Winter Illumination Quotes

I love to watch the fine mist of the night come on, The windows and the stars illumined, one by one, The rivers of dark smoke pour upward lazily, And the moon rise and turn them silver. I shall see The springs, the summers, and the autumns slowly pass; And when old Winter puts his blank face to the glass, I shall close all my shutters, pull the curtains tight, And build me stately palaces by candlelight.

Although it was only six o'clock, the night was already dark. The fog, made thicker by its proximity to the Seine, blurred every detail with its ragged veils, punctured at various distances by the reddish glow of lanterns and bars of light escaping from illuminated windows. The road was soaked with rain and glittered under the street-lamps, like a lake reflecting strings of lights. A bitter wind, heavy with icy particles, whipped at my face, its howling forming the high notes of a symphony whose bass was played by swollen waves crashing into the piers of the bridges below. The evening lacked none of winter's rough poetry.

If on a winter's night a traveler, outside the town of Malbork, leaning from the steep slope without fear of wind or vertigo, looks down in the gathering shadow in a network of lines that enlace, in a network of lines that intersect, on the carpet of leaves illuminated by the moon around an empty grave-What story down there awaits its end?-he asks, anxious to hear the story.

May the light illuminate your hearts and shine in your life every day of the year. May everlasting peace be yours and upon our Earth.

At the darkest time of year, Lord Yule laid down his beard of snow and cloak of frost and ice to illuminate the gloom.

A squirrel flies in," said Dr. Meescham. "This I did not expect at all. It is what I love about life, that things happen which I do not expect. When I was a girl in Blundermeecen, we left the window open for this very reason, even in the winter. We did it because we believed something wonderful might make its way to us through the open window. Did wonderful things find us? Sometimes yes, sometimes no. But tonight it has happened! Something wonderful!" Dr. Meescham clapped her hands. "A window has been left open. A squirrel flies in the window. The heart of an old woman rejoices!

The summer remembers nothing of the winter and nature is a kind of amnesia.

we got out of the car for air and suddenly both of us were stoned with joy to realize that in the darkness all around us was fragrant green grass and the smell of fresh manure and warm waters. 'We're in the South! We've left the winter!' Faint daybreak illuminated green shoots by the side of the road. I took a deep breath; a locomotive howled across the darkness, mobile-bound. So were we. I took off my shirt and exulted

The lamp on the side table illuminates his half-eaten dinner, now decorated with a fat winter fly bogged down in the mashed potatoes. It’s still struggling a little, threadlike legs pushing against gravy.

Light's glory is to dispel darkness. Christ has illumined you with wisdom and the fire of his presence. It has been sparked and kindled in you. Let it blaze.

She was not quite as arresting in photographs as she was in the flesh, for her beauty was sprung directly from her soul, and proved that physical features count little unless they are illumined from within.

I’m not certain what I notice first, the bright flickering light that illuminates the darkness underneath my eyelids, or the shrill screams that pull me form the dredges of sleep. Either way, I’m awake. And afraid.

Even memory though, can hardly be relied on. Can anyone say for certain what really happened to us back then? If we’re blessed though, a few words might remain by our side. They climb to the top of the hill during the night, crawl into small holes dug to fit the shape of their bodies, stay quite still, and let the stormy winds of time blow past. Dawn finally breaks, the wild wind subsides, and the surviving words quietly peek out from the surface. For the most part they have small voices—they are shy and only have ambiguous ways of expressing themselves. Even so, they are ready to serve as witnesses. As honest, fair witnesses. But in order to create those long enduring, long-suffering words, or else to find them and leave them behind, you must sacrifice, unconditionally, your own body, your very own heart. You have to lay down your neck on a cold stone pillow illuminated by the winter moon.

The stone basin was crusted with ice now. The courtyard security light illuminated its depths, and as he leaned over it he could make out the fiery glints of goldfish beneath the surface. There, beneath the cover of the ice, their flickering lives went on. He wanted to know how they did it, how they withstood the slowing of their hearts, the chilling of their blood, through the long darkness of winter.

Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.

Bright is the moon on a cold winter's night", my grandfather once said. "And bright are the bones it illuminates." It was a warning I had never forgotten. And yet. I could face their anger later, but tonight, I wanted to dance with a north wind and run with a wild river that rushed off to distant shores. Tonight, the north was calling.

If on a winter's night a traveler, outside the town of Malbork, leaning from the steep slope without fear of wind or vertigo, looks down in the gathering shadow in a network of lines that enlace, in a network of lines that intersect, on the carpet of leaves illuminated by the moon around an empty grave-What story down there awaits its end? - he asks, anxious to hear the story.

My garden is covered in ice and snow. A pair of light green rose leaves, which still "confess color", look all the more striking; like a bulwark against the 500 shades of winter grey. Like stars twinkling in the dark of the night. How bright a single candle illuminates a pitch black room. A glimmer of Hope.

Furthermore, Professor Uzzi-Tuzii had begun his oral translation as if he were not quite sure he could make the words hang together, going back over every sentence to iron out the syntactical creases, manipulating the phrases until they were not completely rumpled, smoothing them, clipping them, stopping at every word to illustrate its idiomatic uses and its commutations, accompanying himself with inclusive gestures as if inviting you to be content with approximate equivalents, breaking off to state grammatical rules, etymological derivations, quoting the classics. but just when you are convinced that for the professor philology and erudition mean more than what the story is telling, you realize the opposite is true: that academic envelope serves only to protect everything the story says and does not say, an inner afflatus always on the verge of being dispersed at contact with the air, the echo of a vanished knowledge revealed in the penumbra and in tacit allusions. Torn between the necessity to interject glosses on multiple meanings of the text and the awareness that all interpretation is a use of violence and caprice against a text, the professor, when faced by the most complicated passages, could find no better way of aiding comprehension than to read them in the original, The pronunciation of that unknown language, deduced from theoretical rules, not transmitted by the hearing of voices with their individual accents, not marked by the traces of use that shapes and transforms, acquired the absoluteness of sounds that expect no reply, like the song of the last bird of an extinct species or the strident roar of a just-invented jet plane that shatters the sky on its first test flight. Then, little by little, something started moving and flowing between the sentences of this distraught recitation,. The prose of the novel had got the better of the uncertainties of the voice; it had become fluent, transparent, continuous; Uzzi-Tuzii swam in it like a fish, accompanying himself with gestures (he held his hands open like flippers), with the movement of his lips (which allowed the words to emerge like little air bubbles), with his gaze (his eyes scoured the page like a fish's eyes scouring the seabed, but also like the eyes of an aquarium visitor as he follows a fish's movement's in an illuminated tank).

Winkler's breath plumed up onto his glasses. The entire valley was enveloped in a huge, illuminated stillness. Above him the clouds had pulled away and the sky burned with stars. The meadow smoldered with light, and the spruce had become illuminated kingdoms, snow sifting from branch to branch. He thought: This has been here every winter all my life.

Lily's taste of beneficence had wakened in her a momentary appetite for well-doing. Her visit to the Girls' Club had first brought her in contact with the dramatic contrasts of life. She had always accepted with philosophic calm the fact that such existences as hers were pedestalled on foundations of obscure humanity. The dreary limbo of dinginess lay all around and beneath that little illuminated circle in which life reached its finest efflorescence, as the mud and sleet of a winter night enclose a hot-house filled with tropical flowers. All this was in the natural order of things, and the orchid basking in its artificially created atmosphere could round the delicate curves of its petals undisturbed by the ice on the panes.

In comparison to the church, with its constant clamor, the huts had the hushed, sacred air of deathbed scenes, the light barely illuminating the pallid faces of the soldiers, the village women moving slowly in their dark shawls, their children sitting in transfixed vigil by the beds. For these, Margarete always had a crust of bread, a piece of carrot. Sometimes Lucius entertained them by showing them his father’s hand shadows, other times by letting them listen to their hearts. Their wide eyes grew wider with the cold bell of the stethoscope, not seeming to understand what they were hearing, but astonished nonetheless. Manifestly, he did this out of kindness, or a sort of effort at improving relations, though in truth there was something fortifying in the chance to touch skin without gangrene, without fever, the bodies without a wound.

Some time after midnight on the twenty-first of December it began to snow. By morning in the gray spectral light of a brief and obscure winter sun the fields lay deadwhite and touched with a phosphorous glow as if producing illumination of themselves, and the snow was still wisping down thickly, veiling the trees beyond the creek and the mountain itself, falling softly, and softly, faintly sounding in the immense white silence.

On the roads, through winter nights, without a home, without habits, without bread, a voice strangled my frozen heart: “Weakness or strength: Those are your options, so strength it is. You know neither where you’re going, nor why you’re going, entering anywhere, answering anyone. You’re no more likely to be killed than a corpse.” By morning, I had developed such a lost, dead expression that those I met may not have even seen me.

On the roads, through winter nights, without a home, without habits, without bread, a voice strangled my frozen heart: “Weakness or strength: Those are your options, so strength it is. You know neither where you’re going, nor why you’re going, entering anywhere, answering anyone. You’re no more likely to be killed than a corpse.” By morning, I had developed such a lost, dead expression that those I met may not have even seen me.

Stations are all alike; it doesn’t matter if the lights cannot illuminate beyond their blurred halo, all of this is a setting you know by heart, with the odor of train that lingers even after all the trains have left, the special odor of stations after the last train has left. The lights of the station and the sentences you are reading seem to have the job of dissolving more than of indicating the things that surface from a veil of darkness and fog.

Woman lost (skin deep) like a damn fine thread in the fire Woman of the world caught up in your black machinations I was a woman who cried alone at night, who gave it all away when she saw the good heart of the man inside Woman caught standing up; her open parts are broken - Someone's armour broke right through, it was you, you For some reason I've been thinking about you, your light Today, you poured out all the tension, the ego underground Hibernating inside my heart. I was so close to it, to the flicker Of love in a lonely street and I turned my head and walked Away from the flame in your arms. As I put away the fun in A house of fight I came across you and a mechanism in My brain shifted chemically, walls caved in like the cadence In your words and I was lost in the darkness. Even now in Middle age I remember when desire was a popular drug And everyone was selling it but I don't live to explore to be Able to illuminate the proof of my existence, live to burn Vicariously though the diamond mouth of sleeping stars. From so much love, pictures of death arrived in black and White photographs and you're perfect, you always were - Illusions have no flaws; they're dangerous beings, smoke. Could I take the moon back and still live with my great Expectations of nostalgia, laughter, tears and suffering - But they are all a part of me not the people of the stars, Long dead videotape, the past has stained the symphony Of my soul (like the wind through the trees) throughout Me finding myself, my two left feet as a female poet The warning was there of the noise of eternity, signs That said, don't anger the sea, you have an ally in her. When men grow cold listen to their stories and bask in The glory of their genuine deaths, their winters, put Them away so you can read them like the newspaper. Once in a while you can go back to where you stood In youth with your afternoon tea, the sun of God in our Eyes - I am that kind of woman who lives in the past

The bugle call of a bull elk in a high mountain basin, the haunting voice of a screech owl on a moonlit night, the song of a white-throated sparrow on a cold winter's morning, or the resounding call of a wild turkey gobbler in spring - there are a certain few sounds in nature that seem to symbolize true wilderness. A gentle north wind moving through a remote forest of longleaf pine on a clear winter's day is one of those voices that stirs something deep inside of us. The grandest organ in the greatest cathedral is but a moan in the darkness by comparison.

This is the day I begin to hate winter. The snow is a burden, stained brown and black and piled high on the shoulder of the road, eventually freezing into chunks of sharp ice. Rock salt on the road clings to the paint of cars and gives them a ghostly veneer. Pine trees lie between garbage cans with slivers of Christmas tinsel still clinging to the needles, reminding me that the New Year has only just begun. And even when the sky is clear and free of clouds, the sunshine only illuminates dead, brown trees and empty flower beds. This is the day I wish the year would end in November and skip to March. Icicles hang from the grill of my

For a week the sun had been nothing but a puffy, seamless sheet of white, and this Tuesday had begun the same. But as the day progressed, the grayness receded like a mist, the sky’s white became more illumined from behind, then occasionally a patch of blue would open. Then another here and there, until blue touched blue and they became background for streaks and wisps of cloud. Sunlight, rays of it, gave a brightness like spring, a direct and golden-yellow brightness unlike the trapped, refracted glow of a winter’s day, and to that homogeneous cityscape that lay so inert and wide and flat, just a few spring rays of sunshine gave a sudden depth and dimension to everything. Individual things came alive, as if each stood brightly before you, each with its own story.

If we’re blessed, though, a few words might remain by our side. They climb to the top of the hill during the night, crawl into small holes dug to fit the shape of their bodies, stay quite still, and let the stormy winds of time blow past. The dawn finally breaks, the wild wind subsides, and the surviving words quietly peek out from the surface. For the most part they have small voices—they are shy and only have ambiguous ways of expressing themselves. Even so, they are ready to serve as witnesses. As honest, fair witnesses. But in order to create those enduring, long-suffering words, or else to find them and leave them behind, you must sacrifice, unconditionally, your own body, your very own heart. You have to lay down your neck on a cold stone pillow illuminated by the winter moon.

Esoteric tradition teaches us that until we find the Grail, and it should be clearly understood that it is not a physical object in this time-space continuum, Lucifer must play out his role as the sacrificial king. He is doomed to incarnate in a ‘cloak of flesh’ as an avatar for the human race and pay the ultimate price as a scapegoat on their behalf. This is the ultimate sacrifice for being the light-bearer who brought down from Heaven the illumination of Gnostic wisdom and the primal fire of creativity. Lucifer eternally dies and is reborn to save humanity of itself. As the human race progresses spiritually so he can slowly ascend the Ladder of Lights back to the realm of the Gods beyond the Pole Star. He is the Lord of the Morning Star and the Lux Mundi (Light of the World) whose rebirth from darkness we celebrate every year at the winter solstice.

One of the special delights of my childhood was to go and see the cases of illuminated manuscripts in the British Museum, and to walk, as every child can, right into their pages--losing myself in an enchanted world of gold, landscapes and skies whose colours were indwelt with light as if their sun shone not above but in them. Most marvelous of all were the many manuscripts mysteriously entitled "Book of Hours", since I did not know how one kept hours in a book. Their title-pages and richly ornamented initials showed scenes of times and seasons--ploughing in springtime, formal gardens bright in summer with heraldic roses, autumn harvesting, and logging in winter snow under clear, cold skies seen through a filigree screen of black trees. I could only assume that these books were some ancient device for marking the passage of time and they associated themselves in my mind with sundials in old country yards upon hot afternoons, with the whirring and booming of clocks in towers, with astrolabes engraved with the mysterious signs of the Zodiac, and-above all-with the slow, cyclic sweep of the sun, moon and stars over my head.

Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew

It's taken me no time to see, just how much you really mean to me. [Name], it's taken less than a week to realize i want you in my life, And not just as a friend, I don't want to watch as another guys wanders into your life and sweeps you off your feet,Call me selfish, but I'm the only boy I want to see you with, I don't want another boy to hold you in his arms, and push your hair behind your ear, and call you beautiful, I don't want another boy to kiss you gently on the forhead and tell you his feelings about you are indescribable through words. I don't want another boy to hold your hand. I want to be the boy who gets to do all of those things. I want to be the boy who gets to call you his, more than anything. I'm not perfect, I'm far from it. but i know that im going to treat you as perfect as possible, and i knowi'm never once going to let you down. I'm going to give you everything you deserve, and im going to make you the happiest girl in the world, Because, to me you're so much more than just every other girl. You're perfect. There's many girls in the world but none of them are you, And you're the only one I've fallen for so fast, and you're the only one i know for a fact i want to call mine. There's just so much about you that has pushed me off the edge, and made me fall harder than I have before. Your eyes for example those beautiful eys of yours, I have never seen anthing as beautiful in my life as your eyes. That gorgeous,color that just makes illuminates beauty, and makes my heart stop, And youre smile, I have no idea why you dont show it off to everyone. You told me you don't like your smile, but i have no idea how you couldn't, It's pefect. I could look at that smile all day long, and i mean it. I never want to see your face without it, because that smile is absolutely beautiful. There's so much about you, that's unique to you, that makes you who you are, and makes you so perfect. There's no other girl on this entire planet that has the same eyes, and smile, you do, And that's reason enough for me to want you, and no toher girl, And that's why defines you from every other girl, how beautiful you really are.I understand, any guy could tell you you're beautiful, but I'm not any guy. I'm me, and im not just telling you you're beautiful, [Name], I'm telling you you're the most beautiful girl in the whole world, and I want you to believe me when i tell you that, I want you to see youself as beautiful as I see you, I want to look you in the eyes, face to face, and tell you you're the most beautiful girl in the whole world, then hold you close to me, and never let you go, I don't want you to think I'm another guy who's going to lie to you, and break your heart. I want you to believe I really do mean all of this, because I do, with all of my heart, I want to spend nights with you in my arms, i want to kiss you on the forhead every night before bed, I want to try and put my feelings for you into words, just to see that beautiful smile of yours, I want to call you mine, and no one else's, I want you, and no one else, and I can't stress how much i really mean that. Imagine laying in the snow, on a calm winter night, looking up at a clear, starry, full moon night, holding hands, not speaking a word, just laying beside one another, listening, to a gentle breeze, taking in how beautiful stars, and the moon are, Feeling completely at peace with everything, like we're in a land far away from everything, and nothing could possibly take that away that feeling of safety , and complete inner happiness. That's howw I'd describe my feelings for you are. Absolutely perfect in every way. If I am lucky enough to see you tomorrow, I'm going to take your breath away, and prove to you I really am the boy who you deserve. I'm going to make you the happiest girl in the entire world. I feel like I may be falling for you way to fast, and way to soon, but I don't care. not one bit, I've never been so sure of anything.

WALKING WITH ANGELS IN THE COOL OF THE DAY A short time later I felt someone poke me hard in the left arm. I turned to see who it was, but there was no one there. At the time, I dismissed it and returned my attention to my thoughts. After a minute I was poked again, only this time the poke was accompanied with an audible voice! The Holy Spirit said, “I want to go for a walk with you in the cool of the day.” I jumped up totally flabbergasted. I quickly left the room and grabbed my coat, telling everyone that I was going for a walk in the “cool of the day.” It just happened to be minus 12 degrees Fahrenheit (or minus 24 Celsius)! The moment I walked out the door, the presence of the Holy Spirit fell upon me, and I began to weep again. The tears were starting to freeze on my cheeks, but I did not mind. God began to talk to me in an audible voice. I was walking through the streets of Botwood in the presence of the Holy Ghost. I could also sense that many angels were accompanying us. The angels were laughing and singing as we strolled along the snow-covered streets. It was about 8:00 A.M. The Holy Spirit led me along a road which was on the shore of the North Atlantic Ocean. For the first time since leaving the house, I began to notice that it was very cold. However, it was worth it to be in the presence of the Lord. I was directed to a small breezeway that leads out over the Bay of Exploits (this name truly proved to be quite prophetic) to a tiny island called Killick Island. As we were walking across the breezeway, the wind was whipping off the ocean at about 40 knots. Combined with the negative temperature, the wind was turning my skin numb, and my tears had crystallized into ice on my face and mustache. THE CITY OF REFUGE I said, “Holy Spirit, it is really cold out here, and my face is turning numb.” The Lord replied, “Do not fear; when we get onto this island, there will be a city of refuge.” I had no idea what a city of refuge was, but I hoped that it would be warm and safe. (See Numbers 35:25.) The winter’s day had turned even colder and grayer; there was no sun, and the dark gray sky was totally overcast. Snow was falling lightly, and being blown about by a brisk wind. As we walked onto Killick Island, it got even colder and windier. The Holy Spirit whispered to me, “Do not fear; the city of refuge is just up these steps, hidden in those fir trees.” When I ascended a few dozen steps, I saw a small stand of fir trees to the left. Just before I stepped into the middle of them, a shaft of brilliant bright light, a lone sunbeam, cracked the sky to illuminate the city of refuge. When I entered the little circle of fir trees, what the Holy Spirit had called a “city of refuge,” I encountered the manifest glory of God. Angels were everywhere. It was 8:50 A.M. As we entered, I walked through some kind of invisible barrier. Surprisingly, inside the city of refuge, the temperature was very pleasant, even warm. The bright beam of sunlight slashed into the cold, gray atmosphere. As this heavenly light hit the fresh snow, there appeared to be rainbows of colors that seemed to radiate from the trees, tickling my eyes. Suddenly, the Holy Spirit began to ask me questions. The Lord asked me to “describe what you are seeing.” Every color of the rainbow seemed to dance from the tiny snowflakes as they slowly drifted

She had never seen a man become truly choked up with emotion, but her beautiful music destroyed Riley’s tough steel walls. Right now, with golden afternoon sunlight illuminating every emotional shimmer, there was no hiding the honesty in his face. Riley loved her with all his heart. And was so proud of her it spilled down his cheeks. ~~ Savannah Graystone, from "Roses in Winter" by Leslie D. Stuart

The shadow’s potential to destroy is undeniable. Lightning might strike a house and set it ablaze. But harness the electricity and the same house can be illuminated with the turn of a switch. Consider a vaccine. Included in the serum is a small amount of the disease. Light needs the dark. It is the order of the universe. What would thaw in the spring if we didn’t have a winter to endure? Consciousness is conditioned against its absence, Jung wrote. Amputate the serpent’s tail and the power to heal lies within.” Anna

Before you know it, you are bound to Prakriti by her twisted, three-stranded rope; you begin to believe that what happens in Prakriti unconsciously – birth, death, pain, pleasure, desire, anger – is real, that it is all done by you, felt by you, made to happen by you. Or that they are all happening to you. Both are not true.’ ‘A three-stranded rope?’ Arjuna frowned. ‘What do You mean, Lord?’ ‘Know this, Mahabahu,’ said Krishna. ‘Goodness (Sattva), Rajas (passion) and Tamas (dullness) are the three strands of Nature’s rope, which bind down the soul. Rajas is part of Nature’s creative side – birth, energy, movement, change, action, the season of spring. Tamas is part of Nature’s destructive side – death, decay, inertia, heaviness, winter. Sattva is the state in between – harmony, wholesomeness, lucidity, stillness, summer. ‘Of these, Sattva, pure and good, can illuminate your soul in its shining light, but even Sattva is a golden shackle. Once you enjoy that happy state of Sattva – good health, knowledge, harmony and peace – you get attached to it, not willing to let it go, yearning for it when it is gone, as it will. ‘Rajas springs from desire, yearning, dissatisfaction with the way things are. It prompts you to action, and once you act, it attaches you to the result of your action, makes you want a particular outcome, makes you happy when you get it, unhappy when you don’t. Beware, Kaunteya, for Rajas binds your soul tight. ‘Tamas is born of ignorance - it confuses, deludes, makes you negligent. It binds your soul to indolence, sleep, sloth, laziness. ‘The power of goodness makes slaves of the happy, makes them constantly hunger for peace and harmony. Passion enslaves the doers, traps them in an unending cycle of wanting something and then acting to get it. Dullness enslaves the careless and negligent, who never want to leave that torpid state of ignorance and lethargy.’ Too true, mused Arjuna. No wonder human life was so full of torment. ‘Goodness, passion and dullness are present in all beings, Arjuna,’ Krishna went on, ‘combined in different ways, constantly in motion, rising and falling, one following the other. They are all present in you; they are your nature. Sometimes goodness prevails over the other two, making you feel calm, radiant, happy, at peace, fulfilled; sometimes passion prevails, making you feel restless, greedy, impatient, excited, excitable, full of energy. At other times, dullness prevails, which destroys clear thinking – anger, fear, grief, confusion arise in this state.

Physical features count little unless they are illumined from within.

It is believed the pyramid was built around 800 AD. It has ninety-one steps on each of its four sides. There are ninety-one days between each annual solar cycle—winter solstice, spring equinox, summer solstice, and fall equinox. So, if you take the four cycles per year, which is ninety-one times four, that equals three hundred and sixty-four days. Then you add the top step.” “That makes it three-hundred sixty-five. It matches up to our calendar,” Natalie said, and Felipe nodded. “Sí. And what’s also quite amazing is the alignment of the pyramid is such that in the late afternoon of March 21, the low sun casts a shadow resembling a wriggling snake. Thousands of people come during the spring equinox each year to watch the feathered serpent god appear to crawl down the side of the pyramid and illuminate one of the serpent heads at the bottom.

book in which he sometimes wrote things, "I like the feel of them and I know the feel of them in the same way as one likes and knows the feel of a friend's hand. And I can look at them and read them without opening them in the same way as, without his speaking, one looks at and can enjoy the face of a friend. I feel towards them when I look at them in the shelves,—well, as if they were feeling towards me just as I am feeling towards them." And he had added this touch, which is perhaps more illuminating

Egard Rost shook in his worn boots as he approached the wide leather tent staked out at the top of the hill before him. It loomed out of the dark at him and his paired escorts, illuminated by braziers set on either side of the entrance and by the glow of a hundred cooking fires ablaze about the camp at his back. Above and beyond it, the trees of the Arocklen Woods towered overhead, glowing a dim blue as the ice and snow piled in the thick branches reflected the sheen of the moon and stars somewhere far above them

a maybe-prophecy?” Qibli went on. “I don’t think they’ll do that. Besides, Winter’s problem is urgent. We have to find his brother before Scarlet kills him, so I vote we do that now and deal with the impending apocalypse afterward.” “Me too,” Moon said. What in the world made these dragons think his problem was their problem? Finding Hailstorm was urgent to Winter, but it made no sense for any NOT-IceWings to get involved at all. Winter narrowed his eyes at Turtle, dripping forlornly into the puddles around his claws. It was easy to forget that the SeaWing was a royal prince as well — the son of Queen Coral. He never acted like royalty. Instead Turtle behaved as though he didn’t want to be noticed at all — mumbly, sticking to the background, agreeing to anything. Was he afraid of something? Or just boring? If an IceWing acted the way Turtle does, he’d be stuck in the Seventh Circle forever. Which meant Winter could get rid of him by applying the right pressure. “You should go back,” he said, making Turtle jump. “You don’t want to tramp around Pyrrhia looking for my deadly sister, who will kill you on sight, or my brother, who might do the same because, by the way, killing SeaWings was a specialty of his. Go keep an eye on Jade Mountain instead.” Turtle’s glow-in-the-dark scales flickered, illuminating his anxious face with pale greenish light. “But what if the mountain falls on me? Is it dangerous?” “Not as dangerous as following me,” Winter hissed. “It’s not going to fall on you, because we’re going to stop it,” Kinkajou said. “But don’t you want to stay with us?” “I can’t decide what sounds worse,” Turtle admitted.

In a way he could not quite describe (he was a bad talker, framing his ideas with difficulty) he was attached to his books, not only for what was in them, but as entities. He had written once in a manuscript book in which he sometimes wrote things, "I like the feel of them and I know the feel of them in the same way as one likes and knows the feel of a friend's hand. And I can look at them and read them without opening them in the same way as, without his speaking, one looks at and can enjoy the face of a friend. I feel towards them when I look at them in the shelves,—well, as if they were feeling towards me just as I am feeling towards them." And he had added this touch, which is perhaps more illuminating. "The other day some one had had out one of my books and returned it upside down. I swear it was as grotesque and painful to me to see it upside down as if I had come into the room and found my brother standing on his head against the wall, fastened there. At least I couldn't have sprung to him to release him quicker than I did to the book to upright it.

October’s full moon is often referred to as the “Blood Moon” because hunters would track enough prey to last through the winter under her illumination.

Winter can change a person. It can show you the delicate structure of the world when everything is stripped clean. It can illuminate your soul when the world is cloaked in darkness. It can warm your heart when everything else is frozen. It can let you hear your own thoughts for the first time when the earth finally falls silent. But mostly winter can let you see the silhouette of your body’s branches—like a tree in February—when all the leaves are off, the green is gone, the adornment stripped away and, for the first time, you can appreciate all the knots, bends, broken limbs and lightning strikes. You can see the beauty that has been created in harsh times.

…illuminates the flow of my writing, perhaps too nervous for a future reader to decipher. Perhaps this diary will come to light many, many years after my death, when our language will have undergone who knows what transformations, and some words and expressions I use normally will seem outdated and of ambiguous meaning. In any case, the person who finds this diary will have one certain advantage over me: with a written language it is always possible to reconstruct a dictionary and grammar, isolate sentences and transcribe them or paraphrase them in another language, whereas I am trying to read in the succession of things presented to me every day the world’s intentions toward me, and I grope my way, knowing that there can exist no dictionary that will translate into words the burden of obscure allusions that lurk in these things. I would like this hovering of presentiments and suspicions to reach the person who reads me not as accidental obstacles to understanding what I write, but as its very substance; and if the process of my thoughts seem elusive to him, who setting out from radically changed mental habits, will seek to follow it, the important thing is that I convey to him the effort I am making to read between the lines of things the evasive meaning of what is in store for me.

Myth and mysteries consist of impalpable little granules like the pollen that sticks to a butterfly’s legs, only those who have realized this can expect revelations and illuminations. This is why my attention, in contrast to what you, sir, were saying, cannot be detached from the written lines even for an instant. I must not be distracted if I do not wish to miss some valuable clue. Every time I come upon one of these clumps of meaning I must go on digging around to see if the nugget extends into a vein. This is why my reading has no end. I read and reread, each time seeking the confirmation of a new discovery among the folds of the sentences.

I have already crossed the café a couple of times and have looked out the front door onto the invisible square, and each time the wall of darkness has driven back inside this sort of illuminated limbo suspended between the two darknesses, the bundle of tracks and the foggy city.

Reading is a discontinuous and fragmentary operation. Or rather, the object of reading is punctiform and pulviscular material. In the spreading expanse of the writing, the reader’s attention isolates some minimal segments, juxtapositions of words, metaphors, syntactic nexuses, logical passages, lexical peculiarities that prove to possess an extremely concentrated density of meaning. They are like elemental particles making up the work’s nucleus, around which all the rest revolves or else like the void at the bottom of a vortex which sucks in and swallows currents. It is through these apertures that, in barely perceptible flashes, the truth the book may bear is revealed, its ultimate substance. Myth and mysteries consist of impalpable little granules like the pollen that sticks to a butterfly’s legs, only those who have realized this can expect revelations and illuminations. This is why my attention, in contrast to what you, sir, were saying, cannot be detached from the written lines even for an instant. I must not be distracted if I do not wish to miss some valuable clue. Every time I come upon one of these clumps of meaning I must go on digging around to see if the nugget extends into a vein. This is why my reading has no end. I read and reread, each time seeking the confirmation of a new discovery among the folds of the sentences.

At the end of 1445, as winter gripped the Tuscan hills, Vespasiano departed for Lucca, forty-five miles to the west of Florence. His bona fides declared him the procuratore, or agent, of Cosimo de’ Medici.34 This position was bound to open doors, and he was welcomed into the finest home in Lucca, that of Michele Guinigi.

Whether or not there is snow on the ground where you are, whether or not your days have gotten shorter, the questions still remain. How will you make it through the winter? Through a difficult season of life? Through until the end? You can and will make it through by holding fast to the one who can illuminate the path for you. In this light, you can look backwards and see that his goodness and love have been pursuing you all the way. In this light, you can known that you are not alone. In this light, you can find purpose and joy in helping others along the road. And in this light, one day, the darkness — whatever form your particular darkness takes — will be forever banished.

Burckhardt was a Swiss professor of history who had spent the winter of 1847–48 in Rome. While there he read a book published from an old manuscript recently discovered by an Italian cardinal in the Vatican Library and first printed in 1839 as Vitæ CIII Virorum Illustrium, or The Lives of 103 Illustrious Men. The author of this work, according to the volume’s editor, was Vespasiano Fiorentino—“ Vespasiano the Florentine”—about whom, in 1839, almost nothing was known.

XI. Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let's see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, syclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, uprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buried the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew.

If on a winter’s night a traveler, outside the town of Malbork, leaning from the steep slope without fear of wind or vertigo, looks down in the gathering shadow in a network of lines that enlace, in a network of lines that intersect, on the carpet of leaves illuminated by the moon around an empty grave— What story down there awaits its end?—he asks, anxious to hear the story.

The abundance of windows meant that the great room was cheered by a constant diffused light, even on a winter afternoon. The panes were not colored like church windows, and the lead-framed squares of clear glass allowed the light to enter in the purest possible fashion, not modulated by human art, and thus to serve its purpose, which was to illuminate the work of reading and writing. I have seen at other times and in other places many scriptoria, but none where there shone so luminously, in the outpouring, of physical light which made the room glow, the spiritual principle that light incarnates, radiance, source of all beauty and learning, inseparable attribute of that proportion the room embodied. For three things concur in creating beauty: first of all integrity or perfection, and for this reason we consider ugly all incomplete things; then proper proportion or consonance; and finally clarity and light, and in fact we call beautiful those things of definite color. And since the sight of the beautiful implies peace, and since our appetite is calmed similarly by peacefulness, by the good, and by the beautiful, I felt myself filled with a great consolation and I thought how pleasant it must be to work in that place.

THE CRIMSON QUEEN   She comes to me at the mid-nightmare passing Temptress of winter snowfall in black leathers Within the forest where the snakes are hissing Among the moonlit trees and dying heathers Vampiric succubus from homes of the dead Honey in my ear, I recall what was said:   “You will love me, your Queen of the dead Worship me, or I will take your head.”   So I rest my head on her frozen bosom I’m subjugated to her loathsome Sodoms Her fingers, grasping, from the darkest reaches Those lips of suction are just like leeches Entwined arms that offer me no salvation A barbed tongue lapping at my lacerations   “My crimson queen, my strength starts to wane” I cried to her, in pleasurable pain   The blood-red candles have burned down to their wicks Illuminated fantasies born from the sick Manticore mistress drenched in gorgon’s blood I break wide open to release the flood My intestines burst forth, their gushing out Into the black void of Lillith’s mouth

Then he, too, collapsed to his knees in the grass. His heart rushed so in his chest, he thought he might die. Eyes closed, he saw his life, all the events leading to this moment. He saw his mother, glowing and smiling down at him, so very pleased. He saw himself as a child playing in a stream, with his shirt and socks hidden on the bank so he wouldn't be caught. He saw his father, Ivor, a stern face glaring down at him. But then he saw beyond the face into his father's eyes- and saw Ivor as a frightened little boy. And then he saw 'her.' Serena. A bright light illuminated her face and then faded, and he saw her as warm and living and real. He could almost reach out and touch her. But she vanished, replaced in his mind's eyes by the coal miners and the filthy wretchedness of the children, of Robbie- And suddenly, Drake knew. His mission was as clear as if God had spoken it aloud. In those few moments, everything fell into place: the man he had tried to be and the man he was created to be. It was as though a key were turned, a locked-up place opened, and all the people, all the events that led to this moment suddenly made sense as never before. Throwing his eyes open, he gulped in air. The preacher was praying for the souls of all those in the audience, and Drake grasped hold of that prayer with all that he had. 'Yes.' The word resounded within him. 'Yes! Yes!' His spirit soared, his hands lifted toward heaven without any fear or shame. 'Save me, Lord Jesus. Save me, too!' God's response came, swift and sure, and Drake had never felt so light... so alive. So deeply, deeply loved.

Cocking a brow, she rose. “What’s all this about?” she asked the House, following the trail it had left. Down the hall, along the stairs, all the way down to the library itself. “Where are we going?” Nesta asked the warm air. Mercifully, even the night owls amongst the priestesses had gone to sleep, leaving no one to see her hurrying after the trail of branches. Around the levels of the library they twined, deeper and deeper, until they reached the seventh level. Nesta drew up short as the trail stopped at the edge of the wall of darkness. A light flickered beyond it. Several lights. As if to say, Come. Don’t be afraid. So Nesta sucked in a breath as she stepped into the gloom. Little tea lights wended into a familiar darkness. She and Feyre had once ventured down here—had faced horrors here. No evidence remained of that day. Only the firelit dimness, the candles leading her to the lowest levels of the library. To the pit itself. Nesta followed them, spiraling to the bottom of the pit, where one small lantern glowed, faintly illuminating the rows of books veiled in permanent shadow around it. Heart racing, Nesta lifted the lantern in one hand and gazed at the darkness, untouched by the light from the library high, high above. The heart of the world, of existence. Of self. The heart of the House. “This …” Her fingers tightened on the lantern. “This darkness is your heart.” As if in answer, the House laid a little evergreen sprig at her feet. “A Winter Solstice present. For me.” She could have sworn a warm hand brushed her neck in answer. “But your darkness …” Wonder softened her voice. “You were trying to show me. Show others. Who you are, down deep. What haunts you. You were trying to show them all those dark, broken pieces because the priestesses, and Emerie, and I … We’re the same as you.” Her throat constricted at what the House had gifted her. This knowledge. She lifted the lantern higher and blew out its flame. Let the darkness sweep in. Embraced it. “I’m not afraid,” she whispered into it. “You are my friend, and my home. Thank you for sharing this with me.” Again, Nesta could have sworn that phantom touch caressed her neck, her cheek, her brow. “Happy Solstice,” she said into the beautiful, fractured darkness.