“
there is a loneliness in this world so great
that you can see it in the slow movement of
the hands of a clock.
people so tired
mutilated
either by love or no love.
people just are not good to each other
one on one.
the rich are not good to the rich
the poor are not good to the poor.
we are afraid.
our educational system tells us
that we can all be
big-ass winners.
it hasn't told us
about the gutters
or the suicides.
or the terror of one person
aching in one place
alone
untouched
unspoken to
watering a plant.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
”
”
Gillian Flynn (Gone Girl)
“
A dog doesn't care if you're rich or poor, educated or illiterate, clever or dull. Give him your heart and he will give you his.
”
”
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
“
A dog has no use for fancy cars, big homes, or designer clothes. A water logged stick will do just fine. A dog doesn't care if you're rich or poor, clever or dull, smart or dumb. Give him your heart and he'll give you his. How many people can you say that about? How many people can make you feel rare and pure and special? How many people can make you feel extraordinary?
”
”
John Grogan (Marley & Me (Japanese Edition))
“
A dog has no use for fancy cars or big homes or designer clothes. Status symbol means nothing to him. A waterlogged stick will do just fine. A dog judges others not by their color or creed or class but by who they are inside. A dog doesn't care if you are rich or poor, educated or illiterate, clever or dull. Give him your heart and he will give you his. It was really quite simple, and yet we humans, so much wiser and more sophisticated, have always had trouble figuring out what really counts and what does not. As I wrote that farewell column to Marley, I realized it was all right there in front of us, if only we opened our eyes. Sometimes it took a dog with bad breath, worse manners, and pure intentions to help us see.
”
”
John Grogan
“
Why should they ask me to put on a uniform and go 10,000 miles from home and drop bombs and bullets on Brown people in Vietnam while so-called Negro people in Louisville are treated like dogs and denied simple human rights? No I’m not going 10,000 miles from home to help murder and burn another poor nation simply to continue the domination of white slave masters of the darker people the world over. This is the day when such evils must come to an end. I have been warned that to take such a stand would cost me millions of dollars. But I have said it once and I will say it again. The real enemy of my people is here. I will not disgrace my religion, my people or myself by becoming a tool to enslave those who are fighting for their own justice, freedom and equality. If I thought the war was going to bring freedom and equality to 22 million of my people they wouldn’t have to draft me, I’d join tomorrow. I have nothing to lose by standing up for my beliefs. So I’ll go to jail, so what? We’ve been in jail for 400 years.
”
”
Muhammad Ali
“
the poor dog, in life the firmest friend, the first to welcome, the foremost to defend.
”
”
Lord Byron
“
There are three faithful friends, an old wife, an old dog, and ready money.
”
”
Benjamin Franklin (Poor Richard's Almanack)
“
It's easy to side with the top dogs? But, we gain credit/karma points for siding with the poor. And just because some of us are poor, does not mean we are poor in spirit.
”
”
Janine Myung Ja (Adoption Stories)
“
What do you know of poetry?” Ambrose said without bothering to turn around. “I know a limping verse when I hear it,” I said. “But this isn’t even limping. A limp has rhythm. This is more like someone falling down a set of stairs. Uneven stairs. With a midden at the bottom.” “It is a sprung rhythm,” he said, his voice stiff and offended. “I wouldn’t expect you to understand.” “Sprung?” I burst out with an incredulous laugh. “I understand that if I saw a horse with a leg this badly ‘sprung,’ I’d kill it out of mercy, then burn its poor corpse for fear the local dogs might gnaw on it and die.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
He is very imprudent, a dog; he never makes it his business to inquire whether you are in the right or the wrong, never asks whether you are rich or poor, silly or wise, sinner or saint. You are his pal. That is enough for him.
”
”
Jerome K. Jerome
“
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
”
”
Carolyn Parkhurst (The Dogs of Babel)
“
It is the misanthrope who alone has clarity.By standing outside the huddles of man,he sees a lot,and what he often sees is the evidence that people are not as smart as dogs think they are.And he wants to see it time and again.In the fog of ambiguities and mysteries,he desperately searches for truths because truth usually shows humanity in a poor light
”
”
Manu Joseph (The Illicit Happiness of Other People)
“
The poor dog, in life the firmest friend, The first to welcome, foremost to defend, Whose honest heart is still the master's own, Who labours, fights, lives, breathes for him alone, Unhonour'd falls, unnoticed all his worth, Denied in heaven the soul he held on earth, While man, vain insect hopes to be forgiven, And claims himself a sole exclusive heaven.
”
”
Lord Byron
“
Some women would not cheat, and some would not have cheated, had they each married a man whom they love … or at least like.
”
”
Mokokoma Mokhonoana
“
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
”
”
Luke Davies (Candy)
“
I don't see how you can claim to own a place and treat it so poor, there are methods of getting what you want without tearing at the land like a pack of wild dogs.
”
”
C Pam Zhang (How Much of These Hills Is Gold)
“
A dog judges others not by their color or creed or class but by who they are inside. A dog doesn't care if you are rich or poor, educated or illiterate, clever or dull. Give him your heart and he will give you his.
”
”
John Grogan (Marley and Me)
“
Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana, who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse.
”
”
J.M. Barrie (Peter Pan)
“
Moreover, there was what Amy called “the cocksuckers’ contingent of the country”—what Danny knew as the dumber-than-dog-shit element, those bully patriots—and they were too set in their ways or too poorly educated (or both) to see beyond the ceaseless flag-waving and nationalistic bluster.
”
”
John Irving (Last Night in Twisted River)
“
A dog doesn't care if your rich or poor, smart or dumb. Give him your heart.. and he'll give you his.
”
”
Milo Gathema
“
And my poor fool is hanged. No, no, no life!
Why should a dog, a horse, a rat have life
And thou no breath at all? O thou'lt come no more,
Never, never, never, never, never.
”
”
William Shakespeare (King Lear)
“
Poor thing, consigned to a life of frivolousness and wretched things for breakfast. Not allowed to go to school or do anything worthwhile, and eel pie besides.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Men are so easy to manipulate, poor things.
”
”
Elizabeth Peters (The Snake, the Crocodile and the Dog (Amelia Peabody, #7))
“
A dog doesn't care if you are rich or poor, educated of illiterate, clever or dull. Give him your heart and he will give you his. It was really quite simple, and yet we humans, so much wiser and more sophisticated, have always had trouble figuring out what really counts and what does not.
”
”
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
“
This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible,
”
”
Don Winslow (The Cartel (Power of the Dog #2))
“
What in the name of reason does this nation expect of a people, poorly trained and hard pressed in severe economic competition, without political rights, and with ludicrously inadequate common-school facilities? What can it expect but crime and listlessness, offset here and there by the dogged struggles of the fortunate and more determined who are themselves buoyed by the hope that in due time the country will come to its senses?
”
”
W.E.B. Du Bois (The Souls of Black Folk)
“
Some people collect stamps or beer mats; Mum collected waifs and strays, cats, dogs, frogs, people, and as she believed, a whole host of "little people." Had she been confronted that night with a lion,she'd have made the same comment "The poor thing.
”
”
Fynn (Mister God, This is Anna)
“
I suppose that at last like the average man: I’ve known too many women and instead of thinking, I wonder who’s fucking her now? I think she’s giving some other poor son of a bitch much trouble right now.
”
”
Charles Bukowski (Love is a Dog from Hell)
“
He wondered what a visitor from the past would make of it. It used to be the poor who were thin and the rich who were fat, now it seemed to be the other way round.
”
”
Kate Atkinson (Started Early, Took My Dog (Jackson Brodie, #4))
“
Well, I'm glad you're so amused," I said, running my fingers across the railing.
Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it."
Hmm. He was almost being funny.
"So...about what you said...," he started tentatively.
"Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes.
He laughed once. "The part about me being good..."
"Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress.
"I appreciate you making things look authentic, but you didn't need to go that far."
My head snapped up. How could he think that?
"Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more."
He was quiet, but there was a small smile on his face.
"Thank you," he finally said.
"Anytime."
Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony.
"Huh?"
"Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly.
I had to laugh. No such thing would happen in y world.
"he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice.
"Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times.
"Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you."
I hit his arm. "Shut up, Maxon."
"I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity.
"I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting.
"No, I don't suppose you can help it.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
And I advise ye to think well, he told her It's better to be a stray dog in this world than a man without money. I've tried it both ways, and I know. A poor man stinks, and God hates him.
”
”
Willa Cather (My Mortal Enemy)
“
Be slow in choosing a friend, slower in changing. There are three faithful friends in our life,an old wife,an old dog and ready money. A real friend is one who always warms you.
"Love is blind. Friendship close it eyes.
”
”
Benjamin Franklin
“
What white middle America loathes these days are poor and poorish people, especially the kind who look and sound like they just might live in a house trailer. They will swear on a stack of Lands' End catalogs that they are not bigots, but, human nature being what it is, we are all kicking someone else's dog around, whether we admit it or not.
”
”
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
“
What a horrible death for those poor, dear, naughty dogs.
”
”
E. Lockhart (We Were Liars)
“
Too often on such occasions one feels, as I feel so strongly with regard to poor old Stilton, that the kindly thing to do would be to seize the prospective bridegroom's trousers in one's teeth and draw him back from danger, as faithful dogs do to their masters on the edge of precipices on dark nights.
”
”
P.G. Wodehouse (Jeeves in the Morning (Jeeves, #8))
“
A dog has no use for fancy cars, big homes, or designer clothes. A water log stick will do just fine. A dog doesn't care if your rich or poor, clever or dull, smart or dumb. Give him your heart and he'll give you his. How many people can you say that about? How many people can make you feel rare and pure and special? How many people can make you feel extraordinary?
”
”
John Grogan
“
I like to search for class struggle in strange domains. For example it is clear that in classical Hollywood, the couple of vampires and zombies designates class struggle. Vampires are rich, they live among us. Zombies are the poor, living dead, ugly, stupid, attacking from outside. And it's the same with cats and dogs. Cats are lazy, evil, exploitative, dogs are faithful, they work hard, so if I were to be in government, I would tax having a cat, tax it really heavy.
”
”
Slavoj Žižek
“
A dog cannot relate his autobiography; however, eloquently he may bark, he cannot tell you that his parents were honest though poor.
”
”
Bertrand Russell
“
Then I made her understand that, where she was concerned, I was only a poor dog, ready to die for her. But that she could marry the young man she pleased because she had cried with me, and mingled her tears with mine. ~ Erik
”
”
Gaston Leroux
“
Neighbours complaining about someone’s dog making an awful racket. You could hardly blame the poor beast, its owner had died in her bed at least a fortnight before and there hadn’t been much left of the old girl worth eating.
”
”
James Oswald (Natural Causes (Inspector McLean, #1))
“
My conscience won't let me go shoot my brother, or some darker people, or some poor hungry people in the mud for big powerful America. And shoot them for what? They never called me nigger, they never lynched me, they didn't put no dogs on me, they didn't rob me of my nationality, rape and kill my mother and father... Shoot them for what? How do I got to go shoot them, poor little black people, little babies, children, and women? How can I shoot them poor people? Just take me to jail.
”
”
Muhammad Ali
“
In The Obesity Myth, Paul Campos argues that as overt racism, sexism, and classism fell out of favor among white and wealthy Americans, anti-fat bias offered a stand-in: a dog whistle that allowed disdain and bigotry aimed at poor people and people of color to persist, uninterrupted and simply renamed.
”
”
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
“
Whites believed in structural remedies when they saw the poor as people like themselves, folks sometimes trapped by larger forces or bad breaks. They shifted to a belief in personal failings when they began to see the poor as nonwhites fundamentally unlike themselves.
”
”
Ian F. Haney-López (Dog Whistle Politics: How Coded Racial Appeals Have Reinvented Racism and Wrecked the Middle Class)
“
You don't even have a cat or a dog or anything?"
"You think I should?" George asks, a bit aggressive. The poor old guy doesn't have anything to love, he thinks Kenny is thinking.
"Hell, no! Didn't Baudelaire say they're liable to turn into demons and take over your life?
”
”
Christopher Isherwood (A Single Man)
“
He read me another poem, and another one - and he explained the true history of poetry, which is a kind of secret, a magic known only to wise men. Mr. Premier, I won't be saying anything new if I say that the history of the world is the history of a ten-thousand-year war of brains between the rich and the poor. Each side is eternally trying to hoodwink the other side: and it has been this way since the start of time. The poor win a few battles (the peeing in the potted plants, the kicking of the pet dogs, etc.) but of course the rich have won the war for ten thousand years. That's why, on day, some wise men, out of compassion for the poor, left them signs and symbols in poems, which appear to be about roses and pretty girls and things like that, but when understood correctly spill out secrets that allow the poorest man on earth to conclude the ten-thousand-year-old brain-war on terms favorable to himself.
”
”
Aravind Adiga (The White Tiger)
“
I don't know how many marriage breakups are caused by these movie-and television-addicted women expecting some bouquets and kissing and hugging and being swept out like Cinderella for dinner and dancing -- then getting mad when a poor, scraggly husband comes in tired and sweaty from working like a dog all day, looking for some food.
”
”
Malcolm X (The Autobiography of Malcolm X)
“
Remember those dogs I was talking about? The cues? While I was watching TV, I missed a few. Take a look:
Steven is smiling, almost laughing. After all the punishment he’s received from my sister over the years, he’s developed quite the sadistic streak when it comes to other people getting their asses handed to them.
Then there’s Matthew. God only knows what kind of sick and depraved penalties Delores has inflicted on that poor bastard, because he just looks scared.
Kate, on the other hand, is staring at my hand like it’s a cockroach. That she wants to squash. And then she gets an idea—a wonderful, awful idea. If you look hard enough, you can see the light bulb go on above her head. She smiles and leaves the room.
I missed all this the first time.
”
”
Emma Chase (Tangled Extra Scenes (Tangled, #1.1))
“
What do you want? What do you know about it? What are you talking about? Everything belongs to Him, just as I do. But I, I love Him. I worship Him, I serve Him. Do you think you can oppose Him, poor creatures like you? He's all-powerful. He's above all of you. Everything we have comes from Him. Everything that lives or grows comes from Him.
”
”
Felix Salten (Bambi: A Life in the Woods)
“
The librarian, whom I had never seen before, presided over the library like a watchdog, one of those poor dogs who are deliberately made vicious by being chained up and given little to eat; ot better, like the old, toothless cobra, pale because of centuries of darkness, who guards the king's treasure in the Jungle Book. Paglietta, poor woman, was little less than a lusus naturae: she was small, without breasts or hips, waxen, wilted, and monstrously myopic; she wore glasses so thick and concave that, looking at her head-on, her eyes, light blue, almost white, seemed very far away, stuck at the back of her cranium. She gave the impression of never having been young, although she was certainly not more than thirty, and of having been born there, in the shadows, in that vague odor of mildew and stale air.
”
”
Primo Levi
“
For a long time Cool Girl offended me. I used to see men - friends, coworkers, strangers - giddy over these awful pretender women, and I'd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who'd like to believe that this kind of woman exists and might kiss them. I'd want to grab the poor guy by the lapels or messenger bag and say: The bitch doesn't really love chili dogs that much - no one loves chili dogs that much!
”
”
Gillian Flynn (Gone Girl)
“
All of that Hollywood stuff! Like these women wanting men to pick them up and carry them across thresholds and some of them weigh more than you do. I don't know how many marriage breakups are caused by these movie and television addicted women expecting some bouquets and kissing and hugging and being swept out like Cinderella for dinner and dancing then getting mad when a poor, scraggly husband comes in tired and sweaty from working like a dog all day, looking for some food. ~Malcolm X
”
”
Alex Haley (The Autobiography of Malcolm X)
“
. . . every society that grows extensive lawns could produce all its food on the same area, using the same resources, and . . . world famine could be totally relieved if we devoted the same resources of lawn culture to food culture in poor areas. These facts are before us. Thus, we can look at lawns, like double garages and large guard dogs, [and Humvees and SUVs] as a badge of willful waste, conspicuous consumption, and lack of care for the earth or its people.
Most lawns are purely cosmetic in function. Thus, affluent societies have, all unnoticed, developed an agriculture which produces a polluted waste product, in the presence of famine and erosion elsewhere, and the threat of water shortages at home.
The lawn has become the curse of modern town landscapes as sugar cane is the curse of the lowland coastal tropics, and cattle the curse of the semi-arid and arid rangelands.
It is past time to tax lawns (or any wasteful consumption), and to devote that tax to third world relief. I would suggest a tax of $5 per square metre for both public and private lawns, updated annually, until all but useful lawns are eliminated.
”
”
Bill Mollison
“
Once there was a moose, a very poor, thin, lonely moose who lived on a rocky hill where only bitter leaves grew and bushes with spiky branches. One day a red motor car drove past. In the backseat was
a grey gypsy dog wearing a gold earring.
”
”
Annie Proulx
“
The butcher sold bones, too. We called them "soup bones," but they were actually labeled "dog bones" in the store; people would cook them for their dogs as a treat. Whenever times were really tough we'd fall back on dog bones. my mom would boil them for soup. We'd suck the marrow out of them. Sucking marrow out of bones is a skill poor people lean early. I'll never forget the first time I went to a fancy restaurant as a grown man and someone told me, "You have to try the bone marrow. It's such a delicacy. It's divine." They ordered it, the waiter brought it out, and I was like, "Dog bones, motherfucker!" I was not impressed.
”
”
Trevor Noah (Born a Crime: Stories From a South African Childhood)
“
When I meet a cat, I say, “Poor Pussy!” and stop down and tickle the side of its head; and the cat sticks up its tail in a rigid, cast-iron manner, arches its back, and wipes its nose up against my trousers; and all is gentleness and peace. When Montmorency meets a cat, the whole street knows about it; and there is enough bad language wasted in ten seconds to last an ordinarily respectable man all his life, with care.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
“
...People stop, stare. No one stop and stare if one of your own beggars drop dead in street. No just step over him like he is a stone, or a dog turd and go away quickly. But when they see a white man with golden hair lying on the street, everyone stop, everyone cry, "Hai - hai, - poor boy, call doctor, call ambulance. What has happen, Farrokh-bhai?"..."
- Farrokh said to Baumgartner when he wanted to get rid of the reluctant, overly drugged homeless foreigner out of his restaurant. (Page 167)
”
”
Anita Desai (Baumgartner's Bombay)
“
In the United States the legacy of settler colonialism can be seen in the endless wars of aggression and occupations; the trillions spent on war machinery, military bases, and personnel instead of social services and quality public education; the gross profits of corporations, each of which has greater resources and funds than more than half the countries in the world yet pay minimal taxes and provide few jobs for US citizens; the repression of generation after generation of activists who seek to change the system; the incarceration of the poor, particularly descendants of enslaved Africans; the individualism, carefully inculcated, that on the one hand produces self-blame for personal failure and on the other exalts ruthless dog-eat-dog competition for possible success, even though it rarely results; and high rates of suicide, drug abuse, alcoholism, sexual violence against women and children, homelessness, dropping out of school, and gun violence.
”
”
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
“
A rich man’s body is like a premium cotton pillow, white and soft and blank. Ours are different. My father’s spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog’s collar; cuts and knicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man’s life is written on his body, in a sharp pen.
”
”
Aravind Adiga (The White Tiger)
“
Dr. Kim couldn't remember the last time she'd seen a bowl of pure white rice. What was a bowl of rice doing there, just sitting out on the ground? She figured it out just before she heard the dog's bark.
Up until that moment, a part of her had hoped that China would be just as poor as North Korea. She still wanted to believe that her country was the best place in the world. The beliefs she had cherished for a lifetime would be vindicated. But now she couldn't deny what was staring her plainly in the face: dogs in China ate better than doctors in North Korea.
”
”
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
“
Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed
Everybody knows that the war is over
Everybody knows the good guys lost
Everybody knows the fight was fixed
The poor stay poor, the rich get rich
That's how it goes
Everybody knows
Everybody knows that the boat is leaking
Everybody knows that the captain lied
Everybody got this broken feeling
Like their father or their dog just died
Everybody talking to their pockets
Everybody wants a box of chocolates
And a long stem rose
Everybody knows
”
”
Leonard Cohen
“
They’re like little boys, men. Sometimes of course they’re rather naughty and you have to pretend to be angry with them. They attach so much importance to such entirely unimportant things that it’s really touching. And they’re so helpless. Have you never nursed a man when he’s ill? It wrings your heart. It’s just like a dog or a horse. They haven’t got the sense to come in out of the rain, poor darlings. They have all the charming qualities that accompany general incompetence. They’re sweet and good and silly, and tiresome and selfish. You can’t help liking them, they’re so ingenuous, and so simple. They have no complexity or finesse. I think they’re sweet, but it’s absurd to take them seriously.
”
”
W. Somerset Maugham (The Constant Wife)
“
Hang the boy, can't I never learn anything? Ain't he played tricks on me enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can;t learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a-laying up sin and suffering for the both of us, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart almost breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hooky this evening, and I'll just be obleeged to make him work tomorrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've got to do some of my duty by him, or I'll be the ruination of the child.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
(talking about when he tells his wife he’s going out to buy an envelope) Oh, she says well, you’re not a poor man. You know, why don’t you go online and buy a hundred envelopes and put them in the closet? And so I pretend not to hear her. And go out to get an envelope because I’m going to have a hell of a good time in the process of buying one envelope. I meet a lot of people. And, see some great looking babes. And a fire engine goes by. And I give them the thumbs up. And, and ask a woman what kind of dog that is. And, and I don’t know. The moral of the story is, is we’re here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don’t realize, or they don’t care, is we’re dancing animals.
”
”
Kurt Vonnegut Jr.
“
Ink runs from the corners of my mouth.
There is no happiness like mine.
I have been eating poetry.
The librarian does not believe what she sees.
Her eyes are sad
and she walks with her hands in her dress.
The poems are gone.
The light is dim.
The dogs are on the basement stairs and coming up.
Their eyeballs roll,
their blond legs burn like brush.
The poor librarian begins to stamp her feet and weep.
She does not understand.
When I get on my knees and lick her hand,
she screams.
I am a new man.
I snarl at her and bark.
I romp with joy in the bookish dark.
”
”
Mark Strand (Poetry Foundation Magazine, January 2011)
“
52
The matter is not finished by going to Mecca, so long as you do not finish off the self from your heart. Sins are not shed by going to the Ganges, even though you immerse yourself hundreds of times. The matter is not finished off by going to Gaya, no matter how many offerings you make to the dead. Bullhe Shah, the matter is finished when the ego is destroyed.
53
If I search for you for you inside, then I think you are confined. If I search for you outside, then who is contained within me? You are everything, you are in everything, you are known to be free from everything. You are me and I am you, so who is poor Bullha?
54
You remain awake at night and perform your devotions. Also awake at night are dogs, better than you. They bark and in no way can they be stopped. They go and sleep on the dung heap, better than you. They do not leave their master's door, even if they get beaten with slippers, better than you. Bullhe Shah, buy yourself something for the journey, or else the game will be won by the dogs, better than you.
”
”
Bulleh Shah (Sufi Lyrics)
“
I had such a frightening experience last week,” Mrs. Pumphrey continued. “I was sure I would have to call you out. Poor little Tricki—he went completely crackerdog!” I mentally lined this up with flop-bott among the new canine diseases and asked for more information. “It was awful. I was terrified. The gardener was throwing rings for Tricki—you know he does this for half an hour every day.” I had witnessed this spectacle several times. Hodgkin, a dour, bent old Yorkshireman who looked as though he hated all dogs and Tricki in particular, had to go out on the lawn every day and throw little rubber rings over and over again. Tricki bounded after them and brought them back, barking madly till the process was repeated. The bitter lines on the old man’s face deepened as the game progressed. His lips moved continually, but it was impossible to hear what he was saying.
”
”
James Herriot (All Creatures Great and Small (All Creatures Great and Small, #1-2))
“
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
”
”
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
“
In Samuel Johnson's 1755 dictionary (the precursor to the Oxford English) a slut is simply a dirty woman, without any sexual connotation. In the nineteenth century, a slut also becomes a female dog, and a rag dipped in lard to light in place of a candle. Though in the twentieth century its meaning solidifies as an immoral woman, "a woman who enjoys sex in a degree considered shamefully excessive."
It is a brilliant linguistic trajectory. Make the bad housekeeper a woman of poor morals. Make her maid service to men a moral duty, and every other act becomes a potentially immoral one. Make her a bitch, a dog, a pig, any kind of subservient or inferior beast. Create one word for them all. Make sex a moral duty, too, but pleasure in it a crime. This way you can punish her for anything. You can make her humanity monstrous. Now you can do anything you want to her.
”
”
Melissa Febos (Girlhood)
“
I'm a religious man," he said. "I don't believe in a particular
God, but even so one can have a faith, something beyond
the limits of rationality. Marxism has a large element of
built-in faith, although it claims to be a science and not
merely an ideology. This is my first visit to the West: until
now I have only been able to go to the Soviet Union or
Poland or the Baltic states. In your country I see an
abundance of material things. It seems to be unlimited. But
there's a difference between our countries that is also a
similarity. Both are poor. You see, poverty has different
faces. We lack the abundance that you have, and we don't
have the freedom of choice. In your country I detect a kind of poverty, which is that you do not need to fight for your
survival. For me the struggle has a religious dimension, and
I would not want to exchange that for your abundance.
”
”
Henning Mankell (The Dogs of Riga (Kurt Wallander, #2))
“
That which interests most people leaves me without any interest at all. This includes a list of things such as: social dancing, riding roller coasters, going to zoos, picnics, movies, planetariums, watching tv, baseball games; going to funerals, weddings, parties, basketball games, auto races, poetry readings, museums, rallies, demonstrations, protests, children’s plays, adult plays … I am not interested in beaches, swimming, skiing, Christmas, New Year’s, the 4th of July, rock music, world history, space exploration, pet dogs, soccer, cathedrals and great works of Art. How can a man who is interested in almost nothing write about anything? Well, I do. I write and I write about what’s left over: a stray dog walking down the street, a wife murdering her husband, the thoughts and feelings of a rapist as he bites into a hamburger sandwich; life in the factory, life in the streets and rooms of the poor and mutilated and the insane, crap like that, I write a lot of crap like that
”
”
Charles Bukowski (Shakespeare Never Did This)
“
CHRONO-SYNCLASTIC INFUNDIBULA—Just imagine that your Daddy is the smartest man who ever lived on Earth, and he knows everything there is to find out, and he is exactly right about everything, and he can prove he is right about everything. Now imagine another little child on some nice world a million light years away, and that little child’s Daddy is the smartest man who ever lived on that nice world so far away. And he is just as smart and just as right as your Daddy is. Both Daddies are smart, and both Daddies are right. Only if they ever met each other they would get into a terrible argument, because they wouldn’t agree on anything. Now, you can say that your Daddy is right and the other little child’s Daddy is wrong, but the Universe is an awfully big place. There is room enough for an awful lot of people to be right about things and still not agree. The reason both Daddies can be right and still get into terrible fights is because there are so many different ways of being right. There are places in the Universe, though, where each Daddy could finally catch on to what the other Daddy was talking about. These places are where all the different kinds of truths fit together as nicely as the parts in your Daddy’s solar watch. We call these places chrono-synclastic infundibula. The Solar System seems to be full of chrono-synclastic infundibula. There is one great big one we are sure of that likes to stay between Earth and Mars. We know about that one because an Earth man and his Earth dog ran right into it. You might think it would be nice to go to a chrono-synclastic infundibulum and see all the different ways to be absolutely right, but it is a very dangerous thing to do. The poor man and his poor dog are scattered far and wide, not just through space, but through time, too. Chrono (kroh-no) means time. Synclastic (sin-class-tick) means curved toward the same side in all directions, like the skin of an orange. Infundibulum (in-fun-dib-u-lum) is what the ancient Romans like Julius Caesar and Nero called a funnel. If you don’t know what a funnel is, get Mommy to show you one.
”
”
Kurt Vonnegut Jr. (The Sirens of Titan)
“
It was pitiful for a person born in a wholesome free atmosphere to listen to their humble and hearty outpourings of loyalty toward their king and Church and nobility; as if they had any more occasion to love and honor king and Church and noble than a slave has to love and honor the lash, or a dog has to love and honor the stranger that kicks him! Why, dear me, ANY kind of royalty, howsoever modified, ANY kind of aristocracy, howsoever pruned, is rightly an insult; but if you are born and brought up under that sort of arrangement you probably never find it out for yourself, and don't believe it when somebody else tells you. It is enough to make a body ashamed of his race to think of the sort of froth that has always occupied its thrones without shadow of right or reason, and the seventh-rate people that have always figured as its aristocracies -- a company of monarchs and nobles who, as a rule, would have achieved only poverty and obscurity if left, like their betters, to their own exertions...
The truth was, the nation as a body was in the world for one object, and one only: to grovel before king and Church and noble; to slave for them, sweat blood for them, starve that they might be fed, work that they might play, drink misery to the dregs that they might be happy, go naked that they might wear silks and jewels, pay taxes that they might be spared from paying them, be familiar all their lives with the degrading language and postures of adulation that they might walk in pride and think themselves the gods of this world. And for all this, the thanks they got were cuffs and contempt; and so poor-spirited were they that they took even this sort of attention as an honor.
”
”
Mark Twain
“
the crunch too much too little too fat too thin or nobody. laughter or tears haters lovers strangers with faces like the backs of thumb tacks armies running through streets of blood waving winebottles bayoneting and fucking virgins. or an old guy in a cheap room with a photograph of M. Monroe. there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock. people so tired mutilated either by love or no love. people just are not good to each other one on one. the rich are not good to the rich the poor are not good to the poor. we are afraid. our educational system tells us that we can all be big-ass winners. it hasn’t told us about the gutters or the suicides. or the terror of one person aching in one place alone untouched unspoken to watering a plant. people are not good to each other. people are not good to each other. people are not good to each other. I suppose they never will be. I don’t ask them to be. but sometimes I think about it. the beads will swing the clouds will cloud and the killer will behead the child like taking a bite out of an ice cream cone. too much too little too fat too thin or nobody more haters than lovers. people are not good to each other. perhaps if they were our deaths would not be so sad. meanwhile I look at young girls stems flowers of chance. there must be a way. surely there must be a way we have not yet thought of. who put this brain inside of me? it cries it demands it says that there is a chance. it will not say “no.
”
”
Charles Bukowski (Love is a Dog from Hell)
“
The full tigers watched him silently. All females. Thankfully. He would be less than happy if he had to take on some territorial male.
Well, this little adventure was only going to last through today. As soon as night came, he would get his furry ass out of here. Even if he had to scare some poor security guard to death. Then he would be heading to California. He had some dog butt to kick.
Sighing, Nik looked up to find a small child staring at him. A small child busy picking his nose.
Could this get any worse?
The females stirred restlessly near him and he caught the scent they had.
Oh no. Please. Not that.
They stood in front of him, completely unaware of his presence and arguing like two ten-year-olds.
Nik didn't bother searching for a way out. There was no way out. Those two evil witches trapped him. Trapped him in hell.
Throwing up his hands in anger, Alek turned away from Ban, facing the tiger display. Alek's gold eyes stared at Nik for a moment, a frown of confusion pulling his brows down. Then he smiled. And then he just became plain hysterical.
Bastard! This wasn't and never would be funny!
Ban stared at Alek for several confused moments before catching sight of Nik.
As his brothers literally rolled on the ground laughing hysterically--and freaking out all the zoo visitors--Nik seethed
”
”
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
“
Fear is one of the persistent hounds of hell that dog the footsteps of the poor, the dispossessed, the disinherited. There is nothing new or recent about fear—it is doubtless as old as the life of man on the planet. Fears are of many kinds—fear of objects, fear of people, fear of the future, fear of nature, fear of the unknown, fear of old age, fear of disease, and fear of life itself. Then there is fear which has to do with aspects of experience and detailed states of mind.
Our homes, institutions, prisons, churches, are crowded with people who are hounded by day and harrowed by night because of some fear that lurks ready to spring into action as soon as one is alone, or as soon as the lights go out, or as soon as one’s social defenses are temporarily removed.
The ever-present fear that besets the vast poor, the economically and socially insecure, is a fear of still a different breed. It is a climate closing in; it is like the fog in San Francisco or in London. It is nowhere in particular yet everywhere. It is a mood which one carries around with himself, distilled from the acrid conflict with which his days are surrounded. It has its roots deep in the heart of the relations between the weak and the strong, between the controllers of environment and those who are controlled by it.
When the basis of such fear is analyzed, it is clear that it arises out of the sense of isolation and helplessness in the face of the varied dimensions of violence to which the underprivileged are exposed. Violence, precipitate and stark, is the sire of the fear of such people. It is spawned by the perpetual threat of violence everywhere. Of course, physical violence is the most obvious cause. But here, it is important to point out, a particular kind of physical violence or its counterpart is evidenced; it is violence that is devoid of the element of contest. It is what is feared by the rabbit that cannot ultimately escape the hounds.
”
”
Howard Thurman
“
Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.
”
”
Jack Kerouac (Maggie Cassidy)
“
My wife and I tend to overgift to our kids at Christmas. We laugh and feel foolish when a kid is so distracted with one toy that we must force them into opening the next, or when something grand goes completely unnoticed in a corner. How consumerist, right? How crassly American. How like God. We are all that overwhelmed kid, not even noticing our heartbeats, not even noticing our breathing, not even noticing that our fingertips can feel and pick things up, that pie smells like pie and that our hangnails heal and that honey-crisp apples are real and that dogs wag their tails and that awe perpetually awaits us in the sky. The real yearning, the solomonic state of mind, is caused by too much gift, by too many things to love in too short a time. Because the more we are given, the more we feel the loss as we are all made poor and sent back to our dust.
”
”
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
“
The room where they were dancing was very dark.... It was queer to be in his arms.... She had known better dancers.... He had looked ill.... Perhaps he was.... Oh, poor Valentine-Elisabeth.... What a funny position!.... The good gramophone played.... Destiny!.... You see, father! ... In his arms! Of course, dancing is not really.... But so near the real thing! So near!... 'Good luck to the special intention!...' She had almost kissed him on the lips ... All but!... Effleurer, the French call it.... But she was not as humble.... He had pressed her tighter.... All these months without.... My lord did me honour.... Good for Malbrouck s'en va-t-en guerre.... He knew she had almost kissed him on the lips.... And that his lips had almost responded.... The civilian, the novelist, had turned out the last light.... Tietjens said, 'Hadn't we better talk?...' She said: 'In my room, then! I'm dog-tired.... I haven't slept for six nights.... In spite of drugs...' He said: 'Yes. Of course! Where else?....
”
”
Ford Madox Ford (Parade's End)
“
What God do for me? I ast.
She say, Celie! Like she shock. He gave you life, good health, and a good woman that love you to death.
Yeah, I say, and he give me a lynched daddy, a crazy mama, a lowdown dog of a step pa and a sister I probably won't ever see again. Anyhow, I say, the God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgitful and lowdown.
She say, Miss Celie, You better hush. God might hear you.
Let 'im here me, I say. If he ever listened to poor colored women the world would be a different place, I can tell you.
She talk and she talk, trying to budge me way from blasphemy. But I blaspheme much as I want to.
All my life I never care what people thought about nothing I did, I say. But deep in my heart I care about God. What he going to think. And come to find out, he don't think. Just sit up there glorying in being deef, I reckon. But it ain't easy, trying to do without God. Even if you know he ain't there, trying to do without him is a strain.
”
”
Alice Walker (The Color Purple)
“
But what a universe, anyhow! No use blaming human-beings for what they were. Everything was made so that it had to torture something else. Sirius himself was no exception, of course. Made that way! Nothing was responsible for being by nature predatory on other things, dog on rabbit and Argentine beef, man on nearly everything, bugs and microbes on man, and of course man himself on man. (Nothing but man was really cruel, vindictive, except perhaps the loathly cat). Everything desperately struggling to keep its nose above water for a few breaths before its strength inevitably failed and down it went, pressed under by something else. And beyond, those brainless, handless idiotic stars, lazing away so importantly for nothing. Here and there some speck of a planet dominated by some half-awake intelligence like humanity. And here and there on such planets, one or two poor little spirits waking up and wondering what in the hell everything was for, what it was all about, what they could make of themselves; and glimpsing in a muddled way what their potentiality was, and feebly trying to express it, but always failing, always missing fire, and very often feeling themselves breaking up as he himself was doing. Just now and then they might feel the real thing, in some creative work, or in sweet community with another little spirit, or with others. Just now and then they seemed somehow to create or to be gathered up into something lovelier than their individual selves, something which demanded their selves’ sacrifice and yet have their selves new life. But how precariously, torturingly; and only just for a flicker of time! Their whole life-time would only be a flicker in the whole of titanic time. Even when all the worlds have frozen or exploded, and all the suns gone dead and cold there’ll still be time. Oh God, what for?
”
”
Olaf Stapledon (Sirius)
“
There was an old Taoist who lived in a village in ancient China, named Master Hu. Hu loved God and God loved Hu, and whatever God did was fine with Hu, and whatever Hu did was fine with God. They were friends. They were such good friends that they kidded around. Hu would do stuff to God like call him "The Great Clod." That's how he kidded. That was fine with God. God would turn around and do stuff to Hu like give him warts on his face, wens on his head, arthritis in his hands, a hunch in his back, canker sores in his mouth and gout in his feet. That's how He kidded. That God. What a kidder! But it was fine with Hu.
Master Hu grew lumpy as a toad; he grew crooked as cherry wood; he became a human pretzel. "You Clod!" he'd shout at God, laughing. That was fine with God. He'd send Hu a right leg ten inches shorter than the left to show He was listening. And Hu would laugh some more and walk around in little circles, showing off his short leg, saying to the villagers, "Haha! See how the Great Clod listens! How lumpy and crookedy and ugly He is making me! He makes me laugh and laugh! That's what a Friend is for!" And the people of the village would look at him and wag their heads: sure enough, old Hu looked like an owl's nest; he looked like a swamp; he looked like something the dog rolled in. And he winked at his people and looked up at God and shouted, "Hey Clod! What next?" And splot! Out popped a fresh wart.
The people wagged their heads till their tongues wagged too. They said, "Poor Master Hu has gone crazy." And maybe he had. Maybe God sent down craziness along with the warts and wens and hunch and gout. What did Hu care? It was fine with him. He loved God and God loved Hu, and Hu was the crookedest, ugliest, happiest old man in all the empire till the day he whispered,
Hey Clod! What now?
and God took his line in hand and drew him right into Himself. That was fine with Hu. That's what a Friend is for.
”
”
David James Duncan (The River Why)
“
The Joy of Sex!—Elaine brought home that dreary tract one day, those tidings of comfort and joy by some Californicated Englishman, and we studied the ghastly pictures, the two hundred different positions. What a joyless book. That poor fucker the instructor-model, performing his gymnastic routines over and over, with slight variations, for three hundred pages, each and every time upon the same woman. No wonder he has that look on his soft hairy degenerate face of a bored he-dog hooked up on the street with an exhausted bitch, longing to leave but unable to extricate himself from what breeders call a “tie.” The woman in the book looks only slightly happier; somebody out of mercy should have emptied a bucket of ice water on the miserable couple. Technique, technique, technical engineering, curse of the modern world, debasing what should be a wild, free, spontaneous act of violent delight into an industrial procedure. Comfort’s treatise is a training manual, a workbook which might better have been entitled The Job of Sex.
”
”
Edward Abbey (The Fool's Progress)
“
And there they stayed, a sole phenomenon in the Republic of Brooklyn, where cats hollered like people, dogs ate their own feces, aunties chain-smoked and died at age 102, a kid named Spike Lee saw God, the ghosts of the departed Dodgers soaked up all possibility of new hope, and penniless desperation ruled the lives of the suckers too black or too poor to leave, while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.
”
”
James McBride (Deacon King Kong)
“
This was the neighborhood of the cheap addicts, whisky-heads, stumblebums, the flotsam of Harlem; the end of the line for the whores, the hard squeeze for the poor honest laborers and a breeding ground for crime. Blank-eyed whores stood on the street corners swapping obscenities with twitching junkies. Muggers and thieves slouched in dark doorways waiting for someone to rob; but there wasn't anyone but each other. Children ran down the street, the dirty street littered with rotting vegetables, uncollected garbage, battered garbage cans, broken glass, dog offal — always running, ducking and dodging. God help them if they got caught. Listless mothers stood in the dark entrances of tenements and swapped talk about their men, their jobs, their poverty, their hunger, their debts, their Gods, their religions, their preachers, their children, their aches and pains, their bad luck with the numbers and the evilness of white people. Workingmen staggered down the sidewalks filled with aimless resentment, muttering curses, hating to go to their hotbox hovels but having nowhere else to go.
”
”
Chester Himes
“
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...)
'I really don't know, Dad,' (...)
'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?'
(...)
'Right, Dad,' he says.
(...)
'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?'
'OK, Dad,' says the boy (...)
'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?'
Bunny Junior nods.
'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?'
'OK, Dad.'
'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone.
'So what do you go and do, Dad?' says Bunny Junior.
'Well, you've got to have something they think they need, you know, above all else.'
'And what's that, Dad?'
'Hope... you know... the dream. You've got to sell them the dream.
”
”
Nick Cave (The Death of Bunny Munro)
“
I thought of Sammy Glick rocking in his cradle of hate, malnutrition, prejudice, suspicions, amorality, the anarchy of the poor; I thought of him as a mangy puppy in a dog-eat-dog world. I was modulating my hate for Sammy Glick from the personal to the societal. I no longer even hated Rivington Street but the idea of Rivington Street, all Rivington Streets of all nationalities allowed to pile up in cities like gigantic dung heaps smelling up the world, ambitions growing out of filth and crawling away like worms. I saw Sammy Glick on a battlefield where every soldier was his own cause, his own army and his own flag, and I realized that I had singled him out not because he had been born into the world anymore selfish, ruthless and cruel than anybody else, even though he had become all three, but because in the midst of a war that was selfish, ruthless and cruel Sammy was proving himself the fittest and the fiercest and the fastest.
”
”
Budd Schulberg (What Makes Sammy Run?)
“
Every time it starts to get cool, I mean in the middle of autim, I start gettin nutty ideas like I was thinkin about what was forein and diffrent, like for exsample how I'd like to turn into a swallow and get away and fly to countrys where it gets hot, or be an ant so's I could get deep into a cave and eat the stuff I stored away durin the summer or be a snake like what they got in the zoO, the ones they keep lockt up in glass cages thats heated so's they don't get stiff from the cold, which is what happens to poor human beans who cant buy no close cause the price is to high, and cant keep warm cause theys no keroseen, no coal, no wood, no fule oil and besides theys no loot, cause when you go around with bocoo bread you can go into any bar and get some sneaky pete that can be real warmin, even tho it aint good to overdo it cause if you overdos it it gets to be a bad habbit and bad habbits is bad for your body just like they is for youre selfrespeck, and when you start goin downhill cause your actin bad in everythin, they aint nobody or nothin can stop you from endin up a stinkin piece of human garbidge and they never gone give you a hand to haul you up outen the dirty muck you rollin around in, not even if you was a eaglE when you was young and could fly up and over the highest hills, but when you get old you like a highflyin bomber thats lost its moral engines and fall down outen the sky. I jes hope what I been writin down hear do somebody some good so he take a good look at how he livin and he dont be sorry when it too late and everythin is gone down the drain cause it his own fault. -- Caser Bruto, What I Would Like to Be If I Wasn't What I Am (Chapter: "A St. Bernard Dog")
”
”
Julio Cortázar (Hopscotch)
“
She was a Victorian girl; a girl of the days when men were hard and top-hatted and masculine and ruthless and girls were gentle and meek and did a great deal of sewing and looked after the poor and laid their tender napes beneath a husband’s booted foot, and even if he brought home cabfuls of half-naked chorus girls and had them dance on the rich round mahogany dining-table (rosily reflecting great pearly hams and bums in its polished depths). Or, drunk to a frenzy, raped the kitchen-maid before the morning assembly of servants and children and her black silk-dressed self (gathered for prayers). Or forced her to stitch, on shirts, her fingers to rags to pay his gambling debts.
Husbands were a force of nature or an act of God; like an earthquake or the dreaded consumption, to be borne with, to be meekly acquiesced to, to be impregnated by as frequently as Nature would allow. It took the mindless persistence, the dogged imbecility of the grey tides, to love a husband.
”
”
Angela Carter (Shadow Dance)
“
THIS ISN’T CHINA
Hold me close
and tell me what the world is like
I don’t want to look outside
I want to depend on your eyes
and your lips
I don’t want to feel anything
but your hand
on the old raw bumper
I don’t want to feel anything else
If you love the dead rocks
and the huge rough pine trees
Ok I like them too
Tell me if the wind
makes a pretty sound
in the billion billion needles
I’ll close my eyes and smile
Tell me if it’s a good morning
or a clear morning
Tell me what the fuck kind of morning
it is
and I’ll buy it
And get the dog
to stop whining and barking
This isn’t China
nobody’s going to eat it
It’s just going to get fed and petted
Ok where were we?
Ok go if you must.
I’ll create the cosmos
by myself
I’ll let it all stick to me
every fucking pine needle
And I’ll broadcast my affection
from this shaven dome
360 degrees
to all the dramatic vistas
to all the mists and snows
that moves across
the shining mountains
to the women bathing
in the stream
and combing their hair
on the roofs
to the voiceless ones
who have petitioned me
from their surprising silence
to the poor in the heart
(oh more and more to them)
to all the thought-forms
and leaking mental objects
that you get up here
at the end of your ghostly life
”
”
Leonard Cohen (Book of Longing)
“
MR. BONES KNEW THAT WILLY WASN'T LONG FOR THIS WORLD. The cough had been inside him for over six months, and by now there wasn't a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music - something tight and flinty and percussive - and the attacks came now so often as to be almost constant. Every time one of them started, Mr. Bones half expected Willy's body to explode from the rockets of pressure bursting agaisnt his rib cage. He figured that blood would be the next step and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on everyday, the end was drawing near.
What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy's presence. Habits die hard, and no doubt there's some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Substract Willy from the world, and the odds were that the world itself would cease to exist.
”
”
Paul Auster (Timbuktu)
“
FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible.
”
”
Don Winslow (The Cartel (Power of the Dog #2))
“
But I don't know, Wesley. This thing makes me think, too. S'pose we'd got Elnora when she was a baby, and we'd heaped on her all the love we can't on our own, and we'd coddled, petted, and shielded her, would she have made the woman that living alone, learning to think for herself, and taking all the knocks Kate Comstock could give, have made of her?"
"You bet your life!" cried Wesley, warmly. "Loving anybody don't hurt them. We wouldn't have done anything but love her. You can't hurt a child loving it. She'd have learned to work, be sensible, study, and grown into a woman with us, without suffering like a poor homeless dog."
"But you don't get the point, Wesley. She would have grown into a fine woman with us; just seems as if Elnora was born to be fine, but as we would have raised her, would her heart ever have known the world as it does now? Where's the anguish, Wesley, that child can't comprehend? Seeing what she's seen of her mother hasn't hardened her. She can understand any mother's sorrow. Living life from the rough side has only broadened her. Where's the girl or boy burning with shame, or struggling to find a way, that will cross Elnora's path and not get a lift from her? She's had the knocks, but there'll never be any of the thing you call 'false pride' in her. I guess we better keep out. Maybe Kate Comstock knows what she's doing. Sure as you live, Elnora has grown bigger on knocks than she would on love.
”
”
Gene Stratton-Porter
“
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
”
”
Robert Louis Stevenson (Treasure Island)
“
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
”
”
Gillian Flynn (Gone Girl)
“
So we call upon the author to explain
(Doop doop doop doop dooop)
Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose
And a cabal of angels with finger cymbals chanted his name in code
We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop)
He said everything is messed up around here, everything is banal and jejune
There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon
Well, he knew exactly who to blame
And we call upon the author to explain
(Doop doop doop doop dooop)
Prolix! Prolix! Nothing a pair of scissors can't fix!
Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain
I call upon the author to explain
(Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease
Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix
Bukowski was a jerk! Berryman was best!
He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you
And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!
”
”
Nick Cave
“
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play.
Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister?
It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in.
Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others.
That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success."
Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton.
So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
The people cast themselves down by the fuming boards
while servants cut the roast, mixed jars of wine and water,
and all the gods flew past like the night-breaths of spring.
The chattering female flocks sat down by farther tables,
their fresh prismatic garments gleaming in the moon
as though a crowd of haughty peacocks played in moonlight.
The queen’s throne softly spread with white furs of fox
gaped desolate and bare, for Penelope felt ashamed
to come before her guests after so much murder.
Though all the guests were ravenous, they still refrained,
turning their eyes upon their silent watchful lord
till he should spill wine in libation for the Immortals.
The king then filled a brimming cup, stood up and raised
it high till in the moon the embossed adornments gleamed:
Athena, dwarfed and slender, wrought in purest gold,
pursued around the cup with double-pointed spear
dark lowering herds of angry gods and hairy demons;
she smiled and the sad tenderness of her lean face,
and her embittered fearless glance, seemed almost human.
Star-eyed Odysseus raised Athena’s goblet high
and greeted all, but spoke in a beclouded mood:
“In all my wandering voyages and torturous strife,
the earth, the seas, the winds fought me with frenzied rage;
I was in danger often, both through joy and grief,
of losing priceless goodness, man’s most worthy face.
I raised my arms to the high heavens and cried for help,
but on my head gods hurled their lightning bolts, and laughed.
I then clasped Mother Earth, but she changed many shapes,
and whether as earthquake, beast, or woman, rushed to eat me;
then like a child I gave my hopes to the sea in trust,
piled on my ship my stubbornness, my cares, my virtues,
the poor remaining plunder of god-fighting man,
and then set sail; but suddenly a wild storm burst,
and when I raised my eyes, the sea was strewn with wreckage.
As I swam on, alone between sea and sky,
with but my crooked heart for dog and company,
I heard my mind, upon the crumpling battlements
about my head, yelling with flailing crimson spear.
Earth, sea, and sky rushed backward; I remained alone
with a horned bow slung down my shoulder, shorn of gods
and hopes, a free man standing in the wilderness.
Old comrades, O young men, my island’s newest sprouts,
I drink not to the gods but to man’s dauntless mind.”
All shuddered, for the daring toast seemed sacrilege,
and suddenly the hungry people shrank in spirit;
They did not fully understand the impious words
but saw flames lick like red curls about his savage head.
The smell of roast was overpowering, choice meats steamed,
and his bold speech was soon forgotten in hunger’s pangs;
all fell to eating ravenously till their brains reeled.
Under his lowering eyebrows Odysseus watched them sharply:
"This is my people, a mess of bellies and stinking breath!
These are my own minds, hands, and thighs, my loins and necks!"
He muttered in his thorny beard, held back his hunger
far from the feast and licked none of the steaming food.
”
”
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
“
Astarte has come again, more powerful than before. She possesses me. She lies in wait for me.
December 97
My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself.
Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect.
Afterwards, I was ashamed.
I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish.
Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love.
Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird!
Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and...
It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!
”
”
Jean Lorrain (Monsieur De Phocas)
“
She was especially taken with Matt.
Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.”
Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.”
Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread.
Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill.
Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner.
Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance.
As soon as he was close enough, Priss called out, “What’s wrong?”
Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt.
Backing up to the edge of the dock, Matt said, “Uh . . . Hello?”
Trace didn’t say a thing; he just pushed Matt into the water.
Arms and legs flailing out, Matt hit the surface with a cannonball effect.
Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?”
Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.”
Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!”
“I’m here now.”
Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.”
Trace’s beautiful eyes darkened, and he reached for her.
“A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock.
Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water.
Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing.
Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms.
“Chris!” She made a grab for his shoulders. “Put me down!”
“Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs.
Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body.
“Wait!” Priss shouted at him.
He was still waist-deep as he turned to glare at her.
Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!”
Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.”
Matt and Chris found that hilarious.
Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard.
For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.”
“Only because you were being a jealous jerk.”
His expression dark, he glared toward Matt.
Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))