Heels High Quotes

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I don't know who invented high heels, but all women owe him a lot!
Marilyn Monroe
After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.
Ann Richards
you boys can keep your virgins give me hot old women in high heels with asses that forgot to get old.
Charles Bukowski (Love Is a Dog from Hell)
Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as mere consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.
Nick Hornby (High Fidelity)
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
Baby,” his voice gentled, “this is me seein’ to that soft spot when I say quiet-like that I... will... be... there... in ten. And what I mean is, when I get there in ten, your ass better be there.” Oh boy. “Are you coming on your bike?” “Yeah.” “I’m in a tight, short, little aquamarine dress with high heels. I can’t get on a bike. “You’re in a tight, short dress and high heels?” Tack asked. “Yes.” “I’ll be in there in five.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
I kick him in the face point blank with my high heel. He wasn't expecting that. The Angel flies back off the stage. "It really is you,"says Raffe.
Susan Ee (World After (Penryn & the End of Days, #2))
Jace told me once you’d walk all over my heart in high-heeled boots, and it hasn’t stopped me. Isabelle gave a little gasp of startled laughter. “He said that? And you stuck around?” He leaned in toward her … “I would consider it an honor.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the center of your being, then you can’t afford to sort out your love life, start to think of it as the finished product. You’ve got to pick at it, keep it alive and in turmoil, you’ve got to pick at it and unravel it until it all comes apart and you’re compelled to start all over again. Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as a consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.
Nick Hornby
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
High heels were invented by a woman who had been kissed on the forehead.
Christopher Morley
Yet if a woman never lets herself go, how will she ever know how far she might have got? If she never takes off her high-heeled shoes, how will she ever know how far she could walk or how fast she could run?
Germaine Greer
Wow." Sin said, her high-heeled boots clacking on the floor as she approached. " I didn't expect a party or anything, but I figured you might be able to handle a hi." "I'm serious" , he gritted. "Get out." "Well, you know what ?" She tied her hair up in a knot. "I would, except that you fucking bonded me to you or something, and I need to borrow your dick for a minute.
Larissa Ione (Sin Undone (Demonica, #5))
Sure he was great, but don't forget that Ginger Rogers did everything [Fred Astaire] did, .. backwards and in high heels." From: Frank and Ernest by Bob Thaves, art by Bob Thaves.
Bob Thaves
I'm going to see if Morris has a spare spine lying around you can borrow if you're scared to speak to that high-heeled, smug-ass bitch, Peabody.
J.D. Robb (Treachery in Death (In Death, #32))
Keep your head, heels and standards high.
Lola Stark (Tattered Love (Needle's Kiss, #1))
No, we aren't civilized, even in our business suits and high heels. People are as mean as ever, and as predictable. Underneath it all, we are not so different from what lurks in the wild, perhaps we're worse.
Donna Lynn Hope
On September 11, I went out and bought a new TV/VCR at Best Buy so I could record the news coverage of the planes crashing into the Twin Towers. Trevor was on a honeymoon in Barbados, I'd later learn, but Reva was lost. Reva was gone. I watched the videotape over and over to soothe myself that day. And I continue to watch it, usually on a lonely afternoon, or any other time I doubt that life is worth living, or when I need courage, or when I am bored. Each time I see the woman leap off the seventy-eighth floor of the North Tower—one high-heeled shoe slipping off and hovering up over her, the other stuck on her foot as though it were too small, her blouse untucked, hair flailing, limbs stiff as she plummets down, one arm raised, like a dive into a summer lake—I am overcome by awe, not because she looks like Reva, and I think it's her, almost exactly her, and not because Reva and I had been friends, or because I'll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.
Ottessa Moshfegh (My Year of Rest and Relaxation)
I watched her for a long time, memorizing her shoulders, her long-legged gait. This was how girls left. They packed up their suitcases and walked away in high heels. They pretended they weren't crying, that it wasn't the worst day of their lives. That they didn't want their mothers to come running after them, begging their forgiveness, that they wouldn't have gone down on their knees and thanked god if they could stay.
Janet Fitch (White Oleander)
Men sucked. They were the root of every problem any woman could ever have. They were the reason for bras, the need for makeup, hair stylists, shaving legs, and high heels that made the arch feel like it had a steel rod slammed up it. They were picky, arrogant, argumentative, and so damned certain of themselves <...>.
Lora Leigh (Real Men Do It Better (Includes: Tempting SEALs, #3))
A cause may be inconvenient, but it's magnificent. It's like champagne or high heels, and one must be prepared to suffer for it.
Arnold Bennett (The Title: A Comedy in Three Acts)
Meg's high-heeled slippers were dreadfully tight, and hurt her, though she would not own it; and Jo's nineteen hair-pins all seemed stuck straight into her head, which was not exactly comfortable; but, dear me, let us be elegant or die.
Louisa May Alcott (Little Women (Little Women, #1))
There are a few people out there with whom you fit just so, and, amazingly, you keep fitting just so even after you have growth spurts or lose weight or stop wearing high heels. You keep fitting after you have children or change religions or stop dyeing your hair or quit your job at Goldman Sachs and take up farming. Somehow, God is gracious enough to give us a few of those people, people you can stretch into, people who don't go away, and whom you wouldn't want to go away, even if they offered.
Lauren F. Winner (Girl Meets God)
I'm somewhat socially inept. Slide me between two strangers at any light-hearted jamboree and I'll either rock awkwardly and silently on my heels, or come out with a stone-cold conversation-killer like, "This room's quite rectangular, isn't it?" I glide through the social whirl with all the elegance of a dog in high heels
Charlie Brooker
At some point I was a Happy African Feminist Who Does Not Hate Men and Who Likes to Wear Lip Gloss and High Heels for Herself and Not For Men.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
I make jokes about it, but it's the truth that I kind of patterned my look after the town tramp. I didn't know what she was, just this woman who was blond and piled her hair up, wore high heels and tight skirts, and, boy, she was the prettiest thing I'd ever seen. Momma used to say, "Aw, she's just trash," and I thought, That's what I want to be when I grow up. Trash.
Dolly Parton
when you're young a pair of female high-heeled shoes just sitting alone in the closet can fire your bones; when you're old it's just a pair of shoes without anybody in them and just as well.
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
High heels were invented by a woman who had once been kissed on the forehead.
Rita Mae Brown (Six of One (Runnymede, #1))
Men were bullshit - people were bullshit - and Nina was not going to live through bullshit white wearing high heels a single second longer.
Taylor Jenkins Reid (Malibu Rising)
Adrian looked over at me again. “Who knows more about male weakness: you or me?” “Go on.” I refused to directly answer the question. “Get a new dress. One that shows a lot of skin. Short. Strapless. Maybe a push-up bra too.” He actually had the audacity to do a quick assessment of my chest. “Eh, maybe not. But definitely some high heels.” “Adrian,” I exclaimed. “You’ve seen how Alchemists dress. Do you think I can really wear something like that?” He was unconcerned. “You’ll make it work. You’ll change clothes or something. But I’m telling you, if you want to get a guy to do something that might be difficult, then the best way is to distract him so that he can’t devote his full brainpower to the consequences.” “You don’t have a lot of faith in your own gender.” “Hey, I’m telling you the truth. I’ve been distracted by sexy dresses a lot.” I didn’t really know if that was a valid argument, seeing as Adrian was distracted by a lot of things. Fondue. T-shirts. Kittens. “And so, what then? I show some skin, and the world is mine?” “That’ll help.” Amazingly, I could tell he was dead serious. “And you’ve gotta act confident the whole time, like it’s already a done deal. Then make sure when you’re actually asking for what you want that you tell him you’d be ‘so, so grateful.’ But don’t elaborate. His imagination will do half the work for you. ” I shook my head, glad we’d almost reached our destination. I didn’t know how much more I could listen to. “This is the most ridiculous advice I’ve ever heard. It’s also kind of sexist too, but I can’t decide who it offends more, men or women.” “Look, Sage. I don’t know much about chemistry or computer hacking or photosynthery, but this is something I’ve got a lot of experience with.” I think he meant photosynthesis, but I didn’t correct him. “Use my knowledge. Don’t let it go to waste.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I hate high heels. Walking in high heels for eight hours a day should be forbidden by the Geneva Convention.
Libba Bray (Beauty Queens)
But lately,' she said, wiggling her bare toes, 'I find all men to be very much like wearing high-heeled shoes -- I love how pretty they make me feel, but by the end of the night I can't wait to get rid of them.
Beth Hoffman (Saving CeeCee Honeycutt)
You’re a heartbreaker, Isabelle Lightwood,” he said, as lightly as he could with her blood still running through him like fire. “Jace told Clary once you’d walk all over me in high-heeled boots.” “That was then. You’re different now.” She eyed him. “You’re not scared of me.” He touched her face. “A nd you’re not scared of anything.” “I don’t know.” Her hair fell forward. “Maybe you’ll b r eak my heart.” Before he could say anything, she kissed him, and he wondered if she could taste her own blood. “Now shut up. I want to sleep,” she said, and she curled up against his side and closed her eyes. Somehow, now, they fit, where they hadn’t before. Nothing was awkward, or poking into him, or banging against his leg. It didn’t feel like childhood and sunlight and gentleness. It felt strange and heated and exciting and powerful and… different. Simon lay awake, his eyes on the ceiling, his hand stroking Isabelle’s silky black hair absently. He felt like he’d been caught up in a tornado and deposited somewhere very far away, where nothing was familiar. Eventually he turned his head and kissed Izzy, very lightly, on the forehead; she stirred and murmured but didn’t open her eyes.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
But the truth is, I want to be some woman's work boots, not her high heels." "Work boots?" What was sexy about that? And did women have work boots? "Yeah. You know, the boots she pulls out when she wants to get down and dirty, hiking or gardening or boating or painting the kitchen. The ones she relies on and trusts and lives her life hard and good and on her terms in. Her favorites.
Erin McCarthy (Hard and Fast (Fast Track, #2))
I did everything Fred did, only backwards and in high heels.
Ginger Rogers
Girls can do anything boys can do in high heels!
Brooke Sachau
You're in a tight, short dress and high heels? Tack asked. "Yes." "I'll be there in five.
Kristen Ashley
Given that you probably used to wear . . . velvet bloomers, lace, high heels, and a ponytail, yeah—I guess you have changed a little,” I said, and gave a slight smile in hopes of easing the depressing mood.Eli actually grinned. “That look was hot back then.” He held his arms out. “Velvet coat with tails to match. Yeah, ruffles, too. I was badass.
Elle Jasper (Afterlight (Dark Ink Chronicles, #1))
I believe the defining moment was when certain persons, who shall remain nameless, objected to my fuchsia silk striped waistcoat. I loved that waistcoat. I put my foot down, right then and there; I do not mind telling you!" To punctuate his deeply offended feelings, he stamped one silver-and-pearl-decorated high heel firmly. "No one tells me what I can and cannot wear!" He snapped up a lace fan from where it lay on a hall table and fanned himself vigorously with it for emphasis.
Gail Carriger (Soulless (Parasol Protectorate, #1))
Are you all right?” “Leg’s shot” “How shot?” “Well, I’m looking at the heel of my shitkicker and the front of my knee at the same time. And there’s a high probability I’m going to throw up.
J.R. Ward (Father Mine (Black Dagger Brotherhood, #6.5))
When the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly, and fall, and scatter away along the ground, they might be the patter of a woman’s hurrying footsteps, and the mark in the gravel the imprint of a high-heeled shoe.
Daphne du Maurier (Rebecca)
Okay, if there's one thing you don't ever say to a woman on the edge it's that she's hormonal.
Gemma Halliday (Spying in High Heels (High Heels, #1))
High heels, I'm convinced, are a creation of the Void and intended only to torture my poor unfortunate soles.
Sara Ella (Unraveling (Unblemished, #2))
I do high heels better post-caffeine.
Lisa Renee Jones (Being Me (Inside Out, #2))
I won't let you take advantage of women! Here's the Mars Power flame of anger! (ROAR) I'll punish you in high heels!" - Rei/Sailor Mars
Naoko Takeuchi (Sailor Moon, Vol. 1 (Sailor Moon, #1))
Before you criticize a woman, try walking in her high heels.
Ljupka Cvetanova (The New Land)
Snaketail what art thou doing?" called Voldemort. Then . . . he started coming! We could hear his high heels clacking to us. So we got on our broomsticks and we flew to Hogwarts. We went to my room. Vampire went away. There I started crying.
Tara Gilesbie (My Immortal)
Ginger did everything Fred did, only backwards and in High Heels!
Joan Rivers
And if I don’t want you to? (Ravyn) You know, you’d look really weird in a dress and high heels. (Susan) What’s that supposed to mean? (Ravyn) It means you’re not my mother. Now stop arguing and help me find my shoes. (Susan)
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
Pandora opened the box with the new high-heels, put them on and went out to town.
Ljupka Cvetanova (The New Land)
I did not want my tombstone to read, 'She kept a really clean house.
Ann Richards (High Heels and Backwards)
now look, she said, stretched out on the bed, I don’t want anything personal, let’s just do it, I don’t want to get involved, got it? she kicked off her high-heeled shoes… sure, he said, standing there, let’s just pretend that we’ve already done it, there’s nothing less involved than that, is there? what the hell do you mean? she asked. I mean, he said, I’d rather drink anyhow. and he poured himself one. it was a lousy night in Vegas and he walked to the window and looked out at the dumb lights. you a fag? she asked, you a god damned fag? no, he said. you don’t have to get shitty,...
Charles Bukowski (You Get So Alone At Times That It Just Makes Sense)
He was tall, thin, and very old, judging by the silver of his hair and beard, which were both long enough to tuck into his belt. He was wearing long robes, a purple cloak that swept the ground, and high-heeled, buckled boots. His blue eyes were light, bright, and sparkling behind half-moon spectacles and his nose was very long and crooked, as though it had been broken at least twice. This man's name was Albus Dumbledore.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Here came the waitress. She had on a mini-skirt, high heels, see-through blouse with padded brassiere. Everything was too small for her: her outfit, the world, her mind. Her face was hard as steel. When she smiled it hurt. It hurt her and it hurt me. She kept smiling. That smile was so false the hairs on my arms rose. I looked away.
Charles Bukowski (Pulp: Charles Bukowski's Final Hardboiled Noir Comedy – Lady Death, Aliens, and the Absurd)
Yogi was fast on his heels as Dex sped through the lounge, down the busy corridor, and past the training bays. “Excuse me! Coming through!” Shit, shit, shit! Who’d have thought Yogi would like Cheesy Doodles as much as he did? “Give them here!” Yogi growled. “Go find your own pic-a-nic basket!” The deep feral growl he received in response was most likely a “no.
Charlie Cochet (Hell & High Water (THIRDS, #1))
Jehovah's Witness are welcomed into my home...You gotta respect anybody who gets all dressed up in Sunday clothes and goes door-to-door on days so hot their high heels sink a half-inch into the pavement. The trick is to do all the talking yourself. Pretty soon, they'll look at their watches and say, 'Speaking of end times, wouldja look at what time it is now!
Celia Rivenbark (Bless Your Heart, Tramp: And Other Southern Endearments)
Oh, yes! Fill the churches with dirty thoughts! Introduce honesty to the White House! Write letters in dead languages to people you've never met! Paint filthy words on the foreheads of children! Burn your credit cards and wear high heels! Asylum doors stand open! Fill the suburbs with murder and rape! Divine madness! Let there be ecstasy, ecstasy in the streets! Laugh and the world laughs with you!
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
She's vodka in a sexy lingerie and high heels. I'm always drunk.
J.A. ANUM
Why is it that when someone says "trust me", I always feel less inclined to do so?
Gemma Halliday (Killer in High Heels (High Heels, #2))
All men should be required to have their marital status tattooed on their foreheads.
Gemma Halliday (Spying in High Heels (High Heels, #1))
I got out of the bathtub and put on a black low-cut dress with lace all over it sandly. I put on black high heels with pink metal stuff on the ends and six pairs of skull earrings. I couldn't fucking believe it. Then I looked out the window and screamed... Snap was spying on me and he was taking a video tape of me! And Loopin was masticating to it! They were sitting on their broomsticks.
Tara Gilesbie (My Immortal)
A bold act requires a high degree of confidence. People who are the targets of an audacious act, or who witness it, cannot help but believe that such confidence is real and justified. They respond instinctively by backing up, by getting out of the way, or by following the confident person. A bold act can put people on their heels and eliminate obstacles. In this way, it creates its own favorable circumstances. 
Robert Greene (The 50th Law: Overcoming Adversity Through Fearlessness)
I, a woman, find wearing high heels agreeable only on the very rare occasion that (1) I will be ferried between destinations upon a palanquin or (2) I am going to a cocktail party and, at five feet two, don't want to spend the evening discussing the latest movies with somebody's nipples.
Lauren Collins
My weaknesses are women in high heels, freedom under siege, and ebay. (Steele)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
Above all, believe in true love and know that men are like shoes. A couple is like a left and a right foot, and out there is your perfect fit. Sometimes you need to change styles and shop around to find it. Sometimes you have to break styles in, sometimes you feel like something that is unstylish but comfortable, and sometimes a style - as much as you like - just doesn't suit you and will never fit.
Camilla Morton (How to Walk in High Heels: The Girl's Guide to Everything)
I knew immediately that this was not going to work out. Hunter is the kind of guy who dates women who wear high heels and a cocktail dress on a first date. I can't even walk in heels, and I generally believe that someone has to earn the right to see my legs.
Lisa Lutz (The Spellman Files (The Spellmans, #1))
Balance is key. In everything you do. Dance all night long and practice yoga the next day. Drink wine but don’t forget your green juice. Eat chocolate when your heart wants it and kale salad when your body needs it. Wear high heels on Saturday and walk barefoot on Sunday. Go shopping at the mall and then sit down and meditate in your bedroom. Live high and low. Move and stay still. Embrace all sides of who you are and live your authentic truth! Be brave and bold and spontaneous and loud and let that complement your abilities to find silence and patience and modesty and peace. Aim for balance. Make your own rules and don’t let anybody tell you how to live according to theirs.
Rachel Brathen
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
People who do not consciously choose to live a sensual lifestyle, in essence, don't take the relationship they have with themselves or others that seriously.
Lebo Grand (Sensual Lifestyle)
to "hike" along a deep-rutted, pebbly lane in frail, silver-hued slippers with high French heels, is not an exhilirating experience.
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
Every time I hear footsteps on the steps, my heart rate goes up. Every time I hear the clacking of high heels, I am seized with trepidation.
Paula Hawkins (The Girl on the Train)
So,high heels weren't a modern invention. I couldn't believe women had been putting up with these torture devices for centuries.
Karen Chance (Touch the Dark (Cassandra Palmer, #1))
There was something factitious and brittle and thereby utterly feminine about her charm which made me want to crush her, even to crunch her. She had a slight cast in one eye which gives her gaze a strange concentrated intensity. Her eyes sparkle, almost as if they were actually emitting sparks. She is electric. And she could run faster in very high-heeled shoes than any girl I ever met.
Iris Murdoch (The Sea, the Sea)
Thank you for the shoes, Thomas.” I looked at the stack of boxes, teetering precariously close to the edge of the settee now. He caught my stare and nudged them back to safety. “All of them. It was very sweet. And highly unnecessary.” “Your happiness is always necessary to me.” He tilted my chin up and kissed the tip of my nose. “We’ll find new ways of navigating the world together, Wadsworth. If you can no longer wear heels, we’ll design flats you adore. If you ever find those no longer work, I’ll have a wheeled chair made and bejeweled to your liking. Anything at all in the universe you need, we will make it so. And if you’d prefer to do it on your own, I will always step aside. I also promise to keep my opinion mostly to myself.” “Mostly?” He considered that. “Unless it’s vastly inappropriate. Then I’ll share it with gusto.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
Chase rushed after her in pursuit. The woman lost one of her high-heeled shoes and Chase took advantage of her lack of balance to tackle her. They crashed to the ground. “Why are you running from the ball, Cinderella?” he asked.
Stefania Mattana (Into the Killer Sphere (Chase Williams detective stories #1))
In ten years I’d never had an interesting teacher. I was beginning to think they were myths, like unicorns and comfortable high heels. Eve, Jaymin (2014-01-15). First World (A Walker Saga Book 1) (p. 19). . Kindle Edition.
Jaymin Eve (First World (Walker Saga, #1))
Always keep your head, heels, and standards high.
Coco Chanel (The Allure of Chanel (Pushkin Collection))
Sure he (Fred Astaire) was great, but don't forget that Ginger Rogers did everything he did,..backwards and in high heels.
Robert Thaves
Ellen walks past the lobby in her high heels, stops in her tracks, and turns back around to face Zack. She points at Marvin. "Is that a goat?" Zack nods once. "Yes, ma'am." "In my lobby?" "Yes, ma'am. But he's a friendly goat." Ellen plasters on a polite smile. "I don't care if he's a tap-dancing goat. I want him out of here.
Chelsea Fine (Best Kind of Broken (Finding Fate, #1))
Francie looked at her legs. They were long, slender, and exquisitely molded. She wore the sheerest of flawless silk stockings, and expensively made high-heeled pumps shod her beautifully arched feet. "Beautiful legs, then, is the secret of being a mistriss," concluded Francie. She looked down at her own long thin legs. "I'll never make it, I guess." Sighing , she resigned herself to a sinless life.
Betty Smith (A Tree Grows in Brooklyn)
You’re beautiful always, but you make a little dress and high heels look fuckin’ spectacular and when your face looks just… like… that, honey, you take my breath away.” God, God, God, I loved this man.
Kristen Ashley (Heaven and Hell (Heaven and Hell, #1))
2. Goth girls. Streaked purple and black hair, tattoos, a sexy little tramp stamp on the lower back, navel rings, tongue studs… nipple rings… ripped fishnets and high heels, dark clothes and dark moods. Makes me want to peel it all off and find the soft spots underneath, the sweetness at the center… mmmm.
Selena Kitt
I don't hurt other people intentionally. I'm not a bad person. I have a decent job. So I like to put on high heels and a little dress. Does that make me a monster? -Edgar Saturnino, 24 (Lamentations 5:23)
Jessica Zafra (Twisted 8: The Night of the Living Twisted)
My theory: if the malls don't open until ten what's the point of being up earlier than that?
Gemma Halliday (Killer in High Heels (High Heels, #2))
Put a pair of high heels on a fellow and just look what he was reduced to.
Celeste Bradley (The Impostor (Liar's Club, #2))
High heels? Painful pleasure.
Christian Dior
I make her leave on her stockings and high heels. I am a freak. I cannot bear the human being in present state, I must be fooled. the psychiatrists must have a word for it, and I have a word for the psychiatrists.
Charles Bukowski (Notes of a Dirty Old Man)
One of the major reasons why empaths and narcissists are attracted to each other is because of the empaths desire to help the narcissist, and the narcissist’s desire to take advantage of the empath’s emotional support. As I mentioned before, pity is our Achilles heel, and we often mistake it for the experience of love.
Aletheia Luna (Awakened Empath: The Ultimate Guide to Emotional, Psychological and Spiritual Healing)
Listen, bitch, the only white trash in this room is the one who slept with a married man. An old married man at that. You call my man one more name and I will knock those ridiculously high heels out from under you. So back the hell off before you end up on your ass. -Eva
Abbi Glines (Sometimes It Lasts (Sea Breeze, #5))
Taryn, is it really that bad? (Janine) Considering the fact that I’m stuck out in this wretched heat wearing high heels with a black car that currently wouldn’t go downhill with a hurricane pushing it, I’d say yes. (Taryn)
Sherrilyn Kenyon (In Other Worlds (The League: Nemesis Rising, #3.5; Were-Hunter, #0.5; The League: Nemesis Legacy, #2))
Oh, I don’t know,” he said carelessly. “Put you in a fine gown and a pair of high-heeled shoes, and stick a comb in your hair, I daresay you’d pass for a lady even in a big place like Exeter.” “I’m meant to be flattered by that, I suppose,” said Mary, “but, thanking you very much, I’d rather wear my old clothes and look like myself.
Daphne du Maurier (Jamaica Inn)
The Windhover To Christ our Lord I CAUGHT this morning morning’s minion, king- dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding Of the rolling level underneath him steady air, and striding High there, how he rung upon the rein of a wimpling wing In his ecstasy! then off, off forth on swing, As a skate’s heel sweeps smooth on a bow-bend: the hurl and gliding Rebuffed the big wind. My heart in hiding Stirred for a bird,—the achieve of; the mastery of the thing! Brute beauty and valour and act, oh, air, pride, plume, here Buckle! AND the fire that breaks from thee then, a billion Times told lovelier, more dangerous, O my chevalier! No wonder of it: shéer plód makes plough down sillion Shine, and blue-bleak embers, ah my dear, Fall, gall themselves, and gash gold-vermillion.
Gerard Manley Hopkins (Poems and Prose)
You boys can keep your virgins, give me hot old women in high heels with asses that forgot to get old.
Charles Bukowski (Love Is a Dog from Hell)
Always wear high heels. Yes, they give you power. you move differently, sit differently and even speak differently.
Carine Roitfeld
Remember, makeing your dream come true can take years, so don't give up the day job. Do pray for a lucky break.
Camilla Morton (A Year in High Heels: The Girl's Guide to Everything from Jane Austen to the A-list – A Witty Collection of Style Tips for an Extraordinary Life)
Ladies, if you truly want your man to be successful, never ever underestimate the power of a lipstick, sexy lingerie, and high heels.
Lebo Grand
high heels are each big enough to bury an Egyptian in.
Katherine Dunn (Geek Love)
O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene! Then should the warlike Harry, like himself, Assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword and fire Crouch for employment. But pardon, and gentles all, The flat unraised spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work. Suppose within the girdle of these walls Are now confined two mighty monarchies, Whose high upreared and abutting fronts The perilous narrow ocean parts asunder: Piece out our imperfections with your thoughts; Into a thousand parts divide on man, And make imaginary puissance; Think when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth; For 'tis your thoughts that now must deck our kings, Carry them here and there; jumping o'er times, Turning the accomplishment of many years Into an hour-glass: for the which supply, Admit me Chorus to this history; Who prologue-like your humble patience pray, Gently to hear, kindly to judge, our play.
William Shakespeare (Henry V)
I strolled into a downtown parking garage, wearing a black pantsuit and matching heels. I’d pulled my dark, chocolate-brown hair up into a high, sleek ponytail, while black glasses with clear lenses covered my cold gray eyes. I looked like just another corporate office drone, right down to the enormous black handbag I carried.
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
High heels evoke a sensuality in a woman.
Lebo Grand (Sensual Lifestyle)
Walking through life, we spend most of our energy choosing the right shoes.
Ljupka Cvetanova (The New Land)
Keep your heels, head and standards high.
Oprah Winfrey
This was how girls left. They packed up their suitcases and walked away in high heels. They pretended they weren't crying, that it wasn't the worst day of their lives.
Janet Fitch (White Oleander)
Men. One minute they have their tongues down your throat and the next they're forbidding you from meeting your own father and criticizing your fashion choices.
Gemma Halliday (Killer in High Heels (High Heels, #2))
The boys at the baths loved me. Of course, they were all drunk and high and would've loved a French poodle barking out "Jingle Bells"!
Holly Woodlawn (A Low Life in High Heels: The Holly Woodlawn Story)
This was Stiletto magazine, not Dr. Phil. Stiletto was sex and high heels, not companionship and freaking clogs.
Lauren Layne (After the Kiss (Sex, Love & Stiletto, #1))
Start investing in your own sensuality, it's what increases your own sense of self worth.
Lebo Grand
I love her because she steals my socks I love her because when I find her in them they never match I love her because they are always too big and the gray part for the heel sits far too high I love her because she wears them to sleep and one always falls off and then she wakes in the night and can’t find it and her foot is cold— that is why I love her
Atticus . (The Dark Between Stars)
There’s all this pressure in our society to be beautiful, to be strong, to be sexy. So we spend our time and money on trying to become these things. We put on the high heels, the suits, the makeup, the mask. Then, we feel more awkward than confident, so we drink away our anxieties. That doesn’t make us look any sexier – it just makes us stop caring about how we look. Everyone is beautiful. Everyone is sexy. Everyone is strong. It’s lunacy. We’re all running around trying to become something that we already are. You know what’s really sexy? A person who’s 100% comfortable with themselves. And you know what’s really funny? It is just as time consuming and difficult to learn to accept yourself as it is to pretend to be someone else. The only difference is – with self acceptance, one day, it’s not hard anymore. One day, you feel like your sexiest, strongest self just rolling out of bed in the morning. You’re either going to spend the little time you have in your life on trying to know yourself or trying to hide yourself. The choice is yours. You can’t do both. And you know what’s really amazing about choosing self-love? You’ll be setting an example for all the people around you and all the kids of the coming generation. You’ll be part of a revolution to take back the precious moments of our lives out of the hands of shame-inducing advertisers and back into the hands and hearts of real people like you, like me, like all of us. I know you’ve dreamt about changing the world. So this is your chance. Learn to love yourself, accept yourself, and unleash your strongest, sexiest self. It’s in there. You just have to believe it.
Vironika Tugaleva
Like my kith and kin before me, I swagger-staggered in high heels, and I wore a dress and a hat to church. But my fabulous tail often fell below my hemline, and my ears twitched until my hat pitched, at the very least, down over both my eyes, and sometimes clear across the room.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
I grazed her from head to toe: black high heels, dark red lipstick, sleek brown pony and those tyrannical yellow-green eyes, burning holes into the glass. I was sharing an elevator with a tempestuous, electric storm that I refused to calm. I always wished to be swept into madness, if only for a moment, to truncate the mundane, ordinary moments of my existence.
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
I find all men to be very much like wearing high-heeled shoes - I love how pretty they make me feel, but by the end of the night I can't wait to get rid of them .. Thelma Rae Goodpepper in Saving CeeCee Honeycutt
Beth Hoffman
I would have to spend the afternoon shopping. I hate to shop. I considered it one of the life's necessary evils, like brussels sprouts and high-heeled shoes.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
High heels are a short (theist) woman's (subconscious) way of telling God to go to hell … in public.
Mokokoma Mokhonoana
She then figured Cash would catch her. His legs were longer and even though he was standing behind the counter and she couldn’t see it was unlikely he was wearing high heels.
Kristen Ashley (Penmort Castle (Ghosts and Reincarnation #3))
You can never have too much nonsense
Camilla Morton (A Year in High Heels: The Girl's Guide to Everything from Jane Austen to the A-list – A Witty Collection of Style Tips for an Extraordinary Life)
That werewolf fantasy would be a hard one to pull off. She'd have to troll through the forest in high heels, just praying one of the scruffy campers was actually a raving beast.
Victoria Dahl (Start Me Up (Tumble Creek, #2))
And she tried the high heels but she couldn't bring herself to prance.
Ani DiFranco
Being a goddess is a divine calling for women of substance.
Lebo Grand
Okay, calm down, we'll pay,"said Vee, reaching into her back pocket. She stuffed a wad of cash into the bowl, but it was dark and I couldn´t tell how much. "You owe me big-time," she told me. "You're supposed to let me count the money first," Marcie said, digging through the bowl, trying to recapture Vee´s donation. "I just assumed twenty was too high for you to count," Vee said. "My apologies." Marcie's eyes went slitty again, then she turned on her heel and carted the bowl back into the house. "How much did you give her?" I asked Vee. "I didn't. I tossed in a condom." I lifted my eyebrows."Since when do you carry condoms?" "I picked one up off the lawn on our way up the walk. Who knows, maybe Marcie'll use it. Then I'll have done my part to keep her genetic material out of the gene pool.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
she appeared in a dashing fur coat and very high heels, with a bottle of bootleg whiskey in a brown paper bag from which she drank all during the meeting, erupting into wild laughter
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.
William Gibson (Neuromancer (Sprawl #1))
A new tracker?" Boyd asked, blinking. "An anklet," Carhart replied. "It will be more discreet." Boyd stared at him. "More discreet? On a man?" "Are you planning to wear a dress and high heels?" Carhart replied with an arched eyebrow.
Santino Hassell (Evenfall (In the Company of Shadows, #1))
That corner in the drive, too, where the trees encroach upon. . . the gravel, is not a place in which to pause, not after the sun has set. When the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly, and fall, and scatter away along the ground, they might be the patter, patter, of a woman’s hurrying footstep, and the mark in the gravel the imprint of a high-heeled satin shoe.
Daphne du Maurier (Rebecca)
Don't you know anything at all about numbers?" "Well, I don't think they're very important," snapped Milo, too embarrassed to admit the truth. "NOT IMPORTANT!" roared the Dodecahedron, turning red with fury. "Could you have tea for two without the two — or three blind mice without the three? Would there be four corners of the earth if there weren't a four? And how would you sail the seven seas without a seven?" "All I meant was—" began Milo, but the Dodecahedron, overcome with emotion and shouting furiously, carried right on. "If you had high hopes, how would you know how high they were? And did you know that narrow escapes come in all different widths? Would you travel the whole wide world without ever knowing how wide it was? And how could you do anything at long last," he concluded, waving his arms over his head, "without knowing how long the last was? Why, numbers are the most beautiful and valuable things in the world. Just follow me and I'll show you." He turned on his heel and stalked off into the cave.
Norton Juster (The Phantom Tollbooth)
Can’t you make yourself likeable? Can’t you even try?” Something shifted in Tavi then. She was always so flippant, trailing sarcasm behind her like a duchess trailing furs. But not this time. Hugo had pierced her armor and blood was dripping from the wound. “Try for whom, Hugo?” she repeated, her voice raw. “For the rich boys who get to go to the Sorbonne even though they’re too stupid to solve a simple quadratic equation? For the viscount I was seated next to at a dinner who tried to put his hand up my skirt through all five courses? For the smug society ladies who look me up and down and purse their lips and say no, I won’t do for their sons because my chin is too pointed, my nose is too large, I talk too much about numbers?” “Tavi …” Isabelle whispered. She went to her, tried to put an arm around her, but Tavi shook her off. “I wanted books. I wanted maths and science. I wanted an education,” Tavi said, her eyes bright with emotion. “I got corsets and gowns and high-heeled slippers instead. It made me sad, Hugo. And then it made me angry. So no, I can’t make myself likeable. I’ve tried. Over and over. It doesn’t work. If I don’t like who I am, why should you?
Jennifer Donnelly (Stepsister)
No one wore high heels anymore. They were in the same category as corsets –a torturous invention of the past that had served to make men desire women and caused women nothing but sore feet and broken ankles.
Elin Peer (The Ruler (Men of the North, #2))
Are you a man-whore?" I asked as the loudest group of them teetered away on their high heels. (High heels? Really? At seven thirty in the morning? Shouldn't you actually have breasts before you start wearing heels?)
Laurie Halse Anderson (The Impossible Knife of Memory)
So I decided I would now be a Happy African Feminist Who Does Not Hate Men. At some point I was a Happy African Feminist Who Does Not Hate Men And Who Likes To Wear Lip Gloss And High Heels For Herself And Not For Men. Of
Chimamanda Ngozi Adichie (We Should All Be Feminists)
New Year's Eve. It's a promise of a night. Single, married or widowed, in love, loveless or lovelorn, we all leave our apartments and pick through snow in high heels, or descend subway stairs in tuxedos, lured to wherever we're going--whether we know it or not, would deny it or not--by the kiss of a stranger.
Jardine Libaire (Here Kitty Kitty)
Now, money, for the night is coming. Money for my hair, money for my teeth, money for shoes that won't deform my feet (it's not so easy now to walk around in cheap shoes with very high heels), money for good clothes, money, money. The night is coming.
Jean Rhys (Good Morning, Midnight)
Suddenly he smiled, and the sadness was vanquished by whisky heat. “Aye, Jessica, I like you. And I’m not just stuck with you. You fit me here, woman.” He thumped his chest with his fist. Then he shook her hand from his forearm and pushed off with the cart again. Jessi watched him move down the aisle, all sleek animal muscle and dark grace. Wow. He wasn’t a man of many words, but when he used them, he certainly used the right ones. You fit me here. You are the exception to everything. Crimeny. It was how she’d always thought a relationship should be. People should fit each other: some days like sexy, strappy high-heeled shoes, other days like comfortable loafers—but always a good fit. And if you cared about someone, they should be the exception to everything; the number-one priority, the one who came before all others. He was halfway down the aisle from her now, plucking a can from the shelf—her primal hunter/gatherer procuring food by modern means, she thought, with a soft snort of amusement.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
These were strange caricatures of human beings, weirdly inflated, their breasts enormous spheres, held in place by string bikinis with cups the size of fourteen-meter yacht spinnakers. Their legs were elongated too, their toes pointed straight downward into high-heeled shoes steeper than double black-diamond ski runs.
Peter Sagal (The Book of Vice: Very Naughty Things (and How to Do Them))
I put on lipstick and high heels and walk down the street arm in arm with you, Jess. This is my life, and I'm damn brave to love who I love. Don't try to take who I am away from me." My chin trembled, "Well, what do you think's being taken away from me? What the fuck am I going to do, Theresa? Tell me, what can I do? ...I don't want to die and I don't know how to live. I'm really afraid.
Leslie Feinberg (Stone Butch Blues)
They want time to move fast so they can paint their nails a provocative red and wear high heels that crack walnuts and make people jump. He wants time to slow down so he can prolong the enjoyment of walking among them, of being next to this self-contained beauty.
Mahmoud Darwish (A River Dies of Thirst: Journals)
Good girl. Now walk away. Turn on your heel—good. Walk toward the door. Keep your chin high. Let the crowd part. One step after another. I listened to him, let him keep me tethered to sanity as I was escorted back to my cell by the guards—who still kept their distance. Rhysand’s words echoed through my mind, holding me together. But when my cell door closed, he went silent, and I dropped to the floor and wept.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Miss Dearheart gave him a very brief look, and shook her head. There was movement under the table, a small fleshy kind of noise and the drunk suddenly bent forward, colour draining from his face. Probably only he and Moist heard Miss Dearheart purr: ‘What is sticking in your foot is a Mitzy “Pretty Lucretia” four-inch heel, the most dangerous footwear in the world. Considered as pounds per square inch, it’s like being trodden on by a very pointy elephant. Now, I know what you’re thinking: you’re thinking, “Could she press it all the way through to the floor?” And, you know, I’m not sure about that myself. The sole of your boot might give me a bit of trouble, but nothing else will. But that’s not the worrying part. The worrying part is that I was forced practically at knifepoint to take ballet lessons as a child, which means I can kick like a mule; you are sitting in front of me; and I have another shoe . Good, I can see you have worked that out. I’m going to withdraw the heel now.’ There was a small ‘pop’ from under the table. With great care the man stood up, turned and, without a backward glance, lurched unsteadily away. ‘Can I bother you?’ said Moist. Miss Dearheart nodded, and he sat down, with his legs crossed. ‘He was only a drunk,’ he ventured. ‘Yes, men say that sort of thing,’ said Miss Dearheart.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
We all think when we’re young that we want excitement and highs and passion. To hell with ordinary.” I smiled and she chuckled. “But when we find ourselves in these adult bodies,” she said. “When we wise up a little, or get slapped in the face by life, we realize we just want all things to be equal.” She put the heels of her hands together near her heart like the Yoga prayer position. “And we want to understand them better.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
I’d consider it profession enough to have streaky bleached hair, to wear a green scarf, to spill spicy teas, to walk (slightly) unevenly on high heels. What more is there to give to the world than that? I realize this sentiment of mine is currently considered appalling, but these days I find the popularity of ideas even more meaningless than ever before.
Rivka Galchen (Atmospheric Disturbances)
Grey was an enchantress who looked like sex and smelled like a field of wildflowers, the human embodiment of late-summer evenings in the South of France. She accentuated her natural beauty wherever possible. She wore high heels and delicate lace bras and soft smoky eye makeup. She always knew the right amount of skin to show to achieve that cool-sexy look.
Krystal Sutherland (House of Hollow: The haunting New York Times bestseller)
can still marvel at how the dog runs straight toward the pickup trucks breaknecking down the road, because she thinks she loves them, because she’s sure, without a doubt, that the loud roaring things will love her back, her soft small self alive with desire to share her goddamn enthusiasm, until I yank the leash back to save her because I want her to survive forever. Don’t die, I say, and we decide to walk for a bit longer, starlings high and fevered above us, winter coming to lay her cold corpse down upon this little plot of earth. Perhaps we are always hurtling our bodies toward the thing that will obliterate us, begging for love from the speeding passage of time, and so maybe, like the dog obedient at my heels, we can walk together peacefully, at least until the next truck comes.
Ada Limon (The Carrying: Poems)
Though, like Everhard, they did not dream of the nature of it, there were men, even before his time, who caught glimpses of the shadow. John C. Calhoun said: "A power has risen up in the government greater than the people themselves, consisting of many and various and powerful interests, combined into one mass, and held together by the cohesive power of the vast surplus in the banks." And that great humanist, Abraham Lincoln, said, just before his assassination: "I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country. . . . Corporations have been enthroned, an era of corruption in high places will follow, and the money-power of the country will endeavor to prolong its reign by working upon the prejudices of the people until the wealth is aggregated in a few hands and the Republic is destroyed.
Jack London (The Iron Heel)
We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe's masterpiece? why Monroe's most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue's Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else
Joyce Carol Oates (Blonde)
...You're worried that you're going to go out of here and mess up your lines or trip on your high heels, but you're not. You're going to blow them away, just like you always do. You're a woman who knows what she wants, and you know how to get it. You're going to be the most, Margo, to say the least.
Laura Lascarso (Counting Backwards)
I needed out. The Jeep wasn’t fast enough. I shut it down, grabbed the keys and started running like a bear was at my heels. I couldn’t even see Henry anymore through my tears so it surprised me when he caught me in his arms halfway. The first thing I did was pound on his chest and ask him why he hadn’t called. The second thing I did was kiss him so hard he couldn’t answer me.
Laura Anderson Kurk (Perfect Glass)
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
After all, as it says on a needlepoint sampler or throw pillow or the occasional bumper sticker: Good girls go to heaven, but bad girls go everywhere. In high heels. Or mules by Manolo Blahnik, the strappy, tangly kind that give you blisters. And when their feet start to hurt, they bitch about it a lot, until someone agrees to carry them home. Bad girls understand that there is no point in being good and suffering in silence. What good has good ever done? We women still only make seventy-one cents, on average, for every man's dollar. We still have to listen to studies telling us that a single woman over the age of 35 had best avoid airplanes because she is more likely to die in a terrorist attack than get married.
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
Hubert Selby Jr.
Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.
Ian McEwan (Amsterdam)
Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God. Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life. The greatest tragedy in life is the prayers that go unanswered because they go unasked. God does not answer vague prayers. The more specific your prayers are, the more glory God receives. Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens. If you don’t take the risk, you forfeit the miracle. Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means. We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you. If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed. Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems. Because you know He can, you can pray with holy confidence. Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered. Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability. What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did. You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other. Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers. The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard. It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer. The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets. I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes. Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.
Mark Batterson (The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest Fears)
The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn't look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn't call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
Stephanie Danler (Sweetbitter)
That’s what makes us special,” she continues. “This isn’t just a courtship of boy meets girl. They fall in love, yadda, yadda. This is a lifelong commitment to men who aren’t satisfied living ordinary lives. It sometimes seems more of an obsession than a mission. One that can test a woman to her absolute limits.” She grins over at me, “But for him, for that man, I’ll do it. I’ll be there when he fucks up so badly he can’t celebrate how good he is or what he’s done. I’ll be there whenever he doubts himself and our relationship suffers because of those doubts. I’ll be there with my hair done, and my lipstick on, in my best heels, with my head held high on his darkest days, because that’s what he needs. And I don’t want him changing. I don’t want him to stop being who he is, not ever, not for me, and not for any baby we make.” She turns her gaze to me. “But I will use the tips of these heels to pierce and pin his brass balls down if he ever stops giving me what I need.
Kate Stewart (The Finish Line (The Ravenhood, #3))
când am ieșit din bloc pentru a pleca la Național și mi-am auzit tocurile pe caldarâm, mi-am dat seama de adevărata putere a unei femei și asta fără să citesc cărți despre legile puterii. Mi-am dat seama că suntem toate capabile de a atinge orice ideal pe care ni-l propunem, fără să fim nevoite să depindem de alte persoane, așa cum am fost obișnuite să credem. Căpătasem doar din simplul sunet al tocurilor, o stimă de sine și o încredere precisă.
Maria Caranica (Notițe cu cerneală verde)
the doorframes were about six feet, seven inches high. To navigate, I would discreetly bob my head down as if nodding to an unseen companion as I walked. I had no idea how finely calibrated my ducking was until I got new soles and heels on a pair of dress shoes during the George W. Bush administration. Apparently, this refurbished footwear made me about a half-inch taller than usual. Rushing so as not to be late to a Situation Room meeting with the president, I did the usual bob and smacked my head so hard that I rocked backward, stunned. A Secret Service agent asked me if I was okay. I said yes, and continued walking, stars in my eyes. As I sat at the table with the president and his national security team, I began to feel liquid on my scalp and realized I was bleeding. So I did the obvious thing: I kept tilting my head in different directions to keep the running blood inside my hairline. Heaven only knows what President Bush thought was wrong with me, but he never saw my blood.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
I have chosen to no longer be apologetic for my femininity. And I want to be respected in all my femaleness. Because I deserve to be. I like politics and history and am happiest when having a good argument about ideas. I am girly. I am happily girly. I like high heels and trying on lipsticks. It’s nice to be complimented by both men and women (although I have to be honest and say that I prefer the compliments of stylish women), but I often wear clothes that men don’t like or don’t ‘understand’. I wear them because I like them and because I feel good in them. The ‘male gaze’, as a shaper of my life’s choices, is largely incidental.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
The more bleach in the bedsheets, the greater Chastity's impulse to roll around in them. A party would be thrown, she decided, the kind that would tell a small story in the contents of the dustpan the next morning. Detached sequins and mint leaves muddled by high heels, shrimp tales mixed in with a few shards of broken glass, a crust of bread. She rolled in her bleached sheets until they wrapped around her like a storm, and she fell asleep in the eye of it.
Amelia Gray (AM/PM)
The back windows looked out over the fields, then the Atlantic, maybe a hundred yards away. Actually, I'm just making that bit up. I had no idea how far away the sea was. Only men could do things like that. "Half a mile." "Fifty yards." Giving directions, that sort of thing. I could look at a woman and say "Thirty-six C." Or "Let's try it in the next size up." But I had no idea how far away Tim's sea was except that I wouldn't want to walk to it in high heels.
Marian Keyes
Got a job for you, Seven.” “Yeah?” “I need you to find someone.” “Who?” “A woman,” I say. “About five and a half feet tall. Brown hair. Brown eyes.” “That describes half the women in New York.” “Yeah, well, the one I’m looking for is twenty-one or so,” I say. “She’s good-looking, kind of curvy for being so petite... got a red ‘S’ tattooed on her wrist...” He stares at me, like he expects more information. “What else?” I shrug, glancing at the high heels, flipping them over to look at the red soles. “She wears a size thirty-nine shoe.” “That’s it?” “That’s it.” “Shouldn’t be too hard,” he says, blinking a few times as he looks at the ground. “Only a couple million people in the city.” “That’s the spirit,” I say, slapping him on the back.
J.M. Darhower (Menace (Scarlet Scars, #1))
It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the center of your being, then you can’t afford to sort out your love life, start to think of it as the finished product. You’ve got to pick at it, keep it alive and in turmoil, you’ve got to pick at it and unravel it until it all comes apart and you’re compelled to start all over again. Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as a consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship. Maybe Al Green is directly responsible for more than I ever realized.
Nick Hornby (High Fidelity)
This producer was a woman, a type I became acquainted with at the beginning of my stand-up career in Denver. I cared little for them: blondes in high heels who were so anxious to reach the professional level of the men they worshipped, fawned over, served, built up, and flattered that they would stab other women in the back. They are the ultimate weapon used by men against actual feminists who try to work in media, and they are never friends to other women, you can trust me on that.
Roseanne Barr
And I’ve already spent too much time Doing things I didn’t want to So if I want to drink alone dressed like a pirate Or look like a dyke Or wear high heels and lipstick Or hide in a convent Or try to be mayor Or marry a writer Smoke crack and slash tires Make jokes you don’t like Or paint ducks and retire You can bet your black ass that I’m going to. —from An Evening With Neil Gaiman & Amanda Palmer, 2013
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
It's such a hopeful, almost utopian word, that word "phase." As if any minute, "we" would suffer some sort of Joad overload, come to "our" senses, and for heaven's sake, do something about our godforsaken shoes. But the book phase never ended. The book phase would bloom and grow into a whole series of seasonal affiliations including our communist phase, our beatnik phase, our vegetarian phase, and the three-year period known as Please Don't Talk to Me. Now that we are finishing up the third decade of the book phase, we ask ourselves if we have changed. Sure, we still dress in the bruise palette of gray, black, and blue, and we still haven't gotten around to piercing our ears. But we wear lipstick now, we own high-heeled shoes. Concessions have been made.
Sarah Vowell (Take the Cannoli)
Wearing my scarlet dress and high heels, I walk down the street a proud woman. A woman flawed, but still, a woman who takes chances, a woman who has loved and been loved. To go out on a limb (or twenty -or forty or sixty, for that matter) is what life is about. It's about trying until you get it right. I'm okay with where I'm at right now. I still don't have a job, a loft, a husband, or kids - but I have me. My grandpa is right. I can maybe maybe myself to death or make peace with the past, with any mistakes I might have made, remember the good times and move forward.
Karyn Bosnak (20 Times a Lady)
The key to fighting germs and parasites seems to be sex. At one level, this may bring you down. All the lipstick, high heels, hair products, salary seeking, sports cars, and weightlifting seem to be a result of germs. But then, so are art, and music, and good cooking. By having sex, organisms like dandelions, sea jellies, perch, parakeets, and termites can stay ahead in the game of life just enough to have offspring that succeed in producing more offspring in a subsequent season.
Bill Nye (Undeniable: Evolution and the Science of Creation)
weren't we all the same as children?" eiko asked. "all of us, destined to become beautiful brides in fluffy white dresses!" she giggled to herself. "where did we go wrong?" isn't that what keeps life interesting?" i replied. "and who knows? next year you could be somebody's wife. no one knows what will happen." sometimes i think it would be wonderful just to stay the way i am forever, just kick back and space out during the afternoon thinking about all the exciting things that the night will bring, all the naughty things i might take part in." she snickered again. well," i said, "aren't you the happy one." she squinted her tiny nose and laughed. dawn was breaking as we said good-bye. i saw her off by watching her small body disappear into the background, her high heels clapping along, echoing in the early morning city. my drunkenness, the sunrise, the bright sky, and a friend who was leaving. if i had died in my fall i would have missed that morning - that splendid sunrise over tokyo.
Banana Yoshimoto
One of many beautiful young girls in traditional hijab came up to me to have her photo signed. Her green eyes glistened as she looked at me directly and asked, “Can you put ‘Women can be heroes, too’?” I met everyday heroines on this trip–ladies with a glow and a sparkle, a determination and a strength in the face of adversity. We did have tremendous fun in the making of Agent Carter, but the positive effect–particularly on young women–is what I hold closest to my heart. I met a girl named Nada at the convention. She said, “Most people think my name means ‘Nothing,’ but in fact it means ‘dewdrop’ and ‘honesty’ in my culture.” Whatever happens in the future for Peggy, and the show, Season One and its small impact on young girls are a drop of positivity in our world. Peggy is an honest girl following her own moral compass in the face of adversity. She makes us strive to be better than we want to be. Thank you, Marvel, for letting me step into her high heels, apply her lipstick, and fight the good fight. For all you little Peggys out there, you are not alone. Go forth and kick ass.
Hayley Atwell (Marvel Agent Carter: Season One Declassified)
Plato, or Why For unclear reasons under unknown circumstances Ideal Being ceased to be satisfied. It could have gone on forever, hewn from darkness, forged from light, in its sleepy gardens above the world. Why on earth did it start seeking thrills in the bad company of matter? What use could it have for imitators, inept, ill-starred, lacking all prospects for eternity? Wisdom limping with a thorn stuck in its heel? Harmony derailed by roiling waters? Beauty holding unappealing entrails and Good — why the shadow when it didn’t have one before? There must have been some reason, however slight, but even the Naked Truth, busy ransacking the earth’s wardrobe, won’t betray it. Not to mention, Plato, those appalling poets, litter scattered by the breeze from under statues, scraps from that great Silence up on high.
Wisława Szymborska (Monologue of a Dog: New Poems)
Grandma smiled brightly. “How lovely! It seems your whore has arrived.” Jake groaned and covered his face with his hands. There was no way out of it. His grandmother was going to get him shot. A&E women scorned, here I come. “Excuse me?” Aileen put her hands on her hips and did a weird head nod at Grandma, and nearly teetered off her high heels. Oh, this wasn’t good. Not good at all. Grandma reached out and patted Aileen’s arm. “Sweetheart, I’m the one with hearing aids, not you. I called you a whore. Would you like me to spell it for you, too?” She nudged Jake. “What did you do? Find her at a high school career fair?” And then in a horrifyingly loud voice she began spelling. “W-H-O-R-E.
Rachel Van Dyken (The Wager (The Bet, #2))
I took off one of the high-heeled sandals, the white sandals my mother prized, and threw it into the pool. That's when I noticed him. He was on the other side of the pool, dressed in a white shirt and khaki pants. He had lowered the chair until it was flat, and he was lying back on it, face to the night sky, smoking a cigarette. He raised himself on his elbows and looked at the pool like he owned it. "Well?" he said. I didn't say anything... "Aren't you going to let the other shoe drop?" I took off the other one and threw it in. "My kind of women," he said.
Judy Blundell (What I Saw and How I Lied)
The second day I was in Texas. I was traveling through the part where the flat-footed, bilious, frog-sticker-toting Baptist biscuit-eaters live. Then I was traveling through the part where the crook-legged, high-heeled, gun-wearing, spick-killing, callous-rumped sons of the range live and crowd the drugstore on Saturday night and then all go round the corner to see episode three of "Vengeance on Vinegar Creek," starring Gene Autry as Borax Pete. But over both parts, the sky was tall hot brass by day and black velvet by night, and Coca Cola is all a man needs to live on.
Robert Penn Warren (All the King's Men)
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps. That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
Toni Morrison (Jazz (Beloved Trilogy, #2))
So if I asked you to wear my skirt and juggle my high heels, you would?” I joked. I could only see Andrew's face in profile, but a grin overtook his earlier grim expression, and he laughed. “I draw the line at wearing women’s clothing.” “Are you sure?” I whispered seductively, nibbling on his earlobe. “That’s cheating,” he said, his breath hitching. I kissed down his neck. “If all else fails, I’ll never rule out using my womanly wiles.” “I refuse to be used as a pawn by my devious lover,” he countered, grinning. I abruptly pulled away from him. “Ah, well, it never hurts to try.
Laura Kreitzer (Fallen Legion (Timeless, #4))
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
Sting (Broken Music: A Memoir)
Regret crossing the street for me, soldier?” Taking her hand into both of his, Alexander said, “Tania, I was spellbound by you from the first moment I saw you. There I was, living my dissolute life, and war had just started. My entire base was in disarray, people were running around, closing accounts, taking money out, grabbing food out of stores, buying up the entire Gostiny Dvor, volunteering for the army, sending their kids to camp—” He broke off. “And in the middle of my chaos, there was you!” Alexander whispered passionately. “You were sitting alone on this bench, impossibly young, breathtakingly blonde and lovely, and you were eating ice cream with such abandon, such pleasure, such mystical delight that I could not believe my eyes. As if there were nothing else in the world on that summer Sunday. I give you this so that if you ever need strength in the future and I’m not there, you don’t have to look far. You, with your high-heeled red sandals, in your sublime dress, eating ice cream before war, before going who knows where to find who knows what, and yet never having any doubt that you would find it. That’s what I crossed the street for, Tatiana. Because I believed that you would find it. I believed in you.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius." Ever suave, I replied, "Uh. What?" "’Ah-ree," Thomas said. I glanced at him. He put his hand flat on the top of his head and said, "Do this." I peered at him. He gave me a look. I sighed and put my hand on the top of my head. The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize." "I will be back in one moment," Thomas said, his accent back. "Personal business." "Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro. I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?" "We’re out of character," Thomas said. "Oh," I said. "And not a subplot." "If we had our hands crossed over our chests," Thomas said, "we’d be invisible." "I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
Purity, a concept that recalled flowers, the piquant mint taste of a mouthwash, a child clinging to its mother’s gentle breast, was something that joined all these directly to the concept of blood, the concept of swords cutting down iniquitous men, the concept of blades slashing down through the shoulder to spray the air with blood. And to the concept of seppuku. The moment that a samurai “fell like the cherry blossoms,” his blood-smeared corpse became at once like fragrant cherry blossoms. The concept of purity, then, could alter to the contrary with arbitrary swiftness. And so purity was the stuff of poetry. For Isao, to die purely seemed easy. But what about laughing purely? How to be pure in all respects was a problem that disturbed him. No matter how tight a rein he kept upon his emotions, there were times when some trivial thing would arise to make him laugh. Once, for example, he had laughed at a puppy frolicking at the side of the road, with a woman’s high-heeled shoe, of all things, in its mouth. It was the kind of laugh that he preferred others not to see.
Yukio Mishima (Runaway Horses)
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
And across the water, you would swear you could sniff it all; the cinnamon and the cloves, the frankincense and the honey and the licorice, the nutmeg and citrons, the myrrh and the rosewater from Persia in keg upon keg. You would think you could glimpse, heaped and glimmering, the sapphires and the emeralds and the gauzes woven with gold, the ostrich feathers and the elephant tusks, the gums and the ginger and the coral buttons mynheer Goswin the clerk of the Hanse might be wearing on his jacket next week. . . . The Flanders galleys put into harbor every night in their highly paid voyage from Venice, fanned down the Adriatic by the thick summer airs, drifting into Corfu and Otranto, nosing into and out of Sicily and round the heel of Italy as far as Naples; blowing handsomely across the western gulf to Majorca, and then to the north African coast, and up and round Spain and Portugal, dropping off the small, lucrative loads which were not needed for Bruges; taking on board a little olive oil, some candied orange peel, some scented leather, a trifle of plate and a parrot, some sugar loaves.
Dorothy Dunnett (Niccolò Rising (The House of Niccolò, #1))
Nature’s particular gift to the walker, through the semi-mechanical act of walking — a gift no other form of exercise seems to transmit in the same high degree — is to set the mind jogging, to make it garrulous, exalted, a little mad maybe — certainly creative and suprasensitive, until at last it really seems to be outside of you and as if it were talking to you whilst you are talking back to it. Then everything gradually seems to join in, sun and the wind, the white road and the dusty hedges, the spirit of the season, whichever that may be, the friendly old earth that is pushing life firth of every sort under your feet or spell-bound in a death-like winter trance, till you walk in the midst of a blessed company, immersed in a dream-talk far transcending any possible human conversation. Time enough, later, for that…; here and now, the mind has shaken off its harness, is snorting and kicking up heels like a colt in a meadow.
Kenneth Grahame
I added pieces the same way I’d constructed my body, from the inside out: boy-cut panties first (lacy), bra (sheer), stockings (thigh high), knee-length leather skirt (black), lime green midriff-baring shirt (polyester). David leaned against the wall and watched this striptease-in-reverse with fabulously expressive eyebrows slowly climbing toward heaven, I finished it off with a pair of strappy lime green three-inch heels, something from the Manolo Blahnik spring collection that I’d seen two months ago in Vogue. He looked me over, blinked behind the glasses, and asked, “You’re done?” I took offense, “Yeah. You with the fashion police?” “I don’t think I’d pass the entrance exam.” The eyebrows didn’t come down. “I never knew you were so…” “Fashionable?” “Not really the word I was thinking.” I struck a pose and looked at him from under my supernaturally lustrous eyelashes. “Come on, you know it’s sexy.” “And that’s sort of my point.
Rachel Caine (Heat Stroke (Weather Warden, #2))
The more it changes, the more it's the same thing. But overall, things have changed. I say changed and not "changed for the better" because I am no fool. Fate is a total drama queen. The second you say things are better than they were, she'll come stumbling toward you on her six-inch heels, nasty-ass wig crooked and on sideways. You'll wonder exactly how she got all that makeup slathered onto her face. One nicotine-caked fake fingernail will point at you, and she will make sure that things are anything but better from there on out. So no, thank you. Things are different but not better and, in fact, could get much much worse, so fuck off, Fate! Is she gone? Whew. Things had changed at school and not in a bad way(crosses fingers and hope that doesn't count as pissing Fate off).
John Goode (End of the Innocence (Tales of Foster High Book 4))
Traffic was in confusion for several days. For red to mean "stop' was considered impossibly counterrevolutionary. It should of course mean "go." And traffic should not keep to the right, as was the practice, it should be on the left. For a few days we ordered the traffic policemen aside and controlled the traffic ourselves. I was stationed at a street corner telling cyclists to ride on the left. In Chengdu there were not many cars or traffic lights, but at the few big crossroads there was chaos. In the end, the old rules reasserted themselves, owing to Zhou Enlai, who managed to convince the Peking Red Guard leaders. But the youngsters found justifications for this: I was told by a Red Guard in my school that in Britain traffic kept to the left, so ours had to keep to the right to show our anti-imperialist spirit. She did not mention America. As a child I had always shied away from collective activity. Now, at fourteen, I felt even more averse to it. I suppressed this dread because of the constant sense of guilt I had come to feel, through my education, when I was out of step with Mao. I kept telling myself that I must train my thoughts according to the new revolutionary theories and practices. If there was anything I did not understand, I must reform myself and adapt. However, I found myself trying very hard to avoid militant acts such as stopping passersby and cutting their long hair, or narrow trouser legs, or skirts, or breaking their semi-high-heeled shoes. These things had now become signs of bourgeois decadence, according to the Peking Red Guards. My own hair came to the critical attention of my schoolmates. I had to have it cut to the level of my earlobes. Secretly, though much ashamed of myself for being so "petty bourgeois," I shed tears over losing my long plaits. As a young child, my nurse had a way of doing my hair which made it stand up on top of my head like a willow branch. She called it "fireworks shooting up to the sky." Until the early 1960s I wore my hair in two coils, with rings of little silk flowers wound around them. In the mornings, while I hurried through my breakfast, my grandmother or our maid would be doing my hair with loving hands. Of all the colors for the silk flowers, my favorite was pink.
Jung Chang (Wild Swans: Three Daughters of China)
He ran from her suddenly, swift and quiet like a mountain cat among the high peeks of Eld mountain. She watched him dive in among the trees, and the autumn winds shoke suddenly at his heels. She sad down on a fallen trunk and dropped her head among the knees. A great soft warmth shiled her from the wind, and she looked up and saw into Gules Lyons quiet, golden eyes. What is it, white one? She knelt suddenly and flung his arms around the great mane, and burried her face against him. I wish that I had wings and could fly and fly and never come back. What has troubled you, Orams powerful child? What can trouble you? What can such a small one as Coren of Sirle say to touch you? For a long moment she did not answer. And then she said, her fingers tight around the gold tangeled fur. He has taken my heart and offered it back to me. And I thought he was harmless.
Patricia A. McKillip (The Forgotten Beasts of Eld)
Nice to have you back, girl,” he said softly. Then he turned to Alyss. “Ready to go?” She held up a hand. “One thing I have to take care of,” she said. She looked around the camp and spotted Petulengo, lurking guiltily by the goat pen. “Petulengo!” she called. Her voice was high and penetrating and he started, realizing he had been spotted. He looked around, seeking an escape route. But as he did so, Will unslung the massive longbow from his shoulder and casually plucked an arrow from his quiver. Suddenly, escaping didn’t seem like such a good idea. Then Alyss favored Petulengo with her most winning smile. “Don’t be frightened, dear,” she said soothingly. “I just want to say good-bye.” She beckoned to him, smiling encouragingly, and he stepped forward, gradually gaining in confidence as he realized that, somehow, he had won the favor of this young woman. Some of his old swagger returned as he approached and stood before her, urged a little closer by that smile. Underneath the ash and the dirt, he thought, she was definitely a looker. He gave her a smile in return. Petulengo, it has to be said, fancied himself with the ladies. Treat ’em rough and they’ll eat out of your hand, he thought. Then the smile disappeared like a candle being blown out. He felt a sudden jolt of agony in his right foot. Alyss’s heavy boot, part of Hilde’s wardrobe, had stamped down on his instep, just below the ankle. He doubled over instinctively, gasping with pain. Then Alyss pivoted and drove the heel of her open left hand hard into his nose, snapping his head back and sending him reeling. His arms windmilled and he crashed over onto the hard-packed dirt of the compound. He lay groggily, propped up on his elbows, coughing as blood coursed down the back of his throat. “Next time you throw firewood at an old lady,” Alyss told him, all traces of the winning smile gone, “make sure she can’t do that.” She turned to Will and dusted her hands together in a satisfied gesture. “Now I’m ready to go,” she said.
John Flanagan (The Lost Stories (Ranger's Apprentice, #11))
I understood intersectionality—the way that white supremacy props up patriarchy props up poverty props up environmental destruction props up white supremacy again—on a gut level, even if I didn’t know to call it “intersectionality” yet. I understood that sex workers are often stigmatized, barred from claiming their full humanity, by sexist culture and feminist movements alike. I understood that the idea of “The Closet” applied to so much more than just queer people, that we are all in a closet of one kind or another. And, contrary to all of my actions since, I understood that high heels and back problems were, in fact, related. What stands out to me most is that, at the age of seventeen, I seem to have understood the full stakes of what I was doing. I understood that by challenging gender norms and conventional masculinity, I was challenging, well, everything. Through challenging the idea of manhood, of being “a good man,” of “manning up,” I was burrowing deep into the core of power, privilege, and hierarchy. On a gut level, I understood that my freedom and liberation were wrapped up with those of so many others who were facing oppression.
Jacob Tobia (Sissy: A Coming-of-Gender Story)
Reader, I did the stupid thing. I looked her up on Facebook. It didn't take more than forty minutes to filter this Katie Ingram from the other hundred or so. Her profile was unlocked, and contained the logo for the NHS. Her job description said: "Paramedic: Love My Job!!!" She had hair that could have been red or strawberry blond, it was hard to tell from the photographs, and she was possibly in her late twenties, pretty, with a snub nose. In the first thirty photographs she had posted she was laughing with friends, frozen in the middle of Good Times. She looked annoyingly good in a bikini (Skiathos 2014!! What a laugh!!!!!), she had a small, hairy dog, a penchant for vertiginously high heels, and a best friend with long, dark hair who was fond of kissing her cheek in pictures (I briefly entertained the hope that she was gay but she belonged to a Facebook group called: Hands up if you're secretly delighted that Brad Pitt is single again!!).
Jojo Moyes (Still Me)
Better to work for one's self alone. The public is so stupid. Who reads? And what do they read? And what do they admire? Ah, blessed peaceful times of the past, blessed eras of powdered wigs! You lived with complete assurance, poised on your high heels, twirling your silver-headed canes! Beneath us the earth is trembling. Where can we place our fulcrum, even admitting that we possess the lever? The thing we all lack is not style, nor that dexterity of finger and bow known as talent. We have a large orchestra, a rich palette, a variety of resources. We know many more tricks and dodges, probably, than were ever known before. No; what we lack is the intrinsic principle, the soul of the thing, the very idea of the subject.We take notes, we make journeys: emptiness! Emptiness! We become scholars, archaeologists, historians, doctors, cobblers, connoisseurs. What good is all that? Where is the heart, the verve, the sap? Where to start out from? Where to go to?
Gustave Flaubert
Where are we?” she asked when I pulled into a parking lot. “The park.” “Isn’t it dangerous at night?” “Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass. “You always keep a blanket in your car?” “Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.” “Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank. “You should take those off.” “And walk around barefoot? Hello? Ever heard of hookworms and tetanus?” “Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels. “What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support. “Removing your obstacles.” She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?” I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.” “It’s a real risk. Ask Preeti.” I stood slowly, moving up her body, and hovered above her. “How…how far are we walking?” she asked. “To the river.” “In the dark?” I nodded and handed her the shoes. “Took these off and you won’t even carry them?” “I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder. Liya yelped. “Put me down!” “So you can get tetanus?” I asked and walked toward the river. She laughed. “I hate you!” “You love it.” She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?” I slid my hand up the back of her thighs and tugged her dress down to keep her covered. “This isn’t so bad,” she said. “Oh, yeah?” “Yeah.” She slapped my butt again. “Giddyap!” “All right. You asked for it.” Her next words were swallowed up in a scream as I took off at a full sprint. She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared. I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?” “You try doing that upside down.
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by." He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin. "Hello,Lauren.I happened to be in the neighborhood and decided to drop by." "What do you want,Nick?" she sighed, her blue eyes searching his. "You." Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?" "I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-" He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you." "Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying. "Come here and I'll show you just how perverted I can be," he invited smoothly. Lauren took a cautious step backward. "Absolutely not.
Judith McNaught (Double Standards)
Still lying on the ground, half tingly, half stunned, I held my left hand in front of my face and lightly spread my fingers, examining what Marlboro Man had given me that morning. I couldn’t have chosen a more beautiful ring, or a ring that was a more fitting symbol of my relationship with Marlboro Man. It was unadorned, uncontrived, consisting only of a delicate gold band and a lovely diamond that stood up high--almost proudly--on its supportive prongs. It was a ring chosen by a man who, from day one, had always let me know exactly how he felt. The ring was a perfect extension of that: strong, straightforward, solid, direct. I liked seeing it on my finger. I felt good knowing it was there. My stomach, though, was in knots. I was engaged. Engaged. I was ill-prepared for how weird it felt. Why hadn’t I ever heard of this strange sensation before? Why hadn’t anyone told me? I felt simultaneously grown up, excited, shocked, scared, matronly, weird, and happy--a strange combination for a weekday morning. I was engaged--holy moly. My other hand picked up the receiver of the phone, and without thinking, I dialed my little sister. “Hi,” I said when Betsy picked up the phone. It hadn’t been ten minutes since we’d hung up from our last conversation. “Hey,” she replied. “Uh, I just wanted to tell you”--my heart began to race--“that I’m, like…engaged.” What seemed like hours of silence passed. “Bullcrap,” Betsy finally exclaimed. Then she repeated: “Bullcrap.” “Not bullcrap,” I answered. “He just asked me to marry him. I’m engaged, Bets!” “What?” Betsy shrieked. “Oh my God…” Her voice began to crack. Seconds later, she was crying. A lump formed in my throat, too. I immediately understood where her tears were coming from. I felt it all, too. It was bittersweet. Things would change. Tears welled up in my eyes. My nose began to sting. “Don’t cry, you butthead.” I laughed through my tears. She laughed it off, too, sobbing harder, totally unable to suppress the tears. “Can I be your maid of honor?” This was too much for me. “I can’t talk anymore,” I managed to squeak through my lips. I hung up on Betsy and lay there, blubbering on my floor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The Fool in the Tarot deck frequently depicted a boy with a dog at his heels, staring at the sky while he walked blithely off a cliff, burdened only by a bundle on a stick. The diabolist had admitted a relationship to the card. No single detail was quite right, but much as something might appear similar if one were to unfocus their vision… The young diabolist walked with the sparrow at his shoulder, eyes on the windows without looking through the windows, walking forward as if he were afraid to stop. His burden here was the gas containers. No, he was burdened not just by the gas containers, but by some notion of responsibility. A man, when facing death, aspires to finish what he started. What had the custodian of the Thorburn estate started? What drove him? She knew he sought to do good and to vanquish evil, and she could surmise that both good acts and the existence of evil had touched him deeply. The Fool card was akin to the ace. Depending on the game being played, it was often the lowest card or the highest. Valueless or highly valued. Powerless or powerful. It all depended on context. He sought to kill the demon, and he would either catastrophically fail or succeed. This Fool sought to slay the metaphorical dragon. He felt his own mortality, which was quite possibly her fault, in part, and now he rushed to finish the task he’d set for himself. To better the world. The Fool was wrought with air – the clouds he gazed at, the void beyond the cliff, the feather in his cap, even the dog could often be found mid-step, bounding, just above the ground. He was a Fool wrought with a different element. The familiar didn’t quite fit for the departure from the air, but the traditional dog didn’t conjure ideas of air right off the bat either. What was he wrought with? That was another question that begged an answer.
Wildbow (Pact)
If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
It is well-known that a big percentage of all marriages in the United States end in divorce or separation (about 39 percent, according to the latest data).[30] But staying together is not what really counts. Analysis of the Harvard Study data shows that marriage per se accounts for only 2 percent of subjective well-being later in life.[31] The important thing for health and well-being is relationship satisfaction. Popular culture would have you believe the secret to this satisfaction is romantic passion, but that is wrong. On the contrary, a lot of unhappiness can attend the early stages of romance. For example, researchers find that it is often accompanied by rumination, jealousy, and “surveillance behaviors”—not what we typically associate with happiness. Furthermore, “destiny beliefs” about soul mates or love being meant to be can predict low forgiveness when paired with attachment anxiety.[32] Romance often hijacks our brains in a way that can cause the highs of elation or the depths of despair.[33] You might accurately say that falling in love is the start-up cost for happiness—an exhilarating but stressful stage we have to endure to get to the relationships that actually fulfill us. The secret to happiness isn’t falling in love; it’s staying in love, which depends on what psychologists call “companionate love”—love based less on passionate highs and lows and more on stable affection, mutual understanding, and commitment.[34] You might think “companionate love” sounds a little, well, disappointing. I certainly did the first time I heard it, on the heels of great efforts to win my future wife’s love. But over the past thirty years, it turns out that we don’t just love each other; we like each other, too. Once and always my romantic love, she is also my best friend.
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
She held a scarlet sequin dress to her chest and posed in front of a mirror. Too hot. She put it back and took a black mini. Too dreary. Then a blue as pale as a whisper caught her eye. She took the dress. The material was silky and clinging. Perfect for a goddess. On the floor below the dress sat scrappy wraparound high-heeled sandals that matched the blue. She didn't understand why she needed to dress up to meet Stanton but the impulse to steal into the storage room had been rising in her since the sun set. She took the dress and sandals back to her room, then sat on the floor and painted her toenails and fingernails pale blue. She drew waves of eternal flames and spiral hearts in silver and blue around her ankles and up her legs with body paints. When she was done, she pressed a Q-tip into glitter eye shadow and spread sparkles on her lid and below her eye. With a sudden impulse she swirled the lines over her temple and into her hairline. She liked the look. She rolled blue mascara on her lashes, then brushed her hair and snapped crystals in the long blond strands. She squeezed glitter lotion into her palms and rubbed it on her shoulders and arms. Last she took the dress and stepped into it. She turned to the mirror on the closet door. A thrill ran through her. Her reflection astonished her. She looked otherworldly, a mystical creature... eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more powerful and sleek and fairy tale. Surely this wasn't really happening. Maybe she would wake up and run to school and tell Catty about her crazy dreams. But another part of her knew this was real. She leaned to one side. The dress exposed too much thigh. "Good." Her audacity surprised her. Another time she would have changed her dress. But why should she?
Lynne Ewing (Goddess of the Night)
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Let me see if I understand this," Jaenelle said. [...] "You and Falonar have decided to go your own ways," Jaenelle said with a patience that made Surreal wary. She shrugged. "It was a mutual decision." The bastard. "Uh-huh. So you packed your bags..." "It was his eyrie," Surreal cut in. "I certainly didn't want to live there." And I didn't want to watch him courting Nurian in ways he never thought to court me. "...and left Ebon Rih without telling Lucivar." "Who would have strung Falonar up by the heels"... or by the balls, which might have been interesting to watch... "before having a little chat." "No," Jaenelle said, "he would have waited for Chaosti to show up, and then he would have strung Falonar up by the heels." She paused. "Maybe by the heels." Which just confirmed why Surreal had slipped away from Ebon Rih before Lucivar had time to notice. As the Warlord Prince of Ebon Rih dealing with a Warlord Prince who was his second-in-command, Lucivar would have been nasty and explosive. Chaosti, the Warlord Prince of the Dea al Mon and a kinsman on her mother's side, would have approached Falonar with the protective viciousness that made Warlord Princes such a deadly facet of Blood society. Dealing with the male relatives she'd acquired since coming to Kaeleer was so much fun. "And you entered the Hall through one of the side doors to avoid seeing Daemon, who's working in his study and would have met you before you got out of the great hall." Feeling more wary by the minute, Surreal did her best to look indifferent. "No reason for him to get involved in this." Sweet Darkness, please don't let him think this is any business of his. "Besides, I don't need either of them getting all snarly and protective over something that was a mutual decision." "So instead of mentioning this to either of them, you went to the Keep and told Saetan." Surreal winced. "Well, I figured I should tell someone before leaving Ebon Rih." "Uh-huh. So you told the High Lord of Hell, the patriarch of this family, the man from whom Daemon and Lucivar inherited the temper you were trying to avoid." Jaenelle pushed the quilt aside and swung her legs over the side of the couch to sit up straight. "Did I miss something ?
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
You’ve been shot,” she tells Rachel. “You shot me, you crazy bit—“ “We don’t have time for the ER protocol crap, Mom,” I cut in. “She knows she’s been shot. She’s alert. Help. Her.” Mom nods. She looks at Rachel’s clenched fist where it’s balled against her lower stomach. “I’m sorry I shot you. I need to look at that. Please.” Rachel gives her The Stank Eye. Rachel is very good at The Stank Eye. “I’m a nurse, remember?” Mom says, her voice dripping with impatience. “I can help you.” Rachel inhales and eases her hand away from her stomach, but I can’t bring myself to look at it so I just watch Mom’s face to maybe gauge how bad the wound is. I imagine dark blood and entrails and… “What the…?” Mom gasps. As an ER nurse, Mom’s seen a lot of things. But by her expression, she’s never seen this. I’m thinking it must be way serious. Also, I’m thinking I might throw up. Until Rachel slaps a handcuff around Mom’s wrist. “I’m sorry, Nalia. I hope you understand.” Then she clinks the other end of the cuff around her own wrist. I steal a glance at Rachel’s very clean, very intact, very non-bloody-entrails T-shirt. Rachel is a smart woman. Mom lunges for her, hands aiming for her throat. Rachel pulls some karate-chop-move thing and slams Mom against the door behind her. “Knock it off, hon. I don’t want to really hurt you.” “You…you told Galen you’d been shot,” I stammer. “I heard you tell him that. Why would you lie to him?” Rachel shrugs. “I was shot.” She glances down at her feet. There’s a good-sized hole near the big toe of her boot, and bit of red staining the edges of it. “And I’d better be able to wear high heels after this, or one of you is going to swim with the fishes.” Then she laughs at her own stupid Mob joke. Mom plops down beside Rachel and leans against the car, too, in obvious surrender. She looks up at me. It’s a look brimming with “I told you so.” And I already know what she’s going to say next. We won’t make it very far before someone notices two women handcuffed together. Bathroom breaks will be impossible. Any public place will be impossible. I’m guessing Mom didn’t anticipate needing a hacksaw on this vacation of ours. But I know what she expects from me now. And that’s just too freaking bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?" He stared at Chelsea with bewilderment and glanced back at Jules for help. "Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much." Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team. "Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight. "Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you." "Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!" "Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that." Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether. "Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?" Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said. "I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech. "Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly. Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed. Violet laughed and glanced back at him. "I'll only be a few." Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long." Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!" They all three stopped and turned around. Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
Kimberly Derting (The Body Finder (The Body Finder, #1))