Loud Voice Quotes

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I have faith that God will show you the answer. But you have to understand that sometimes it takes a while to be able to recognize what God wants you to do. That's how it often is. God's voice is usually nothing more than a whisper, and you have to listen very carefully to hear it. But other times, in those rarest of moments, the answer is obvious and rings as loud as a church bell.
Nicholas Sparks (The Last Song)
What do you want then?" The old answers came easily to mind. Money. Vengeance. Jordie's voice in my head silenced forever. But a different reply roared to life inside him, loud, insistent, and unwelcome. You, Inej. You.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Just tell me one thing before you leave, Ava.” His voice prickles at my senses… His face is serious, but still stunning. “How loud do you think you’ll scream when I fuck you?
Jodi Ellen Malpas (This Man (This Man, #1))
One thousand ways to say good-bye One thousands ways to cry One thousand ways to hang your hat before you go outside I say good-bye good-bye good-bye I shout it out so loud Cause the next time that I find my voice I might not remember how.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
A woman with opinions had better develop a thick skin and a loud voice.
Anya Seton (The Winthrop Woman)
I don't want your prayers, he said. What do you want, then? The old answers came easily to mind. Money. Vengeance. Jordie's voice in my head silenced forever. But a different reply roared to life inside him, loud, insistent, and unwelcome. You, Inej. You.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick. 'Yeah, don't bother to keep in touch,' said George, mounting his own. Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!' 'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge. 'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. 'Give her hell from us, Peeves.' And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
She stood in his kitchen, watching him toy with the ring in his lip. It wasn't quite that he was biting it, but sucking it into his mouth. He did that when he was concentrating. It isn't sexy. He's not sexy. But he was, and she was staring at him like a fool. "wow" she whispered (.....)"Wow, huh?" His voice was low, husky. His chair creaked as he stood. His footsteps seemed strangely loud as he closed the couple yards between them. Then he was beside her. "I can work with wow
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
The feeling of loving her and being loved by her welled up in him, and he could taste the adrenaline in the back of his throat, and maybe it wasn't over, and maybe he could feel her hand in his again and hear her loud, brash voice contort itself into a whisper to say I-love-you as if it were a secret, and an immense one.
John Green (An Abundance of Katherines)
Saphira waved her tail, the tip whistling loudly. "I'm not asking you to. However, if we attack first, we may gain the advantage." "Have you gone crazy? They'll..." Eragon's voice trailed off as he thought about it. "They won't be able to do a thing." "Exactly," said Saphira. "We can inflict lots of damage from a safe height." "Let's drop rocks on them!
Christopher Paolini
A choir is made up of many voices, including yours and mine. If one by one all go silent then all that will be left are the soloists. Don’t let a loud few determine the nature of the sound. It makes for poor harmony and diminishes the song.
Vera Nazarian (The Perpetual Calendar of Inspiration)
fit in here, in my palm, in my shadow, don’t be bigger than my idea of you, don’t be more beautiful than i can accept, don’t be more human than i am willing to allow you to be and be quiet, you’re too loud, even your un-belonging is loud. quiet your dreams, your voice, your hair, quiet your skin, quiet your displacement, quiet your longing, your colour, quiet your walk, your eyes. who said you could look at me like that? who said you could exist without permission? why are you even here? why aren’t you shrinking? i think of you often. you vibrate. you walk into a room and the temperature changes. i lean in and almost recognise you as human. but, no. we can’t have that.
Warsan Shire
Tell me one last thing,” said Harry. “Is this real? Or has this been happening inside my head?” Dumbledore beamed at him, and his voice sounded loud and strong in Harry’s ears even though the bright mist was descending again, obscuring his figure. “Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I ask of you your lives,” Elend said, voice echoing, “and your courage. I ask of you your faith, and your honor—your strength, and your compassion. For today, I lead you to die. I will not ask you to welcome this event. I will not insult you by calling it well, or just, or even glorious. But I will say this. “Each moment you fight is a gift to those in this cavern. Each second we fight is a second longer that thousands of people can draw breath. Each stroke of the sword, each koloss felled, each breath earned is a victory! It is a person protected for a moment longer, a life extended, an enemy frustrated!” There was a brief pause. “In the end, they will kill us,” Elend said, voice loud, ringing in the cavern. “But first, they shall fear us!
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
Alec isn’t happy,” said Magnus, as if she hadn’t spoken. “Of course he isn’t,” Isabelle snapped. “Jace—” “Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said: “I thought you were friends.” “It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.” Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —” “I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—” “Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said. “How dare you make this worse than it is —” “Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.” “There is nothing weak about Alec,” said Isabelle. “No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.” “Of course he loves me. I’m his sister.” “Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
I wouldn't have been sent back to help you," Tristan continued. "I wouldn't have been made an angel if it weren't important that you live, Ivy. I want you to be mine" -Ivy could hear the pain in his voice- "but you're not." "I am!" she cried out loud. "We're on different sides of a river," he said, "and it's a river that neither of us can cross. You were meant for somebody else.
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
I’m not an idiot, Kenji. I have reasons for the things I say.” “Yeah, and maybe I’m just saying that you have no idea what you’re saying.” “Whatever.” “Don’t whatever me—” “Whatever,” I say again. “Oh my God,” Kenji says to no one in particular. “I think this girl wants to get her ass kicked.” “You couldn’t kick my ass if I had ten of them.” Kenji laughs out loud. “Is that a challenge?” "It’s a warning,” I say to him. “Ohhhhhh, so you’re threatening me now? Little crybaby knows how to make threats now?” “Shut up, Kenji.” “Shut up, Kenji,” he repeats in a whiny voice, mocking me.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
It does not do to rely too much on silent majorities, Evey, for silence is a fragile thing, one loud noise, and its gone. But the people are so cowed and disorganised. A few might take the opportunity to protest, but it'll just be a voice crying in the wilderness. Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the people's voice for generations, Evey and it is much, much louder than they care to remember.
Alan Moore (V for Vendetta)
Sometimes stories cry out to be told in such loud voices that you write them just to shut them up.
Stephen King (Just After Sunset)
If I hear any more loud voices, you will both be auctioned off on eBay. I could use the extra money.
J.R. Rain (Vampire Dawn (Vampire for Hire #5))
While many find the new clothes of the emperor magnificent, some dare to say out loud, he is simply naked. If the clear sighted are constrained by the credulous and when the “followers” are browbeating the "knowers", the cat is among the pigeons and the age of obscuration is under way. Obviously "something wicked this way comes…" ("His master's voice" )
Erik Pevernagie
My mama say education will give me a voice. I want more than just a voice, Ms. Tia. I want a louding voice,” I say. “I want to enter a room and people will hear me even before I open my mouth to be speaking. I want to live in this life and help many people so that when I grow old and die, I will still be living through the people I am helping.
Abi Daré (The Girl with the Louding Voice)
When you get up every day, I want you to remind yourself that tomorrow will be better than today. That you are a person of value. That you are important.
Abi Daré (The Girl with the Louding Voice)
Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
Brian Eno (A Year With Swollen Appendices)
Amy Poehler was new to SNL and we were all crowded into the seventeenth-floor writers' room, waiting for the Wednesday night read-through to start. [...] Amy was in the middle of some such nonsense with Seth Meyers across the table, and she did something vulgar as a joke. I can't remember what it was exactly, except it was dirty and loud and "unladylike", Jimmy Fallon [...] turned to her and in a faux-squeamish voice said, "Stop that! It's not cute! I don't like it." Amy dropped what she was doing, went black in the eyes for a second, and wheeled around on him. "I don't fucking care if you like it." Jimmy was visibly startled. Amy went right back to enjoying her ridiculous bit. With that exchange, a cosmic shift took place. Amy made it clear that she wasn't there to be cute. She wasn't there to play wives and girlfriends in the boys' scenes. She was there to do what she wanted to do and she did not fucking care if you like it.
Tina Fey (Bossypants)
Oh, isn’t that sweet,” came Jackal’s loud, mocking voice... “Let’s make goo-goo eyes at each other in the middle of a stinking corpse field, how very romantic.
Julie Kagawa (The Forever Song (Blood of Eden, #3))
I want to ask, to scream, why are the women in Nigeria seem to be suffering for everything more than the men?
Abi Daré (The Girl with the Louding Voice)
Ten thousand dollars." I hear Lily's gasp of disbelief behind me. Oh fuck. "Fifteen" Twenty," counters Christian quietly. Twenty-five," the stranger says. "One hundred thousand dollars," he says his voice ringing clear and loud through the marquee. "What the fuck?" Lily hisses audibly behind me, and a general gasp of dismay and amusement ripple through the crowd.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Read this to yourself. Read it silently. Don't move your lips. Don't make a sound. Listen to yourself. Listen without hearing anything. What a wonderfully weird thing, huh? NOW MAKE THIS PART LOUD! SCREAM IT IN YOUR MIND! DROWN EVERYTHING OUT. Now, hear a whisper. A tiny whisper. Now, read this next line in your best crotchety- old man voice: "Hello there, sonny. Does your town have a post office?" Awesome! Who was that? Whose voice was that? It sure wasn't yours! How do you do that? How?! It must've been magic.
Bo Burnham
To become a WRITER I had to learn to INTERRUPT, to speak up, to speak a little louder, and then LOUDER, and then to just speak in my own voice which is NOT LOUD AT ALL.
Deborah Levy (Things I Don't Want to Know)
Listen.” The voice is extremely loud, and I am forced to hold the telephone away from my ear. “I don’t know who you are, or why you have Jack’s phone, but he is my boyfriend, and—” Boyfriend? What is a boyfriend? Perhaps it is something like a beau. “Is he engaged to you, then?” I hope not. “What? No. Of course not.” “Oh, what a relief. He is my true love, and you do not sound very nice.” “What? Listen, you . . .” And then, strangely enough, she calls me a female dog.
Alex Flinn (A Kiss in Time)
You brought the silence, The most beautiful sound I'd ever heard, Because it was where you were. And now you've taken it away. And all the noises, all the sounds in the world, Aren't loud enough to pierce my broken heart. I look up at the stars, endless and forever, and whisper, Come back to me, Come back to me, Come back to me.
Mia Sheridan (Archer's Voice)
NOW, MY BRETHREN!" Poseidon's voice was so loud I wasn't sure if I was hearing it from the smoke image or from all the way across town. "STRIKE FOR OLYMPUS!
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Da. This is going very well already." Thomas barked out a laugh. "There are seven of us against the Red King and his thirteen most powerful nobles, and it's going well?" Mouse sneezed. "Eight," Thomas corrected himself. He rolled his eyes and said, "And the psycho death faerie makes it nine." "It is like movie," Sanya said, nodding. "Dibs on Legolas." "Are you kidding?" Thomas said. "I'm obviously Legolas. You're . . ." He squinted thoughtfully at Sanya and then at Martin. "Well. He's Boromir and you're clearly Aragorn." "Martin is so dour, he is more like Gimli." Sanya pointed at Susan. "Her sword is much more like Aragorn's." "Aragorn wishes he looked that good," countered Thomas. "What about Karrin?" Sanya asked. "What--for Gimli?" Thomas mused. "She is fairly--" "Finish that sentence, Raith, and we throw down," said Murphy in a calm, level voice. "Tough," Thomas said, his expression aggrieved. "I was going to say 'tough.' " As the discussion went on--with Molly's sponsorship, Mouse was lobbying to claim Gimli on the basis of being the shortest, the stoutest, and the hairiest-- "Sanya," I said. "Who did I get cast as?" "Sam," Sanya said. I blinked at him. "Not . . . Oh, for crying out loud, it was perfectly obvious who I should have been." Sanya shrugged. "It was no contest. They gave Gandalf to your godmother. You got Sam.
Jim Butcher (Changes (The Dresden Files, #12))
I was still a little amazed that this was happening. That this, the thing that had seemed so impossible, so terrifying, so utterly beyond me, was happening. I was having fun. And that I was the one who made it happen. "I did it," I said out loud, sendind my voice up to the stars above me, not really caring if the others heard me.
Morgan Matson (Since You've Been Gone)
Plastic ware," he said slowly, "like knives and forks and spoons?" I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually, "Yeah, I guess.Just the basics, you know." "Did you need plastic ware?" he asked. I shrugged. "Because," he went on, and I fought the urge to squirm, "it's so funny, because I need plastic ware. Badly." "Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here." He looked at the bag again, then at me. And then, slowly, the smile I knew and dreaded crept across his face. "You bought me plastic ware," he said. "Didn't you?' "No," I growled, picking at my license plate. "You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—" "No," I said loudly. "—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her. "It was on sale," I told him again, as if this was some kind of an excuse. "You love me," he said simply, taking the bag and adding it to the others. "Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake." "Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
Sarah Dessen (This Lullaby)
I want to tell her that God is not a cement building of stones and sand. That God is not for all that putting inside a house and locking Him there. I want her to know that the only way to know if a person find God and keep Him in their heart is to check how the person is treating other people, if he treats people like Jesus says--with love, patience, kindness, and forgiveness.
Abi Daré (The Girl with the Louding Voice)
Who are you?” asked Shasta. “Myself,” said the Voice, very deep and low so that the earth shook: and again “Myself,” loud and clear and gay: and then the third time “Myself,” whispered so softly you could hardly hear it, and yet it seemed to come from all around you as if the leaves rustled with it.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
I killed you once", the Lord Ruler said, turning back to Kelsier. "You tried", Kelsier replied, his voice loud and firm, carrying across the square. "But you can't kill me, Lord Tyrant. I represent that thing you've never been able to kill no matter how hard you try. I am hope.
Brandon Sanderson (The Final Empire (Mistborn, #1))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
you must do good for other peoples, even if you are not well, even if the whole world around you is not well.
Abi Daré (The Girl with the Louding Voice)
Close your eyes,” he said. Without waiting for me, he pressed his hand over my eyelids, shutting them for me. I felt the love seat shift as he slid in beside me, heard the inexplicably loud sound of the cover opening, the pages inside scraping against each other as he turned them. Then I felt his breath on my ear as he said, voice barely audible, “‘I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action.’” He paused, long, the only sound his breath, a little ragged, before he went on, “‘And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don’t want to be folded anywhere, because there, where I’m folded, I am a lie.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
But sleep didn't come. She could hear Jace's soft piano playing through the walls, but that wasn't what was keeping her awake. She was thinking of Simon, leaving for a house that no longer felt like home to him, of the despair in Jace's voice as he said 'I want to hate you', and of Magnus, not telling Jace the truth: that Alec did not want Jace to know about his relationship because he was still in love with him. She thought of the satisfaction it would have brought Magnus to say the words out loud, to acknowledge what the truth was, and the fact that he hadn't said them - had let Alec go on lying and pretending - because that was what Alec wanted, and Magnus cared about Alec enough to give him that. Maybe it was true what the Seelie Queen had said, after all: Love made you a liar.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
WE ARE THE KOURETES!" one shouted at the top of his lungs "WE WILL HELP!" "Thank you," Rhea said, "Do you have to speak so loudly?" "THIS IS MY INSIDE VOICE!" the warrior yelled.
Rick Riordan (Percy Jackson's Greek Gods)
I'm different,and I like being different."Calvin's voice was unnaturally loud. "Maybe I don't like being different,"Meg said."but I don't want to be like everybody else,either.
Madeleine L'Engle (A Wrinkle in Time (A Wrinkle in Time Quintet, #1))
He's still there, unchanged, even when we can't feel Him. When the grief's too loud to let us hear His voice.
Roseanna M. White (The Number of Love (The Codebreakers, #1))
When the voice and the vision on the inside is more profound, and more clear and loud than all opinions on the outside, you've begun to master your life
John F. Demartini (Count Your Blessings: The Healing Power of Gratitude and Love)
Not his-story. My own will be called her-story.
Abi Daré (The Girl with the Louding Voice)
Now I know that speaking good English is not the measure of intelligent mind and sharp brain. English is only a language, like Yoruba and Igbo and Hausa. Nothing about it is so special, nothing about it makes anybody have sense.
Abi Daré (The Girl with the Louding Voice)
Quaint and picturesque, though I didn't voice my opinion out loud. Keirran and Annwyl were faeries, and Kenzie was a girl, so it was okay for them to notice such things. as a card-carrying guy club, I wasn't going to comment on the floral arrangements.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again. I stood frozen, my back against the door. Even though he was faint, I could see him smirk. “Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’” “You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—” All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.” My heart was still hammering. “Then what the heck are you?” Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’” “Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall. “No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
He took a long drink, then grimaced. “I do not have a drinking problem,” he announced, his voice needlessly loud. “I have a Churchillian relationship with alcohol: I can crack jokes and govern England and do anything I want to do. Except not drink.
John Green (The Fault in Our Stars)
Hi, I'm Driggs." "Damn, boy. You're even cuter up close." Cordy looked him up and down hungrily. "Got any dead brothers in here?" Lex made a face. "Cordy, ew." "Doesn't hurt to ask!" She peered at Driggs. "Now tell me, what are your intentions with my sister?" Driggs became flustered. "Um, I don't know. To love her...and, uh...honor...protect..." Lex went red. "Driggs, shut up." "Awkward." Cordy beamed. "Love it." "We have to go," Driggs said in an unnecessarily loud voice.
Gina Damico (Scorch (Croak, #2))
With the persistent loud voice, fool asks us to respect serenity.
Toba Beta (Master of Stupidity)
I like to praise and reward in a loud voice and to scold in a whisper.
Catherine II Romanov
Y’all might as well come on out,” I said. “I know you’re there. I can smell you.” “Smell me? But I just took a shower this morning!” an indignant voice drifted out of the shadows. There was a loud sound, like someone was getting smacked upside the head. Then another voice let out a low mutter. “Shut up, idiot.
Jennifer Estep (By a Thread (Elemental Assassin, #6))
He kissed my forehead gently. "Loving you has put me through hell more than once, Sassenach; I'll risk it again, if need be." "Bah," I said. "And you think loving you has been a bed of roses, do you?" This time he laughed out loud. "No," he said, "but you'll maybe keep doing it?" "Maybe I will, at that." "You're a verra stubborn woman," he said, the smile clear in his voice.
Diana Gabaldon (Voyager (Outlander, #3))
Did you just call me a hottie? And Jax isn’t better looking than me. He’s just famous.” Amanda let out a loud cackle of laughter. “No brother dear, Jax Stone is hotness incarnate with or without the guitar and sexy as hell singing voice. You never stood a chance. He was what you call playing with the big dogs. This time you’re definitely playing within your league.
Abbi Glines (Because of Low (Sea Breeze, #2))
Aw, hell!" Kyle grumbled. My gaze flickered toward him at the sound of his voice. I could just see his bright eyes around Jared's elbow, focused on me. " It didn't fall!" He complained. Jared lundged forward, away from me. With a loud smacking sound, his fist hit Kyle's face. Kyle's eyes rolled back in his head, and his mouth fell slack. The room was very quiet for a few seconds. "Um," Doc said in a mild voice, "medically speaking, I'm not sure that was the most helpful thing for his condition." "But I feel better," Jared answered, sullen.
Stephenie Meyer (The Host (The Host, #1))
At first I wasn't understanding him, but now it is not too much a problem. Everybody in the whole world be speaking different. Big Madam, Ms. Tia, Kofi, Abu, even me, Adunni. We all be speaking different because we all are having different growing-up life, but we can all be understanding each other if we just take the time to listen well.
Abi Daré (The Girl with the Louding Voice)
Will gave a short, disbelieving laugh. "It's true," he said. "I am no hero." "No," Tessa said. "You are a person, just like me." His eyes searched her face, mystified; she held his hand tighter, lacing her fingers with his. "Don't you see, Will? You're a person like me. You are like me. You say the things I think but never say out loud. You read the books I read. You love the poetry I love. You make me laugh with your ridiculous songs and the way you see the truth of everything. I feel like you can look inside me and see all the places I am odd or unusual and fit your heart around them. For you are odd and unusual in the same way." With the hand that was not holding his, she touched his cheek, lightly. "We are the same." Will's eyes fluttered closed; she felt his lashes against her fingertips. When he spoke again, his voice was ragged but controlled. "Don't say those things, Tessa. Don't say them." "Why not?" "You said I am a good man," he said. "But I am not that good a man. And I am—I am catastrophically in love with you.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
You don't have to say it out loud. I already know why you like me.' 'You do, huh?' 'Yep.' He wrapped his arms around my waist, pulling me closer. 'So,' I said. 'Tell me' 'It's an animal attraction,' he said simply. 'Totally chemical.' 'Hmm,' I said. 'You could be right.' 'It doesn't matter, anyway, why you like me.' 'No?' 'Nope.' His hands were in my hair now, and I was leaning in, not able to totally make out his face, but his voice was clear, close to my ear. 'Just that you do.
Sarah Dessen (This Lullaby)
Everyone was eating, talking softly, glancing at me, hugging me, eating. It was as if someone had turned the volume down. Everything looked normal, but the sound was muted. Death did this, set all this weirdness in motion, made people appear out of nowhere carrying casseroles, saying 'I'm sorry' over and over, death muffled their voices.
Joan Abelove (Saying It Out Loud)
When they say Don't I know you? say no. When they invite you to the party remember what parties are like before answering. Someone telling you in a loud voice they once wrote a poem. Greasy sausage balls on a paper plate. Then reply. If they say we should get together. say why? It's not that you don't love them any more. You're trying to remember something too important to forget. Trees. The monastery bell at twilight. Tell them you have a new project. It will never be finished. When someone recognizes you in a grocery store nod briefly and become a cabbage. When someone you haven't seen in ten years appears at the door, don't start singing him all your new songs. You will never catch up. Walk around feeling like a leaf. Know you could tumble any second. Then decide what to do with your time.
Naomi Shihab Nye
all abilities are paid for with disabilities. perfect health may entail the heavy toll of bovine stupidity. insight into one area involves blind spots in another. i could not have done what i have done as a writer had i been a gifted mathematician or physicist. honesty wrung out of him by pain, he cried out with a loud voice.
William S. Burroughs (My Education: A Book of Dreams)
Sing to me," she said. "That would be valiant, to raise your voice in this dark, lonely place, and it will be useful as well. Sing to me, sing loudly-drown out my dreams, keep me from remembering whatever wants me to remember it. Sing to me, my lord prince, if it please you. It may not seem a hero's task, but I would be glad of it.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
The written word has its limits and its challenges, for the primal sound in the whole world is that made by the human voice, and the likeness of this human voice must be rendered in dots and strokes...Yet I never forget that the voice, too, is important...Don't mumble or hesitate. Speak...in a loud voice, clearly, and without fear.
Jonathan D. Spence (Emperor of China: Self-Portrait of K'ang-Hsi)
The forest of Skund was indeed enchanted, which was nothing unusual on the Disc, and was also the only forest in the whole universe to be called -- in the local language -- Your Finger You Fool, which was the literal meaning of the word Skund. The reason for this is regrettably all too common. When the first explorers from the warm lands around the Circle Sea travelled into the chilly hinterland they filled in the blank spaces on their maps by grabbing the nearest native, pointing at some distant landmark, speaking very clearly in a loud voice, and writing down whatever the bemused man told them. Thus were immortalised in generations of atlases such geographical oddities as Just A Mountain, I Don't Know, What? and, of course, Your Finger You Fool. Rainclouds clustered around the bald heights of Mt. Oolskunrahod ('Who is this Fool who does Not Know what a Mountain is') and the Luggage settled itself more comfortably under a dripping tree, which tried unsuccessfully to strike up a conversation.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
His voice was handsome and broken, like a cobblestone street.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
I came out alone on my way to my tryst. But who is this that follows me in the silent dark? I move aside to avoid his presence but I escape him not. He makes the dust rise from the earth with his swagger; he adds his loud voice to every word that I utter. He is my own little self, my lord, he knows no shame; but I am ashamed to come to thy door in his company.
Rabindranath Tagore (Gitanjali)
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
Ana Huang (Twisted Games (Twisted, #2))
As I pulled aside the linen curtain to the back room, I heard the front door open again. If it was Christina returning to make a second effort at my leggings, I was going to be forced to get loud, and I didn't like getting loud. But it wasn't Christina I heard at the front of the store. Instead, a very familiar voice said, "No, no, I'm looking for something very particular. Oh, wait, I just saw it." I turned around. Cole St. Clair smiled lazily at me. I gave so many damns at once that it actually hurt.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
Okay, listen up, people,” Kieran raised his voice so that it was all gravelly and impressive. I wasn’t particularly impressed since we’d grown up together and I’d force-fed him mud pies when we were little, but it seemed to work on everyone else. Lia actually sighed. Only a thirteen-year-old vampire hunter would get a crush in the middle of a vampire attack. I was a little bit proud of her actually. ---------------------- His grin widened and he nudged my shoulder companionably. “I like you, kid.” (Quinn) I tried not to groan out loud. I was as bad as Lia. I had totally developed a crush during a vampire raid.
Alyxandra Harvey (Out for Blood (Drake Chronicles, #3))
Max is going through my overnight bag when I get back to Wink Hotel. My favorite part about this is that he doesn't stop when I walk in the room. "Hey," he says. He pulls out my black Hugo Boss dress hirt, then holds it up to his nose and sniffs loudly. "Dude. Stop." I pull the shirt from his hands and toss it on the bed. "I just love your scent," he says in a chick voice. "You and everyone else, my friend.
Victoria Scott (The Collector (Dante Walker, #1))
Who knows what else tomorrow will bring? So, I nod my head yes, because it is true, the future is always working, always busy unfolding better things, and even if it doesn’t seem so sometimes, we have hope of it.
Abi Daré (The Girl with the Louding Voice)
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me? Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.” “You are!” “No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Almost halfway down the aisle, she saw someone she wasn't expecting, and she almost stumbled on her satin heels. Kingsley Martin stood at the end of a pew, his arms crossed. He was wearing a tuxedo as well. Just like any other guest. What was he doing here? He was supposed to be in Paris! He was supposed to be gone! He looked directly at Mimi. She heard his voice loud and clear in her head. Leave him. Why should I? What do you promise me? Nothing. And everything. A life of danger and adventure. A chance to be yourself. Leave him. Come with me.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
I discovered that all these rulers were men. What they had in common was an avaricious and distorted personality, a never-ending appetite for money, sex and unlimited power. They were men who sowed corruption on the earth, and plundered their peoples, men endowed with loud voices, a capacity for persuasion, for choosing sweet words and shooting poisoned arrows. Thus, the truth about them was revealed only after their death, and as a result I discovered that history tended to repeat itself with a foolish obstinacy.
Nawal El Saadawi (Woman at Point Zero)
We all be speaking different because we all are having different growing-up life, but we can all be understanding each other if we just take the time to listen well.
Abi Daré (The Girl with the Louding Voice)
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.” Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.” “Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.” “That doesn’t mean that I don’t—” “What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.” “But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?” “No.” “I thought you might like Magnus. He’s nice, isn’t he?” “Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely. “I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.” “I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace. But Jace, his golden head down, lost in thought, didn’t notice.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
One of us will just have to stay at the cottage to keep an eye on her.' [...] Let's see if Widow Hazel wouldn't take her in during the day, maybe teach her something useful -' No, remember when she learned how to knit? Now we're stuck wearing these dreadful hats.' Not so loud! She'll hear you.' In a lower voice one of the dwarfs said, 'H.A.T.S.' Apparently Snow White didn't know how to knit or to spell.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
Knowing that the voice wouldn’t scream to be heard, they made sure that the world stayed loud with music and movies and 24/7 news and incessant online chatter. If they couldn’t silence the whisper, they’d bombard people with other voices. Infinite choices.
Lauren Miller (Free to Fall)
Is there a reason you keep coming back injured when I leave you for five seconds, or is it---" His voice carried too loud, and I clapped a hand over his mouth, shutting him up. "Don't flatter yourself," I said quietly. "I'm always getting injured when you're around, too.
Alwyn Hamilton (Traitor to the Throne (Rebel of the Sands, #2))
There was once an invisible man, the monster continued, though Conor kept his eyes firmly on Harry, who had grown tired of being unseen. Conor set himself into a walk. A walk after Harry. It was not that he was actually invisible, the monster said, following Conor, the room volume dropping as they passed. It was that the people had become used to not seeing him. "Hey!" Conor called. Harry didn't turn around. Neither did Sully nor Anton, though thet were still sniggering as Conor picked up his pace. And if no one sees you, the monster said, picking up its pace, too, are you really there at all? "HEY!" Conor called loudly. The dining hall had fallen silent now, as Conor and the monster moved faster after Harry. Harry who had still not turned around. Conor reached him and grabbed him by the shoulder, twisting him round. Harry pretended to question what had happened, looking hard at Sully, acting like he was the one who'd done it. "Quit messing about," Harry said and turned away again. Turned away from Conor. And then one day the invisible man decided, the monster said, its voice ringing in Conor's ears, I will make them see me. "How?" Conor asked, breathing heavily again, not turning back to see the monster standing there, not looking at the reaction of the room to the huge monster now in the midst, though he was aware of nervous murmurs and a strange anticipation in the air. "How did the man do it?" Conor could feel the monster close behind him, knew that it was kneeling, knew that it was putting its face up to his ear to whisper into in, to tell him the rest of the story. He called, it said for a monster.
Patrick Ness (A Monster Calls)
And I decided that there might be things I would never understand, no matter how hard I tried. Though try I would. And that there would be people who would never hear my one small voice, no matter what I had to say. But then a better thought occurred, and this was the one I carried away with me that day: If my life was to be just a single note in an endless symphony, how could I not sound it out for as long and as loudly as I could? (p228)
Lauren Wolk (Wolf Hollow (Wolf Hollow #1))
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy–they sure picked the wrong guy to lynch _that_ time! And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes. The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
hear him breathing behind me, loud and fast. "Are you all right, Four?" "Are you human, Tris? Being up this high..." He gulps for air. "It doesn't scare you at all?" I look over my shoulder at the ground. If I fall now, I will die. But I don't think I will fall. A gust of air presses against my left side, throwing my body weight to the right. I gasp and cling to the rungs, my balance shifting. Four's cold hand clamps around one of my hips, one of his fingers finding a strip of bare skin just under the hem of my T-shirt. He squeezes, steading me and pushing me gently to the left, restoring my balance. Now I can't breathe. I pause, staring at my hands, my mouth dry. I feel the ghost of where his hand was, his fingers long and narrow. "You okay?" he asks quietly. "Yes," I say, my voice strained.
Veronica Roth
As they passed through the crowd, people blinked at them until finally Lily Chen, looking annoyed, stood up and said, in a loud, bored voice, "I cannot believe my own eyes. Isn't that Jace Herondale and Clary Fairchild, back from THE DEAD?
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
So that still freaks you out, huh? That might be proof that it needs to happen. His eyes locked on hers, refusing to let her look away. And when she swallowed, it was so loud, she was sure the whole world heard it. Or, he said. We could skip the talking. And do what? She asked, hating her voice for cracking. Any ideas? He was so close now, she could feel his breath warming her cheeks. He leaned a tiny bit closer and someone cleared his throat, very loudly.
Shannon Messenger
That day, I tell myself that even if I am not getting anything in this life, I will go to school. I will finish my primary and secondary and university schooling and become teacher because I don’t just want to be having any kind voice... I want a louding voice.
Abi Daré (The Girl with the Louding Voice)
Yes, Min. This is how it should be.” Raw need edged his voice. “Never settle for less. Be fearless. Wild and loud and lovely. God, you’re so lovely.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
He glances over his shoulder, no doubt hearing my insanely loud shoes stop in their tracks. Then he looks again. It’s a double take for the record books. “I’m out stalking,” I call. It doesn’t come out the way I’d intended. It’s not lighthearted or funny. It comes out like a warning. I’m one scary bitch right now. I hold my hands up to show I’m not armed. My heart is racing. “Me too,” he replies. Another cab cruises past like a shark. “Where are you actually going?” My voice rings down the empty street. “I just told you. I’m going out stalking.” “What, on foot?” I come closer by another six paces. “You were going to walk?” “I was going to run down the middle of the street like the Terminator.” The laugh blasts out of me like bah.I’m breaking one of my rules by grinning at him, but I can’t seem to stop. “You’re on foot, after all. Stilts.” He gestures at my sky-high shoes. “It gives me a few extra inches of height to look through your garbage.” “Find anything of interest?” He strolls closer and stops until we have maybe ten paces between us. I can almost pick up the scent of his skin. “Pretty much what I was expecting. Vegetable scraps, coffee grounds, adult diapers.
Sally Thorne (The Hating Game)
Bayla, is this how you'd kill me?" she asked out loud. There are easier ways. You could send another snake. I am sorry I ate the first one." Hearing her own voice made her feel braver. "He was delicious, though
Sarah Beth Durst (Vessel)
I'll see you there little Red.' Fane’s voice faded out of her mind and she could feel his humor. Oh, wasn't he just too cute, picking up on her two best friends' idea of a sick joke - to turn her into the little girl who almost wound up as the wolf's dinner. "My, what big eyes you have, wolf-man," Jacque said out loud, unable to stop her sarcasm from boiling up. “The better to see you with love,” Jen chimed in. “What big ears you have!” Sally continued their comic relief. “The better to hear you with my love,” Jen followed. “What big teeth you have!” Sally mocked, her hands on either side of her face. “The better to eat you with my love,” Jen cackled, but she wasn’t finished. True to Jen form she added her own twisted sense of humour. “My, what a big-“ Sally slapped a hand over her mouth, quickly realising where Jen was going with that statement.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
And he'd railed at her, his voice booming so loud the bed had seem to shake. "You canna do this - take my goddamned heart and then leave me! You think I will no' follow?" She knew he was constantly there, was aware of his movement and comprehended his words, but she couldn't seem to open her heavy eyelids or speak. At night, he would wrap his body around hers, keeping her warm, whispering against her hair, "You enjoy being contrary. Then prove them all wrong and get better." He'd clutched her hip, then balled his fist there.
Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
... I feel a free that I didn't feel in long time. And when I smile, it climb from inside my stomach and spread itself on my teeth.
Abi Daré (The Girl with the Louding Voice)
It’s what you didn’t say, Dad.” Cooper could hear his voice loud and steady, like it had been growing inside him and waiting to burst out for years. “You never even mentioned it. Like it didn’t exist. Like it didn’t even cross your mind that I could be gay or bi or anything else. How was I to know it was okay? I never heard it from you. It wasn’t my job to tell you. It was yours to make me feel like I didn’t have to hide it from you.
Charlie Adhara (The Wolf at Bay (Big Bad Wolf, #2))
One of the first steps in freeing yourself from a gaslighting relationship, then, is to acknowledge how unpleasant and hurtful you find this Emotional Apocalypse. If you hate being yelled at, you have the right to insist that yelling not be a part of your disagreements. Maybe some other woman wouldn't mind the loud voice, but you do. If that makes you sensitive, so be it. You have the right to set limits where you want them, not where some mythical other, "less sensitive" woman wants them.
Robin Stern
Yes, he chuckles. "Im a couple years older than her." "Mommy is thirty", Josie informed him. "She's really, really old." "Are you older than the Empire State Building?" Maddie asks with awe in her little voice and I cover my mouth so I don't laugh out loud.
Kristen Proby (Safe with Me (With Me in Seattle, #5))
Dorina?" Louis Cesare's voice was loud in my ear. The one I had squeezed against the phone, which was squeezed against my sore shoulder, becuase I was using both hands to keep Ray's point in his pants. "The fey, damm it!" I told him. "They're for the fey!" "Which one?" Louis Cesare asked, his voice going velvety soft. "All of them- No Ray! Ray, cut it out!" "All of them?
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
Brian's face broke out in a wide grin as he slapped Roarke on the back. "That's a woman, isn't it?" "Delicate as a rose, my Eve. Fragile and quiet natured." He grinned himself when he heard her curse, loud and vicious. "A voice like a flute." "And you're sloppy in love with her." "Pitifully.
J.D. Robb (Vengeance in Death (In Death, #6))
Would you please just talk to me? Please?" Sally's voice was beginning to take on a high-pitched whine. "Oh, good grief. For the love of healthy ears everywhere, quit your belly aching," Jen snapped, the clothes in her hands growing more wrinkled by the second. "Sally, there is nothing to talk about, okay? It is what it is." Sally threw her hands up in the air as she exhaled loudly. "No, it is not what it is, whatever the hell that means. It's a whole freaking lot more complicated than 'it is what it is.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.
Elizabeth Gilbert (Big Magic: How to Live a Creative Life, and Let Go of Your Fear)
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
I hurriedly whispered towards Yoo Jonghyuk. “Hey, just say that you like him. Quickly.” “I don’t want to.” “Why? Hey, just close your eyes and do it once…” Nirvana shouted angrily when he saw me whispering. “Don’t whisper in front of me!” Then Yoo Jonghyuk spoke in a loud voice, “I’m not interested in men!” [The constellation ‘Demon-like Judge of Fire’ cries out for blood.] [2,000 coins have been sponsored.] Nirvana looked like he would puke. “I’m not a man!” [The constellation ‘Demon-like Judge of Fire’ is embarrassed.] “Of course, I’m not a woman either!
Singshong (Omniscient Reader’s Viewpoint, Vol. 1)
My head is so full of memories!" Cinderheart wailed. "I feel as though there are two lives inside me, not one. How can it be my choice to make? Doesn't Cinderpelt have a choice? I can't make her a warrior! She was a medicine cat!" Lionblaze pressed his muzzle closer. "She chose you", he murmured. "She gave you the choice". Cinderheart began to tremble. Lionblaze could sense her mind whirling. "You can only live one life, Cinderheart. It's your choice! This is your destiny, not Cinderpelt's. She lived her own life". Cinderheart gasped. Then her pelt smoothed. She lifted her chin. "Then I choose the life of a warrior". Her blue eyes shone. "And I choose you". A breeze stirred the ferns. Lionblaze glimpsed a pale gray shape appear like a shadow beside Cinderheart. Stepping back in surprise, he saw it peel away from her and drift up like a cobweb carried by the wind. A soft voice whispered, Thank you. Lionblaze's fur stood on end. "Did you see that? Cinderheart was watching the shadow disappear into the trees. "It was Cinderpelt", she breathed. "I've set her free". Lionblaze purred loudly. "Will you fight alongside me?" Cinderheart pressed her muzzle fiercely against his. "Always".
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA.
Jodi Picoult (House Rules)
Gemma Davidson,” she answered, her voice as groggy as I felt. “Where are you?” I asked. “Who is this?” “Elvis.” “What time is it?” “Hammer time?” “Charley.” “Did you text me? Did your car break down?” “No and no. Why are you doing this to me?” She was funny. “Check your cell.” I heard a loud, sleepy sigh, some rustling of sheets, then, “It won’t come on.” “Not at all?” “No. What did you do to it?” “I ate it for breakfast. Check the battery compartment.” “Where the hell is that?” “Um, behind the battery door.” “Are you punking me?” I heard her fumbling with the phone. “Gem, if I was going to punk you, I wouldn't simply turn off your phone. I would pour honey in your hair while you slept. Or, you know, something like that.” “That was you?” she asked, appalled.
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
...and she felt the words come from some iron place within her that hadn't existed an hour ago. She didn't speak loudly, but there was such a change in her voice. Coming from that iron place, it was heavy and true; it wasn't persuasive, or desperate, or antagonistic. It just was.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
A few moments of silence passed, and Mina was almost asleep when she heard Jared speaking out loud in a droning voice. “I’m keeping watch, and I see the river. I see the moon rise over the trees. I see that the forest looks really, really creepy right now. I bet you there is some sort of killer vampire turtle slowly crawling toward us out of the woods. Yep, I can almost hear its little turtle-y steps inching closer to us.
Chanda Hahn (Fairest (An Unfortunate Fairy Tale, #2))
Cole!" Cassandra smacked him on the shoulder. "Wha-?" When he opened his mouth all you could see was half-chewed goo. "How old are you?" I demanded. I threw shrimp at him and it got stuck in his tangle of wig hair. Bergman fished it out, wiped it off, and put it back on the serving dish. "Now, thats disgusting," said Cassandra. "Children!" Vayl's voice boomed in our ears, loud and sudden enough to make us all jump guiltily. "I trust you are all preforming actual work right now." "Chill out, Vayl," I replied. "Bergman is just conducting and experiment to see how vampires respond to ingesting brown hair dye." "That makes me curious, Vayl," said Cole in a sticky, goodie-between-the-gums voice that reminded me of Winnie the Pooh after a major honey binge. "Have you ever colored your hair? You know blonds have more fun." "Not when they are in the hospital.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
One of the most terrible losses man endures in his lifetime is not even noticed by most people, much less mourned. Which is astonishing, because what we lose is in many ways one of the essential qualities that sets us apart from other creatures. I'm talking about the loss of the sense of wonder that is such an integral part of our world when we are children. However, as we grow older, that sense of wonder shrinks from cosmic to microscopic by the time we are adults. Kids say "Wow!" all the time. Opening their mouths fully, their eyes light up with genuine awe and glee. The word emanates not so much from a voice box as from an astonished soul that has once again been shown that the world is full of amazing unexpected things. When was the last time you let fly a loud, truly heartfelt "WOW?" NOt recently I bet. Because generally speaking wonder belongs to kids, with the rare exception of falling madly in love with another person, which invariably leads to a rebirth of wonder. As adults, we are not supposed to say or feel Wow, or wonder, or even true surprise because those things make us sound goofy, ingenuous, and childlike. How can you run the world if you are in constant awe of it?... The human heart has a long memory though and remembers what it was like to live through days where it was constantly surprised and delighted by the world around it.
Jonathan Carroll
You have two voices, one that only you hear, and another that you speak out loud with, so others hear you. Regardless of what you actually say with your mouth, what matters is what your inner voice says, for this is the one you listen to the most.
Stephen Richards
There was a discordant hum of human voices! There was a loud blast as of many trumpets! There was a harsh grating as of a thousand thunders! The fiery walls rushed back! An outstretched arm caught my own as I fell, fainting, into the abyss. It was that of General Lasalle. The French army had entered Toledo. The Inquisition was in the hands of its enemies.
Edgar Allan Poe (The Complete Stories and Poems)
(If you read this story out loud, please use the following voices: ME: as a child, high-pitched, forgettable; as a woman, the same. THE BOY WHO WILL GROW INTO A MAN, AND BE MY SPOUSE: robust with serendipity. MY FATHER: kind, booming; like your father, or the man you wish was your father. MY SON: as a small child, gentle, sounding with the faintest of lisps; as a man, like my husband. ALL OTHER WOMEN: interchangeable with my own.)
Carmen Maria Machado (Her Body and Other Parties: Stories)
The fireworks continued to burn and spread all over the school that afternoon. Though they caused plenty of disruption, the other teachers did not seem to mind them very much. "Dear, dear," said Professor McGonagall sardonically, as one of the dragons soared around her classroom, emitting loud bangs and exhaling flame. "Miss Brown, would you mind running along to the headmistress and informing her that we have an escaped firework in our classroom?" "Thank you so much, Professor!" said Professor Flitwick in his squeaky little voice. "I could have got rid of the sparklers myself, of course, but I wasn't sure whether I had the authority..." Beaming, he closed the classroom door in Umbridge's snarling face.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
If it takes two people to make a baby, why only one person, the woman, is suffering when the baby is not coming? Is it because she is the one with breast and the stomach for being pregnant? Or because of what? I want to ask, to scream, why are the women in Nigeria seem to be suffering for everything more than men?
Abi Daré (The Girl with the Louding Voice)
But I cannot find my way in this darkness," said K. "Turn left to the wall," said the priest, "then follow the wall without leaving it and you'll come to a door." The priest had already taken a step or two away from him, but K. cried out in a loud voice, "please wait a moment." "I am waiting," said the priest. "Don't you want anything more form me?" asked K. "No," said the priest. "You were so friendly to me for a time," said K., "and explained so much to me, and now you let me go as if you cared nothing about me." "But you have to leave now," said the priest. "Well, yes," said K., "you must see that I can't help it." "You must first see who I am," said the priest. "You are the prison chaplain," said K., groping his way nearer to the priest again; his immediate return to the Bank was not so necessary as he had made out, he could quite stay longer. "That means I belong to the Court," said the priest. "So why should I want anything from you? The court wants nothing from you. It receives you when you came and it dismisses you when you go.
Franz Kafka (The Trial)
Write it. Just write it. Write it on receipts in the car while you wait for your kid to finish their piano lessons, scribble on napkins at lunch with friends. Type on crappy typewriters or borrow computers if you have to. Fill notebooks with ink. Write inside your head while you’re in traffic and when you’re sitting in the doctor’s office. Write the truth, write lies. Write the perfect spouse. Write your dreams. Write your nightmares. Write while you cry about what you’re writing, write while you laugh out loud at your own words. Write until your fingers hurt, then keep writing more. Don’t ever stop writing. Don’t ever give up on your story, no matter what “they” say. Don’t ever let anybody take away your voice. You have something to say, your soul has a story to tell. Write it. There is never any reason to be afraid. Just write it and then put it out there for the world. Shove it up a flag pole and see who salutes it. Somebody will say it’s crap. So what? Somebody else will love it. And that’s what writing’s about. Love. Love of the art, love of the story, and love for and from the people who really understand your work. Nobody else matters. Love yourself. Love your work. Be brave. Just write.
Melodie Ramone
Read this to yourself. Read it silently. Don't move your lips. Don't make a sound. Listen to yourself. Listen without hearing anything. What a wonderfully weird thing, huh? NOW MAKE THIS PART LOUD! SCREAM IT IN YOUR MIND! DROWN EVERYTHING OUT. Now, hear a whisper. A tiny whisper. Now, read this next line in your best crotchety- old man voice: "Hello there, sonny. Does your town have a post office?" Awesome! Who was that? Whose voice was that? It sure wasn't yours! How do you do that? How?! It must've been magic.
Bo Burnham (Egghead; or, You Can't Survive on Ideas Alone)
Don’t believe the noise. Those mean, petty, hateful voices will never be the majority. They only seem loud and pervasive, because they have the idle time to broadcast their negativity. The rest of us are too busy with real efforts to make the world a better place.
Anthon St. Maarten
Julia closed her eyes and concentrated on the words to Lacrimosa, sung loudly and hauntingly by the multi-voice choir in Latin… Day of Weeping,on which will rise from ashes guilty man for judgment. So have mercy, O Lord, on this man. Compassionate Lord Jesus, grant them rest. Amen. What is wrong with Gabriel that he listens to this over and over again? And what does it say about me that I can’t help but feel close to him when I listen to it? All I’ve done is replace his photograph with his cd — I’m just not sleeping with it under my pillow. I am one sick puppy.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
She hears all the voices from when she was little, soothing, strengthening: Don’t be scared, not of monsters, not of witches, not of big dogs. And now, snapping loud from every direction: Be scared, you have to be scared, ordering like this is your one absolute duty. Be scared you’re fat, be scared your boobs are too big and be scared they’re too small. Be scared to walk on your own, specially anywhere quiet enough that you can hear yourself think. Be scared of wearing the wrong stuff, saying the wrong thing, having a stupid laugh, being uncool. Be scared of guys not fancying you; be scared of guys, they’re animals, rabid, can’t stop themselves. Be scared of girls, they’re all vicious, they’ll cut you down before you can cut them. Be scared of strangers. Be scared you won’t do well enough in your exams, be scared of getting in trouble. Be scared terrified petrified that everything you are is every kind of wrong. Good girl.
Tana French (The Secret Place (Dublin Murder Squad, #5))
She still took my breath away with how beautiful she was. “Hei, Poppymin,” I said and sat on the edge of her bed. “Hey, baby,” she replied, her voice now barely above a whisper. I brought my hand to hers and pressed a kiss to her mouth. Poppy smiled and melted my heart. A loud gust of wind blew past the window, whistling against the glass. Poppy inhaled sharply. I turned to see what she was seeing. A mass of blossom petals went sailing in the wind. “They’re leaving…,” she said. I closed my eyes briefly. It was apt that Poppy left the same day that the cherry blossoms lost their petals too. They were guiding her soul home.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Nathan,” I said as loud as I could, but there was nothing to my voice. His blue eyes lit with tears. He shook his head. His eyes drifted from my face to my bound hands and feet. He grumbled something and turned back to me. “I’m going to break this damn thing, okay? Don’t move.
C.L. Stone (Friends vs. Family (The Ghost Bird, #3))
What's wrong?" His voice was loud, so sharp that he sounded angry. I knew I should be careful, keep the secret, but I was too far gone to talk around it. My chest was working in huge spasms and I could barely breathe. "I kissed her." "And then you went into anaphylactic shock?" I closed my eyes and let the rain patter against my face through the open window "She has her tongue pierced.
Brenna Yovanoff (The Replacement)
She stared up at Vader, unafraid."I hate you and everything you stand for" she said."But when I murdered, I murdered out of love" Vader raised his blade, his breathing loud and steady. When he spoke, his voice was as deep and hollow as a funeral gong. "I know precisely what you mean" he said and slashed.
Paul S. Kemp (Lords of the Sith (Star Wars))
Amazing Peace: A Christmas Poem Thunder rumbles in the mountain passes And lightning rattles the eaves of our houses. Flood waters await us in our avenues. Snow falls upon snow, falls upon snow to avalanche Over unprotected villages. The sky slips low and grey and threatening. We question ourselves. What have we done to so affront nature? We worry God. Are you there? Are you there really? Does the covenant you made with us still hold? Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship. It is the Glad Season. Thunder ebbs to silence and lightning sleeps quietly in the corner. Flood waters recede into memory. Snow becomes a yielding cushion to aid us As we make our way to higher ground. Hope is born again in the faces of children It rides on the shoulders of our aged as they walk into their sunsets. Hope spreads around the earth. Brightening all things, Even hate which crouches breeding in dark corridors. In our joy, we think we hear a whisper. At first it is too soft. Then only half heard. We listen carefully as it gathers strength. We hear a sweetness. The word is Peace. It is loud now. It is louder. Louder than the explosion of bombs. We tremble at the sound. We are thrilled by its presence. It is what we have hungered for. Not just the absence of war. But, true Peace. A harmony of spirit, a comfort of courtesies. Security for our beloveds and their beloveds. We clap hands and welcome the Peace of Christmas. We beckon this good season to wait a while with us. We, Baptist and Buddhist, Methodist and Muslim, say come. Peace. Come and fill us and our world with your majesty. We, the Jew and the Jainist, the Catholic and the Confucian, Implore you, to stay a while with us. So we may learn by your shimmering light How to look beyond complexion and see community. It is Christmas time, a halting of hate time. On this platform of peace, we can create a language To translate ourselves to ourselves and to each other. At this Holy Instant, we celebrate the Birth of Jesus Christ Into the great religions of the world. We jubilate the precious advent of trust. We shout with glorious tongues at the coming of hope. All the earth's tribes loosen their voices To celebrate the promise of Peace. We, Angels and Mortal's, Believers and Non-Believers, Look heavenward and speak the word aloud. Peace. We look at our world and speak the word aloud. Peace. We look at each other, then into ourselves And we say without shyness or apology or hesitation. Peace, My Brother. Peace, My Sister. Peace, My Soul.
Maya Angelou (Amazing Peace: A Christmas Poem)
We fought over the bill when it came. By fought I mean: I insisted loudly on paying half and he responded with beleaguered silence. Instead of discussing it or attempting to engage in my one-sided conversation, he wordlessly put his credit card in the holder; he kept it carefully out of my reach as I continued to list all the reasons we should split the check, not the least of which was that we’d agreed earlier that this was not a date, then handed it stealthily to the waiter as he passed. I was still oblivious, making my case, when Quinn signed the receipt.“Wait- what are you doing?” I looked from him to the paper slip.Silence. Scribble. Silence. “Did you just sign that? Was that the check?” My voiced hitched, my eyes wide with pseudo outrage. He glanced up at me, something like mock innocence lighting his features, and said, “I’m sorry. Did you want to split that?
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Why me, Bailey?” Ambrose shot back, his voice too loud for the sober setting. “Why not you, Ambrose?” Bailey bit back immediately, making Ambrose start as if Bailey had convicted him of a crime. “Why me? Why am I in a flipping wheelchair?” “And why Paulie and Grant? Why Jesse and Beans? Why do terrible things happen to such good people?” Ambrose asked. “Because terrible things happen to everyone, Brosey. We're all just so caught up in our own crap that we don't see the shit everyone else is wading through.
Amy Harmon (Making Faces)
I always carried lawbooks in my car. Sometimes, when a policeman was harassing a citizen, I would stand off a little and read the relevant portions of the penal code in a loud voice to all within hearing distance. In doing this, we were helping to educate those who gathered to observe these incidents. If the policeman arrested the citizen and took him to the station, we would follow and immediately post bail. Many community people could not believe at first that we had only their interest at heart. Nobody had ever given them any support or assistance when the police harassed them, but here we were, proud Black men, armed with guns and a knowledge of the law. Many citizens came right out of jail and into the Party, and the statistics of murder and brutality by policemen in our communities fell sharply.
Huey P. Newton (Revolutionary Suicide)
I can't be a priest because although my heart is as loud as hers I can pretend no answering riot. I have shouted to God and the Virgin, but they have not shouted back and I'm not interested in the still small voice. Surely a god can meet passion with passion? She says he can. Then he should.
Jeanette Winterson (The Passion)
Jen snorted a laugh as she spoke out loud. "Gee thanks, so kind of you to chalk it up to me just being a dumb ass." Decebel chuckled and his eyes had begun to get lighter. "You will stop undressing in front of other people." Jen put a hand on her hip as she tipped her head to the side. She narrowed her eyes at her mate and tapped her lip with a finger. "Now, I'm going to need you clarify that." When Decebel didn't respond, but continued to stare at her, Jen rolled her eyes. "Clarify, elucidate, enlighten. Do. You. Understand. The. Words. That. Are…," Jen emphasized each word. "Jennifer," Decebel growled. "Comingoutofmymouth," Jen finished quickly making Sally giggle. "Only undress in our bedroom." "Nope, na-ah. There's waaaay too many loop holes in that little decree. Seriously Dec, you can do better than that," Jen told him with a single eyebrow raised. Decebel growled at the challenge in her words and the tone of her voice. Damn, when am I going to learn not to poke the angry wolf. The thought ran through her mind before she could censor it from a now wickedly smiling Alpha.
Quinn Loftis
Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles." "God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid." "This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive." Both of them stopped breathing. Gansey knew he'd gone too far. It was too far, too late, too much. Adam shoved open the door. "Fuck you, Gansey. Fuck you," he said, voice low and furious. Gansey close his eyes. Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over. He couldn't stand it, all of this inside him. In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year. They were always walking away from him. But he never seemed able to walk away from them. Gansey opened his eyes. The ambulance was still there, but Adam was gone.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
You promised to be on your best behavior,” I reminded him, breathless. “You kissed me,” he growled. His voice had gone very deep. “Well, but you started it by kissing my neck.” “True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same. “Why did you stop?” he asked. “Because you were moving on to other things.” He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.” I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again. “But I can see you still want me.” I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him. “Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—” “Stop it!” “Sorry, was I saying that out loud?” “I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!” “Yes, how very decent of you.” He hadn't moved from his languid position on my bed. I leaned forward, grabbing a pillow and throwing it at him. “Pillow fight?” He raised an eyebrow. “Get off my bed. Please. I'm ready to go to sleep.
Wendy Higgins (Sweet Evil (Sweet, #1))
I drove off, with my friends watching me go, all of them grouped on Lissa's hood. As I pulled onto the road, I glanced into the rearview and saw them: they were waving, hands moving through the air, their voices loud, calling out after me. The square of that mirror was like a frame, holding this picture of them saying good-bye, pushing me forward, before shifting gently out of sight, inch by fluid inch, as I turned away.
Sarah Dessen (This Lullaby)
Your schooling is your voice, child. It will be speaking for you even if you didn’t open your mouth to talk. It will be speaking till the day God is calling you come.” That day, I tell myself that even if I am not getting anything in this life, I will go to school. I will finish my primary and secondary and university schooling and become teacher because I don’t just want to be having any kind voice . . . I want a louding voice.
Abi Daré (The Girl with the Louding Voice)
Let my silence grow with noise as pregnant mothers grow with life. Let my silence permeate these walls as sunlight permeates a home. Let the silence rise from unwatered graves and craters left by bombs. Let the silence rise from empty bellies and surge from broken hearts. The silence of the hidden and forgotten. The silence of the abused and tortured. The silence of the persecuted and imprisoned. The silence of the hanged and massacred. Loud as all the sounds can be, let my silence be loud so the hungry may eat my words and the poor may wear my words. Loud as all the sounds can be, let my silence be loud so I may resurrect the dead and give voice to the oppressed. My silence speaks.
Kamand Kojouri
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.” I looked at him, quizzical. Again, it was a strange enough concept to hold my attention. “There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face. My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?” “Sad things,” Beck said. “Do you have a lot of sad things in your head?” “No,” I said. Beck sucked in his lower lip and released it slowly. “Well, I do.” This was shocking. I didn’t ask a question, but I tilted toward him. “And these things would make me cry,” Beck continued. “They used to make me cry all day long.” I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable. “You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.” “Brain tape?” I suggested, with a little smirk. I was eight, after all. Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.” “How did you use the brain tape?” “You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?” I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open. “Mom,” I whispered. I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow. “What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars. Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken. “Me,” I said.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
My mouth opened. It happened. Yes, with my head thrown into the sky, I started howling. Arms stretched out next to me, I howled, and everything came out of me. Visions pored up my throat and past voices surrounded me. The sky listened. The city didn't. I didn't care. All I cared about was that I was howling so that I could hear my voice and so I would remember that the boy had intensity and something to offer. I howled, oh, so loud and desperate, telling a world that I was here and I wouldn't lie down.
Markus Zusak (Underdog (Wolfe Brothers, #1))
Master Richard!” Hunch’s voice was not loud, but it expressed volumes of scandalized disapproval. Mairelon paused and looked up. “What is it?” “You ain’t going to just—” Hunch stopped and looked at Kim. “Not with ‘er standing there!” “Oh, is that all that’s bothering you?” Mairelon looked at Kim and grinned. “Turn your back, child; you’re offending Hunch’s proprieties.” Kim flushed, as much from surprise as embarrassment, and turned away. “I ain’t no child,” she muttered under her breath. “Under the circumstances, that’s so much the worse,” Mairelon replied cheerfully.
Patricia C. Wrede (Mairelon the Magician (Mairelon, #1))
Joe crowded into my side, sitting down next to me, not leaving any room between us. The meal was an exercise in torture. He leaned in often when talking to me, breath on my neck, whispering in my ear. He touched my arm, my hand, my thigh. He had a straw in his soda. He never used straws. Never. But he had one now, pulled from somewhere, eyelashes fluttering up at me as he sucked, cheeks hollowing. I dropped my fork. It clattered loudly onto my plate. “Joe,” Thomas sighed. “Really?” “Oops,” Joe said. “Sorry.” He didn’t sound sorry at all. Kelly said, “Oh man, this makes so much more sense now. And is much more gross.” “I made pie for dessert,” Elizabeth said, coming back to the table. “Whip cream topping.” I groaned. Joe looked delighted. Even more so when he ran a finger through the cream, licking it from his skin, never taking his eyes off of me. Carter and Kelly had matching looks of disgust and horror on their faces. “Stop it,” I hissed at him. Joe cocked his head at me before leaning in and saying in a low voice, “Oh, Ox. I’m just getting started.
T.J. Klune (Wolfsong (Green Creek, #1))
To sin by silence, when we should protest, Makes cowards out of men. The human race Has climbed on protest. Had no voice been raised Against injustice, ignorance, and lust, The inquisition yet would serve the law, And guillotines decide our least disputes. The few who dare, must speak and speak again To right the wrongs of many. Speech, thank God, No vested power in this great day and land Can gag or throttle. Press and voice may cry Loud disapproval of existing ills; May criticise oppression and condemn The lawlessness of wealth-protecting laws That let the children and childbearers toil To purchase ease for idle millionaires. Therefore I do protest against the boast Of independence in this mighty land. Call no chain strong, which holds one rusted link. Call no land free, that holds one fettered slave. Until the manacled slim wrists of babes Are loosed to toss in childish sport and glee, Until the mother bears no burden, save The precious one beneath her heart, until God’s soil is rescued from the clutch of greed And given back to labor, let no man Call this the land of freedom.
Ella Wheeler Wilcox
Then suddenly he beheld his sister Éowyn as she lay, and he knew her. He stood a moment as a man who is pierced in the midst of a cry by an arrow through the heart; and then his face went deathly white; and a cold fury rose in him, so that all speech failed him for a while. A fey mood took him. 'Éowyn, Éowyn!' he cried at last: 'Éowyn, how come you here? What madness or devilry is this? Death, death, death! Death take us all!' Then without taking counsel or waiting for the approach of the men of the City, he spurred headlong back to the front of the great host, and blew a horn, and cried aloud for the onset. Over the field rang his clear voice calling: 'Death! Ride, ride to ruin and the world's ending!' And with that the host began to move. But the Rohirrim sang no more. Death they cried with one voice loud and terrible, and gathering speed like a great tide their battle swept about their fallen king and passed, roaring away southwards.
J.R.R. Tolkien
Arthur reaches over to take them. As he does, his thumb brushes my thumb, and it’s so cold, this sudden shock of cold. The flowers get dropped. They make a slight, swishy sound as they hit the floor. “Shit,” I say, my voice sounding really loud in my ears. And then he kisses me. It’s— I don’t know. I don’t know, I don’t know. It’s my brain turning off, it’s nothing. It’s a feeling. It’s a mouth on mine, and fuck it. Fuck my whole goddamn life, man. Just fuck it. I don’t move away like I should, but neither does he. He puts one of his hands on my face. Then the bells on the front door ring. We break apart and I open my eyes. And there’s Arthur looking back at me.
Hannah Johnson (Know Not Why (Know Not Why, #1))
THE FOX AND THE CROW A Crow was sitting on a branch of a tree with a piece of cheese in her beak when a Fox observed her and set his wits to work to discover some way of getting the cheese. Coming and standing under the tree he looked up and said, "What a noble bird I see above me! Her beauty is without equal, the hue of her plumage exquisite. If only her voice is as sweet as her looks are fair, she ought without doubt to be Queen of the Birds." The Crow was hugely flattered by this, and just to show the Fox that she could sing she gave a loud caw. Down came the cheese, of course, and the Fox, snatching it up, said, "You have a voice, madam, I see: what you want is wits.
Aesop (Aesop's Fables)
I walk because it confers- or restores- a feeling of placeness...I walk because, somehow, it's like reading. You're privy to these lives and conversations that have nothing to do with yours, but you can eavesdrop on them. Sometimes it's overcrowded; sometimes the voices are too loud. But there is always companionship. You are not alone. You walk in the city side by side with the living and the dead.
Lauren Elkin (Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London)
Maybe you think you’re just one person. What you do doesn’t really matter. You can read a few tweets or blog posts and then publicly render your judgment of a total stranger. Who cares? You’re just one tiny voice in a huge ocean. But the thing about tiny voices is that when they band together they can be incredibly loud. Uncomfortably loud. Sometimes that’s a good thing—a strong thing. A group of voices can wake people up to the truth. But a group of voices can be a bad thing too, because we’re not always right. Or even when we are right, sometimes the things we do to each other still aren’t okay.
Paula Stokes (This is How it Happened)
Shea! The call was loud, a flood of fear and confusion, an impression of strangling, of darkness and pain. I’m here, Jacques. Come back to me. I need you. She smiled at the demand in his voice; her heart somersaulted at the raw truth in his voice. He never tried to hide anything from her, not even his elemental fear of her leaving him to face the darkness alone. Spoiled brat. She sent it tenderly. There’s no need to sound like the lord of the manor. I’ll be right in. Just come to me. He was more relaxed now, beating back his fear of isolation. I do not want to wake alone.
Christine Feehan (Dark Desire (Dark, #2))
As an associate at McKinsey & Company, my first assignment was on a team that consisted of a male senior engagement manager (SEM) and two other male associates, Abe Wu and Derek Holley. When the SEM wanted to talk to Abe or Derek, he would walk over to their desks. When he wanted to talk to me, he would sit at his desk and shout, "Sandberg, get over here!" with the tone one might use to call a child or, even worse, a dog. It made me cringe every time. I never said anything, but one day Abe and Derek started calling each other "Sandberg" in that same loud voice. The self-absorbed SEM never seemed to notice. They kept it up. When having too many Sandbergs got confusing, they decided we needed to differentiate. Abe started calling himself "Asian Sandberg," Derek dubbed himself "good-looking Sandberg," and I became "Sandberg Sandberg." My colleagues turned an awful situation into one where I felt protected. They stood up for me and made me laugh. They were the best mentors I could have had.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
Stanley always followed the rules. All sorts of things could go wrong if you didn't. So far he'd done 1:Upon Discovery of the Fire, Remain Calm. Now he'd come to 2: Shout 'Fire!' in a Loud, Clear Voice. 'Fire!' he shouted, and then ticked off 2 with his pencil. Next was: 3: Endeavour to Extinguish Fire If Possible. Stanley went to the door and opened it. Flames and smoke billowed in. He stared at them for a moment, shook his head, and shut the door. Paragraph 4 said: If Trapped by Fire, Endeavour to Escape. Do Not Open Doors If Warm. Do Not Use Stairs If Burning. If No Exit Presents Itself Remain Calm and Await a) Rescue or b) Death.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
The loneliness of the place had entered our very bones, and silence seemed natural, for after a bit the sound of our voices became a trifle unreal and forced; whispering would have been the fitting mode of communication, I felt, and the human voice, always rather absurd amid the roar of the elements, now carried with it something almost illegitimate. It was like talking out loud in church, or in some place where it was not lawful, perhaps not quite safe, to be overheard.
Algernon Blackwood (The Willows)
My voice is strong and imposing, and my legs are powerful enough to hold up its weight. I wake up every day assured of my right to not only participate in the world as an equal part of it, but to loudly reject the narrative that keeps trying to tell me to pipe down, fold in, shrivel up, simper, apologise and slink my way through life so as not to offend or upset anyone with the complicated, beautiful mess that is me. I have fought the odds to get here, empowered by the knowledge that every single woman who has come before me has fought her own battle in order to survive. We fight like girls. This is how we prevail. And this is why we're still standing.
Clementine Ford (Fight Like a Girl)
RAINBOW VOICES I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness. Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
9 likes Like Facebook_icon “Read this to yourself. Read it silently. Don't move your lips. Don't make a sound. Listen to yourself. Listen without hearing anything. What a wonderfully weird thing, huh? NOW MAKE THIS PART LOUD! SCREAM IT IN YOUR MIND! DROWN EVERYTHING OUT. Now, hear a whisper. A tiny whisper. Now, read this next line in your best crotchety- old man voice: "Hello there, sonny. Does your town have a post office?" Awesome! Who was that? Whose voice was that? It sure wasn't yours! How do you do that? How?! It must've been magic.
Bo Burnham (Egghead; or, You Can't Survive on Ideas Alone)
Speaking of names and all-time favorite romances, Bailey told me you write under a pen name. I've been really curious about that." Fern groaned loudly. She shook her fist toward Bailey's house. "Curse your big mouth, Bailey Sheen" She looked at Ambrose with trepidation. "You are going to think I'm some stalker chick. That I'm totally obsessed. But you have to remember that I came up with this alter ego when I was sixteen and I was a bit obsessed. Okay, I'm still a bit obsessed." "With what?" Ambrose was confused. "With you," Fern's response was muffled as she buried her forehead in his chest, but Ambrose still heard her. He laughed and forced her chin up so he could see her face. "I still don't understand what that has to do with your pen name." Fern sighed. "It's Amber Rose." "Ambrose?" "Amber Rose," Fern corrected. "Amber Rose?" Ambrose sputtered. "Yes," Fern said in a very, very small voice. And Ambrose laughed for a very, very long time.
Amy Harmon (Making Faces)
We make no apology then for raising our voices loud to a world that is ripening in sin the lord has said,” Say nothing but repentance unto this generation; The adversary is subtle, cunning, he knows that he cannot induce good men and women immediately to do major evils so he moves slyly, whispering half truths until he has his intended victims following him finally he clamps his chains upon them and fetters them tight, and then he laughs at their discomfiture and their misery.
Spencer W. Kimball
Now it has been said from ancient times that all women who weep may be divided into three sorts. There are those who lift up their voices and their tears flow and this may be called crying; there are those who utter loud lamentations but whose tears do not flow and this may be called howling; there are those whose tears flow but who utter no sound and this may be called weeping. Of all those women who followed Wang Lung in his coffin, his wives and his sons’ wives and his maid servants and his slaves and his hired mourners, there was only one who wept and it was Pear Blossom.
Pearl S. Buck (The Good Earth (House of Earth, #1))
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
[T]here were two musics progressing at one time before the seat of Ilúvatar, and they were utterly at variance. The one was deep and wide and beautiful, but slow and blended with an immeasurable sorrow, from which its beauty chiefly came. The other had now achieved a unity of its own; but it was loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice, but it seemed that its most triumphant notes were taken by the other and woven into its own solemn pattern.
J.R.R. Tolkien (The Silmarillion)
You know, it’s interesting. Children learn much more, far more quickly than adults. Do you know why that is?” Elizabeth assumed there was some scientific explanation for it, but shook her head. “Because they’re open-minded. Because they want to know and they want to learn. Adults”—he shook his head sadly—“think they know it all. They grow up and forget so easily instead of opening their minds, they choose what to believe and what not to believe. You can’t make a choice on things like that, you either believe or you don’t. That’s why their learning is slower. They are more cynical, they lose faith, and they only demand to know things that will help them get by day by day. They’ve no interest in the extras. But, Elizabeth,” he said, his voice a loud whisper, eyes wide and sparkling, and Elizabeth shivered as goose pimples rose on her arms. She felt as if he were sharing the world’s greatest secret with her. “It’s the extras that make life.” “That make life what?” she whispered. He smiled. “That make life.” Elizabeth swallowed the lump in her throat. “That’s it?” Ivan smiled. “What do you mean, that’s it? How much more can you get than life, how much more can you ask for than life? That’s the gift. Life is everything, and you haven’t lived it properly until you believe.
Cecelia Ahern
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water. “I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.” I held up the wax. “For my own disobedience I have to buff the boat. Then I’m going for a jog.” She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes. She asked “In this heat?” I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point. I repeated carefully ”I am GOING for a JOG.” “I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.” “He means he’s GOING for a JOG” Rachel and Tammy said at the same time. “He’s GOING for a JOG.” Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much. Exasperated Cameron told her “Adam wants you to go for a jog too.” She said “Oh ” “If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
I circled the site before I came in. If there's anyone within five kilometers, I'll eat my quiver." Halt regarded him, eyebrow arched once more. "Anyone?" "Anyone other than Crowley," Will amended, making a dismissive gesture. "I saw him watching me from that hide he always uses about two kilometers out. I assumed he'd be back in here by now." Halt cleared his throat loudly. "Oh, you saw him, did you?" he said. "I imagine he'll be overjoyed to hear that." Secretly, he was pleased with his former pupil. In spite of his curiosity and obvious excitement, he hadn't forgotten to take the precautions that had been drilled into him. THat augured well for what lay ahead, Halt thought, a sudden grimness settling onto his manner. Will didn't notice the momentary change of mood. He was loosening Tug saddle girth. As he spoke, his voice was muffled against the horses's flank. "he's becoming too much a creature of habit," he said. "he's used that hide for the last three Gatherings. It's time he tried something new. Everyone must be onto it by now." Rangers constantly competed with each other to see before being seen and each year's Gathering was a time of heightened competition. Halt nodded thoughtfully. Crowley had constructed teh virtually invisible observation post some four years previously. Alone among the younger Rangers, Will had tumbled to it after one year. Halt had never mentioned to him that he was the only one who knew of Crowley's hide. The concealed post was the Ranger Commandant's pride and joy. "Well, perhaps not everyone," he said. Will emerged from behind his horse, grinning at the thought of the head of the Ranger Corps thinking he had remained hidden from sight as he watched Will's approach. "All the same, perhaps he's getting a bit long in the tooth to be skulking around hiding in the bushes, don't you think?" he said cheerfully. Halt considered the question for a moment. "Long in the tooth? Well, that's one opinion. Mind you, his silent movement skills are still as good as ever," he said meaningfully. The grin on Will's face slowly faded. He resisted the temptation to look over his shoulder. "He's standing behind me, isn't he?" he asked Halt. THe older Ranger nodded. "He's standing behind me, isn't he?" Will continued and Halt nodded once more. "Is he...close enough to have heard what I said?" Will finally managed to ask, fearin teh worst. This time, Halt didn't have to answer. "Oh, good grief no," came a familiar voice from behind him. "he's so old and decrepit these days he's as deaf as a post." Will's shoulders sagged and he turned to see the sandy-haired Commandant standing a few meters away. The younger man's eyes dropped. "Hullo, Crowley," he said, then mumbled, "Ahhh...I'm sorry about that." Crowley glared at teh young Ranger for a few more seconds, then he couldn't help teh grin breaking out on his face. "No harm done," he said, adding with a small note of triumph, "It's not often these days I amange to get the better of one of you young ones." Secretly, he was impressed at teh news that Will had spotted his hiding place. Only the sarpest eyes could have picked it. Crowley had been in the business of seeing without being seen for thirty years or more, and despite what Will believed, he was still an absolute master of camouflage and unseen movement.
John Flanagan (The Sorcerer of the North (Ranger's Apprentice, #5))
Ask me for money, Peter.” I grabbed his wrists and pushed him against the wall. He looked everywhere but at me, no attempt to free himself. He was definitely stronger than I, but right that second I didn’t care if he was being patronizing. If it forced him to answer me, then patronizing I’d take. “No,” he murmured. “Ask me for money, goddamn you.” I punctuated it with a slam of his wrists, hard enough to jar, but not painful—I hoped. The next time my shirt wouldn’t be there to cushion it. I was that pissed. “I have!” He spat back, easily extricating his hands and pushing me away. I grabbed his arm, turning him around. “For Cai. For sex. Not for you. You’d rather go fuck a bunch of strangers—” “I don’t fuck anyone but Darryl anymore,” he denied. “It’s just a show for a bunch of voyeurs. No one gets hurt.” “I get hurt!” “I don’t have any other way, Austin.” “You have me. Ask me,” I said, hating the pleading sound in my voice. “No.” “Jesus Christ, why the fuck not?” “Because I don’t want you to be a fucking trick!” The shout was so loud I felt the vibrations along my spine.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
You bought me plastic ware," he said. "Didn't you?' "No," I growled, picking at my license plate. "You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—" "No," I said loudly. "—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her. "It was on sale," I told him again, as if this was some kind of an excuse. "You love me," he said simply, taking the bag and adding it to the others. "Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake." "Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
Sarah Dessen (This Lullaby)
I should’ve just made something up and gotten the favor over with.” “You probably should have. But you didn’t, so . . . I win!” He shook his hair, flashing his most adorably confident smile, “And I gotta say, I kinda get why you hesitated with this. It’s a big decision. I mean, on the one hand, I could go for the obvious and make you share whatever secret you keep almost telling me.” Sophie’s mouth turned to sandpaper. “So that still freaks you out, huh? That might be proof that it needs to happen.” His eyes locked onto hers, refusing to let her look away. And when she swallowed, it was so loud, she was sure the entire world heard it. “Or,” he said. “We could skip the talking.” “And do what?” she asked, hating her voice for cracking. “Any ideas?” He was so close now, she could feel his breath warming her cheeks. He leaned a tiny bit closer and someone cleared his throat—very loudly.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
By the following morning, Anthony was drunk. By afternoon, he was hungover. His head was pounding, his ears were ringing, and his brothers, who had been surprised to discover him in such a state at their club, were talking far too loudly. Anthony put his hands over his ears and groaned.Everyone was talking far too loudly. “Kate boot you out of the house?” Colin asked, grabbing a walnut from a large pewter dish in the middle their table and splitting it open with a viciously loud crack. Anthony lifted his head just far enough to glare at him. Benedict watched his brother with raised brows and the vaguest hint of a smirk. “She definitely booted him out,” he said to Colin. “Hand me one of those walnuts, will you?” Colin tossed one across the table. “Do you want the crackers as well?” Benedict shook his head and grinned as he held up a fat, leather-bound book. “Much more satisfying to smash them.” “Don’t,” Anthony bit out, his hand shooting out to grab the book, “even think about it.” “Ears a bit sensitive this afternoon, are they?” If Anthony had had a pistol, he would have shot them both, hang the noise. “If I might offer you a piece of advice?” Colin said, munching on his walnut. “You might not,” Anthony replied. He looked up. Colin was chewing with his mouth open. As this had been strictly forbidden while growing up in their household, Anthony could only deduce that Colin was displaying such poor manners only to make more noise. “Close your damned mouth,” he muttered. Colin swallowed, smacked his lips, and took a sip of his tea to wash it all down. “Whatever you did, apologize for it. I know you, and I’m getting to know Kate, and knowing what I know—” “What the hell is he talking about?” Anthony grumbled. “I think,” Benedict said, leaning back in his chair, “that he’s telling you you’re an ass.” “Just so!” Colin exclaimed. Anthony just shook his head wearily. “It’s more complicated than you think.” “It always is,” Benedict said, with sincerity so false it almost managed to sound sincere. “When you two idiots find women gullible enough to actually marry you,” Anthony snapped, “then you may presume to offer me advice. But until then ...shut up.” Colin looked at Benedict. “Think he’s angry?” Benedict quirked a brow. “That or drunk.” Colin shook his head. “No, not drunk. Not anymore, at least. He’s clearly hungover.” “Which would explain,” Benedict said with a philosophical nod, “why he’s so angry.” Anthony spread one hand over his face and pressed hard against his temples with his thumb and middle finger. “God above,” he muttered. ‘‘What would it take to get you two to leave me alone?” “Go home, Anthony,” Benedict said, his voice surprisingly gentle.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Eventually, I developed my own image of teh "befriending" impulse behind my depression. Imagine that from early in my life, a friendly figure, standing a block away, was trying to get my attention by shouting my name, wanting to teach me some hard but healing truths about myself. But I-- fearful of what I might hear or arrogantly trying to live wihtout help or simply too busy with my ideas and ego and ethics to bother-- ignored teh shouts and walked away. So this figure, still with friendly intent, came closer and shouted more loudly, but AI kept walking. Ever closer it came, close enough to tap me on the shoulder, but I walked on. Frustrated by my unresponsiveness, the figure threw stones at my back, then struck me with a stick, still wanting simply to get my attention. But despite teh pain, I kept walking away. Over teh years, teh befriending intent of this figure never disapppeared but became obscured by the frustration cuased by my refusal to turn around. Since shouts and taps, stones and sticks had failed to do the trick, there was only one thing left: drop the nuclear bomb called depression on me, not with the intent to kill but as a last-ditch effort to get me to turn and ask the simple question, "What do you want?" When I was finally able to make the turn-- and start to absorb and act on the self-knowledge that then became available to me-- I began to get well. The figure calling to me all those years was, I believe, what Thomas Merton calls "true self." This is not the ego self that wants to inflate us (or deflate us, another from of self-distortion), not the intellectual self that wants to hover above the mess of life in clear but ungrounded ideas, not the ethical self that wants to live by some abstract moral code. It is the self-planted in us by the God who made us in God's own image-- the self that wants nothing more, or less, than for us to be who we were created to be. True self is true friend. One ignores or rejects such friendship only at one's peril.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
He turned his head. They were sitting close together, their shoulders nearly touching. Her eyes were so brown they were almost black, and for once her hair was down. She always wore it tied back in a ruthlessly tight coil. Even the idea of being this near someone should have set his skin crawling. Instead he thought, What happens if I move closer? “I don’t want your prayers,” he said. “What do you want, then?” The old answers came easily to mind. Money. Vengeance. Jordie’s voice in my head silenced forever. But a different reply roared to life inside him, loud, insistent, and unwelcome. You, Inej. You. He
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Each person whoever was or is or will be has a song. It isn’t a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their own song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their songs instead. Take Daisy, for example. Her song, which had been somewhere in the back of her head for most of her life, had a reassuring, marching sort of beat, and words that were about protecting the weak, and it had a chorus that began “Evildoers beware!” and was thus much too silly ever to be sung out loud. She would hum it to herself sometimes though, in the shower, during the soapy bits. And that is, more or less, everything you need to know about Daisy. The rest is details.
Neil Gaiman (Anansi Boys)
We often told ourselves off for wasting time in chairs, fully dressed, talking, when we could be doing the same, lying down in bed, face to face and naked. That precious time before love-making is ill-served by the pseudo-clinical term, ‘foreplay’. The world would narrow and deepen, our voices would sink into the warmth of our bodies, the conversation became associative and unpredictable. Everything was touch and breath. Certain simple phrases came to me which I didn’t say out loud because they sounded so banal - Here we are, or, This again or Yes, this. Like a moment in a recurring dream, these spacious, innocent minutes were forgotten until we were back inside them. When we were, our lives returned to the essentials and began again. When we fell silent, we would lie so close we were mouth to mouth, delaying the union which bound us all the more because of this prelude.
Ian McEwan (Enduring Love)
Emily, do not sleep!’ Emily’s eyes flashed open. Fawn was twisted around on the stallion’s back and shaking her. ‘I – I’m awake. Thanks. I’m just so tired.’ ‘Hey, Em,’ Joel called, struggling to be heard over the whooshing of the Solar Stream. ‘Sing along with me.’ His deep voice rose clear and loud: ‘Ninety-nine bottles of beer on the wall, ninety-nine bottles of beer. If one of those bottles should happen to fall, there’d be ninety-eight bottles of beer on the wall . . .’ Joel looked back at Paelen. ‘C’mon, it’s easy. Sing to keep Emily awake!’ ‘Wait,’ Paelen cried. He flew closer to Joel to be heard. ‘Why are there ninety-nine bottles of beer on a wall? What wall? And what caused one to fall?’ ‘It doesn’t matter – just shut up and sing!’ Joel ordered.
Kate O'Hearn (Pegasus and the Rise of the Titans: Book 5)
When I was a little girl and my teachers sent notes home complaining that I was as loud as the boys, that it wasn't lady like for a girl to be this outspoken, this raucous, instead of forcing me to tone it down to the timber of a stage whisper, just a few notes above a whimper you took me by the hand to the hilltop by our house, told me to use my voice by shouting to my heart's content, told me never to forget that I was a girl not a mouse and if I believed I had to change myself to suit anyone else I shouldn't that no matter what they said my voice was so important. You then visited my school, called a meeting with my teachers sat them all down and said that you were raising a rebel girl to be a warrior woman, and if she could not speak, the same way boys are allowed to, if she had to turn her voice into sighs then how will she utter the battle cries that were needed when her warrior sisters called upon her to help them defend the daughters of this world.
Nikita Gill
He also said that I would never get an apology out of you.” There was a long pause. “I want one. Now.” Xcor put aside his soup and found himself searching the wounds he had given himself, recalling all that pain, all that blood—which had dried brown on the floorboards beneath him. “And then what,” he said in a rough voice. “You’ll have to find out.” Fair enough, Xcor thought. Without grace—not that he had any, anyway—he rose to his feet. At his full height, he was unsteady for too many reasons to count, and the off-balance feeling got even worse as he met the eyes of his… friend. Looking Throe in the face, he stepped up and put out his palm. “I am sorry.” Three simple words spoken loud and clear. And they didn’t go nearly far enough. “I was wrong to treat you as I did. I am… not as much of the Bloodletter as I thought—as I have e’er wanted to be.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
On this Thursday, on this particular walk to school, there was an old frog croaking in the stream behind the hedge as we went by. 'Can you hear him, Danny?' 'Yes,' I said, 'That is a bullfrog calling to his wife. He does it by blowing out his dewlap and letting it go with a burp.' 'What is a dewlap?' I asked. 'It's the loose skin on his throat. He can blow it up just like a balloon.' 'What happens when his wife hears him?' 'She goes hopping over to him. She is very happy to have been invited. But I'll tell you something very funny about the old bullfrog. He often becomes so pleased with the sound of his own voice that his wife has to nudge him several times before he'll stop his burping and turn round to hug her.' That made me laugh. 'Dont laugh too loud,' he said, twinkling at me with his eyes. 'We men are not so very different from the bullfrog.
Roald Dahl (Danny the Champion of the World)
Except when the freedom is one you don't choose to grant," Memeki said, more loudly this time. She was shaking herself all over, struggling to stand stright again. "You hold our hope with one claw and take it away with her other! I may be weak and doomed soon to die, but I will die as an I, not just one more nameless scarp of shell to be thrown out into the sucking mud! No matter how little a time it lasts, I will be what all these are" -she looked around at Kit and Ponch and Nita and the others-"selves unto themselves and being what matters to each other! Such a life, even a breath's worth of it, is better than anything you've ever given me!" Memeki was trembling again, but with passion with determinatin, desperate and doomed. She took a stem toward the dias, and another, her claw lifted not in that old gesture of submission, but in one more like a warrior's threat. "I will be what the Voice said I was, the Hesper I will be the Aeon of Light, the Power that made a different choice from yours. I will be the Star that did not fall, no matter how little a time the light lasts!
Diane Duane (Wizards at War (Young Wizards, #8))
Professor Moody!" said a shocked voice. Professor McGonagall was coming down the marble staircase with her arms full of books. "Hello, Professor McGonagall," said Moody calmly, bouncing the ferret still higher. "What - what are you doing?" said Professor McGonagall, her eyes following the bouncing ferret's progress through the air. "Teaching," said Moody. "Teach - Moody, is that a student?" shrieked Professor McGonagall, the books spilling out of her arms. "Yep," said Moody. "No!" cried Professor McGonagall, running down the stairs and pulling out her wand; a moment later, with a loud snapping noise, Draco Malfoy had reappeared, lying in a heap on the floor with his sleek blond hair all over his now brilliantly pink face. He got to his feet, wincing. "Moody, we never use transfiguration as a punishment!" said Professor McGonagall weakly. "Surely Professor Dumbledore told you that?" "He might have mentioned it, yeah," said Moody, scratching his chin unconcernedly.
J.K. Rowling
Would you - would you like to marry me, Kitty?' Lord Radcliffe - James - asked, voice like gravel. She gave a helpless little laugh at the absurdity of the question - as if he did not know. 'I would,' she said. 'But first, I feel I must inform you that I come with four sisters, a badly leaking roof, and a veritable ocean of debt.' He had started to smile now, and once begun it did not seem to stop, overtaking his whole face. “I thank you for your honesty,’ he said cordially, and she laughed. ‘May I reassure you that I am desperate to meet your other sisters, the roof sounds charmingly rustic, and the debt does not faze me.’ He paused. ‘Of course, I understand that you will need to see my accounts before committing yourself,’ he went on, and she laughed again, loud and bright. ‘I’m sure that won’t be necessary,’ she said. ‘As long as you can promise you’re absurdly rich and you’ll pay off all my family’s debts.’ ‘I am absurdly rich,’ he repeated. ‘And I will pay off all your family’s debts.’ ‘Why then by all means,’ she said, grinning up at him, ‘I would indeed like to marry you.
Sophie Irwin (A Lady's Guide to Fortune-Hunting)
Zohra's voice comes loudly from her camel: "Shut the fuck up! Enjoy the fucking sunset on your fucking camels! Jesus!" It is , after all, almost a miracle they are here. Not because they've survived the booze, the hashish, the migraines. Not that at all. It's that they've survived everything in life, humiliations and disappointments and heartaches and missed opportunities, bad dads and bad jobs and bad sex and bad drugs, all the trips and mistakes and face-plants of life, to have made it to fifty and to have made it here: to this frosted-cake landscape, these mountains of gold, the little table they can now see sitting on the dune, set with olives and pita and glasses and wine chilling on ice, with the sun waiting more patiently than any camel for their arrival. So, yes. As with almost every sunset, but with this one in particular: shut the fuck up.
Andrew Sean Greer (Less (Arthur Less, #1))
I spent the afternoon in a bookstore. There were no books in it. None had been printed for nearly half a century. And how I have looked forward to them, after the micro films that made up the library of the Prometheus! No such luck. No longer was it possible to browse among shelves, to weigh volumes in hand, to feel their heft, the promise of ponderous reading. The bookstore resembled, instead, an electronic laboratory. The books were crystals with recorded contents. They can be read the aid of an opton, which was similar to a book but had only one page between the covers. At a touch, successive pages of the text appeared on it. But optons were little used, the sales-robot told me. The public preferred lectons - like lectons read out loud, they could be set to any voice, tempo, and modulation.
Stanisław Lem (Return From the Stars)
Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
Arthur C. Clarke (2001: A Space Odyssey)
The moon from any window is one part whoever’s looking. The part I can’t see is everything my sister keeps to herself. One part my dead brother’s sleepless brow, the other part the time I waste, the time I won’t have. But which is the lion killed for the sake of the honey inside him, and which the wine, stranded in a valley, unredeemed? And don’t forget the curtains. Don’t forget the wind in the trees, or my mother’s voice saying things that will take my whole life to come true. One part earnest child grown tall in his mother’s doorway, and one a last look over the shoulder before leaving. And never forget it answers to no address, but calls wave after wave to a path or thirst. Never forget the candle climbing down without glancing back. And what about the heart counting alone, out loud, in that game in which the many hide from the one? Never forget the cry completely hollowed of the dying one who cried it. Only in such pure outpouring is there room for all this night.
Li-Young Lee (Book of My Nights: Poems (American Poets Continuum, 68))
People. And the brutal things we do to one another. The fence shakes against my cheek and I turn, careful to keep my gaze lifted. I don't have it in me to look at her again. Bishop is grasping the chain-link with both hands, knuckles white, his eyes closed. His whole body is wound tight as a spring, like if I reached for him he would simply break apart at the joints, splinter into a hundred pi8eces. I don't try to touch him. He lets out a yell and then another and another, loud and wild and out of control. He shakes the fence hard with both hands. His anger and frustration are more potent somehow because they are unexpected. When his scream fades into silence, he rests his forehead against the metal. "Sometimes," he says, voice raw, "I hate this place." He twists his neck and looks at me, hands still hooked in the fence above his head. "I know," I say, barely a whisper. "Me, too.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
I ripped the pages out of the book. I reversed the order, so the last one was first, and the first was last. When I flipped through them, it looked like the man was floating up through the sky. And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of. Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston. He would've taken the elevator to the street and pressed the button for the top floor. He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop. Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left. He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor. He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward. Then he would've gotten up again at the end of the night before the worst day. He would've walked backward to my room, whistling 'I Am the Walrus' backward. He would've gotten into bed with me. We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes. I'd have said 'Nothing' backward. He'd have said 'Yeah, buddy?' backward. I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward. He would have told me the story of the Sixth Borough, from the voice in the can at the end to the beginning, from 'I love you' to 'Once upon a time.' We would have been safe.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Almost everyone stopped when he did, but Enaila and Jalani exchanged glances and kept on right past him toward the garden. He raised his voice a fraction and hardened it considerably more. “The Maidens here will come with me. Anyone who wants to put on a dress and discuss matchmaking can stay behind.” .................................. Bashere motioned, and one of the younger Saldaeans loped ahead in that rolling stride of a man more used to a saddle. “A man must know when to retreat from a woman,” Bashere said to the air, “but a wise man knows that sometimes he must stand and face her.” “Young men,” Bael said indulgently. “A young man chases shadows and runs from moonlight, and in the end he stabs himself in the foot with his own spear.” Some of the other Aiel chuckled, Maidens and Knife Hands alike. The older ones did. Irritated, Rand looked over his shoulder again. “Neither of you would look well in a dress.” Surprisingly, the Maidens and Knife Hands laughed again, more loudly. Maybe he was getting a grip on Aiel humor.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
Wendy Higgins (Sweet Evil (Sweet, #1))
Mungojerrie and Rumpleteazer were a very notorious couple of cats. As knockabout clowns, quick-change comedians, Tight-rope walkers and acrobats They had an extensive reputation. [...] When the family assembled for Sunday dinner, With their minds made up that they wouldn’t get thinner On Argentine joint, potatoes and greens, And the cook would appear from behind the scenes And say in a voice that was broken with sorrow "I'm afraid you must wait and have dinner tomorrow! For the joint has gone from the oven like that!" Then the family would say: "It's that horrible cat! It was Mungojerrie – or Rumpleteazer!" - And most of the time they left it at that. Mungojerrie and Rumpleteazer had a wonderful way of working together. And some of the time you would say it was luck And some of the time you would say it was weather. They would go through the house like a hurricane, And no sober person could take his oath Was it Mungojerrie – or Rumpleteazer? Or could you have sworn that it mightn't be both? And when you heard a dining room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming Then the family would say: "Now which was which cat? It was Mungojerrie! And Rumpleteazer!" And there's nothing at all to be done about that!
T.S. Eliot (Old Possum's Book of Practical Cats)
So look," he began, leaning over the desk, "I was—" "Excuse me?" Bethany said. Her voice was loud, even. Wes turned and looked at her. As he did so, I watched his profile, his arm, that little bit of the heart in hand peeking out from his sleeve. "We can help you over here," Bethany said to him. "Did you have a question?" "Um, sort of," Wes said, glancing at me, a mild smile on his face. "But—" "I can answer it," Bethany said solidly, so confidently. Amanda, beside her, nodded, seconding this. "Really, it's fine," he said, then looked at me again. He raised his eyebrows, and I just shrugged. "Okay, so—" "She's only a trainee, she won't know the answer," Bethany told him, pushing her chair over closer to where he was, her voice too loud, bossy even. "It's better if you ask me. Or ask us." Then, and only then, did I see the tiniest flicker of annoyance on Wes's face. "You know," Wes said, "I think she'll know it." "She won't. Ask me." Now it wasn't just a flicker. Wes looked at me, narrowing his eyes, and for a second I just stared back. Whatever happens, I thought, happens. For the first time, time at the info desk was flying. "Okay," he said slowly, moving down the counter. He leaned on his elbows, closer to Bethany, and she sat up even straighter, readying herself, like someone onJeopardy awaiting the Daily Double. "So here's my question." Amanda picked up a pen, as if there might be a written portion. "Last night," Wes said, his voice serious, "when the supplies were being packed up, what happened to the big tongs?" The sick part was that Bethany, for a second, looked as if she was actually flipping through her mental Rolodex for the answer. I watched her swallow, then purse her lips. "Well," she said. But that was all. I could feel myself smiling. A real smile. Wes looked at Amanda. "Do you know?" Amanda shook her head slowly. "All right," he said, turning back to look at me. "Better ask the trainee, then. Macy?" I could feel Amanda and Bethany looking at me. "They're in the bottom of that cart with the broken back wheel, under the aprons," I said. "There wasn't room for them with the other serving stuff.
Sarah Dessen (The Truth About Forever)
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground. It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up. She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground. She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone. She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself. She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face. To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
Pamela Todd (The Blind Faith Hotel)
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!" Krit shoved him again. "Don't tell me what the fuck to do." I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend. "Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit. I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe. "Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work. "Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me. "She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice. And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth. "Take him out of here," Matty said. I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him. "Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere." "When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
Abbi Glines (Bad for You (Sea Breeze, #7))
What the hell are you doing?' Jacks growled. Evangeline turned toward his voice, sweat trickling down her cheek, as she found him standing in the doorway. A vein throbbed furiously along the line of his smooth, marble neck. His skin looked so cool, and she was so hot. All she wanted was to press her mouth to his throat and maybe lick it just once. Her blood rushed faster at the thought, and her fangs started to lengthen. 'Jacks, get out of here!' Chaos ordered. 'Unless you've changed your mind about her becoming a vampire.' Chaos gripped Evangeline's wrists tighter, pressing them- along with her- more firmly to the bed. She writhed against his grip; he was crushing her again with the full weight of his body. Something loud cracked in the doorway. Her eyes shot back to Jacks, who was fisting the now splintered edge of the door. Had he done that with his hands? He certainly looked livid enough. His silver-blue eyes turned midnight dark as he watched her struggling under Chaos. Evangeline dimly knew that she should stop her thrashing. If she broke free from Chaos and managed to bite Jacks, the life she had- the life she wanted to keep- would be over. But she also wanted this. She wanted Jacks to stop her struggling. She wanted him to rip Chaos off her chest so that he could pin her to the bed instead. Evangeline took a rasping breath, and her gaze collided with Jacks' once more. He scrubbed a hand over his jaw. With Evangeline's heightened senses, she could hear it clench under his palm. Then she heard the scrape of Jacks' boots as he sharply turned and disappeared down the hall.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Straining to hear, I can make out something acoustic. Coming from...the backyard? I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve. But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan. What an asshole. The mesh screen and two floors between us don't seem like enough to protect him from my anger. "Nice apology," I call down to him. "I've apologised thirteen times," he yells back, "and so far you haven't called me back." I open my mouth to say it doesn't matter, but he's already redirecting the song. "Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here." (...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!" The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..." I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him. (...) "Dad. How did Matt know which window was mine?" "Well..." he peeks over the sports section. "I reckon I told him." "You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!" He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned." "It's not any of those things! I hate him!
Emery Lord (Open Road Summer)
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began. "Go on," she said "The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up." "People like happy ending, Mattie. They don't want to be shaken up." "I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..." "...you're not," Lou said, licking deviled ham off her fingers. "...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?" No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that." I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there. "I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay." Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
Jennifer Donnelly (A Northern Light)
What in Bursin’s holy name is that?” he snarled. If it were possible to die of embarrassment, Martise was sure she wouldn’t survive the next few minutes.  “I was singing.” His eyebrows rose almost to his hairline.  “Singing.  Is that what you call it?  It sounded like someone was torturing a cat.” “I thought I might work faster if I sang.”  She wiped the perspiration from her forehead with a gloved hand and regretted the action.  The swipe of citrus oil she’d left on her skin burned.  Cael continued to howl, and a door shut with a bang. "That will be Gurn coming to rescue us from whatever demon he thinks is attacking."  The branch supporting Silhara creaked as he adjusted his stance and leaned closer to her.  “Tell me something, Martise.”  A leaf slapped him in the eye, and he ripped it off its twig with an irritated snap.  “How is it that a woman, blessed with a voice that could make a man come, sings badly enough to frighten the dead?” She was saved from having to answer the outlandish question by the quick thud of running footsteps.  Silhara disappeared briefly from view when he bent to greet their visitor.  Unfortunately, his answers to Gurn’s unspoken questions were loud and clear. “That was Martise you heard.  She was…singing. “Trust me, I’m not jesting.  You can unload your bow.” His next indignant response made her smile.  “No, I wasn’t beating her!  She’s the one tormenting me with that hideous wailing!” Martise hid her smile when he reappeared before her.  His scowl was ferocious.  “Don’t sing.”  He pointed a finger at her for emphasis.  “You’ve scared my dog, my birds and my servant with your yowling.”  He paused.  “You’ve even managed to scare me.
Grace Draven (Master of Crows (Master of Crows, #1))
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
Pierce Brown (Red Rising (Red Rising Saga, #1))