Wind In The Willows Quotes

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Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing.
Kenneth Grahame (The Wind in the Willows (Signet Classics))
The oak fought the wind and was broken, the willow bent when it must and survived.
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered.
Kenneth Grahame (The Wind in the Willows)
Believe me, my young friend, there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats.
Kenneth Grahame (The Wind in the Willows)
The willow submits to the wind and prospers until one day it is many willows - a wall against the wind.
Frank Herbert (Dune (Dune, #1))
After all, the best part of a holiday is perhaps not so much to be resting yourself, as to see all the other fellows busy working.
Kenneth Grahame (The Wind in the Willows)
Here today, up and off to somewhere else tomorrow! Travel, change, interest, excitement! The whole world before you, and a horizon that's always changing!
Kenneth Grahame (The Wind in the Willows)
No animal, according to the rules of animal-etiquette, is ever expected to do anything strenuous, or heroic, or even moderately active during the off-season of winter.
Kenneth Grahame (The Wind in the Willows)
Home! That was what they meant, those caressing appeals, Those soft touches wafted through the air, those invisible little hands pulling and tugging, all one way.
Kenneth Grahame (The Wind in the Willows)
One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and, if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character. We can't criticize it, because it is criticizing us. But I must give you one word of warning. When you sit down to it, don't be so ridiculous as to suppose that you are sitting in judgment on my taste, or on the art of Kenneth Grahame. You are merely sitting in judgment on yourself. You may be worthy: I don't know, But it is you who are on trial.
A.A. Milne
Badger hates Society, and invitations, and dinner, and all that sort of thing.
Kenneth Grahame (The Wind in the Willows)
But Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, but can recapture nothing but a dim sense of the beauty in it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties.
Kenneth Grahame (The Wind in the Willows)
There’s nothing––absolutely nothing––half so much worth doing as messing about in boats.
Kenneth Grahame (Wind in the Willows)
It's not the sort of night for bed, anyhow.
Kenneth Grahame (The Wind in the Willows)
Beyond the Wild Wood comes the Wild World," said the Rat. "And that's something that doesn't matter, either to you or to me. I've never been there, and I'm never going, nor you either, if you've got any sense at all.
Kenneth Grahame (The Wind in the Willows)
when tired at last, he sat on the bank, while the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.
Kenneth Grahame (The Wind in the Willows (Signet Classics))
Secrets had an immense attraction to him, because he never could keep one, and he enjoyed the sort of unhallowed thrill he experienced when he went and told another animal, after having faithfully promised not to.
Kenneth Grahame (The Wind in the Willows)
I'm such a clever Toad.
Kenneth Grahame (The Wind in the Willows)
Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
There seemed to be no end to this wood, and no beginning, and no difference in it, and, worse of all, no way out
Kenneth Grahame (The Wind in the Willows)
The Mole was bewitched, entranced, fascinated. By the side of the river he trotted as one trots, when very small, by the side of a man who holds one spellbound by exciting stories; and when tired at last, he sat on the bank, while the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.
Kenneth Grahame (The Wind in the Willows)
When the girl returned, some hours later, she carried a tray, with a cup of fragrant tea steaming on it; and a plate piled up with very hot buttered toast, cut thick, very brown on both sides, with the butter running through the holes in great golden drops, like honey from the honeycomb. The smell of that buttered toast simply talked to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cosy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender, of the purring of contented cats, and the twitter of sleepy canaries.
Kenneth Grahame (The Wind in the Willows)
Onion sauce! Onion Sauce!
Kenneth Grahame (The Wind in the Willows)
Everything seems asleep, and yet going on all the time. It is a goodly life that you lead, friend; no doubt the best in the world, if only you are strong enough to lead it!
Kenneth Grahame (The Wind in the Willows)
It'll be all right, my fine fellow," said the Otter. "I'm coming along with you, and I know every path blindfold; and if there's a head that needs to be punched, you can confidently rely upon me to punch it.
Kenneth Grahame (The Wind in the Willows)
Independence is all very well, but we animals never allow our friends to make fools of themselves beyond a certain limit.
Kenneth Grahame (The Wind in the Willows)
Downstairs Peter Beste-Chetwynde mixed himself another brandy and soda and turned a page in Havelock Ellis, which, next to The Wind in the Willows, was his favourite book.
Evelyn Waugh (Decline and Fall)
I do not blench at nature red in tooth and claw... And much as I love The Wind in the Willows and the works of Beatrix Potter, I never dress my animals in clothes... They behave as animals should behave, with the exception that they open their mouths and speak the Queen's English.
Dick King-Smith
He saw clearly how plain and simple - how narrow, even - it all was; but clearly, too, how much it all meant to him, and the special value of some such anchorage in one's existence. He did not at all want to abandon the new life and its splendid spaces, to turn his back on sun and air and all they offered him and creep home and stay there; the upper world was all too strong, it called to him still, even down there, and he knew he must return to the larger stage. But it was good to think he had this to come back to, this place which was all his own, these things which were so glad to see him again and could always be counted upon for the same simple welcome.
Kenneth Grahame (The Wind in the Willows)
The past was like a bad dream; the future was all happy holiday as I moved Southwards week by week, easily, lazily, lingering as long as I dared, but always heeding the call!
Kenneth Grahame (The Wind in the Willows)
The smell of that buttered toast simply spoke to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cozy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender; of the purring of contented cats, and the twitter of sleepy canaries.
Kenneth Grahame (The Wind in the Willows)
There were plenty of women around who dressed smartly, and plenty more who dressed to impress, but this girl was different. Totally different. She wore her clothing with such utter naturalness and grace that she could have been a bird that had wrapped itself in a special wind as it made ready to fly off to another world. He had never seen a woman who wore her clothes with such apparent joy. And the clothes themselves looked as if, in being draped on her body, they had won new life for themselves.
Haruki Murakami (Blind Willow, Sleeping Woman: 24 Stories)
For my life, I confess to you, feels to me today somewhat narrow and circumscribed.
Kenneth Grahame (The Wind in the Willows)
It's my world, and I don't want any other. What it hasn't got is not worth having, and what it doesn't know is not worth knowing.
Kenneth Grahame (The Wind in the Willows)
Then suddenly the Mole felt a great Awe fall upon him, an awe that turned his muscles to water, bowed his head, and rooted his feet to the ground. It was no panic terror - indeed he felt wonderfully at peace and happy - but it was an awe that smote and held him and, without seeing, he knew it could only mean that some august presence was very, very near.
Kenneth Grahame (The Wind in the Willows)
...Absorbed in the new scents, the sounds, and the sunlight...
Kenneth Grahame (The Wind in the Willows)
He had got down to the bones of it, and they were fine and strong and simple.
Kenneth Grahame (The Wind in the Willows)
It seemed a place where heroes could fitly feast after victory, where weary harvesters could line up in scores along the table and keep their Harvest Home with mirth and song, or where two or three friends of simple tastes could sit about as they pleased and eat and smoke and talk in comfort and contentment.
Kenneth Grahame (The Wind in the Willows)
Take the Adventure, heed the call, now ere the irrevocable moment passes!’ ‘Tis but a banging of the door behind you, a blithesome step forward, and you are out of the old life and into the new! Then some day, some day long hence, jog home here if you will, when the cup has been drained and the play has been played, and sit down by your quiet river with a store of goodly memories for company.
Kenneth Grahame (The Wind in the Willows)
The moon, serene and detached in a cloudless sky, did what she could, though so far off, to help them in their quest; till her hour came and she sank earthwards reluctantly, and left them, and mystery once more held field and river.
Kenneth Grahame (The Wind in the Willows)
Toad, with no one to check his statements or to criticize in an unfriendly spirit, rather let himself go. Indeed, much that he related belonged more properly to the category of what-might-have-happened-had-I-only-thought-of-it-in-time-instead-of-ten-minutes-afterwards. Those are always the best and raciest adventures; and why should they not be truly ours, as much as the somewhat inadequate things that really come off?
Kenneth Grahame (The Wind in the Willows)
We shall creep out quietly into the butler's pantry--" cried the Mole. "--with out pistols and swords and sticks--" shouted ther Rat. "--and rush in upon them," said Badger. "--and whack 'em, and whack 'em, and whack 'em!" cried the Toad in ecstasy, running round and round the room, and jumping over the chairs.
Kenneth Grahame (The Wind in the Willows)
The boat struck the bank full tilt. The dreamer, the joyous oarsman, lay on his back at the bottom of the boat, his heels in the air.
Kenneth Grahame (The Wind in the Willows)
the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.
Kenneth Grahame (The Wind in the Willows)
Today, to him gazing south with a new-born need stirring in his heart, the clear sky over their long low outline seemed to pulsate with promise; today, the unseen was everything. the unknown the only real fact of life.
Kenneth Grahame (The Wind in the Willows)
There he got out the luncheon-basket and packed a simple meal, in which, remembering the stranger's origin and preferences, he took care to include a yard of long French bread, a sausage out of which the garlic sang, some cheese which lay down and cried, and a long-necked straw-covered flask wherein lay bottled sunshine shed and garnered on far Southern slopes.
Kenneth Grahame (The Wind in the Willows)
Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Hey! Come merry dol! derry dol! My darling! Light goes the weather-wind and the feathered starling. Down along under the Hill, shining in the sunlight, Waiting on the doorstep for the cold starlight, There my pretty lady is, River-woman's daughter, Slender as the willow-wand, clearer than the water. Old Tom Bombadil water-lilies bringing Comes hopping home again. Can you hear him singing? Hey! Come merry dol! derry dol! and merry-o, Goldberry, Goldberry, merry yellow berry-o! Poor old Willow-man, you tuck your roots away! Tom's in a hurry now. Evening will follow day. Tom'sgoing hom again water lilies-bringing. Hey! Come derry dol! Can you hear me singing?
J.R.R. Tolkien
This is the place of my song-dream, the place the music played to me,’ whispered the Rat, as if in a trance. ‘Here, in this holy place, here if anywhere, surely
Kenneth Grahame (The Wind in the Willows)
She had thrown away twenty years of her life like a handful of old rags, but the wind had blown them back again, and dressed her in the old uniform.
Sylvia Townsend Warner (Lolly Willowes)
The willow submits to the wind and prospers until one day it is many willows—a wall against the wind. This is the willow’s purpose.
Frank Herbert (Dune (Dune, #1))
Question four: What book would you give to every child? Answer: I wouldn't give them a book. Books are part of the problem: this strange belief that a tree has nothing to say until it is murdered, its flesh pulped, and then (human) people stain this flesh with words. I would take children outside and put them face to face with chipmunks, dragonflies, tadpoles, hummingbirds, stones, rivers, trees, crawdads. That said, if you're going to force me to give them a book, it would be The Wind In The Willows, which I hope would remind them to go outside.
Derrick Jensen
She's locked up with a spinning wheel She can't recall what it was like to feel She says, "This room's gonna be my grave And there's no one who can save me," She sits down to her colored thread She knows lovers waking up in their beds She says, "How long can I live this way Is there someone I can pay to let me go 'Cause I'm half sick of shadows I want to see the sky Everyone else can watch as the sun goes down So why can't I And it's raining And the stars are falling from the sky And the wind And the wind I know it's cold I've been waiting For the day I will surely die And it's here And it's here for I've been told That I'll die before I'm old And the wind I know it's cold... She looks up to the mirrored glass She sees a horse and rider pass She says, "This man's gonna be my death 'Cause he's all I ever wanted in my life And I know he doesn't know my name And that all the girls are all the same to him But still I've got to get out of this place 'Cause I don't think I can face another night Where I'm half sick of shadows And I can't see the sky Everyone else can watch as the tide comes in So why can't I But there's willow trees And little breezes, waves, and walls, and flowers And there's moonlight every single night As I'm locked in these towers So I'll meet my death But with my last breath I'll sing to him I love And he'll see my face in another place," And with that the glass above Her cracked into a million bits And she cried out, "So the story fits But then I could have guessed it all along 'Cause now some drama queen is gonna write a song for me," She went down to her little boat And she broke the chains and began to float away And as the blood froze in her veins she said, "Well then that explains a thing or two 'Cause I know I'm the cursed one I know I'm meant to die Everyone else can watch as their dreams untie So why can't I
Emilie Autumn
Why I Am Happy Now has come, an easy time. I let it roll. There is a lake somewhere so blue and far nobody owns it. A wind comes by and a willow listens gracefully. I hear all this, every summer. I laugh and cry for every turn of the world, its terribly cold, innocent spin. That lake stays blue and free; it goes on and on. And I know where it is.
William Stafford
The thing is that this life is so precious and mysterious, I don’t know what to say about it most of the time. Words are like birds, passing through the trackless sky. The dog barking, the sound of the purling stream, the wind among the weeping willow trees: how are these not right off the tongue of the Buddha?" --Lama Surya Das
Surya Das (Awakening To The Sacred: Creating a Spiritual Life from Scratch)
Toad's ancestral home, won back by matchless valour, consummate strategy, and a proper handling of sticks.
Kenneth Grahame (The Wind in the Willows)
It's a goodly life that you lead, friends; no doubt the best in the world, if only you are strong enough to lead it!' 'Yes, it's the life, the only life, to live,' responded the Water Rat dreamily, and without his usual whole-hearted conviction. 'I did not exactly say that,' the stranger replied cautiously, 'but no doubt it's the best. I've tried it, and I know. And because I've tried it - six months of it - and know it's the best, here I am, footsore and hungry, tramping away from it, tramping southward, following the old call, back to the old life, the life which is mine and which will not let me go.
Kenneth Grahame (The Wind in the Willows)
For this is the last best gift that the kindly demi-god is careful to bestow on those to whom he has revealed himself in their helping: the gift of forgetfulness. Lest the awful remembrance should remain and grow, and overshadow mirth and pleasure, and the great haunting memory should spoil all the after-lives of little animals helped out of difficulties, in order that they should be happy and lighthearted as before.
Kenneth Grahame (The Wind in the Willows)
Believe me, my young friend, there is nothing -- absolutely nothing -- half so much worth doing as simply messing about in boats. Simply messing' he went on dreamily: 'messing -- in -- boats; messing
Kenneth Grahame
And beyond the Wild Wood again?' he asked. 'Where it's all blue and dim and one sees what may be hills or perhaps they mayn't and something like the smoke of towns or is it only cloud drift.' 'Beyond the Wild Wood comes the Wild World,' said the Rat. 'And that's something the doesn't matter either to you or me.
Kenneth Grahame (The Wind in the Willows)
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly. I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent. Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her! I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I! Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
I'm going to make an animal out of you, my boy!
Kenneth Grahame (The Wind in the Willows)
At the edge of heaven, tatters of autumn Cloud. After ten thousand miles of clear Lovely morning, the west wind arrives. Here, Long rains haven't slowed farmers. Frontier Willows air thin kingfisher colors, and Red fruit flecks mountain pears. As a flute's Mongol song drifts from a tower, one Goose climbs clear through vacant skies.
Du Fu (The Selected Poems of Tu Fu)
Since early morning he had been swimming in the river, in company with his friends the ducks. And when the ducks stood on their heads suddenly, as ducks will, he would dive down and tickle their necks, just under where their chins would be if ducks had chins, till they were forced to come to the surface again in a hurry, spluttering and angry and shaking their feathers at him, for it is impossible to say quite all you feel when your head is under water.
Kenneth Grahame (The Wind in the Willows)
the rich meadow-grass seemed that morning of a freshness and a greenness unsurpassable. Never had they noticed the roses so vivid, the willow-herb so riotous, the meadow-sweet so odorous and pervading.
Kenneth Grahame (The Wind in the Willows)
If writing novels is like planting a forest, then writing short stories is more like planting a garden. The two processes complement each other, creating a complete landscape that I treasure. The green foliage of the trees casts a pleasant shade over the earth, and the wind rustles the leaves, which are sometimes dyed a brilliant gold. Meanwhile, in the garden, buds appear on the flowers, and colorful petals attract bees and butterflies, reminding us of the subtle transition from one season to the next.
Haruki Murakami (Blind Willow, Sleeping Woman)
Willow Tree Its limbs the long hair of a sad girl, reaching for the ground. ‘Sturdy as an oak,’ they say. A willow is stronger. It bends to the storm. Harsh winds whip it, its leaves are torn and carried away. It bends but doesn’t break. It may weep but it will never fall.
Emma Scott (In Harmony)
What is the meaning of this gross outrage?
Kenneth Grahame (The Wind in the Willows)
She dreamed of autumn. Of chilly autumn winds and soft fall rains. She could even feel the cool moisture as the rain drops touched her face and ran down her cheeks.
Grace Willows (No Reservations (Weekend Passions #4))
here am I, footsore and hungry, tramping away from it, tramping southward, following the old call, back to the old life, THE life which is mine and which will not let me go.
Kenneth Grahame (The Wind in the Willows)
It was all down, down, down, gradually--ruin and levelling and disappearance. Then it was all up, up, up, gradually, as seeds grew to saplings, and saplings to forest trees, and bramble and fern came creeping in to help.
Kenneth Grahame (The Wind in the Willows)
As he hurried along, eagerly anticipating the moment when he would be at home again among the things he knew and liked, the Mole saw clearly that he was an animal of tilled field and hedgerow, linked to the ploughed furrow, the frequented pasture, the lane of evening lingerings, the cultivated garden-plot. For others the asperities, the stubborn endurance, or the clash of actual conflict, that went with Nature in the rough; he must be wise, must keep to the pleasant places in which his lines were laid and which held adventure enough, in their way, to last for a lifetime.
Kenneth Grahame (The Wind in the Willows)
It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again. This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.
Christopher Hitchens (Hitch 22: A Memoir)
This day was only the first of man similar ones for the emancipated Mole, each of them longer and fuller of interest as the ripening summer moved onward. He learned to swim and to row, and entered into the joy of running water; and with his ear to the reed stems he caught, at intervals, something of what the wind went whispering so constantly among them.
Kenneth Grahame (The Wind in the Willows)
Well, very long ago, on the spot where the Wild Wood waves now, before ever it had planted itself and grown up to what it now is, there was a city - a city of people, you know. Here, where we are standing, they lived, and walked, and talked, and slept, and carried on their business. Here they stabled their horses and feasted, from here they rode out to fight or drove out to trade. They were a powerful people, and rich, and great builders. They built to last, for they thought their city would last for ever.
Kenneth Grahame (The Wind in the Willows)
Once beyond the village, where the cottages ceased abruptly, on either side of the road they could smell through the darkness the friendly fields again; and they braced themselves for the last long stretch, the home stretch, the stretch that we know is bound to end, some time, in the rattle of the door-latch, the sudden firelight, and the sight of familiar things greeting us as long-absent travelers from far oversea.
Kenneth Grahame (The Wind in the Willows)
A hundred bloodthirsty badgers, armed with rifles, are going to attack Toad Hall this very night, by way of the paddock. Six boatloads of Rats, with pistols and cutlasses, will come up the river and effect a landing in the garden; while a picked body of Toads, known as the Die-hards, or the Death-or-Glory Toads, will storm the orchard and carry everything before them, yelling for vengeance.
Kenneth Grahame (The Wind in the Willows)
My love is gone, carried away, by the wind that shakes the willow, and all the land is beaten hard, by the wind that shakes the willow. But I will hold her close to me in heart and dearest memory, and with her strength to steel my soul, her love to warm my heart-strings, I will stand where we once sang, though cold wind shakes the willow.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Once well underground, you know exactly where you are. Nothing can happen to you, and nothing can get at you. You're entirely your own master and you don't have to consult anybody or mind what they say. Things go on all the same overhead, and you let 'em, and don't bother about 'em. When you want to, up you go, and there the things are, waiting for you.
Kenneth Grahame (The Wind in the Willows: (Illustrated))
The world has held great Heroes, As history-books have showed; But never a name to go down to fame Compared with that of Toad! The clever men at Oxford Know all that there is to be knowed. But they none of them know one half as much As intelligent Mr. Toad! The animals sat in the Ark and cried, Their tears in torrents flowed. Who was it said, 'There's land ahead?' Encouraging Mr. Toad! The army all saluted As they marched along the road. Was it the King? Or Kitchener? No. It was Mr. Toad. The Queen and her Ladies-in-waiting Sat at the window and sewed. She cried, 'Look! who's that handsome man?' They answered, 'Mr. Toad.' There was a great deal more of the same sort, but too dreadfully conceited to be written down. These are some of the milder verses.
Kenneth Grahame (The Wind in the Willows)
So Recklessly Exposed December and January, gone. Tulips coming up. It's time to watch how trees stagger in the wind and roses never rest. Wisteria and Jasmine twist on themselves. Violet kneels to Hyacinth, who bows. Narcissus winks, wondering what will the lightheaded Willow say of such slow dancing by Cypress. Painters come outdoors with brushes. I love their hands. The birds sing suddenly and all at once. The soul says Ya Hu, quietly. A dove calls, Where, ku? Soul, you will find it. Now the roses show their breasts. No one hides when the Friend arrives. The Rose speaks openly to the Nightingale. Notice how the Green Lily has several tongues but still keeps her secret. Now the Nightingale sings this love that is so recklessly exposed, like you.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
The rapid nightfall of mid-December had quite beset the little village as they approached it on soft feet over a first thin fall of powdery snow. Little was visible but squares of a dusky orange-red on either side of the street, where the firelight or lamplight of each cottage overflowed through the casements into the dark world without. Most of the low latticed windows were innocent of blinds, and to the lookers-in from outside, the inmates, gathered round the tea-table, absorbed in handiwork, or talking with laughter and gesture, had each that happy grace which is the last thing the skilled actor shall capture--the natural grace which goes with perfect unconsciousness of observation. Moving at will from one theatre to another, the two spectators, so far from home themselves, had something of wistfulness in their eyes as they watched a cat being stroked, a sleepy child picked up and huddled off to bed, or a tired man stretch and knock out his pipe on the end of a smouldering log.
Kenneth Grahame (The Wind in the Willows)
In the country whereto I go I shall not see the face of my friend Nor her hair the color of sunburnt grasses; Together we shall not find The land on whose hills bends the new moon In air traversed of birds. What have I thought of love? I have said, "It is beauty and sorrow." I have thought that it would bring me lost delights, and splendor As a wind out of old time . . . But there is only the evening here, And the sound of willows Now and again dipping their long oval leaves in the water. -- from "Betrothed
Louise Bogan (The Blue Estuaries)
In the country, spring is a time of small happenings happening quietly, hyacinth shoots thrusting in a garden, willows burning with a sudden frosty fire of green, lengthening afternoons of long flowing dusk, and midnight rain opening lilac; but in the city there is the fanfare of organ-grinders, and odors, undiluted by winter wind, clog the air; windows long closed go up, and conversation, drifting beyond a room, collides with the jangle of a peddler's bell.
Truman Capote (The Complete Stories of Truman Capote)
The pageant of the river bank had marched steadily along, unfolding itself in scene-pictures that succeeded itself in stately procession. Purple loosestrife arrived early, shaking luxuriant locks along the edge of the mirror whence its own face laughed back at it. Willow-herb, tender and wistful, like a pink sunset-cloud was not slow to follow. Comfrey, the purple hand-in-hand with the white, crept forth to take its place in the line; and at last one morning the diffident and delaying dog-rose stepped delicately on the stage, and one knew, as if string music has announced it in stately chords that strayed into a gavotte, that June at last was here. One member of the company was still awaited; the shepherd-boy for the nymphs to woo, the knight for whom the ladies waited at the window, the prince that was to kiss the sleeping summer back to life and love. But when meadow-sweet, debonair and odorous in amber jerkin, moved graciously to his place in the group, then the play was ready to begin.
Kenneth Grahame (The Wind in the Willows)
But while admiring my neighbour, I don't think I shall ever try to follow in her steps, my talents not being of the energetic and organising variety, but rather of that order which makes their owner almost lamentably prone to take up a volume of poetry and wander out to where the kingcups grow, and, sitting on a willow trunk beside a little stream, forget the very existence of everything but green pastures and still waters, and the glad blowing of the wind across the joyous fields.
Elizabeth von Arnim (Elizabeth and Her German Garden (Elizabeth))
I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in her long veils... - In the far-off woods you can hear them sound the mort. For more than a thousand years sad Ophelia Has passed, a white phantom, down the long black river. For more than a thousand years her sweet madness Has murmured its ballad to the evening breeze. The wind kisses her breasts and unfolds in a wreath Her great veils rising and falling with the waters; The shivering willows weep on her shoulder, The rushes lean over her wide, dreaming brow. The ruffled water-lilies are sighing around her; At times she rouses, in a slumbering alder, Some nest from which escapes a small rustle of wings; - A mysterious anthem falls from the golden stars. II O pale Ophelia! beautiful as snow! Yes child, you died, carried off by a river! - It was the winds descending from the great mountains of Norway That spoke to you in low voices of better freedom. It was a breath of wind, that, twisting your great hair, Brought strange rumors to your dreaming mind; It was your heart listening to the song of Nature In the groans of the tree and the sighs of the nights; It was the voice of mad seas, the great roar, That shattered your child's heart, too human and too soft; It was a handsome pale knight, a poor madman Who one April morning sate mute at your knees! Heaven! Love! Freedom! What a dream, oh poor crazed Girl! You melted to him as snow does to a fire; Your great visions strangled your words - And fearful Infinity terrified your blue eye! III - And the poet says that by starlight You come seeking, in the night, the flowers that you picked And that he has seen on the water, lying in her long veils White Ophelia floating, like a great lily.
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
In one picture, the pool was half hidden by a fringe of mace- weeds, and the dead willow was leaning across it at a prone, despondent angle, as if mysteriously arrested in its fall towards the stagnant waters. Beyond, the alders seemed to strain away from the pool, exposing their knotted roots as if in eternal effort. In the other drawing, the pool formed the main portion of the foreground, with the skeleton tree looming drearily at one side. At the water's farther end, the cat-tails seemed to wave and whisper among themselves in a dying wind; and the steeply barring slope of pine at the meadow's terminus was indicated as a wall of gloomy green that closed in the picture, leaving only a pale of autumnal sky at the top. ("Genius Loci")
Clark Ashton Smith (American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps)
It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little field-mice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat-sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, "Now then, one, two, three!" and forthwith their shrill little voices uprose on the air, singing one of the old-time carols that their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time.
Kenneth Grahame (The Wind in the Willows)
The old saying goes that the apple doesn't fall far from the tree. But in Willow's experience, the opposite is more likely true. An apple is nothing but a seed's escape vehicle, just one of the ingenious ways they hitch rides -- in the bellies of animals, or by taking to the wind -- all to get as far away from their parents as they possibly can. So is it any wonder the daughters of dentists open candy stores, the sons of accountants become gambling addicts, the children of couch potatoes run marathons? She's always believed that most people's lives are lived as one great refutation of the ones that came before them.
Michael Christie (Greenwood)
All at once the hard, cold earth seemed to explode. The brown surface of the world dissolved and in its place was an impossible, an inconceivable, an unbelievable profusion of color: green grass and purple and red flowers; sprays of lily; white baby's breath that covered the hills; nodding fields of bright yellow daffodils; rich purple moss. The trees burst forth with new leaves. The weeping willow tree was a mass of tiny pale green leaves, thousands of them, which whispered and sighed together as the wind moved through its branches. There were fat heads of lettuce in the fields, and cucumbers lying like jewels among them, and enormous red tomatoes surrounded by thick, knotted vines. And for the first time in 1,728 days, the clouds broke apart and there was dazzling blue sky, and light beyond what anyone could remember. The sun had come out at last.
Lauren Oliver (Liesl & Po)
They had felt hungry before, but when they actually saw at last the supper that was spread for them, really it seemed only a question of what they should attack first where all was so attractive, and whether the other things would obligingly wait for them till they had time to give them attention. Conversation was impossible for a long time; and when it was slowly resumed, it was that regrettable sort of conversation that results from talking with your mouth full. The Badger did not mind that sort of thing at all, nor did he take any notice of elbows on the table, or everybody speaking at once. As he did not go into Society himself, he had got an idea that these things belonged to the things that didn't really matter (We know of course that he was wrong, and took too narrow a view; because they do matter very much, though it would take too long to explain why.)
Kenneth Grahame (The Wind in the Willows)
I've got my own moral compass to steer by A guiding star beats a spirit in the sky And all the preaching voices - Empty vessels ring so loud As they move among the crowd Fools and thieves are well disguised In the temple and market place Like a stone in the river Against the floods of spring I will quietly resist Like the willows in the wind Or the cliffs along the ocean I will quietly resist I don't have faith in faith I don't believe in belief You can call me faithless I still cling to hope And I believe in love And that's faith enough for me I've got my own spirit level for balance To tell if my choice is leaning up or down And all the shouting voices Try to throw me off my course Some by sermon, some by force Fools and thieves are dangerous In the temple and market place Like a forest bows to winter Beneath the deep white silence I will quietly resist Like a flower in the desert That only blooms at night I will quietly resist
Rush
THE WEEPING WILLOW Flowing was the water showing in its mirror the willow trees. The weeping willows in the water were washing their hair! Striking the willows with their sparkling, bare swords the red horsemen were running to where the sun sets! Suddenly like a bird as if struck in the wing a wounded horseman rolled down from his horse! He didn't shout, he did'nt call back those who go along, he just looked with brimming eyes at the shining horseshoes of departing riders! O what a pity! What a pity for him that no more he shall lie on the foaming necks of galloping horses, no more he shall play his sword behind the white armies! The sounds of the horseshoes fades away slowly, the horsemen vanish at where the sun sets! Horsemen horsemen red horsemen, their horses winged with wind! Their horses winged with... Their horses winged... Their horses... Horse... Life has passed like the wind winged horsemen! The voice of the flowing water ceased. The shadows shadowed the colours wiped off. Black coverings came down over his blue eyes, the weeping willows hung down over his yellow hair! Weep not weeping willow weep not, in the mirror of the black water clasp not your hands! clasp not your hands! weep not!
Nâzım Hikmet
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow. As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass. I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
When they were only a few yards from the stone hull, Inej halted and watched the mists wreathing the branches. “He was going to break by legs,” she said. “Smash them with a mallet so they’d never heal….” She took a shaky breath. The words came like a string of gunshots, rapid-fire, as if she resented the very act of speaking them. “I didn’t know if you would come.” Kaz couldn’t blame Van Eck for that. Kaz has built that doubt in her with every cold word and small cruelty. “We’re your crew, Inej. We don’t leave our own at the mercy of merch scum.” It wasn’t the answer he wanted to give. It wasn’t the answer she wanted. When she turned to him, her eyes were bright with anger. “He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?” Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on. “I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.” The wind rose. The boughs of the willows whispered, a sly, gossiping sound. Kaz held her gaze, saw the moon reflected there, twin scythes of light. She was right to be cautious. Even of him. Especially of him. Cautious was how you survived. At last she nodded, the smallest dip of her chin.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Then the two animals, crouching to the earth, bowed their heads and did worship. Sudden and magnificent, the sun's broad golden disc showed itself over the horizon facing them; and the first rays, shooting across the level water-meadows, took the animals full in the eyes and dazzled them. When they were able to look once more, the Vision had vanished, and the air was full of the carol of birds that hailed the dawn. As they stared blankly, in dumb misery deepening as they slowly realized all they had seen and all they had lost, a capricious little breeze, dancing up from the surface of the water, tossed the aspens, shook the dewy roses, and blew lightly and caressingly in their faces, and with its soft touch came instant oblivion. For this is the last best gift that the kindly demigod is careful to bestow on those to whom he has revealed himself in their helping: the gift of forgetfulness. Lest the awful remembrance should remain and grow, and overshadow mirth and pleasure, and the great haunting memory should spoil all the after-lives of little animals helped out of difficulties, in order that they should be happy and light-hearted as before.
Kenneth Grahame (The Wind in the Willows)
took the sculls again. ‘What’s inside it?’ asked the Mole, wriggling with curiosity. ‘There’s cold chicken inside it,’ replied the Rat briefly; ‘coldtonguecoldhamcoldbeefpickledgherkinssaladfrenchrollscresssandwichespottedmeatgingerbe erlemonadesodawater—’ ‘O stop, stop,’ cried the Mole in ecstacies: ‘This is too much!’ ‘Do you really think so?’ enquired the Rat seriously. ‘It’s only what I always take on these little excursions; and the other animals are always telling me that I’m a mean beast and cut itvery fine!’ The Mole never heard a word he was saying. Absorbed in the new life he was entering upon, intoxicated with the sparkle, the ripple, the scents and the sounds and the sunlight, he trailed a paw in the water and dreamed long waking dreams. The Water Rat, like the good little fellow he was, sculled steadily on and forebore to disturb him. ‘I like your clothes awfully, old chap,’ he remarked after some half an hour or so had passed. ‘I’m going to get a black velvet smoking-suit myself some day, as soon as I can afford it.’ ‘I beg your pardon,’ said the Mole, pulling himself together with an effort. ‘You must think me very rude; but all this is so new to me. So—this—is—a—River!
Kenneth Grahame (The Wind in the Willows)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
When Toad found himself immured in a dank and noisome dungeon, and knew that all the grim darkness of a medieval fortress lay between him and the outer world of sunshine and well-metalled high roads where he had lately been so happy, disporting himself as if he had bought up every road in England, he flung himself at full length on the floor, and shed bitter tears, and abandoned himself to dark despair. 'This is the end of everything' (he said), 'at least it is the end of the career of Toad, which is the same thing; the popular and handsome Toad, the rich and hospitable Toad, the Toad so free and careless and debonair! How can I hope to be ever set at large again' (he said), 'who have been imprisoned so justly for stealing so handsome a motor-car in such an audacious manner, and for such lurid and imaginative cheek, bestowed upon such a number of fat, red-faced policemen!' (Here his sobs choked him.) 'Stupid animal that I was' (he said), 'now I must languish in this dungeon, till people who were proud to say they knew me, have forgotten the very name of Toad! O wise old Badger!' (he said), 'O clever, intelligent Rat and sensible Mole! What sound judgments, what a knowledge of men and matters you possess! O unhappy and forsaken Toad!' With lamentations such as these he passed his days and nights for several weeks, refusing his meals or intermediate light refreshments, though the grim and ancient gaoler, knowing that Toad's pockets were well lined, frequently pointed out that many comforts, and indeed luxuries, could by arrangement be sent in—at a price—from outside.
Kenneth Grahame (The Wind in the Willows)