Harmonic Quotes

We've searched our database for all the quotes and captions related to Harmonic. Here they are! All 100 of them:

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Hatred paralyzes life; love releases it. Hatred confuses life; love harmonizes it. Hatred darkens life; love illuminates it.
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Martin Luther King Jr. (A Testament of Hope: The Essential Writings and Speeches)
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We humans are conflicted beings. Our beliefs don't always harmonize with our instincts, and our behavior doesn't always reflect our beliefs. ... We wage war between the person we are and the person we hope to become.
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Brandon Mull
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Everybody is a main character to someone...
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Amy Harmon (Making Faces)
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Books allow you to be whoever you want to be, to escape yourself for a while.
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Amy Harmon (Making Faces)
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You loved ferris wheels more than roller coasters because life shouldn’t be lived at full speed, but in anticipation and appreciation.
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Amy Harmon (Making Faces)
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I will spend the rest of my life trying to make you happy, and when you get tired of looking at me, I promise I’ll sing.
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Amy Harmon (Making Faces)
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Death is easy. Living is the hard part.
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Amy Harmon (Making Faces)
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I would rather be lost with you than alone without you.
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Amy Harmon (Making Faces)
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Victory is in the battle.
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Amy Harmon (Making Faces)
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It's hard to come to terms with the fact that you aren't going to be loved the way you want to be loved.
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Amy Harmon (Making Faces)
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Sometimes a beautiful face is false advertising.
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Amy Harmon (Making Faces)
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A choir is made up of many voices, including yours and mine. If one by one all go silent then all that will be left are the soloists. Don’t let a loud few determine the nature of the sound. It makes for poor harmony and diminishes the song.
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Vera Nazarian (The Perpetual Calendar of Inspiration)
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There isn't heartache if there hasn't been joy. I wouldn't feel loss if there hadn't been love.
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Amy Harmon (Making Faces)
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If God made all our faces, did he laugh when he made me? Does he make the legs that cannot walk and eyes that cannot see? Does he curl the hair upon my head 'til it rebels in wild defiance? Does he close the ears of a deaf man to make him more reliant? Is the way I look a coincidence or just a twist of fate? If he made me this way, is it okay, to blame him for the things I hate? For the flaws that seem to worsen every time I see a mirror,For the ugliness I see in me, for the loathing and the fear. Does he sculpt us for his pleasure, for a reason I can't see? If God makes all our faces, did he laugh when he made me?
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Amy Harmon (Making Faces)
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I wrote your name across my heart So I would not forget. The way I felt when you were born Before we'd even met Β  I wrote your name across my heart So your heart beats with mine And when I miss you most I trace Each loop and every line Β  I wrote your name across my heart, So we could be together So I could hold you close to me And keep you there forever.
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Amy Harmon (Making Faces)
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There are times when you just need to acknowledge the shit … You just need to acknowledge it. Face the shit … Accept the truth in it. Own it, wallow in it, become one with the shit.
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Amy Harmon (Making Faces)
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I keep wishing you had had a better life...a different life. But a different life would have made you a different Blue." He looked at me then. "And that would be the biggest tragedy of all.
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Amy Harmon (A Different Blue)
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Someone told me once that to create true art you must be willing to bleed and let others watch.
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Amy Harmon (A Different Blue)
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She decided she would just be a fairy because she liked the option of flying without the responsibility of saving the world.
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Amy Harmon (Making Faces)
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There's a lot I don't understand... but not understanding is better than not believing
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Amy Harmon (Making Faces)
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True beauty, the kind that doesn't fade or wash off, takes time. It takes incredible endurance. It is the slow drip that creates the stalactite, the shaking of the Earth that creates mountains, the constant pounding of the waves that breaks up the rocks and smooths the rough edges. And from the violence, the furor, the raging of the winds, the roaring of the waters, something better emerges, something that would have otherwise never existed. And so we endure. We have faith that there is purpose. We hope for things we can't see. We believe there are lessons in loss, power in love, and that we have within us the potential for a beauty so magnificent, our bodies can't contain it.
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Amy Harmon (Making Faces)
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It's an entire world of just 64 squares. I feel safe in it. I can control it; I can dominate it. And it's predictable. So, if I get hurt, I only have myself to blame.
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Walter Tevis (The Queen's Gambit)
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All I know is I make sense to me- it's other people who seem complicated.
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Tara Kelly (Harmonic Feedback)
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Because terrible things happen to everyone, Brosey. We're all just so caught up in our own crap that we don't see the shit everyone else is wading through
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Amy Harmon (Making Faces)
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Maybe we just don't recognize the blessings that come as a result of terrible things
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Amy Harmon (Making Faces)
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Sometimes the things we want to be rescued from can save us.
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Amy Harmon (A Different Blue)
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I promised myself that if you came home I wouldn’t be afraid to tell you how I felt. But I’m still afraid. Because I can’t make you love me back.
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Amy Harmon (Making Faces)
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The real thing, when done right, is always better than a daydream.
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Amy Harmon (Making Faces)
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With the truth, all given facts harmonize; but with what is false, the truth soon hits a wrong note.
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Aristotle (The Nicomachean Ethics)
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Let us say what we feel, and feel what we say; let speech harmonize with life.
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Seneca (Letters from a Stoic)
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Nobody or Nowhere? Fern: I'd rather be nobody at home than somebody somewhere else. Ambrose: I'd rather be nowhere. Being nobody when you're expected to be somebody gets old. Fern: How would you know? Have you been nobody? Ambrose: Everybody who is somebody becomes nobody the moment they fail.
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Amy Harmon (Making Faces)
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We don't get harmony when everybody sings the same note. Only notes that are different can harmonize. The same is true with people.
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Steve Goodier
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Tea tempers the spirits and harmonizes the mind, dispels lassitude and relieves fatigue, awakens thought and prevents drowsiness, lightens or refreshes the body, and clears the perceptive faculties.
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Lu Yu (The Classic of Tea: Origins & Rituals)
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Regret is just life's aftertaste.
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Amy Harmon (A Different Blue)
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I have loved you every moment of every day, and I will love you until I cease to be. Bird, man, or king, I love you, and I will always love you.
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Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
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You may not be a work of art, but you are definitely a piece of work.
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Amy Harmon (A Different Blue)
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Do you think there’s any way someone like Ambrose could fall in love with someone like me?”... β€œOnly if he’s lucky.” β€œOh, Bailey.” Fern shook her head, but loved him for saying it…and even more for meaning it.
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Amy Harmon (Making Faces)
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Sometimes beauty, or lack thereof, gets in the way of really knowing someone
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Amy Harmon (Making Faces)
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Everyone always talks about being color blind. And I get that. I do. But maybe instead of being color blind, we should celebrate color, in all its shades. It kind of bugs me that we’re supposed to ignore our differences like we don’t see them, when seeing them doesn’t have to be a negative.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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Through its creative power, art may trigger approximation, reconciliation and harmonization between individuals and peoples. Through art, beings can meet and exchange their points of view, as it rules out alienation, and arouses chemistry and understanding. By definition, art is universal and helps to cross borders and barriers without prejudice.
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Erik Pevernagie
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Normal is an ideal. But it’s not reality. Reality is brutal, it’s beautiful, it’s every shade between black and white, and it’s magical. Yes, magical. Because every now and then, it turns nothing into something.
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Tara Kelly (Harmonic Feedback)
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Shakespeare said, 'the robbed that smiles steals something from the thief.
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Amy Harmon (Making Faces)
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There are laws. There are rules. And when you break them, there are consequences. Laws of nature and laws of life. Laws of love and laws of death.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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Why don’t you focus on where you’re going and less on where you came from?
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Amy Harmon (A Different Blue)
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I don't think we get answers to every question. We don't get all the whys. But I think when we look back to the end of our lives, if we do the best we can, and we will see that the things we begged God to take from us, the things we cursed him for, the things that made us turn our backs on him, are the things that were the biggest blessings, the biggest opportunities for growth.
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Amy Harmon (Making Faces)
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Everybody who is somebody becomes nobody the moment they fail.
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Amy Harmon (Making Faces)
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Our DNA is coded to harmonise the frequency of the atoms we use to build ourselves. The frequencies of the subatomic particles making up the atoms are changed subtly enough to do this but not enough to change their structure. You could say throughout our development, from birth to death, our genes are composing a harmonic symphony that makes us what we are. It's what makes us individual; it's our life force, our soul.
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D.S. Smith (Unparalleled)
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I was scarred but I was not broken. Beneath my wounds I was still whole. Beneath my insecurities, beneath my pain, beneath my struggle, beneath it all, I was still whole.
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Amy Harmon (A Different Blue)
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Any time you start feeling sorry for yourself or you go into a rant about how bad life sucks, you immediately have to name five greats.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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Scripture comforts me, and romance novels give me hope." "Oh yeah? Hope for what?" "Hope that I'll be doing more than quoting scripture with Ambrose Young in the very near future".
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Amy Harmon (Making Faces)
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Once upon a time there was a little blackbird, pushed out of the nest, unwanted.
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Amy Harmon (A Different Blue)
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If you don’t love, then nobody gets hurt. It’s easy to leave. It’s easy to lose. It’s easy to let go.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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I want your body. I want your mouth. I want your red hair in my hands. I want your laugh and your funny faces. I want your friendship and your inspirational thoughts. I want Shakespeare and Amber Rose novels ... And I want you to come with me when I go.
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Amy Harmon (Making Faces)
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Just 'cause there's snow on the roof doesn't mean there's not a fire inside.
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Bonnie Hunt
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I've often thought that beauty can be a deterrent to love,” Fern's father mused. β€œWhy?” β€œBecause sometimes we fall in love with a face and not what's behind it.
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Amy Harmon (Making Faces)
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Maybe the secret to happiness is simplicity.
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Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
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We turn memories into stories, and if we don’t, we lose them. If the stories are gone, then the people are gone too.
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Amy Harmon (What the Wind Knows)
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The most intimate thing we can do is to allow the people we love most to see us at our worst. At our lowest. At our weakest. True intimacy happens when nothing is perfect.
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Amy Harmon (The Song of David (The Law of Moses, #2))
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I used to be afraid of going to hell. But now that I'm here, hell doesn't seem so bad.
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Amy Harmon (Making Faces)
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If I were to paint you, I would use every color.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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You glow, Lark.” His hand climbed back up again and swept over my unbound hair. I swallowed, suddenly close to tears. Then why does no one see me? β€œI see you,” he said.
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Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
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Main characters never die in books. If they did, the story would be ruined, or over.” β€œEverybody is a main character to someone. There are no minor characters.
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Amy Harmon (Making Faces)
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Time softens memories, sanding down the rough edges of death.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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I've been in love with you since you helped me bury that spider in my garden, and you sang with me like we were singing β€œAmazing Grace” instead of β€œThe Itsy, Bitsy Spider.” I've loved you since you quoted Hamlet like you understood him, since you said you loved ferris wheels more than roller coasters because life shouldn't be lived at full speed, but in anticipation and appreciation. I read and re-read your letters to Rita because I felt like you'd opened up a little window into your soul, and the light was pouring out with every word. They weren't even for me, but it didn't matter. I loved every word, every thought, and I loved you . . . so much.
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Amy Harmon (Making Faces)
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The dead weren't angry or lost. They knew exactly what was up. It was the living that didn't have a clue.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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And so we endure. We have faith that there is purpose. We hope for things we can't see. We believe that there are lessons in loss, power in love, and that we have within us the potential for a beauty so magnificent that our bodies can't contain it.
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Amy Harmon (Making Faces)
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Chess isn't always competitive. Chess can also be beautiful.
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Walter Tevis (The Queen's Gambit)
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But there's no way to avoid regret. Don't let anybody tell you different. Regret is just life's aftertaste. No matter what you choose, you're gonna wonder if you shoulda done things different. I didn't necessarily choose wrong. I just chose. And I lived with my choice, aftertaste and all.
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Amy Harmon (A Different Blue)
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People liked religion but they didn't want to have to exercise any faith. Religion was comforting with all its structure and its rules. It made people feel safe. But faith wasn't safe. Faith was hard and uncomfortable and forced people to step out on a limb.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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Live. Have courage. Be a good friend. Always be grateful.
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Amy Harmon (Making Faces)
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Georgia’s eyes. Georgia’s hair. Georgia’s smile. Georgia’s personality. Georgia’s kisses.
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Amy Harmon (The Law of Moses (The Law of Moses, #1))
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How did you know I needed you? Because I needed you.
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Amy Harmon (Making Faces)
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If you like someone, you tell the truth because that, to me, is respect. If you hate someone, you tell them the truth because what do you have to lose?
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Tara Kelly (Harmonic Feedback)
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making the most of every second, because seconds became minute sand minutes became precious when life could be taken in less than a breath.
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Amy Harmon (Making Faces)
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we keep the people we love in our hearts. We never lose them as long as we can remember how it felt to be loved by them.
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Amy Harmon (What the Wind Knows)
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No matter how many words we get, there's always going to be the last one, and one word is never enough.
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Amy Harmon (Infinity + One)
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This last year I've felt like one of those snowflakes we used to make in school. The ones where you fold the paper a certain way and then keep cutting and cutting until the paper is shredded. That's what I look like, a paper snowflake. And each hole has a name. And nobody, not you, not me, can fill the holes that someone else has left. All we can do is keep each other from falling in the holes and never coming out again.
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Amy Harmon (Making Faces)
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I'm nobody, who are you? Are you nobody too?
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Amy Harmon (A Different Blue)
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Swallow Daughter, pull them in, those words that sit upon your lips. Lock them deep inside your soul, hide them 'til they've time to grow. Close your mouth upon the power, curse not, cure not, 'til the hour. You won't speak and you won't tell, you won't call on heav'n or hell. You will learn and you will thrive. Silence, daughter. Stay alive.
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Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
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There isn't heartache if there hasn't been joy. I wouldn't feel loss if there hadn't been love. You couldn't take my pain away without removing Bailey from my heart. I would rather have this pain now than never have known him. I just have to keep reminding myself of that.
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Amy Harmon (Making Faces)
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He seemed a part of the mute melancholy landscape, an incarnation of it's frozen woe, with all that was warm and sentient in him fast bound below the surface; but there was nothing nothing unfriendly in his silence. I simply felt that he lived in a depth of moral isolation too remote for casual access, and I had the sense that his loneliness was not merely the result of his personal plight, tragic as I guessed that to be, but had in it, as Harmon Gow had hinted, the profound accumulated cold of many Starkfield winters.
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Edith Wharton (Ethan Frome)
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I think that's the worst part. The thought that no one will remember me when I'm gone. Sure, my parents will. Fern will. But how does someone like me live on? When it's all said and done, did I matter?" - Bailey
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Amy Harmon (Making Faces)
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You can’t have an animal in here, Sheen.” β€œI’m in a wheelchair, man. You gonna tell me I can’t have my seeing-eye cat with me? Actually, it can be your seeing-eye cat, since you’re blind and all. One of the perks to being a pathetic figure is that I tend to get what I want.
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Amy Harmon (Making Faces)
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I keep thinking that maybe you and I could take a road trip and tell all the girls we meet along the way that we’re both vets. You’ve got a messed up face and my war wounds have put me in this chair. You think they’d believe it? Maybe then I could get some action. Problem is, how am I going to get a handful of tit if I can’t lift my arms?
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Amy Harmon (Making Faces)
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But the wind and water know all the earth’s secrets. They’ve seen and heard all that has ever been said or done. And if you listen, they will tell you all the stories and sing every song. The stories of everyone who has ever lived. Millions and millions of lives. Millions and millions of stories.
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Amy Harmon (What the Wind Knows)
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Although the rhythm of the waves beats a kind of time, it is not clock or calendar time. It has no urgency. It happens to be timeless time. I know that I am listening to a rhythm which has been just the same for millions of years, and it takes me out of a world of relentlessly ticking clocks. Clocks for some reason or other always seem to be marching, and, as with armies, marching is never to anything but doom. But in the motion of waves there is no marching rhythm. It harmonizes with our very breathing. It does not count our days. Its pulse is not in the stingy spirit of measuring, of marking out how much still remains. It is the breathing of eternity, like the God Brahma of Indian mythology inhaling and exhaling, manifesting and dissolving the worlds, forever. As a mere conception this might sound appallingly monotonous, until you come to listen to the breaking and washing of waves.
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Alan W. Watts
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There's a whole lot more to most people than meets the eye, Wilson. Unfortunately, a lot of times it isn't good stuff. It's scary stuff, painful stuff. By now, you know so much scary, painful stuff about me, it's a wonder you're still around. You had me pegged pretty well right from the start, I'd say. You're wrong about one thing, though. Girls like me notice guys like you. We just don't think we deserve them.
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Amy Harmon (A Different Blue)
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The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
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James Joyce (A Portrait of the Artist as a Young Man)
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They can take our homes, our possessions. Our families. Our lives. They can drive us out, like they've driven us out before. They can humiliate us and dehumanize us. But they cannot take our thoughts. They cannot take our talents. They cannot take our knowledge, or our memories, or our minds. In music there is no bondage. Music is a door, and the soul escapes through the melody.
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Amy Harmon (From Sand and Ash)
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In learning a language, when from mere words we reach the laws of words, we have gained a great deal. But if we stop at that point and concern ourselves only with the marvels of the formation of a language, seeking the hidden reason of all its apparent caprices, we do not reach that end, for grammar is not literature… When we come to literature, we find that, though it conforms to the rules of grammar, it is yet a thing of joy; it is freedom itself. The beauty of a poem is bound by strict laws, yet it transcends them. The laws are its wings. They do not keep it weighed down. They carry it to freedom. Its form is in law, but its spirit is in beauty. Law is the first step toward freedom, and beauty is the complete liberation which stands on the pedestal of law. Beauty harmonizes in itself the limit and the beyond – the law and the liberty.
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Rabindranath Tagore (Sadhana)
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I've never felt about anybody the way I feel about you," I confessed in a rush. "I can't imagine that what I'm feeling isn't love. But 'I love you' doesn't feel adequate to express it." I plunged headlong into babbling. "I desperately want you to love me. I need you to love me - but I don't want to need it, and I'm afraid that I need it too much.
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Amy Harmon (A Different Blue)
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Fern didn’t think she was good enough for you then, and you don’t think you’re good enough for her now. And both of you are wrong…and so stupid! Stuuupiiiid!” Bailey dragged the word out in disgust. β€œI’m ugly! I’m not worthy of love, waaa!” Bailey mimicked them in a whiny, high-pitched voice, and then shook his head as if he was thoroughly disappointed.
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Amy Harmon (Making Faces)
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Emotions are the lowest form of consciousness. Emotional actions are the most contracted, narrowing, dangerous form of behavior. The romantic poetry and fiction of the last 200 years has quite blinded us to the fact that emotions are an active and harmful form of stupor. Any peasant can tell you that. Beware of emotions. Any child can tell you that. Watch out for the emotional person. He is a lurching lunatic. Emotions are caused by biochemical secretions in the body to serve during the state of acute emergency. An emotional person is a blind, crazed maniac. Emotions are addictive and narcotic and stupefacient. Do not trust anyone who comes on emotional. What are the emotions? In a book entitled Interpersonal Diagnosis of Personality, written when I was a psychologist, I presented classifications of emotions and detailed descriptions of their moderate and extreme manifestations. Emotions are all based on fear. [...] The emotional person cannot think; he cannot perform any effective game action (except in acts of physical aggression and strength). The emotional person is turned off sensually. His body is a churning robot. [...] The only state in which we can learn, harmonize, grow, merge, join, understand is the absence of emotion. This is called bliss or ecstasy, attained through centering the emotions. [...] Conscious love is not an emotion; it is serene merging with yourself, with other people, with other forms of energy. Love cannot exist in an emotional state. [...] The great kick of the mystic experience, the exultant, ecstatic hit, is the sudden relief from emotional pressure. Did you imagine that there could be emotions in heaven? Emotions are closely tied to ego games. Check your emotions at the door to paradise.
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Timothy Leary (The Politics of Ecstasy)
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Ambrose Young! I have waited my whole life for you to want me. If you don’t hold me tight I won’t believe you mean it, and that’s worse than never being held at all. You’d better make me believe you mean it, Ambrose, or you will most definitely break me.” β€œI don’t want to hurt you, Fern” he whispered hoarsely. β€œThen don’t,” she whispered back, trusting him.
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Amy Harmon (Making Faces)
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I think people are like that. When you really look at them, you stop seeing a perfect nose or straigt teeth. You stop seeing the acne scar or the dimple in the chin. Those things start to blur, and suddenly you see them, the colors, the life inside the shell, and beauty takes on a whole new meaning." Fern didn't look away from the sky as she talked, and Ambrose let his eyes linger on her profile. She wasn't talking about him. She was just being thoughtful, pondering life's ironies. She was just being Fern.
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Amy Harmon (Making Faces)
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Everything turns in circles and spirals with the cosmic heart until infinity. Everything has a vibration that spirals inward or outward β€” and everything turns together in the same direction at the same time. This vibration keeps going: it becomes born and expands or closes and destructs β€” only to repeat the cycle again in opposite current. Like a lotus, it opens or closes, dies and is born again. Such is also the story of the sun and moon, of me and you. Nothing truly dies. All energy simply transforms.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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Fear is strange. It settles on chests and seeps through skin, through layers of tissue, muscle, and bone and collects in a soul-sized black hole, sucking the joy out of life, the pleasure, the beauty. But not the hope. Somehow, the hope is the only thing resistant to the fear, and it is that hope that makes the next breath possible, the next step, the next tiny act of rebellion, even if that rebellion is simply staying alive.
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Amy Harmon (From Sand and Ash)
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This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
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Tyler Knott Gregson
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To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
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Chris Rose (1 Dead in Attic: Post-Katrina Stories)
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I cannot describe Or explain the speed of light Or what makes thunder roll across the sky And I could never theorize about the universe’s size Or explain why some men live and some men die I can’t even guess I would never profess To know why you are here with me And I cannot comprehend How numbers have no end The things you understand, I can’t conceive Infinity + One Is still infinity. And no matter how I try I’m bound by gravity. But the things I thought I knew Changed the minute I met you. It seems I’m weightless And I’m endless after all. Weightless and endless. Timeless and restless. So light that I’ll never fall. Weightless and endless. Hopelessly breathless. I guess I knew nothing at all.
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Amy Harmon (Infinity + One)