Hercules Love Quotes

We've searched our database for all the quotes and captions related to Hercules Love. Here they are! All 100 of them:

A man when he is making up to anybody can be cordial and gallant and full of little attentions and altogether charming. But when a man is really in love he can't help looking like a sheep.
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
Love can be a very frightening thing.’ ‘That is why most great love stories are tragedies.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
Ellwood smiled, and a sudden, dry bleakness spread over Gaunt’s heart as he thought of Hercules, and Hector, and all the heroes in myth who found happiness briefly, only for it not to be the end of the story.
Alice Winn (In Memoriam)
To care passionately for another human creature brings always more sorrow than joy; but at the same time, Elinor, one would not be without experience. Anyone who has never really loved has never really lived..
Agatha Christie (Sad Cypress (Hercule Poirot, #22))
The heart of a woman who loves will forgive many blows.
Agatha Christie (The Murder on the Links (Hercule Poirot, #2))
Love is not everything, Mademoiselle,' Poirot said gently. 'It is only when we are young that we think it is.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
When will a woman lie? Sometimes for herself. Usually for the man she loves. Always for her children.
Agatha Christie (The Murder on the Links (Hercule Poirot, #2))
You know, Emily was a selfish old woman in her way. She was very generous, but she always wanted a return. She never let people forget what she had done for them - and, that way she missed love.
Agatha Christie (The Mysterious Affair at Styles (Hercule Poirot, #1))
There is nothing so terrible as to live in an atmosphere of suspicion - to see eyes watching you and the love in them changing to fear - nothing so terrible as to suspect those near and dear to you - It is poisonous - a miasma.
Agatha Christie (The A.B.C. Murders (Hercule Poirot, #13))
They’ve kept the truth about Persephone a secret, burying it deep below Hercules’s murdered wife and all of Zeus’s affairs. It’s dangerous, you see, a spark threatening to ignite a long dead flame. Power. She loved her power, the Queen of the Dead, to forever reign in the fires of hell. She wore her crown like a beacon; a beautiful queen, plotting against her king. They never wanted you to know the hunger of Persephone, how she starved for something other than pomegranates. Control. The primal thirst that burns all women’s throats, denied by eons of men. Listen closely to the voice from hell, sweetheart. “You are a queen; don’t wait for a king.
E.P. .
The Romans move east from New York. They advance in your camp, and nothing can slow them down. "Nothing can slow them down," Leo mused. "I wonder..." "What?" Jason asked. Leo looked at the dwarfs. "I'll make you a deal." Akmon's eyes lit up. "Thirty percent?" "We'll leave you all the treasure," Leo said, "except the stuff that belongs to us, and the astrolabe, and this book, which we'll take back to the dude in Venice." "But he'll destroy us!" Passolos wailed. "We won't say where we got it," Leo promised. "And we won't kill you. We'll let you go free." "Uh, Leo...?" Jason asked nervously. Akmon squealed in delight. "I knew you were as smart at Hercules! I will call you Black Bottom, the Sequel!" "You, no thanks," Leo said. "But in return for us sparing your lives, you have to do something for us. I'm going to send you somewhere to steal from some people, harass them, make life hard for them any way you can. You have to follow my directions exactly. You have to swear on the River Styx." "We swear!" Passalos said. "Stealing from people is our specialty!" "I love harassment!" Akmon agreed. "Where are we going?" Leo grinned. "Ever heard of New York?
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Yes, yes-you will give him the earth-because you love him. Love him too much for safety or for happiness. But you cannot give to people what they are incapable of receiving.
Agatha Christie (After the Funeral (Hercule Poirot, #33))
The mightiest kings have had their minions; Great Alexander loved Hephaestion, The conquering Hercules for Hylas wept; And for Patroclus, stern Achilles drooped. And not kings only, but the wisest men: The Roman Tully loved Octavius, Grave Socrates, wild Alcibiades.
Christopher Marlowe (Edward II)
It seems dreadful to say so, but there is something attractive to a girl in being told anyone is a bad man. She thinks at once that her love will reform him.
Agatha Christie (Three Act Tragedy (Hercule Poirot, #11))
I love autumn. It’s so much richer than spring.
Agatha Christie (The Hollow (Hercule Poirot, #26))
Trains are relentless things, aren't they, Monsieur Poirot? People are murdered and die, but they go on just the same. I am talking nonsense, but you know what I mean." "Yes, yes, I know. Life is like a train, Mademoiselle. It goes on. And it is a good thing that that is so." "Why?" "Because the train gets to its journey's end at last, and there is a proverb about that in your language, Mademoiselle." "'Journey's end in lovers meeting.'" Lenox laughed. "That is not going to be true for me." "Yes--yes, it is true. You are young, younger than you yourself know. Trust the train, Mademoiselle, for it is le bon Dieu who drives it." The whistle of the engine came again. "Trust the train, Mademoiselle," murmured Poirot again. "And trust Hercule Poirot. He knows.
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
O, that this too too solid flesh would melt Thaw and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! God! How weary, stale, flat and unprofitable, Seem to me all the uses of this world! Fie on't! ah fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on: and yet, within a month-- Let me not think on't--Frailty, thy name is woman!-- A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears:--why she, even she-- O, God! a beast, that wants discourse of reason, Would have mourn'd longer--married with my uncle, My father's brother, but no more like my father Than I to Hercules: within a month: Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married. O, most wicked speed, to post With such dexterity to incestuous sheets! It is not nor it cannot come to good: But break, my heart; for I must hold my tongue.
William Shakespeare (Hamlet)
A man in love is a sorry spectacle.
Agatha Christie (The Mysterious Affair at Styles (Hercule Poirot, #1))
With women, love always comes first.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
For whom will a woman lie? Sometimes for herself, usually for the man she loves, always for her children.
Agatha Christie (The Murder on the Links (Hercule Poirot, #2))
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we'd make round trips. We swung on vines like Tarzan, and flashed Zorro's keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book's for the boys.
Robert McCammon
It's awful, isn't it? This love business gets hold of you and you can't do anything about it.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
She screamed in my face—I screamed back. Oh, look, we’re harmonizing. Mozart would have loved this.
Jasmine Mas (Blood of Hercules (Villains of Lore, #1))
But when a man is really in love he can't help looking like a sheep. Now whenever that young man looked he looked like a sheep I take back all is this morning. It is genuine.
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
Twas easier to disarm the god of strength Than this Hippolytus, for Hercules Yielded so often to the eyes of beauty, As to make triumph cheap. ― Jean Racine, Phèdre
Jean Racine (Phèdre)
Flowers never look so lovely as they do in Paris in the market there.
Agatha Christie (Hallowe'en Party (Hercule Poirot, #41))
Motives for murder are sometimes very trivial, Madame.” “What are the most usual motives, Monsieur Poirot?” “Most frequent—money. That is to say, gain in its various ramifications. Then there is revenge—and love, and fear, and pure hate, and beneficence—” “Monsieur Poirot!” “Oh, yes, Madame. I have known of—shall we say A?—being removed by B solely in order to benefit C. Political murders often come under the same heading. Someone is considered to be harmful to civilization and is removed on that account. Such people forget that life and death are the affair of the good God.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
Ah, but people don't run true to form in love affairs.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
Edna restored the toffee to the centre of her tongue and sucking pleasurably, resumed her typing of Naked Love by Armand Levine. Its painstaking eroticism left her uninterested--as indeed it did most of Mr. Levine's readers, in spite of his efforts. He was a notable example of the fact that nothing can be duller than dull pornography.
Agatha Christie (The Clocks (Hercule Poirot, #39))
A man when he is making up to anybody can be cordial and gallant and full of little attentions and altogether charming. But when a man is really in love, he can't help looking like a sheep. Now, whenever that young man looked at you, he looked like a sheep. I take back all I said this morning. It is genuine.
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
But love, first learnèd in a lady's eyes, Lives not alone immurèd in the brain, But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices. It adds a precious seeing to the eye; A lover's eyes will gaze an eagle blind; A lover's ears will hear the lowest sound, When the suspicious head of theft is stopped: Love's feeling is more soft and sensible Than are the tender horns of cockled snails: Love's tongue proves dainty Baccus gross in taste. For valour, is not love a Hercules, Still climbing trees in the Hesperides? Subtle as Sphinx; as sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all the gods Makes heaven drowsy with the harmony. Never durst poet touch a pen to write Until his ink were tempered with Love's sighs.
William Shakespeare (Love's Labour's Lost)
Yeah. I'm the secret love child of Hercule Poirot and Lisbeth Salander.
Salla Simukka (As Red as Blood (Lumikki Andersson, #1))
Love is not everything, Mademoiselle,’ Poirot said gently. ‘It is only when we are young that we think it is.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
Many children, most children, I should say, suffer from over-attention on the part of their parents. There is too much love, too much watching over the child.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
It is love that has come — not as you imagined it, all cock-a-hoop with fine feathers, but sadly, with bleeding feet.
Agatha Christie (The Murder on the Links (Hercule Poirot, #2))
I looked at her. Sheila was my girl--the girl I wanted--and wanted for keeps. But it wasn't any use having illusions about her. Sheila was a liar and probably always would be a liar. It was her way of fighting for survival--the quick easy glib denial. It was a child's weapon--and she'd probably never got out of using it. If I wanted Sheila, I must accept her as she was--be at hand to prop up the weak places. We've all got our weak places. Mine were different from Sheila's, but they were there.
Agatha Christie (The Clocks (Hercule Poirot, #39))
love.” Poirot put his hand gently on her shoulder. He said: “But you are one of those who can live with a sword in their hearts—who can go on and smile—” Henrietta looked up at him. Her lips twisted into a bitter smile. “That’s a little melodramatic,
Agatha Christie (The Hollow (Hercule Poirot, #26))
I was wrong about that young man of yours. A man when he is making up to anybody can be cordial and gallant and full of little attentions and altogether charming. But when a man is really in love, he can't help looking like a sheep. Now, whenever that young man looked at you, he looked like a sheep. I take back all I said this morning. It is genuine.
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
L'amour, it causes many fatalities, does it not?
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
As lovely as Aphrodite - as wise as Athena - with the speed of Mercury and the strength of Hercules - she is known only as Wonder Woman.
William Moulton Marston (Wonder Woman: The Golden Age Omnibus 2)
It is truly the only way to love your job: keep challenging yourself to do better.
Kevin Sorbo (True Strength: My Journey from Hercules to Mere Mortal and How Nearly Dying Saved My Life)
But Amyas was like all the Crales, a ruthless egoist. He loved Caroline but he never once considered her in any way. He did as he pleased.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
It is hate that makes people kill, Mr Catchpool, not love. Never love. Please be rational.
Sophie Hannah (The Monogram Murders (New Hercule Poirot Mysteries, #1))
Love is not everything, Mademoiselle,” Poirot said gently. “It is only when we are young that we think it is.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
The bereaved had never any doubt about their dear ones’ wishes and those wishes usually squared with their own inclinations.
Agatha Christie (Mrs. McGinty's Dead (Hercule Poirot, #32))
Are you crazy? I’ve been in love with you for centuries. Now that I have you, I’m not ever letting you go.
Michelle Hercules (Dark Prince (Blueblood Vampires, #1))
I should have known when I first saw that picture. For it is a very remarkable picture. It is the picture of a murderess painted by her victim-it is the picture of a girl watching her lover dies.
Agatha Christie
{Colonel Carr's testimony of Colonel Robert Ingersoll at his funeral} He was the boldest, most aggressive, courageous, virile, and the kindest and gentlest and most considerate and loving man I ever knew. His was a nature that yielded to no obstacles, that could not be moved nor turned aside by the allurements of place or position, the menaces of power, the favors of the opulent, or the enticing influences of public opinion. Entering upon his career in an age of obsequiousness and time-serving, when the values of political and religious views were estimated by what they would bring from the ruling party and from the church, in offices and emoluments and benefices, he assailed the giant evils of the times with the strength and power of Hercules and ground them to dust under his trip-hammer blows. Throughout his whole active life, there has been no greater and more potential influence than the personality of this sublime character in breaking the shackles of the slave, and in freeing men and women and children from the bonds of ignorance and superstition.
Eugene Asa Carr
I was such a foolish girl - girls are foolish, Mr. Satterthwaite. They are so sure of themselves, so convinced they know best. People write and talk a lot of a ‘woman’s instinct.’ I don’t believe, Mr.Satterthwaite, that there is any such thing. There doesn’t seem to be anything that warns girls against a certain type of man. Nothing in themselves, I mean. Their parents warn them, but that’s no good - one doesn’t believe. It seems dreadful to say so, but there is something attractive to a girl in being told anyone is a bad man. She thinks at once that her love will reform him.
Agatha Christie (Three Act Tragedy (Hercule Poirot, #11))
She is in love—heart, soul, and body—and she is not of those who love lightly and often.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
Poirot loves being mysterious. He will never part with a piece of information until the last possible moment.
Agatha Christie (The Big Four (Hercule Poirot, #5))
That's my point. Almost all of us have been hurt by our families, but look at us now, making families of our own, with people we choose to love,
Serena Valentino (Fire & Fate (Villains, #10))
I have always believed that a love of nature was essentially a healthy sign in a man.
Agatha Christie (Curtain: Poirot's Last Case (Hercule Poirot, #44))
Successful love may sometimes use the language of flattery, I admit. But hopeless love, dearest, always speaks the truth.
Agatha Christie (The Unusual Suspects: Ultimate Mystery Collection: Hercule Poirot Cases, Father Brown Mysteries, Sherlock Holmes, Arsene Lupin, Dr Thorndyke's Cases, Mr. ... The Four Just Men, The Woman in White…)
I did what any loving, loyal daughter would have done who had been raised on a diet of Hercules movies.
Jeffrey Eugenides (Middlesex)
amor fati, memento mori . . . amor fati, memento mori!” Goosebumps prickled. Remember death, love your fate.
Jasmine Mas (Blood of Hercules (Villains of Lore, #1))
What benefit have the Hindus derived from their contact with Christian nations? The idea generally prevalent in this country about the morality and truthfulness of the Hindus evidently has been very low. Such seeds of enmity and hatred have been sown by the missionaries that it would be an almost Herculean task to establish better relations between India and America... If we examine Greek, Chinese, Persian, or Arabian writings on the Hindus, before foreigners invaded India, we find an impartial description of their national character. Megasthenes, the famous Greek ambassador, praises them for their love of truth and justice, for the absence of slavery, and for the chastity of their women. Arrian, in the second century, Hiouen-thsang, the famous Buddhist pilgrim in the seventh century, Marco Polo in the thirteenth century, have written in highest terms of praise of Hindu morality. The literature and philosophy of Ancient India have excited the admiration of all scholars, except Christian missionaries.
Virchand Gandhi (The Monist)
And when we say also that the Word, who is the first-birth of God, was produced without sexual union, and that He, Jesus Christ, our Teacher, was crucified and died, and rose again, and ascended into heaven, we propound nothing different from what you believe regarding those whom you esteem sons of Jupiter. For you know how many sons your esteemed writers ascribed to Jupiter: Mercury, the interpreting word and teacher of all; Aesculapius, who, though he was a great physician, was struck by a thunderbolt, and so ascended to heaven; and Bacchus too, after he had been torn limb from limb; and Hercules, when he had committed himself to the flames to escape his toils; and the sons of Leda, and Dioscuri; and Perseus, son of Danae; and Bellerophon, who, though sprung from mortals, rose to heaven on the horse Pegasus. For what shall I say of Ariadne, and those who, like her, have been declared to be set among the stars? And what of the emperors who die among yourselves, whom you deem worthy of deification, and in whose behalf you produce some one who swears he has seen the burning Caesar rise to heaven from the funeral pyre? And what kind of deeds are recorded of each of these reputed sons of Jupiter, it is needless to tell to those who already know. This only shall be said, that they are written for the advantage and encouragement of youthful scholars; for all reckon it an honourable thing to imitate the gods. But far be such a thought concerning the gods from every well-conditioned soul, as to believe that Jupiter himself, the governor and creator of all things, was both a parricide and the son of a parricide, and that being overcome by the love of base and shameful pleasures, he came in to Ganymede and those many women whom he had violated and that his sons did like actions. But, as we said above, wicked devils perpetrated these things. And we have learned that those only are deified who have lived near to God in holiness and virtue; and we believe that those who live wickedly and do not repent are punished in everlasting fire.
Justin Martyr (The First Apology of Justin Martyr, Addressed to the Emperor Antoninus Pius; Prefaced by Some Account of the Writings and Opinions of Justin)
continually amazed at just how many skills and crafts could go into making “a lovely home”—the patchwork quilts you could sew, the curtains you could ruffle, the cucumbers you could pickle, the rhubarb you could make into jam, the icing-sugar decorations you could create for your Christmas cake—which you were supposed to make in September at the latest (for heaven’s sake)—and at the same time remember to plant your indoor bulbs so they would also be ready for “the festive season,” and it just went on and on, every month a list of tasks that would have defeated Hercules and that was without the everyday preparation of meals,
Kate Atkinson (Case Histories (Jackson Brodie #1))
If I don't return, make sure Hercules moves on from all of this," Meg said. "Meg..." Phil swallowed hard. It was the first time he'd called her by her actual name. She tried to put her spinning thoughts into words. "I don't want him wasting his immortality on me. He's a good guy who gives so much of himself. He deserves to have someone do that for him in return. Got it?" Phil looked at her. "Wow, you really do love the guy, don't you?
Jen Calonita (Go the Distance)
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we’d make round trips. We swung on vines like Tarzan, and flashed Zorro’s keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book’s for the boys.
Robert McCammon (Boy's Life)
A weak, small, spare old man, he was a very Hercules, this Toby, in his good intentions. He loved to earn his money. He delighted to believe — Toby was very poor, and couldn’t well afford to part with a delight — that he was worth his salt.
Charles Dickens (The Complete Works of Charles Dickens)
Your daughter's a very enthusiastic scientific worker.” “I know,” I said rather disconsolately. “It worries me sometimes. It doesn't seem natural, if you know what I mean. I feel she ought to be - more human - more keen on having a good time. Amuse herself - fall in love with a nice boy or two. After all, youth is the time to have one's fling - not to sit poring over test tubes. It isn't natural. In our young days we were having fun - flirting - enjoying ourselves - you know.
Agatha Christie (Curtain (Hercule Poirot, #44))
The Adventures of Sherlock Holmes,” he murmured lovingly, and even uttered reverently the one word, “Maître!” “Sherlock Holmes?” I asked. “Ah, non, non, not Sherlock Holmes! It is the author, Sir Arthur Conan Doyle, that I salute. These tales of Sherlock Holmes are in reality farfetched, full of fallacies and most artificially contrived. But the art of the writing—ah, that is entirely different. The pleasure of the language, the creation above all of that magnificent character, Dr. Watson. Ah, that was indeed a triumph.
Agatha Christie (The Clocks (Hercule Poirot, #39))
Hercules knows you are a strong, confident woman. It's one of the things he loves about you, just like you relish his big heart and ability to see the world in a bright way. You've opened yourselves up to each other, which is a beautiful thing! But it's important to remember that when you let someone into your heart, you allow them to see all sides of you- even the vulnerable side. Loving someone does not make you any less strong. It means you trust in one another and they trust in you- that you can give and you can take.
Jen Calonita (Go the Distance)
Besides, Jason is a man of this sort: most men either envy or despise him, but most women fall in love with him at first sight. Since women everywhere, both among barbarians and among civilised races, hold the secret reins of power, and win their own way in the end, the gift bestowed on Jason is no poor one. He is a better leader even than you, Hercules, whom all men admire and none envy, and at first sight of whom every woman in her senses picks up her skirts and runs off yelling.’ Cheiron’s wisdom is justly famed, though he was exaggerating the fear women have of me; and therefore, while I refuse to lead the expedition myself, I am ready to fight all men, either singly or in a body, who wish to dispute Cheiron’s choice. But whether I despise or envy Jason, let no man impudently inquire.
Robert Graves
There is nothing thrilling about murder,” Poirot declared with force. “It is tragic and devastating and continues to cause suffering many years after it has happened—to the innocent and to the surviving loved ones of the guilty. It is and will always be an abomination—a stain on the face of the earth.
Sophie Hannah (The Killings at Kingfisher Hill (New Hercule Poirot Mysteries, #4))
Give me up to the Argives instead of them, O king, and so neither run any risk yourself, and let the children be saved for me; I must not love my own life, let it go; and above all, Eurystheus would like taking me, the ally of Hercules, to insult me; for he is a froward man; and the wise should pray to have enmity with a wise man, not with an ignorant disposition, for in that case one, even if unfortunate, may meet with much respect.
Euripides (The Tragedies of Euripides, Volume I.)
That is the miracle of Greek mythology—a humanized world, men freed from the paralyzing fear of an omnipotent Unknown. The terrifying incomprehensibilities which were worshiped elsewhere, and the fearsome spirits with which earth, air, and sea swarmed, were banned from Greece. It may seem odd to say that the men who made the myths disliked the irrational and had a love for facts; but it is true, no matter how wildly fantastic some of the stories are. Anyone who reads them with attention discovers that even the most nonsensical take place in a world which is essentially rational and matter-of-fact. Hercules, whose life was one long combat against preposterous monsters, is always said to have had his home in the city of Thebes. The exact spot where Aphrodite was born of the foam could be visited by any ancient tourist; it was just offshore from the island of Cythera. The winged steed Pegasus, after skimming the air all day, went every night to a comfortable stable in Corinth. A
Edith Hamilton (Mythology)
You want to leave the moat, to go back to the room; you’re already turning and trying to find the door, covered with fake leather, in the steep wall of the moat, but the master succeeds in grabbing your hand and, looking straight in your eyes, says: Your assignment: describe the jaw of a crocodile, the tongue of a hummingbird, the steeple of the New Maiden Convent, a shoot of bird cherry, the bend of the Lethe, the tail of any village dog, a night of love, mirages over hot asphalt, the bright midday in Berezov, the face of a flibbertigibbet, the garden of hell, compare the termite colony to the forest anthill, the sad fate of leaves to the serenade of a Venetian gondolier, and transform a cicada into a butterfly, turn rain into hail, day into night, give us today our daily bread, make a sibilant out of a vowel, prevent the crash of the train whose engineer is asleep, repeat the thirteenth labor of Hercules, give a smoke to a passerby, explain youth and old age, sing a song about a bluebird bringing water in the morn, turn your face to the north, to the Novgorodian barbicans, and then describe how the doorman knows it is snowing outside, if he sits in the foyer all day, talks to the elevator operator, and does not look out the window because there is no window; yes, tell how exactly, and in addition, plant in your orchard a white rose of the winds, show it to the teacher Pavel and, if he likes it, give the white rose to the teacher Pavel, pin the flower to his cowboy shirt or to his dacha hat, bring joy to the man who departed to nowhere, make your old pedagogue—a joker, a clown, and a wind-chaser—happy.
Sasha Sokolov (A School for Fools)
Wardress in a prison,was she, that old hippopotamus? That is significant, perhaps." Sarah said: "You mean that that is the cause of her tyranny? It is the habit of her former profession." Gerard shook his head. "No, that is approaching it from the wrong angle. There is some deep underlying compulsion. She does not love tyranny because she has been a wardress. Let us rather say that she became a wardress because she loved tyranny. In my theory it was a secret desire for power over other human beings that led her to adopt that profession." His face was very grave. "There are such strange things buried down in the unconscious. A lust for power - a lust for cruelty - a savage desire to tear and rend - all the inheritance of our past racial memories...They are all there, Miss King, all the cruelty and savagery and lust...We shut the door on them and deny them conscious life, but sometimes - they are too strong." Sarah shivered. "I know." Gerard continued: "We see it all around us today - in political creeds, in the conduct of nations. A reaction from humanitarianism - from pity - from brotherly good-will. The creeds sound well sometimes - a wise régime - a beneficent government - but imposed by force - resting on a basis of cruelty and fear. They are opening the door, these apostles of violence, they are letting up the old savagery, the old delight in cruelty for its own sake! Oh, it is difficult - Man is an animal very delicately balanced. He has one prime necessity - to survive. To advance too quickly is as fatal as to lag behind. He must survive! He must, perhaps, retain some of the old savagery, but he must not - no definitely he must not - deify it!
Agatha Christie (Appointment with Death (Hercule Poirot, #19))
Why? Why me? Why am I getting this deal?” “Because your love is lukewarm and your wish is half-assed and prideful. I’m from another time and place, my dear, when love made the cup run over and love killed. That’s what I stand for. When gods and men wrestled, fought, and fucked; and the offspring of their union was sometimes hideous, sometimes wondrous. Sometimes the Minotaur, sometimes Hercules. Win some, lose some, get mauled, raped, and eaten by some. Your love is the holding of hands, the peck on the cheek, the Cialis couple in matching tubs. Your love is the tepid treacle left on Oprah’s hanky.
David Duchovny (Miss Subways)
To know the narrative in advance is to turn yourself into a machine,” the Manager continues. “What makes humans human is precisely that they do not know the future. That is why they do the fateful and amusing things they do: who can say how anything will turn out? Therein lies the only hope for redemption, discovery, and—let’s be frank—fun, fun, fun! There might be things people will get away with. And not just motel towels. There might be great illicit loves, enduring joy, faith-shaking accidents with farm machinery. But you have to not know in order to see what stories your life’s efforts bring you. The mystery is all.
David Sedaris (Children Playing Before a Statue of Hercules (A Meditation on Short Fiction))
You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things." "Oh,it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want." He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that. Not that that/i> would be so bad. But I like Toph,and St. Clair has a girlfriend. And even if the situation were different, Mer still has dibs. I'd never do that to her after how nice she was my first day.And my second. And every other day this week. Besides,he's just an attractive boy. Nothing to get worked up over. I mean, the streets of Europe are filled with beautiful guys, right? Guys with grooming regimens and proper haircuts and stylish coats.Not that I've seen anyone even remotely as good-looking as Monsieur Etienne St.Clair.But still. He turns his face away from mine. Is it my imagination or does he look embarrassed? But why would he be embarrassed? I'm the one with the idiotic mouth. "Is that your boyfriend?" He points to my laptop's wallpaper, a photo of my coworkers and me goofing around. It was taken before the midnight release of the lastest fantasy-novel-to-film adaptation. Most of us were dressed like elves or wizards. "The one with his eyes closed?" "WHAT?" He thinks I'd date a guy like Hercules Hercules is an assistant manager. He's ten years older than me and,yes, that's his real name. And even though he's sweet and knows more about Japanese horror films than anyone,he also has a ponytail. A ponytail. "Anna,I'm kidding.This one. Sideburns." He points to Toph,the reason I love the picture so much.Our heads are turned into each other, and we're wearing secret smiles,as if sharing a private joke. "Oh.Uh...no.Not really.I mean, Toph was my almost-boyfriend.I moved away before..." I trail off, uncomfortable. "Before much could happen.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned. I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.” “But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then. I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.” The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.” “You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too. “Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—” “You weren’t thinking.” She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—” “The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.” She ignored me again. “Everything makes me cry and I itch. I itch so bad.” “Do I… want to know where you’re itching?” “Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.” I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever. “He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.” “You know you can come stay with us if you want.” She made a noise. “I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.” She sighed. “I would. I really would, but I couldn’t leave Aiden.” And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too. “Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—” Vanessa let out another loud laugh. “You jerk.” “What? You could.” There was a pause. “I don’t even know why I bother with you half the time.” “Because you love me?” “I don’t know why.” “Tia,” Louie hissed, rubbing his belly like he was seriously starving. “Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?” Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.” “Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—” “Goddammit, Diana—” I laughed. “Love you. I’ll call you back. Bye!” “Vanny has a whale?” Lou asked.
Mariana Zapata (Wait for It)
Peter Lord said: “Oh, well, I suppose she and Roderick Welman will live happy ever afterwards.” Hercule Poirot said: “My dear friend, you suppose nothing of the sort!” “Why not? She’ll forgive him the Mary Gerrard business. It was only a wild infatuation on his part, anyway.” Hercule Poirot said: 'It goes deeper than that… There is, sometimes, a deep chasm between the past and the future. When one has walked in the valley of the shadow of death, and come out of it into the sunshine—then, mon cher, it is a new life that begins… The past will not serve….” He waited a minute and then went on: “A new life… That is what Elinor Carlisle is beginning now—and it is you who have given her that life.” “No.” “Yes. It was your determination, your arrogant insistence that compelled me to do as you asked. Admit now, it is to you she turns in gratitude, is it not?” Peter Lord said slowly: “Yes, she’s very grateful—now… She asked me to go and see her—often.” “Yes, she needs you.” Peter Lord said violently: “Not as she needs—him!” Hercule Poirot shook his head. “She never needed Roderick Welman. She loved him, yes, unhappily—even desperately.” Peter Lord, his face set and grim, said harshly: “She will never love me like that.” Hercule Poirot said softly: “Perhaps not. But she needs you, my friend, because it is only with you that she can begin the world again.
Agatha Christie (Sad Cypress (Hercule Poirot, #22))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
So to you Elsa Greer spoke in the words of Juliet?’ ‘Yes. She was a spoiled child of fortune-young, lovely, rich. She found her mate and claimed him-no young Romeo, a married, middle-aged painter. Elsa Greer had no code to restrain her, she had the code of modernity. “Take what you want-we shall only live once!’ He sighed, leaned back, and again tapped gently on the arm of his chair. ‘A predatory Juliet. Young, ruthless, but horribly vulnerable! Staking everything on the one audacious throw. And seemingly she won…and then-at the last moment-death steps in-and the living, ardent, joyous Elsa died also. There was left only a vindictive, cold, hard woman, hating with all her soul the woman whose hand had done this thing.’ His voice changed: ‘Dear, dear. Pray forgive this little lapse into melodrama. A crude young woman-with a crude outlook on life. Not, I think, an interesting character.Rose white youth, passionate, pale, etc. Take that away and what remains? Only a somewhat mediocre young woman seeking for another life-sized hero to put on an empty pedestal.’ Poirot said: ‘If Amyas Crale had not been a famous painter-’ Mr Jonathan agreed quickly. He said: ‘Quite-quite. You have taken the point admirably. The Elsas of this world are hero-worshippers. A man must havedone something, must be somebody…Caroline Crale, now, could have recognized quality in a bank clerk or an insurance agent! Caroline loved Amyas Crale the man, not Amyas Crale the painter. Caroline Crale was not crude-Elsa Greer was.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
Poirot asked: ‘Whatdo you see so plainly? The witnesses? The counsel? The judge? The accused standing in the dock?’ Fogg said quietly: ‘That’s the reason, of course! You’ve put your finger on it. I shall always seeher…Funny thing, romance. She had the quality of it. I don’t know if she was really beautiful…She wasn’t very young-tired looking-circles under her eyes. But it all centered round her. The interest-the drama. And yet, half the time,she wasn’t there. She’d gone away somewhere, quite far away-just left her body there, quiescent, attentive, with the little polite smile on her lips. She was all half tones, you know, lights and shades. And yet, with it all, she was more alive than the other-that girl with the perfect body, and the beautiful face, and the crude young strength. I admired Elsa Greer because she had guts, because she could fight, because she stood up to her tormentors and never quailed! But I admired Caroline Crale because she didn’t fight, because she retreated into her world of half lights and shadows. She was never defeated because she never gave battle.’ He paused: ‘I’m only sure of one thing. She loved the man she killed. Loved him so much that half of her died with him…’ Mr Fogg, K.C., paused and polished his glasses. ‘Dear me,’ he said. ‘I seem to be saying some very strange things! I was quite a young man at the time, you know. Just an ambitious youngster. These things make an impression. But all the same I’m sure that Caroline Crale was a very remarkable woman. I shall never forget her. No-I shall never forget her…
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
On the contrary the depth and profound feeling of the spirit presupposes that the soul has worked its way through its feelings and powers and the whole of its inner life, i.e. that it has overcome much, suffered grief, endured anguish and pain of soul, and yet in this disunion has preserved its integrity and withdrawn out of it into itself. In the myth of Hercules the Greeks have presented us with a hero who after many labours was placed amongst the gods and enjoyed blissful peace there. But what Hercules achieved was only something outside him, the bliss given him as a reward was only peaceful repose. The ancient prophecy that he would put an end to the reign of Zeus, he did not fulfill, supreme hero of the Greeks though he was. The end of that rule only began when man conquered not dragons outside him or Lernaean hydras, but the dragons and hydras of his own heart, the inner obstinacy and inflexibility of his own self. Only in this way does natural serenity become that higher serenity of the spirit which completely traverses the negative moment of disunion and by this labour has won infinite satisfaction. The, feeling of cheerfulness and happiness must be transfigured and purified into bliss. For good fortune and happiness still involve an accidental and natural correspondence between the individual and his external circumstances; but in bliss the good fortune still attendant on a man’s existence as he is in nature falls away and the whole thing is transferred into the inner life of the spirit. Bliss is an acquired satisfaction and justified only on that account; it is a serenity in victory, the soul’s feeling when it has expunged from itself everything sensuous and finite and therefore has cast aside the care that always lies in wait for us. The soul is blissful when, after experiencing conflict and agony, it has triumphed over its sufferings. (α) If we now ask what can be strictly ideal in this subject-matter, the answer is: the reconciliation of the individual heart with God who in his appearance as man has traversed this way of sorrows. The substance of spiritual depth of feeling is religion alone, the peace of the individual who has a sense of himself but who finds true satisfaction only when, self-collected, his mundane heart is broken so that he is raised above his mere natural existence and its finitude, and in this elevation has won a universal depth of feeling, a spiritual depth and oneness in and with God. The soul wills itself, but it wills itself in something other than what it is in its individuality and therefore it gives itself up in face of God in order to find and enjoy itself in him. This is characteristic of love, spiritual depth in its truth, that religious love without desire which gives to the human spirit reconciliation, peace, and bliss. It is not the pleasure and joy of actual love as we know it in ordinary life, but a love without passion, indeed without physical inclination but with only an inclination of soul. Looked at physically, this is a love which is death, a death to the world, so that there hovers there as something past the actual relationship of one person to another; as a real mundane bond and connection this relationship has not come essentially to its perfection; for, on the contrary, it bears in itself the deficiency of time and the finite, and therefore it leads on to that elevation into a beyond which remains a consciousness and enjoyment of love devoid of longing and desire.
Georg Wilhelm Friedrich Hegel
This is a classic example of the type of literary blind that Crowley loved to utilize when he wished to publish, in a public medium, sensitive or secret information that had heretofore been reserved for high initiates while, at the same time, shocking and outraging the public at large. Today the sexual connotations are obvious to all but the most mentally or emotionally disadvantaged. For such unfortunates we advise they read the last sentence of this chapter first: "You are likely to get into trouble over this chapter unless you truly comprehend its meaning. " OF THE BLOODY SACRIFICE: AND MATTERS COGNATE by The Master Therion Aleister Crowley It is necessary for us to consider carefully the problems connected with the bloody sacrifice, for this question is indeed traditionally important in Magick. Nigh all ancient Magick revolves around this matter. In particular all the Osirian religions-the rites of the Dying God-refer to this. The slaying of Osiris and Adonis the mutilation of Attis; the cults of Mexico and Peru; the story of Hercules or Melcarth; the legends of Dionysus and of Mithra, are all connected with this one idea. In the Hebrew religion we find the same thing inculcated. The first ethical lesson in the Bible is that the only sacrifice pleasing to the Lord is the sacrifice of blood; Abel, who made this, finding favour with the Lord, while Cain, who offered cabbages, was
Christopher S. Hyatt (Taboo: Sex, Religion & Magick)
You should pray for a healthy mind in a healthy body. Ask for a stout heart that has no fear of death, and deems length of days the least of Nature's gifts that can endure any kind of toil, that knows neither wrath nor desire and thinks the woes and hard labors of Hercules better than the loves and banquets and downy cushions of Sardanapalus. What I commend to you, you can give to yourself; For assuredly, the only road to a life of peace is virtue.
Juvenal (The Satires of Juvenal)
There are twelve tasks to complete, when you step through this door,” Hadrian replied, his tone jittery. It was clear he had no love for this place. “There are t-twelve, in homage to the great mage philosopher Orpheus, to c-commemorate the twelve labors of Hercules, and also to symbolize the twelve years it takes for Jupiter to orbit the sun.
Bella Forrest (The Test (The Secret of Spellshadow Manor #5))
most children, I should say, suffer from over-attention on the part of their parents. There is too much love, too much watching over the child. It is uneasily conscious of this brooding, and seeks to free itself, to get away and be unobserved. With an only child that is particularly the case, and of course mothers are the worst offenders. The result on the marriage is often unfortunate. The husband resents coming second, seeks consolation—or rather flattery and attention—elsewhere, and a divorce results sooner or later. The best thing for a child, I am convinced, is to have what I should term healthy neglect on the part of both its parents. This happens naturally enough in the case of a large family of children and very little money. They are overlooked because the mother has literally no time to occupy herself with them. They realize quite well that she is fond of them, but they are not worried by too many manifestations of the fact.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
Perita is the dog,” Gracie said, in a tone which implied Rosalind was a dimwit for having not immediately understood this. “You packed for a dog. Yes, I see.” The young dog was a lovely chocolate brown with the typical black mastiff mask. “She has quite a big head,” Rosalind observed. “Of course, she does.” Gracie sounded affronted by her sister’s ignorance. “That’s the breed. Her mother, Medea, was even bigger than Hercules, you know.” Rosalind was impressed. Hercules was the size of a small pony. At least, that’s how it seemed when he was flying through the halls of Sweetbriar and came barreling unexpectedly around a corner. “Why Perita? Don’t you mean Perdita?” “Not Shakespeare, silly. Alexander the Great.” Gracie was looking disgusted once more. “Well, his was Peritas as it was male. I’ve feminized it. Did you know Peritas bit off an elephant’s face when it tried to charge Alexander once?” “Bit it off?” “Probably not completely off. At least, I hope not. But I suppose it would have been justified if Peritas was protecting his master from being trampled to death,” Gracie said, looking thoughtful. “I’m sure Perita would do the very same for me. Or you.” She rubbed the pup’s head affectionately. “Yes. How lovely.” Rosalind decided not to imagine what a faceless elephant would look like.
Fenna Edgewood (The Seafaring Lady's Guide to Love (The Gardner Girls, #3))
There is nothing so terrible as to live in an atmosphere of suspicion—to see eyes watching you and the love in them changing to fear—nothing so terrible as to suspect those near and dear to you—It is poisonous—
Agatha Christie (The ABC Murders (Hercule Poirot, #13))
...pero en el amor era espantosamente unilateral. Porque ella sentía una pasión profunda y avasalladora por Amyas Crale, dio por sentado que él abrigaría los mismos sentimientos hacia ella. Dio por sentado que su enamoramiento sería eterno.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
It seems so awful somehow that it should be such a lovely day.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
[...] Still, it's rather horrid when no one loves you, isn't it?
Agatha Christie (The Mysterious Affair at Styles (Hercule Poirot, #1))
Egg had picked up some of the cards from the table and was looking at them affectionately. “Master Bun, the baker’s son—I always loved him. And here’s Mrs. Mug, the milkman’s wife. Oh, dear, I suppose that’s me.” “Why is that funny picture you, mademoiselle?” “Because of the name.” Egg laughed at his bewildered face and then began explaining. When she had finished he said: “Ah, it was that that Sir Charles meant last night. I wondered…Mugg—ah, yes, one says in slang, does one not, you are a mug—a fool? Naturally you would change your name. You would not like to be the Lady Mugg, eh?” Egg laughed. She said: “Well, wish me happiness.” “I do wish you happiness, mademoiselle. Not the brief happiness of youth, but the happiness that endures—the happiness that is built upon a rock.
Agatha Christie (Three Act Tragedy (Hercule Poirot, #11))
couldn’t bear to hear the truth about my horrible legs. What nonsense! I’m perfectly happy with my legs. What upset me was finding out that Mummy looks at me and sees only, or mainly, a bundle of physical flaws. And her dishonesty—that also enrages me.’ ‘Your mother is not honest?’ said Poirot. ‘Oh, she can’t bear the truth. She is almost allergic to it. She would do or say anything to keep me and Timmy happy—I think she feels it’s her duty as a mother—but every so often a scrap of truthfulness slips out, and when it does, she bends over backwards afterwards to deny what is plain to see. I shall never believe her when she says she thinks I’m beautiful. I know it’s a lie. She’d be far better off admitting that she would love it if I starved myself skinny. Instead, she lies and lies about how much she loves me the way I am, and tells herself she’s keeping me happy by doing so.’ Ivy spoke thoughtfully and analytically, with no trace of resentment in her voice. She was, Poirot reflected, a happier and more stable woman than either her mother or her aunt.
Sophie Hannah (The Mystery of Three Quarters (New Hercule Poirot Mysteries #3))
I looked around at these friends, my coworkers for five years, and I saw love and respect—and also pity. It was just as well I would be sitting for the scene. Their genuine outpouring of support overwhelmed and humbled me.
Kevin Sorbo (True Strength: My Journey from Hercules to Mere Mortal and How Nearly Dying Saved My Life)
Even as a young boy I was able to differentiate between the church and the God who founded it. I was young, opinionated, and logical. I remember asking my mom when I was around twelve years old if God was really that mad at us—because I didn’t think so. If God could be so evil, why serve Him? He gave us free will. That is a formula for both good and bad things to happen. I thought that, if anything, God was probably sad a lot of the time—sad for the destructive choices so many of His children make. I regarded our pastor as a messenger who had somehow gotten his message confused. I trusted in a loving, forgiving God.
Kevin Sorbo (True Strength: My Journey from Hercules to Mere Mortal and How Nearly Dying Saved My Life)
Darling, you have got it badly!” “I know. It’s awful, isn’t it? This love business gets hold of you and you can’t do anything about it.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
Love is rich with honey and venom.
Jasmine Mas (Blood of Hercules (Villains of Lore, #1))
Everything becomes brighter when she’s around. She’s sunshine in a cup, and I want to drink her up every fucking day and night. Is that what falling in love feels like?
Michelle Hercules (These Pucking Boys: Part Two (This Pucking Love #2))
I do wish you happiness, mademoiselle. Not the brief happiness of youth, but the happiness that endures—the happiness that is built upon a rock.
Agatha Christie (Three Act Tragedy (Hercule Poirot, #11))
Oh, don’t you see, M. Poirot, it’s all so difficult. It isn't a question of David at all. It’s me! I’ve changed. I’ve been away for three—four years. Now I’ve come back I’m not the same person who went away. That’s the tragedy everywhere. People coming home changed, having to readjust themselves. You can’t go away and lead a different kind of life and not change!’ ‘You are wrong,’ said Poirot. ‘The tragedy of life is that people do not change.’ She stared at him, shaking her head. He insisted: ‘But yes. It is so. Why did you go away in the first place?’ ‘Why? I went into the Wrens. I went on service.’ ‘Yes, yes, but why did you join the Wrens in the first place? You were engaged to be married. You were in love with Rowley Cloade. You could have worked, could you not, as a land girl, here in Warmsley Vale?’ ‘I could have, I suppose, but I wanted—’ ‘You wanted to get away. You wanted to go abroad, to see life. You wanted, perhaps, to get away from Rowley Cloade … And now you are restless, you still want—to get away! Oh, no, Mademoiselle, people do not change!’ ‘When I was out East, I longed for home,’ Lynn cried defensively. ‘Yes, yes, where you are not, there you will want to be! That will always be so, perhaps, with you. You make a picture to yourself, you see, a picture of Lynn Marchmont coming home … But the picture does not come true, because the Lynn Marchmont whom you imagine is not the real Lynn Marchmont. She is the Lynn Marchmont you would like to be.’ Lynn asked bitterly: ‘So, according to you, I shall never be satisfied anywhere?’ ‘I do not say that. But I do say that, when you went away, you were dissatisfied with your engagement, and that now you have come back, you are still dissatisfied with your engagement.
Agatha Christie (Taken at the Flood (Hercule Poirot, #29))
It is misfortune of small precise men to hanker after large and flamboyant women.
Agatha Christie (The Labours of Hercules (Hercule Poirot, #27))
It is necessary to tell a woman at least once a week, and preferably three or four times, that we love her; and that it is also wise to bring her a few flowers, to pay her a few compliments, to tell her that she looks well in her new dress or new hat.
Agatha Christie (Dead Man's Folly (Hercule Poirot, #35))