Hen House Quotes

To protest about bullfighting in Spain, the eating of dogs in South Korea, or the slaughter of baby seals in Canada while continuing to eat eggs from hens who have spent their lives crammed into cages, or veal from calves who have been deprived of their mothers, their proper diet, and the freedom to lie down with their legs extended, is like denouncing apartheid in South Africa while asking your neighbors not to sell their houses to blacks.

In the meantime, get those penis problems fixed. Every hen house needs a cock, but only the special hens can handle more than one. Try 'em out then pick one and stick with it. You're not old enough to play with two toys at the same time. That's cougar territory.

No worries. I'm just happy to see your hen house being take care of by such a fabulous cock. She leans in and whispers to me, And it is a fabulous cock am I right? I say nothing, simply grin.

I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house.

Never let a friendly fox into your hen-house. One day he's going to get hungry.

When you let the wolves guard the hen house, there's bound to be a few chicken dinners.

Is it not a strange fate that we should suffer so much fear and doubt for so small a thing? So small a thing! And I have seen it only for an instant in the house of Elrond! Could I not have a sight of it again?" Frodo looked up. His heart went suddenly cold. He caught the strange gleam in Boromir's eyes, yet his face was still kind and friendly. "It is best that it should lie hidden," he answered. "As you wish. I care not." said Boromir.

Prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house.

It is easy to take a stand about a remote issue, but speciesists, like racists, reveal their true nature when the issue comes nearer home. To protest about bullfighting in Spain, the eating of dogs in South Korea, or the slaughter of baby seals in Canada, while continuing to eat eggs from hens who have spent their lives crammed into cages, or veal from calves who have been deprived of their mothers, their proper diet, or the freedom to lie down with their legs extended, is like denouncing apartheid in South Africa while asking your neighbors not to sell their houses to blacks.

Food security is not in the supermarket. It's not in the government. It's not at the emergency services division. True food security is the historical normalcy of packing it in during the abundant times, building that in-house larder, and resting easy knowing that our little ones are not dependent on next week's farmers' market or the electronic cashiers at the supermarket.

Poverty always looks the same, no matter where you come across it. The rich can always express their opulence by varying their lives. Different houses, clothes, cars. Or thoughts, dreams. But for the poor there is nothing but compulsory grayness, the only form of expression available to poverty.

That it was a wolf was somewhat comforting. Wolves talked occasionally. So did bears. Foxes talked all the time, particularly if you caught them in the hen house, where they would do their best to addle you with fine nonsense until they could slip out the door, and it was generally believed that all cats could talk and simply refused to do so for inscrutable reasons of their own. 

You’ve officially earned your claws. Not the cougar kind, of course. You’re far too young for that. But you get honorary claws just for being the only hen in a whole house full of cocks. I’m so proud,

She's gonna know the rooster's in the hen house when she doesn't find me there, so we'd better hurry.

The ego camouflages itself like a fox born and raised in a hen house. Its only worry is that you fail to notice its presence every so often and start acting without fear

I WANT her though, to take the same from me. She touches me as if I were herself, her own. She has not realized yet, that fearful thing, that I am the other, she thinks we are all of one piece. It is painfully untrue. I want her to touch me at last, ah, on the root and quick of my darkness and perish on me, as I have perished on her. Then, we shall be two and distinct, we shall have each our separate being. And that will be pure existence, real liberty. Till then, we are confused, a mixture, unresolved, unextricated one from the other. It is in pure, unutterable resolvedness, distinction of being, that one is free, not in mixing, merging, not in similarity. When she has put her hand on my secret, darkest sources, the darkest outgoings, when it has struck home to her, like a death, "this is _him!_" she has no part in it, no part whatever, it is the terrible _other_, when she knows the fearful _other flesh_, ah, dark- ness unfathomable and fearful, contiguous and concrete, when she is slain against me, and lies in a heap like one outside the house, when she passes away as I have passed away being pressed up against the _other_, then I shall be glad, I shall not be confused with her, I shall be cleared, distinct, single as if burnished in silver, having no adherence, no adhesion anywhere, one clear, burnished, isolated being, unique, and she also, pure, isolated, complete, two of us, unutterably distinguished, and in unutterable conjunction. Then we shall be free, freer than angels, ah, perfect. VIII AFTER that, there will only remain that all men detach themselves and become unique, that we are all detached, moving in freedom more than the angels, conditioned only by our own pure single being, having no laws but the laws of our own being. Every human being will then be like a flower, untrammelled. Every movement will be direct. Only to be will be such delight, we cover our faces when we think of it lest our faces betray us to some untimely fiend. Every man himself, and therefore, a surpassing singleness of mankind. The blazing tiger will spring upon the deer, un-dimmed, the hen will nestle over her chickens, we shall love, we shall hate, but it will be like music, sheer utterance, issuing straight out of the unknown, the lightning and the rainbow appearing in us unbidden, unchecked, like ambassadors. We shall not look before and after. We shall _be_, _now_. We shall know in full. We, the mystic NOW. (From the poem the Manifesto)

The secret is," said Phoebe, smiling, "that I have learned how to talk with hens and chickens.

I love you Tory. I know I say it a lot, but..." "I know baby. I feel the same way about you. Those words never convey what goes through my mind and heart every time I look up and see you sitting in my house. Funny thign is, I always thought my house was full and that there was nothing missing in my life. I had a job I loved. Family who loved me. Good friends to keep me sane. Everything a human could want. And t hen I met an infuriating, impossible man who added the one thing I didn't know wasn't there." "Dirty socks on the floor?" She laughed. "No, the other part of my heart. The last face I see before I go to sleep and the first one I see when I get up. I'm so glad it was you." Those words both thrilled and scared him. Mostly because he knew firsthand that if love went untended it turned into profound hatred. --Tory and Acheron

Boy and Egg Every few minutes, he wants to march the trail of flattened rye grass back to the house of muttering hens. He too could make a bed in hay. Yesterday the egg so fresh it felt hot in his hand and he pressed it to his ear while the other children laughed and ran with a ball, leaving him, so little yet, too forgetful in games, ready to cry if the ball brushed him, riveted to the secret of birds caught up inside his fist, not ready to give it over to the refrigerator or the rest of the day.

Quoyle remembered purple-brown seckle pears the size and shape of figs, his father taking the meat off with pecking bites, the smell of fruit in their house, litter of cores and peels in the ashtrays, the grape cluster skeletons, peach stones like hens' brains on the windowsill, the glove of banana peel on the car dashboard. In the sawdust on the basement workbench galaxies of seeds and pits, cherry stones, long white date pits like spaceships. . . . The hollowed grapefruit skullcaps, cracked globes of tangerine peel.

Mortality rates for cage-free hens can be twice as high as those for hens in cages. So even though the hens have more amenities and freedom than in the battery-cage system, they die at a much higher rate. Some of that is a result of more fighting (the phrase “pecking order” is not some abstraction but a reality in hen houses).

I'm a basic boneless chicken, yes, I have no bones inside, I'm without a trace of rib cage, yet I hold myself with pride, other hens appear offended by my total lack of bones, they discuss me impolitely in derogatory tones. I am absolutely boneless, I am boneless through and through, I have neither neck nor thighbones, and my back is boneless too, and I haven't got a wishbone, not a bone within my breast, so I rarely care to travel from the comfort of my nest. I have feathers fine and fluffy, I have lovely little wings, but I lack the superstructure to support these splendid things. Since a chicken finds it tricky to parade on boneless legs, I stick closely to the hen house, laying little scrambled eggs.

January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.

And that fox escaped with his tail between his legs, with all of the hens chasing after him

And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house.

The cold was a sea, the house a ship, and the winter an endless waiting.

you're not going to pull that hen house shit now, are you?" --RP McMurphy

Imagine a morning in late November. A coming of winter morning more than twenty years ago. Consider the kitchen of a spreading old house in a country town. A great black stove is its main feature; but there is also a big round table and a fireplace with two rocking chairs placed in front of it. Just today the fireplace commenced its seasonal roar. A woman with shorn white hair is standing at the kitchen window. She is wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched. Her face is remarkable—not unlike Lincoln’s, craggy like that, and tinted by sun and wind; but it is delicate, too, finely boned, and her eyes are sherry-colored and timid. “Oh my,” she exclaims, her breath smoking the windowpane, “it’s fruitcake weather!

The perturbations, anxieties, depravations, deaths, exceptions in the physical or moral order, spirit of negation, brutishness, hallucinations fostered by the will, torments, destruction, confusion, tears, insatiabilities, servitudes, delving imaginations, novels, the unexpected, the forbidden, the chemical singularities of the mysterious vulture which lies in wait for the carrion of some dead illusion, precocious & abortive experiences, the darkness of the mailed bug, the terrible monomania of pride, the inoculation of deep stupor, funeral orations, desires, betrayals, tyrannies, impieties, irritations, acrimonies, aggressive insults, madness, temper, reasoned terrors, strange inquietudes which the reader would prefer not to experience , cants, nervous disorders, bleeding ordeals that drive logic at bay, exaggerations, the absence of sincerity, bores, platitudes, the somber, the lugubrious, childbirths worse than murders, passions, romancers at the Courts of Assize, tragedies,-odes, melodramas, extremes forever presented, reason hissed at with impunity, odor of hens steeped in water, nausea, frogs, devilfish, sharks, simoon of the deserts, that which is somnambulistic, squint-eyed, nocturnal, somniferous, noctambulistic, viscous, equivocal, consumptive, spasmodic, aphrodisiac, anemic, one-eyed, hermaphroditic, bastard, albino, pederast, phenomena of the aquarium, & the bearded woman, hours surfeited with gloomy discouragement, fantasies, acrimonies, monsters, demoralizing syllogisms, ordure, that which does not think like a child, desolation, the intellectual manchineel trees, perfumed cankers, stalks of the camellias, the guilt of a writer rolling down the slope of nothingness & scorning himself with joyous cries, that grind one in their imperceptible gearing, the serious spittles on inviolate maxims, vermin & their insinuating titillations, stupid prefaces like those of Cromwell, Mademoiselle de Maupin & Dumas fils, decaying, helplessness, blasphemies, suffocation, stifling, mania,--before these unclean charnel houses, which I blush to name, it is at last time to react against whatever disgusts us & bows us down.

Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose, and especially of any kind of political writing. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house.

Mrs. Whichcoat came in the back door with an empty wire basket. She hung it up in the pantry and took off her brown garden gloves. “All the hens have stopped laying,” she said. “I didn’t get one egg.” There was a note of despair in her voice but no surprise. It was as though she had warned all along that there would be treachery one day in the hen house.

A woman would have never been able to live in a house with no pictures of her family,

I don't need a male telling me when to eat.' 'How about a friend telling you that you had an understandably rough night, and you get mean as shit when you're hungry?

Including the differential mortgage loan approval rates between Asian Americans and whites shows that the same methods to conclude that that blacks are discriminated against in mortgage lending would also lead to the conclusion that whites are discriminated against in favor of Asian Americans, reducing this whole procedure to absurdity, since no one believes that banks are discriminating against whites..."[W]hen loan approval rates are not cited, but loan denial rates are, that creates a larger statistical disparity, since most loans are approved. Even if 98 percent of blacks had their mortgage loan applications approved, if 99 percent of whites were approved than by quoting denial rates alone it could be said that blacks were rejected twice as often as whites.

I went to an empty henhouse [when I was four and a half], hid in the straw at the back, and waited, and the family had no idea where I was... My mother sees this excited little girl rushing toward the house all covered in straw. Instead of getting mad at me, which would've killed the excitement, she saw my shining eyes and sat down to hear this wonderful story of how a hen lays an egg.

Florian lived alone in a house full of corpses for two months. He became used to them: to the smell and the bloat, to the rot and the strange colours a human being turned hen there was no soul inside of them.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

Eleanor, it’s been lovely, so it has,” she said. “I haven’t been beyond the garden for months now—these knees of mine—so it’s a pleasure to see a new face, and such a friendly one at that. You’ve been a great help around the house too—thanks, hen, thanks very much.” I smiled at her. Twice in one day, to be the recipient of thanks and warm regard! I would never have suspected that small deeds could elicit such genuine, generous responses. I felt a little glow inside—not a blaze, more like a small, steady candle.

I am fascinated with how words are delivered rather uncomfortably, exchanged quite radically, exhibited like a Picasso in a museum ...center-stage, extracted metaphorically, gifted to the less fortunate, politely polished to others & technically yet literally thrust upon the disenchanted essentially with every fiber of my inner being. Even though books today are considered a relic. I still find the smell of a new one exhilarating but it's that alphabet bus of new prose that I look forward to devouring like a wolf walking into a hen house.

It has always seemed to me significant that Robert’s first memories, whenever he spoke of them, should not be of the farmhouse le Maurier, or of the lowing of cattle, the scratching of hens and other homely sounds, or even of the roar of the furnace chimney and the bustle of the glass-house; but always of an immense salon, so he described it, filled with mirrors and satin-covered chairs, with a harpsichord standing in one corner, and a fine lady, not my mother, picking him up in her arms and kissing him, then feeding him with little sugared cakes.

I was on a radio talk show in Vermont one January and the host was giving me a hard time about organic food prices. “I had a party at my house last week and wanted to serve corn on the cob, so I went down to the supermarket and the regular corn was $2.49 for a dozen ears and the organic was $4.89. How can you justify that?” Wrong question. The question is, “Why do you need fresh sweet corn in Vermont in January? You should be eating canned, frozen, or parched corn that you made late in the summer when farmers could scarcely give their corn away because people were over that and going for the fall squash and potatoes.” He should have been feeding these guests from his own larder, amassed months earlier when farmers’ market vendors were feeding half their late-season success to the compost pile. It happens everywhere and all the time. Restoring normalcy is our problem—you and me—not somebody else’s problem.

Interesting, he later reflected, was perhaps not the correct word. By the time he and Henry arrived back at the house for their midday meal—a scrumptious bowl of hot, sticky porridge—he had mucked out the stable stalls, milked a cow, been pecked by three separate hens, weeded a vegetable garden, and fallen into a trough.

Each time he returned, he looked slightly different, not merely older, but changed: a new accent, the cigarettes, three sharp knocks on the door. It was as if the city was entering his body and remaking it; he’d look at the low dark houses and wandering hens and farmers with their rope belts as if at film from another century.

Things like that might happen in the United States—anything can happen there, where the riot police shoot people and the crime rate is so high—but not here. Not on the Island, where there are so many trees and people don’t lock the door when they go out. Not in this country, familiar to her and drab, undramatic and flat. Not in her house, with the hens cooing peacefully in the yard.

It was a feeling which stayed with him after he got back home to his terrace house on the Kristianstad road. When he had finished his dinner and played with his children for a while, he went out with the dog. Martinsson lived in the neighbourhood, so he decided to stop by and tell he and Noren had seen. The dog was a Labrador bitch and Martinsson had asked recently if he could join the waiting list for puppies.

Grandma, he had often wanted to say, Is this where the world began? For surely it had begun in no other than a place like this. The kitchen, without doubt, was the center of creation, all things revolved about it; it was the pediment that sustained the temple. Eyes shut to let his nose wander, he snuffed deeply. He moved in the hell-fire steams and sudden baking-powder flurries of snow in this miraculous climate where Grandma, with the look of the Indies in her eyes and the flesh of two warm hens in her bodice, Grandma of the thousand arms, shook, basted, whipped, beat, minced, diced, peeled, wrapped, salted, stirred. Blind, he touched his way to the pantry door. A squeal of laughter rang from the parlor, teacups tinkled. But he moved on into the cool underwater green and wild-persimmon country where the slung and hanging odor of creamy bananas ripened silently and bumped his head. Gnats fizzed angrily about vinegar cruets and his ears. He opened his eyes. He saw bread waiting to be cut into slices of warm summer cloud, doughnuts strewn like clown hoops from some edible game. The faucets turned on and off in his cheeks. Here on the plum-shadowed side of the house with maple leaves making a creek-water running in the hot wind at the window he read spice-cabinet names.

They veer off the main highway onto a private road that travels away from the ocean. A thin row of tall bamboo lines both sides of the narrow roadway that continues 150 feet before dead-ending at a lavish, single-story, traditional Japanese-style home. The entire property is surrounded by an eight-foot-high maroon wooden fence with three separate entrance gates, one in the front, next to the house, and two others in opposite corners of the triangular-shaped backyard.

Whether it is the immigrant family with an enormous council house or a horribly misguided decision to take the Union Flag down from a council building, these instances are news precisely because they are as rare as hen’s teeth. In the hands of an editor like Gallagher, however, they are served up as though commonplace, as proof that ‘we’ are somehow being overwhelmed by ‘them’. It’s heady stuff and leads to people like Bob not even realising that they have developed pungent opinions while possessed of precisely no proof to support them.

Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned. I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.” “But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then. I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.” The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.” “You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too. “Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—” “You weren’t thinking.” She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—” “The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.” She ignored me again. “Everything makes me cry and I itch. I itch so bad.” “Do I… want to know where you’re itching?” “Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.” I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever. “He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.” “You know you can come stay with us if you want.” She made a noise. “I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.” She sighed. “I would. I really would, but I couldn’t leave Aiden.” And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too. “Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—” Vanessa let out another loud laugh. “You jerk.” “What? You could.” There was a pause. “I don’t even know why I bother with you half the time.” “Because you love me?” “I don’t know why.” “Tia,” Louie hissed, rubbing his belly like he was seriously starving. “Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?” Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.” “Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—” “Goddammit, Diana—” I laughed. “Love you. I’ll call you back. Bye!” “Vanny has a whale?” Lou asked.

Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.

No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard — and he had never been handsome. He had a considerable independence besides two good livings — and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on — lived to have six children more — to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features — so much for her person; and not less unpropitious for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief — at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities — her abilities were quite as extraordinary. She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the "Beggar's Petition"; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid — by no means; she learnt the fable of "The Hare and Many Friends" as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinner; so, at eight years old she began. She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine's life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another. Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character! — for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.

We make the delicate liqueur chocolates, the rose-petal clusters, the gold-wrapped coins, the violet creams, the chocolate cherries and almond rolls, in batches of fifty at a time, laying them out onto greased tins to cool. Hollow eggs and animal figures are carefully split open and filled with these. Nests of spun caramel with hard-shelled sugar eggs are each topped with a triumphantly plump chocolate hen; pie-bald rabbits heavy with gilded almonds stand in rows, ready to be wrapped and boxed; marzipan creatures march across the shelves. The smells of vanilla essence and cognac and caramelized apple and bitter chocolate fill the house. And now there is Armande's party to prepare for, too. I have a list of what she wants on order from Agen- foie gras, champagne, truffles and fresh chanterelles from Bordeaux, plateaux de fruits de mer from the traitor in Agen. I will bring the cakes and chocolates myself.

Anna rushed onward, past another row of homes, and found her way to the farm where they kept their chicken coop. She opened the netting to collect a fresh batch of eggs. "Morning, Erik, Elin, and Elise," she greeted the hens. "I've got to move quick today. Freya is coming!" She gathered at least a dozen eggs, closed up the coop, and carefully carried the bucket and the tea back to the house. An older man was pulling a cart with flowers down the street. "Morning, Anna!" "Morning, Erling!" Anna called. "Gorgeous blooms today. Do you have my favorite?" Erling produced two stems of golden crocuses. The yellow flowers were as bright as the sun. Anna inhaled their sweet aroma. "Thank you! Come by later for some fresh bread. First batch should be out of the oven midmorning." "Thank you, Anna! I will!" he said, and Anna hurried along, trying not to crack the eggs or stop again. She had a habit of stopping to talk. A lot.

Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.

his hands moved busily among the puppets, choosing, discarding, until they pounced finally on the moon with her crystal eyes and her hands shaped like stars. 'I will be the moon,' Kyel said. 'You must make a wish to me.' Lydea slid her fingers into the fox's head, with its sly smile and fiery velvet pelt. 'I wish,' she said, 'that you would take your nap.' 'No,' the prince said patiently, 'you must make a true wish. And I will grant it because I am the moon.' 'Then I must make a fox's wish. I wish for an open door to every hen house, and the ability to jump into trees.' The moon sank onto the blue hillock of Kyel's knee. 'Why?' 'So that I can escape the farmer's dogs when they run after me.' 'Then you should wish,' the prince said promptly, 'that you could jump as high as the moon.' 'A good wish. But there are no hens on the moon, and how would I get back to Ombria?' The moon rose again, lifted a golden hand. 'On a star.' The governess smiled. The fox stroked the prince's hair while he shook away the moon and replaced it with the sorceress, who had one amethyst eye and one emerald, and who wore a black cloak that shimmered with ribbons of faint, changing colors. 'I am the sorceress who lives underground,' the prince said. 'Is there really a sorceress who lives underground?' 'So they --' Lydea checked herself, let the fox speak. 'So they say, my lord.' 'How does she live? Does she have a house?' She paused again, glimpsing a barely remembered tale. 'I think she does. Maybe even her own city beneath Ombria. Some say that she has an ancient enemy, who appears during harsh and perilous times in Ombria's history. Then and only then does the sorceress make her way out of her underground world to fight the evil and restore hope to Ombria.' ... The sorceress descended, long nose down on the silk. Kyel picked another puppet up, looked at it silently a moment. The queen of pirates, whose black nails curved like scimitars, whose hair was a rigid knoll in which she kept her weapons, stared back at him out of glittering onyx eyes.

Physician, professor, and author Atul Gawande tells of a doctor working at a nursing home who persuaded its administrator to bring in dogs, cats, parakeets, a colony of rabbits, and even a group of laying hens to be cared for by the residents. The results were significant. “The residents began to wake up and come to life. People who we had believed weren’t able to speak started speaking. … People who had been completely withdrawn and nonambulatory started coming to nurses’ station and saying, ‘I’ll take the dog for a walk.’ All the parakeets were adopted and named by the residents.”5 The use and need for psychotropic drugs for agitation dropped significantly, to 38 percent of the previous level. And “deaths fell 15 percent.” Why? The architect of these changes concluded, “I believe that the difference in death rates can be traced to the fundamental human need for a reason to live.”6 Gawande goes on to ask “why simply existing—why being merely housed and fed and safe and alive—seems empty and meaningless to us. What more is it that we need in order to feel that life is worthwhile? The answer … is that we all seek a cause beyond ourselves.

My father played the melodion Outside at our gate; There were stars in the morning east; And they danced to his music. Across the wild bogs his melodion called To Lennons and Callans. As I pulled on my trousers in a hurry I knew some strange thing had happened. Outside in the cow-house my mother Made the music of milking; The light of her stable-lamp was a star And the frost of Bethlehem made it twinkle. A water-hen screeched in the bog, Mass-going feet Crunched the wafer-ice on the pot-holes, Somebody wistfully twisted the bellows wheel. My child poet picked out the letters On the grey stone, In silver the wonder of a Christmas townland, The winking glitter of a frosty dawn. Cassiopeia was over Cassidy's hanging hill, I looked and three whin bushes rode across The horizon - the Three Wise Kings. An old man passing said: "Can't he make it talk" - The melodion, I hid in the doorway And tightened the belt of my box-pleated coat. I nicked six nicks on the door-post With my penknife's big blade - There was a little one for cutting tobacco. And I was six Christmases of age. My father played the melodion, My mother milked the cows, And I had a prayer like a white rose pinned On the Virgin Mary's blouse

A real house with a copper pot for making jam, and sugar cookies in a metal box hidden deep inside a dresser. A long farmhouse table, thick and homey, and cretonne curtains. She smiled. She had no idea what cretonne was, or even if she'd like it, but she liked the way the words went together: cretonne curtains. She'd have a guest room and- who knows- maybe even some guests. A well-kept little garden, hens who'd provide her with tasty boiled eggs, cats to chase after the field mice and dogs to chase after the cats. A little plot of aromatic herbs, a fireplace, sagging armchairs and books all around. White tablecloths, napkin rings unearthed at flea markets, some sort of device so she could listen to the same operas her father used to listen to, and a coal stove where she could let a rich beef-and-carrot stew simmer all morning along. A rich beef-and-carrot stew. What was she thinking. A little house like the ones that kids draw, with a door and two windows on either side. Old-fashioned, discreet, silent, overrun with Virginia creeper and climbing roses. A house with those little fire bugs on the porch, red and black insects scurrying everywhere in pairs. A warm porch where the heat of the day would linger and she could sit in the evening to watch for the return of the heron.

Outside, he almost missed seeing a man's shadowed form disappearing into the bunkhouse. Hick's name formed a curse on his lips. How long had the man stood at the kitchen window? The idea that he might have seen any part of his and Willow's lovemaking made him sick to his stomach. Cursing, he headed back to the cookhouse. He hoped Providence would one day grant him the opportunity to kill that bastard! "Who was it?" Her attire repaired, Willow unlocked the door and fell into his arms. Unable to dirty what they had just shared, Rider forced himself to chuckle. "Just a coyote, sneaking up on the henhouse. Good thing he alerted us or we'd have been caught out here buck naked when your hens started to alert the whole ranch." He felt her relax and he let her go. "It's late, darlin', and I think we've tested fate enough for one night. We better turn in." Willow handed him his boots and then his shirt. They took one last look around the kitchen to make sure they'd left no embarrassing calling cards. Then he walked her to the house. At the back door, she pressed a lingering kiss to his lips, then silently disappeared inside. Rider took his time as he headed toward his lonely bed in the bunkhouse. As much as he'd enjoyed being with Willow tonight, something told him he was going to regret it.

Sancho asked the landlord what he had to give them for supper. To this the landlord replied that his mouth should be the measure; he had only to ask what he would; for that inn was provided with the birds of the air and the fowls of the earth and the fish of the sea. "There's no need of all that," said Sancho; "if they'll roast us a couple of chickens we'll be satisfied, for my master is delicate and eats little, and I'm not over and above gluttonous." The landlord replied he had no chickens, for the kites had stolen them. "Well then," said Sancho, "let senor landlord tell them to roast a pullet, so that it is a tender one." "Pullet! My father!" said the landlord; "indeed and in truth it's only yesterday I sent over fifty to the city to sell; but saving pullets ask what you will." "In that case," said Sancho, "you will not be without veal or kid." "Just now," said the landlord, "there's none in the house, for it's all finished; but next week there will be enough and to spare." "Much good that does us," said Sancho; "I'll lay a bet that all these short-comings are going to wind up in plenty of bacon and eggs." "By God," said the landlord, "my guest's wits must be precious dull; I tell him I have neither pullets nor hens, and he wants me to have eggs! Talk of other dainties, if you please, and don't ask for hens again." "Body o' me!" said Sancho, "let's settle the matter; say at once what you have got, and let us have no more words about it." "In truth and earnest, senor guest," said the landlord, "all I have is a couple of cow-heels like calves' feet, or a couple of calves' feet like cowheels; they are boiled with chick-peas, onions, and bacon, and at this moment they are crying 'Come eat me, come eat me." "I mark them for mine on the spot," said Sancho; "let nobody touch them; I'll pay better for them than anyone else, for I could not wish for anything more to my taste; and I don't care a pin whether they are feet or heels." "Nobody shall touch them," said the landlord; "for the other guests I have, being persons of high quality, bring their own cook and caterer and larder with them.

Though it’s best not to be born a chicken at all, it is especially bad luck to be born a cockerel. From the perspective of the poultry farmer, male chickens are useless. They can’t lay eggs, their meat is stringy, and they’re ornery to the hens that do all the hard work of putting food on our tables. Commercial hatcheries tend to treat male chicks like fabric cutoffs or scrap metal: the wasteful but necessary by-product of an industrial process. The sooner they can be disposed of—often they’re ground into animal feed—the better. But a costly problem has vexed egg farmers for millennia: It’s virtually impossible to tell the difference between male and female chickens until they’re four to six weeks old, when they begin to grow distinctive feathers and secondary sex characteristics like the rooster’s comb. Until then, they’re all just indistinguishable fluff balls that have to be housed and fed—at considerable expense. Somehow it took until the 1920s before anyone figured out a solution to this costly dilemma. The momentous discovery was made by a group of Japanese veterinary scientists, who realized that just inside the chick’s rear end there is a constellation of folds, marks, spots, and bumps that to the untrained eye appear arbitrary, but when properly read, can divulge the sex of a day-old bird. When this discovery was unveiled at the 1927 World Poultry Congress in Ottawa, it revolutionized the global hatchery industry and eventually lowered the price of eggs worldwide. The professional chicken sexer, equipped with a skill that took years to master, became one of the most valuable workers in agriculture. The best of the best were graduates of the two-year Zen-Nippon Chick Sexing School, whose standards were so rigorous that only 5 to 10 percent of students received accreditation. But those who did graduate earned as much as five hundred dollars a day and were shuttled around the world from hatchery to hatchery like top-flight business consultants. A diaspora of Japanese chicken sexers spilled across the globe. Chicken sexing is a delicate art, requiring Zen-like concentration and a brain surgeon’s dexterity. The bird is cradled in the left hand and given a gentle squeeze that causes it to evacuate its intestines (too tight and the intestines will turn inside out, killing the bird and rendering its gender irrelevant). With his thumb and forefinger, the sexer flips the bird over and parts a small flap on its hindquarters to expose the cloaca, a tiny vent where both the genitals and anus are situated, and peers deep inside. To do this properly, his fingernails have to be precisely trimmed. In the simple cases—the ones that the sexer can actually explain—he’s looking for a barely perceptible protuberance called the “bead,” about the size of a pinhead. If the bead is convex, the bird is a boy, and gets thrown to the left; concave or flat and it’s a girl, sent down a chute to the right.

Even though Sam wasn't a romance author, he knew all the big ones, the heavy hitters and those that had crossed genres. He was greeted by most of the authors, some he knew and others who wanted to meet the famous author. Needless to say the romance genre remained comprised mostly by women authors. Sam stuck out like a rooster in a hen house. A tall, handsome, cool rooster in black jeans, his sunglasses hooked off the pocket of his pale blue oxford shirt. A rooster with a flock of hens following his every move.

Techniques Phase 1 Night is the time to practice this technique, as you will require deep, undisturbed concentration, and the airways are less likely to be cluttered during the dark of the day. You will be using the visualization function initially, but instead of retaining internalization, you are going to externalize your consciousness (as in shapeshifting). Seat yourself in your usual working position. Go into meditation to center yourself. Visualize yourself standing directly in front of where you are. Observe the back of your head, your height, your stance—everything about yourself that you can see. It is not possible to observe your own face in this context, just as it is not possible to observe your own physical form (except in a mirror), as we are aware only of our internalized externalization of image and not the way we appear to an observer. Next you are to project your consciousness into your body. By this I mean that you are no longer the person observing, but the person being observed. Look around your immediate environment. Go to the doorway and walk around the room, looking at everything: look behind objects, inside cupboards and boxes, look closely at books, pictures, everything. Continue this exercise nightly until you are familiar with your immediate surroundings. Always reenter your prone material body the way you left. Phase 2 Begin with meditation. Go with the process of projecting into the externalized image of yourself. You may now proceed to leave the room with which you have oriented yourself over the preceding nights and travel around the house in which you live, observing at all times and remaining aware of all things your senses perceive. If there are other people in the house, you may pick up on their emotions, moods, dream patterns, etc., but at this stage, do not work at having them become aware of your presence (they may become aware of you anyway, especially if they are asleep and traveling close to their physical habitat). Continue with this exercise until you are familiar with the process. Phase 3 Begin with meditation. Project your consciousness into your self-image. You can now leave the house and move around outside. Be aware of the time. Observe all that is around you. Now you can begin the process of expanding your entity. If you bend your knees and jump, you will discover that you are weightless and can keep rising into the atmosphere as long as you desire. You can also think your astral body from one place to another without necessarily following a familiar route. Practice this often, but don’t forget to follow the return-to-body procedure! I tend to stress this like a mother-hen. I’ve had horrible postastral dysfunction occur due to both interruption and lack of experience, and it has sometimes been days before I stopped feeling dizzy and/or nauseous and disoriented. Sleeping lots tends to fix it, though.

I have told the reader that Tim Gamelyn's father was a retired non-commissioned officer who lived near Dublin on a small private income and a pension. It will be seen that Tim's people did not roll in wealth any to speak of. They owned a small farm with five cows, twenty pigs and a flock of hens. There was beer always in the cellar, bacon hanging up in the kitchen and a bucket of soft soap in the out-house. In the top lean-to room where Tim slept, in the winter time the rain and sleet drifted cheerily in through the cracks and covered the army blankets which covered him. But he didn't lie awake thinking about it—boys like Tim who help on farms start playing shut-eye as soon as they hit the pillow. Old Sergeant Gamelyn came of an ancestry which,

oday so many children aren't involved in their families' lives. Let's change that! Get them active in your family. Start by creating times for sharing and conversation.. .at the dinner table. Turn off the TV, all phones (including cells), and any other distractions. Toward the end of the meal, ask everyone this question: "What's the best thing that happened to you today?" Make dinnertime fun. Find out what's happening in your children's hearts and lives, and let them know what's happening in yours. Honor jobs well done, good grades, and positive contributions to the family and community. love having family pictures all over the house. It's a great way to promote family identity. Do team sports together. Have a family night out every now and then. The apostle Paul says, "If you have any encouragement from being united with Christ. . .then make my joy complete by being like-minded, having the same love, being one in spirit and purpose" (Philippians 2:1-2). hen was the last time you did something really special to say "I love you" to your husband or boyfriend? In the morning, tell your husband, "Honey, tonight is a special evening-just for the two of us." Then get busy. Set up a card table on your patio or deck-or even in the living room. Get out a beautiful tablecloth, your best napkins, flowers, and candles! Fix him his favorite meal and your best dessert, put on some soft romantic music, give yourself enough time to look your best, and you're all set for when he gets home. He'll feel like a king and know he's a top priority in your life.

We hear them often in the night. Their wild yelping makes the hair on my neck rise, even as I am always compelled to go to the nearest window and fling it open to listen, despite the cold. You can hear them moving: nearer, nearer up the frozen creek bed, until they are just beyond the edge of the porch light, the moon a grinning wedge above the trees. And then they’re gone, racing up the valley into the dark. I can feel how they’re close now, beyond the meadow’s edge, somewhere in the woods there, maybe asleep or watching us with yellow eyes, alerted by our footsteps and the sharp, ringing singsong of my son’s eager voice. This is always the case: The line between us and the wild is slender, like the bit of thread I find coiled in my pocket. My fingers tease it, wanting to know how it’s wound. This is always the way. I always want to know. The thread is yellow and snarled and comes from the windowsill of the bedroom above the garage. I stuck it in my pocket this morning while tidying, meaning to throw it away. It was from tha same window that I saw the foxes last week. The ruckus of the chickens alerted me, and when I looked down, one was right below me in the snowy driveway, looking up. I pounded my fist on the glass and began to yell, but it didn’t run. Instead it just stared at me, not moving a muscle until I ran down and out into the snow without a hat or gloves or jacket, boots unlaced, shrieking like a madwoman. Of course it ran then, though not far at first—just to the top of the nearest field—and when I followed after, another joined it. They’d staked the chicken house out for sure. And even though they were a threat to our unwitting hens, I was sad when they disappeared among the white trunks of a stand of birches, and I can still feel the way my heart was hammering hard and raw in my chest after running through the snow, hair flyaway, clapping my hands. Their fur was rust-colored, and when they ran

Outside the hen-house there was a strange whining, grumbling sound, and Freddy recognized it as Mrs. Wiggins’s giggle. But fortunately the hen did not hear it and went on with her story. There

Then spake Jesus to the multitude, and to his disciples, Saying . . . O Jerusalem, Jerusalem, thou that killest the prophets, and stonest them which are sent unto thee, how often would I have gathered thy children together, even as a hen gathereth her chickens under her wings, and ye would not! Behold, your house is left unto you desolate. For I say unto you, Ye shall not see me henceforth, till ye shall say, Blessed is he that cometh in the name of YHWH. (Matthew 23:1–2; Matthew 23:37–24:1)

She was ushered into a passage where the only light came from the tallow taper in the rabbi's hand. The house smelled of chicken soup. In the thousand miles she and Rosa and the children had traveled from Siberia, passed along like parcels from settlement to Jewish settlement, sometimes in houses, often in huts, that smell had been the one constant, as if they had followed its trail by sniffing, like dogs. However poor their hosts, a hen had been killed in their honor because hospitality demanded it.

How often would I have  m gathered  n your children together  o as a hen gathers her brood  p under her wings, and  q you were not willing! 38See,  r your house is left to you desolate. 39For I tell you, you will not see me again, until you say,  s ‘Blessed is he who comes in the name of the Lord.

On they went, past the hen houses. These were all mended and painted. They went through a field to the street. It was very strange

the last time I saw commercial laying hens administered hormones, they were given by a unicorn, and brought onto the farm by one of the giant alligators from the sewers.

A man can afford to let himself go in a hen-house.

You see, if it were not a palace, but a hen-house, I might creep into it to avoid getting wet, and yet I would not call the hen-house a palace out of gratitude to it for keeping me dry. You laugh and say that in such circumstances a hen-house is as good as a mansion. Yes, I answer, if one had to live simply to keep out of the rain.

As he walked over the sour grass toward the house, he found himself leading a procession; two hens, one of them almost bald, three ducks, and a goose in a bad way followed him hopefully; then the goat joined in.

Meanwhile, the US House of Representatives voted in favor of a military budget even bigger than Trump had asked for. And, as Erik Sherman at Forbes magazine eloquently pointed out, 60 percent of the Democrats voted for this outsized military budget which totals $695.5 billion. As Sherman explains, "{i}n other words, of the party that supposedly opposes rampant military spending and the Trump administration, 60% voted for this bill," at a time "{w}hen income inequality combines with systemic and systematic redistribution of virtually all income growth to the wealthiest while their taxes are reduced." Sherman of course hints at a truth which must be accepted- that Democrats are not, and never really have been, a party which "opposes rampant military spending." There is a bi-partisan consensus on such spending, and there is very little debate on lowering it. And this is for a number of reasons, one of which being that military spending is very lucrative for the arms manufacturers who bilk the quite willing Pentagon, and by extension the taxpayers; indeed, these are the biggest welfare cheats who few will acknowledge.

For example, God’s call to Israel was, “‘This is what the LORD says: ‘… Come home to me again, for I am merciful. I will not be angry with you forever. Only acknowledge your guilt. Admit that you rebelled against the LORD your God. … Return home, you wayward children’ says the LORD, ‘for I am your master’” (Jeremiah 3:12–14). Never does God agree to reconcile while Israel continues in sin. There can be no reconciliation without repentance. In the New Testament, Jesus expressed the same reality when He said, “O Jerusalem, Jerusalem, the city that kills the prophets and stones God’s messengers! How often I have wanted to gather your children together as a hen protects her chicks beneath her wings, but you wouldn’t let me. And now, look, your house is abandoned and desolate” (Matthew 23:37–38). God cannot be reconciled to those who are unwilling to turn to Him. There is no scriptural evidence that God ever forgave anyone who did not repent of sin and turn in faith to Him.

The Wilders, of course, paid no attention to her exuberance, continuing to live a frugal existence among their pigs and hens, entertained by a self-re-newing circle of farm cats and their preternaturally gifted Airedale terrier, Nero, who would sit politely at the dinner table like a member of the family, eating off his own plate.

how oft have I bgathered you as a hen gathereth her chickens under her wings, and have cnourished you. 5 And again, ahow oft would I have gathered you as a hen gathereth her chickens under her wings, yea, O ye people of the house of Israel, who have fallen; yea, O ye people of the house of Israel, ye that dwell at Jerusalem, as ye that have fallen; yea, how oft would I have gathered you as a hen gathereth her chickens, and ye would not. 6 O ye house of Israel whom I have aspared, how oft will I gather you as a hen gathereth her chickens under her wings, if ye will repent and breturn unto me with full purpose of cheart

Upon arriving at Annandale’s luxuriously appointed London house, Christopher was shown to the library, where a fire had been lit in the hearth despite the fact that it was the height of summer. "Good God, Grandfather,” he said, nearly recoiling at the blast of heat as he entered the library. “You’ll have us braised like a pair of game hens." Striding to the window, he flung it open and drew in a breath of outside air. “You could easily heat yourself with a walk out-of-doors.” His grandfather scowled at him from a chair beside the hearth. “The doctor has advised against outside air. I would advise you to negotiate your inheritance before you try to finish me off.” “There’s nothing to negotiate. Leave me whatever you wish--or nothing, if it pleases you.” “Manipulative as always,” Annandale muttered. “You assume I’ll do the reverse of whatever you say.” Christopher smiled and shrugged out of his coat. He tossed it to a nearby chair as he approached his grandfather. He went to shake his hand, enclosing the frail and cold fingers in his own warm grasp. “Hello, sir. You’re looking well.” “I am not well,” Annandale retorted. “I’m old. Navigating life with this body is like trying to sail a shipwreck.

Prince Edward’s cunning smile reminded Anastasia of a fox who had wormed his way into a hen house.

Next Day Moving from Cheer to Joy, from Joy to All, I take a box And add it to my wild rice, my Cornish game hens. The slacked or shorted, basketed, identical Food-gathering flocks Are selves I overlook. Wisdom, said William James, Is learning what to overlook. And I am wise If that is wisdom. Yet somehow, as I buy All from these shelves And the boy takes it to my station wagon, What I’ve become Troubles me even if I shut my eyes. When I was young and miserable and pretty And poor, I’d wish What all girls wish: to have a husband, A house and children. Now that I’m old, my wish Is womanish: That the boy putting groceries in my car See me. It bewilders me he doesn’t see me. For so many years I was good enough to eat: the world looked at me And its mouth watered. How often they have undressed me, The eyes of strangers! And, holding their flesh within my flesh, their vile Imaginings within my imagining, I too have taken The chance of life. Now the boy pats my dog And we start home. Now I am good. The last mistaken, Ecstatic, accidental bliss, the blind Happiness that, bursting, leaves upon the palm Some soap and water-- It was so long ago, back in some Gay Twenties, Nineties, I don’t know . . . Today I miss My lovely daughter Away at school, my sons away at school, My husband away at work--I wish for them. The dog, the maid, And I go through the sure unvarying days At home in them. As I look at my life, I am afraid Only that it will change, as I am changing: I am afraid, this morning, of my face. It looks at me From the rear-view mirror, with the eyes I hate, The smile I hate. Its plain, lined look Of gray discovery Repeats to me: “You’re old.” That’s all, I’m old. And yet I’m afraid, as I was at the funeral I went to yesterday. My friend’s cold made-up face, granite among its flowers, Her undressed, operated-on, dressed body Were my face and body. As I think of her I hear her telling me How young I seem; I am exceptional; I think of all I have. But really no one is exceptional, No one has anything, I’m anybody, I stand beside my grave Confused with my life, that is commonplace and solitary.

Yes," Charlie was saying now, "I get up nice and early before the sun and do the little things that need doin' around the house. And then what d'ye think I do, Father? You'd never guess. Not in a million years you wouldn't. I'll tell you what I do: I go out in the yard and have a grand look at all the birds. Ain't birds lovely, Father?" This was the softer side of Charlie: rarely visible, like the other side of the moon. I said, "Are you a bird watcher, then, Mr. Carmody? That's something I wouldn't have guessed." "Ah well, I ain't a loony about it, Father. I don't go crawlin' around on my belly through the wet grass lookin' for the golden-headed hoohoo. That's nut stuff. But the fact of the matter is that nothin' makes me feel better than comin' down and findin' the whole place littered with birds, all kinds, singin' and chirpin' away all around me. I tell you, Father, there's days I might be St. Francis himself!" I said, "Aha." It was a pale acknowledgment, unworthy of such an announcement, but the truth is that I had nothing better to offer. Thirty years as a priest and still unable to make the appropriate small talk with the living duplicates of the sanctified! Who, by the way, are more numerous than you might imagine. With Charlie, however, it seemed safe enough to stick to the birds, and so I said, "I suppose they come around because you're good to them; you probably put out a little seed for them every once in a while." There was a pause. "Ah well," he said slowly. "I don't exactly do that now, Father. No no. I'm a great man for the birds, none greater, but the way I do is this: they can damn well feed themselves. And they do! I'm here to tell you they do. On my grass seed." The old voice had suddenly become louder; there was a new note, unmistakably grim. "Grass seed is sellin' for two dollars the pound," he said, "and every robin on the place is gettin' big as a hen. Oh, I tell you, Father, a man has to look sharp or they'll eat him out of house and home. What I do, sometimes, is I sit around waitin' for them with a few little stones in my pocket." A dusty reminiscent chuckle come over the telephone. "I pegged one at this big black devil of a starlin' the other day," St. Francis said gleefully, "and damn near took his head off. Well, well, we mustn't complain, Father. That's the way life goes.

her mind was still picking away like a hen at a patch of plain dirt.

Let's recognize that wolves which are often hungry for chickens, will probably eat the chickens if allowed to carry the keys to the hen's house. For similar reasons the senile and the clumsy should probably not be allowed to walk freely around sensitive equipment. The protector of dangerous means such as nuclear weapons or other powerful decisions which may affect thousands, millions or billions of lives through a simple order or press of a button ought therefor be screened regularly, very thouroughly through a strict protocol regarding mental, physical, social and spiritual health/status. On top of this we are not fully aware of all the currently unknown dangers such as external manipulation of our own biology [as already witnessed in small scale with certain parasitic venoms in insects], the universe is colossal and there is almost certainly a few exotic, unseen and unexpected threats. Likewise, human psychology can in some ways be easy to predict, opportunity to soften otherwise perpetuated tragedies caused by the mismatch between individuals with certain characteristics and certain responsibilities. Let's also recognize that even if each of us were shipped with previously necessary primal flaws [which coincidentaly, may be highlighted as sins] also includes a very real ability to manipulate our biology and circumstances through various forms of voluntary discipline or exposure. Furthermore, while it is more comfortable to rely on our strengths perhaps we should also make an effort to explore our weakneses. Let's not forget that babies are all bundles of confusions, struggling to find their ways [and if someone has lost their love for babies they should be executed on the spot, or somewhere nearby]

replied.

Barf

Bart.

Lulu,

approach

Did a rooster get hard when he walked into the hen house?

Mr. Pelham’s house in Cambridge took fire in the dead of the night by the chimney. A neighbor’s wife hearing some noise among her hens, persuaded her husband to arise, which, being very cold, he was loth to do, yet through her great importunity he did, and so espied the fire, and came running in his shirt, and had much to do to awake anybody, but he got them up at last, and so saved all. The fire being ready to lay hold upon the stairs, they had all been burnt in their chambers, if God had not by his special providence sent help at that very instant.

[W]hen the narrative of climbing makes others put profits before people, fitting cheap cladding into their tower blocks, what then? How many other potential artists with stories we want and need have we lost for the sake of financial profit; have we lost to thoughtless education systems, thoughtless nurturing, thoughtlessness? Why are we platforming misfits, heralding them as newly rich successes, while they balance on creaking ladders with little chance of social mobility? I can't help usher them into this house if there are doors within it they can't open. It feels complicit.

The house wasn’t locked. Wallander looked

Mr. Jones, of the Manor Farm, had locked the hen-houses for the night, but was too drunk to remember to shut the pop-holes.

Dreamt [. . .] of a grey hen who came rubbing against me, wanting to be stroked. She was afraid of me, thought I was dangerous, but I stroked her and then she flew up and settled on the roosting-bar or shelf in the hen-house.

Nesta was reaching for her spoon when a plate of fresh, crusty bread appeared. As if the House were a fussing mother hen.

Bobtails,” murmured the butcher caressingly – “Bobtails is good dogs!... ‘Member the little ‘un I bought from your kennel a year back?” “I do. Hope she turned out well – good worker? “Good worker! You bet. More sick nurse than cattle driver. Our Min’s fine! Y’see, Missus be bed-fast. Market days she’d lay there, sunup to sundown, alone. I got Min; then she wasn’t alone no more; Min told hold. Market days Min guards sheep from cougars, Min shoos coon from hen-house – Min, Min, Min. Min runs the whole works, Min do!

When your chicks first arrive, prepare a special place for them in the hen house. Depending on how many chicks you have, this can be a large cardboard box or a set of boards to partition the hen house floor. Cover the floor with least 1 inch (2.5 centimeters) of wood shavings, rice hulls, sand, or straw. Don’t use cedar shavings, fine sawdust, or treated wood chips. Cover the floor with newspapers the first day so the chicks will eat the feed and not the litter.