Harper's Bazaar Quotes

‎Oh, anywhere, driver, anywhere - it doesn't matter. Just keep driving. It's better here in this taxi than it was walking. It's no good my trying to walk. There is always a glimpse through the crowd of someone who looks like him—someone with his swing of the shoulders, his slant of the hat. And I think it's he, I think he's come back. And my heart goes to scalding water and the buildings sway and bend above me. No, it's better to be here. But I wish the driver would go fast, so fast that people walking by would be a long gray blur, and I could see no swinging shoulders, no slanted hat. Dorothy Parker, Sentiment, Harper's Bazaar, May 1933.

The woman was Diana Vreeland, the high priestess of fashion and legendary fashion editor of Harper’s Bazaar and editor-in-chief of Vogue. Dana paused, eyes wide. Well, perhaps she was a bit star-struck after all.

This is the result of a Harper’s Bazaar commission for a new version of the face that had long been a signature of the magazine.

As early as 1915, Harper’s Bazaar declared, “The woman who hasn’t at least one Chanel is hopelessly out of fashion … This season the name of Chanel is on the lips of every buyer.

SHE HAD WATCHED THEM in supermarkets and she knew the signs. At seven o'clock on a Saturday evening they would be standing in the checkout line reading the horoscope in Harper's Bazaar and in their carts would be a single lamb chop and maybe two cans of cat food and the Sunday morning paper, the early edition with the comics wrapped outside. They would be very pretty some of the time, their skirts the right length and their sunglasses the right tint and maybe only a little vulnerable tightness around the mouth, but there they were, one lamb chop and some cat food and the morning paper. To avoid giving off the signs, Maria shopped always for a household, gallons of grapefruit juice, quarts of green chile salsa, dried lentils and alphabet noodles, rigatoni and canned yams, twenty-pound boxes of laundry detergent. She knew all the indices to the idle lonely, never bought a small tube of toothpaste, never dropped a magazine in her shopping cart. The house in Beverly Hills overflowed with sugar, corn-muffin mix, frozen roasts and Spanish onions. Maria ate cottage cheese.

You ever read about the first black person to do so and so or hold such and such a job? I know I have. Here’s the first black head football coach in the NFL. Here’s the first black owner in the NFL. Here’s the first black editor in chief of Harper’s Bazaar. Here’s the first black person to attend Harvard, the first black valedictorian at Princeton. Here’s the first black woman to win a Pulitzer Prize. Now think of when you’ve ever heard about the first white person to do something significant. I can’t remember one time reading, “Check it out, finally a white person’s done this!” And you know why? Because white people have had a lock on significance since before this country was even a country.

As associate beauty editor, it was my job to represent the magazine at get-togethers like these: to rub elbows and be pleasant and professional. Seriously, it was the easiest gig in the world! And yet it wasn’t always so easy for me. “I’ll take one of those.” I stopped a dude with a tray of champagne. “Thanks, honey.” “Hi, Cat!” a beauty publicist with a clipboard said. “Thanks so much for coming!” “Good to see you,” I lied. Thunder clapped outside. “The gang’s over there,” she said. The publicist was referring to the usual group of beauty editors—my colleagues. They were from every title you’ve ever heard of: Teen Vogue, Glamour, Elle, Vogue, W, Harper’s Bazaar, InStyle, O, Shape, Self. I attended events alongside them every day, and yet I never felt like I belonged. I’d spent years trying to get into their world: interning, studying mastheads, interviewing all over town. But now that I was one of them, I felt defective—self-conscious and out of place in the dreamy career I’d worked so hard for, and unable to connect with these chic women I’d idolized.

In July 1964 an alleged incident involving Paco Rabanne rocked the model community to its foundations. The innovative Spanish-born designer had used black beauties in his Paris show to model his futuristic plastic dresses, a move that enraged the American fashion press. According to Rabanne in Barbara Summers’s book Skin Deep, things got out of hand backstage after the show. ‘I watched them coming,’ he said, ‘the girls from American Vogue and Harper’s Bazaar. “Why did you do that?” they said. “You don’t have the right to do that, to take those kind of girls. Fashion is for us, white people.” They spat in my face. I had to wipe it off.’ Rabanne was subsequently blacklisted by the fashion cartels until black runway models finally became chic in the 1970s.

Essential feminism suggests anger, humorlessness, militancy, unwavering principles, and a prescribed set of rules for how to be a proper feminist woman, or at least a proper white, heterosexual feminist woman—hate pornography, unilaterally decry the objectification of women, don’t cater to the male gaze, hate men, hate sex, focus on career, don’t shave. I kid, mostly, with that last one. This is nowhere near an accurate description of feminism, but the movement has been warped by misperception for so long that even people who should know better have bought into this essential image of feminism. Consider Elizabeth Wurtzel, who, in a June 2012 Atlantic article, says, “Real feminists earn a living, have money and means of their own.” By Wurtzel’s thinking, women who don’t “earn a living, have money and means of their own,” are fake feminists, undeserving of the label, a disappointment to the sisterhood. She takes the idea of essential feminism even further in a September 2012 Harper’s Bazaar article, where she suggests that a good feminist works hard to be beautiful. She says, “Looking great is a matter of feminism. No liberated woman would misrepresent the cause by appearing less than hale and happy.” It’s too easy to dissect the error of such thinking. She is suggesting that a woman’s worth is, in part, determined by her beauty, which is one of the very things feminism works against. The most significant problem with essential feminism is how it doesn’t allow for the complexities of human experience or individuality. There seems to be little room for multiple or discordant points of view. Essential feminism has, for example, led to the rise of the phrase “sex-positive feminism,” which creates a clear distinction between feminists who are positive about sex and feminists who aren’t—which, in turn, creates a self-fulfilling essentialist prophecy.

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Những tạp chí về làm đẹp và thời trang cần đọc Bạn quan tâm đến làm đẹp? Bạn đang tìm kiếm những tạp chí làm đẹp để cập nhật những xu hướng thẩm mỹ mới nhất, thời thượng nhất hiện nay? Đừng bỏ qua 5 gợi ý dưới đây bạn nhé! Tạp chí làm đẹp Elle Việt Nam Elle là một trong những tạp chí hàng đầu thế giới dành cho phái đẹp. Trở thành độc giả của Ellle Việt Nam, bạn sẽ chìm trong thế giới của thời trang, làm đẹp chuyên nghiệp cùng những bí quyết để trở thành một cô nàng “sắc sảo, sành điệu và sâu lắng”. Có thể nói, đây là một trong những tạp chí hàng đầu thế giới dành cho phái đẹp, không chỉ cập nhật tất tần tật các thông tin từ thời trang, làm đẹp đến văn hóa, phong cách sống… mà còn truyền cảm hứng cho các chị em. Không chỉ đa dạng, phong phú về mặt nội dung, Tạp chí làm đẹp Elle Việt Nam còn có sức hút với bạn đọc bởi những bộ ảnh cực chất trong mỗi bài viết. Tuy nhiên, Elle Việt Nam có thiên hướng về lĩnh vực thời trang. Nếu mong muốn trở thành một fasshionista, các chị em đừng bỏ qua tạp chí này nhé. Tạp chí làm đẹp Her World Việt Nam Tạp chí Her World không chỉ đa dạng về nội dung làm đẹp mà còn có cách bài trí cực bắt mắt, thu hút người đọc. Không chỉ là đặc san về ngôi sao, thời gian và làm đẹp, tạp chí Her Worlds Việt Nam còn được xem là cẩm nang cho những ai đang trên con đường khẳng định bản thân. Tạp chí này rất phù hợp cho các chị em từ độ tuổi 25 – 40. Độc giả sẽ tìm thấy những bài viết đặc sắc, những lời tư vấn phù hợp về cách ăn mặc, trang điểm để trở nên nổi bật cũng như khẳng định phong cách của bản thân. Không chỉ bó hẹp trong phạm vi, lĩnh vực trên, xuyên suốt cẩm nang là vô số những bí quyết hữu ích để bạn gái vừa đẹp người lại vừa đẹp nết. Và thêm một điểm cộng cho tạp chí này chính là bố cục với cách trình bày hiện đại, bắt mắt cùng lối văn mạnh mẽ nhưng rất gần gũi. Ngoài làm đẹp, các chị em sẽ có cái nhìn toàn diện hơn về đời sống hiện đại. Có thể nói, Elle Việt Nam giống như một người bạn tâm giao để phái đẹp có thêm sức mạnh trong việc chứng tỏ bản lĩnh và khả năng của mình. Tạp chí làm đẹp Style Tạp chí Style phù hợp với những cô nàng năng động, cá tính với tư tưởng cởi mở, luôn hướng đến những điều mới mẻ. Tạp chí làm đẹp L’Oficiel Việt Nam Tạp chí làm đẹp L’Oficiel hướng đến hình ảnh người phụ nữ quyến rũ, độc lập, đầy cá tính. Tạp chí làm đẹp Harper’s Bazaar Việt Nam Harper’s Bazaar được xem là kim chỉ nam cho phong cách sống của hơn 150.000 phụ nữ thành đạt, thu nhập cao và có lối sống hiện đại. Làm đẹp vốn là nhu cầu chính đáng của các chị em, nhất là trong xã hội hiện đại, khi vẻ ngoài cũng giữ vai trò không kém phần quan trọng so với tài năng, tính cách. Top 5 tạp chí làm đẹp uy tín trên không chỉ giúp chị em cập nhật những xu hướng, trào lưu mới trên thế giới, định hình cho bản thân gu thẩm mỹ cùng phong cách thời trang mà trên hết là khẳng định cá tính riêng, màu sắc riêng.

Inspiration, once again, came from the day’s speaker, a woman named Inez Haynes Gillmore, who read from a series of articles she’d published in Harper’s Bazaar, titled “Confessions of an Alien.” “‘It seems to me,’” began Inez, “‘I hang in a void midway between two spheres—the man’s sphere and the woman’s sphere. The duties and pleasure of the average woman bore and irritate. The duties and pleasures of the average man interest and allure. I soon found that it was a feeling which I shared with the majority of my kind. I have never met a man who at any time wanted to be a woman. I have met few women who have not at some time or other wanted to be men.

whether or not women are born more empathetic is hard to tell. But experts doubt it. In 2017 gender sociologist Lisa Huebner told Harper’s Bazaar that we should reject the notion that women are “always, naturally and biologically able to feel, express, and manage our emotions better than men”—and thus should be responsible for doing so. Of course, some people are able to handle emotions better than others because of their individual personalities. But as Huebner says, “I would argue that we still have no firm evidence that this ability is biologically determined.” Some compelling proof that women are indeed not born any more capable of empathy or connection than men comes from psychologist Niobe Way. In 2013 Way published a book called Deep Secrets: Boys’ Friendships and the Crisis of Connection, which explores the friendships of young straight men. Way followed a group of boys from childhood through adolescence and found that when they were little, boys’ friendships with other boys were just as intimate and emotional as friendships between girls; it wasn’t until the norms of masculinity sank in that the boys ceased to confide in or express vulnerable feelings for one another. By the age of eighteen, society’s “no homo” creed had become so entrenched that they felt like the only people they could look to for emotional support were women, further perpetuating the notion that women are obligated by design to carry humanity’s emotional cargo.

intersecting oppression is referred to as transmisogynoir and was first coined by the writer Trudy (she/her).5 In “The Anatomy of Transmisogynoir,” an op-ed for Harper’s Bazaar, Ashlee Marie Preston reveals how Black trans women are ignored or actively excluded by Black cishet communities

The two nieces of the deceased dowager in Connecticut were delighted with the prices Kate suggested for the items she wanted, and the clothes were delivered to Still Fabulous the following week. Kate was there when they came in, dropped off by a chauffeur with a van. She and Jessica, her assistant, checked them again, entered them in their inventory, and put them upstairs to show their most favored clients. Kate had already contacted several of them, and the editor from Harper’s Bazaar had said she wanted two of the fur coats. They were Revillon and in perfect condition. One was a shaved dark blue mink that had been worn only a few times, and the other was an incredibly chic skunk. She was picking them up in a few days.