Even so, they are ready to serve as witnesses. As honest, fair witnesses. But in order to create those long enduring, long-suffering words, or else to find them and leave them behind, you must sacrifice, unconditionally, your own body, your very own heart. You have to lay down your neck on a cold stone pillow illuminated by the winter moon.
Haruki Murakami (First Person Singular: Stories)
At some point in our conversation, Ivan mentioned that strawberries grew on trees. I said I thought they grew on little plants close to the ground. No, he said—trees. “Okay,” I said. I knew that in my life I had seen strawberries growing, on plants, but this didn’t seem like irrefutable proof that they didn’t grow on trees. “You’re easy to convince,” he said. We walked for three hours. On the way back we got lost and had to climb down a steep hill. I really didn’t want to climb down the hill. I actually walked into a tree and then stayed there for a minute. “What are you doing?” Ivan asked. “I don’t know,” I said. He nodded. He said there were lots of possible ways down the hill, but probably the best way was one where you didn’t have to go through a tree. Then he started talking about the execution of Ceauşescu and his wife.
Elif Batuman (The Idiot)
There is always light, if only your brave enough to see it. If only your brave enough to be it.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
Life is an iffy sine curve; in the climb on the hill, I might yet again fall down; What will take any of us “there” is—do we sit with regret, or get up and move on.
Rajat Mishra (Can I Have a Chocolate Milkshake?)
We had reached the foot of Sable's hill. Howell wrestled his car up the climbing curves. The tires shuddered and screeched like lost souls under punishment.
Ross Macdonald (The Galton Case (Lew Archer, #8))
We should measure our children not by the mountains they conquer but by their efforts to climb. Oh - and let them pick which hills to scale.
Ron Fournier (Love That Boy: What Two Presidents, Eight Road Trips, and My Son Taught Me About a Parent's Expectations)
The norms and notions of what "just is' isn't always "justice".
Amanda Gorman
And the norms and notions of what “just is” Isn’t always justice.
Amanda Gorman (Call Us What We Carry)
That even as we grieved, we grew, That even as we hurt, we hoped, That even as we tired, we tried.
Amanda Gorman (The Hill We Climb: An Inaugural Poem for the Country)
Mountain may want to be with the stream To climb the hills perhaps a river's dream What we want exactly we may never know Flame of fire might love to melt with the snow
Munia Khan
Advice" I must do as you do? Your way I own Is a very good way, and still, There are sometimes two straight roads to a town, One over, one under the hill. You are treading the safe and the well-worn way, That the prudent choose each time; And you think me reckless and rash to-day Because I prefer to climb. Your path is the right one, and so is mine. We are not like peas in a pod, Compelled to lie in a certain line, Or else be scattered abroad. 'T were a dull old world, methinks, my friend, If we all just went one way; Yet our paths will meet no doubt at the end, Though they lead apart today. You like the shade, and I like the sun; You like an even pace, I like to mix with the crowd and run, And then rest after the race. I like danger, and storm, and strife, You like a peaceful time; I like the passion and surge of life, You like its gentle rhyme. You like buttercups, dewy sweet, And crocuses, framed in snow; I like roses, born of the heat, And the red carnation's glow. I must live my life, not yours, my friend, For so it was written down; We must follow our given paths to the end, But I trust we shall meet--in town.
Ella Wheeler Wilcox
A song is that touched deep my heart, give orgasm to my senses.. and I feel like climbing up the hill and scream.. " leaving behind all differences.. we are the same.. mad for each other...
Himmilicious
Some things are too great to come at directly. Just as we may weave back and forth as we climb a hill, and appear to be going round in circles, yet all the while are coming closer to the summit, so in our religious and spiritual life things may seem circuitous; we may think we have come back to the same spot, but always, if we press on, it is a little higher, a little closer to the truth.
Malcolm Guite (The Word in the Wilderness)
We are not at the pinnacle of our power, of our existence. We have scrambled to the top of an ant-hill at the bottom of the world’s highest mountain. We have long way still to climb.” - The Blue Mountain
G.R. Matthews
We climbed a hill, and then sat on rocks that were adjacent to each other. We kept on staring at the sky. Words were not needed, for in the silence between us we understood each other. Feeling exhilarated, she stood up and looking at the sky said " Isn't it a miracle to be alive and to be able to witness the beauty of nature!" And I smiled at her, feeling the ecstasy of that moment in complete bliss!
Avijeet Das
We entered the house of realization, we witnessed the body. The whirling skies, the many-layered earth, the seventy-thousand veils, we found in the body. The night and the day, the planets, the words inscribed on the Holy Tablets, the hill that Moses climbed, the Temple, and Israfil's trumpet, we observed in the body. Torah, Psalms, Gospel, Quran -- what these books have to say, we found in the body. Everybody says these words of Yunus are true. Truth is wherever you want it. We found it all within the body.
Yunus Emre (The Drop That Became the Sea: Lyric Poems)
Human desire is an unlimited and boundless ocean, a body of water which can never be filled. If we make our wants and our desires for status our financial mission, we are doomed to fail from the start, because just as we think we have made it, there is always another hill to climb.
Erik Wecks (How to Manage Your Money When You Don't Have Any)
But the way by which we are asked to climb is steep and uneven." What then? Can heights be reached by a level path? Yet they are not so sheer and precipitous as some think. It is only the first part that has rocks and cliffs and no apparent outlet, just as many hills seen from a long way off appear abruptly steep and joined together, because the distance deceives our sight, and then, as we draw nearer, those very hills which our mistaken eyes had made into one gradually unfold themselves, those parts which seemed precipitous from afar assume a gently sloping outline.
Seneca (On the Firmness of the Wise Person)
Though I cannot entirely agree with you in supposing that extreme study has been the cause of my late indisposition, I must yet confess that the hill of science, like that of virtue, is in some instances climbed with labour. But when we get a little way up, the lovely prospects which open the eye make infinite amends for the steepness of the ascent. In short, I am wedded to these pursuits, as a man stipulates to take his wife; viz., for better, for worse, until death us do part. My thirst for knowledge is literally inextinguishable. And if I thus drink myself into a superior world, I cannot help it.
Augustus Toplady
We use the effect of centrifugal forces on matter to offer insight into the rotation rate of extreme cosmic objects. Consider pulsars. With some rotating at upward of a thousand revolutions per second, we know that they cannot be made of household ingredients, or they would spin themselves apart. In fact, if a pulsar rotated any faster, say 4,500 revolutions per second, its equator would be moving at the speed of light, which tells you that this material is unlike any other. To picture a pulsar, imagine the mass of the Sun packed into a ball the size of Manhattan. If that’s hard to do, then maybe it’s easier if you imagine stuffing about a hundred million elephants into a Chapstick casing. To reach this density, you must compress all the empty space that atoms enjoy around their nucleus and among their orbiting electrons. Doing so will crush nearly all (negatively charged) electrons into (positively charged) protons, creating a ball of (neutrally charged) neutrons with a crazy-high surface gravity. Under such conditions, a neutron star’s mountain range needn’t be any taller than the thickness of a sheet of paper for you to exert more energy climbing it than a rock climber on Earth would exert ascending a three-thousand-mile-high cliff. In short, where gravity is high, the high places tend to fall, filling in the low places—a phenomenon that sounds almost biblical, in preparing the way for the Lord: “Every valley shall be raised up, every mountain and hill made low; the rough ground shall become level, the rugged places a plain” (Isaiah 40:4). That’s a recipe for a sphere if there ever was one. For all these reasons, we expect pulsars to be the most perfectly shaped spheres in the universe.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master." The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death." Duroy began to laugh: "You make me shudder all over." Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath." He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain." "Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
Guy de Maupassant
Mr. Gruffydd turned to my father, and he blew the note on the reed pipe. Ivor raised his finger, and from top of the Hill down to bottom men and women hummed softly to have the proper key, with sopranos going up to find the octave, and altos climbing, and tenors making silver and contraltos and baritones resting in comfort and basso down on the octave below, and the sound they all made was a life-time of loveliness, so solid, so warm, so deep, and yet so delicate. It will be no surprise to me if the flowers of the gardens of heaven are made from such sound. And O, to smell a smell as good to the nose as that sound sounds to the ear. But even heaven could not be so beautiful, or we would all be drunk with beauty day and night, and no work done anywhere, and nobody to blame. Drunk with beauty. There is lovely.
Richard Llewellyn (How Green Was My Valley)
It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us to start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills.
Ernest Hemingway (The Sun Also Rises)
Journey by Train Stretched across counties, countries, the train Rushes faster than memory through the rain. The rise of each hill is a musical phrase. Listen to the rhythm of space, how it lies, How it rolls, how it reaches, what unwinding relays Of wood and meadow where the red cows graze Come back again and again to closed eyes— That garden, that pink farm, that village steeple, And here and there the solitary people Who stand arrested when express trains pass, That stillness of an orchard in deep grass. Yet landscapes flow like this toward a place, A point in time and memory’s own face. So when the clamor stops, we really climb Down to the earth, closing the curve of time, Meeting those we have left, to those we meet Bringing our whole life that has moved so fast, And now is gathered up and here at last, To unroll like a ribbon at their feet.
May Sarton (Collected Poems, 1930–1993)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
I began to think about all the generals’ proclamation concerning this war: that we’d be home before Christmas, that the Chinese would not intervene, that we’d hold here or hold there. All of it was bullshit, and I started to wonder how they could possibly make so many dumb statements when each, invariably, fell apart when put to the test. Then I thought, Well, maybe they just don’t know—we never saw a general on the front. We seldom saw a colonel, a lieutenant colonel, or a major either. And at squad level, we only on the rarest occasion saw a captain. So how could the brass know how defeated its army was if they weren’t there to see an exhausted guy lie down on the road and just give up? How could they know how cold and ill equipped we were if they weren’t there to see blue, gloveless hands stick to the frozen metal of weapons? How could they know how steep and rugged the terrain was if they never climbed a hill?
David H. Hackworth (About Face: Odyssey Of An American Warrior)
The higher we climb, the more comprehensive the view. Each new vantage point yields a better understanding of the interconnection of things. What is more, gradual accumulation of understanding is punctuated by sudden and startling enlargements of the horizon, as when we reach the brow of a hill and see things never conceived of in the ascent. Once we have found our bearings in the new landscape, our path to the most recently attained summit is laid bare and takes its honorable place in the new world.
Julian Barbour
We go back to her books and sometimes this quality strikes us and sometimes that. But all the while we are conscious of something that is greater than one gift or another and is perhaps the quality that attaches us to books as to people – the quality, that is, of the writer’s mind and personality. With their limitations and their great beauty these are stamped upon every page that Charlotte Brontë wrote. We do not need to know her story, or to have climbed the steep hill and gazed upon the stone house among the graves to feel her tremendous honesty and courage, and to know that she loved liberty and independence and the splendour of wild country, and men and women who are above all things passionate and true-minded. These are part of her as her imagination and genius are part of her; and they add to our admiration of her as a writer some peculiar warmth of feeling which makes us desire, when there is any question of doing her honour, to rise and salute her not only as a writer of genius, but as a very noble human being.
Virginia Woolf (Genius and Ink: Virginia Woolf on How to Read)
That Easter Monday evening, Mrs Miggs, in her ninety-sixth year, rolled up her crochet, and took in her chair, at the end of the afternoon, and closed her door and went to bed, early, as she always did, in the room that used to be the parlour, for she had not been able to climb the stairs since breaking her hip five years before, and in the night, in her sleep, died. And so there was a funeral service at the church to follow the farrier’s wedding, and people in Barley felt saddened, for Mrs Miggs was so well-known and liked, such a familiar figure, she had seemed immortal, and another link with the old days, the old village life, was severed. Sad too, we said, that she did not reach her hundredth year, to which she was looking forward. There would have been a party for her and the children would have made posies and taken them, and sung to her outside her window in the early morning. But a good funeral service, at the peaceful end of a long life, is not altogether an occasion for mourning. This one felt fitting, and things were in their proper order.
Susan Hill (The Magic Apple Tree: A Country Year)
When Tolstoy is telling a tale, we do not hear his breathing. He tells it as upland peasants climb their native hills; slowly, equably, step by step, without rushes, without impatience, without fatigue, without weakness; and the throbbing of his heart never troubles the smooth tone of his voice. That is why we do not lose our composure when we are in his company. Dostoevsky hurries us up to the dizzy altitudes of delight; suddenly plunges us into unfathomable abysses of misery; and then makes us soar with him in the dreamland of fantasy. But with Tolstoy we are wide awake.
Stefan Zweig (Casanova: A Study in Self-Portraiture)
How is she already asleep?” Sully whispers. “At home she stays up until like two a.m.” “She probably was tired,” Church whispers back. “What, from climbing a hill?” Church doesn’t respond. They get into their sleeping bags and whisper for half an hour about the outdoor soccer season about to start. I hadn’t even realized the indoor season was over—Mom and Dad just told me when I needed to take them to practice or pick them up. I didn’t know how they’d done. Were there any tournaments? Trophies? After a long stretch of silence, Sully says, “So did you really try out for the spring musical?” Church doesn’t respond for a second. “Yes. Why?” “Just wondering. Why didn’t you tell me?” “Because you would have made it about Macy Garrison.” “It—it’s not?” “No.” “Oh. But you’re not going to try out forchoir?” “Maybe.” “Why?” Just the smallest bit of mocking enters Sully’s tone. “Because I like it,” Church snaps back. “We don’t have to do all the same things. Try out for mathletes or something. You like math. You’d be good at it.” “Mathletes is for nerds.” “Sull, there’s something you should know.” “Don’t say it.” “You are a nerd.” “I’m not a nerd. Eliza’s a nerd.” “Actually, I think Eliza’s a geek. I’ve seen her grades. Compared to us, she’s horrible at school.” “You’re a nerd for knowing the difference.” “That’s fine.” Sully makes no sound, but I can feel him fuming in the darkness. I didn’t know Church could get under Sully’s skin so easily. I didn’t know Sully liked math. I didn’t know either of them were that good at school. I didn’t know Church already knew he was good at singing . . . or that he was interested in musical theater. I’ve been living with them their whole lives, but until right now, they’ve felt like strangers
Francesca Zappia (Eliza and Her Monsters)
For the first time in months almost no wind blasted the summit, but the snow on the upper mountain was thigh deep, making for slow, exhausting progress. Kropp bulled his way relentlessly upward through the drifts, however, and by two o’clock Thursday afternoon he’d reached 28,700 feet, just below the South Summit. But even though the top was no more than sixty minutes above, he decided to turn around, believing that he would be too tired to descend safely if he climbed any higher. “To turn around that close to the summit …,” Hall mused with a shake of his head on May 6 as Kropp plodded past Camp Two on his way down the mountain. “That showed incredibly good judgment on young Göran’s part. I’m impressed—considerably more impressed, actually, than if he’d continued climbing and made the top.” Over the previous month, Rob had lectured us repeatedly about the importance of having a predetermined turnaround time on our summit day—in our case it would probably be 1:00 P.M., or 2:00 at the very latest—and abiding by it no matter how close we were to the top. “With enough determination, any bloody idiot can get up this hill,” Hall observed. “The trick is to get back down alive.
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
Lover off The Street (A Sonnet) Beauty and bliss are all around, When my feet walk alongside yours. Life reaches the pinnacle of being, When I'm annihilated for a smile of yours. Climbed plenty hills, trotted plenty jungle, Nowhere did I find a drop of sanity. Then I stood crazy before your radiance, And I got drenched in beams of serenity. I am but a naïve lover off the street, Without a single trace of intellect. The only thing that I've learnt in life is, In your happiness lies my upliftment. Business is measured by how much we receive, Life is realized when we stand hellbent to give.
Abhijit Naskar (Handcrafted Humanity: 100 Sonnets For A Blunderful World)
Originally, the word power meant able to be. In time, it was contracted to mean to be able. We suffer the difference. Iwas waiting for a plane when I overheard two businessmen. One was sharing the good news that he had been promoted, and the other, in congratulation, said, “More power to you.” I've heard this expression before, but for some reason, I heard it differently this time and thought, what a curious sentiment. As a good wish, the assumption is that power is the goal. Of course, it makes a huge difference if we are wishing others worldly power or inner power. By worldly power, I mean power over things, people, and situations—controlling power. By inner power, I mean power that comes from being a part of something larger—connective power. I can't be certain, but I'm fairly sure the wish here was for worldly power, for more control. This is commonplace and disturbing, as the wish for more always issues from a sense of lack. So the wish for more power really issues from a sense of powerlessness. It is painfully ironic that in the land of the free, we so often walk about with an unspoken and enervating lack of personal freedom. Yet the wish for more controlling power will not set us free, anymore than another drink will quench the emptiness of an alcoholic in the grip of his disease. It makes me think of a game we played when I was nine called King of the Hill, in which seven or eight of us found a mound of dirt, the higher the better, and the goal was to stand alone on top of the hill. Once there, everyone else tried to throw you off, installing themselves as King of the Hill. It strikes me now as a training ground for worldly power. Clearly, the worst position of all is being King of the Hill. You are completely alone and paranoid, never able to trust anyone, constantly forced to spin and guard every direction. The hills may change from a job to a woman to a prized piece of real estate, but those on top can be so enslaved by guarding their position that they rarely enjoy the view. I always hated King of the Hill—always felt tense in my gut when king, sad when not, and ostracized if I didn't want to play. That pattern has followed me through life. But now, as a tired adult, when I feel alone and powerless atop whatever small hill I've managed to climb, I secretly long for anyone to join me. Now, I'm ready to believe there's more power here together.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
As I took my children sledding this morning, I watched them fly down the hill - aiming for the jump and flying in the air. Getting the wind knocked out of them as they landed hard then climbing up to do it again - relentless and brave. I took a moment to be happy they are young and innocent and appreciate the simple thrill of going fast down a hill. I pushed my own nervous inclination aside and instead of saying "Be careful!" I said "Aim Straight!" Then I let them go down the jump again and again because in this world, we need to be relentless and brave and I need to be sure they don't unlearn it.
Elizabeth Tambascio
When we came back to Paris it was clear and cold and lovely. The city had accommodated itself to winter, there was good wood for sale at the wood and coal place across our street, and there were braziers outside of many of the good cafés so that you could keep warm on the terraces. Our own apartment was warm and cheerful. We burned boulets which were molded, egg-shaped lumps of coal dust, on the wood fire, and on the streets the winter light was beautiful. Now you were accustomed to see the bare trees against the sky and you walked on the fresh-washed gravel paths through the Luxembourg gardens in the clear sharp wind. The trees were beautiful without their leaves when you were reconciled to them, and the winter winds blew across the surfaces of the ponds and the fountains were blowing in the bright light. All the distances were short now since we had been in the mountains. Because of the change in altitude I did not notice the grade of the hills except with pleasure, and the climb up to the top floor of the hotel where I worked, in a room that looked across all the roofs and the chimneys of the high hill of the quarter, was a pleasure. The fireplace drew well in the room and it was warm and pleasant to work.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
Amanda Gorman
I stayed with Annie through that week, helping to dig out some of the moor peat into banks to let the soil drain, going down to the foreshore where the bay is ringed with rocks covered in brown seaweed like heads covered in long hair; the great heads of old gods about to rise up from under the water, it felt to me, as I filled my creel, the water lap, lapping against the rocks, the oyster catchers piping their sad and lonely notes. Then we must climb the hill with baskets of weed to turn the soil less sour. It was a marvel to see how those that had long lived there had crofted a farmland from barrenness, and heartbreaking to see how small the plots.
Elisabeth Gifford (The Sea House)
Lucy Gray Oft I had heard of Lucy Gray, And when I cross'd the Wild, I chanc'd to see at break of day The solitary Child. No Mate, no comrade Lucy knew; She dwelt on a wild Moor, The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. "To-night will be a stormy night, You to the Town must go, And take a lantern, Child, to light Your Mother thro' the snow." "That, Father! will I gladly do; 'Tis scarcely afternoon— The Minster-clock has just struck two, And yonder is the Moon." At this the Father rais'd his hook And snapp'd a faggot-band; He plied his work, and Lucy took The lantern in her hand. Not blither is the mountain roe, With many a wanton stroke Her feet disperse, the powd'ry snow That rises up like smoke. The storm came on before its time, She wander'd up and down, And many a hill did Lucy climb But never reach'd the Town. The wretched Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlook'd the Moor; And thence they saw the Bridge of Wood A furlong from their door. And now they homeward turn'd, and cry'd "In Heaven we all shall meet!" When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They track'd the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they cross'd, The marks were still the same; They track'd them on, nor ever lost, And to the Bridge they came. They follow'd from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. O'er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind.
William Wordsworth (The Works of William Wordsworth)
Nelson, do you remember the spring day when we climbed the barn gable so we could see the seagulls that mysteriously blew into our clay hills-- swept from an ocean neither of us had ever seen though it was scarcely a hundred miles away, each bird a genuine miracle high above the green barley? The time we saw that panther in the sycamore tree and Maw said it was the sign of war? Nelson, I am sixty-three years old, the same age that both Maw and Daddy were when they died. I have written this in testimony. With this book, I presume to be done now with such remembrance. But somehow I suspect it will go on, this peering down old wells, this excavation of memory and its shades.
Joe Bageant (Rainbow Pie)
Two flights of steps bordered either side of the Hill from Hell. I didn’t know who constructed them or when, but it was sometime before I was born. Maybe even before Daddy was born. In one stretch, the steps were made of large semiflat stones. In another, wood. In a third, slate. All of them were in terrible disrepair, but it was still easier to climb them than to try to walk up the dirt road itself, especially since Stacy and I were weighed down with our backpacks, slices of pie in Tupperware containers, bottles of Pepsi, and a bunch of cassette tapes. We stopped halfway up to catch our breath. I really didn’t need to, but I could tell Stacy was not used to trudging up hills.
Diane Chamberlain (Pretending to Dance (Dance, #1))
In the evening we shall be examined on love.” –St. John of the Cross And it won’t be multiple choice, though some of us would prefer it that way. Neither will it be essay, which tempts us to run on when we should be sticking to the point, if not together. In the evening there shall be implications our fear will change to complications. No cheating, we’ll be told, and we’ll try to figure out the cost of being true to ourselves. In the evening when the sky has turned that certain blue, blue of exam books, blue of no more daily evasions, we shall climb the hill as the light empties and park our tired bodies on a bench above the city and try to fill in the blanks. And we won’t be tested like defendants on trial, cross-examined till one of us breaks down, guilty as charged. No, in the evening, after the day has refused to testify, we shall be examined on love like students who don’t even recall signing up for the course and now must take their orals, forced to speak for once from the heart and not off the top of their heads. And when the evening is over and it’s late, the student body asleep, even the great teachers retired for the night, we shall stay up and run back over the questions, each in our own way: what’s true, what’s false, what unknown quantity will balance the equation, what it would mean years from now to look back and know we did not fail.
Thomas Centolella (Lights & Mysteries)
we will ride at nightfall we will ride to the hole i am dead you will die anyone who gets too close will be infected with the death on you us and the grave dirt will fall in on top of us lalala the dead pull the living down if anyone tries to help you i us we will pull them down and step on them and no one climbs out because the hole is too deep and the dirt falls too fast and everyone who hears your voice will know it is true jude is dead and i am dead and you will die you will hear my our voice and we will ride together on the night road to the place the final place where the wind cries for you for us we will walk to the edge of the hole we will fall in holding each other we will fall sing for us sing at our at your grave sing lalala
Joe Hill
The difference is that in Scandinavia fears regarding such dangers are fought with familiarity, both at preschool and at home. When you grow up going to the woods on a regular basis, climb those trees, roll down those hills, cross those creeks, scramble up those boulders, those activities don’t feel any more dangerous than sitting on your couch. (Which, it could be argued, is actually far riskier, considering the very real and serious effects of a sedentary lifestyle on children’s health.) “In the forest there are poisonous berries and mushrooms, but instead of telling the children that they can’t pick any of them, we teach them which ones are poisonous,” Linde says. “Otherwise they won’t know once they get out in the woods on their own.
Linda Åkeson McGurk (There's No Such Thing as Bad Weather: A Scandinavian Mom's Secrets for Raising Healthy, Resilient, and Confident Kids (from Friluftsliv to Hygge))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
we will ride at nightfall we will ride to the hole i am dead you will die anyone who gets too close will be infected with the death on you us and the grave dirt will will fall in on top of us lalala the dead pull the living down if anyone tries to help you i us we will pull them down and step on them and no one climbs out because the hole is too deep and the and the dirt falls too fast and everyone who hears your voice will know it is true jude is dead and i am dead and you will doe you will hear my our voice on and we will ride together on the night road to the place the final place where the wind cries for you for us we will walk to the edge of the hole we will fall in holding each other we will fall sing for us sing at our at your grave sing lalala
Joe Hill (Heart-Shaped Box)
Honor He Wrote Sonnet 22 You don't know love, till you've known heartbreak, You won't know sight, till you've known blindness. You don't know courage, till you've felt helpless, You won't know light, till you've been in darkness. Darkest clouds herald the brightest sunshine, Direst circumstances make the bravest of character. Heavier the rainfall, more breathtaking the rainbow, Steeper the hill to climb, sweeter the summit vista. Once your back is against the wall, only way is through, You won't know integrity, till you are left in pieces. Lose all identity, only then you'll know to be human, You won't know wholeness, till you've felt nothingness. More ominous the night, more spectacular the daybreak. Till we're wiped out for a purpose, there’s no upliftment.
Abhijit Naskar (Honor He Wrote: 100 Sonnets For Humans Not Vegetables)
If we’re blessed, though, a few words might remain by our side. They climb to the top of the hill during the night, crawl into small holes dug to fit the shape of their bodies, stay quite still, and let the stormy winds of time blow past. The dawn finally breaks, the wild wind subsides, and the surviving words quietly peek out from the surface. For the most part they have small voices—they are shy and only have ambiguous ways of expressing themselves. Even so, they are ready to serve as witnesses. As honest, fair witnesses. But in order to create those enduring, long-suffering words, or else to find them and leave them behind, you must sacrifice, unconditionally, your own body, your very own heart. You have to lay down your neck on a cold stone pillow illuminated by the winter moon.
Haruki Murakami (First Person Singular: Stories)
They came from over the hill to slay, the monsters, beasts and bullies. The princesses came with their shiny crowns, two beauties in their flowing gowns. And so they shouted, away away away!” “Away away away!” the A.S.S. sang in response like they knew the words and my jaw dropped. “The monsters said we’re here to stay, raising forks and sticks and sharpened picks. The princesses came with their silver blades, two beauties with their loyal maids. And so they shouted, away away away!” She started up a dance, stamping her foot twice to the left, then twice to the right before jumping up and clapping above her head. “Away away away!” Tory and I joined in between our laughter as Justin Masters produced a flute from his bag and started piping out the tune. Oh my god this is actually happening. Geraldine reached out to us and I shrugged at Tory before climbing up to join her on the table. She started the dance again and I copied her, picking it up as Tory joined her other side, laughing as Geraldine continued the song. “The beasts they laughed with their hearts so black, they pushed, they fought and they attacked. But the princesses came with a swirl and a swoosh, and pushed those beasties in the Lake of Multush. And so they shouted, away away away!” “Away away away!” I cried with everyone else, wiping tears of laughter from my eyes as more and more people crowded around our table and joined in. “The bullies they smiled and they jeered the town, they jibed, they battered and made everyone frown. The princesses showed them the strength of their souls, no bully could make a dent on their walls. And so they shouted, away away away!” We clapped above our heads in time with Geraldine and everyone continued on singing that last line again and again, pointing over at the Heirs who were staring at us with their jaws slack like they couldn’t quite believe what was happening. “Away away away!
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Oft had I heard of Lucy Gray, And when I crossed the Wild, I chanced to see at break of day The solitary Child. No Mate, no comrade Lucy knew; She dwelt on a wide Moor, The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. 'To-night will be a stormy night, You to the Town must go, And take a lantern, Child, to light Your Mother thro' the snow.' 'That, Father! will I gladly do; 'Tis scarcely afternoon -- The Minster-clock has just struck two, And yonder is the Moon.' At this the Father raised his hook And snapped a faggot-band; He plied his work, and Lucy took The lantern in her hand. Not blither is the mountain roe, With many a wanton stroke Her feet disperse the powd'ry snow That rises up like smoke. The storm came on before its time, She wandered up and down, And many a hill did Lucy climb But never reached the Town. The wretched Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlooked the Moor; And thence they saw the Bridge of Wood A furlong from their door. And now they homeward turned, and cried 'In Heaven we all shall meet!' When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They tracked the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they crossed, The marks were still the same; They tracked them on, nor ever lost, And to the Bridge they came. They followed from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. O'er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind.
William Wordsworth (AmblesideOnline Poetry, Year 4, Terms 1, 2, and 3: Tennyson, Dickinson, and Wordsworth)
The Lady of the Ladle The Youth at Eve had drunk his fill, Where stands the “Royal” on the Hill, And long his mid-day stroll had made, On the so-called “Marine Parade”—(Meant, I presume, for Seamen brave, Whose “march is on the Mountain wave”; ’Twere just the bathing-place for him Who stays on land till he can swim—) And he had strayed into the Town, And paced each alley up and down, Where still, so narrow grew the way, The very houses seemed to say, Nodding to friends across the Street, “One struggle more and we shall meet.” And he had scaled that wondrous stair That soars from earth to upper air, Where rich and poor alike must climb, And walk the treadmill for a time. That morning he had dressed with care, And put Pomatum on his hair; He was, the loungers all agreed, A very heavy swell indeed: Men thought him, as he swaggered by, Some scion of nobility, And never dreamed, so cold his look, That he had loved—and loved a Cook. Upon the beach he stood and sighed Unheedful of the treacherous tide; Thus sang he to the listening main, And soothed his sorrow with the strain! «
Lewis Carroll (Carroll, Lewis: Complete Poems (Book Center))
It may interest the reader to know how they “put horses to” on the continent. The man stands up the horses on each side of the thing that projects from the front end of the wagon, and then throws the tangled mess of gear forward through a ring, and hauls it aft, and passes the other thing through the other ring and hauls it aft on the other side of the other horse, opposite to the first one, after crossing them and bringing the loose end back, and then buckles the other thing underneath the horse, and takes another thing and wraps it around the thing I spoke of before, and puts another thing over each horse’s head, with broad flappers to it to keep the dust out of his eyes, and puts the iron thing in his mouth for him to grit his teeth on, uphill, and brings the ends of these things aft over his back, after buckling another one around under his neck to hold his head up, and hitching another thing on a thing that goes over his shoulders to keep his head up when he is climbing a hill, and then takes the slack of the thing which I mentioned a while ago, and fetches it aft and makes it fast to the thing that pulls the wagon, and hands the other things up to the driver to steer with. I never have buckled up a horse myself, but I do not think we do it that way.
Mark Twain
CHANGGAN MEMORIES When first my hair began to cover my forehead, I picked and played with flowers before the gate. You came riding on a bamboo horse, And circled the walkway, playing with green plums. We lived together, here in Changgan county, Two children, without the least suspicion. When I was fourteen, I became your wife, So shy that still my face remained unopened. I bowed my head towards the shadowed wall, And called one thousand times, I turned not once. At 15 I began to lift my brows, And wished to be with you as dust with ashes. You always kept your massive pillar faith, I had no need to climb the lookout hill. When I was sixteen, you went far away, To Yanyudui, within the Qutang gorge. You should not risk the dangerous floods of May, Now from the sky, the monkeys cry in mourning. Before the gate, my pacing's left a mark, Little by little, the green moss has grown. The moss is now too deep to sweep away, And leaves fall in the autumn's early winds. This August, all the butterflies are yellow, A pair fly over the western garden's grass. I feel that they are damaging my heart, Through worrying, my rosy face grows old. When you come down the river from Sanba, Beforehand, send a letter to your home. We'll go to meet each other, however far, I'll come up to Changfengsha.
Li Bai
To the memory of my parents My Mother Sea waves, golden sand, pilgrims' faith, Rameswaram Mosque Street, all merge into one, My Mother! You come to me like heaven's caring arms. I remember the war days when life was challenge and toil— Miles to walk, hours before sunrise, Walking to take lessons from the saintly teacher near the temple. Again miles to the Arab teaching school, Climb sandy hills to Railway Station Road, Collect, distribute newspapers to temple city citizens, Few hours after sunrise, going to school. Evening, business time before study at night. All this pain of a young boy, My Mother you transformed into pious strength With kneeling and bowing five times For the Grace of the Almighty only, My Mother. Your strong piety is your children's strength, You always shared your best with whoever needed the most, You always gave, and gave with faith in Him. I still remember the day when I was ten, Sleeping on your lap to the envy of my elder brothers and sisters It was full moon night, my world only you knew Mother! My Mother! When at midnight I woke with tears falling on my knee You knew the pain of your child, My Mother. Your caring hands, tenderly removing the pain Your love, your care, your faith gave me strength To face the world without fear and with His strength. We will meet again on the great Judgement Day, My Mother! APJ Abdul Kalam
A.P.J. Abdul Kalam (Wings of Fire: An Autobiography)
This will result in your being witnesses to them. (Luke 21:13) Life is a steep climb, and it is always encouraging to have those ahead of us “call back” and cheerfully summon us to higher ground. We all climb together, so we should help one another. The mountain climbing of life is serious, but glorious, business; it takes strength and steadiness to reach the summit. And as our view becomes better as we gain altitude, and as we discover things of importance, we should “call back” our encouragement to others. If you have gone a little way ahead of me, call back— It will cheer my heart and help my feet along the stony track; And if, perhaps, Faith’s light is dim, because the oil is low, Your call will guide my lagging course as wearily I go. Call back, and tell me that He went with you into the storm; Call back, and say He kept you when the forest’s roots were torn; That, when the heavens thunder and the earthquake shook the hill, He bore you up and held you where the lofty air was still. O friend, call back, and tell me for I cannot see your face; They say it glows with triumph, and your feet sprint in the race; But there are mists between us and my spirit eyes are dim, And I cannot see the glory, though I long for word of Him. But if you’ll say He heard you when your prayer was but a cry, And if you’ll say He saw you through the night’s sin-darkened sky— If you have gone a little way ahead, O friend, call back— It will cheer my heart and help my feet along the stony track.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Mrs Davidson was saying she didn’t know how they’d have got through the journey if it hadn’t been for us,’ said Mrs Macphail as she neatly brushed out her transformation. ‘She said we were really the only people on the ship they cared to know.’ ‘I shouldn’t have thought a missionary was such a big bug that he could afford to put on frills.’ ‘It’s not frills. I quite understand what she means. It wouldn’t have been very nice for the Davidsons to have to mix with all that rough lot in the smoking– room.’ ‘The founder of their religion wasn’t so exclusive,’ said Dr Macphail with a chuckle. ‘I’ve asked you over and over again not to joke about religion,’ answered his wife. ‘I shouldn’t like to have a nature like yours, Alec. You never look for the best in people.’ He gave her a sidelong glance with his pale, blue eyes, but did not reply. After many years of married life he had learned that it was more conducive to peace to leave his wife with the last word. He was undressed before she was, and climbing into the upper bunk he settled down to read himself to sleep. When he came on deck next morning they were close to land. He looked at it with greedy eyes. There was a thin strip of silver beach rising quickly to hills covered to the top with luxuriant vegetation. The coconut trees, thick and green, came nearly to the water’s edge, and among them you saw the grass houses of the Samoans; and here and there, gleaming white, a little church. Mrs Davidson came and stood beside him. She was dressed in black and wore round her neck a gold chain, from which dangled a small cross. She was a little woman, with brown, dull hair very elaborately arranged, and she had prominent blue eyes behind invisible pince–nez. Her face was long, like a sheep’s, but she gave no impression of foolishness, rather of extreme alertness; she had the quick movements of a bird. The most remarkable thing about her was her voice, high, metallic, and without inflexion; it
W. Somerset Maugham (65 Short Stories)
I look back now and can see how much my father also found his own freedom in the adventures we did together, whether it was galloping along a beach in the Isle of Wight with me behind him, or climbing on the steep hills and cliffs around the island’s coast. It was at times like these that I found a real intimacy with him. It was also where I learned to recognize that tightening sensation, deep in the pit of my stomach, as being a great thing to follow in life. Some call it fear. I remember the joy of climbing with him in the wintertime. It was always an adventure and often turned into much more than just a climb. Dad would determine that not only did we have to climb a sheer hundred-and-fifty-foot chalk cliff, but also that German paratroopers held the high ground. We therefore had to climb the cliff silently and unseen, and then grenade the German fire position once at the summit. In reality this meant lobbing clumps of manure toward a deserted bench on the cliff tops. Brilliant. What a great way to spend a wet and windy winter’s day when you are age eight (or twenty-eight, for that matter). I loved returning from the cliff climbs totally caked in mud, out of breath, having scared ourselves a little. I learned to love that feeling of the wind and rain blowing hard on my face. It made me feel like a man, when in reality I was a little boy. We also used to talk about Mount Everest, as we walked across the fields toward the cliffs. I loved to pretend that some of our climbs were on the summit face of Everest itself. We would move together cautiously across the white chalk faces, imagining they were really ice. I had this utter confidence that I could climb Everest if he were beside me. I had no idea what Everest would really involve but I loved the dream together. These were powerful, magical times. Bonding. Intimate. Fun. And I miss them a lot even today. How good it would feel to get the chance to do that with him just once more. I think that is why I find it often so emotional taking my own boys hiking or climbing nowadays. Mountains create powerful bonds between people. It is their great appeal to me. But it wasn’t just climbing. Dad and I would often go to the local stables and hire a couple of horses for a tenner and go jumping the breakwaters along the beach. Every time I fell off in the wet sand and was on the verge of bursting into tears, Dad would applaud me and say that I was slowly becoming a horseman. In other words, you can’t become a decent horseman until you fall off and get up again a good number of times. There’s life in a nutshell.
Bear Grylls (Mud, Sweat and Tears)
We climbed this hill. Each step up we could see farther, so of course we kept going. Now we’re at the top. Science has been at the top for a few centuries now. And we look out across the plain and we see this other tribe dancing around above the clouds, even higher than we are. Maybe it’s a mirage, maybe it’s a trick. Or maybe they just climbed a higher peak we can’t see because the clouds are blocking the view. So we head off to find out—but every step takes us downhill. No matter what direction we head, we can’t move off our peak without losing our vantage point. So we climb back up again. We’re trapped on a local maximum. But what if there is a higher peak out there, way across the plain? The only way to get there is bite the bullet, come down off our foothill and trudge along the riverbed until we finally start going uphill again. And it’s only then you realize: Hey, this mountain reaches way higher than that foothill we were on before, and we can see so much better from up here. But you can’t get there unless you leave behind all the tools that made you so successful in the first place. You have to take that first step downhill. —Dr. Lianna Lutterodt, “Faith and the Fitness Landscape” In Conversation, 2091
Anonymous
So I was privileged to see the last rites of the Bokononist faith. We made an effort to find someone among the soldiers and the household staff who would admit that he knew the rites and would give them to "Papa". We got no volunteers. That was hardly surprising, with a hook and an oubliette so near. So Dr. von Koenigswald said that he would have a go at the job. He had never administered the rites before, but he had seen Julian Castle do it hundreds of times. "Are you a Bokononist?" I asked him. "I agree with one Bokononist idea. I agree that all religions, including Bokononism, are nothing but lies." "Will this bother you as a scientist," I inquired, "to go through a ritual like this?" "I am a very bad scientist. I will do anything to make a human being feel better, even if it's unscientific. No scientist worthy of the name could say such a thing." And he climbed into the golden boat with "Papa". He sat in the stern. Cramped quarters obliged him to have the golden tiller under one arm. He wore sandals without socks, and he took these off. And then he rolled back the covers at the foot of the bed, exposing "Papa's" bare feet. He put the soles of his feet against "Papa's" feet, assuming the classical position for boko-maru. "Gott mate mutt," crooned Dr. von Koenigswald. "Dyot meet mat," echoed "Papa" Monzano. "God made mud," was what they'd said, each in his own dialect. I will here abandon the dialects of the litany. "God got lonesome," said Von Koenigswald. "God got lonesome." "So God said to some of the mud, 'Sit up!'" - "So God said to some of the mud, 'Sit up!'" "'See all I've made,' said God, 'the hills, the sea, the sky, the stars.'" - "'See all I've made,' said God, 'the hills, the sea, the sky, the stars.'" "And I was some of the mud that got to sit up and look around." - "And I was some of the mud that got to sit up and look around." "Lucky me; lucky mud." "Lucky me, lucky mud." Tears were streaming down "Papa's" cheeks. "I, mud, sat up and saw what a nice job God had done." - "I, mud, sat up and saw what a nice job God had done." "Nice going, God!" "Nice going, God!" "Papa" said it with all his heart. "Nobody but You could have done it, God! I certainly couldn't have." - "Nobody but You could have done it, God! I certainly couldn't have." "I feel very unimportant compared to You." - "I feel very unimportant compared to You." "The only way I can feel the least bit important is to think of all the mud that didn't even get to sit up and look around." - "The only way I can feel the least bit important is to think of all the mud that didn't even get to sit up and look around." "I got so much, and most mud got so little." - "I got so much, and most mud got so little." "Deng you vore da on-oh!" cried Von Koenigswald. "Tz-yenk voo vore lo yon-yo!" wheezed "Papa". What they had said was, "Thank you for the honor!" "Now mud lies down again and goes to sleep." - "Now mud lies down again and goes to sleep." "What memories for mud to have!" - "What memories for mud to have!" "What interesting other kinds of sitting-up mud I met!" - "What interesting other kinds of sitting-up mud I met!" "I loved everything I saw!" - "I loved everything I saw!" "Good night." - "Good night." "I will go to heaven now." - "I will go to heaven now." "I can hardly wait..." - "I can hardly wait..." "To find out for certain what my wampeter was..." - "To find out for certain what my wampeter was..." "And who was in my karass..." - "And who was in my karass..." "And all the good things our karass did for you." - "And all the good things our karass did for you." "Amen." - "Amen.
Kurt Vonnegut Jr. (Cat’s Cradle)
Ivor raised his finger, and from top of the Hill down to bottom men and women hummed softly to have the proper key, with sopranos going up to find the octave, and altos climbing, and tenors making silver and contraltos and baritones resting in comfort and basso down on the octave below, and the sound they all made was a life-time of loveliness, so solid, so warm, so deep, and yet so delicate. It will be no surprise to me if the flowers of the gardens of heaven are made from such sound. And O, to smell a smell as good to the nose as that sound sounds to the ear. But even heaven could not be so beautiful, or we would all be drunk with beauty day and night, and no work done anywhere, and nobody to blame. Drunk with beauty. There is lovely.
Richard Llewellyn (How Green Was My Valley)
Two-One Alpha, ready for you. Move it. We’re in kind of a hurry to find a quieter place!” Two wounded men were hauled to the helicopter first by four of their buddies, with the rest strafing the hill to keep the Taliban heads down. The fright and panic in the eyes and faces of the soldiers were clearly visible. Their screams rose above the thundering noise of the engines as they pushed the wounded in and then took up position outside the chopper to provide covering fire for the remaining men to get in. “All in. Let’s get out of here!” Leo shouted. “Grab tight. It’s going to be a rough ride boys!” John pulled the chopper into a steep climb while banking away from the hill. With no fire coming from the doorgun to keep them down, the full force and frustration of the enemy was now directed at the chopper and its occupants. They saw their prey escaping out of their hands right in front of their eyes. A burning pain shot through John’s back and legs as the body of the helicopter shuddered under the power of the two Rolls-Royce Gem turboshaft engines at full throttle. Smoke started to billow from the starboard engine. I have to get over that hill three miles away. Why am I dizzy? I have to get these boys out of trouble. I have to level the chopper and save power. I must get over that hill. I must get out of the reach of the bullets. “Doug! Doug! Can you hear me? What’s wrong man?” Leo screamed in a high-pitched, panicked voice. “Oh my God, you’ve been hit! Are you ok? Shit man, put the chopper down now. You’ll crash and kill us all!” “That hill … I have to get over it … out of range … I must get us there ...” Doug stuttered. “What was that? I can’t hear you. For God’s sake put the chopper down!” Leo shouted at the top of his voice. “Going down, going down … radio for help!” John whispered, a few seconds before everything went dark. The nightmare and the math Doug paid little heed to his passengers as he banked away from the canyon rim. Max was back there to help them. Doug had plenty on his mind, between the flashback to his crash in Afghanistan and wondering when whoever had shot two of his passengers would show up and try to shoot the chopper down here and now, over the Grand Canyon. Not to mention nursing the aging machine to do his bidding. Within minutes after takeoff from the canyon site, lying in the back of the chopper, JR and Roy were oblivious to their surroundings due to the morphine injection administered to them by Max Ellis – an ex-Marine medic and the third member of the Rossler boys’ rescue expedition. Others on the chopper had more on their minds. Raj was in his own world, eyes closed, wondering about his wife Sushma, their child, and the future. He and Sushma were not the outdoors adventure and camping types – living in a cave with other people was going to take some getting used to for them. They both grew up and had lived in the city all their lives. How was this going to work out
J.C. Ryan (The Phoenix Agenda (Rossler Foundation, #6))
Working was a matter of pride and we did it because we wanted to, not because we had to. During our infrequent breaks, the reward was going to the small store we called a “geedunk.” Getting to it required a climb up the long ladder or wooden stairs from the dock area. The geedunk was owned by Ma & Pa McCloud and, although it wasn’t anything to write home about, it was a safe haven for underclassmen and had everything from lobster rolls to hot dogs and hamburgers. Having an old-fashioned soda fountain, some tables and booths, it was a place where we could sit and shoot the breeze, without being hassled by the upperclassmen. Although the Academy fed us well, I was at an age when I was always hungry and if I got some slack time from Bo’sun Haskell or Bill Cooms, and had the money, I’d climb the back ladder for some chow. Sometimes I’d even be able to afford a lobster roll, but they were few and far between. I always tried to stretch the break into at least twenty minutes. Our respite never seemed long enough, but just by looking at my hands you could tell that the work was hard and the day was long. Finally, when the working day was behind us, we usually just dragged ourselves back up the steep hill, forgetting the idea of marching in formation. Time was always a factor, so it was imperative that I get cleaned up and into the uniform of the day before the chow line closed.
Hank Bracker
I jogged along the deck to the stern, tracking the shipwreck as it disappeared beneath our wake. Then, just as I was starting to wonder if we’d need climbing gear to get onto the island, its steep cliffs sloped down to meet us. We rounded a headland to enter a rocky half-moon bay. In the distance I saw a little harbor bobbing with colorful fishing boats, and beyond it a town set into a green bowl of land. A patchwork of sheep-speckled fields spread across hills that rose away to meet a high ridge, where a wall of clouds stood like a cotton parapet. It was dramatic and beautiful, unlike any place I’d seen. I felt a little thrill of adventure as we chugged into the bay, as if I were sighting land where maps had noted only a sweep of undistinguished blue.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
but made due west, over softly rolling hills and through well-treed valleys, by green trails sometimes clearly marked, sometimes less defined, but markedly keeping a direct line uphill and down alike, here where the lie of the land was open and the gradients gentle enough for pleasant riding. “An old, old road,” said Cadfael. “It starts from Chester, and makes straight for the head of Conwy’s tidal water, where once, they say, there was a fort the like of Chester. At low tide, if you know the sands, you can ford the river there, but with the tide boats can ply some way beyond.” “And after the river crossing?” asked Mark, attentive and glowing. “Then we climb. To look westward from there, you’d think no track could possibly pass, but pass it does, up and over the mountains, and down at last to the sea.
Ellis Peters (The Summer of the Danes (The Chronicles of Brother Cadfael #18))