Obscene Inspirational Quotes

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The Psalms are, in a sense, God’s way of holding space for us. They invite us to rejoice, wrestle, cry, complain, offer thanks, and shout obscenities before our Maker without self-consciousness and without fear.
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again (series_title))
For the Bible, despite all its contradictions and absurdities, its barbarisms and obscenities, remains grand and gaudy stuff, and so it deserves careful study and enlightened exposition. It is not only lovely in phrase; it is also rich in ideas, many of them far from foolish. One somehow gathers the notion that it was written from end to end by honest men—inspired, perhaps, but nevertheless honest. When they had anything to say they said it plainly, whether it was counsel that enemies be slain or counsel that enemies be kissed. They knew how to tell a story, and how to sing a song, and how to swathe a dubious argument in specious and disarming words.
H.L. Mencken (H.L. Mencken on Religion)
This general eclipse of ambition and determination and fortitude, all of the very qualities on which I have prided myself, is ridiculous, and, I must admit, somewhat obscene.
F. Scott Fitzgerald
During Basic, sometimes you're so tired you can't even get up to piss. You're pushed beyond whatever limits you had set for yourself. You realize that your body can do things that you never imagined. But there are times when you don't think you can go on, and that's when your brother is there to lift you up and push you forward. He yells encouragement when the drill sergeant's yelling obscenities. You know that if you're ever caught by the enemy, your brothers will never stop looking for you. If you're hurt they'll help heal you. The Corps is a unit of many, not one, but dozens, thousands even, who have your back. You can smite one Marine, but a thousand will rose up to avenge him.
Jen Frederick (Unspoken (Woodlands, #2))
I am quite scandalous, you see. I come packaged with unpredictable moments, brutal honesty, calamitous outbursts, the ghastly need for love, a fiendish lack of filter, the horrific need to question everything, nauseating affection, offensive kindness, indecent spirituality, obscene beauty, monstrous creativity, barbaric embellishments, contemptuous passion, sinful childhood traumas, unscrupulous hobbies, vexatious caring, abominable sensitivity, reprehensible humor, hideous sarcasm, displeasing feelings, unpalatable confidence, offensive compassion, villainous inspiration and a devilish wit. I am quite grotesque in my imperfectness and I am not ashamed to admit it.
Shannon L. Alder
Staring at herself in the mirror, she found that she'd lost the ability to see herself through her own eyes. She was only what humans would see. Not a girl or a woman or someone in between. They wouldn't see her loneliness or fear or courage, let alone her humanity. They would see only obscenity. Calamity.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
There's no being out too late in Whileaway, or up too early, or in the wrong part of town, or unescorted. You cannot fall out of the kinship web and become sexual prey for strangers, for there is no prey and there are no strangers -- the web is world-wide. In all of Whileaway there is no one who can keep you from going where you please (though you may risk your life, if that sort of thing appeals to you), no one who will follow you and try to embarrass you by whispering obscenities in your ear, no one who will attempt to rape you, no one who will warn you of the dangers of the street, no one who will stand on street corners, hot-eyed and vicious, jingling loose change in his pants pocket, bitterly bitterly sure that you're a cheap floozy, hot and wild, who likes it, who can't say no, who's making a mint off it, who inspires him with nothing but disgust, and who wants to drive him crazy.
Joanna Russ (The Female Man)
The notion that inspired play (even when audacious, offensive, or obscene) enhances rather than diminishes intellectual vigor and spiritual fulfillment, the notion that in the eyes of the gods the tight-lipped hero and the wet-cheeked victim are frequently inferior to the red-nosed clown, such notions are destined to be a hard sell to those who have E.M. Forster on their bedside table and a clump of dried narcissus up their ass. Not to worry. As long as words and ideas exist, there will be a few misfits who will cavort with them in a spirit of *approfondement*–if I may borrow that marvelous French word that translates roughly as ‘playing easily in the deep’–and in so doing they will occasionally bring to realization Kafka’s belief that ‘a novel should be an ax for the frozen seas around us’.
Tom Robbins
Josè Arcadio felt himself lifted up into the air toward a state of seraphic inspiration, where his heart burst forth with an outpouring of tender obscenities that entered the girl through her ears and came out of her mouth translated into her language.
Gabriel García Márquez (One Hundred Years of Solitude)
José Arcadio’s companion asked them to leave them alone, and the couple lay down on the ground, close to the bed. The passion of the others woke up José Arcadio’s fervor. On the first contact the bones of the girl seemed to become disjointed with a disorderly crunch like the sound of a box of dominoes, and her skin broke out into a pale sweat and her eyes filled with tears as her whole body exhaled a lugubrious lament and a vague smell of mud. But she bore the impact with a firmness of character and a bravery that were admirable. José Arcadio felt himself lifted up into the air toward a state of seraphic inspiration, where his heart burst forth with an outpouring of tender obscenities that entered the girl through her ears and came out of her mouth translated into her language.
Gabriel García Márquez (One Hundred Years of Solitude)
And that's what we'll do every day. If you or your friends spray-paint obscenities on our walls, we'll scrub them off, and the people will come. if you break our windows, we'll fix them, and the people will come. If you hurt us, we'll wash off the blood, slap on some bandages and the people will come...any wound you inflict, we'll stitch up. We're not going to stop, no matter what you do. This work is too important. Too many lives are at stake.
Robert J. Wiersema
There is safety in learning doctrine in gatherings which are sponsored by proper authority. Some members, even some who have made covenants in the temple, are associating with groups of one kind or another which have an element of secrecy about them and which pretend to have some higher source of inspiration concerning the fulfillment of prophecies than do ward or stake leaders or the General Authorities of the Church. Know this: There are counterfeit revelations which, we are warned, “if possible . . . shall deceive the very elect, who are the elect according to the covenant.” (JS—M 1:22.) . . . For the past several years we have watched patterns of reverence and irreverence in the Church. While many are to be highly commended, we are drifting. We have reason to be deeply concerned. The world grows increasingly noisy. Clothing and grooming and conduct are looser and sloppier and more disheveled. Raucous music, with obscene lyrics blasted through amplifiers while lights flash psychedelic colors, characterizes the drug culture. Variations of these things are gaining wide acceptance and influence over our youth. . . . This trend to more noise, more excitement, more contention, less restraint, less dignity, less formality is not coincidental nor innocent nor harmless. The first order issued by a commander mounting a military invasion is the jamming of the channels of communication of those he intends to conquer. Irreverence suits the purposes of the adversary by obstructing the delicate channels of revelation in both mind and spirit.
Boyd K. Packer
There is no clearer sign of the absence of originality among modern poets than their disposition to find new themes. Really original poets write poems about the spring. They are always fresh, just as the spring is always fresh. Men wholly without originality write poems about torture, or new religions, of some perversion of obscenity, hoping that the mere sting of the subject may speak for them. But we do not sufficiently realise that what is true of the classic ode is also true of the classic joke. A true poet writes about the spring being beautiful because (after a thousand springs) the spring really is beautiful. In the same way the true humourist writes about a man sitting down on his hat, because the act of sitting down on one’s hat (however often and however admirably performed) really is extremely funny. We must not dismiss a new poet because his poem is called To a Skylark; nor must we dismiss a humourist because his new farce is called My Mother-in-law. He may really have splendid and inspiring things to say upon an eternal problem. The whole question is whether he has.
G.K. Chesterton (Appreciations and Criticisms of the Works of Charles Dickens)
The myth of grave robbing persisted all the way into the nineteenth century. The Victorian naturalist Philip Henry Gosse was inspired by the hyena to pen particularly purple prose that owes more to Mary Shelley and the fashion for Victorian Gothic horror than it does to the truth. “In the Place of Tombs, gleam two fiery eyes,” he wrote in 1861, in his massively popular Romance of Natural History, “with bristling mane and grinning teeth, the obscene monster glares at you, and warns you to secure a timely retreat.” Other naturalists of the era showed a tad more restraint, but they still described the hyena as “a most mysterious and awful animal,” “rank and coarse” with “revolting habits.” This creature, they decided, was “adapted to gorge on the grossest animal substances, dead or alive, fresh or corrupted,” and as such was “cordially detested by the natives in all countries.
Lucy Cooke (The Truth About Animals: Stoned Sloths, Lovelorn Hippos, and Other Tales from the Wild Side of Wildlife)
Thorn In My Pride" Wake me when the day breaks Show me how the sun shines Tell me about your heartaches Who could be so unkind? Do you dream to touch me? And smile down deep inside Or could you just kill me? Hey, it's hard to make up your mind sometimes. My angels, my devils, my thorn in my pride My angels, my devils, my thorn in my pride Are you wanting inspiration? You spill your secrets on me Then you tell me with a whisper Of things that will never be. Do you hear me breathing? Does it make you want to scream? Did you ever like a bad dream? Sometimes life is obscene. My angels, my devils, my thorn in my pride My angels, my devils, my thorn in my pride My angels, my devils, my thorn in my pride Lover, cover me with your sleep Let your love light shine, let it shine Lover, cover me with a good dream Oh, let your love light Oh, let your love light shine Oh, I wanna know, do you ever wanna let it shine? Do you ever wanna let it shine, baby? Your love light, your love light Listen, lover, cover me with your sleep Let your love light shine, let it shine Lover, cover me with your sleep Let your love light shine, let it shine Lover, cover me with your dream Let your love light shine, let it shine Thorn in my pride The Southern Harmony And Musical Companion (1992)
Black Crowes (Black Crowes -- Guitar Anthology: Authentic Guitar TAB)
A day before the November 2015 Paris attacks, President Obama was feeling a little more hopeful about the war against the Islamic State. Noting that the caliphate hadn’t made any significant territorial gains in some time, Obama said it had been “contained.”23 As we know now, this contention was obscenely countered the very next day. Terrorism has also come of age with the millennial generation. The Islamic State of today is miles from the Al Qaeda it grew out of. Its supporters aren’t coming from Afghanistan, Iraq, or Pakistan anymore. They’re living in Belgium, France, Britain, and, as we saw with the attacks in San Benardino and Orlando, even the United States. They’re not refugees or illegal immigrants. They’re legal, passport-carrying, Western-born or naturalized citizens of our countries. So what does bombing them do now? The more you bomb over there, the more the appeal grows over here. And there’s proof of that from the last three wars: the Islamic State itself is the visible result. ISIS isn’t just a geographical entity. There are kids sitting across Western countries, right here in our cities and neighborhoods, being inspired and groomed by the group’s wide-ranging social media expertise and slickly produced propaganda videos as we speak. These kids are not coming here from Syria. They’ve always been here.
Ali A. Rizvi (The Atheist Muslim: A Journey from Religion to Reason)
Happiness is day drinking in the middle of Oxford Street whilst dancing to Megan Thee Stallion on a busy weekend after having mixed up all your meds because surprises are fun, and sometimes it's important to be reminded of why you first moved to this weirdly wonderful, obscenely overpriced city. That is happiness and you don't need a therapist or a witchy, wasted transwoman to tell you that shit. Invest in a bombass vibrator, be nice to sweet old ladies on the tube because if you're really lucky, you too will one day grow old and you'll want someone to treat you with a modicum of kindness and care. And stop making yourself go grey with needless stress! Now get the fuck out of my house. You're starting to harsh my buzz.
Diriye Osman