Pinball Quotes

We've searched our database for all the quotes and captions related to Pinball. Here they are! All 100 of them:

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Sometimes I feel like a caretaker of a museum -- a huge, empty museum where no one ever comes, and I'm watching over it for no one but myself.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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I think we can all agree that this deaf elf sure plays a mean pinball.
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Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
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Looking at the ocean makes me miss people, and hanging out with people makes me miss the ocean.
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Haruki Murakami (Wind/Pinball: Two Novels)
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Franz Kafka is Dead He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone. They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
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Nicole Krauss (The History of Love)
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So many dreams, so many disappointments, so many promises. And in the end, they all just vanish.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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All things pass. None of us can manage to hold on to anything. In that way, we live our lives.
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Haruki Murakami (Wind/Pinball: Two Novels)
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On any given day, something claims our attention. Anything at all, inconsequential things. A rosebud, a misplaced hat, that sweater we liked as a child, an old Gene Pitney record. A parade of trivia with no place to go. Things that bump around in our consciousness for two or three days then go back to wherever they came from... to darkness. We've got all these wells dug in our hearts. While above the wells, birds flit back and forth.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Each new thing he encountered in life impelled him in a direction that fully convinced him of its rightness, but then the next new thing loomed up and impelled him in the opposite direction, which also felt right. There was no controlling narrative: he seemed to himself a purely reactive pinball in a game whose only object was to stay alive for staying alive's sake.
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Jonathan Franzen (Freedom)
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Somebody had tipped the American continent like a pinball machine and all the goofballs had come rolling to LA in the southwest corner. I cried for all of us. There was no end to the American sadness and the American madness. Someday we'll all start laughing and roll on the ground when we realize how funny it's been.
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Jack Kerouac (On the Road: The Original Scroll)
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If you look at things from a distance, most anything looks beautiful.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Me, I've seen 45 years, and I've only figured out one thing. That's this: if a person would just make the effort, there's something to be learned from everything. From even the most ordinary, commonplace things, there's always something you can learn. I read somewhere that they said there's even different philosophies in razors. Fact is, if it weren't for that, nobody'd survive.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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There are no truly strong people. Only people who pretend to be strong.
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Haruki Murakami (Wind/Pinball: Two Novels)
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How can those who live in the light of day possibly comprehend the depths of night?
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Haruki Murakami (Wind/ Pinball: Two Novels)
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The problem was, I think, that the places I fit in were always falling behind the rimes.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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However miserable your situation, there is always something to learn.
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Haruki Murakami (Wind/Pinball: Two Novels)
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We fell silent again. The thing we had shared was nothing more than a fragment of time that had died longe ago.Even so, a faint glimmer of that warm memory still claimed a part of my heart. And when death claim me, no doubt I would walk along by that faint light in the brief instant before being flung once again into the abyss of nothingness
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Why do you read books?” he asked. β€œWhy do you drink beer?” I replied without glancing in his direction,
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Haruki Murakami (Wind/Pinball: Two Novels)
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I think about pinball, and how being a kid’s like being shot up the firing lane and there’s no veering left or right; or you’re just sort of propelled. But once you clear the top, like when you’re sixteen, seventeen, or eighteen, suddenly there’s a thousand different paths you can take, some amazing, others not. Tiny little differences in angles and speed’ll totally alter what happens to you later, so a fraction of an inch to the right, and the ball’ll just hit a pinger and a dinger and fly down between your flippers, no messing, a waste of 10 p. But a fraction to the left and it’s action in the play zone, bumpers and kickers, ramps and slingshots and fame on the high-score table.
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David Mitchell (The Bone Clocks)
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I am learning slowly to bring my crazy pinball-machine mind back to this place...
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Anne Lamott (Bird by Bird)
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The Earth is God's pinball machine and each quake, tidal wave, flash flood and volcanic eruption is the result of a TILT that occurs when God, cheating, tries to win free games.
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Tom Robbins (Even Cowgirls Get the Blues)
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Her parents, she said, has put a pinball machine inside her head when she was five years old. The red balls told her when she should laugh, the blue ones when she should be silent and keep away from other people; the green balls told her that she should start multiplying by three. Every few days a silver ball would make its way through the pins of the machine. At this point her head turned and she stared at me; I assumed she was checking to see if I was still listening. I was, of course. How could one not? The whole thing was bizarre but riveting. I asked her, What does the silver ball mean? She looked at me intently, and then everything went dead in her eyes. She stared off into space, caught up in some internal world. I never found out what the silver ball meant.
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Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
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Good question, but no answer. Good questions never have answers.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Sometimes, I imagine how great it would be if we could live our lives without bothering other people.
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Haruki Murakami (Wind/Pinball: Two Novels)
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Why did her family think pachinko was so terrible? Her father, a traveling salesman, had sold expensive life insurance policies to isolated housewives who couldn't afford them, and Mozasu created spaces where grown men and women could play pinball for money. Both men had made money from chance and fear and loneliness. Every morning, Mozasu and his men tinkered with the machines to fix the outcomes--there could only be a few winners and a lot of losers. And yet we played on, because we had hope that we might be the lucky ones. How could you get angry at the ones who wanted to be in the game? Etsuko had failed in this important way--she had not taught her children to hope, to believe in the perhaps-absurd possibility that they might win. Pachinko was a foolish game, but life was not.
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Min Jin Lee (Pachinko)
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People with dark hearts have dark dreams. Those whose hearts are even darker can’t dream at all.
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Haruki Murakami (Wind/Pinball: Two Novels)
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It wasn't a beautiful face. But it was a nice face. It wasn't a face that could launch a thousand ships. Maybe two ships and a small yacht. That was, until she smiled. When she smiled, her eyes lit up like a pinball machine when you win a bonus game. And she smiled a lot.
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Grant Naylor (Infinity Welcomes Careful Drivers (Red Dwarf, #1))
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When it's all over, it'll seem like a dream.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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She gave me this look – she might have been watching from a lifeboat as the ship went down. Or maybe it was the other way around.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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This uneasiness comes over me from time to time, and I feel as if I've somehow been pieced together from two different puzzles.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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An old cat is a good friend to talk to.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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There is nothing so perfect as pinball and a pint at 11 a.m.
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Tom Hodgkinson
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That's when I gave up pinball. When the times comes, everybody gives up pinball. Nothing more to it.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Ascribing meaning to life is a piece of cake compared to actually living it." -from "Hear the Wind Sing
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Haruki Murakami (Wind/Pinball: Two Novels)
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And I think that it is certainly possible that the objective universe can be affected by the poet. I mean, you recall Orpheus made the trees and the stones dance and so forth, and this is something which is in almost all primitive cultures. I think it has some definite basis to it. I'm not sure what. It's like telekinesis, which I know very well on a pinball machine is perfectly possible.
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Jack Spicer (The House That Jack Built: The Collected Lectures)
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Then when dusk began to settle he would retrace his steps, back to his own world. And on the way home, a loneliness would always claim his heart. He could never quite get a grip on what it was. It just seemed that whatever lay waiting "out there" was all too vast, too overwhelming for him to possibly ever make a dent in.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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On any given day, something can come along and steal our hearts. It may be any old thing: a rosebud, a lost cap, a favorite sweater from childhood, an old Gene Pitney record. A miscellany of trivia with no home to call their own. Lingering for two or three days, that something soon disappears, returning to the darkness. There are wells, deep wells, dug in our hearts. Birds fly over them." -from "Pinball, 1973
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Haruki Murakami (Wind/Pinball: Two Novels)
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It's about being the flipper not the pinball.
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Faith Erin Hicks (Pumpkinheads)
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Nah, I shook my head, things that come out of nowhere go back to nowhere, that’s all. We fell silent again. The thing we had shared was nothing more than a fragment of time that had died long ago. Even so, a faint glimmer of that warm memory still claimed a part of my heart. And when death claimed me, no doubt I would walk along by that faint light in the brief instant before being flung once again into the abyss of nothingness.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Happiness is a warm friendship.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Things that come out of nowhere go back to nowhere, that's all.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Where there's an entrance, there's got to be an exit. Most things work that way.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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There can be no meaning in what will someday be lost. Passing glory is not true glory at all.
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Haruki Murakami (Wind/Pinball)
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People are awkward creatures. A lot more awkward than you seem to realize.
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Haruki Murakami (Wind/Pinball: Two Novels)
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We're all wrong, every one of us.
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Haruki Murakami (Wind/Pinball: Two Novels)
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Am I happy? All I can say is I guess so. That's pretty much the way it is with dreams.
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Haruki Murakami (Hear the Wind Sing / Pinball, 1973 (The Rat, #1-2))
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Phone calls in the dead of the night never brought good news.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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From his shoulder on down, the Rat felt the supple weight of her body. An odd sensation, that weight. This being that could love a man, bear children, grow old, and die; to think one whole existence was in this weight.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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If you can let it go at not understanding, that's the best anyone could expect.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Civilization is communication,” the doctor said. β€œThat which is not expressed doesn’t exist.
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Haruki Murakami (Wind/Pinball: Two Novels)
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Writing honestly is very difficult. The more I try to be honest, the farther my words sink into darkness." -from "Hear the Wind Sing
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Haruki Murakami (Wind/Pinball: Two Novels)
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A neutral place. The chances of finding one these days are slim, maybe even slimmer than Archie’s pinball trick. The sheer quantity of shit that must be wiped off the slate if we are to start again as new. Race. Land. Ownership. Faith. Theft. Blood. And more blood. And more. And not only must the place be neutral, but the messenger who takes you to the place, and the messenger who sends the messenger. There are no people or places like that left…
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Zadie Smith (White Teeth)
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I could go on like this forever, but would I ever find a place that was meant for me? Like, for example, where? After lengthy considerations, the only place I could think of was the cockpit of a two-seater Kamikaze torpedo-plane. Of all the dumb ideas. In the first place, all the torpedo-planes were scrapped thirty years ago
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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I didn’t have the vaguest idea of what to do – I couldn’t keep staring at the wall forever, I told myself. But even that admonition didn’t work. A faculty advisor reviewing a graduation thesis would have had the perfect comment: you write well, you argue clearly, but you don’t have anything to say.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Like the song says, rainy days and Mondays always get ya down.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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There’s no such thing as a perfect piece of writing. Just as there’s no such thing as perfect despair.
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Haruki Murakami (Wind/Pinball: Two Novels)
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Good style, clear argument, but you're not saying anything.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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this deaf elf sure plays a mean pinball.
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Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
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A small metal marble pinballs within my chest, banging and clanging against all the routes inside me.
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S.M. Parker (The Girl Who Fell)
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There can be no meaning in what will someday be lost. Passing glory is not true glory at all." -from "Pinball, 1973
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Haruki Murakami (Wind/Pinball: Two Novels)
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We’re all just pinballs, getting bonked around wherever our upbringings kick us.
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Cara McKenna (After Hours)
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One could say that the greatest sins afflicting modern society are the proliferation of lies and silence. We lie through our teeth, then swallow our tongues." -from "Heart the Wind Sing
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Haruki Murakami (Wind/Pinball: Two Novels)
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While you’re playing yourself out in lonesome dissipation in front of a pinball machine, someone else might be reading through Proust. Still another might be engaged in heavy petting with a girlfriend at a drive-in theater showing of Paths of Courage. The one could well become a writer, witness to the age; the others, a happily married couple. Pinball machines, however, won’t lead you anywhere. Just the replay light. Replay, replay, replay...
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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What we shared was no more than a fragment of a time long dead. Yet memories remained, warm memories that remained with me like lights from the past. And I would carry those lights in the brief interval before death grabbed me and tossed me back into the crucible of nothingness.
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Haruki Murakami (Wind/Pinball: Two Novels)
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There are β€” how do you say β€” things in this world our philosophy cannot account for.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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A person probably couldn't live without pride. But living by pride, alone the prospects were too dark. Way too dark.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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If a person would just make the effort, there's something to be learned from everything. From even the most ordinary, commonplace things, there's always something you can learn.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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My face, my self, what would they mean to anybody? Just another stiff. So this self of mine passes some other's self on the street β€” what do we have to say to each other? Hey there! Hi ya! That's about it. Nobody raises a hand. No one turns around to take another look.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Trouble fell like rain from the heavens, and we just couldn't get enough of it. We went around picking up the stuff and cramming our pockets full of it. Even now I can't figure out why we persisted in doing that. Maybe we mistook it for something else.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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The past and the present, might we say, go like this. The future is a maybe. Yet we look back on the darkness that obscures the path that brought us fair, we only come up with another indefinite maybe. The only thing we perceive with any clarity is the present moment, and even that just passes by.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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If everybody went around understanding each other without asking questions or speaking their mind, they'd never get anywhere.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Time goes by so damn fast.
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Haruki Murakami (Wind/Pinball: Two Novels)
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Each day was a carbon copy of the last. You needed a bookmark to tell one from the other.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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For me, it was a lonely season. Whenever I got home and took off my clothes, I felt as if any second my bones would burst through my skin. Like some unknown force inside me had taken a wrong turn somewhere, and was leading me off in some strange direction to another world
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Yeah,bumpers are for preschoolers or two teenagers who couldn't stop throwing gutter balls if their lives depended on it.Which, fortunately, they don't.Because we'd be screwed." I grabbed my glittery hot pink ball (which I was seriously considering buying) and imitated the perfect form a Mohawked guy next to us was using. Instead of shooting straight down the lane and knocking over all the pins, my ball inexplicably went flying backward toward Lend. "Okay,now we're getting dangerous." Lend brought my ball back and, wrapping himself around me,we threw it together. After pinballing off the bumpers on both sides,it knocked down a whole three pins. I jumped up and down, screaming. "That's like, practically a strike,right?" "Good enough for me!
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Kiersten White (Supernaturally (Paranormalcy, #2))
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To be a successful problem solver, focus first. We get stuck in problem solving when we don’t first prepare our brain by focusing on the basics. Don’t just dive into problem solving without studying the explanations first. You need to lay some basic trails on the focused pinball table.
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Barbara Oakley (Learning How to Learn: How to Succeed in School Without Spending All Your Time Studying; A Guide for Kids and Teens)
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He was dead tired, thanks to which, whatever emotions he might have had, simply came and went without gaining a foothold. The Rat began to relax and lay down his empty head on the mingled sounds of the waves and the deejay until sleep crept over him.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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In any case, suffice it to say I enjoyed hearing about faraway places. I had stocked up a whole store of these places, like a bear getting ready for hibernation. I’d close my eyes, and streets would materialize, rows of houses take shape. I could hear people’s voices, feel the gentle, steady rhythm of their lives, those people so distant, whom I’d probably never know.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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It wasn't hard going to the gym, as long as he went as soon as he woke up, before he had time to think about not going. Those morning workouts made him feel like he was starting his day like a pinball, with a giant shot of momentum. The feeling sometimes didn’t wear off until six or seven at night (when it was usually overtaken by the feeling that he was just bouncing haplessly from one situation to the next without any real purpose or direction).
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Rainbow Rowell (Attachments)
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I just wanted to go home. Take a quick bath, have a beer, and sink into my warm bed with my cigarettes and Kant.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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Accents don't show up in music.
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Jerzy KosiΕ„ski (Pinball (Kosinski, Jerzy))
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Enough with these stupid metaphors. They don't do any good.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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The world's full of groundless ill will. I'll never understand it, you'll never understand it, but it exists all the same.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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it’s even harder to talk about girls who have died young: by dying, they stay young forever.
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Haruki Murakami (Wind/Pinball: Two Novels)
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All things pass. None of us can manage to hold on to anything. In that way, we live our lives." -from "Hear the Wind Sing
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Haruki Murakami (Wind/Pinball: Two Novels)
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In the end we all die anyway.
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Haruki Murakami (Wind/Pinball: Two Novels)
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There are things in this world you can’t do a damn thing about.” β€œLike what?” β€œLike a rotten tooth, for example. One day it just starts aching. No one can ease the pain, no matter how hard they try to comfort you. It makes you furious with yourself. Next thing you know you’re furious with them because they aren’t pissed off with themselves. See how it escalates?
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Haruki Murakami (Wind/ Pinball: Two Novels)
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No sooner had one season slipped out the door than the next came in by another door. A person might scramble to the closing door and call out, Hey, wait a minute, there’s one last thing I forgot to tell you. But nobody would be there any more. The door shuts tight. Already another season is in the room, sitting in a chair, striking a match to light a cigarette. Anything you forgot to mention, the stranger says, you might as well go ahead and tell me, and if it works out, I’ll get the message through. Nah, it’s okay, you say, it was nothing really. And all around, the sound of the wind. Nothing, really. A season’s died, that’s all.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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It had been a long time since I felt the fragrance of summer: the scent of the ocean, a distant train whistle, the touch of a girl's skin, the lemony perfume of her hair, the evening wind, faint glimmers of hope, summer dreams. But none of these were the way they once had been; they were all somehow off, as if copied with tracing paper that kept slipping out of place." -from "Hear the Wind Sing
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Haruki Murakami (Wind/Pinball: Two Novels)
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All of us are laboring under the same conditions. It’s like we’re all flying in the same busted airplane. Sure, some of us are luckier than others. Some are tough and some are weak. Some are rich and some poor. But no one’s supermanβ€”in that way, we’re all weak. If we own things, we’re terrified we’ll lose them; if we’ve got nothing we worry it’ll be that way forever. We’re all the same. If you catch on to that early enough, you can try to make yourself stronger, even if only a little. It’s okay to fake it. Right? There are no truly strong people. Only people who pretend to be strong.
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Haruki Murakami (Wind/Pinball: Two Novels)
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When the sun went down, and touches of blue filtered into the fading afterglow, an orange lamp would light up in the knob of the bell and slowly begin to revolve. The beacon always pinpointed the onset of nightfall exactly. Against the most gorgeous sunsets or in dim drizzling mist, the beacon was ever true to its appointed moment: that precise instant in the alchemy of light and dark when darkness tipped the scales.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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The point is, it didn’t even look like my face. It was the face of any twenty-four-year-old guy who might have been sitting across the way on the commuter train. My face, my self, what would they mean to anybody? Just another stiff. So this self of mine passes some other’s self on the street – what do weh ave to say to each other? Hey there! Hi ya!That’s about it. Nobody raises a hand. No one turns around to take another look.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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On any given day, something can come along and steal our hearts. It may be any old thing: a rosebud, a lost cap, a favorite sweater from childhood, an old Gene Pitney record. A miscellany of trivia with no home to call their own. Lingering for two or three days, that something soon disappears, returning to the darkness. There are wells, deep wells, dug in our hearts. Birds fly over them.
”
”
Haruki Murakami (Wind/Pinball: Two Novels)
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For me, it was a lonely season. Whenever I got home and took off my clothes, I felt as if any second my bones would burst through my skin. Like some unknown force inside me had taken a wrong turn somewhere, and was leading me off in some strange direction to another world could go on like this forever, but would I ever find a place that was meant for me?
”
”
Haruki Murakami (Pinball, 1973 (The Rat, #2))
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For me, it was a lonely season. Whenever I got home and took off my clothes, I felt as if any second my bones would burst through my skin. Like some unknown force inside me had taken a wrong turn somewhere, and was leading me off in some strange direction to another world. The phone would ring. And I’d think, somebody’s got something to tell somebody else. I almost never got calls myself. There wasn’t anybody who’d have anything to say to me, at least not anybody I’d want to hear from.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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It’s all so strange. It’s like nothing ever really happened. No, it really happened, only it’s gone. Taking it hard? Nah, I shook my head, things that come out of nowhere go back to nowhere, that’s all. We fell silent again. The thing we had shared was nothing more than a fragment of time that had died long ago. Even so, a faint glimmer of that warm memory still claimed a part of my heart. And when death claimed me, no doubt I would walk along by that faint light in the brief instant before being flung once again into the abyss of nothingness.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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The Rat spent many tranquil afternoons settled in his rattan chair. When he began to drift off, he could feel time pass through his body like gently flowing water. As he sat, hours, days, weeks went by. Occasionally, ripples of emotion would lap against his heart as if to remind him of something. When that happened, he closed his eyes, clamped his heart shut, and waited for the emotions to recede. It was only a brief sensation, like the shadows that signal the coming of night. Once the ripple had passed, the quiet calm returned as if nothing untoward had ever taken place.
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Haruki Murakami (Pinball, 1973 (The Rat, #2))
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We thought about Thanksgiving, planned for Thanksgiving and talked of Thanksgiving for weeks beforehand, but the evening before the actual day was the best time of all. Then the house seethed with children and dogs, with friends and cooks, and with delightful smells of baking pie, turkey stuffing and coffee. Every time the doorbell rang we put on another pot of coffee and washed the cups and by the time we went to bed we were so nervous and flighty that when accidentally bumped or brushed against, we buzzed and lit up like pin-ball machines.
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Betty MacDonald (The Plague and I (Betty MacDonald Memoirs, #2))
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I swear with my hand on this room’s most sacred book, the alphabetized telephone directory, to speak the honest truth. Namely, that human existence is a hollow sham. And that, yes, salvation is possible. In the very beginning our hollowness was incomplete. It is we who completed it through unstinting effort, piling one struggle on top of another until every last shred of meaning was worn away. I have no intention of using my writing to detail each painstaking step in this erosion. That would be a waste of my time. Those of you who want to read about that should turn to Romain Rolland’s Jean Christophe. It is all written there.
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Haruki Murakami (Wind/ Pinball: Two Novels)
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I didn't know it would get this hot," she said. "It's hot as hell." "Hell is hotter." "Sounds like you've been there." "I've heard it from someone. They make it hotter and hotter till you think you'll go crazy; then they move you someplace cooler for a while. Then when you're recovered a little they move you back again." "So hell it's like a sauna." "Yeah, more or less. But a few can't recover and go totally bonkers." "So what happens to them?" "They get sent up to heaven, where they're forced to paint the walls. You see, the walls in heaven have to be kept a perfect white. As a result, they have to keep painting from dawn till dusk every day. It messes up their respiratory systems big time.
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Haruki Murakami (Wind/Pinball: Two Novels)
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Why'd you quit?" "I guess I was fed up with the whole thing. But I gave it my best shot. Surprised myself, really. I learned to think about people other than me, but in the end I just got kicked around by a cop. The way I see it, sooner or later everyone returns to his post. Except yours truly. For me, it was a game of musical chairs -- there was no place I could call my own." "So what'll you do now?" The Rat toweled off his feet. "I might write a novel," he said a moment later. "What do you think?" "I think it's a great idea." The Rat nodded. "What kind of novel?" "A good novel. From where I stand, anyway. I doubt I have any special talent for writing, but if I stick with it at least I can become more enlightened. Otherwise, what's the point, right?" "Right." "So the novel will be for myself. Or maybe for the cicadas." "The cicadas?" "Yeah.
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Haruki Murakami (Wind/Pinball: Two Novels)