Clouds Gather Quotes

She stared at the castle unflinchingly, her form silhouetted against the blazing brightness that sat on the edge of the Avery River. Clouds gathered above them and she raised her head. Through a clearing in the swirling mass, a cluster of stars could be seen. He couldn't help thinking that they gazed down at her... The image haunted his dreams throughout the night: a lovely girl gazing at the stars, and the stars who gazed back

Gather out of star-dust, Earth-dust, Cloud-dust, Storm-dust, And splinters of hail, One handful of dream-dust, Not for sale.

Each snowflake was a sigh heard by an aggrieved woman somewhere in the world. All the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how women suffer.

Adam strokes my head, my face, he kisses my tears. We are blessed. Let them all go. The sound of a bird flying low across the garden. Then nothing. Nothing. A cloud passes. Nothing again. Light falls through the window, falls onto me, into me. Moments. All gathering towards this one.

Mariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us.

Are you sure this isn't a nightmare?" he asked quietly. "And that we won't just wake up?" I stared ahead at the road, the way the dust blowing in from the desert covered it with a faint golden sheen even as gray clouds began to gather over us. "yes," i said after some time. Because dreamers always wake up and leave their monsters behind.

Looking back, I wonder if mom saw it in my eyes: the storm clouds gathering, the dry crackle of electricity in the air. But it was already too late. No warning sirens were going to save me. I guess you never really know the danger, not until you’re the one left, huddled on the ground, surrounded by the pieces of your broken heart.

But at sunset the clouds gathered again, bringing an earlier night, and the snow began to fall straight and steadily from a sky without wind, in a soft universal diffusion more confusing than the gusts and eddies of the morning. It seemed to be a part of the thickening darkness, to be the winter night itself descending on us layer by layer.

You were lost in a storm, The clouds gathered ahead, You were crying to me - All the pain in your heart. I tried to give you, Sad girl, All the love I had left, But when push comes to shove I'm as empty as the rest

I saw her, once. “She passed through our village, through fields littered with dead soldiers after her forces overwhelmed the nation of Dumor. Her other Elites followed and then rows of white-robed Inquisitors, wielding the white-and-silver banners of the White Wolf. Where they went, the sky dimmed and the ground cracked—the clouds gathered behind the army as if a creature alive, black and churning in fury. As if the goddess of Death herself had come. “She paused to look down at one of our dying soldiers. He trembled on the ground, but his eyes stayed on her. He spat something at her. She only stared back at him. I don’t know what he saw in her expression, but his muscles tightened, his legs pushing against the dirt as he tried in vain to get away from her. Then the man started to scream. It is a sound I shall never forget as long as I live. She nodded to her Rainmaker, and he descended from his horse to plunge a sword through the dying soldier. Her face did not change at all. She simply rode on. “I never saw her again. But even now, as an old man, I remember her as clearly as if she were standing before me. She was ice personified. There was once a time when darkness shrouded the world, and the darkness had a queen.” —A witness’s account of Queen Adelina’s siege on the nation of Dumor The Village of Pon-de-Terre 28 Marzien, 1402

Complains are like the clouds that produce no rain no matter how thick they gather. Never depend on your complaint thinking they are stair cases. Drop that thing.

We gather at night to celebrate being human. Sometimes we call out low to the tambourine. Fish drink the sea, but the sea does not get smaller! We eat the clouds and evening light. We are slaves tasting the royal wine.

The Layers I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides, from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.

She gathered the books like clouds and words poured down like rain.

Close your eyes," he said into her ear. "Come with me." She did so, and suddenly she saw what he saw. She was the wind, the clouds gathering in the smoky sky, the thick snow of deep winter. She was nothing. She was everything. The power gathered somewhere in the space between them, between her flickers of awareness. There is no magic. Things are. Or they are not. She was beyond wanting anything. She didn't care whether she lived or died. She could only feel; the gathering storm, the breath of the wind.

All the fear in the world, and the violence that comes from the fear, and the hatred that comes from the violence, and the lonliness that comes from the hatred. All the unhappiness, all the cruelty, it gathers like clouds in the air, and grows dark and cold and heavy, and falls like grey snow in thick layers over the land. Then the world is muffled and numb, and no one can hear each other or feel each other. Think how sad and lonely that must be.

She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up into the sky, gathered into clouds, then broke silently on the people below - As a reminder of how women like us suffer, she'd said. How quietly we endure all that falls upon us

Your silence exists as does my self gathering. But so does the almost absolute silence of the world's dawning. In such suspension, before every utterance on earth, there is a cloud, an almost immobile air. The plants already breathe, while we still ask ourselves how to speak to each other, without taking breath away from them.

It is He who makes the lightning flash upon you, inspiring you with fear and hope, and gathers up the heavy clouds. The thunder sounds His praises, and the angels, too, in awe of him. He hurls his thunderbolts at whom He pleases. Yet the unbelievers wrangle about God.

I knew then that I'd been right. I had felt something changing between us in the weeks before my death—slow and steady—but just hadn't wanted to admit it. A distance had been brewing, all chilly and gray. I'd chosen to sit and watch the storm clouds gather instead of running for cover at the first hint of rain. And I had paid the price for waiting. Because the storm became a hurricane.

It was not pitch-black. It was the kind of cloudy night where the clouds seem to gather up light from distant streetlights and houses below, and throw it back at the earth.

When Janie looked out of her door she saw the drifting mists gathered in the west -- that cloud field of the sky -- to arm themselves with thunders and march forth against the world. Louder and higher and lower and wider the sound and motion spread, mounting, sinking, darking.

His eyes are a hazy swirl of gray, like a thick mass of clouds gathering before an impending storm

For it is when calm clouds gather that thunder is made

Let tears gather in your eyes. You haven’t tears enough for what you’ve done to me. Six more mortal years, seven, eight…I might have had that shape!’ Her pointed finger flew at Madeleine, whose hands had risen to her face, whose eyes were clouded over. Her moan was almost Claudia’s name. But Claudia did not hear her. ‘Yes, that shape, I might have known what it was to walk at your side.

Because every day when I wake up, the clouds gather, a little darker each day, and I feel less and less equipped to do anything about them. To go anywhere. To make a change. To speak more than the occasional sentence. So I go to the bookstores. I do not want to speak and I do not want to be spoken to. I find it hurts my ears. My head. My skin. And people are quiet in bookstores. I like the anonymous, mute companionship of my fellow browsers.

Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.

Yet unbeknownst to all but a few, storm clouds were gathering on the horizon, and faintly in the distance wise men could hear a rumble of thunder.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

A dim antagonism gathered force within him and darkened his mind as a cloud against her disloyalty: and when it passed, cloudlike, leaving his mind serene and dutiful towards her again, he was made aware dimly and without regret of a first noiseless sundering of their lives.

JUST FOR TODAY, I will live through this day only. I will not brood about yesterday or obsess about tomorrow. I will not set far-reaching goals or try to overcome all of my problems at once. I know that I can do something for 24 hours that would overwhelm me if I had to keep it up for a lifetime. JUST FOR TODAY, I will be happy. I will not dwell on thoughts that depress me. If my mind fills with clouds, I will chase them away and fill it with sunshine. JUST FOR TODAY, I will accept what is. I will face reality. I will correct those things that I can correct and accept those I cannot. JUST FOR TODAY, I will improve my mind. I will read something that requires effort, thought and concentration. I will not be a mental loafer. JUST FOR TODAY, I will make a conscious effort to be agreeable. I will be kind and courteous to those who cross my path, and I'll not speak ill of others. I will improve my appearance, speak softly, and not interrupt when someone else is talking. Just for today, I will refrain from improving anybody but myself. JUST FOR TODAY, I will do something positive to improve my health. If I'm a smoker, I'll quit. If I'm overweight, I will eat healthfully -- if only for today. And not only that, I will get off the couch and take a brisk walk, even if it's only around the block. JUST FOR TODAY, I will gather the courage to do what is right and take the responsibility for my own actions.

Everybody should come here. Everyone should see how complicated, how deeply troubled, and yet at the same time, beautiful and awesome the world can be. Everyone should experience, even as the clouds gather, what's at stake, what could be lost, what's still here.

White clouds gather and billow. Thin grass does for a mattress, The blue sky makes a good quilt. Happy with a stone underhead Let heaven and earth go about their changes.

Complains are like the clouds that give no rain no matter how thick they gather.

Who are you, reader, reading my poems a hundred years hence? I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds. Open your doors and look abroad. From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before. In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years.

The clouds had gathered, within the last half-hour. The light was dull; the distance was dim. The lovely face of Nature met us, soft and still and colourless – met us without a smile.

Breathing. Only the chore and sadness of breathing and breathing, as things change from tender to dry, new to old, the night-moon that grows thin then swells, the fireless sun that lights up, the soughing of wind that transports, shatters, gathers, and drives away the clouds, raising and flattening the dust. Only the sorrow of going to sleep and waking up, feeling life without knowing where it comes from, aware that it will flee without knowing why it was given to you, why it is taken from you. Here you are: there is this and this and this. And now, enough.

Do Stones Feel? Do stones feel? Do they love their life? Or does their patience drown out everything else? When I walk on the beach I gather a few white ones, dark ones, the multiple colors. Don’t worry, I say, I’ll bring you back, and I do. Is the tree as it rises delighted with its many branches, each one like a poem? Are the clouds glad to unburden their bundles of rain? Most of the world says no, no, it’s not possible. I refuse to think to such a conclusion. Too terrible it would be, to be wrong.

We gather at night to celebrate being human. Sometimes we call out low to the tamborine. Fish drink the sea, but the sea does not get smaller! We eat the clouds and evening light. We are slaves tasting the royal wine.

At that time, I well remember whatever could excite - certain accidents of the weather, for instance, were almost dreaded by me, because they woke the being I was always lulling, and stirred up a craving cry I could not satisfy. One night a thunder-storm broke; a sort of hurricane shook us in our beds: the Catholics rose in panic and prayed to their saints. As for me, the tempest took hold of me with tyranny: I was roughly roused and obliged to live. I got up and dressed myself, and creeping outside the basement close by my bed, sat on its ledge, with my feet on the roof of a lower adjoining building. It was wet, it was wild, it was pitch dark. Within the dormitory they gathered round the night-lamp in consternation, praying loud. I could not go in: too resistless was the delight of staying with the wild hour, black and full of thunder, pealing out such an ode as language never delivered to man - too terribly glorious, the spectacle of clouds, split and pierced by white and blinding bolts.

A cloud that has gathered over us; though 'we have wronged no man, corrupted no man, defrauded no man!' Though perhaps we have 'done that which was right in our own eyes.

Once I learned this truth, I began to see examples of it everywhere. A picture hung on the wall of our parlor. In it, a woman was taking a shirt from a clothesline. She had clothespins in her teeth and it was windy and a boy was tugging at her dress. The woman looked like she was in a hurry and the whole scene gave me the idea that, just outside the frame, full, dark clouds were gathering. But that was not what it was. It was paint. So I decided right then and there to see the picture as it really was. I stared at the thing long and hard, trying to only see the paint. But it was no use. All my eyes would allow me to see was the lie. In fact, the longer I gazed at the paint, the more false detail I began to imagine. The boy was crying, as if afraid, and the woman was weaker than I had first believed. I finally gave up. I understood then that it takes a powerful imagination to see a thing for what it really is.

I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken

My mom always said, there are two kinds of love in this world: the steady breeze, and the hurricane. The steady breeze is slow and patient. It fills the sails of the boats in the harbor, and lifts laundry on the line. It cools you on a hot summer’s day; brings the leaves of fall, like clockwork every year. You can count on a breeze, steady and sure and true. But there’s nothing steady about a hurricane. It rips through town, reckless, sending the ocean foaming up the shore, felling trees and power lines and anyone dumb or fucked-up enough to stand in its path. Sure, it’s a thrill like nothing you’ve ever known: your pulse kicks, your body calls to it, like a spirit possessed. It’s wild and breathless and all-consuming. But what comes next? “You see a hurricane coming, you run.” My mom told me, the summer I turned eighteen. “You shut the doors, and you bar the windows. Because come morning, there’ll be nothing but the wreckage left behind.” Emerson Ray was my hurricane. Looking back, I wonder if mom saw it in my eyes: the storm clouds gathering, the dry crackle of electricity in the air. But it was already too late. No warning sirens were going to save me. I guess you never really know the danger, not until you’re the one left, huddled on the ground, surrounded by the pieces of your broken heart. It’s been four years now since that summer. Since Emerson. It took everything I had to pull myself back together, to crawl out of the empty wreckage of my life and build something new in its place. This time, I made it storm-proof. Strong. I barred shutters over my heart, and found myself a steady breeze to love. I swore, nothing would ever destroy me like that summer again. I was wrong. That’s the thing about hurricanes. Once the storm touches down, all you can do is pray.

Fallen warriors, you might fall, but you are like eagles! You work effortlessly as you soar high into the clouds. You ride the winds of change as you gather all of your strength, courage, and patience. You develop wisdom during your challenges of transformation while you tear down your boundaries one obstacle at a time.

When I heard stories of the atrocities in Afghanistan I felt proud to be in Swat. “Here a girl can go to school,” I used to say. But the Taliban were right around the corner and were Pashtuns like us. For me the valley was a sunny place and I couldn’t see the clouds gathering behind the mountains. My father used to say, “I will protect your freedom, Malala. Carry on with your

I believe in Free Will, the Force Almighty by which we conduct ourselves as if we were the sons and daughters of a just and wise God, even if there is no such Supreme Being. And by free will, we can choose to do good on this earth, no matter that we all die, and do not know where we go when we die, or if a justice or explanation awaits us. I believe that we can, through our reason, know what good is, and in the communion of men and women, in which the forgiveness of wrongs will always be more significant than the avenging of them, and that in the beautiful natural world that surrounds us, we represent the best and the finest of beings, for we alone can see that natural beauty, appreciate it, learn from it, weep for it, and seek to conserve it and protect it. I believe finally that we are the only true moral force in the physical world, the makers of, ethics and moral ideas, and that we must be as good as the gods we created in the past to guide us. I believe that through our finest efforts, we will succeed finally in creating heaven on earth, and we do it every time that we love, every time that we embrace, every time that we commit to create rather than destroy, every time that we place life over death, and the natural over what is unnatural, insofar as we are able to define it. And I suppose I do believe in the final analysis that a peace of mind can be obtained in the face of the worst horrors and the worst losses. It can be obtained by faith in change and in will and in accident and by faith in ourselves, that we will do the right thing, more often than not, in the face of adversity. For ours is the power and the glory, because we are capable of visions and ideas which are ultimately stronger and more enduring than we are. That is my credo. That is my belief, for what it's worth, and it sustains me. And if I were to die right now, I wouldn't be afraid. Because I can't believe that horror or chaos awaits us. If any revelation awaits us at all, it must be as good as our ideals and our philosophy. For surely nature must embrace the visible and the invisible, and it couldn't fall short of us. The thing that makes the flowers open and the snowflakes fall must contain a wisdom and a final secret as intricate and beautiful as the blooming camellia or the clouds gathering above, so white and so pure in the blackness. If that isn't so, then we are in the grip of a staggering irony. And all the spooks of hell might as well dance. There could be a devil. People who burn other people to death are fine. There could be anything. But the world is simply to beautiful for that. At least it seems that way to me.

I'll wager at the end a body realizes the Lord has already shown Himself. That things as they are -- her hand circles in a gesture that gathers clouds and kites and grass and Queenie pawing earth over her bone - just what they've always seen, was seeing Him. As for me, I could leave the world with today in my eyes.

The truest love that ever heart Felt at its kindled core, Did through each vein, in quickened start, The tide of being pour. Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein. I dreamed it would be nameless bliss, As I loved, loved to be; And to this object did I press As blind as eagerly. But wide as pathless was the space That lay our lives between, And dangerous as the foamy race Of ocean-surges green. And haunted as a robber-path Through wilderness or wood; For Might and Right, and Woe and Wrath, Between our spirits stood. I dangers dared; I hindrance scorned; I omens did defy: Whatever menaced, harassed, warned, I passed impetuous by. On sped my rainbow, fast as light; I flew as in a dream; For glorious rose upon my sight That child of Shower and Gleam. Still bright on clouds of suffering dim Shines that soft, solemn joy; Nor care I now, how dense and grim Disasters gather nigh. I care not in this moment sweet, Though all I have rushed o'er Should come on pinion, strong and fleet, Proclaiming vengeance sore: Though haughty Hate should strike me down, Right, bar approach to me, And grinding Might, with furious frown, Swear endless enmity. My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live--to die; I have at last my nameless bliss. As I love--loved am I!

I've always thought a body would have to be sick and dying before they saw the Lord. And I imagined that when He came it would be like looking at the Baptist window: pretty as coloured glass with the sun pouring through, such a shine you don't know it's getting dark. And it's been a spooky feeling. But I'll wager it never happens. I'll wager at the very end a body realizes the Lord has already shown Himself. That things as they are' - her hand circles in a gesture that gathers clouds and kites and grass and Queenie pawing earth over her bone - 'just what they've always senn, was seeing Him. As for me, I could leave the world with today in my eyes.

My, how foolish I am!” my friend cries, suddenly alert, like a woman remembering too late she has biscuits in the over. “You know what I’ve always thought?” She asks in a tone of discovery, and not smiling at me but at a point beyond. “I’ve always thought a body would have to be sick and dying before they saw the Lord. And I imagined that when He came it would be like looking at the Baptist window; pretty as colored glass with the sun pouring through, such a shrine you don’t know it’s getting dark. And it’s been a comfort: to think of that shine taking away all the spooky feeling. But I’ll wager it never happens. I’ll wager at the very end a body realizes that the Lord has already shown Himself. That things as they are” – her hand circles in a gesture that gathers clouds and kites and grass and Queenie pawing earth over bone – “just what they’ve always seen, was seeing Him. As for me, I could leave the world with today in my eyes.

The voice boomed from the Throne. "One more goodbye." Together, Luce and Daniel turned to acknowledge the Throne, but the second their eyes fell upon it, the stately figure of the woman blazed into white-hot glory, and they had to shield their eyes. The Throne was indiscernible again, a gathering of light too brilliant to be gazed upon by angels. "Hey, guys." Arriane sniffed. "I think she meant for you two to say goodbye to each other." "Oh," Luce said, turning to Daniel, suddenly panicked. "Right now? We have to-" He took her hand. His wings brushed hers. He kissed the centers of her cheeks. "I'm afraid," she whispered. "What did I tell you?" She sifted through the million exchanges she and Daniel had ever shared-the good, the sad, the ugly. One rose above the clouds of her mind. She was shaking. "That you will always find me." "Yes. Always. No matter what." "Daniel-" "I can't wait to make you the love of my mortal life." "But you won't know me. You won't remember. Everything will be different." He wiped away her tear with his thumb. "And you think that will stop me?" She closed her eyes. "I love you too much to say goodbye." "It isn't goodbye." He gave her one last angelic kiss and embraced her so tightly she could hear his steady heartbeat, overlapping her own. "It's until we meet again.

I just run. I run in a void. Or maybe I should put it the other way: I run in order to acquire a void. But as you might expect, an occasional thought will slip into this void. People’s minds can’t be a complete blank. Human beings’ emotions are not strong or consistent enough to sustain a vacuum. What I mean is, the kinds of thoughts and ideas that invade my emotions as I run remain subordinate to that void. Lacking content, they are just random thoughts that gather around that central void. The thoughts that occur to me while I’m running are like clouds in the sky. Clouds of all different sizes. They come and they go, while the sky remains the same sky as always. The clouds are mere guests in the sky that pass away and vanish, leaving behind the sky.

Little by little they all gathered around him, entering through the cracks like moonbeams...[b]ut once the wind of misfortune blows, people disperse like little clouds around the moon when the wind blows off the mountains.

When that part of the woman meets with a man, all the flowers in the world suddenly bloom! All the birds of the world gather together and sing. The entire world turns golden, and your body becomes completely relaxed and you're not sure whether you're floating on clouds of feathers. The universe comes alive, like fireworks in the night.

Of all the things we fashioned for them that they might be comforted, dawn is the one that works. When darkness sifts from the air like fine soft soot and light spreads slowly out of the east then all but the most wretched of humankind rally. It is a spectacle we immortals enjoy, this minor daily resurrection, often we will gather at the ramparts of the clouds and gaze down upon them, our little ones, as they bestir themselves to welcome the new day. What silence falls upon us then, the sad silence of our envy.

I saw the first light, fore-running the sun, gather in a cup of the eastern cloud, gather and grow and brim, till at last it spilled like milk over the golden lip, to smear the dark face of heaven from end to end. From east to north, and back to south again, the clouds slackened, the stars, trembling on the verge of extinction, guttered in the dawn wind, and the gates of day were ready to open at the trumpet. . .

Each thing organizes the space around it, rebuffing or sidling up against other things; each thing calls, gestures, beckons to other beings or battles them for our attention; things expose themselves to the sun or retreat among the shadows, shouting with their loud colors or whispering with their seeds; rocks snag lichen spores from the air and shelter spiders under their flanks; clouds converse with the fathomless blue and metamorphose into one another; they spill rain upon the land, which gathers in rivulets and carves out canyons…

He took a breath. “I want you to stay. I want you to … I want you.” “You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?” He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. “How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?” He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea. Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.” Speak, she begged silently. Give me a reason to stay. For all his selfishness and cruelty, Kaz was still the boy who had saved her. She wanted to believe he was worth saving, too. The sails creaked. The clouds parted for the moon then gathered back around her. Inej left Kaz with the wind howling and dawn still a long while away.

She drifted, feather-like, in tenuous radiance… Her gown, it seemed a thing made out of mist, As though the dewy air Had gathered in a cloud about her form To clothe a shape so fair That nothing coarser could adorn it than A layer of atmosphere.

Standing in the shadows, gathering my resolve. I'd been among too many people, living according to their rules for too long. It was clouding my vision, gnawing away at my confidence and certainty, making me doubt the instincts that kept me alive all these years. I needed to remember who I was, who I had always been: A woman who was unafraid.

Seasons may change winter to spring, but I love you until the end of time Come what may, come what may, I will love you until my dying day Suddenly the world seems such a perfect place Suddenly it moves with such a perfect grace Suddenly my life doesn’t seem such a waste, it all revolves around you. And there’s no mountain too high no river too wide Sing out this song and I’ll be there by your side Storm clouds may gather and stars may collide But I love you until the end of time

Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler

I learned to build bookshelves and brought books to my room, gathering them around me thickly. I read by day and into the night. I thought about perfectibility, and deism, and adjectives, and clouds, and then foxes. I locked my door, from the inside, and leaped from the roof and went to the woods, by day or darkness.

That is, adoration was patient and waiting while love or, if you liked, plain sexual passion banged everything about. It either shouted or thought it knew too much, and it had always left him cold and had not involved his heart. Therefore, if he wanted to get involved now it would be on his own terms and at his own pace.

The contradictions were apparent to Makhaya, and perhaps there was no greater crime as yet than all the lies Western civilization had told in the name of Jesus Christ. It seemed to Makhaya far preferable for Africa if it did without Christianity and Christian double-talk, fat priests, golden images, and looked around at all the thin naked old men who sat under trees weaving baskets with shaking hands. People could do without religions and Gods who died for the sins of the world and thereby left men without any feeling of self-responsibility for the crimes they committed. This seemed to Makhaya the greatest irony of Christianity. It meant that a white man could forever go on slaughtering black men simply because Jesus Christ would save him from his sins. Africa could do without a religion like that. 135

Although secular fundamentalist “progressives” might believe in a future “golden age,” such an age does not exist. The future that they herald is merely one of gathering gloom and ever darkening clouds. This fate has ever been so for those who proclaim their “Pride.” They have nothing to expect in the future but their fall. As for the Christian, he has nothing to fear but his falling into the pride of despair. If he avoids becoming despondent and retains his humility, he will receive the gift of hope which is its fruit. Where there is hope there is the Way, the Truth and the Life.

These solitary ones who are free in spirit know thatin one thing or another they must constantly put on an appearance that is different from the way they think; although they want nothing but truth and honesty, they are entangled in a web of misunderstandings. And despite their keen desire, they cannot prevent a fog of false opinions, of accommodation, of halfway concessions, of indulgent silence, of erroneous interpretation from settling on everything they do. And so a cloud of melancholy gathers around their brow, for such natures hate the necessity of appearances more than death, and their persistent bitterness about this makes them volatile and menacing. From time to time they take revenge for their violent selfconcealment, for their coerced constraint. They emerge from their caves with horrible expressions on their faces; at such times their words and deeds are explosions, and it is even possible for them to destroy themselves.

Are you what is called a lucky man? Well, you are sad every day. Each day has its great grief or its little care. Yesterday you were trembling for the health of one who is dear to you, today you fear for your own; tomorrow it will be an anxiety about money, the next day the slanders of a calumniator, the day after the misfortune of a friend; then the weather, then something broken or lost, then a pleasure for which you are reproached by your conscience or your vertebral column; another time, the course of public affairs. Not to mention heartaches. And so on. One cloud is dissipated, another gathers. Hardly one day in a hundred of unbroken joy and sunshine. And you are of that small number who are lucky! As for other men, stagnant night is upon them.

Alone" Lying, thinking Last night How to find my soul a home Where water is not thirsty And bread loaf is not stone I came up with one thing And I don’t believe I’m wrong That nobody, But nobody Can make it out here alone. Alone, all alone Nobody, but nobody Can make it out here alone. There are some millionaires With money they can’t use Their wives run round like banshees Their children sing the blues They’ve got expensive doctors To cure their hearts of stone. But nobody No, nobody Can make it out here alone. Alone, all alone Nobody, but nobody Can make it out here alone. Now if you listen closely I’ll tell you what I know Storm clouds are gathering The wind is gonna blow The race of man is suffering And I can hear the moan, ‘Cause nobody, But nobody Can make it out here alone. Alone, all alone Nobody, but nobody Can make it out here alone.

The world can change so quickly,” Jia said. “One day the future seems hopeful, and the next day clouds of hate and bigotry have gathered as if blown in from some as yet unimagined sea.” “They were always there, Jia,” said Diana. “Even if we did not want to acknowledge them. They were always on the horizon.” Jia looked weary, [...] “I do not know if we can gather enough strength to clear the skies again.

As we drew nearer we could see that the three men fishing seemed old and solemn-looking men. They sat on three chairs in the punt and watched intently their lines. And the red sunset threw a mystic light upon the waters and tinged with fire the towering woods and made a golden glory of the piled-up clouds. It was an hour of deep enchantment of ecstatic hope and longing. The little sail stood out against the purple sky the gloaming lay around us wrapping the world in rainbow shadows and behind us crept the night. We seemed like knights of some old legend sailing across some mystic lake into the unknown realm of twilight unto the great land of the sunset. We did not go into the realm of twilight we went slap into that punt where those three old men were fishing. We did not know what had happened at first because the sail shut out the view but from the nature of the language that rose up upon the evening air we gathered that we had come into the neighbourhood of human beings and that they were vexed and discontented.

I testify to you that our promised blessings are beyond measure. Though the storm clouds may gather, though the rains may pour down upon us, our knowledge of the gospel and our love of our Heavenly Father and of our Savior will comfort and sustain us and bring joy to our hearts as we walk uprightly and keep the commandments. My beloved brothers and sisters, fear not. Be of good cheer. The future is as bright as your faith.

A heavy thunder shattered the deep sleep in my head, so that I came to myself, like someone woken by force, and standing up, I moved my eyes, now refreshed, and looked round, steadily, to find out what place I was in. I found myself, in truth, on the brink of the valley of the sad abyss that gathers the thunder of an infinite howling. It was so dark, and deep, and clouded, that I could see nothing by staring into its depths.

What frightens you? What makes the hair on your arms rise, your palms sweat, the breath catch in your chest like a wild thing caged? Is it the dark? A fleeting memory of a bedtime story, ghosts and goblins and witches hiding in the shadows? Is it the way the wind picks up just before a storm, the hint of wet in the air that makes you want to scurry home to the safety of your fire? Or is it something deeper, something much more frightening, a monster deep inside that you've glimpsed only in pieces, the vast unknown of your own soul where secrets gather with a terrible power, the dark inside? If you will listen I will tell you a story-one whose ghost cannot be banished by the comfort of a roaring fire, I will tell you the story of how we found ourselves in a realm where dreams are formed, destiny is chosen, and magic is as real as your handprint in the snow. I will tell you how we unlocked the Pandora's box of ourselves, tasted freedom, stained our souls with blood and choice, and unleashed a horror on the world that destroyed its dearest Order. These pages are a confession of all that has led to this cold, gray dawn. What will be now, I cannot say. Is your heart beating faster? Do the clouds seem to be gathering on the horizons? Does the skin on your neck feel stretched tight, waiting for a kiss you both fear and need? Will you be scared? Will you know the truth? Mary Dowd, April 7, 1871

The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.

Lying there, I close my eyes for a time, then open them. I silently breathe in, then out. A thought begins to form in my mind, but in the end I think of nothing. Not that there was much difference between the two, thinking and not thinking. I find I can no longer distinguish between one thing and another, between things that existed and things that did not. I look out the window. Until the sky turns white, clouds float by, birds chirp, and a new day lumbers up, gathering together the sleepy minds of the people who inhabit this planet.

God is a wise husbandman, who "waiteth for the precious fruit of the earth, and hath long patience for it (James 5:7). He cannot gather the fruit until it is ripe. He knows when we are spiritually ready to receive the blessing to our profit and His glory. Waiting in the sunshine of His love is what will ripen the soul for His blessing. Waiting under the cloud of trial, that breaks in showers of blessing, is as necessary. Be assured that if God waits longer than you could wish, it is only to make the blessing doubly precious. God waited four thousand years, until the fullness of time, before He sent His Son. Our times are in His hands. He will avenge His elect speedily. He will make haste for our help and not delay one hour too long.

Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.

[T]his jealousy gave him, if anything, an agreeable chill, as, to the sad Parisian who is leaving Venice behind him to return to France, a last mosquito proves that Italy and summer are still not too remote. But, as a rule, with this particular period of his life from which he was emerging, when he made an effort, if not to remain in it, at least to obtain a clear view of it while he still could, he discovered that already it was too late; he would have liked to glimpse, as though it were a landscape that was about to disappear, that love from which he had departed; but it was so difficult to enter into a state of duality and to present to oneself the lifelike spectacle of a feeling one has ceased to possess, that very soon, the clouds gathering in his brain, he could see nothing at all, abandoned the attempt, took the glasses from his nose and wiped them; and he told himself that he would do better to rest for a little, that there would be time enough later on, and settled back into his corner with the incuriosity, the torpor of the drowsy sleeper in the railway-carriage that is drawing him, he feels, faster and faster out of the country in which he has lived for so long and which he had vowed not to allow to slip away from him without looking out to bid it a last farewell.

O Moon that rid'st the night to wake Before the dawn is pale, The hamadryad in the brake, The Satyr in the vale, Caught in thy net of shadows What dreams hast thou to show? Who treads the silent meadows To worship thee below? The patter of the rain is hushed, The wind's wild dance is done, Cloud-mountains ruby-red were flushed About the setting sun: And now beneath thy argent beam The wildwood standeth still, Some spirit of an ancient dream Breathes from the silent hill. Witch-Goddess Moon, thy spell invokes The Ancient Ones of night, Once more the old stone altar smokes, The fire is glimmering bright. Scattered and few thy children be, Yet gather we unknown To dance the old round merrily About the time-worn stone. We ask no Heaven, we fear no Hell, Nor mourn our outcast lot, Treading the mazes of a spell By priests and men forgot.

You said it was twenty feet!” “Yeah. You’ll have to trust me. Put your arms around my neck and hang on.” “How can you possibly—” “There!” cried a voice behind them. “Kill the ungrateful tourists!” The children of Nyx had found them. Annabeth wrapped her arms around Percy’s neck. “Go!” With her eyes closed, she could only guess how he managed it. Maybe he used the force of the river somehow. Maybe he was just scared out of his mind and charged with adrenaline. Percy leaped with more strength than she would have thought possible. They sailed through the air as the river churned and wailed below them, splashing Annabeth’s bare ankles with stinging brine. Then—CLUMP. They were on solid ground again. “You can open your eyes,” Percy said, breathing hard. “But you won’t like what you see.” Annabeth blinked. After the darkness of Nyx, even the dim red glow of Tartarus seemed blinding. Before them stretched a valley big enough to fit the San Francisco Bay. The booming noise came from the entire landscape, as if thunder were echoing from beneath the ground. Under poisonous clouds, the rolling terrain glistened purple with dark red and blue scar lines. “It looks like…” Annabeth fought down her revulsion. “Like a giant heart.” “The heart of Tartarus,” Percy murmured. The center of the valley was covered with a fine black fuzz of peppery dots. They were so far away, it took Annabeth a moment to realize she was looking at an army—thousands, maybe tens of thousands of monsters, gathered around a central pinpoint of darkness. It was too far to see any details, but Annabeth had no doubt what the pinpoint was. Even from the edge of the valley, Annabeth could feel its power tugging at her soul. “The Doors of Death.

Am I so difficult to understand and so easy to misunderstand in all my intentions, plans, and friendships? Ah, we lonely ones and free spirits—it is borne home to us that in some way or other we constantly appear different from what we think. Whereas we wish for nothing more than truth and straightforwardness, we are surrounded by a net of misunderstanding, and despite our most ardent wishes we cannot help our actions being smothered in a cloud of false opinion, attempted compromises, semi-concessions, charitable silence, and erroneous interpretations. Such things gather a weight of melancholy on our brow; for we hate more than death the thought that pretence should be necessary, and such incessant chafing against these things makes us volcanic and menacing. From time to time we avenge ourselves for all our enforced concealment and compulsory self-restraint. We emerge from our cells with terrible faces, our words and deeds are then explosions, and it is not beyond the verge of possibility that we perish through ourselves. Thus dangerously do I live! It is precisely we solitary ones that require love and companions in whose presence we may be open and simple, and the eternal struggle of silence and dissimulation can cease.

Let me wander here forever, through the glades where once I played, Long ago in carefree seasons, mid the noontide sun and shade. I will see again before me, all those smiling friends I knew, gone alas to memory's keeping, faithful comrades good and true. Oh, those days of youth and splendour, when we dreamed of glorious war, vows were made to keep forever, and return back here once more. Then the clouds began to gather, winter came, we marched away, singing songs of love and valour, off we went into the fray. Comes a warrior returning, to autumn's gold-clad trees, where the leaves do fall like teardrops, on the gently sighing breeze. Casting sword and shield aside now, I stand weary and forlorn, In the silence of the woodlands, I will rest until the dawn. Let me sleep and dream forever, of the golden days of yore, and those friends who marched off with me, who'll return alas no more.

1) Did the people of Viet Nam use lanterns of stone? 2) Did they hold ceremonies to reverence the opening of buds? 3) Were they inclined to quiet laughter? 4) Did they use bone and ivory, jade and silver, for ornament? 5) Had they an epic poem? 6) Did they distinguish between speech and singing? 1) Sir, their light hearts turned to stone. It is not remembered whether in gardens stone lanterns illumined pleasant ways. 2) Perhaps they gathered once to delight in blossom, but after the children were killed there were no more buds. 3) Sir, laughter is bitter to the burned mouth. 4) A dream ago, perhaps. Ornament is for joy. All the bones were charred. 5) It is not remembered. Remember, most were peasants; their life was in rice and bamboo. When peaceful clouds were reflected in the paddies and the water buffalo stepped surely along terraces, maybe fathers told their sons old tales. When bombs smashed those mirrors there was time only to scream. 6) There is an echo yet of their speech which was like a song. It was reported their singing resembled the flight of moths in moonlight. Who can say? It is silent now.

To Autumn" Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.

I curse him silently for moving my hands as he raises them to study the scars. He kisses them, his lips a fluid brush along sensitive flesh, then places them on his cheeks. Mouth inches from mine, he whispers, "Forgive me for bringing you into this. There was no other way." His skin is softer than clouds must feel, and the tears gathering around my fingertips are hot and tangible. But are they sincere? Our breaths swirl between us, and his black eyes swallow me whole. My heart knocks against the bottom of his rib cage. I know what's coming next. I fear it. But it's the surest way to distract him and get the wish. And if it has to happen, I'm going to be the instigator. Rising up on my toes, I press my mouth to his. He moans, frees my wrists, and sweep-s me into his arms—sealing the teddy bear between us.

Behold now, let the Dead and Living meet! Across the gulf of Time they still are one. Time hath no power against Identity, though sleep the merciful hath blotted out the tablets of our mind, and with oblivion sealed the sorrows that else would hound us from life to life, stuffing the brain with gathered griefs till it burst in the madness of uttermost despair. Still are they one, for the wrappings of our sleep shall roll away as thunder-clouds before the wind; the frozen voice of the past shall melt in music like mountain snows beneath the sun; and the weeping and the laughter of the lost hours shall be heard once more most sweetly echoing up the cliffs of immeasurable time. Ay, the sleep shall roll away, and the voices shall be heard, when down the completed chain, whereof our each existence is a link, the lightning of the Spirit hath passed to work out the purpose of our being; quickening and fusing those separated days of life, and shaping them to a staff whereon we may safely lean as we wend to our appointed fate. - Ayesha

I bent down and sang Tihas, tihas, kai tihas, kai tihas, over and over, and found myself falling into the sound of the birthday song about living a hundred years. That sounds absurd, but the rhythm of it was easy and familiar, comforting. I stopped having to think about the words: they filled my mouth and spilled over like water out of a cup. I forgot to remember Jerzy’s mad laughter, and the green vile cloud that had drowned the light inside him. There was only the easy movement of the song, the memory of faces gathered around a table laughing. And then finally the magic flowed, but not the same way as when the Dragon’s spell-lessons dragged it in a rush out of me. Instead it seemed to me the sound of the chanting became a stream made to carry magic along, and I was standing by the water’s edge with a pitcher that never ran dry, pouring a thin silver line into the rushing current.

Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat--you will starve her," observed Adèle. "I shall gather manna for her morning and night; the plains and hell-sides in the moon are bleached with manna, Adèle." "She will want to warm herself; what will she do for a fire?" "Fire rises out of the lunar mountains; when she is cold, I'll carry her up to a peak and lay her down on the edge of a crater." "Oh, she'll be uncomfortable there! And her clothes, they will wear out; how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adèle? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adèle, after musing some time; "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you.

Adèle heard him, and asked if she was to go to school “sans mademoiselle?” “Yes,” he replied, “absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.” “She will have nothing to eat: you will starve her,” observed Adèle. “I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adèle.” “She will want to warm herself: what will she do for a fire?” “Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.” “Oh, qu’ elle y sera mal—peu comfortable!  And her clothes, they will wear out: how can she get new ones?” Mr. Rochester professed to be puzzled.  “Hem!” said he.  “What would you do, Adèle?  Cudgel your brains for an expedient.  How would a white or a pink cloud answer for a gown, do you think?  And one could cut a pretty enough scarf out of a rainbow.

I am totally lost in the folds of Love, totally free of worry and care. I have passed beyond the four qualities. My heart has torn away the veil of pretense. There was a time I circled with the nine spheres, rolling with the stars across the sky. There was a time I stayed by his side— I lived in his world and he gave me everything. With the best of intentions I became a prisoner in this form. How else did I get here? What crime did I commit? But I’d rather be in a prison with my Friend than in a rosegarden all alone. I came to this world To have a sight of Joseph’s purity. Like a baby born of its mother’s womb, I was brought here with blood and tears. People think they are born only once But they have been here so many times. In the cloak of this ragged body I have walked countless paths. How many times I have worn out this cloak! With ascetics in the desert I watched night turn into day. With pagans in the temple I slept at the foot of idols. I’ve been a charlatan and a king; I’ve been a healer, and fraught with disease. I’ve been on my death-bed so many times. . . . Floating up like the clouds Pouring down like the rain. As a darvish I sought the dust of annihilation but it never touched my robe. So I gathered armfuls of roses in this faded garden of existence. I am not of wind nor fire nor of the stormy seas. I am not formed out of painted clay. I am not even Shams-e Tabriz— I am the essence of laughter, I am pure light. Look again if you see me— It’s not me you have seen!

The saints are little pieces of mystical Christ, sick of love for union. The wife of youth, that wants her husband some years, and expects he shall return to her from oversea lands, is often on the shore; every ship coming near shore is her new joy; her heart loves the wind that shall bring him home. She asks at every passenger news: "Oh! saw ye my husband? What is he doing? When shall he come? Is he shipped for a return?" Every ship that carrieth not her husband, is the breaking of her heart. What desires hath the Spirit and Bride to hear, when the husband Christ shall say to the mighty angels, "Make you ready for the journey; let us go down and divide the skies, and bow the heaven: I will gather my prisoners of hope unto me; I can want my Rachel and her weeping children no longer. Behold, I come quickly to judge the nations." The bride, the Lamb's wife, blesseth the feet of the messengers that preach such tidings, "Rejoice, O Zion, put on thy beautiful garments; thy King is coming." Yea, she loveth that quarter of the sky, that being rent asunder and cloven, shall yield to her Husband, when he shall put through his glorious hand, and shall come riding on the rainbow and clouds to receive her to himself.

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.' Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.

THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".

The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure. His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind. Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream. The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage. The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.

I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the

All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms. As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean. There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale. But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid. Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice: 'Stand, Men of the West! Stand and wait! This is the hour of doom.' And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise. 'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell. The Captains bowed their heads...

I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.