Hat Trick Quotes

We've searched our database for all the quotes and captions related to Hat Trick. Here they are! All 100 of them:

Elend smiled. "Oh, come on. You have to admit that you're unusual, Vin. You're like some strange mixture of a noblewoman, a street urchin, and a cat. Plus, you've mangaged - in our short three years together - to kill not only my god, but my father, my brother, and my fiancée. That's kind of like a homicidal hat trick.
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
You've managed-- in our short three years together-- to kill not only my god, but my father, my brother, and my fiance. That's kind of like a homicidal hat trick. It's a strange foundation for a relationship, wouldn't you say?
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in a many a mudded field is unspeakable and calamitous beyond reckoning.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Like a stage magician, the con artist misdirects suspicion. While everyone’s watching for him to pull a rabbit out of a hat, he’s actually sawing a girl in half. You think he’s doing one trick when he’s actually doing another. You think that I’m dying, but I’m laughing at you.
Holly Black (White Cat (Curse Workers, #1))
A lot of people experience the world with the same incredulity as when a magician pulls a rabbit out of a hat.…We know that the world is not all sleight of hand and deception because we are in it, we are part of it. Actually we are the white rabbit being pulled out of the hat. The only difference beween us and the white rabbit is that the rabbit does not realize it is taking part in a magic trick.
Jostein Gaarder (Sophie’s World)
Treats and tricks. Witch broomsticks. Jack-o-lanterns Lick their lips. Crows and cats. Vampire bats. Capes and fangs And pointed hats. Werewolves howl. Phantoms prowl. Halloween’s Upon us now.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
An illusion has three stages. "First there is the setup, in which the nature of what might be attempted at is hinted at, or suggested, or explained. The apparatus is seen. volunteers from the audience sometimes participate in preparation. As the trick is being setup, the magician will make use of every possible use of misdirection. "The performance is where the magician's lifetime of practice, and his innate skill as a performer, cojoin to produce the magical display. "The third stage is sometimes called the effect, or the prestige, and this is the product of magic. If a rabbit is pulled from a hat, the rabbit, which apparently did not exist before the trick was performed, can be said to be the prestige of that trick.
Christopher Priest (The Prestige)
I won't be stuck in traffic 'til I see how rugged my path is And right now I'm loving how fast my troubles are fasting No they don't bother me oh realizing I'm psychopathic A wild beast, baby I'm gladly running after Yes a thing called peace outlasting any madness The devil fears me oh he's feeling Like a fragment of a fraction No he won't come near me 'Cause his hat trick's out of practice
Criss Jami (Venus in Arms)
Plus, you’ve managed—in our short three years together—to kill not only my god, but my father, my brother, and my fiancée. That’s kind of like a homicidal hat trick.
Brandon Sanderson (Mistborn Trilogy (Mistborn, #1-3))
There is no governor anywhere; you are all absolutely free. There is no restraint that cannot be escaped. We are all absolutely free. If everybody could go into dhyana at will, nobody could be controlled — by fear of prison, by fear of whips or electroshock, by fear of death, even. All existing society is based on keeping those fears alive, to control the masses. Ten people who know would be more dangerous than a million armed anarchists.
Robert Anton Wilson (Schrödinger's Cat II: The Trick Top Hat)
A good earthy witch is more honest than some city rogue tricked out in black cone-hat and robe of stars,
Fritz Leiber (Swords Against Wizardry (Fafhrd and the Gray Mouser, #4))
When you go through the moments where you are questioning yourself whether or not it was abuse, remember the way it made you feel. Push away the nostalgia that is trying to minimize it, trying to trick you like a bad magician at a children’s party that the rabbit did come from the hat, that love and abuse come from the same hat.
Nikita Gill (Your Heart is the Sea)
It turns out that knitting isn't about the yarn or the softness or needing a hat (although we really can't argue with these secondary motivators). It's really about this: Knitting is a magic trick. In this day and age, in a world where science and technology take more and more wonder and work out of our lives , and our planet is quickly becoming a place running out of magic, a knitter takes silly, useless string, mundane sticks, waves her hands around (many, many times...nobody said this was fast magic), and turns one thing into another: string into a hat, string into a sweater, string into a blanket for a baby. It really is a very reliable magic.
Stephanie Pearl-McPhee
I’m going to give you my last name, and we’re going to have a life together. A family. You and me and however many kids you want.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
This girl is my world, my sun and fucking stars. She has me—all of me—in the palm of her hands, and I don’t think she even realizes it.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
Promise me you’ll wear it. I need my girl wearing my jersey in the stands, or I might lose the game.” I arch a brow. “Your girl?
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
He's probably the only player who doesn't play for 10 months and, if he scores a hat trick in his first game back, no one would be surprised.
Ryan Whitney
Look, I don't know what you are, but you're more than a geologist, if you are one at all. I've met lots of geologists on different projects like this, and they're all tiny sunburned men with fetishes for geodes. They wear floppy hats and carry baggies for soil samples around with them. ... And geologists don't make rocks disappear like you did the other night. They keep them and build little shrines to them.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
Hi, Tad!' she said. 'Hi, Jeff! Hey, I'm not interrupting anything, am I?' 'Uh, no,' I said. 'We were just...I mean, Tad was...uh, nope.' 'So what were you guys talking about?' 'Well,' I said, 'it's very complicated. We were discussing...umm...hats. You know, hats. Like, the head kind.' 'There's another kind?' Lindsey asked. 'Hey, Jeff?' Tad said. 'If your mom needs any evidence to prove that you're retarded, let me know. I'd be glad to record you talking to Lindsey. I'm pretty sure that would do the trick.
Jordan Sonnenblick (After Ever After)
I gladly shucked off my wet, muddy jeans and put on the new pair. I noticed she hadn't bought me any underwear; Granuaile either didn't think of it or she did think of it and decided that I should go commando. I tore open the package of undershirts and gingerly pulled a black one over my head before tucking it into my jeans. Though I was now dressed in similar fashion to Coyote, I figured he could keep the cowboy hat and I'd rock the tattoos. Granuaile gave me a good once-over and her gaze felt less than innocent, but all she said was, "Much better.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
I shudder. “About what?” “I like you, Ava. Enough that the sight of you wearing another guy’s clothes makes me see red.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
To Summarize briefly: A white rabbit is pulled out of a top hat. Because it is an extremely large rabbit, the trick takes many billions of years. All mortals are born at the very tip of the rabbit's fine hairs. where they are in a position to wonder at the impossibility of the trick. But as they grow older they work themselves even deeper into the fur. And there they stay. They become so comfortable they never risk crawling back up the fragile hairs again. Only philosophers embark on this perilous expedition to the outermost reaches of language and existence. Some of the fall off, but other cling on desperately and yell at the people nestling deep in the snug softness, stuffing themselves with delicious food and drink. 'Ladies and gentlemen,' they yell, 'we are floating in space!' but none of the people down there care. 'What a bunch of troublemakers!' they say. And they keep on chatting: Would you pass the butter, please? How much have our stocks risen today? What is the price of tomatoes? Have you heard that Princes Di is expecting again?
Jostein Gaarder (Sophie’s World)
I am locked in a very expensive suit old elegant and enduring Only my hair has been able to get free but someone has been leaving their dandruff in it Now I will tell you all there is to know about optimism Each day in hub cap mirror in soup reflection in other people's spectacles I check my hair for an army of alpinists for Indian rope trick masters for tangled aviators for dove and albatross for insect suicides for abominable snowmen I check my hair for aerialists of every kind Dedicated as an automatic elevator I comb my hair for possibilities I stick my neck out I lean illegally from locomotive windows and only for the barber do I wear a hat
Leonard Cohen (Flowers for Hitler)
In this huge world there are some beautiful, happy families where parents and children maintain a close, warm relationship—a situation about as frequent as hat tricks in soccer. I have no confidence at all that I could be one of these rare happy parents, and can’t see Tokai doing it either.
Haruki Murakami (Men Without Women)
Oakley nods before a photo of us comes up on the small screen behind him. He swivels in his seat and grins. “Yeah, that’s her. That’s my Ava.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
Hat Trick King: Fine. But add a heart to my name. Maya: Why? You’re so cheesy. Hat Trick King: Because it’s all yours, baby. You’ve gotta keep it safe for me.
Veronica Eden (Iced Out (Heston U Hotshots #1))
That’s the thing about slippery slopes. Take that first step, and the next thing you know, you’ve completed a jerk-off hat trick to your bestie.
Lauren Blakely (Big Rock (Big Rock, #1))
Take that first step, and the next thing you know, you’ve completed a jerk-off hat trick to your bestie. But
Lauren Blakely (Big Rock (Big Rock, #1))
That trick's worth a new hat any day, youngster (hence the term hat trick)
George MacDonald Fraser
I guess you can call it the ultimate hat trick, and all the players, myself included, are still reaping the rewards of being three-time national champions. Dean, one of my fellow defensemen, calls it the Three P’s of Victory: parties, praise and pussy. It’s a pretty fair assessment of the situation, because I’ve been on the receiving end of all three since our big win.
Elle Kennedy (The Mistake (Off-Campus, #2))
How to Make People Want to Start a Conversation with You Singles proficient at meeting potential sweethearts without the benefit of introduction (in the vernacular, making a "pickup"), have developed a deliciously devious technique that works equally well for social or corporate networking purposes. The technique requires no exceptional skill on your part, only the courage to sport a simple visual prop called a "Whatzit." What’s a Whatzit? A Whatzit is anything you wear or carry that is unusual—a unique pin, an interesting purse, a strange tie, or an amusing hat. A Whatzit is any object that draws people’s attention and inspires them to approach you and ask, "Uh, what’s that?" Your Whatzit can be as subtle or overt as your personality and the occasion permit.
Leil Lowndes (How to Talk to Anyone: 92 Little Tricks for Big Success in Relationships)
Maybe, just maybe, those six balls are a scarf and hat that get tucked away for years and long after I’m gone someone pulls them out and says, “Remember how Grammy was with all the wool? Remember how she knit all the time?” fingering the soft wool and pondering who I was and what I did while I was here.
Stephanie Pearl-McPhee (Knitting Rules!: The Yarn Harlot's Bag of Knitting Tricks)
I move we get more wine,' Alistair said. 'What does the panel think?'... It was obvious that the entire war could be solved in this way. The trick would be to reach for a corkscrew instead, every time some brass hat ordered artillery.
Chris Cleave (Everyone Brave Is Forgiven)
After having imposed itself on us like the egomaniac it is, clamouring about its own needs, foisting upon us its own sordid and perilous desires, the body's final trick is simply to absent itself. Just when you need it, just when you could use an arm or a leg, suddenly the body has other things to do. It falters, it buckles under you; it melts away as if made of snow, leaving nothing much. Two lumps of coal, an old hat, a grin made of pebbles. The bones dry sticks, easily broken.
Margaret Atwood (The Blind Assassin)
I grin, and he beams with pride. “So what kind of hat is that?” I ask, unable to resist. He’s adorable when he’s showing off his wardrobe—like a puppy doing tricks. Although I remain cautious, knowing in the blink of an eye he can become a wolf again. “My Peregrination Cap,” he answers. “Huh?” His smile widens—baring white teeth. “Peregrination. An excursion … a journey.” “So, why don’t you just call it your traveling cap?” “Then it wouldn’t be much of a conversation starter, would it?” I raise an eyebrow. “Um, the fact that it’s made of living moths might give you something to talk about.” Morpheus laughs. For once our relationship feels comfortable, friendly.
A.G. Howard (Unhinged (Splintered, #2))
Es ist noch keine zwei Jahre her, da konnte Sylvie auch mit ihrem Armen aufwarten, dem Mann ihrer Putzfrau, der seit Jahren zu Hause saß und keinen Finger rührte, aber alle Tricks kannte, um Kohle vom Staat abzuzocken. Inzwischen hat sie keine Putzfrau mehr, und seit sie selbst alle Schritte unternehmen musste, um Sozialhilfe und andere Zuschüsse zu erhalten, auf die sie ein Anrecht hat, ist sie nie auf die legendären Beträge gekommen, von denen die Reichen beim Abendessen erzählen. Sie ist nicht mehr verschwenderisch, seit jede Rechnung ein Schlag ins Kontor ist. Sie traut sich nicht, auf den Tisch zu schlagen und zu sagen, Herrgott, hört endlich auf, solchen Schwachsinn zu erzählen, versucht ihr mal, Geld vom Staat zu bekommen, geht mal zu euren Armen, euren Faulpelzen... probiert selbst aus, wie einfach es ist, mit weniger als tausend Euro im Monat zurande zu kommen. Aber sie schweigt. Sie, die immer so ein großes Maul hatte, entdeckt die Scham.
Virginie Despentes (Vernon Subutex 3 (Vernon Subutex, #3))
As the 2018 World Cup Championship in Russia draws to a close, President Trump scores a hat-trick of diplomatic faux pas - first at the NATO summit, then on a UK visit, and finally with a spectacular own goal in Helsinki, thereby handing Vladimir Putin a golden propaganda trophy. For as long as this moron continues to queer the pitch by refusing to be a team player, America's Achilles' heel will go from bad to worse. It's high time somebody on his own side tackled him in his tracks.
Alex Morritt (Lines & Lenses)
I’ve learned that the bad doesn’t necessarily disappear once you’ve become accustomed to the good, but it sure does help drown it out. Still, there are times when the darkness shadows the light, and you fall back into the pit of despair that you’ve only recently climbed out of. For me, that happens when I’m the happiest, when I’m full of so much love, pride, and excitement that the fear of losing everything becomes a weight too heavy to bear, forcing me back into my protective shell.
Hannah Cowan (Between Periods (Swift Hat-Trick Trilogy, #1.5))
Stabby. I felt stabby.
Coralee June (Hat Trick)
Fuck you. Fuck your fucking asshole fucking fuck face fucking life, you fucker.
Coralee June (Hat Trick)
I was going to pick up the pieces of my shattered heart and slit his throat with the jagged edges.
Coralee June (Hat Trick)
Joni already hates me because I stole his brother’s job,” I whined. “And he titty fucked me. All professionalism goes out the door when your tits get dicked.
Coralee June (Hat Trick)
My new apartment was in a town called Frisco, Texas, a suburb less than an hour north of Dallas.
Coralee June (Hat Trick)
Do you always check out guys like that, or was that just for me?” Oakley whispers a beat later. His words caress my skin in ways I should hate.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
Nothing you could tell me would change the way I think about you, Ava. That’s a promise.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
I know my son well, Ava. There’s no way he would have brought you to meet me if he didn’t see a future with you, and the way he watches you when he thinks nobody is looking?
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
But Ava? Ava isn’t just anyone, and I should have told her before she found out from someone else.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
We’ll fix this. We have to, because I’m not letting her go.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
Where does that leave you then? What's your so-called addiction?" "You, Gray. I think I'm addicted to you.
Hannah Cowan (Blissful Hook (Swift Hat-Trick Trilogy, #2))
I'm scared of getting hurt again, and you have the power to destroy me.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
The doctor said I was lucky that I ended up with only fractures. From
Jeff Adams (Playing the Rebound (Hat Trick, #2))
I suddenly wanted to message all the women he’d ever fucked and ask them if they recovered. Was there a support group on Facebook? Did he write get-well-soon cards after one-night stands?
Coralee June (Hat Trick)
Was it last month or last year that the ambulance ran like a hearse with its siren blowing on suicide— Dinn, dinn, dinn!— a noon whistle that kept insisting on life all the way through the traffic lights? I have come back but disorder is not what it was. I have lost the trick of it! The innocence of it! That fellow-patient in his stovepipe hat with his fiery joke, his manic smile— even he seems blurred, small and pale. I have come back, recommitted, fastened to the wall like a bathroom plunger, held like a prisoner who was so poor he fell in love with jail.
Anne Sexton (Selected Poems)
The school year progressed slowly. I felt as if I had been in the sixth grade for years, yet it was only October. Halloween was approaching. Coming from Ireland, we had never thought of it as a big holiday, though Sarah and I usually went out trick-or treating. For the last couple of years I had been too sick to go out, but this year Halloween fell on a day when I felt quiet fine. My mother was the one who came up with the Eskimo idea. I put on a winter coat, made a fish out of paper, which I hung on the end of a stick, and wrapped my face up in a scarf. My hair was growing in, and I loved the way the top of the hood rubbed against it. By this time my hat had become part of me; I took it off only at home. Sometimes kids would make fun of me, run past me, knock my hat off, and call me Baldy. I hated this, but I assumed that one day my hair would grow in, and on that day the teasing would end. We walked around the neighborhood with our pillowcase sacks, running into other groups of kids and comparing notes: the house three doors down gave whole candy bars, while the house next to that gave only cheap mints. I felt wonderful. It was only as the night wore on and the moon came out and the older kids, the big kids, went on their rounds that I began to realize why I felt so good. No one could see me clearly. No one could see my face.
Lucy Grealy (Autobiography of a Face)
So there isn’t some commercial for a sleazy law office asking women if they have internal organ damage from your dick? Like, are people legally entitled to compensation after fucking you? I’m genuinely curious.
Coralee June (Hat Trick)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
I THINK THE REAL TRICK to finding that sense of satisfaction is to realize you don’t need much to attain it. A window-box salad garden and a banjo hanging on the back of the door can be all the freedom you need. If it isn’t everything you want for the future, let it be enough for tonight. Don’t look at your current situation as a hindrance to living the way you want, because living the way you want has nothing to do with how much land you have or how much you can afford to spend on a new house. It has to do with the way you choose to live every day and how content you are with what you have. If a few things on your plate every season come from the work of your own hands, you are creating food for your body, and that is enough. If the hat on your head was knitted with your own hands, you’re providing warmth from string and that’s enough. If you rode your bike to work, trained your dog to pack, or just baked a loaf of bread, let it be enough. Accepting where you are today, and working toward what’s ahead, is the best you can do. You can take the projects in this book as far as your chosen road will take you. Maybe your gardens and coops will outgrow mine, and before you know it you’ll be trading in your Audi for a pickup. But the starting point is to take control of what you can and smile with how things are. Find your own happiness and dance with it.
Jenna Woginrich (Made from Scratch: Discovering the Pleasures of a Handmade Life)
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a muddied field is unspeakable and calamitous beyond reckoning.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The truth about the world, [he said,] is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man’s mind can compass, that mind itself being but a fact among others.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
The truth about the world, he said, is that anything is pos­sible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destina­tion after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For ex­istence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Kaylee, For over a hundred years, magicians have been pulling objects out of hats. Rabbits, flowers... It's become such a famous trick that rabbits are known to represent magic in general. I'm a magician. I've been pulling things from hats since I learned the trick at ten years old. It's all about sleight of hand. Misdirection. Distraction. What people don't really know is it isn't the magician that makes the trick magical. It's the object. What is a zig-zag box without the blades? What is a cage without a dove? The object is the spark--the real reason why the illusion is worth seeing, worth doing, worth discovering. Sometimes magicians lose their rabbits. They get lost in the act, or the magician makes a mistake and has to coax the rabbit back out. Because without the rabbit, the trick is useless. Without the rabbit, the hat becomes insignificant. Kaylee Elizabeth Sperling, you are the rabbit to my hat, and I love you. Please forgive me for losing the spark in your trick. I will do whatever I can to make it up to you, starting with this deck of cards. 52 reasons why I love you. And I could fill another deck. Perhaps two more or three. Whatever it takes to coax my rabbit back out. -Nate
Cassie Mae (True Love and Magic Tricks (Beds, #0.5))
Every month Una, the Uterus gnome, thoroughly searches for a baby in a woman's uterus. She uses her dagger to slash the area behind her as she looks, that way she knows where she's already looked. Her search is what causes the bleeding and cramps.
Coralee June (Hat Trick)
In the morn when they woke, it was Halloween Day. There was bobbing for apples and rides in the hay. There were costume parties, and games to be played. Cupcakes and candy and, of course, a parade! After dinner was served, and the kids were done eating, it was finally time to go trick-or-treating! Moms re-painted faces, and straightened clown hats, put wings back on fairies, angels, and bats. Jack-o-lanterns were set out on porches with care. Their grins seemed to say, “Knock if you dare.
Natasha Wing (The Night Before Halloween)
A magician creates magic and mesmerizes the audience. But it is a pantomime, and the audience knows that it’s a ruse. It’s in the name: a “magic trick”. They play along when the magician tugs his sleeves to show there is nothing hidden within them, or that the top hat is empty of a rabbit, or eggs, or flowers. Beneath the façade there is only sleight of hand, wires and contraptions, misdirection at a key moment. “But what the audience does not realize is that it’s not always trickery. Or at least, not quite.
L.R. Lam (Shadowplay (Micah Grey, #2))
Okaaay,” Ava sings, humour thick in her voice. “Everyone, sit down and stop picking on each other. Gracie can drink in this house because she’s nineteen and I said she can. Lord knows she’s been drinking since she was sixteen.” “She has?” I ask, narrowing my eyes at Gracie.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
I’m going to bring your bag to my room. Stay here and warm up.” He slowly backs away, and I look over my shoulder, catching his eye before he turns away. “Your room?” Oakley arches a bushy brow. “You think you would stay anywhere else? Over my dead body.” I laugh. “Right. My bad.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
Cormac McCarthy
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man’s mind can compass, that mind itself being but a fact among others. Brown
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
After having imposed itself on us like the egomaniac it is, clamouring about its own needs, foisting upon us its own sordid and perilous desires, the body’s final trick is simply to absent itself. Just when you need it, just when you could use an arm or a leg, suddenly the body has other things to do. It falters, it buckles under you; it melts away as if made of snow, leaving nothing much. Two lumps of coal, an old hat, a grin made of pebbles. The bones dry sticks, easily broken.
Margaret Atwood (The Blind Assassin)
I don’t want to talk. I don’t want to even look at you. Thanks for the orgasms, Chad, but I deserve better. I’m done. Fuck you. Fuck your fucking asshole fucking fuck face fucking life, you fucker.” I was most definitely screaming nonsense now. I was so mad I just wanted to tell him to fuck off on repeat. “I hope you have a terrible life. I hope you get early male pattern baldness and erectile dysfunction disorder! And for the record, I think you’re a gigantic steaming pile of shit!
Coralee June (Hat Trick)
Robert gestured Lydia ahead of him across the threshold of number nineteen. Once inside, the atmosphere was entirely different from his previous visits. Silent calm had been replaced by chatter, laughter, and scolding that bounced into the three-story entrance from various regions of the house. There was a smell of newly lit fires, and the accompanying puffs of smoke, as well as the enticing aroma of cooking wafting up from the kitchens. It was a bustling, busy household. Shodster stepped into the hall and rushed toward Robert, hands outstretched ready to take Robert’s hat and cane. “Thank you, no. Miss Whitfield and I are going for a walk.” Robert took a half step back. “We will be leaving shortly.” Looking to Lydia for confirmation, Shodster nodded. “I do beg your pardon, Miss Whitfield. I was not here for the door. It will not happen again.” “Worry not, Shodster.” Lydia shrugged. “I learned how to open a door some time ago. The trick is to turn the handle.” The butler blinked at Lydia’s lightheartedness. “Yes. That would, indeed, be the trick.
Cindy Anstey (Duels & Deception)
In the Christmas term a conjurer used to give a performance in the school Concert Hall. I remember how once he was disconcerted, during a card trick, by young Smart-Allick. The conjurer, stepping down amongst the audience, produced a card from Smart-Allick's pocket. My chum retaliated by producing a card from behind the conjurer's collar. The conjurer then took half a crown from my chum's ear, and my chum took a ten-bob note from the conjurer's wallet, three shillings from his trousers pocket, and a fountain-pen from his waistcoat. The headmaster interfered, and took a pound note from his son's coat pocket. The son at once got his father's watch. In a touching speech, the conjurer complained that he was four pounds down, and had lost his overcoat, a dozen stamps, his hat and his set of trick-cards.
J.B. Morton (The Best of Beachcomber)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating.
Philip Gibbs
A small smudge over there—the bird cruised down to see, hopeful, hungry. But he was disappointed; the smudge did not move. For it was an arm, sticking out of the snow, attached to a body buried beneath. Another odd blot of lifelessness, another, another—the bird took it all in from his aerial vantage point. A yellow hat atop a grey head, eyes frozen shut. A hand, poking out of a drift; a child’s hand, so small, so white, a deathly white, paler than the snow. A wagon wheel, a pale blue dress fluttering out of its spokes, and inside that dress, a lifeless female body. Clothing fluttered, moving, tricking the hawk time and again into thinking it had found its breakfast. Clothing blown off bodies that were now naked to the elements, like the one over there, only a few heartbreaking steps away from a barn. And more small hands, feet, faces upturned, eyes shut tight. That deathly pallor, blue grey against the dazzling white snow. The hawk turned northward, hoping for better hunting grounds. But he was doomed to be disappointed on this cold, sunny morning.
Melanie Benjamin (The Children's Blizzard)
Also enraged at myself. Or not at myself - at this bad turn my body has done me. After having imposed itself on us like the egomaniac it is, clamouring about its own needs, foisting upon us its own sordid and perilous desires, the body's final trick is simply to absent itself. Just when you need it, just when you could use an arm or a leg, suddenly the body has other things to do. It falters, it buckles under you; it melts away as if made of snow, leaving nothing much. Two lumps of coal, an old hat, a grin made of pebbles. The bones dry sticks, easily broken. It's an affront, all of that. Weak knees, arthritic knuckles, varicose veins, infirmities, indignities - they aren't ours, we never wanted or claimed them. Inside our heads we carry ourselves perfected - ourselves at the best age, and in the best light as well: never caught awkwardly, one leg out of a car, one still in, or picking our teeth, or slouching, or scratching our noses or bums. If naked, seen gracefully reclining through a gauzy mist, which is where movie stars come in: they assume such poses for us. They are our younger selves as they recede from us, glow, turn mythical.
Margaret Atwood (The Blind Assassin)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
Lionel Messi (32), who plays for FC Barcelona in the Spanish football league, has recorded his 50th hat-trick. The team also won. Messi made his first hat-trick as a left-handed striker in the 25th round of the away game against Spain in the 2018-2019 Primera División at the Ramon Sánchez Pisjuan Stadium in Seville, Spain. Messi's 50th hat-trick. He wrote 44 hits in Barcelona and 6 hits in Argentina. The start of the game was not good. In the 22nd minute Messi's passing mistake led to a counterattack in Seville. He scored a goal for Navas and Barcelona were 0-1. Four minutes later Messi scored a fantastic goal. On the left side, Ivan Rakitić's cross came up with a direct volley shooting. It was stuck in the left corner of the goal correctly. In the second half of the second half of the match, he managed to take a right-footed shot from the front of Arc Circle, Goalkeeper Thomas Bachlick reached out his hand but he was blind. 텔레【KC98K】카톡【ACD5】라인【SPR331】 ♥100%정품보장 ♥총알배송 ♥투명한 가격 ♥편한 상담 ♥끝내주는 서비스 ♥고객님 정보 보호 ♥깔끔한 거래 ◀경영항목▶ 수면제,여성-최음제,,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,드래곤,99정,바오메이,정력제,남성성기확대제,카마-그라젤,비닉스,센돔,꽃물,남성-조-루제,네노마정 등많은제품 판매중입니다 센돔 판매,센돔 구입방법,센돔 구매방법,센돔 효과,센돔 처방,센돔 파는곳,센돔 지속시간,센돔 구입,센돔 구매,센돔 복용법 In the 39th minute of the second half, Carlos Alenya's shot was deflected and deflected, and Messi broke into the box with a penalty box. Messi helped Luis Suárez score just before the end of the game and made four goals on the day. The team had a pleasant 4-2 victory and solidified the league with 57 points (17 wins, 6 draws, 2 losses). Madrid, who have been at the top of the table for the last time.
Messi, the 50th hatched ... Team versus reverse win
Zap. Sports channel. Normal is nine innings, four balls, three strikes, somebody wins, somebody loses, there’s no such thing as a tie. Zap. Normal is unreal people, mostly rich unreal people, having sex with rappers and basketball players and thinking of their unreal family as a real-world brand, like Pepsi or Drano or Ford. Zap. News channels. Normal is guns and the normal America that really wants to be great again. Then there’s another normal if your skin color is the wrong color and another if you’re educated and another if you think education is brainwashing and there’s an America that believes in vaccines for kids and another that says that’s a con trick and everything one normal believes is a lie to another normal and they’re all on TV depending where you look, so, yeah, it’s confusing. I’m really trying to understand which this is America now. Zap zap zap. A man with his head in a bag being shot by a man without a shirt on. A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap. “Normal doesn’t feel so normal to me,” I tell him. “It’s normal to feel that way,” he replies.
Salman Rushdie (Quichotte)
LOOK, BRÜKS WANTED to say: fifty thousand years ago there were these three guys spread out across the plain, and they each heard something rustling in the grass. The first one thought it was a tiger, and he ran like hell, and it was a tiger but the guy got away. The second one thought the rustling was a tiger, and he ran like hell, but it was only the wind and his friends all laughed at him for being such a chickenshit. But the third guy, he thought it was only the wind, so he shrugged it off and a tiger had him for dinner. And the same thing happened a million times across ten thousand generations—and after a while everyone was seeing tigers in the grass even when there weren’t any tigers, because even chickenshits have more kids than corpses do. And from those humble beginnings we learned to see faces in the clouds and portents in the stars, to see agency in randomness, because natural selection favors the paranoid. Even here in the twenty-first century you can make people more honest just by scribbling a pair of eyes on the wall with a Sharpie. Even now, we are wired to believe that unseen things are watching us. And it came to pass that certain people figured out how to use that. They painted their faces or they wore funny hats, they shook their rattles and waved their crosses and they said, Yes, there are tigers in the grass, there are faces in the sky, and they will be very angry if you do not obey their commandments. You must make offerings to appease them, you must bring grain and gold and altar boys for our delectation or they will strike you down and send you to the Awful Place. And people believed them by the billions, because after all, they could see the invisible tigers. And you’re a smart kid, Lianna. You’re a bright kid and I like you but someday you’ve got to grow up and realize that it’s all a trick. It’s all just eyes scribbled on the wall, to make you think there’s something looking back
Peter Watts (Echopraxia (Firefall, #2))
Jackaby was still engrossed in his examination when I came back inside. “Books. Books. Just books,” he was muttering. Jenny was hovering by the window. I joined her. “How did you manage it, by the way?” I asked. “All those Bibles, all across town? It is a remarkable feat.” “It looks more impressive than it is,” she said, still not meeting my eyes. “I borrowed Jackaby’s special satchel, the one that holds anything. The whole pile took just one trip. The real trick was keeping myself solid all the way home. That’s the bit I’m really proud of—” She turned to face me. “Oh, Abigail, it was amazing. People saw me!” “People saw you?” “I was in disguise, of course. I wore my long coat and gloves, and I had that floppy white hat on, so they didn’t see much, but still—people saw me and they didn’t gasp or make a scene. Someone even mumbled Good day to me as I was crossing the footbridge! It was exhilarating! I have never been so excited to have somebody see me—actually see me—and not care at all!” She glanced at Jackaby. “Although you would think I would be used to it by now.” “Jenny, that is absolutely amazing!” I said. “It is, isn’t it?” she said wistfully. “Just a little bit, at least? Oh, Abigail, I’m exhausted, I’m not ashamed to tell you. I had planned on setting my spoils out in nice triumphant rows when I got back, but it was all I could do to hold myself intact by then. Solidity is sort of like flexing a muscle, except the muscle is in your mind, and your mind is really just an abstract concept. I was basically flexing my entire body into existence the whole way home. But did it merit so much as a Good job, Jenny from that infuriating man?” Jackaby surfaced from his perusal and looked up at last. His cloud gray eyes found focus on Jenny. From his expression, I couldn’t tell if he had been following our conversation or not. “Completely unexceptional,” he said. “Nothing at all in this batch. We will need to scrutinize them more closely, of course, just to be sure. Oh, and Miss Cavanaugh . . .” She raised an eyebrow skeptically. “You performed . . . quite adequately,” he said, “despite expectations.” Jenny opened her mouth to reply, but then closed it again. Her face fluttered through a series of potential reactions. Finally she just threw up her hands and vanished from sight with a muffled whuph of air closing into the space where she suddenly wasn’t. “What in heaven’s name was all that?” said Jackaby. “Exquisite frustration, I believe, sir.” “Ah. Right.” He slumped into the desk chair and began to fidget absently with the spine of one of the Bibles. “Miss Cavanaugh is a singular and exceptional spirit, you know.” “Only a suggestion, sir, but that is precisely the sort of thing you might consider saying when she is still present and corporeal.
William Ritter (The Dire King (Jackaby, #4))
Car insurance,” said Serge. “Watch any channel on TV for any length of time, and every other commercial is a British lizard, an upwardly mobile caveman, a calcified chick named Flo, the anthropomorphic jerk named Mayhem who tricks you into accidents, the guy in a hard hat who hits cars with sledgehammers, the character who played the president in the show 24 saying, ‘That’s Allstate’s stand,’ ‘Nationwide is on your side,’ ‘Fifteen minutes could save you some shit.’ ” “I like Mayhem,” said Coleman. “He makes me not feel so bad about breaking stuff.” “And yet we’re still not manufacturing anything you can hold in your hands,” said Serge.
Tim Dorsey (Tiger Shrimp Tango (Serge Storms #17))
Rhian shifted against the hard seat of his car, acutely aware of the sting in his ass every time he moved, but unable to sit still. It wasn’t that it was uncomfortable. The issue was more that he loved it. Jesus, he was turning into a slut.
Samantha Wayland (Two Man Advantage (Hat Trick #2))
A brawl was in progress near the threshold of the tavern, a writhing mixture of arms, legs, flying hats, and bottles and canes. Anytime there was a fight, the greatest likelihood was that her brother had started it. “Merripen,” she said anxiously, “you know how Leo is when he’s foxed. He’s probably in the middle of the fray. If you would be so kind—” Before she had even finished, Merripen made to leave the carriage. “Wait,” Rohan said. “You’d better let me handle it.” Merripen gave him a cold glance. “You doubt my ability to fight?” “This is a London rookery. I’m used to the kind of tricks they employ. If you—” Rohan broke off as Merripen ignored him and left the carriage with a surly grunt. “So be it,” Rohan said, exiting the carriage and standing beside it to watch.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Jag känner Kvinnan med tusen ansikten. Hon har sina spel, sina klipska små trick. Alla faller i hennes nät. Det är det som är problemet med Rita. Hon är inte ond, utan smart, vilket är betydligt värre. Men en sak kan jag alltid lita på och det är hennes hat gentemot mig. Och jag står hellre på djävulens sida än i hennes väg. Man sluter kontrakt med de som är starkare än en själv, det vet du ju. Gatans lag." "Då är ni båda döda.
Alice Ekström (Maskeradnatten (Kvinnan med tusen ansikten #1))
[...] es ist der Zwang zu stetem Wachstum und Konsum, der dem Kapitalismus inhärent ist und der die Welt an diesen Punkt gebracht hat.
Michael Mazohl (Klassenkampf von oben: Angriffspunkte, Hintergründe und rhetorische Tricks)
She was wearing a hacking jacket and turtleneck, a riding hat tricked under her left arm. I wondered what the photo opportunity had been, and why she looked happy. She hated houses. Her hair was dark honey streaked with grey and cut in a soft, chin-length bob. It looked all wrong; my mother had had long hair for as long as I could remember. She had gained a few pounds. She looked younger and softer.
Nicola Griffith (Always (Aud Torvingen #3))
These people never deserved you, anyway, Ava. Jesus, baby. I’m sorry,” Oakley murmurs.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
Has anyone ever told you that you have a bleeding heart?” “Not many people have gotten the chance to figure that out about me.” “I have.” I bend down until our lips brush, her breath mixing with mine. “Yeah, baby. You have.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
I’ll be screaming your name in the stands,” I breathe. His grin is pure sin. “Go crazy, baby. It’ll be good practice for later. See you soon.” And then he’s gone.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
I’ve accepted that he’s gone—how could I not after ten years?—but I’m not naive to the fact that entering that room and packing his stuff away will break the last connection I have with him.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
Her smile short-circuits my brain, leaving me with only a single thought. I’ve never liked having a friend as much as I do right now.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
I used to wonder what it would be like to know my biological parents. Would I love them simply because we share DNA? Is it an automatic response, or does that type of love have to be earned? Did they ever love me like I wanted them to?
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
But I think getting the cold shoulder for so long is too harmful to a man’s pride to continue trying. Thank God for that.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
Love doesn't stand in line waiting for its turn. It speeds along like a bullet train. You can either stand on the tracks and be run over, or you can jump on for the ride.
Ali Spooner (Hat Trick)
Maribelle Wegman is known as the widow Wegman. Married four times. Three dead husbands. Not her fault, but having managed the hat trick already, she has been given the trophy to keep.
Thomas King (Sufferance)