High School Memories Quotes

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It was only high school after all, definitely one of the most bizarre periods in a person’s life. How anyone can come through that time well adjusted on any level is an absolute miracle.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
This guy in high school tried to run me over with his dad’s SUV. Bad shoved the vehicle through a store window.” The memory brought a smile to my face.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
We ran into lots of old friends. Friends from elementary school, junior high school, high school. Everyone had matured in their own way, and even as we stood face to face with them they seemed like people from dreams, sudden glimpses through the fences of our tangled memories. We smiled and waved, exchanged a few words, and then walked on in our separate directions.
Banana Yoshimoto (Goodbye Tsugumi)
As far as I’m concerned, high school sucked when I went, and probably sucks now. I tend to regard people who remember it as the best four years of their lives with caution and a degree of pity.
Stephen King (Guns)
Everyone is born a freak," notes Hayley. "Every newborn baby, wet and hungry and screaming, is a fresh-hatched freak who wants to have a good time and make the world a better place. . . . Most teenagers wind up in high school. And high school is where the zombification process becomes deadly.
Laurie Halse Anderson (The Impossible Knife of Memory)
Matt looked up kids from his high school class. Only three were listed as dead, but a bunch were listed as missing/presumed dead. As a test, he looked us up, but none of our names were on any of the lists. And that's how we know we're alive this Memorial Day.
Susan Beth Pfeffer (Life As We Knew It (Last Survivors, #1))
Pretty much everyone hates high school. It's a measure of your humanity, I suspect. If you enjoyed high school, you were probably a psychopath or a cheerleader. Or possibly both. Those things aren't mutually exclusive, you know. I've tried to block out the memory of my high school years, but no matter how hard you try, it's always with you, like an unwanted hitchhiker. Or herpes. I assume...
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
That might be the problem. A lot of the good stuff is from the past. The Jonas Brothers, High School Musical, our shared grief. Our friendship is based on memories. What do we have now?
Angie Thomas (The Hate U Give (The Hate U Give, #1))
So, when a judge requests your services as a ‘personal favor,’ declining representation is out of the question, unless you don’t mind appearing in front of a pissed-off judge with a long memory.
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
We get so used to twenty-four-year-old actors playing high school students, and we seem so mature in our own memories, that we forget actual teenagers have limited vocabularies, have bad posture and questionable hygiene, laugh too loud, don’t know how to dress for their body types, want chicken nuggets and macaroni for lunch. It’s easier to see the twelve-year-olds they just were than the twenty-year-olds they’ll soon be.
Rebecca Makkai (I Have Some Questions For You)
The closer I creep toward the precipice of forty, the more time I spend listening to the same songs I listened to in high school and combing through surprisingly vivid memories of my time there, which is wild, because I did not actually have a good time being young!
Samantha Irby (Wow, No Thank You.)
The cutthroat savagery of high school romance inspired in nearly all adults a collective amnesia. Having survived it themselves, they locked those memories far away in some dark chamber of their subconscious where things that are too terrible to contemplate are permanently stored.
Richard Russo (Empire Falls)
So often we use the word snapped when we don’t know where a burst of anger is coming from or why someone is having a violent reaction. Well, now we know: Something has happened in the moment that triggers one of the brain’s trauma memories. And because the lower, non-rational parts of the brain are its first responders, they immediately set off stress responses that then shut off the reasonable part of the brain. And so that “burst” of violence is actually the result of some highly organized processes in the brain. And in this case, the first thing the school is going to say is, What’s wrong with him?
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
Who was she in high school? Little Miss Nobody. She could have embroidered it on her sweaters, tattooed it across her forehead. And in small letters: i am shit, i am anonymous, step on me. please. She wasn't voted Most Humorous in her high school yearbook or Best Dancer or Most Likely to Succeed, and she wasn't in the band or Spanish Club and when her ten year reunion rolled around nobody would recognize her or have a single memory to share.
T. Coraghessan Boyle (Drop City)
Moving on should be a required high school class because Lynchburg is determined to make me forget.
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
A lot of people don’t have fond memories of high school. It’s often a war of politics and personalities, set off by the cannon fire of hormones.
Nora Roberts (Vision in White (Bride Quartet, #1))
Liberty On my notebooks from school On my desk and the trees On the sand, on the snow I write your name On every page read On all the white sheets Stone blood paper or ash I write your name On the golden images On the soldier’s weapons On the crowns of kings I write your name On the jungle, the desert The nests and the bushes On the echo of childhood I write your name On the wonder of nights On the white bread of days On the seasons engaged I write your name On all my blue rags On the pond mildewed sun On the lake living moon I write your name On the fields, the horizon The wings of the birds On the windmill of shadows I write your name On the foam of the clouds On the sweat of the storm On dark insipid rain I write your name On the glittering forms On the bells of colour On physical truth I write your name On the wakened paths On the opened ways On the scattered places I write your name On the lamp that gives light On the lamp that is drowned On my house reunited I write your name On the bisected fruit Of my mirror and room On my bed’s empty shell I write your name On my dog greedy tender On his listening ears On his awkward paws I write your name On the sill of my door On familiar things On the fire’s sacred stream I write your name On all flesh that’s in tune On the brows of my friends On each hand that extends I write your name On the glass of surprises On lips that attend High over the silence I write your name On my ravaged refuges On my fallen lighthouses On the walls of my boredom I write your name On passionless absence On naked solitude On the marches of death I write your name On health that’s regained On danger that’s past On hope without memories I write your name By the power of the word I regain my life I was born to know you And to name you LIBERTY
Paul Éluard
Prereading is a game changer. It changed my life...Everyone is smarter when they have seen the material before. You will be too.
Peter Rogers
Why can't we repeat 8th grace five times and call that a high school education?
Audrey Regan
Theme. It’s something a lot of writers don’t like to think about. It brings up painful memories of high school English class (“Write a 1,000 word essay on the theme of The Great Gatsby, and be sure to relate the green light on Daisy’s dock with the eyes of Doctor T. J. Eckleburg. Due tomorrow.”)
James Scott Bell (27 Fiction Writing Blunders - And How Not To Make Them! (Bell on Writing))
After three of four years of schooling, the nucleus basalis, which forms sharp memories in the brain, falls into disuse and decays. This is the part of the brain that makes learning so effortless for small children, and it is always activated in undomesticated humans. But neuroplasticity research has shown that damage to the nucleus basalis can be reversed by reintroducing activities involving highly focused attention, which results in massive increases in production of acetylcholine and dopamine. Using new skills under conditions of intense focus rewires billions of neural connections and reactivates the nucleus basalis. Loss of function in this part of the brain is not a natural stage of development--we are supposed to retain and even increase it throughout our lives. Until very recently in human history, we did.
Tyson Yunkaporta (Sand Talk: How Indigenous Thinking Can Save the World)
Memorization has gotten a bad rap recently. Lots of students, and even some educators, say that being able to reason is more important than knowing facts; and besides, why bother committing things to memory when you've got Google? My response to this - after I've finished inwardly groaning - is that of course reasoning is important, but that doesn't mean you shouldn't know facts as well. It's not like you have to choose between one or the other. Besides, facts give you a foundation on which to reason about things.
Stefanie Weisman (The Secrets of Top Students: Tips, Tools, and Techniques for Acing High School and College)
So let’s talk a little about April May’s theory of tiered fame. Tier 1: Popularity You are a big deal in your high school or neighborhood. You have a peculiar vehicle that people around town recognize, you are a pastor at a medium-to-large church, you were once the star of the high school football team. Tier 2: Notoriety You are recognized and/or well-known within certain circles. Maybe you’re a preeminent lepidopterist whom all the other lepidopterists idolize. Or you could be the mayor or meteorologist in a medium-sized city. You might be one of the 1.1 million living people who has a Wikipedia page. Tier 3: Working-Class Fame A lot of people know who you are and they are distributed around the world. There’s a good chance that a stranger will approach you to say hi at the grocery store. You are a professional sports player, musician, author, actor, television host, or internet personality. You might still have to hustle to make a living, but your fame is your job. You’ll probably trend on Twitter if you die. Tier 4: True Fame You get recognized by fans enough that it is a legitimate burden. People take pictures of you without your permission, and no one would scoff if you called yourself a celebrity. When you start dating someone, you wouldn’t be surprised to read about it in magazines. You are a performer, politician, host, or actor whom the majority of people in your country would recognize. Your humanity is so degraded that people are legitimately surprised when they find out that you’re “just like them” because, sometimes, you buy food. You never have to worry about money again, but you do need a gate with an intercom on your driveway. Tier 5: Divinity You are known by every person in your world, and you are such a big deal that they no longer consider you a person. Your story is much larger than can be contained within any human lifetime, and your memory will continue long after your earthly form wastes away. You are a founding father of a nation, a creator of a religion, an emperor, or an idea. You are not currently alive.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
Does being forced to sit in time-out ever make little kids stop putting cats in the dishwasher or drawing on white walls with purple marker? Of course not. It teaches them to be sneaky and guarantees that when they get to high school they’ll love detention because it’s a great place to sleep.
Laurie Halse Anderson (The Impossible Knife of Memory)
No, we won’t forget this.” I pull a lilac off a low branch and tuck it behind Liza’s ear. “Bonita,” I say. Before we get up, I kiss her on the cheek. “We’re going to make memories this summer so when high school is over we can meet back on this bench and remember it all, okay?” Liza smiles. “It’s a date.
Carrie Firestone (Dress Coded)
There are no specific memories of the first time I used ketamine, which was around age 17 or 18. The strongest recollection of ketamine use regarded an instance when I was concurrently smoking marijuana and inhaling nitrous oxide. I was in an easy chair and the popular high school band Sublime was playing on the CD player. I was with a friend. We were snorting lines of ketamine and then smoking marijuana from a pipe and blowing the marijuana smoke into a nitrous-filled balloon and inhaling and exhaling the nitrous-filled balloon until there was no more nitrous oxide in the balloon to achieve acute sensations of pleasure, [adjective describing state in which one is unable to comprehend anything], disorientation, etc. The first time I attempted this process my vision behaved as a compact disc sound when it skips - a single frame of vision replacing itself repeatedly for over 60 seconds, I think. Everything was vibrating. Obviously I couldn't move. My friend was later vomiting in the bathroom a lot and I remember being particularly fascinated by the sound of it; it was like he was screaming at the same time as vomiting, which I found funny, and he was making, to a certain degree, demon-like noises. My time 'with' ketamine lasted three months at the most, but despite my attempts I never achieved a 'k-hole.' At a party, once, I saw a girl sitting in bushes and asked her what she was doing and she said "I'm in a 'k-hole.'" While I have since stopped doing ketamine because of availability and lack of interest, I would do ketamine again because I would like to be in a 'k-hole.
Brandon Scott Gorrell
Despite your best efforts and intentions, there's a limited reservoir to fellowship before you begin to rely solely on the vapors of nostalgia. Eventually, you move on, latch on to another group of friends. Once in a while, though, you remember something, a remark or a gesture, and it takes you back. You think how close all of you were, the laughs and commiserations, the fondness and affection and support. You recall the parties, the trips, the dinners and late, late nights. Even the arguments and small betrayals have a revisionist charm in retrospect. You're astonished and enlivened by the memories. You wonder why and how it ever stopped. You have the urge to pick up the phone, fire off an email, suggesting reunion, resumption, and you start to act, but then don't, because it would be awkward talking after such a long lag, and, really, what would be the point? Your lives are different now. Whatever was there before is gone. And it saddens you, it makes you feel old and vanquished--not only over this group that disbanded, but also over all the others before and after it, the friends you had in grade and high school, in college, in your twenties and thirties, your kinship to them (never mind to all your old lovers) ephemeral and, quite possibly, illusory to begin with.
Don Lee (The Collective)
Life without strife is a rose without thorns. Alive as one is thriving today towards tomorrow, Nowhere is the past but simply a school of memory. Dreams, wishes, goals then becomes a wheel of “wills,” Spirit of a unique being on each soul breathing. Care to ponder some matter or another? Awareness sliding towards discovery gliding… Peace, contentment, fulfillment, Enwrapped like a mirage enchantment. Soaring freely, excitingly, happily home-love-bound! Over precious moments in a breathing of a soul, Flowing high emotions, feelings, hearts in bliss. All around any season of one's existence, one asks: “Anyone out there? A heart of a soul that didn’t harden? A touch of a soul that didn’t hurt? A life of a soul that didn't love?” Sands of time, rough, warm, indefinite, simply spreading, transforming, mounting. Oasis of a soul from a desert journey, flourishing with endless beauty and security. Utmost bliss, fulfillment and contentment, under covers a struggling, hopeful soul, Laboring service, living justice, loving peace and tranquillity passed on to humanity!�
Angelica Hopes (Rhythm of a Heart, Music of a Soul)
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
James Joyce (Ulysses)
I pass a construction site, abandoned for the night, and a few blocks later, the playground of the elementary school my son attended, the metal sliding board gleaming under a streetlamp and the swings stirring in the breeze. There's an energy to these autumn nights that touches something primal inside of me. Something from long ago. From my childhood in western Iowa. I think of high school football games and the stadium lights blazing down on the players. I smell ripening apples, and the sour reek of beer from keg parties in the cornfields. I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling in the taillights and the entire span of my life yawning out ahead o me. It's the beautiful thing about youth. There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential. I love my life, but I haven't felt that lightness of being in ages. Autumn nights like this are as close as I get.
Blake Crouch (Dark Matter)
I first used LSD in my freshman year of high school at a homecoming football game. A friend had taken it too, knew more about it than me, and when asked, told me to just stare at certain things. The friend pointed at a rail that had some paint chipped off it and said "Just look at that... it's trippy." I looked at the rail with some paint chipped off. Nothing happened. I was in front of the school after the game was over and must have been high because two friends were in front of me crying. I asked them why they were crying and they said because I had taken acid. "Are you going to tell my parents?" I asked. "I don't know," they said. I was afraid. On the way home someone in the car started screaming. We found an albino praying mantis in the car, stopped and let it out. In a friend's room, later, I was lying on the bed and seeing in the corners nets of colors beating. A Nirvana poster was surrounded by color and moving slightly. After this incident there are no memories of taking LSD until senior year of high school. No one paid enough attention to notice I wasn't getting dressed in the morning, just taking acid and going to school in my pajamas. I would walk in the hallways staring forward with a neutral facial expression. I was terribly depressed. My mom eventually found out.
Brandon Scott Gorrell
Today is the starting line for the rest of your life. Yes, today is the tomorrow you worried about yesterday. The problem with the past is that we remember memories we shouldn't, and we don't forget what we should“ If your eyes are stuck in the rearview mirror, you're stuck in the past. If you're stuck in the past, you're not looking ahead. If you're not looking ahead, you can't hit the mark of your future. The universe doesn't care about your past. It is blind to it. The universe doesn't care that I wore pink pants in high school. (Hey, remember Miami Vice?) The universe doesn't care that I got in a fight with Francis Franken and lost. The universe doesn't care about your MBA from UCLA, your drug-dealing father, or that you wet your bed in junior high. The universe simply doesn't care. One person and one person only weaponizes past transgressions: you.
M.J. DeMarco (The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!)
My four years of high school were spent locked up inside “el campo.” I became a voracious reader and television-watcher, keeping to myself at such alarming extremes that I became invisible. My invisibility provided the perfect protection against harm of any sort. I walked to and from school past the gangsters as silently as a breeze, so disassociated from their tattoos and lingo that even they couldn't find a place for me in their lines of vision.
Rigoberto González (Butterfly Boy: Memories of a Chicano Mariposa (Writing in Latinidad: Autobiographical Voices of U.S. Latinos/as))
This whole, crazy fucking business can be reduced to one little word, one word explains it all. I'm going to give you the benefit of my experience and share that word with you, buck. It's revenge.... Them studio execs, agents, producers, they're all sweaty, unpopular, bitter little fucks, and now it's their turn. They get to make all of us golden boys and girls jump through hoops. They decide who's popular and who isn't, who's pretty and who isn't, who gets their phone calls returned and who doesn't. They make us grovel, submit, suck up to them. They're getting back at us, man. It means more to them than the money, the fame, the glamor, having power over guys like me.... It's what they live for.
David Handler (The Boy Who Never Grew Up (Stewart Hoag, #5))
The United States is a conceited nation with shallow roots, and what happened before living memory doesn't seem to interest most people I know at home. We like living in our houses with our new furniture, on our new streets in new neighborhoods. Everything is disposable and everything is replaceable. Personal family history can feel simply irrelevant in our new world, beyond the simplest national identifications, and even those who can get sort of vague for people. I remember a boy in high school who told the history teacher he was 'half Italian, half Polish, half English, half German, and one-quarter Swedish.' I think one of the reasons so many of us are disconnected from our histories is because none of it happened where we live in the present; the past, for so many, is a faraway place across an ocean.
Katharine Weber (The Music Lesson)
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.
Annie Dillard (Pilgrim at Tinker Creek)
In 1996 Hubacek had been driving drunk at 100 mph with no headlights. He crashed into a van carrying a married couple and their nanny. The husband and the nanny were killed. Poe sentenced Hubacek to 110 days of boot camp, and to carry a sign once a month for ten years in front of high schools and bars that read, I KILLED TWO PEOPLE WHILE DRIVING DRUNK, and to erect a cross and a Star of David at the scene of the crash and to keep it maintained, and to keep photographs of the victims in his wallet for ten years, and to send $10 every week for ten years to a memorial fund in the names of the victims, and to observe the autopsy of a person killed in a drink-driving accident.
Jon Ronson (So You've Been Publicly Shamed)
Thus is the defining characteristic of gay millennials: we straddle the pre-Glee and post-Glee worlds. We went to high school when faggot wasn’t even considered an F-word, when being a lesbian meant boys just didn’t want you, when being nonbinary wasn’t even a remote option. We grew up without queer characters in our cartoons or Nickelodeon or Disney or TGIF sitcoms. We were raised in homophobia, came of age as the world changed around us, and are raising children in an age where it’s never been easier to be same-sex parents. We’re both lucky and jealous. As the state of gay evolved culturally and politically, we were old enough to see it and process it and not take it for granted–old enough to know what the world was like without it. Despite the success of Drag Race, the existence of lesbian Christmas rom-coms, and openly transgender Oscar nominees, we haven’t moved on from the trauma of growing up in a culture that hates us. We don’t move on from trauma, really. We can’t really leave it in the past. It becomes a part of us, and we move forward with it. For LGBTQ+ millennials, our pride is couched in painful memories of a culture repulsed and frightened by queerness. That makes us skittish. It makes us loud. It makes us fear that all this progress, all this tolerance , all of Billy Porter's red carpet looks can vanish as quickly as it all appeared.
Grace Perry (The 2000s Made Me Gay: Essays on Pop Culture)
As students in this earth school, some of us may be in the first grade, the sixth grade, or high school, but eventually, with enough education, we will all graduate and leave this school behind. And then there are other schools, higher dimensions or levels where we continue our spiritual progression. But until we all graduate, none of us does, for we are all one. We may come back voluntarily to help other people, or animals, or sentient beings to evolve. Or we may help out from the other side even if we do not incarnate in physical bodies, and there we will continue to work to assist those other souls with whom we have been connected for eons of time. Do not be concerned with how many millennia it takes you to complete your classes. If you are progressing to be a kinder, more loving, less selfish, less violent person, then you are moving in the right direction. The direction is more important than the speed. It makes no difference if this is your first lifetime or your last, or if you have many more to go. Only the end matters. Of
Brian L. Weiss (Miracles Happen: The Transformational Healing Power of Past-Life Memories)
There’s also the small detail that . . . I haven’t slept in twenty-four hours. Not a blink. And if past is prologue, there are going to be a lot of sleepless nights in my future. I’m a high school senior—I have exams to study for, projects to complete, extracurricular activities to activitize, lifelong memories to make—and now I have a business to run. Who the fuck has time for sleep? I jack up the volume on my phone and scoop a tablespoon of instant coffee grounds into my mouth—washing the bitter, spiky granules down with a gulp of black, cold coffee. We don’t serve instant for the coffee shop. Instant coffee is disgusting. But it serves a purpose. It’s effective—efficient. I love caffeine. Love it. The high, the rush, the feeling that I’m Wonder Woman’s long-lost cousin and there ain’t shit I can’t do. I would mainline it, if that were actually a thing. I would probably become a meth-head if it weren’t for the rotting-teeth, ruined-life, most-likely-dying-by-overdose elements of it all. I’m a high school senior, not an asshole.
Emma Chase (Royally Endowed (Royally, #3))
like being able to see how I got from Deep Purple to Howlin’ Wolf in twenty-five moves; I am no longer pained by the memory of listening to “Sexual Healing” all the way through a period of enforced celibacy, or embarrassed by the reminder of forming a rock club at school, so that I and my fellow fifth-formers could get together and talk about Ziggy Stardust and Tommy.
Nick Hornby (High Fidelity)
We’re just the high school quarterback, talking about the touchdown pass he threw in ’72,” she said. “High school was everyone’s glory days. For us, high school is all tangled up in memories of our trauma. We have the same normal nostalgic inclinations as other people, but when we walk back in our minds to this supposedly wonderful time we have people trying to kill us. For us, nostalgia and violence are inextricably linked.
Grady Hendrix (The Final Girl Support Group)
I suppose the real reason Ginny Weasley's like this is because she opened her heart and spilled all her secrets to an invisible stranger." "What are you talking about?" said Harry. "The diary," said Riddle. "My diary. Little Ginny's been writing in it for months and months, telling me all her pitiful worries and woes- how her brothers tease her, how she had come to school with secondhand robes and books, how"- Riddle's eyes glinted- "how she didn't think famous, good, great Harry Potter would ever like her..." All the time he spoke, Riddle's eyes never left Harry's face. There was an almost hungry look in them. "It's very boring, having to listen to the silly little troubles of an eleven-year-old girl," he went on. "But I was patient. I wrote back. I was sympathetic, I was kind. Ginny simply loved me. No one's ever understood me like you, Tom... I'm so glad I've got this diary to confide in.... It's like having a friend I can carry around in my pocket...." Riddle laughed, a high, cold laugh that didn't suit him. It made the hairs stand up on the back of Harry's neck. "If I say it myself, Harry, I've always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted.... I grew stronger and stronger on a diet of her deepest fears, her darkest secrets. I grew powerful, more powerful than little Miss Weasley. Powerful enough to start feeding Miss Weasley a few of my secrets, to start pouring a little of my soul into her..." "What d'you mean?" said Harry, whose mouth had gone dry. "Haven't you guessed yet, Harry Potter?" said Riddle softly. "Ginny Weasley opened the Chamber of Secrets. She strangled the school roosters and daubed threatening messages on the walls. She set the Serpent of Slytherin on four Mudbloods, and the Squib's cat." "No," Harry whispered. "Yes," said Riddle, calmly. "Of course, she didn't know what she was doing at first. It was very amusing. I wish you could have seen her new diary entries... far more interesting, they became... Dear Tom," he recited, watching Harry's horrified face, "I think I'm losing my memory. There are rooster feathers all over my robes and I don't know how they got there. Dear Tom, I can't remember what I did on the night of Halloween, but a cat was attacked and I've got paint all down my front. Dear Tom, Percy keeps telling me I'm pale and I'm not myself. I think he suspects me.... There was another attack today and I don't know where I was. Tom, what am I going to do? I think I'm going mad.... I think I'm the one attacking everyone, Tom!
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
The past lived on in her hands, the way they'd shaken when Mitzi took her first DAT into a pitch. The memory lived as pain in her scalp, the old tug of her hair. She'd such long hair back then. High school-long hair, she'd pulled it tight, knotting it into a French braid she'd pinned down. Her French braid pinned to the back of her head, pinned as cruelly as any butterfly or scarab beetle pinned to the board in freshman-year Biology of Insects.
Chuck Palahniuk (The Invention of Sound)
The entropy of a system is related to the number of indistinguishable rearrangements of its constituents, but properly speaking is not equal to the number itself. The relationship is expressed by a mathematical operation called a logarithm; don't be put off if this brings back bad memories of high school math class. In our coin example, it simply means that you pick out the exponent in the number of rearrangements-that is, the entropy is defined as 1,000 rather than 2^1000.
Brian Greene (The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos)
Aimée Thanatogenos spoke the tongue of Los Angeles; the sparse furniture of her mind—the objects which barked the intruder's shins—had been acquired at the local High School and University; she presented herself to the world dressed and scented in obedience to the advertisements; brain and body were scarcely distinguishable from the standard product, but the spirit—ah, the spirit was something apart; it had to be sought afar; not here in the musky orchards of the Hesperides, but in the mountain air of the dawn, in the eagle-haunted passes of Hellas. An umbilical cord of cafés and fruit shops, of ancestral shady businesses (fencing and pimping) united Aimée, all unconscious, to the high places of her race. As she grew up the only language she knew expressed fewer and fewer of her ripening needs; the facts which littered her memory grew less substantial; the figure she saw in the looking-glass seemed less recognizably herself. Aimée withdrew herself into a lofty and hieratic habitation.
Evelyn Waugh (The Loved One)
God, she was gorgeous. Pure and cleanly beautiful. From the rounded crests of her cheeks to the delicate sweep of her jaw, she had the kind of face sculptors memorialized in marble and the rest of us gazed upon for centuries to come. Of course she was beautiful. She was an actress. Meant to be idolized on the screen. Emma Maron, a.k.a Princess Anya, future queen and conqueror on Dark Castle. The guys and I used to watch the show while traveling between games. Anya was a favorite. Particularly since... I'd seen her breasts. It hit me like a puck to the helmet, and my ears began to ring. I'd seen those perfect creamy handfuls with sweet pink tips that pointed upward, defying gravity and begging to be sucked. I had watched her on hands on knees, perky tits bouncing as Arasmus slammed into her from behind. I actually blushed. Me. The guy who'd had dozens of women throw themselves at him every night since high school. I'd had sex so many times and in so many ways it had become a blur. Nothing shamed me or made me uncomfortable. Yet I started to get hot under the collar, my cheeks burning. After nearly a year of being disinterested in all things sexual, my dick decided to make its presence known and start rising. Now, of all times. Now, when I was stuck in a damn truck less than three feet from a woman, I finally got a hard-on. Lovely. I felt like a damn lecher. "At least it's a beautiful drive," she said, breaking through heated thoughts of creamy breasts with cotton candy nipples.
Kristen Callihan (Make It Sweet)
Since her death in 1979, the woman who discovered what the universe is made of has not so much as received a memorial plaque. Her newspaper obituaries do not mention her greatest discovery. […] Every high school student knows that Isaac Newton discovered gravity, that Charles Darwin discovered evolution, and that Albert Einstein discovered the relativity of time. But when it comes to the composition of our universe, the textbooks simply say that the most abundant atom in the universe is hydrogen. And no one ever wonders how we know.
Jeremy Knowles
Three researchers at Stanford University noticed the same thing about the undergraduates they were teaching, and they decided to study it. First, they noticed that while all the students seemed to use digital devices incessantly, not all students did. True to stereotype, some kids were zombified, hyperdigital users. But some kids used their devices in a low-key fashion: not all the time, and not with two dozen windows open simultaneously. The researchers called the first category of students Heavy Media Multitaskers. Their less frantic colleagues were called Light Media Multitaskers. If you asked heavy users to concentrate on a problem while simultaneously giving them lots of distractions, the researchers wondered, how good was their ability to maintain focus? The hypothesis: Compared to light users, the heavy users would be faster and more accurate at switching from one task to another, because they were already so used to switching between browser windows and projects and media inputs. The hypothesis was wrong. In every attentional test the researchers threw at these students, the heavy users did consistently worse than the light users. Sometimes dramatically worse. They weren’t as good at filtering out irrelevant information. They couldn’t organize their memories as well. And they did worse on every task-switching experiment. Psychologist Eyal Ophir, an author of the study, said of the heavy users: “They couldn’t help thinking about the task they weren’t doing. The high multitaskers are always drawing from all the information in front of them. They can’t keep things separate in their minds.” This is just the latest illustration of the fact that the brain cannot multitask. Even if you are a Stanford student in the heart of Silicon Valley.
John Medina (Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School)
His father, a civil servant, had raised him and his sister singlehanded after their mother’s death; the sickly old man had worked overtime in order to send Ryuji to school; despite everything, Ryuji had grown up into a strong, healthy man; late in the war his home had been destroyed in an air raid and his sister had died of typhus shortly after; he had graduated from the merchant-marine high school and was just starting on his career when his father died too; his only memories of life on shore were of poverty and sickness and death, of endless devastation; by becoming a sailor, he had detached himself from the land for ever. ... It was the first time he had talked of these things at such length to a woman.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
The night before a biochemistry class, I read the last year's lecture notes. I look at the pictures in the book. Now, I've got the general concept. Sure...There's a couple of details to fill in and a a few things to memorize. But that's no big deal. I've got the big picture, and that's all I need. Bring it on professor, I'm ready. That's right. The next day, I'm a goalie sitting in the front row. "Nothin gets past me." My ability to comprehend a biochemistry lecture just went from 30% to 95%. I went on to score 780 out of a possible 800 on the medical school boards exam in biochemistry. Given that the 99th percentile began around 690, this was one of the highest scores in the USA, perhaps the highest.
Peter Rogers
First memory: a man at the back door is saying, I have real bad news, sweat is dripping off his face, Garbert's been shot, noise from my mother, I run to her room behind her, I'm jumping on the canopied bed while she cries, she's pulling out drawers looking for a handkerchief, Now, he's all right, the man say, they think, patting her shoulder, I'm jumping higher, I'm not allowed, they think he saved old man Mayes, the bed slats dislodge and the mattress collapses. My mother lunges for me. Many traveled to Reidsville for the event, but my family did not witness Willis Barnes's electrocution, From kindergarten through high school, Donette, the murderer's daughter, was in my class. We played together at recess. Sometimes she'd spit on me.
Frances Mayes (Under Magnolia: A Southern Memoir)
He went into another bar already drunk, found himself confronted by a ghost. Earlier that night he had glimpsed hints of them--in the curl of a lip that sparked a memory, a flicker of an eyelid, the way someone's hand lingered on a tabletop. Those shoes. That dress. But when you encountered a real ghost--the Thing Entire--it was a shock. . .it took your breath. Not away. It didn't take your breath away--your breath wasn't going anywhere. Your breath was still in you, locked up, not of use to you. Took your pulse only to mutter dire predictionsfor the future because the Ghost Entire trapped Control somewhere between the person he had been and the person he had become. And yet it was still just a wraith. Just a woman he had known in high school.
Jeff VanderMeer (Authority (Southern Reach, #2))
Calmly We Walk Through This April Day Calmly we walk through this April's day, Metropolitan poetry here and there, In the park sit pauper and rentier, The screaming children, the motor-car Fugitive about us, running away, Between the worker and the millionaire Number provides all distances, It is Nineteen Thirty-Seven now, Many great dears are taken away, What will become of you and me (This is the school in which we learn...) Besides the photo and the memory? (...that time is the fire in which we burn.) (This is the school in which we learn...) What is the self amid this blaze? What am I now that I was then Which I shall suffer and act again, The theodicy I wrote in my high school days Restored all life from infancy, The children shouting are bright as they run (This is the school in which they learn . . .) Ravished entirely in their passing play! (...that time is the fire in which they burn.) Avid its rush, that reeling blaze! Where is my father and Eleanor? Not where are they now, dead seven years, But what they were then? No more? No more? From Nineteen-Fourteen to the present day, Bert Spira and Rhoda consume, consume Not where they are now (where are they now?) But what they were then, both beautiful; Each minute bursts in the burning room, The great globe reels in the solar fire, Spinning the trivial and unique away. (How all things flash! How all things flare!) What am I now that I was then? May memory restore again and again The smallest color of the smallest day: Time is the school in which we learn, Time is the fire in which we burn.
Delmore Schwartz
I want a love like me thinking of you thinking of me thinking of you type love or me telling my friends more than I've ever admitted to myself about how I feel about you type love or hating how jealous you are but loving how much you want me all to yourself type love or seeing how your first name just sounds so good next to my last name. and shit- I wanted to see how far I could get without calling you and I barely made it out of my garage. See, I want a love that makes me wait until she falls asleep then wonder if she's dreaming about us being in love type love or who loves the other more or what she's doing at this exact moment or slow dancing in the middle of our apartment to the music of our hearts. Closing my eyes and imagining how a love so good could just hurt so much when she's not there and shit I love not knowing where this love is headed type love. And check this- I wanna place those little post-it notes all around the house so she never forgets how much I love her type love then not have enough ink in my pen to write all the love type love and hope I make her feel as good as she makes me feel and I wanna deal with my friends making fun of me the way I made fun of them when they went through the same kind of love type love. The only difference is this is one of those real type loves and just like in high school I wanna spend hours on the phone not saying shit and then fall asleep and then wake up with her right next to me and smell her all up in my covers type love and I wanna try counting the ways I love her then lose count in the middle just so I could start all over again and I wanna celebrate one of those one-month anniversaries even though they ain't really anniversaries but doing it just 'cause it makes her happy type love and check this- I wanna fall in love with the melody the phone plays when our numbers dial in type love and talk to you until I lose my breath, she leaves me breathless, but with the expanding of my lungs I inhale all of her back into me. I want a love that makes me need to change my cell phone calling plan to something that allows me to talk to her longer 'cause in all honesty, I want to avoid one of them high cell phone bill type loves and I don't want a love that makes me regret how small my hands are I mean the lines on my palms don't give me enough time to love you as long as I'd like to type love and I want a love that makes me st-st-st-stutter just thinking about how strong this love is type love and I want a love that makes me want to cut off all my hair. Well maybe not all of the hair, maybe like I'd cut the split ends and trim the mustache but it would still be a symbol of how strong my love is for her. I kind of feel comfortable now so I even be fantasize about walking out on a green light just dying to get hit by a car just so I could lose my memory, get transported to some third world country just to get treated and somehow meet up again with you so I could fall in love with you in a different language and see if it still feels the same type love. I want a love that's as unexplainable as she is, but I'm married so she is gonna be the one I share this love with.
Saul Williams
University, organized on the Soviet system, was just like high school: daily classes from 9-2 p.m., daily written assignments; attendance strictly kept, no choice of courses beside the major. We studied Ukrainian, Russian grammar as well as literature. It sounds ridiculous, but we learned spelling in one lesson and had to read Pushkin, in the original text, next period. The same was repeated with Ukrainian spelling, grammar and also the reading of poetry by Taras Shevchenko. That was similar to learning the verbs to be or to have and read also Shakespeare. (Actually, that was how I learned English in 1938.) The subjects that were most important: History of the Party and Dialectic Materialism. That had to be learned the way they explained it and no questions should be asked; no doubts were permitted.
Pearl Fichman (Before Memories Fade)
Most people have heard of Mahatma Gandhi, the man who led India to independence from British rule. His life has been memorialized in books and film, and he is regarded as one of the great men in history. But did you know Gandhi did not start out as a great hero? He was born into a middle-class family. He had low self-esteem, and that made him reluctant to interact with others. He wasn’t a very good student, either, and he struggled just to finish high school. His first attempt at higher education ended in five months. His parents decided to send him to England to finish his education, hoping the new environment would motivate him. Gandhi became a lawyer. The problem when he returned to India was that he didn’t know much about Indian law and had trouble finding clients. So he migrated to South Africa and got a job as a clerk. Gandhi’s life changed one day while riding on a train in South Africa in the first-class section. Because of his dark skin, he was forced to move to a freight car. He refused, and they kicked him off the train. It was then he realized he was afraid of challenging authority, but that he suddenly wanted to help others overcome discrimination if he could. He created a new vision for himself that had value and purpose. He saw value in helping people free themselves from discrimination and injustice. He discovered purpose in life where none had existed previously, and that sense of purpose pulled him forward and motivated him to do what best-selling author and motivational speaker Andy Andrews calls “persist without exception.” His purpose and value turned him into the winner he was born to be,
Zig Ziglar (Born to Win: Find Your Success Code)
Your character and soul, intelligence and creativity, love and experiences, goodness and talents, your bright and lovely self are entwined with your body, and she has delivered the whole of you to this very day. What a partner! She has been a home for your smartest ideas, your triumphant spirit, your best jokes. You haven’t gotten anywhere you’ve ever gone without her. She has served you well. Your body walked with you all the way through childhood—climbed the trees and rode the bikes and danced the ballet steps and walked you into the first day of high school. How else would you have learned to love the smell of brownies, toasted bagels, onions and garlic sizzling in olive oil? Your body perfectly delivered the sounds of Stevie Wonder, Whitney Houston, and Bon Jovi right into your memories. She gave you your first kiss, which you felt on your lips and in your stomach, a coordinated body venture. She drove you to college and hiked the Grand Canyon. She might have carried your backpack through Europe and fed you croissants. She watched Steel Magnolias and knew right when to let the tears fall. Maybe your body walked you down the aisle and kissed your person and made promises and threw flowers. Your body carried you into your first big interview and nailed it—calmed you down, smiled charmingly, delivered the right words. Sex? That is some of your body’s best work. Your body might have incubated, nourished, and delivered a whole new human life, maybe even two or three. She is how you cherish the smell of those babies, the feel of their cheeks, the sound of them calling your name. How else are you going to taste deep-dish pizza and French onion soup? You have your body to thank for every good thing you have ever experienced. She has been so good to you. And to others. Your body delivered you to people who needed you the exact moment you showed up. She kissed away little tears and patched up skinned knees. She holds hands that need holding and hugs necks that need hugging. Your body nurtures minds and souls with her presence. With her lovely eyes, she looks deliberately at people who so deeply need to be seen. She nourishes folks with food, stirring and dicing and roasting and baking. Your body has sat quietly with sad, sick, and suffering friends. She has also wrapped gifts and sent cards and sung celebration songs to cheer people on. Her face has been a comfort. Her hands will be remembered fondly—how they looked, how they loved. Her specific smell will still be remembered in seventy years. Her voice is the sound of home. You may hate her, but no one else does.
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
Zombie!” Sammy calls. “I knew it was you.” Zombie? “Where are you taking him?” Ben says to me in a deep voice. I don’t remember it being that deep. Is my memory bad or is he lowering it on purpose, to sound older? “Zombie, that’s Cassie,” Sam chides him. “You know—Cassie.” “Cassie?” Like he’s never heard the name before. “Zombie?” I say, because I really haven’t heard that name before. I pull off the cap, thinking it might help him recognize me, then immediately regret it. I know what my hair must look like. “We go to the same high school,” I say, drawing my fingers hastily through my chopped-off locks. “I sit in front of you in Honors Chemistry.” Ben shakes his head like he’s clearing out the cobwebs. Sammy goes, “I told you she was coming.” “Quiet, Sam,” I scold him. “Sam?” Ben asks. “My name is Nugget now, Cassie,” Sam informs me. “Well, sure it is.” I turn to Ben. “You know my brother.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
A visible cloud of steam rose from a long wide pipe protruding from the roof of a large concrete factory-like building nearby, and the air all around was filled with the intensely savory scent of barbecue potato chips, a flavor being manufactured in quantity for one of Southern's vendors. Grace knew that the barbecue scent came from a massive vat of liquefied compounds, which could be cooled and then poured into hundreds of fifty-five-gallon drums in the morning, carefully sealed, loaded onto tractor-trailers, and shipped out, to be warehoused for as long as two years and then, eventually, utilized in the industrial production of billions of pounds of highly processed potato-based snack foods. She knew what she smelled was a by-product from the manufacture of a highly concentrated chemical. Nevertheless, the scent evoked picnics in the park, bag lunches in elementary school lunchrooms shared over laughter with her dearest friends, long-buried feelings from childhood that rose from her heart.
Jeffrey Stepakoff (The Orchard)
So how did he turn out?” “I don’t know…It’s strange because there’s the him I remember from middle school, and that’s just my memory of him, but then there’s the him now.” “Did you guys ever go out back then?” “Oh no! Never.” “So that’s probably why you’re curious about him now.” “I didn’t say I was curious.” Lucas gives me a look. “You basically did. I don’t blame you. I’d be curious too.” “It’s just fun to think about.” “You’re lucky,” he says. “Lucky how?” “Lucky that you have..options. I mean, I’m not officially ‘out,’ but even if I was, there are, like, two gay guys at our school. Mark Weinberger, who’s a pizza face, and Leon Butler.” Lucas shudders. “What’s wrong with Leon?” “Don’t patronize me by asking. I just wish our school was bigger. There’s nobody for me here.” He stares off into space moodily. Sometimes I look at Lucas and for a second I forget he’s gay and I want to like him all over again. I touch his hand. “One day soon you’ll be in the world, and you’ll have so many options you won’t know what to do with them. Everyone will fall in love with you, because you’re so beautiful and so charming, and you’ll look back on high school as such a tiny blip.” Lucas smiles, and his moodiness lifts away. “I won’t forget you, though.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed
Brenda C. Mohammed (Travel Memoirs with Pictures)
became a blurry swirl of shapes and colors narrowing into a luminous spot of white light at the end of a black anoxic tunnel and dissolving into a rapid series of bright sharp images that I recognized at once from my childhood: long forgotten memories of important moments flashing by faster than anything I’d ever experienced, twenty to thirty frames a second, each one of them original, like perfect photographic slides from the archives of my young life, every scene compressed into a complete story with sights and sounds and smells and feelings from the time. Each image was euphoric, rapturous. The smiling face of my beautiful young mother / a gentle touch from her hand on my face / absorbing her love / playing in the sand at the seashore with my father / waves washing up on the beach / feeling the strength and security of his presence / soothing, kind-hearted praise from a teacher at school / faces and voices of adoring aunts and uncles / steam trains coming in at the local railroad station / hearing myself say “choo-choo” / the excitement of shared discovery with my brother on Christmas morning / running free through a familiar forest with a happy dog / hitting a baseball hard and hearing encouraging cries from my parents behind me in the bleachers / shooting baskets in a backyard court with a buddy from high school / a tender kiss from the soft warm lips of a lovely teenage girl / the encouraging thrust of her stomach and thighs against mine.
John Laurence (The Cat From Hue: A Vietnam War Story)
The realization that there were electrical pathways connecting the brain to the body wasn’t systematically analyzed until the 1930s, when Dr. Wilder Penfield began working with epilepsy patients, who often suffered from debilitating convulsions and seizures that were potentially life-threatening. For them, the last option was to have brain surgery, which involved removing parts of the skull and exposing the brain. (Since the brain has no pain sensors, a person can be conscious during this entire procedure, so Dr. Penfield used only a local anesthetic during the operation.) Dr. Penfield noticed that when he stimulated certain parts of the cortex with an electrode, different parts of the body would respond. He suddenly realized that he could draw a rough one-to-one correspondence between specific regions of the cortex and the human body. His drawings were so accurate that they are still used today in almost unaltered form. They had an immediate impact on both the scientific community and the general public. In one diagram, you could see which region of the brain roughly controlled which function, and how important each function was. For example, because our hands and mouth are so vital for survival, a considerable amount of brain power is devoted to controlling them, while the sensors in our back hardly register at all. Furthermore, Penfield found that by stimulating parts of the temporal lobe, his patients suddenly relived long-forgotten memories in a crystal-clear fashion. He was shocked when a patient, in the middle of brain surgery, suddenly blurted out, “It was like … standing in the doorway at [my] high school.… I heard my mother talking on the phone, telling my aunt to come over that night.” Penfield realized that he was tapping into memories buried deep inside the brain. When he published his results in 1951, they created another transformation in our understanding of the brain.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
So, instead of venting hurt pride, he preferred to speak in a way that would be of some profit for me. “There is no such thing,” he said, “as a man, however clever he may be, who has never at some time in his youth uttered words, or even led a life, that he would not prefer to see expunged from memory. He should not find this absolutely a matter for regret, as he cannot be sure he would ever have become as wise as he is, if indeed getting wisdom is a possibility for any of us, had he not traversed all the silly or detestable incarnations that are bound to precede that final one. I know there are young men, sons and grandsons of distinguished men, whose tutors, since their earliest high-school years, have taught them every nobility of soul and excellent precept of morality. The lives of such men may contain nothing they would wish to abolish; they may be happy to endorse every word they have ever uttered. But they are the poor in spirit, the effete descendants of doctrinarians, whose only wisdoms are negative and sterile. Wisdom cannot be inherited—one must discover it for oneself, but only after following a course that no one can follow in our stead; no one can spare us that experience, for wisdom is only a point of view on things. The lives of men you admire, attitudes you think are noble, haven’t been laid down by their fathers or their tutors—they were preceded by very different beginnings, and were influenced by whatever surrounded them, whether it was good, bad, or indifferent. Each of them is the outcome of a struggle, each of them is a victory. I can understand that the image of what we were in an earlier time might be unrecognizable and always irksome to behold. It should not be rejected for all that, as it is testimony to the fact that we have lived, that, in accordance with the laws of life and the spirit, we have managed to derive, from the common constituents of life, from the life of the studio and artists’ cliques, if we’re talking of painters, something that surpasses them.”91
Marcel Proust (In the Shadow of Young Girls in Flower)
The biology of potential illness arises early in life. The brain’s stress-response mechanisms are programmed by experiences beginning in infancy, and so are the implicit, unconscious memories that govern our attitudes and behaviours toward ourselves, others and the world. Cancer, multiple sclerosis, rheumatoid arthritis and the other conditions we examined are not abrupt new developments in adult life, but culminations of lifelong processes. The human interactions and biological imprinting that shaped these processes took place in periods of our life for which we may have no conscious recall. Emotionally unsatisfying child-parent interaction is a theme running through the one hundred or so detailed interviews I conducted for this book. These patients suffer from a broadly disparate range of illnesses, but the common threads in their stories are early loss or early relationships that were profoundly unfulfilling emotionally. Early childhood emotional deprivation in the histories of adults with serious illness is also verified by an impressive number of investigations reported in the medical and psychological literature. In an Italian study, women with genital cancers were reported to have felt less close to their parents than healthy controls. They were also less demonstrative emotionally. A large European study compared 357 cancer patients with 330 controls. The women with cancer were much less likely than controls to recall their childhood homes with positive feelings. As many as 40 per cent of cancer patients had suffered the death of a parent before the age of seventeen—a ratio of parental loss two and a half times as great as had been suffered by the controls. The thirty-year follow-up of Johns Hopkins medical students was previously quoted. Those graduates whose initial interviews in medical school had revealed lower than normal childhood closeness with their parents were particularly at risk. By midlife they were more likely to commit suicide or develop mental illness, or to suffer from high blood pressure, coronary heart disease or cancer. In a similar study, Harvard undergraduates were interviewed about their perception of parental caring. Thirty-five years later these subjects’ health status was reviewed. By midlife only a quarter of the students who had reported highly positive perceptions of parental caring were sick. By comparison, almost 90 per cent of those who regarded their parental emotional nurturing negatively were ill. “Simple and straightforward ratings of feelings of being loved are significantly related to health status,” the researchers concluded.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
Interestingly enough, creative geniuses seem to think a lot more like horses do. These people also spend a rather large amount of time engaging in that favorite equine pastime: doing nothing. In his book Fire in the Crucible: The Alchemy of Creative Genius, John Briggs gathers numerous studies illustrating how artists and inventors keep their thoughts pulsating in a field of nuance associated with the limbic system. In order to accomplish this feat against the influence of cultural conditioning, they tend to be outsiders who have trouble fitting into polite society. Many creative geniuses don’t do well in school and don’t speak until they’re older, thus increasing their awareness of nonverbal feelings, sensations, and body language cues. Einstein is a classic example. Like Kathleen Barry Ingram, he also failed his college entrance exams. As expected, these sensitive, often highly empathic people feel extremely uncomfortable around incongruent members of their own species, and tend to distance themselves from the cultural mainstream. Through their refusal to fit into a system focusing on outside authority, suppressed emotion, and secondhand thought, creative geniuses retain and enhance their ability to activate the entire brain. Information flows freely, strengthening pathways between the various brain functions. The tendency to separate thought from emotion, memory, and sensation is lessened. This gives birth to a powerful nonlinear process, a flood of sensations and images interacting with high-level thought functions and aspects of memory too complex and multifaceted to distill into words. These elements continue to influence and build on each other with increasing ferocity. Researchers emphasize that the entire process is so rapid the conscious mind barely registers that it is happening, let alone what is happening. Now a person — or a horse for that matter — can theoretically operate at this level his entire life and never receive recognition for the rich and innovative insights resulting from this process. Those called creative geniuses continuously struggle with the task of communicating their revelations to the world through the most amenable form of expression — music, visual art, poetry, mathematics. Their talent for innovation, however, stems from an ability to continually engage and process a complex, interconnected, nonlinear series of insights. Briggs also found that creative geniuses spend a large of amount of time “doing nothing,” alternating episodes of intense concentration on a project with periods of what he calls “creative indolence.” Albert Einstein once remarked that some of his greatest ideas came to him so suddenly while shaving that he was prone to cut himself with surprise.
Linda Kohanov (The Tao of Equus: A Woman's Journey of Healing and Transformation through the Way of the Horse)
What if she had already done it to herself? What if she had shaved away from the surface of her brain whatever synaptic interlacings had formed her gift? She remembered reading somewhere that some pop artist once bought an original drawing by Michelangelo—and had taken a piece of art gum and erased it, leaving blank paper. The waste had shocked her. Now she felt a similar shock as she imagined the surface of her own brain with the talent for chess wiped away. At home she tried a Russian game book, but she couldn’t concentrate. She started going through her game with Foster, setting the board up in the kitchen, but the moves of it were too painful. That damned Stonewall, and the hastily pushed pawn. A patzer’s move. Bad chess. Hungover chess. The telephone rang, but she didn’t answer. She sat at the board and wished for a moment, painfully, that she had someone to call. Harry Beltik would be back in Louisville. And she didn’t want to tell him about the game with Foster. He would find out soon enough. She could call Benny. But Benny had been icy after Paris, and she did not want to talk to him. There was no one else. She got up wearily and opened the cabinet next to the refrigerator, took down a bottle of white wine and poured herself a glassful. A voice inside her cried out at the outrage, but she ignored it. She drank half of it in one long swallow and stood waiting until she could feel it. Then she finished the glass and poured another. A person could live without chess. Most people did. When she awoke on the sofa the next morning, still wearing the Paris clothes she had worn when losing the game to Foster, she was frightened in a new way. She could sense her brain being physically blurred by alcohol, its positional grasp gone clumsy, its penetration clouded. But after breakfast she showered and changed and then poured herself a glass of wine. It was almost mechanical; she had learned to cut off thought as she did it. The main thing was to eat some toast first, so the wine wouldn’t burn her stomach. She kept drinking for days, but the memory of the game she had lost and the fear of what she was doing to the sharp edge of her gift would not go away, except when she was so drunk that she could not even think. There was a piece in the Sunday paper about her, with one of the pictures taken that morning at the high school, and a headline reading CHESS CHAMP DROPS FROM TOURNEY. She threw the paper away without reading the article. Then one morning after a night of dark and confusing dreams she awoke with an unaccustomed clarity: if she did not stop drinking immediately she would ruin what she had. She had allowed herself to sink into this frightening murk. She had to find a foothold somewhere to push herself free of it. She would have to get help.
Walter Tevis (The Queen's Gambit)
Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.
Michael Cunningham (Land's End: A Walk in Provincetown)
My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success... Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.
Héctor Abad Faciolince
If she lives here, she is expected to speak the language, Eric says. Immediately, he apologizes. Immediately, I put the stapler down. But I can't forgive him. That thing you said, I have heard from other people as well. So I don't need to hear it from you. Who am I really trying to forgive? That thing he says I have also thought as well. I have probably even said it. Her poor English is not for a lack of trying. She goes to ESL. She goes to reading groups. She is frustrated-- a former pharmacist with a great memory but that memory is no longer there. Yet how this must have felt: in high school, I walk ten feet in front of her whenever we are out in public. She asks for help and I pretend not to hear her. Then when she tells the neighbor there are three panthers in the house, I am mortified. I correct her. Only later do I see humor in it.
Weike Wang (Chemistry)
Kenny remembers his dad’s favorite saying and cherishes the memory: The key to success is a solid education.
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
There’s another level at which attention operates, this has to do with leadership, I argue that leaders need three kinds of focus, to be really effective, the first is an inner focus, let me tell you about a case that’s actually from the annals of neurology, there was a corporate lawyer, who unfortunately had a small prefrontal brain tumour, it was discovered early, operated successfully, after the surgery though it was a very puzzling picture, because he was absolutely as smart as he had been before, a very high IQ, no problem with attention or memory, but he couldn’t do his job anymore, he couldn’t do any job, in fact he ended up out of work, his wife left him, he lost his home, he’s living in his brother spare bedroom and in despair he went to see a famous neurologist named Antonio Damasio. Damasio specialized in the circuitry between the prefrontal area which is where we consciously pay attention to what matters now, where we make decisions, where we learn and the emotional centers in the midbrain, particularly the amygdala, which is our radar for danger, it triggers our strong emotions. They had cut the connection between the prefrontal area and emotional centers and Damasio at first was puzzled, he realized that this fellow on every neurological test was perfectly fine but something was wrong, then he got a clue, he asked the lawyer when should we have our next appointment and he realized the lawyer could give him the rational pros and cons of every hour for the next two weeks, but he didn’t know which is best. And Damasio says when we’re making a decision any decision, when to have the next appointment, should I leave my job for another one, what strategy should we follow, going into the future, should I marry this fellow compared to all the other fellows, those are decisions that require we draw on our entire life experience and the circuitry that collects that life experience is very base brain, it’s very ancient in the brain, and it has no direct connection to the part of the brain that thinks in words, it has very rich connectivity to the gastro- intestinal tract, to the gut, so we get a gut feeling, feels right, doesn’t feel right. Damasio calls them somatic markers, it’s a language of the body and the ability to tune into this is extremely important because this is valuable data too - they did a study of Californian entrepreneurs and asked them “how do you make your decisions?”, these are people who built a business from nothing to hundreds of millions or billions of dollars, and they more or less said the same strategy “I am a voracious gatherer of information, I want to see the numbers, but if it doesn’t feel right, I won’t go ahead with the deal”. They’re tuning into the gut feeling. I know someone, I grew up in farm region of California, the Central Valley and my high school had a rival high school in the next town and I met someone who went to the other high school, he was not a good student, he almost failed, came close to not graduating high school, he went to a two-year college, a community college, found his way into film, which he loved and got into a film school, in film school his student project caught the eye of a director, who asked him to become an assistant and he did so well at that the director arranged for him to direct his own film, someone else’s script, he did so well at that they let him direct a script that he had written and that film did surprisingly well, so the studio that financed that film said if you want to do another one, we will back you. And he, however, hated the way the studio edited the film, he felt he was a creative artist and they had butchered his art. He said I am gonna do the film on my own, I’m gonna finance it myself, everyone in the film business that he knew said this is a huge mistake, you shouldn’t do this, but he went ahead, then he ran out of money, had to go to eleven banks before he could get a loan, he managed to finish the film, you may have seen
Daniel Goleman
I knew she was the one I wanted since high school, and while I fooled around over the years, I saved as much as I could for her and her alone because I knew our time would come. Especially after that night five years ago. I haven’t so much as blinked at another woman since then.
Meagan Brandy (Not So Merry Memories)
All that he could fish out from the sea of memory were a few fragments, and the farther back he went, the fewer there were. Had he really been to high school? Had he really attended primary school? Had he really had a first love? Some of the fragments bore clear scratches, reminding him that those things had indeed taken place. The details were vivid, but the feelings had vanished without a trace. The past was like a handful of sand you thought you were squeezing tightly, but which had already run out through the cracks between your fingers. Memory was a river that had run dry long ago, leaving only scattered gravel in a lifeless riverbed.
Cixin Liu
That unwavering devotion has always intrigued me. People commit to an artist’s music in a way they won’t to a relationship or a career. It’s a constant in their lives, no matter what else changes. My earliest memories are of my parents dancing in the kitchen to Etta James. My mom listened to those same songs my senior year of high school, over a decade after they got divorced.
C.W. Farnsworth (King of Country)
Do you remember what you said to me on the last day of school?” I ask. “I said a lot of things, Jim. But that was, what? 14? 15 years ago?” “You said that if I didn’t tell her how I felt, it would come back someday and bite me on my ass.” “That sounds like something I would say.” “I hate to admit it,” I say, “but you were right.” “I was wise beyond my years,” Mark says lightly. “At the time, I thought you were just messing with my head.” “I was messing with your head. I was also telling you the truth.
Alex Diaz-Granados (Reunion: A Story: A Novella)
Hello, Jimmy,' said an all-too-familiar voice from somewhere behind me. It was Marty. No one else at South Miami had that delightful, almost exotic English accent. I turned around slowly until I faced her. “Hi, Marty,” I said. She got up from one of the few chairs that had not been placed in storage and gave me a shy half-smile. “So, come to say goodbye, then?” Marty asked. I gazed at her, committing every detail of her appearance to memory. She wore faded Levi’s blue jeans, a white and orange SOUTH MIAMI CHORUS T-shirt, white socks and an old pair of Keds sneakers. Her chestnut hair was tied into a ponytail. She wore very little makeup; a touch of mascara here, a hint of blush there, a bit of lip-gloss to make things a bit interesting. She was shockingly, heartrendingly beautiful. My heart skipped a beat. “I couldn’t go without seeing you, you know,” I said. She smiled. “Oh, come on; I bet you say that to all the girls.” “It’s true,” I said. “And no, I don’t say that to all the girls.
Alex Diaz-Granados (Reunion: A Story: A Novella)
I was not able to sleep that night. To be honest, I didn’t even try. I stood in front of my living room window, staring out at the bright lights of New York City. I don’t know how long I stood there; in fact, I didn’t see the millions of multicolored lights or the never-ending streams of headlights and taillights on the busy streets below. Instead, I saw, in my mind’s eye, the crowded high school classrooms and halls where my friends and I had shared triumphs and tragedies, where the ghosts of our past still reside. Images flickered in my mind. I saw the faces of teachers and fellow students I hadn’t seen in years. I heard snatches of songs I had rehearsed in third period chorus. I saw the library where I had spent long hours studying after school. Most of all, I saw Marty. Marty as a shy sophomore, auditioning for Mrs. Quincy, the school choir director. Marty singing her first solo at the 1981 Christmas concert. Marty at the 1982 Homecoming Dance, looking radiant after being selected as Junior Princess. Marty sitting alone in the chorus practice room on the last day of our senior year. I stared long and hard at those sepia-colored memories. And as my mind carried me back to the place I had sworn I’d never return to, I remembered.
Alex Diaz-Granados (Reunion: A Story: A Novella)
My friend (and ex-lover) Nicole says I’m just a restless soul. My barhopping friend Mark thinks it’s just a premature middle-age crisis; I just celebrated my 33rd birthday last week, after all. I have another theory. It’s not original, so I can’t call it the James Garraty Theory of Life. Want to hear it? Here goes. No matter how old you get, how affluent or successful you become, you’ll never outrun the ghosts of your past. Particularly the ghosts of your adolescence. Put simply, you can graduate from high school, but your soul will never leave that place.
Alex Diaz-Granados (Reunion: A Story: A Novella)
I was moved by the trees that lined the road, reaching over and across, towards one another. The crowns of birches, of oaks and elms, all rolling against the sky, flashing up their pale undersides in the wind, how was it that very thing brought me so low? It was only a tree in springtime, only the memory of sitting in the empty bleachers behind the high school, still a girl, feeling as if my skin would burst open, but nothing, nothing ever happened. It was not a message or an omen. It was not loneliness. What, then? What was this air one breathed?
Sarah Bernstein (Study for Obedience)
Seeing this high a number among white moderates jogs a memory: I’m in the seventh grade, for the first time attending an almost all-white school. It’s a government and politics lesson, and the girl next to me announces that she and her family are “fiscally conservative but socially liberal.” The phrase is new to me, but all around me, white kids’ heads bob in knowing approval, as if she’s given the right answer to a quiz. There’s something so morally sanitized about the idea of fiscal restraint, even when the upshot is that tens of millions of people, including one out of six children, struggle needlessly with poverty and hunger. The fact of their suffering is a shame, but not a reason to vote differently to allow government to do something about it. (We could eliminate all poverty in the United States by spending just 12 percent more than the cost of the 2017 Republican tax cuts.) The media’s inaccurate portrayal of poverty as a Black problem plays a role in this, because the Black faces that predominate coverage trigger a distancing in the minds of many white people. As Professor Haney López points out, priming white voters with racist dog whistles was the means; the end was an economic agenda that was harmful to working- and middle-class voters of all races, including white people. In railing against welfare and the war on poverty, conservatives like President Reagan told white voters that government was the enemy, because it favored Black and brown people over them—but their real agenda was to blunt government’s ability to challenge concentrated wealth and corporate power. The hurdle conservatives faced was that they needed the white majority to turn against society’s two strongest vessels for collective action: the government and labor unions. Racism was the ever-ready tool for the job, undermining white Americans’ faith in their fellow Americans. And it worked: Reagan cut taxes on the wealthy but raised them on the poor, waged war on the unions that were the backbone of the white middle class, and slashed domestic spending. And he did it with the overwhelming support of the white working and middle classes.
Heather McGhee (The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together (One World Essentials))
To prosper you must improve your brain power; and nothing helps the brain more than a healthy body. The race of to-day is only to be won by those who will study to keep their bodies in such good condition that their minds are able and ready to sustain that high pressure on memory and mind, which our present fierce competition engenders. It is health rather than strength that is now wanted. Health is essentially the requirement of our time to enable us to succeed in life. In all modern occupations--from the nursery to the school, from the school to the shop or world beyond--the brain and nerve strain go on, continuous, augmenting, and intensifying.
Orison Swett Marden (ORISON SWETT MARDEN Premium Collection - Wisdom & Empowerment Series)
Chocolate is a girl's best friend.' 'Consequently, I am going to polish off this entire chocolate pie, as well as sit here and cry, yes just sitting in my white tank top, and light pink comfy old short shorts, with the black drawstring in the fronts, tied, into a big floppy bow.' 'I sit looking at the TV, hugging my teddy bear. Tonight's movie lineup is 'Shawshank,' 'Misery,' 'The Notebook,' and 'A Walk to Remember.' While my black mascara from the day runs down my cheeks.' 'Life is not a fairytale, so maybe I can go next year. I know the prom is not going to happen either, yet I want to go at least once in my life. Yet, some get to go to prom, and dance for five years running. They go all four high school years.' 'Plus, they get asked for their date, which is still in school after they're out, even though they have gone many times before.' 'Then someone like me never gets the chance; that is not fair! I am not jealous; I just want to have the same opportunities, the photos, and the involvements.' 'I could envision in my mind the couples swaying to the music.' 'I could picture the bodies pressed against one another. With their hands laced with desire, all the girls having their poofy dresses pushed down by their partner's closeness, as they look so in love.' 'I know is just dumb dances, but I want to go. Why am I such a hopeless romantic? I could visualize the passionate kissing.' 'I can see the room and how it would be decorated, but all I have is the vision of it. That is all I have! Yeah, I think I know how Carrie White feels too, well maybe not like that, but close. I might get through that one tonight too because I am not going to sleep anywise.' 'So why not be scared shitless! Ha, that reminds me of another one, he- he.' 'I am sure that this night, which they had, would never be forgotten about! I will not forget it either. It must have- been an amazing night which is shared, with that one special person.' 'That singular someone, who only wants to be with you! I think about all the photographs I will never have. All the memories that can never be completed and all the time lost that can never be regained.' 'The next morning, I have to go through the same repetition over again. Something's changed slightly but not much; I must ride on the yellow wagon of pain and misery. Yet do I want to today?' 'I do not want to go after the night that I put in. I was feeling vulnerable, moody, and a little twitchy.' 'I do not feel like listening to the ramblings of my educators. Yet knowing if I do not show up at the hellhole doors, I would be asked a million questions, like why I did not show up, the next day I arrived there.
Marcel Ray Duriez
Why do you care?” I shot back, instantly defensive as I careened into memories of that night in high school and all the other nights, too. Anxious energy filled my words. “As long as I’m not driving Gemma around, it’s not like it’ll matter to you if I end up in a ditch with a broken neck.” Julian flinched at my harsh words, his eyes darkening as they swept over me. When he spoke, his voice was eerily low. Unsteady. “Don’t ever say something like that again.” I
Amelie Rhys (Alive at Night (Wildflower, #1))
after years of continuously working in front of screens. Although he used his phone to capture precious moments with his children, stay connected with family, and engage with social media, he couldn't shake the feeling that screens had become an outsized part of his parenting. "One of the biggest mistakes I made during the pandemic was buying an iPad," he admitted. "It became a crutch when I didn't feel like being present or when one of my younger ones became difficult to handle. I kept using the screen as a pacifier, rather than introducing proper ways to deal with boredom and their high energy levels." Growing up, Jason had fond memories of playing catch with his dad, creating scrap albums, and watching photos develop in his father's darkroom studio. "It taught me patience, curiosity, and precision,” he recalled. "It helped me become very careful when writing code and trying to get it right the first time." Inspired by these cherished memories, Jason resolved to reintroduce more analog activities into his family's daily life. He purchased a film camera, set up a darkroom in their home, and acquired puzzles for his younger children. Over the next two years, Jason noticed a significant improvement in his connection with his children as they bonded over these analog pastimes. As his children prepared for high school, he felt ready
José Briones (Low Tech Life: A Guide to Mindful Digital Minimalism)
It is impossible to take a step without walking through a ghost. Every memory creates one. Every version of ourselves leaves a shadow behind. Every regret and every promise and every touch against the skin. The living houses of San Francisco know this--arms gripping the hem of the San Andreas Fault, The death fields around Wounded Knee know this, where every blade of grass and weed briar is poison to the touch. The Tallahatchie River knows, gone bone dry the day Emmett Till was pulled from the waters, The Triangle Shirtwaist Factory knows, and Columbine High School knows, and Ford's Theatre knows-- with their leviathan eyes, their mouth that lick familiar air and sigh. The land, inch by inch, brick by brick, is alive with remembering.
GennaRose Nethercott (Thistlefoot)
When we pray we admit that we don’t know what God is going to do, but remember that we will never find out if we are not open to risks. We learn to stretch out our arms to the deep sea and the high heavens with an open mind and heart. In many ways prayer becomes an attitude toward life that opens itself up to a gift that is always coming. We find courage to let new things happen, things over which we have no control, but which now loom as less threatening. And it is here that we find courage to face our human boundaries and hurts, whether our physical appearance, our being excluded by others, our memories of hurt or abuse, our oppression at the hands of another. As we find freedom to cry out in our anguish or protest someone’s suffering, we discover ourselves slowly led into a new place. We become conditioned to wait for what we in our own strength cannot create or orchestrate. We realize that joy is not a matter of balloons and parties, not owning a house, or even having our children succeed in school. It has to do with a deep experience— an experience of Christ. In the quiet listening of prayer, we learn to make out the voice that says, “I love you, whoever else likes you or not. You are mine. Build your home in me as I have built my home in you.
Henri J.M. Nouwen (Turn My Mourning into Dancing: Finding Hope in Hard Times)
Extensive background in public accounting. I can also stand on my head!" Too many E-numbers. "I perform my job with effortless efficiency, effectiveness, efficacy, and expertise." There are not too many of them about. "Personal: Married 20 years; own a home, along with a friendly mortgage company." The first rule of projects is: You don't talk about projects. "My intensity and focus are at inordinately high levels, and my ability to complete projects on time is unspeakable." Learning a language. "Exposure to German for two years, but many words are inappropriate for business." Congratulations! "Accomplishments: Completed 11 years of high school."  No really, how is your memory? "Excellent memory; strong math aptitude; excellent memory; effective management skills; and very good at math." I think bricks would work better personally, but hey go for it. "Personal Goal: To hand-build a classic cottage from the ground up using my father-in-law. To be fair the job on offer was to play Snow White in a Christmas production. "Thank you for your consideration. Hope to hear from you shorty!" . Very I would say. "Enclosed is a ruff draft of my resume." Delete. "I saw your ad on the information highway, and I came to a screeching halt." Then why attach it? "Please disregard the attached resume -- it is terribly out of date." Lone wolf. "It's best for employers that I not work with people.
David Loman (Ridiculous Customer Complaints (And Other Statements) Volume 2!)
It’s not hard to find evidence that can be used to back up a parent’s decision to never let their kid venture out unsupervised (a viral story of a child lured away from a skating rink, a forced abduction from a park, a memory of a missing child from the parent’s own elementary school days). I empathize with the feelings of horror those stories evoke. To feel this way is natural. But what do we do with those feelings? I don’t think we should use them to make our safety decisions for us. I’d encourage parents to look at the data and probability of crimes involving tweens and young teens. Some will say, “Probability doesn’t matter. If it happens one time, to my child, that’s all that matters. It’s my job to protect against the possibility of danger, no matter how small.” My response to that is simple: You can’t even try to keep your child safe from random acts of tragedy.
Michelle Icard (Fourteen Talks by Age Fourteen: The Essential Conversations You Need to Have with Your Kids Before They Start High School)
Gail bent over the face. Suddenly, she lurched backward. Her hand went to her forehead. “Oh! This is Lloyd Crocker, the love of my life! We were engaged at the end of high school. He was the nicest, sweetest boy, but I messed up.” “You? How did you mess it up?” “Oh, he took me to a party at his friend’s house and I started flirting with his friend for some reason, maybe to make him jealous; I don’t remember. So, Lloyd took me home and asked for his ring back. He said he couldn’t trust me. Oh, I was brokenhearted over him. After I married Rich, Lloyd looked me up and we went for a walk. By then, he had a child and so did I. Oh, how I’ve regretted losing him. I hope he had a good life.” Elsie recognized her mother’s feckless heart had never truly been rehabilitated. She could forget anyone if the next person in line seemed entertaining.
Lynn Byk (The Fearless Moral Inventory of Elsie Finch)
But she also wondered, not for the first time, if she was stepping on her mother's memory by being here in the first place—the city her little high school crush had run off to.
Georgia K. Boone (I'll Be Gone for Christmas)
ADD may be present. Since everybody will answer “yes” to some number of questions, and since we have not established norms for this questionnaire, it should only be used as an informal gauge. 1. Are you left-handed or ambidextrous? 2. Do you have a family history of drug or alcohol abuse, depression, or manic-depressive illness? 3. Are you moody? 4. Were you considered an underachiever in school? Now? 5. Do you have trouble getting started on things? 6. Do you drum your fingers a lot, tap your feet, fidget, or pace? 7. When you read, do you find that you often have to reread a paragraph or an entire page because you are daydreaming? 8. Do you tune out or space out a lot? 9. Do you have a hard time relaxing? 10. Are you excessively impatient? 11. Do you find that you undertake many projects simultaneously so that your life often resembles a juggler who’s got six more balls in the air than he can handle? 12. Are you impulsive? 13. Are you easily distracted? 14. Even if you are easily distracted, do you find that there are times when your power of concentration is laser-beam intense? 15. Do you procrastinate chronically? 16. Do you often get excited by projects and then not follow through? 17. More than most people, do you feel that it is hard for you to make yourself understood? 18. Is your memory so porous that if you go from one room to the next to get something, by the time you get to the next room you’ve sometimes forgotten what you were looking for? 19. Do you smoke cigarettes? 20. Do you drink too much? 21. If you have ever tried cocaine, did you find that it helped you focus and calmed you down, rather than making you high? 22. Do you change the radio station in your car frequently? 23. Do you wear out your TV remote-control switch by changing stations frequently? 24. Do you feel driven, as if an engine inside you won’t slow down? 25. As a kid, were you called words like, “a daydreamer,” “lazy,” “a spaceshot,” “impulsive,” “disruptive,” “lazy,” or just plain “bad”?
Edward M. Hallowell (Driven to Distraction: Recognizing and Coping with Attention Deficit Disorder)
SINCE I HAVE MY LIFE BEFORE ME” By Brooke Bronkowski I’ll live my life to the fullest. I’ll be happy. I’ll brighten up. I will be more joyful than I have ever been. I will be kind to others. I will loosen up. I will tell others about Christ. I will go on adventures and change the world. I will be bold and not change who I really am. I will have no troubles but instead help others with their troubles. You see, I’ll be one of those people who live to be history makers at a young age. Oh, I’ll have moments, good and bad, but I will wipe away the bad and only remember the good. In fact that’s all I remember, just good moments, nothing in between, just living my life to the fullest. I’ll be one of those people who go somewhere with a mission, an awesome plan, a world-changing plan, and nothing will hold me back. I’ll set an example for others, I will pray for direction. I have my life before me. I will give others the joy I have and God will give me more joy. I will do everything God tells me to do. I will follow the footsteps of God. I will do my best!!! During her freshman year in high school, Brooke was in a car accident while driving to the movies. Her life on earth ended when she was just fourteen, but her impact didn’t. Nearly fifteen hundred people attended Brooke’s memorial service. People from her public high school read poems she had written about her love for God. Everyone spoke of her example and her joy. I shared the gospel and invited those who wanted to know Jesus to come up and give their lives to Him. There must have been at least two hundred students on their knees at the front of the church praying for salvation. Ushers gave a Bible to each of them. They were Bibles that Brooke had kept in her garage, hoping to give out to all of her unsaved friends. In one day, Brooke led more people to the Lord than most ever will. In her brief fourteen years on earth, Brooke was faithful to Christ. Her short life was not wasted.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
(About the magic bathroom). If knowledge is money, and money is gold, then this is modern day Alchemy. Feces (wasted time) is turned into gold (knowledge).
Peter Rogers
I'm gonna take all my sadness, frustration, anger and energy and channel it into becoming the best possible student. I AM GOING TO BECOME A LEARNING MACHINE.
Peter Rogers
(From chapter on Getting Started at Stanford). Go ahead, go to all your parties. Go ahead and go home to your families and friends every weekend. You are probably smarter than me. But it doesn't matter. While you are goofing around, I'm gonna be studying, and I'm gonna catch you.
Peter Rogers
Prereading is a game changer. It changed my life. Everyone is smarter when they have seen the material before. You will be too
Peter Rogers (Straight A at Stanford and on to Harvard)
The night before a biochemistry class, I read the lecture notes from last year. I look at the pictures in the book. I read some of the book. Now, I've got the general concept. Sure...There's a couple of details to fill in and a few things to memorize. but that's no big deal. I've got the big picture and that's all I need. Bring it on professor. I'm ready. That's right. The next day, I'm a goalie sitting in the front row. Nothin gets past me... My ability to comprehend a biochemistry lecture just went up from 30% to 95%. I went on to score 780 out of a possible 800 on the medical school biochemistry boards exam (USMLE 1). Given that the 99th percentile began around 690, this was one of the highest scores in the USA, perhaps the highest.
Peter Rogers (Straight A at Stanford and on to Harvard)