Grape Leaves Quotes

guilt to motherhood is like grapes to wine

With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.

You’ll find out it’s little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it’s full of flavors, full of a lot of things growing. You’ve time to seek and find. I know, you’re after the broad effect now, I suppose that’s fit and proper. But you got to look at grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well, and good. Right now such things are bothersome to you, and I wonder if it isn’t because you never learned to use them. If you had your way you’d pass a law to abolish all the little jobs, the little things. But then you’d leave yourselves nothing to do between the big jobs and you’d have a devil of a time thinking up things? Cutting grass and pulling weeds can be a way of life.

Give me my robe, put on my crown; I have Immortal longings in me: now no more The juice of Egypt's grape shall moist this lip: Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: husband, I come: Now to that name my courage prove my title! I am fire and air; my other elements I give to baser life. So; have you done? Come then, and take the last warmth of my lips. Farewell, kind Charmian; Iras, long farewell. Kisses them. IRAS falls and dies Have I the aspic in my lips? Dost fall? If thou and nature can so gently part, The stroke of death is as a lover's pinch, Which hurts, and is desired. Dost thou lie still? If thus thou vanishest, thou tell'st the world It is not worth leave-taking.

The god’s nostrils flared. One of the grape leaves on his hat burst into flame. “If we know each other from that other camp, it’s a wonder I haven’t already turned you into a dolphin.” “It was discussed,” Percy assured him. “I think you were just too lazy to do it.

My heart is like a singing bird Whose nest is in a water'd shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these, Because my love is come to me. Raise me a daïs of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me.

Imagine a Carthage sown with salt, and all the sowers gone, and the seeds lain however long in the earth, till there rose finally in vegetable profusion leaves and trees of rime and brine. What flowering would there be in such a garden? Light would force each salt calyx to open in prisms, and to fruit heavily with bright globes of water–-peaches and grapes are little more than that, and where the world was salt there would be greater need of slaking. For need can blossom into all the compensations it requires. To crave and to have are as like as a thing and its shadow. For when does a berry break upon the tongue as sweetly as when one longs to taste it, and when is the taste refracted into so many hues and savors of ripeness and earth, and when do our senses know any thing so utterly as when we lack it? And here again is a foreshadowing–-the world will be made whole. For to wish for a hand on one’s hair is all but to feel it. So whatever we may lose, very craving gives it back to us again.

The bond we forged was molded from an unspoken commitment to our collective survival. It reached through history, straddled continents, spanned wars, and held our collective and individual tragedies and triumphs. It was girlhood letters or a pot of stuffed grape leaves. Our bond was Palestine. It was a language we dismantled to construct a home.

The widest land Doom takes to part us, leaves thy heart in mine With pulses that beat double. What I do And what I dream include thee, as the wine Must taste of its own grapes.

He watched the sun rise beyond the grape arbor. In the thin golden light the young leaves and tendrils of the Scuppernong were like Twink Weatherby's hair. He decided that sunrise and sunset both gave him a pleasantly sad feeling. The sunrise brought a wild, free sadness; the sunset, a lonely yet a comforting one. He indulged his agreeable melancholy until the earth under him turned from gray to lavender and then to the color dried corn husks.

The Worm's Waking by Rumi This is How a Human Being Can Change: There’s a worm addicted to eating grape leaves. Suddenly, he wakes up, call it grace, whatever, something wakes him, and he’s no longer a worm. He’s the entire vineyard, and the orchard too, the fruit, the trunks, a growing wisdom and joy that doesn’t need to devour.

Japan Today I pass the time reading a favorite haiku, saying the few words over and over. It feels like eating the same small, perfect grape again and again. I walk through the house reciting it and leave its letters falling through the air of every room. I stand by the big silence of the piano and say it. I say it in front of a painting of the sea. I tap out its rhythm on an empty shelf. I listen to myself saying it, then I say it without listening, then I hear it without saying it. And when the dog looks up at me, I kneel down on the floor and whisper it into each of his long white ears. It’s the one about the one-ton temple bell with the moth sleeping on its surface, and every time I say it, I feel the excruciating pressure of the moth on the surface of the iron bell. When I say it at the window, the bell is the world and I am the moth resting there. When I say it into the mirror, I am the heavy bell and the moth is life with its papery wings. And later, when I say it to you in the dark, you are the bell, and I am the tongue of the bell, ringing you, and the moth has flown from its line and moves like a hinge in the air above our bed.

Leave town, Henry. Leave before they trap you

Then it happened. One night as the rain beat on the slanted kitchen roof a great spirit slipped forever into my life. I held his book in my hands and trembled as he spoke to me of man and the world, of love and wisdom, pain and guilt, and I knew I would never be the same. His name was Fyodor Mikhailovich Dostoyevsky. He knew more of fathers and sons than any man in the world, and of brothers and sisters, priests and rogues, guilt and innocence. Dostoyevsky changed me. The Idiot, The Possessed, The Brothers Karamazov, The Gambler. He turned me inside out. I found I could breathe, could see invisible horizons. The hatred for my father melted. I loved my father, poor, suffering, haunted wretch. I loved my mother too, and all my family. It was time to become a man, to leave San Elmo and go out into the world. I wanted to think and feel like Dostoyevsky. I wanted to write. The week before I left town the draft board summoned me to Sacramento for my physical. I was glad to go. Someone other than myself could make my decisions. The army turned me down. I had asthma. Inflammation of the bronchial tubes. “That’s nothing. I’ve always had it.” “See your doctor.” I got the needed information from a medical book at the public library. Was asthma fatal? It could be. And so be it. Dostoyevsky had epilepsy, I had asthma. To write well a man must have a fatal ailment. It was the only way to deal with the presence of death.

Go from me. Yet I feel that I shall stand Henceforth in thy shadow. Nevermore Alone upon the threshold of my door Of individual life, I shall command The uses of my soul, nor lift my hand Serenely in the sunshine as before, Without the sense of that which I forbore-- Thy touch upon the palm. The widest land Doom takes to part us, leaves thy heart in mine With pulses that beat double. What I do And what I dream include thee, as the wine Must taste of its own grapes. And when I sue God for myself, He hears that name of thine, And sees within my eyes the tears of two.

He smelled the odor of the pine boughs under him, the piney smell of the crushed needles and the sharper odor of the resinous sap from the cut limbs. ... This is the smell I love. This and fresh-cut clover, the crushed sage as you ride after cattle, wood-smoke and the burning leaves of autumn. That must be the odor of nostalgia, the smell of the smoke from the piles of raked leaves burning in the streets in the fall in Missoula. Which would you rather smell? Sweet grass the Indians used in their baskets? Smoked leather? The odor of the ground in the spring after rain? The smell of the sea as you walk through the gorse on a headland in Galicia? Or the wind from the land as you come in toward Cuba in the dark? That was the odor of cactus flowers, mimosa and the sea-grape shrubs. Or would you rather smell frying bacon in the morning when you are hungry? Or coffee in the morning? Or a Jonathan apple as you bit into it? Or a cider mill in the grinding, or bread fresh from the oven?

When You Return Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart.

When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.

That's the trouble with your generation,' said Grandpa. 'Bill, I'm ashamed of you, you a newspaperman. All the things in life that were put here to savor, you eliminate. Save time, save work, you say.' He nudged the grass trays disrespectfully. 'Bill, when your'e my age, you'll find out it's the little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it's full of flavors, full of a lot of things growing. You've time to seek and find. I know--you're after the broad effect now, and I suppose that's fit and proper. But for a young man working on a newspaper, you got to look for grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well and good. Right now such things are bothersome to you, and I wonder if it isn't because you've never learned to use them. If you had your way you'd pass a law to abolish all the little jobs, the little things. But then you'd leave yourselves nothing to do between the big jobs and you'd have a devil of a time thinking up things to do so you wouldn't go crazy. Instead of that, why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life, son.

A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.

You work that you may keep pace with the earth and the soul of the earth. For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite. When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison? Always you have been told that work is a curse and labour a misfortune. But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born, And in keeping yourself with labour you are in truth loving life, And to love life through labour is to be intimate with life's inmost secret. But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written. You have been told also that life is darkness, and in your weariness you echo what was said by the weary. And I say that life is indeed darkness save when there is urge, And all urge is blind save when there is knowledge, And all knowledge is vain save when there is work, And all work is empty save when there is love; And when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as if your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching. Often have I heard you say, as if speaking in sleep, "He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil. And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet." But I say, not in sleep but in the overwakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass; And he alone is great who turns the voice of the wind into a song made sweeter by his own loving. Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distils a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.

Do you have any idea how hard it is to stay focussed? Splitting headaches all the time! I never know what I’m doing or where I’m going! Constantly grumpy!” “That sounds pretty normal for you,” Percy said. The god’s nostrils flared. One of the grape leaves on his hat burst into flame. “If we know each other from that other camp, it’s a wonder I haven’t already turned you into a dolphin.” “It was discussed,” Percy assured him. “I think you were just too lazy to do it.

Nevertheless" you've seen a strawberry that's had a struggle; yet was, where the fragments met, a hedgehog or a star- fish for the multitude of seeds. What better food than apple seeds - the fruit within the fruit - locked in like counter-curved twin hazelnuts? Frost that kills the little rubber-plant - leaves of kok-sagyyz-stalks, can't harm the roots; they still grow in frozen ground. Once where there was a prickley-pear - leaf clinging to a barbed wire, a root shot down to grow in earth two feet below; as carrots from mandrakes or a ram's-horn root some- times. Victory won't come to me unless I go to it; a grape tendril ties a knot in knots till knotted thirty times - so the bound twig that's under- gone and over-gone, can't stir. The weak overcomes its menace, the strong over- comes itself. What is there like fortitude! What sap went through that little thread to make the cherry red!

Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distills a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.

The receding waves of foreign peon labor are leaving California agriculture to the mercies of our own people. The old methods of intimidation and starvation perfected against the foreign peons are being used against the new white migrant workers. But they will not be successful.

There was a worm addicted to grape leaves, she continued, and suddenly it woke up. Call it a miracle, whatever, something woke it up and it wasn’t a worm anymore. It was the whole vineyard, and the orchard too, the fruit, the trunks, an ever-expanding joy that didn’t need to devour anything.

Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distils a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.

How can we live without our lives? How will we know it’s us without our past? No. Leave it. Burn it.

How can we live without our lives? How will we know it's us without our past? No. Leave it. Burn it.

if the grapegatherers came to thee, would they not leave some grapes?

What do I care if it’s shocking? I am shocking. What was done to me was shocking. I am outside the boundaries forever, no longer decent. I will leave grapes for you in your own home.

As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.

And then the leaves break out on the trees, and the petals drop from the fruit trees and carpet the earth with pink and white. The centers of the blossoms swell and grow and color: cherries and apples, peaches and pears, figs which close the flower in the fruit. All California quickens with produce, and the fruit grows heavy, and the limbs bend gradually under the fruit so that little crutches must be placed under them to support the weight.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

Soon you catch your first glimpse of a vineyard basking in the sun, its broad leaves silently turning sunlight into sugar, ripening vitis vinifera, the European grapes that make the world’s finest wines. For a moment you might imagine you’ve been mysteriously wafted to the French countryside, but no, this is the East End of Long Island, the most exciting new wine region in North America. You’ve reached your destination, but your journey of discovery has barely begun

ARRIVAL And yet one arrives somehow, finds himself loosening the hooks of her dress in a strange bedroom— feels the autumn dropping its silk and linen leaves about her ankles. The tawdry veined body emerges twisted upon itself like a winter wind...!

But days like these offered sights more welcome to tired eyes, when autumn colors brushed the leaves, when cooler air meant grapes and olives and relief from August's oppressive heat. The blue of the sky, sharper than memory, bluer even than la mar itself.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

He turned to look at me straight on, and I saw a kind of purplish fire in his eyes, a hint that this whiny, plump little man was only showing me the tiniest bit of his true nature. I saw visions of grape vines choking unbelievers to death, drunken warriors insane with battle lust, sailors screaming as their hands turned to flippers, their faces elongating into dolphin snouts. I knew that if I pushed him, Mr D would show me worse things. He would plant a disease in my brain that would leave me wearing a straitjacket in a rubber room for the rest of my life. ‘Would you like to test me, child?’ he said quietly. ‘No. No, sir.

After all, the sanitation and the agriculture of today are still in the rudimentary stage. The science of our time has attacked but a little department of the field of human disease, but even so, it spreads its operations very steadily and persistently. Our agriculture and horticulture destroy a weed just here and there and cultivate perhaps a score or so of wholesome plants, leaving the greater number to fight out a balance as they can. We improve our favourite plants and animals--and how few they are--gradually by selective breeding; now a new and better peach, now a seedless grape, now a sweeter and larger flower, now a more convenient breed of cattle. We improve them gradually, because our ideals are vague and tentative, and our knowledge is very limited; because Nature, too, is shy and slow in our clumsy hands. Some day all this will be better organized, and still better. That is the drift of the current in spite of the eddies.

Lo, ’tis autumn; Lo, where the trees, deeper green, yellower and redder, Cool and sweeten Ohio’s villages, with leaves fluttering in the moderate wind; Where apples ripe in the orchards hang, and grapes on the trellis’d vines;* (Smell you the smell of the grapes on the vines? Smell you the buckwheat, where the bees were lately buzzing?)*

I awaken by the heat emanating from your body. I wash the grapes and eat the bad ones so you don’t taste their bitterness. You place the bowl on your stomach and the cold makes you squeal. I smile. You simper. That is enough for me. I come home and eat my meal in silence. I avoid you. Your hand takes the dish I just placed in the sink and washes it. I rest my head on the wooden table. The dish is placed to dry. There are no footsteps. Then a mouth kisses the nape of my neck. My head sinks deep into the wood and my obstinacy drowns. That is enough for me. I write because of you, about you and for you. I will not perish when you leave for your existence is enough for me.

Because he would leave. Oliver felt sure of that. You couldn’t plant a tumbleweed and expect it to yield grapes, no matter how perfect the terroir. The summer was slithering away and in a month or so it would be time for harvest. Then fall would turn the fields to fire and when the leaves fell they would travel halfway around the world to cold, pearly-gray Paris. And then what?

It’s a terrible story. We worked so hard, so hard, building our world one brick at a time. And when it fell apart, it happened just like that. Everything was gone before you knew it.” Reiko stood up and thrust her hands in her pants pockets. “Let’s go back. It’s late.” The sky was darker, the cloud cover thicker than before, the moon invisible. Now, I realized, like Reiko I could smell the rain. And with it mixed the fresh smell of the grapes in the bag I was holding in my hand. “That’s why I can’t leave this place,” she said. “I’m afraid to leave and get involved with the outside world. I’m afraid to meet new people and feel new feelings.” “I understand,” I said. “But I think you can do it. I think you can go outside and make it.” Reiko smiled, but she didn’t say a thing.

As he lifted the leather-bound cover, the musty smell of paper rose up. He turned the first mottled leaf and looked down at an elaborately drawn image. A brimming goblet was decorated with curling vines and bunches of grapes. But instead of wine or water, the cup was filled with words. John stared at the alien symbols. He could not read. Around the goblet a strange garden grew. Honeycombs dripped and flowers like crocuses sprouted among thick-trunked trees. Vines draped themselves about their branches which bristled with leaves and bent under heavy bunches of fruit. In the far background John spied a roof with a tall chimney. His mother settled beside him. 'Palm trees...' she said. 'These are dates. Honey came from the hives and saffron came from these flowers. Grapes swelled on the vine...

Sleeping Wrestler You are a murderer No you are not, but really a wrestler Either way it's just the same For from the ring of your entangled body Clean as leather, lustful as a lily Will nail me down On your stout neck like a column, like a pillar of tendons The thoughtful forehead (In fact, it's thinking nothing) When the forehead slowly moves and closes the heavy eyelids Inside, a dark forest awakens A forest of red parrots Seven almonds and grape leaves At the end of the forest a vine Covers the house where two boys Lie in each others arms: I'm one of them, you the other In the house, melancholy and terrible anxiety Outside the keyhole, a sunset Dyed with the blood of the beautiful bullfighter Escamillo Scorched by the sunset, headlong, headfirst Falling, falling, a gymnast If you're going to open your eyes, nows the time, wrestler

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

O Thebes! garland yourself in all the green there is — ivy green, olive green, fennel green, growing green, yearning green, wet sap green, new grape green, green of youth and green of branches, green of mint and green of marsh grass, green of tea leaves, oak and pine, green of washed needles and early rain, green of weeds and green of oceans, green of bottles, ferns and apples, green of dawn-soaked dew and slender green of roots, green fresh out of pools, green slipped under fools, green of the green fuse, green of the honeyed muse, green of the rough caress of ritual, green undaunted by reason or delirium, green of jealous joy, green of the secret holy violence of the thyrsos, green of the sacred iridescence of the dancе — and let all the land of Thebes dance! with Dionysos leading, to the mountains! to the mountains! where the mob of women waits! They’ve forsaken their shuttles, they’ve left their looms, they’ve dropped their aprons and taken up their stations on Dionysos’ mountain!

My love, whose fingers are matches, whose waist is encircled by the arms of the wind. My love, how the world sleeps in your throat, how your heart is filled with the scents of raspberries and grapes, to live inside you, to live inside the warm peach. Otherwise there is no way to stop despair from lurking all night in the shadows beside the old toll gate. Otherwise we will have to weep in another language. It was on a country road. It was in the wrong tense. How do we stop all our words from falling in love with gravity? Otherwise we will have to stop taking breaths from this moment on. From this moment on the abandoned clocks will observe us. My love, our hearts are growing full of broken wings, My love, to find our voice in a drop of water, in the tracks the starlight leaves behind. If only this were enough. If only we could get the attention of Time, standing in that doorway, peeling an apple. It hurts here. It hurts here. — Richard Jackson, from “The Italian Phrase Book,” Richard Jackson Greatest Hits: 1980-2004 (Pudding House Publications, 2004)

showered the strixes with an explosion of bushes dotted with green fruits. The birds simply veered around them. “Grapes?” Grover asked. “Gooseberries,” said Meg. “Are you sure?” Grover asked. “The shape of the leaves—” “Grover!” I snapped. “Let’s restrict ourselves to military botany. What’s a—? DUCK!” Now, gentle reader, you be the judge. Was I asking the question What’s a duck? Of course I wasn’t. Despite Meg’s later complaints, I was trying to warn her that the nearest strix was charging straight at her face. She didn’t understand my warning, which was not my fault. I swung my borrowed scimitar, attempting to protect my young friend. Only my terrible aim and Meg’s quick reflexes prevented me from decapitating her. “Stop that!” she yelled, swatting the strix aside with her other blade. “You said cover me!” I protested. “I didn’t mean—” She cried out in pain, stumbling as a bloody cut opened along her right thigh. Then we were engulfed in an angry storm of talons, beaks, and black wings. Meg swung her scimitar wildly. A strix launched itself at my face, its claws about to rip my eyes out, when Grover did the unexpected: he screamed.

According to Mark 11:12-13, God's messengers were not the only ones who were incompetent: 'He [Jesus] was hungry. And on seeing in the distance a fig tree in leaf, he went to see if he could find anything on it. When he came to it, he found nothing but leaves, for it was not the season for figs.' Imagine Jesus, the divine, holy, wisest of the wise not knowing that figs were out of season. Now allegedly Jesus could have performed a miracle and made figs magically appear, but he preferred sour grapes instead: Then he said to the tree, 'May no one ever eat fruit from you again.' (Mark 11:14)

A duck walks into a store and asks the manager if he sells grapes. The manager says no, so the duck leaves. The next day the duck goes back to the store and asks the manager if he sells grapes. The manager says, “NO, we don’t sell grapes,” so the duck leaves the store. The next day the duck goes back to the same store and asks the manager if he sells grapes. The manager is furious now and says, “NO, WE DO NOT SELL GRAPES! IF YOU COME BACK AND ASK IF WE SELL GRAPES AGAIN, I’LL GLUE YOUR BEAK TO THE FLOOR!” The next day the duck goes back to the same store and says to the manager, “Excuse me, do you sell glue at this store?” The manager says, “No, we don’t sell glue.” The duck replies, “That’s good. Do you sell grapes?

1:1 The vision of Obadiah. Thus saith the Lord GOD concerning Edom; We have heard a rumour from the LORD, and an ambassador is sent among the heathen, Arise ye, and let us rise up against her in battle. 1:2 Behold, I have made thee small among the heathen: thou art greatly despised. 1:3 The pride of thine heart hath deceived thee, thou that dwellest in the clefts of the rock, whose habitation is high; that saith in his heart, Who shall bring me down to the ground? 1:4 Though thou exalt thyself as the eagle, and though thou set thy nest among the stars, thence will I bring thee down, saith the LORD. 1:5 If thieves came to thee, if robbers by night, (how art thou cut off!) would they not have stolen till they had enough? if the grapegatherers came to thee, would they not leave some grapes?

Essay on Lust Identity can’t be concise. It’s knit from sequins and lust and scatters. Mostly everyone was fucking the seven arts with a willed difficulty. Then for one day there was the collective sensation that we carried our lovely voices as if in baskets, piled up in clear tones like grapes. Each voice had achieved its particular mass. From an interior space we heard the word sequin repeating in relation to leaves and the image was yellow-gold leaves moving on dark water. We had undergone an influence of death which was itself imprinted on such a moving sequin: the breath sequins, the heartbeat sequins, the organs and their slowing articulation sequins which drifting from the foreground appear to dim since they gradually go out to illuminate some event so distant we will never own the moment of its perception. But all this gives the illusion of peacefulness which is inert or at least passive when breaths burst smashing into sobbed words some urgent errand trapped in these letters as labour of light diminishing rhythm and if we fiercely decide to clear the stupid human stuff stop waiting for something to come to the father-studded earth shouldn’t this impatience release itself as a tongue so new weeping stops. In young women enamoured of their own intensities the Latin element wells up and knits from lust the pelt on the wall that’s ocelot or shadepelt or the imagination of matter. Nothing’s frugal. As for us, we want to give the city what lust has never ceased to put together. Young women or other women carrying their lovely voices as if on platters, their ten voices or nine voices in urgent errand dictating the imagination of matter. It is not our purpose to obscure the song of no-knowledge.

Although his intimacy with Stephen Maturin did not allow him to ask questions that might be judged impertinent, it was of such a rare kind that he could ask for money without the least hesitation. "Have you any money, Stephen?" he said, the Marine having vanished in the trees. "How I hope you have. I shall have to borrow the Marine's guinea from you, and a great deal more besides, if his message is what I dearly trust. My half-pay is not due until the month after next, and we are living on credit." "Money, is it?" said Stephen, who had been thinking about lemurs. There were lemurs in Madagascar: might there not be lemurs on Reunion? Lemurs concealed among the forests and the mountains of the interior? "Money? Oh, yes, I have money galore." He felt in his pockets. "The question is, where is it?" He felt again, patted his bosom, and brought out a couple of greasy two pound notes on a country bank. "That is not it," he muttered, going through his pockets again. "Yet I was sure--was it in my other coat? did I perhaps leave it in London?--you are growing old, Maturin--ah, you dog, there you are!" he cried triumphantly, returning to the first pocket and drawing forth a neat roll, tied with tape. "There. I had confused it with my lancet-case. It was Mrs Broad of the Grapes that did it up, finding it in a Bank of England wrapper that I had--that I had neglected. A most ingenious way of carrying money, calculated to deceive the pick-pocket. I hope it will suffice." "How much is it?" asked Jack. "Sixty or seventy pound, I dare say." "But, Stephen, the top note is a fifty, and so is the next. I do not believe you ever counted them." "Well, never mind, never mind," said Stephen testily. "I meant a hundred and sixty. Indeed, I said as much, only you did not attend.

He pulled a battered red photo album from his truck’s glove compartment and showed me pictures of green Azorean fields divided by hedges of lilac-colored hydrangeas. He showed me waves crashing against black volcanic rock and his ancient stone house next to the sea, the home where he returned every summer. “Over there the air is so clean, so nice. The ocean is right there. The fish are fresh, you catch and eat them, and the potatoes are so good, you won’t believe it. “We make wine. Put on shorts and get in there and smash grapes, and when you drink right away is sweet like juice. Every year when we get back from there, we’re fat,” Morais said. He loved his island house in the Azores so much that at the end of each summer, when he left, he had to have someone else close the door for him. “I’m a guy that came from the old country. I never go to school five minutes in this country, and still I work and I do good. I love my money. God bless this country,” he said. “But when I leave to close my door over there, I cry like a baby. I try so hard not to, but I cry.

Six Significant Landscapes" I An old man sits In the shadow of a pine tree In China. He sees larkspur, Blue and white, At the edge of the shadow, Move in the wind. His beard moves in the wind. The pine tree moves in the wind. Thus water flows Over weeds. II The night is of the colour Of a woman's arm: Night, the female, Obscure, Fragrant and supple, Conceals herself. A pool shines, Like a bracelet Shaken in a dance. III I measure myself Against a tall tree. I find that I am much taller, For I reach right up to the sun, With my eye; And I reach to the shore of the sea With my ear. Nevertheless, I dislike The way ants crawl In and out of my shadow. IV When my dream was near the moon, The white folds of its gown Filled with yellow light. The soles of its feet Grew red. Its hair filled With certain blue crystallizations From stars, Not far off. V Not all the knives of the lamp-posts, Nor the chisels of the long streets, Nor the mallets of the domes And high towers, Can carve What one star can carve, Shining through the grape-leaves. VI Rationalists, wearing square hats, Think, in square rooms, Looking at the floor, Looking at the ceiling. They confine themselves To right-angled triangles. If they tried rhomboids, Cones, waving lines, ellipses -- As, for example, the ellipse of the half-moon -- Rationalists would wear sombreros.

They had her in Intensive Care. I sat outside Intensive Care in their slick little awful waiting room. They had red slippery chairs, cheap covering, and a stand full of pebbles with green plastic leaves growing up. I sat there hour after hour and read The Reader's Digest. The jokes. Thinking this is how it is, this is it, really, she's dying. Now, this moment, behind those doors, dying. Nothing stops or holds off for it the way you somehow and against all your sense believe it will. I thought about Mother's life, the part of it I knew. Going to work every day, first on the ferry then on the bus. Shopping at the old Red-and-White then at the new Safeway -- new, fifteen years old! Going down to the Library one night a week, taking me with her, and we would come home on the bus with our load of books and a bag of grapes we bought at the Chinese place, for a treat. Wednesday afternoons too when my kids were small and I went over there to drink coffee and she rolled us cigarettes on that contraption she had. And I thought, all these things don't seem that much like life, when you're doing them, they're just what you do, how you fill up your days, and you think all the time something is going to crack open, and you'll find yourself, then you'll find yourself, in life. It's not even that you particularly want this to happen, this cracking open, you're comfortable enough the way things are, but you do expect it. Then you're dying, Mother is dying, and it's just the same plastic chairs and plastic plants and ordinary day outside with people getting groceries and what you've had is all there is, and going to the Library, just a thing like that, coming back up the hill on the bus with books and a bag of grapes seems now worth wanting, O God doesn't it, you'd break your heart wanting back there.

The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’ Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there. This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione. When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.

So, of course Rose decided this would be a good time to discuss such matters. “I would also like to know if you know ways to prevent pregnancy.” He choked on a grape. She lurched toward him, but he coughed and spat the villainous fruit on the grass. He wiped at his watery eyes with the back of his hand as he turned his face to her once more. “That will teach me not to chew sufficiently.” Rose smiled shakily, her heart skipping. “You scared me.” What if he had choked to death right in front of her? She couldn’t even begin to contemplate life without him. “You stunned me. That’s not exactly something you bring up out of the blue.” His eyes twinkled. “Was it the mention of your puppy? Are you frightened of having a litter?” When he looked at her like that-like they were friends and so much more-it made her insides feel like leaves blowing in the wind. Her gaze slid to her lap. “I would like us to have some time together before we have children.” Some of the tenderness drained from his expression. “I should have taken precautions last night. I’m sorry. I didn’t think of children, only…” “Only what?” If it made his eyes warm like that, she wanted to know what he’d been thinking. His gaze locked with hers, so sharp and hot. “I thought only of how it felt to be naked inside you.” A hard throb pulsed low and deep inside her, bringing sexual awareness speeding to the surface. It had been different without the “French Letter.” It had been better than the times at Saint’s Row, even though she wouldn’t have thought that possible. But that difference wasn’t entirely physical, she knew that. “And how did that feel?” Lord, was that warble really her voice? Grey regarded her from beneath heavy lids. “Like heaven.” Dear God, the man knew exactly what to say to her. She was already leaning toward him, pulled by some invisible string. “Really?” He reached out, cupping her jaw with his warm hand. His thumb brushed her lower lip, pulling it just a little. “Really. And if we weren’t out in the open I’d show you.” “I’d let you,” she replied breathlessly. The air between them seemed to crackle. If lightning struck the ground between them it wouldn’t surprise her. Grey rose to his feet and held out his hand. “Come with me.

This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

Meditation is the saints’ looking glass, by which they see things invisible. Meditation is the golden ladder by which they ascend to paradise. Meditation is the spy they send abroad to search the land of promise, and it brings a cluster of the grapes of Eshcol with it. Meditation is the dove they send out, and it brings an olive branch of peace in its mouth. But who can tell how sweet honey is, save they that taste it? The excellency of meditation I leave to experienced Christians, who will say the comfort of it may be better felt than expressed.

A good idea is to do advance research on the Internet, since an increasing number of restaurants now post their wine lists on their Web sites. Before leaving for the restaurant, take a few minutes to scan the list, maybe even look up reviews or scores online as well. Or if the wine list isn’t on the Web site, call the restaurant to ask them to fax or e-mail it to you, or at least to discuss it over the phone. This is especially helpful if you’ll be choosing the wine for a large dinner group and makes you look like a real hero when the sommelier arrives. Not only do you make a quick choice, but you can even toss out a few comments about the region or vintage.

When we parted, on the Boulevard du Montparnasse, I leaned over to give her a kiss on the cheek. ‘If you do find paradise,’ she said, turning to leave, ‘send me a grape.

Just live in the moment and drink in the love like a fine wine that leaves the memories of a million grapes ripening in the sun on the hillside of Napa Valley in the spring.

It might come as a surprise, but the Bible also addresses the importance of corporate responsibility.  The Old Testament “law of gleaning” speaks loud and clear about this.  Leviticus 19: 9-10 (NIV) summarizes this important social justice law which is also restated in Deuteronomy 24: “‘When you reap the harvest of your land, do not reap to the very edges of your field or gather the gleanings of your harvest.  Do not go over your vineyard a second time or pick up the grapes that have fallen. Leave them for the poor and the foreigner. I am the LORD your God.” This law from God Himself, commanded landowners, business owners in our language today, to leave some of their potential profits for immigrants and the poor. 

Even when she was a girl, the kitchen was a source of pride and power. A separate vestibule off the main room, it cocooned her in glorious aromas. She had proven herself a skillful and painstaking chef, famous in the family for yaprach that tickled the tongue with notes of tomato, lemon and dried sumac. Shmuel and her half brothers teased that Miryam's date-sized yaprach were tiny, like her. Miryam didn't mind the ribbing; she rolled grape leaves at half their usual size precisely so that her family would recognize them as hers, rather than her stepmother's or her aunts'.

Do not deprive the foreigner or the fatherless of justice, or take the cloak of the widow as a pledge. Remember that you were slaves in Egypt and the Lord your God redeemed you from there. That is why I command you to do this. “When you are harvesting in your field and you overlook a sheaf, do not go back to get it. Leave it for the foreigner, the fatherless and the widow, so that the Lord your God may bless you in all the work of your hands. When you beat the olives from your trees, do not go over the branches a second time. Leave what remains for the foreigner, the fatherless and the widow. When you harvest the grapes in your vineyard, do not go over the vines again. Leave what remains for the foreigner, the fatherless and the widow. Remember that you were slaves in Egypt. That is why I command you to do this.” “God bless the reading of his Word.

For the farsighted, the folks in the know, life is a deer park, where gentle breezes and fragrant grape leaves keep you company, complete with afternoon foot-soakings, peaceful snoozes, fine hounds and desirable wenches, the hell with all care; a long life, a nice pipe from time to time, mellow dinners: that's the way to spend life, life that digs your grave even now, steadfastly, like the ever-burrowing mole. To want nothing, and ask only for peace and quiet. Hope for nothing besides fair weather on the morrow. Trust no one, believe no one, think no extraordinary thoughts, just live, live, and love; fall asleep, and wake up healthy... Wear comfy slippers and pass the night in a feather bed. Live out a happy and long old age, the best part of life. To get an honest night's sleep, and then a snooze after lunch, let out a few whoops, fight and make up.

pains - simply mix with equal quantities of Sweet Almond/ Grape Seed oil and add in Lavender and Chamomile oil to your scrub to boost the analgesic properties. Massage on and leave in place for 5 – 10 minutes for optimal results. Coconut Oil Coconut oil is a good addition to a body scrub and can really help to cleanse skin. Try it on the body first though as it is known to cause rashes in some individuals. If you really want to try it, use it on a small area at first and watch carefully to see if any rashes develop. The oil itself has strong anti-bacterial and anti-fungal properties but you can

The points of difference that matter are the shape and appearance of the leaves – the depth of the indentations, the appearance of the veins – the hairiness of the shoot tips, the shape and tightness or looseness of the bunches, the

If possible, get the ingredients at your local farmer’s market. Food tastes better when you know where it comes from. ⅓ cup honey 2 cups melon cubes ⅓ cup lemon or lime juice 2 cups green seedless grapes 6 fresh mint leaves, 1 cup fresh blueberries finely snipped 1 cup fresh pineapple chunks Use a whisk or hand mixer to whip the honey until it turns thick and opaque. Add the lemon or lime, then stir in the mint leaves. Combine the fruit in a large glass or pottery bowl. Pour the honey mixture over and stir gently to coat. Serve immediately with a clear flute of sparkling water or Prosecco. [Source: Original]

When Miss Petitfour made a fancy salad, Minky watched the way the lettuce leaves bent under the slight weight of the Parmesan; when Miss Petitfour had cheese toast for tea, Minky noticed how the cheddar melted into every little crevice and crater of the toast. She licked her whiskers greedily when Miss Petitfour lowered her hand to feed her snippets and smidgens, pinches and wedges, slices and crumbs. Minky loved all cheese--Swiss cheese, Edam cheese, Gruyere and Roquefort, Brie cheese and blue cheese, mozzarella and Parmesan, hard cheese, crumbly cheese, creamy cheese, lumpy cheese. Minky even had a cheese calendar that she kept with, which Miss Petitfour had given to her for Christmas. Each month there was a big picture of a different kind of cheese in a mouthwatering pose: blue cheese cavorting with pears, cheddar laughing with apples, Gruyere lounging with grapes, Edam joking with parsley.

2 grilled chicken breasts, diced 1 avocado, peeled and diced 5-6 green lettuce leaves, cut in stripes 3-4 green onions, finely chopped 5-6 radishes, sliced 7-8 grape tomatoes 2 tbsp lemon juice 3 tbsp extra virgin olive oil 1 tsp dried mint salt and black pepper, to taste

UNSAFE Human Foods Below is a list of harmful foods for dogs. This is not a complete list, but a common list of foods known to be harmful to our canine friends. If you are unsure of a food that you wish to add to your dog’s diet, please consult a veterinarian or expert on dog nutrition. Onions: Both onions and garlic contain the toxic ingredient thiosulphate. However, onions are more dangerous than garlic because of this toxin. Many dog biscuits contain trace amounts of garlic, and because of this small amount, there is no threat to the health of your dog. This poison can be toxic in one large dose, or with repeated consumption that builds to the toxic level in the dog’s blood. Chocolate: Contains theobromine, a compound that is a cardiac stimulant and a diuretic. This can be fatal to dogs. Grapes: Contains an unknown toxin that can affect kidney, and in large enough amounts can cause acute kidney failure. Raisins: (Same as above) Most Fruit Pits and Seeds: Contains cyanogenic glycosides, which if consumed can cause cyanide poisoning. The fruits by themselves are okay to consume. Macadamia Nuts: Contains an unknown toxin that can be fatal to dogs. Most Bones: Should not be given (especially chicken bones) because they can splinter and cause a laceration of the digestive system or pose a choking hazard because of the possibility for them to become lodged in your pet’s throat. Potato Peelings and Green Potatoes: Contains oxalates, which can affect the digestive, nervous, and urinary systems. Rhubarb leaves: Contains high amount of oxalates. Broccoli: Broccoli should be avoided, though it is only dangerous in large amounts. Green parts of tomatoes: Contains oxalates, which can affect the digestive, nervous, and urinary systems. Yeast dough: Can produce gas and swell in your pet’s stomach and intestines, possibly leading to a rupture of the digestive system. Coffee and tea: (due to the caffeine) Alcoholic Beverages: Alcohol is very toxic to dogs and can lead to coma or even death. Human Vitamins: Vitamins containing iron are especially dangerous. These vitamins can cause damage to the lining of the digestive system, the kidneys, and liver. Moldy or spoiled foods: There are many possible harmful outcomes from spoiled foods. Persimmons: These can cause intestinal blockage. Raw Eggs: Potential for salmonella. Salt: In large doses can cause an electrolyte imbalance. Mushrooms: Can cause liver and kidney damage. Avocados: Avocado leaves; fruit, seeds, and bark contain a toxin known as persin. The Guatemalan variety that is commonly found in stores appears to be the most problematic. Avocados are known to cause respiratory distress in other animals, but causes less harmful problems in dogs. It is best to avoid feeding them to your dog. Xylitol: This artificial sweetener is not healthy for dogs.

A duck walks into a store and asks the manager if he sells grapes. The manager says no, so the duck leaves. The next day the duck goes back to the store and asks the manager if he sells grapes. The manager says, “NO, we don’t sell grapes,” so the duck leaves the store. The next day the duck goes back to the same store and asks the manager if he sells grapes. The manager is furious now and says, “NO, WE DO NOT SELL GRAPES! IF YOU COME BACK AND ASK IF WE SELL GRAPES AGAIN, I’LL NAIL YOUR BEAK TO THE FLOOR!” The next day the duck goes back to the same store and says to the manager, “Excuse me, do you sell nails at this store?” The manager says, “No, we don’t sell nails.” The duck replies, “That’s good. Do you sell grapes?

It’s not really such a bad place,” she says, looking around the room. She’s moved on to dessert. “They know how to make a decent rice pudding.” My hand shakes a little when I pour creamer into her coffee. If I got on a plane tonight I could be in Rome in time for dinner tomorrow. Homemade pasta, fresh tomatoes and basil. Real Parmesan cheese, not the kind that comes in packets. And wine—maybe something I haven’t tasted before, a grape varietal I don’t yet know. It would be nothing like here. A break from this place. From Mom. I want to get home and e-mail Paul. I will be there. I am coming. I feel her eyes on me as I pack up my things. “You should dye your hair before you leave,” she says finally. “See if the salon can fit you in this week.” “That’s a good idea.” I kiss her goodbye. “I bet Hannah is gorgeous, she’ll look just like Emily did at that age. Beautiful, but not the brightest bulb. It’s good you’re going. You’ll have to send me pictures.” She surveys my face. I try to keep it blank, unreadable. “Use my brightening mask when you get home. It’ll clear up whatever’s happening on your chin.” “I will.” I shift my purse full of papers and snacks and bottled water from one shoulder to the other. “I love you, see you tomorrow.

Father Joe grinned. “What is good, and what is evil?” People shifted uncomfortably in their chairs. “Islam says good is doing whatever Allah has decreed is good. Evil is the opposite. Hinduism talks about ignorance that causes one to err and those errors are the karma of past lives that hurt one in the present. Not only is evil inevitable in creation, but it is said to be a good thing, a necessary part of the universe, the will of Brahma, the creator. If the gods are responsible for the existence of evil in the world, they either create it willingly—and are thus evil themselves—or are forced to create it by the higher law of karma, which makes them weak. “Buddhism disagrees. In fact, the whole of life for the Buddhist is suffering that stems from the wrong desire to perpetuate the illusion of personal existence. The Noble Truth of Suffering, dukkha, is this: ‘Birth is suffering; aging is suffering; sickness is suffering; death is suffering; sorrow and lamentation, pain, grief, and despair are suffering; association with the unpleasant is suffering; dissociation from the pleasant is suffering; not to get what one wants is suffering—in brief, the five aggregates of attachment are suffering.’ Samyutta Nikaya 56, 11. According to that belief, good is the complete abolition of personhood, because that is what ends suffering. “The monotheistic religions go another route. Now listen to this: “‘When you reap your harvest, leave the corners of your field for the poor. When you pluck the grapes in your vineyard, leave those grapes that fall for the poor and the stranger. Do not steal; don’t lie to one another, or deny a justified accusation against you. Don’t use My name to swear to a lie. Don’t extort your neighbor, or take what is his, or keep the wages of a day laborer overnight. Don’t curse a deaf man or put a stumbling block before a blind man. Don’t misuse the powers of the law to give special consideration to the poor or preferential honor to the great; according to what is right shall you judge your neighbor. Don’t stand by when the blood of your neighbor is spilled. Don’t hate your fellow man in your heart but openly rebuke him. Do not take revenge nor bear a grudge. Love your neighbor’s well-being as if it were your own.’ “And overarching all these commandments is the supreme admonition not to be good but to be holy, ‘because I am holy.’” The class looked stunned. “Pretty specific, no?” He smiled. “Especially in contrast to the detachment from life of the Eastern religions. In this, we find perhaps the greatest piece of moral education and legislation ever given to mankind in all human history. Do any of you recognize the source?” “Gospels?” someone guessed. “It’s from the Old Testament of the Jews. From the book of Leviticus.

The houses were left vacant on the land, and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming, were alive; and they were alive with metal and gasoline and oil, the disks of the plows shining. The tractors had lights shining, for there is no day and night for a tractor and the disks turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn there is a life and a vitality left, there is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn, and the heat and smell of life. But when the motor of a tractor stops, it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy that the wonder goes out of work, so efficient that the wonder goes out of land and the working of it, and with the wonder the deep understanding and the relation. And in the tractor man there grows the contempt that comes only to a stranger who has little understanding and no relation. For nitrates are not the land, nor phosphates; and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt nor water nor calcium. He is all these, but he is much more, much more; and the land is so much more than its analysis. The man who is more than his chemistry, walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch; that man who is more than his elements knows the land that is more than its analysis. But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself. When the corrugated iron doors are shut, he goes home, and his home is not the land.

Harty Choak Pie Translation: Artichoke pie. This old English recipe comes from an old recipe book in Martha Washington’s family. The coffin used, lest you become alarmed, was a pastry-lined dish or pan shaped like a (you guessed it!) coffin. The verges mentioned is verjuice or green juice—any sour juice of a green fruit used in place of vinegar. Grape juice was commonly used this way. Artichokes Sugar Pastry Verges (green juice) Butter Cinnamon Marrow bones Ginger Take 12 harty choak [artichoke] bottoms, good and large and boil them. Discard the leaves and core, and place the bottoms on a coffin of pastry, with 1 pound butter and the marrow of 2 bones in big pieces, then close up the coffin, and bake it in the oven. Meanwhile, boil together ½ pound sugar, ½ pint verges, and a touch of cinnamon and ginger. When the pie is half-baked, put the liquor into it, replace it in the oven until it is fully baked.

The houses were left vacant on the land and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming were alive, and they were alive with metal and gasoline and oil, discs of the plows shining. The tractors had lights shining, for there is no day and night for a tractor, and the discs turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn, there is a life and vitality left. There is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn and the heat and smell of life, but when the motor of a tractor stops it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy, that the wonder goes out of work. So efficient, that the wonder goes out of land, the working of it, and with the wonder, the deep understanding and the relation. And in the tractor man the grows the contempt that comes only to a stranger who has little understanding and no relation, for nitrates are not the land, nor phosphates, and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt, water, nor calcium. He is all these, but he is much more, much more. And the land is so much more than its analysis. The man who is more than his chemistry walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch, that man who is more than his elements knows the land that is more than it's analysis. But the machine man, driving a dead tractor on land he does not know and love understands only chemistry, and he is contemptuous of the land and of himself. When the corrugated iron doors are shut he goes home, and his home is not the land.

duck walks into a store and asks the manager if he sells grapes. The manager says no, so the duck leaves. The next day the duck goes back to the store and asks the manager if he sells grapes. The manager says, “NO, we don’t sell grapes,” so the duck leaves the store. The next day the duck goes back to the same store and asks the manager if he sells grapes. The manager is furious now and says, “NO, WE DO NOT SELL GRAPES! IF YOU COME BACK AND ASK IF WE SELL GRAPES AGAIN, I’LL

It became a tradition to bookend my stays with parties: the welcome home party and the leaving party, or fête de vidange, as we called it, a play on the expression for grape harvest, fête de vendange—where we’d empty, or vider, my refrigerator before I’d close up the apartment and return to New York.

Grapes, raisins, onions, garlic, and macadamia nuts all are toxic for your puppy. In recent years, the most common human food that causes illness in dogs is sugarless candy and gum containing xylitol. Your puppy can experience serious damage if they ingest xylitol, so don’t leave a purse containing sugarless gum in your home or car where they could root around and get into trouble.

The others climbed into the back of the truck with the pitchforks and the pinestraw, leaving Stacy all alone in the front with the man. She sat as close to the door as she could and held the handle tight in case she had to jump out or something. Suspiciously, she looked at the big paper bag on the seat between them. The man, still frowning, put the truck into gear. With a jolt, they started off. Before they had gone very far he slammed on the brakes, throwing them all forward. He doesn’t even have seatbelts, Stacy thought. But how can you think of dumb things like that when you’re about to die? “Sorry,” he said gruffly. “I forgot. I’ve got to make one stop before we go to the dairy barns.” Throwing the truck into reverse, he backed up a few yards to a narrow road that led into the woods. A small sign that read “Private! Closed to the Public” was posted by the side of the road. Oh dear, Stacy thought, we’re doomed now. How many times did Mom ever tell me never to get into a car with a stranger? And now I’ve gone and done that and here we are heading down an off-limits road into the woods. She had a cold chill, and this time it wasn’t from her wet clothes. They bounced down the rutted road. In the mirror outside her window, she could see the kids hanging on to the side of the truck for dear life. The arms of the low pines brushed the roof of the truck with a skeletal scraping down. At least they came to an opening. Before her Stacy could see rows and rows of vines. “Vineyards,” she whispered to herself. Suddenly, the man slammed on his brakes. The truck jarred to a stop. Without a word he threw open the door and climbed out. Now we’re in for it, thought Stacy. I just know he’s coming around this side to get me. She squeezed her eyes shut tight. Over the idling hum of the motor she could hear him walking. Then there was a squeal from the kids in the back of the truck. Oh, my goodness, she thought, squinching her eyes tighter and tighter until they hurt. What is he doing to them? In a moment he slung the door of the truck open. In spite of herself she turned and looked at him. He had a big grin on his face. And his shirt was covered with a big purple stain. Blood! “Your shirt,” she stuttered, pointing a quivery finger toward him. He laughed. “Juice,” he said. “Juice from the grapes.” Stacy sniffed. Sure enough it did smell like grape juice. She got up the nerve to look in the rearview mirror. The kid’s heads bobbed in the back. Slowly she ungripped her hand from the door handle. The man waved an arm towards the vineyards. “We grow grapes for wine here. It’s just another way to use the land like Mr. Vanderbilt thought you should.” Stacy just stared at his shirt again and said, “Oh.

The lilacs grew with no care given them, and in the early summer they hung like bunches of mild mauve grapes from branches with leaves like dark green hearts, and the scent of them was so bold and sweet you could smell nothing else, a seasonal mercy.

We walked and talked amid the vines. The bees followed and buzzed the juicy offerings. I watched as they sipped, tonguing the vined fruit. We walked in the heat and scent and the Father talked of the natural world and hinted at books to be read and Music, and how the world reflected some larger potential. I struggled with his words. No one had ever spoken to me like that. His words seduced. Their easy flow thrummed and I could see things that day that I had never imagined. We walked and I noted the bees, how they fed and then staggered in ragged lines across the broad grape leaves. The Father said they were making themselves drunk on the older berries in which the juice had begun to ferment in the hot sun. They wobbled and stumbled like old men. He said the bees were drunk, but they fell to the ground and buzzed one last time and then lay still. He said they were drunk. They seemed dead . . .

That late bloomer Abraham has been hanging around his father’s tent for far too many years, to put it mildly. But if God’s call comes, it is better to heed it, no matter how late (and in that, there is real hope, for those who believe that they have delayed too long). Abraham leaves his country, and his people, and his father’s household, and journeys out into the world, following the still small voice; following God’s call. And it is no call to happiness. It is the complete bloody catastrophe we previously described: famine, war, and domestic strife. All this might make the reasonable individual (not to mention Abraham himself) doubt the wisdom of listening to God and conscience, and of adopting the responsibility of autonomy and the burden of adventure. Better to be lying in a hammock, devouring peeled grapes in the security of Dad’s tent. What calls you out into the world, however—to your destiny—is not ease. It is struggle and strife. It is bitter contention and the deadly play of the opposites. It is probable—inevitable—that the adventure of your life will frustrate and disappoint and unsettle you, as you heed the call of conscience and shoulder your responsibility and endeavor to set yourself and the world right. But that is where the deep meaning that orients you and shelters you is to be found. That is where things will line up for you; where things that have been scattered apart and broken will come together; where purpose will manifest itself; where what is proper and good will be supported and what is weak and resentful and arrogant and destructive will be defeated. That is where the life that is worth living is to be eternally found—and where you can find it, personally, if only you are willing.

My sandwich—which had been closer to a gyro, packed with onions, tomatoes, mild, soft cheese, tzatziki, and ground poultry of some kind, lightly spiced and as delicious as it was unfamiliar—had come with a side order of both stuffed grape leaves and grudging advice about how to handle the chain I was about to embark on.

More than grapes grow on grapevines. Rumor and gossip, libel and falsehood flourish among the green leaves of jealousy ... grapevines grow only in shady surroundings.

us. And why must vines be pruned, my friend?” I considered his question. Surely there was a trap set for me. “First, the dead canes must be cut off in this season when the vine is sleeping. This season … you see the workers there … the pruning is severe. Down to the trunk of the vine. Dead canes will not bear fruit and so must be cut off first. In another month or so, depending on the weather, there will be bud break. The vine will produce new, healthy shoots. New growth will bear fruit.” Jesus asked, as though he did not know, “Is the job of the vinedresser finished when he cuts away these dead branches?” “Well … no. Through the growing season, we train the branches. Set them in the best position to expose fruit to the sun. Thin the leaves that block the sun from the berries; break off clusters that will never ripen evenly. They only steal the life of the vine from the good clusters. The vinedresser cuts away excess foliage to concentrate the life of the vine into the best berries that will make the finest quality wine. The vine can’t nourish the new growth properly … the quality of the grapes is not as good

And face-to-face with the lush vineyard, I feel my worries melt away. The grapes glow with that magical golden sunlight, but from here, it feels far more real. I turn and turn, drinking in the sights of the green vines, thick with plump grapes, the same sage green as the broad leaves fluttering in the breeze. Dusty paths stretch between the rows, and I want to walk through them forever, listening to the almost-quiet of this strange, beautiful world.

What all these stories show is that no law of nature forces native animals to prefer their natural foods, or even to recognize them. Some do (say koalas on gum leaves) but many don’t. A currawong guzzling grapes might not look quite natural to us, but the bird doesn’t see it that way. By nature it is an opportunist. For our native wildlife, the foreign plants and animals flourishing in Australia today afford untold opportunities too good to pass by.

He took her hand out of gentlemanly habit, and they walked out of her driveway and started their stroll in a row of garlic, the pungent scent filling the air. Grape vines contrasted with nascent strawberry plants, which would probably be ready to harvest this spring. This farm was massive. Normally, Enrique loved staring out at the ocean from his home in La Jolla, but the view of all these plants as far as his eyes could see almost seemed better. The round artichoke globes reminded him of the undulating waves in the ocean. Wind blew the leaves of the garlic plants, which varied in size. And all this magnificent greenery fed people throughout California.

In the undergrowth robins sang of water; in the rushes bullfrogs croaked of love. The cardinal whistled to his mate. As Harry rushed through the ritual words, Leah wondered what he would look like clothed only in leaves. His hair was so dark it was almost blue. Could he dance? she wondered. She would follow if he started any dance at all. She could see him wreathed with grapes, standing on a boat with curving prow, thee mast encircled with vines, all the sailors already transformed into dolphins.

Excerpt from "Work" And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread, that feeds but half man’s hunger. And if you grudge the crushing of the grapes, your grudge distills a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man’s ears to the voices of the day and the voices of the night.

Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man’s hunger. And if you grudge the crushing of the grapes, your grudge distills a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man’s ears to the voices of the day and the voices of the night. All work is empty save when there is love; and when you work with love you bind yourself to yourself, and to one another, and to God. —Kahlil

The prettiest bottle, made of glass molded in a pattern of leaves, was half-filled with a colorless liquor. Her attention was caught by the sight of a pear inside the bottle. Lifting the bottle, Lillian examined it closely and gently swirled the liquid until the pear lifted and turned with the motion. A perfectly preserved golden pear. This must be a new variety of eau-de-vie, as the French called it... "water of life," a colorless brandy distilled from grapes, plums, or elderberries. Pears as well, it seemed.

The very next morning It was Valentine’s Day! They grabbed all their cards and went on their way. The classroom was decked out in red, pink, and white, with balloons and streamers, so festive and bright. Someone dropped by with a giant bouquet addressed to the teacher, who blushed right away. The card was signed “From a secret admirer,” but everyone knew it was Mr. O’Meyer! They played pin the heart and won goofy toys, and girls ran away from kissy-face boys. The art teacher came and painted kids’ faces. She put hearts on cheeks and sillier places! At last it was time to deliver the cards. Look! One for Lisa, Jim, and Bernard. They opened them up, read them and smiled, and laughed at the cards that were totally wild. Then they ate goodies, sweet cherries, and grapes, and drank punch with ice cubes in little heart shapes. And just when they thought the party was done, a knock on the door came at quarter past one. When what to their wondering eyes should appear, but the principal himself dressed in full Cupid gear! His arrows--how golden! His bow--curved and tight! The wig that he wore was a comical sight. He spoke not a word and was gone in a minute, leaving a present behind. Now what could be in it? They read Cupid’s note as he leapt down the hall: “Happy Valentine’s Day-- to one and to all!