Harlem Quotes

We've searched our database for all the quotes and captions related to Harlem. Here they are! All 100 of them:

Harlem What happens to a dream deferred? Does it dry up like a raisin in the sun? Or fester like a sore-- And then run? Does it stink like rotten meat? Or crust and sugar over-- like a syrupy sweet? Maybe it just sags like a heavy load. Or does it explode?
Langston Hughes (The Collected Poems)
Visitors are not permitted to see me twice. You will have to join the cult in order to do so. If the visitor sees me for the second time, he does not recognize me.
Rebecca Harlem (The Pink Cadillac)
Many people think it’s normal to cheat on their partners. But they are unaware that by doing so, they will never be able to reach the depths of love.
Rebecca Harlem (The Pink Cadillac)
You were always afraid of being caught while making love, and that fear never allowed you to completely surrender to any of your partners.
Rebecca Harlem (The Pink Cadillac)
A pornographic scene skilfully shot is no less than a melodious song.
Rebecca Harlem (The Pink Cadillac)
We don’t know yet if this girl is going to have sex tonight or not?”                    “She will for sure. I can smell the desire. And it is getting stronger as the time is passing.
Rebecca Harlem (The Pink Cadillac)
You try every trick in the book to keep her. You write her letters. You drive her to work. You quote Neruda. You compose a mass e-mail disowning all your sucias. You block their e-mails. You change your phone number. You stop drinking. You stop smoking. You claim you’re a sex addict and start attending meetings. You blame your father. You blame your mother. You blame the patriarchy. You blame Santo Domingo. You find a therapist. You cancel your Facebook. You give her the passwords to all your e-mail accounts. You start taking salsa classes like you always swore you would so that the two of you could dance together. You claim that you were sick, you claim that you were weak—It was the book! It was the pressure!—and every hour like clockwork you say that you’re so so sorry. You try it all, but one day she will simply sit up in bed and say, No more, and, Ya, and you will have to move from the Harlem apartment that you two have shared. You consider not going. You consider a squat protest. In fact, you say won’t go. But in the end you do.
Junot Díaz (This Is How You Lose Her)
The face that was engulfed in sadness just a few moments ago was now having a diabolical glow.
Rebecca Harlem (The Pink Cadillac)
The trees, in both Earth and Heaven, exist in the same form.
Rebecca Harlem (The Pink Cadillac)
Fame to an artist is like light to a vampire.
Rebecca Harlem (The Pink Cadillac)
I realized that if you avoid the sin, you will also avoid the fun.
Rebecca Harlem (The Pink Cadillac)
Oversensitivity isn’t a problem, it’s your strength. It simply indicates you are more human than others. You should be proud of yourself.
Rebecca Harlem (The Pink Cadillac)
Dakota leaned forward with her face coated in mingled sperm and kissed the lips of the fourth man. In that kiss, there was an unspoken ‘thank you.
Rebecca Harlem (The Pink Cadillac)
The intercourse was over in no time. That intercourse gave Karl a feeling of unprecedented pleasure. On the other hand, it failed to bring back Luna to reality, as she had been floating into another dimension. And it left Fiona with a deep hatred for Luna.
Rebecca Harlem (The Pink Cadillac)
You were born where you were born and faced the future that you faced because you were black and for no other reason. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. Wherever you have turned, James, in your short time on this earth, you have been told where you could go and what you could do (and how you could do it) and where you could live and whom you could marry. I know your countrymen do not agree with me about this, and I hear them saying "You exaggerate." They do not know Harlem, and I do. So do you. Take no one's word for anything, including mine- but trust your experience. Know whence you came.
James Baldwin (The Fire Next Time)
Whose little boy are you?
James Baldwin (The Fire Next Time)
Black is beautiful. Black isn’t power. Knowledge is power. You can be black as a crow or white as snow but if you don’t know and you ain’t got no dough, you can’t go and that’s for sho’.
Lewis H. Michaux
You are not the first person to come here, and you will most likely not be the last. Many souls have arrived here in quest of this thing before you and will continue to do so after you. Here, everything revolves in a circle. You must have noticed that some events in your life are also occurring in the lives of others. Or you’re meeting people with the same name again.
Rebecca Harlem (The Pink Cadillac)
The best of humanity's recorded history is a creative balance between horrors endured and victories achieved, and so it was during the Harlem Renaissance.
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
Because I am really successful and work on the sets throughout the day. I had sex with a variety of male models. If my spouse accepts all of this, he will be unconcerned if he discovers I cheated on him at some point in the future. That is how much he cares for me. Never in my wildest dreams did I consider defrauding him. When something becomes legal, it is common for people to lose interest in it.
Rebecca Harlem (The Pink Cadillac)
love. she liberated me to life, she continued to do that. and when she was in her final sickness i went out to san francisco and the doctor said she had 3 weeks to live, i asked her "would you come to north carolina?" she said yes. she had emphysema and lung cancer, i brought her to my home. she lived for a year and a half ..and when she was finally in extemis, she was on oxygen and fighting cancer for her life and i remembered her liberating me, and i said i hoped i would be able to liberate her, she deserved that from me. she deserved a great daughter and she got one. so in her last days, i said "i understand some people need permission to go… as i understand it you may have done what god put you here to do. you were a great worker, you must've been a great lover cause a lot of men and if I'm not wrong maybe a couple of woman risked their lives to love you. you were a piss poor mother of small children but a you were great mother of young adults, and if you need permission to go, i liberate you". and i went back to my house, and something said go back- i was in my pajamas, i jumped in my car and ran and the nurse said "she just gone". you see love liberates. it doesn't bind, love says i love you. i love you if you're in china, i love you if you're across town, i love you if you're in harlem, i love you. i would like to be near you, i would like to have your arms around me i would like to have your voice in my ear but thats not possible now, i love you so go. love liberates it doesn't hold. thats ego. love liberates.
Maya Angelou
In Harlem, Negro policemen are feared more than whites, for they have more to prove and fewer ways to prove it
James Baldwin (Notes of a Native Son)
Love liberates. It doesn't bind. Love says, I love you. I love you if you're in China. I love you if you're across town. I love you if you're in Harlem. I love you. I would like to be near you. I'd like to have your arms around me. I'd like to hear your voice in my ear. But that's not possible now, so I love you. Go.
Maya Angelou
Fiona grabbed Rick in her arms and sobbed, “Oh Rick, this song drives me crazy. I can’t stop myself when you’re around me. I’m losing control of myself. Rick, please tell them to stop, otherwise I don’t know what I will do.” Saying this, Fiona placed her lips on Rick’s lips. Now Rick was no longer in a position to speak so that he could ask the DJ to change the song. He only needed to signal the DJ to do that. But after tasting the moisture on Fiona’s lips, which was like dewdrops on rose petals, he realized that this endeavour would have required a lot of courage, which he most certainly lacked at the time.
Rebecca Harlem (The Pink Cadillac)
You have a color of your own- Dark chocolate, You have a culture your own- Hip pop, You have a revival of your own- Harlem Renaissance, You are the spot on a ladybug that adds its beauty, You are the pupil of an eye, You are the vastness of space, You are the richness of soil, You are the sweetness of dark chocolate, You are the mystery in nature, Blessed Black chocolate, God has made You to rule the Land, that made You a slave.
Luffina Lourduraj
Love liberates, It doesn't just hold- that's just ego. Love liberates. It doesn't bind. Love says, 'I love you. I love you if you're in China. I love you if you're across town. I love you if you're in Harlem. I love you. I would like to be near you. I'd like to have you arms around me. I'd like to hear your voice in my ear. But that's not possible now, so I love you. Go.
Dr. Maya Angleou
Here's what I love: when a great writer turns me into a Jew from Chicago, a lesbian out of South Carolina, or a black woman moving into a subway entrance in Harlem. Turn me into something else, writers of the world. Make me Muslim, heretic, hermaphrodite. Put me into a crusader's armor, a cardinal's vestments. Let me feel the pygmy's heartbeat, the queen's breast, the torturer's pleasure, the Nile's taste, or the nomad's thirst. Tell me everything that I must know. Hold nothing back.
Pat Conroy (My Reading Life)
Originally, he'd wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H's life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H's story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he'd have to talk about the cities that took that flock in. He'd have to talk about Harlem, And how could he talk about Harlem without mentioning his father's heroin addiction - the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the '60s, wouldn't he also have to talk about crack everywhere in the '80s? And if he wrote about crack, he'd inevitably be writing, to, about the "war on drugs." And if he started talking about the war on drugs, he'd be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he'd gone to college with smoked it openly every day, he'd get so angry that he'd slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. And if he slammed the book down, then everyone in the room would stare and all they would see would be his skin and his anger, and they'd think they knew something about him, and it would be the same something that had justified putting his great-grandpa H in prison, only it would be different too, less obvious than it once was.
Yaa Gyasi (Homegoing)
What could be worse than dead? But all around him, the evidence was clear. Only weeks before, the NYPD had shot down a fifteen-year-old black boy, a student, for next to nothing. The shooting had started the riots, pitting young black men and some black women against the police force. The news made it sound like the fault lay with the blacks of Harlem. The violent, the crazy, the monstrous black people who had the gall to demand that their children not be gunned down in the streets.
Yaa Gyasi (Homegoing)
I kept finding the same anguish, the same doubt; a self-contempt that neither irony nor intellect seemed able to deflect. Even DuBois’s learning and Baldwin’s love and Langston’s humor eventually succumbed to its corrosive force, each man finally forced to doubt art’s redemptive power, each man finally forced to withdraw, one to Africa, one to Europe, one deeper into the bowels of Harlem, but all of them in the same weary flight, all of them exhausted, bitter men, the devil at their heels.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
History, too, has a penchant for giving birth to itself over and over again, and those whom it appoints agents of change and progress do not always accept their destinies willingly.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
A winter ago I had an after-school seminar for high-school students and in one of the early sessions Una, a brilliant fifteen-year-old, a born writer who came to Harlem from Panama five years ago, and only then discovered the conflict between races, asked me, "Mrs. Franklin, do you really and truly believe in God with no doubts at all?" "Oh, Una, I really and truly believe in God with all kinds of doubts." But I base my life on this belief.
Madeleine L'Engle (A Circle of Quiet (Crosswicks Journals, #1))
Harlem sleeps late.
Jacob M. Appel (The Biology of Luck)
But artists aren’t the only marginalized folks controlling real estate. Think about the colonizing role that wealthy white gay men have played in communities of color; they’re often the first group to gentrify poor and working-class neighborhoods. Harlem is a good example. Gays have moved in and driven up rents, as have renegade young white students, who want to be cool and hip. This is colonization, post-colonial-style. After all, the people who are “sent back” to recover the territory are always those who don’t mind associating with the colored people! And it’s a double bind, because some of these people could be allies. Some gay white men are proactive about racism, even while being entrepreneurial. But in the end, they take spaces, redo them, sell them for a certain amount of money, while the people who have been there are displaced. And in some cases, the people of color who are there are perceived as enemies by white newcomers.
bell hooks (Homegrown: Engaged Cultural Criticism)
They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
Call them from their houses, and teach them to dream.
Jean Toomer (Cane)
This is your heritage,' he said, as if from this dance we could know about his own childhood, about the flavor and grit of tenement buildings in Spanish Harlem, and projects in Red Hook, and dance halls, and city parks, and about his own Paps, how he beat him, how he taught him to dance, as if we could hear Spanish in his movements, as if Puerto Rico was a man in a bathrobe, grabbing another beer from the fridge and raising it to drink, his head back, still dancing, still steeping and snapping perfectly in time.
Justin Torres (We the Animals)
The leaders and followers of the Harlem Renaissance were every bit as intent on using Black culture to help make the United States a more functional democracy as they were on employing Black culture to 'vindicate' Black people.
Aberjhani (Encyclopedia of the Harlem Renaissance (Facts on File Library of American History))
Thing about white people," Jeremiah's father tells him, "they know what everybody else is, but they don't know they're white" - "Maybe some know it" His father eyed him and smiled "When they walk into a party and everyone's black, they know it. Or when they get caught in Harlem after nightfall, they know it. But otherwise...
Jacqueline Woodson (If You Come Softly)
Crooked world, straight world, same rules - everybody had a hand out for the envelope.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Walking through Harlem first thing in the morning was like being a single drop of blood inside an enormous body that was waking up. Brick and mortar, elevated train tracks, and miles of underground pipe, this city lived; day and night it thrived.
Victor LaValle (The Ballad of Black Tom)
Naturally, this country can't stand truth.
Lewis H. Michaux
I was to be a justifier, my task would be to deny the unpredictable human element of all Harlem so that they could ignore it when it in any way interfered with their plans.
Ralph Ellison (Invisible Man)
How you see and depict yourself will be the exact way people will treat you--Period, Think your worth millions, people will treat you like millions, think pennies, get treated like pennies
Treasure Blue (Fly Betty (Harlem Girl Lost Novels))
The natives who saw him walking alone, and later brought him back to the town for burial, said he was whistling when he went. Being simple peasants, growers of yams and cassava, they did not know what the whistling was. It was a tune called "Spanish Harlem.
Frederick Forsyth (The Dogs of War)
[Public housing projects] are not lacking in natural leaders,' [Ellen Lurie, a social worker in East Harlem] says. 'They contain people with real ability, wonderful people many of them, but the typical sequence is that in the course of organization leaders have found each other, gotten all involved in each others' social lives, and have ended up talking to nobody but each other. They have not found their followers. Everything tends to degenerate into ineffective cliques, as a natural course. There is no normal public life. Just the mechanics of people learning what s going on is so difficult. It all makes the simplest social gain extra hard for these people.
Jane Jacobs (The Death and Life of Great American Cities)
But the address, if it ever existed, never was sent, which made me sad, there was so much I wanted to write her: that I'd sold two stories, had read where the Trawlers were countersuing for divorce, was moving out of the brownstone because it was haunted. But mostly, I wanted to tell about her cat. I had kept my promise; I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms--flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he'd arrived somewhere he belonged. African hut or whatever, I hope Holly has, too.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
I'm an entrepreneur." "Entrepreneur?" Pepper said the last part like manure. "That's just a hustler who pays taxes.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Boys at Columbia went to class and boys in Harlem went to war, a reality not suspended for a friendly Saturday pick-up game.
Ann Patchett (The Dutch House)
From the night into his high-walled room there came, persistently, that evanescent and dissolving sound - something the city was tossing up and calling back again, like a child playing with a ball. In Harlem, the Bronx, Gramercy Park, and along the water-fronts, in little parlors or on pebble-strewn, moon-flooded roofs, a thousand lovers were making this sound, crying little fragments of it into the air. All the city was playing with this sound out there in the blue summer dark, throwing it up and calling it back, promising that, in a little while, life would be beautiful as a story, promising happiness - and by that promise giving it. It gave love hope in its own survival. It could do no more.
F. Scott Fitzgerald (The Beautiful and Damned)
... Harlem was home; was where we belonged; where we knew and were known in return; where we felt most alive; where, if need be, somebody had to take us in. Harlem defined us, claiming our consciousness and, I suspect, our unconsciousness. (Page 64)
Ossie Davis (With Ossie and Ruby: In This Life Together)
Everyone had secret corners and alleys that no one else saw—what mattered were your major streets and boulevards, the stuff that showed up on other people’s maps of you.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Everybody keeps saying be satisfied with Jesus's love, and he will give us our daily bread. I keep waiting, but we never get any bread, so I have to go out and do things for myself.
Vaunda Micheaux Nelson (No Crystal Stair: A Documentary Novel of the Life and Work of Lewis Michaux, Harlem Bookseller)
When you read the words of Langston Hughes you are reading the words of a Black Gay man. When you read the words of Alice Dunbar-Nelson and Angelina Weld Grimké, poets of the Harlem Renaissance, you are reading the words of Black Lesbians. When you listen to the life-affirming voices of Bessie Smith and Ma Rainey, you are hearing Black Lesbian women. When you see the plays and read the words of Lorraine Hansberry, you are reading the words of a women who loved women deeply.
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
I remember, for example, when the ex-Attorney General, Mr. Robert Kennedy, said that it was conceivable that in forty years in America we might have a Negro president. And that sounded like a very emancipated statement, I suppose, to white people. They were not in Harlem when this statement was first heard. They did not hear (and possibly will never hear) the laughter and the bitterness and the scorn with which this statement was greeted. From the point of view of the man in the Harlem barbershop, Bobby Kennedy only got here yesterday and now he's already on his way to the presidency. We've been here for four hundred years and now he tells us that maybe in forty years, if you're good, we may let you become president.
James Baldwin (I Am Not Your Negro)
When you get to mixing sex and religion, it will make anybody crazy.
Chester Himes (The Crazy Kill (Harlem Cycle, #3))
Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction.
Paul Beatty (The Sellout)
Some escaped the trap, most didn't. Those who got out always left something of themselves behind, as some animals amputate a leg and leave it in the trap. It might be said, perhaps, that I had escaped, after all, I was a school teacher; or that Sonny had, he hadn't lived in Harlem for years. Yet, as the cab moved uptown through streets which seemed, with a rush, to darken with dark people, and as I covertly studied Sonny's face, it came to me that what we both were seeking through our separate cab windows was that part of ourselves which had been left behind. It's always at the hour of trouble and confrontation that the missing member aches.
James Baldwin (Sonny's Blues)
Good morning, daddy! Ain't you heard The boogie-woogie rumble Of a dream deferred? Listen closely: You'll hear their feet Beating out and beating out a - You think It's a happy beat? Listen to it closely: Ain't you heard something underneath like a - What did I say? Sure, I'm happy! Take it away! Dream Boogie Hey, pop! Re-bop! Mop! Y-e-a-h!
Langston Hughes
I believe in God, and I love my brother. But I don't want any religion that will demand I lose my individuality.
Vaunda Micheaux Nelson (No Crystal Stair: A Documentary Novel of the Life and Work of Lewis Michaux, Harlem Bookseller)
Yes," I said, staring at the way the sunshine glinted, quite prettily, on the broken fragments. Odd that something so wrecked could be so beautiful.
Harlem Dae (The Player (Sexy as Hell Trilogy, #2))
Alma used the word settled the way less genteel people used motherfucker, as a chisel to pry open a particular feeling.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
You have to have an inside you, she used to say, and an outside you. Ain't nobody's business who you are really, so it's up to you what you gave them.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The way he saw it, living taught you that you didn't have to live the way you'd been taught to live. You came from one place but more important was where you decided to go.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Go to any police-and-community meeting in Brooklyn, the Bronx, or Harlem, and you will hear pleas such as the following: Teens are congregating on my stoop; can you please arrest them? SUVs are driving down the street at night with their stereos blaring; can’t you do something? People have been barbecuing on the pedestrian islands of Broadway; that’s illegal! The targets of these complaints may be black and Hispanic, but the people making the complaints, themselves black and Hispanic, don’t care. They just want orderly streets.
Heather Mac Donald (The War on Cops: How the New Attack on Law and Order Makes Everyone Less Safe)
Lewis: "You looked beautiful tonight. In fact, you get more beautiful every time I see you." Nicky: "I, but I was just wearing-" Lewis: "Say thanks." Nicky: "Okay, thanks, and you looked... muddy.
Lily Harlem (Scored)
Many people in this country who want to see us the minority, and who don’t want to see us taking too militant or too uncompromising a stand, are absolutely against the successful regrouping or organising of any faction in this country whose thought and whose thinking pattern is international rather than national… There’s a world wide revolution going on, it goes beyond Mississippi, it goes beyond Alabama, it goes beyond Harlem. What is it revolting against? The power structure. The American power structure? No. The French power structure? No. The English power structure? No. Then, what power structure? An international Western power structure.
Malcolm X
I can conceive of no Negro native to this country who has not, by the age of puberty, been irreparably scarred by the conditions of his life. All over Harlem, Negro boys and girls are growing into stunted maturity, trying desperately to find a place to stand; and the wonder is not that so many are ruined but that so many survive.
James Baldwin (Notes of a Native Son)
They are two sides of the same coin and the South will not change—cannot change—until the North changes. The country will not change until it re-examines itself and discovers what it really means by freedom. In the meantime, generations keep being born, bitterness is increased by incompetence, pride, and folly, and the world shrinks around us. It is a terrible, an inexorable, law that one cannot deny the humanity of another without diminishing one’s own: in the face of one’s victim, one sees oneself. Walk through the streets of Harlem and see what we, this nation, have become.
James Baldwin (Nobody Knows My Name)
What had started it, the mess this week? A white cop shot an unarmed black boy three times and killed him. Good old American know-how on display: We do marvels, we do injustice, and our hands were always busy.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
If you believed in the holy circulation of envelopes, everything that went down happened because a man took an envelope and didn’t do his job. An envelope is an envelope. Disrespect the order and the whole system breaks down.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
what i really need is a dead man.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
from one place but more important was where you decided to go.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Robbing the Hotel Theresa was like taking a piss on the Statue of Liberty. It was like slipping Jackie Robinson a Mickey the night before the World Series.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Carney was only slightly bent when it came to being crooked…
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
I had kept my promise; I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms—flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he’d arrived somewhere he belonged. African hut or whatever, I hope Holly has, too.
Truman Capote (Breakfast at Tiffany's and Three Stories: House of Flowers, A Diamond Guitar, and A Christmas Memory)
The projects in Harlem are hated. They are hated almost as much as policemen, and this is saying a great deal. And they are hated for the same reason: both reveal, unbearably, the real attitude of the white world, no matter how many liberal speeches are made, no matter how many lofty editorials are written, no matter how many civil-rights commissions are set up.
James Baldwin (Nobody Knows My Name)
My identity changed with the neighborhood I found myself in. In midtown, they thought I might be black, but in Harlem, they knew I wasn’t. I was spoken to in Spanish and Portuguese and Italian and even Hindi, and when I answered, “I’m Hawaiian,” I would invariably be told that they or their brother or cousin had been there after the war, and asked what I was doing up here, so far from home, when I could be on the beach with a pretty little hula girl. I never had an answer to these questions, but they didn’t expect one—it was all they knew to ask, but no one wanted to hear what I had to say.
Hanya Yanagihara (To Paradise)
Elon Musk (of Tesla, SpaceX, and SolarCity), Jeff Bezos (of Amazon), and Reed Hastings (of Netflix) are other great shapers from the business world. In philanthropy, Muhammad Yunus (of Grameen), Geoffrey Canada (of Harlem Children’s Zone), and Wendy Kopp (of Teach for America) come to mind; and in government, Winston Churchill, Dr. Martin Luther King, Jr., Lee Kuan Yew, and Deng Xiaoping. Bill Gates has been a shaper in both business and philanthropy, as was Andrew Carnegie. Mike Bloomberg has been a shaper in business, philanthropy, and government. Einstein, Freud, Darwin, and Newton were giant shapers in the sciences. Christ, Muhammad, and the Buddha were religious shapers. They all had original visions and successfully built them out.
Ray Dalio (Principles: Life and Work)
Thus, in that inevitable taking of sides which comes from selection and emphasis in history, I prefer to try to tell the story of the discovery of America from the viewpoint of the Arawaks, of the Constitution from the standpoint of the slaves, of Andrew Jackson as seen by the Cherokees, of the Civil War as seen by the New York Irish, of the Mexican war as seen by the deserting soldiers of Scott’s army, of the rise of industrialism as seen by the young women in the Lowell textile mills, of the Spanish-American war as seen by the Cubans, the conquest of the Philippines as seen by black soldiers on Luzon, the Gilded Age as seen by southern farmers, the First World War as seen by socialists, the Second World War as seen by pacifists, the New Deal as seen by blacks in Harlem, the postwar American empire as seen by peons in Latin America. And so on, to the limited extent that any one person, however he or she strains, can “see” history from the standpoint of others.
Howard Zinn (A People's History of the United States: 1492 to Present)
God gave man the strength to conquer the world, but God gave woman a vagina to conquer man
Treasure Blue (Fly Betty (Harlem Girl Lost Novels))
Strivers grasped for something better-and crooks schemes about how to manipulate the present system. The world as it might be versus the world as it was. But perhaps Carney was being too stark. Plenty of crooks were strivers, and plenty of strivers bent the law.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Brothers and sisters, I am here to tell you that I charge the white man. I charge the white man with being the greatest murderer on earth. I charge the white man with being the greatest kidnapper on earth. There is no place in this world that this man can go and say he created peace and harmony. Everywhere he's gone, he's created havoc. Everywhere he's gone, he's created destruction. So I charge him. I charge him with being the greates kidnapper on this earth! I charge him with being the greatest murderer on this earth! I charge him with being the greatest robber and enslaver on this earth! I charge the white man with being the greatest swine-eater on this earth. The greatest drunkard on this earth! He can't deny the charges! You can't deny the charges! We're the living proof *of* those charges! You and I are the proof. You're not an American, you are the victim of America. You didn't have a choice coming over here. He didn't say, "Black man, black woman, come on over and help me build America". He said, "N(i)gger, get down in the bottom of that boat and I'm taking you over there to help me build America". Being born here does not make you an American. I am not an American, you are not an American. You are one of the 22 million black people who are the *victims* of America. You and I, we've never see any democracy. We didn't see any... democracy on the-the cotton fields of Georgia, wasn't no democracy down there. We didn't see any democracy. We didn't see any democracy on the streets of Harlem or on the streets of Brooklyn or on the streets of Detroit or Chicago. Ain't no democracy down there. No, we've never seem democracy! All we've seen is hypocrisy! We don't see any American Dream. We've experienced only the American Nightmare!
Malcolm X
My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
Jacqueline Woodson (Brown Girl Dreaming)
Each time you give in like that, each time you back away from something you believe in, a piece of you dies that can never be brought back to life. Don't let anyone tell you not to care. It all matters. Everything.
Christopher Herz (The Last Block in Harlem)
Brick: "You'd look good like that." Carly: "Like what?" Brick: "In white." Carly: "What do you mean? White?" Brick: "Yeah, in a long white dress, walking down an aisle, toward me." Carly: "Is that a proposal?" Brick: "What would you say if it was, honey?" Carly: "That's for me to know and for you to find out.
Lily Harlem (Cross-Checked (Hot Ice, #2))
In order to have a happy ending, in order to be triumphant, in order to be heroic, you have to tell your own story. The women's movement knows that; black people know that; brown people know that; yellow people know that. You have to be able to tell your own story in order to show that you are worthy--that you belong.
Nikki Giovanni (Shimmy Shimmy Shimmy Like My Sister Kate: Looking At The Harlem Renaissance Through Poems)
They used to call it the 'Great War'. But I'll be damned if I could tell you what was so 'great' about it. They also called it 'the war to end all wars'...'cause they figured it was so big and awful that the world'd just have to come to its senses and make damn sure we never fought another one ever again. That woulda been a helluva nice story. But the truth's got an ugly way of killin' nice stories.
Max Brooks (The Harlem Hellfighters)
On death row, in some ways, I feel like I did become the astronaut of my childhood aspirations. I live suspended, distant and hyperaware of all existence. I’m alien, yet affiliated, living like a satellite, away from all that I have ever known. I know more about human life now that I have moved my research on planetary existence from the streets of Harlem and Philadelphia to my Spartan spaceship of four cement walls, steel commode, and a cot. The space travelers of my felonious legion are drafted from our streets, vulnerable and afraid, some innocent, some guilty, all trained and broken in this system. We are sensitive scientists of the soul who stumble into a laboratory of the self we can’t figure out how to escape. We spend our days rereading our star maps, trying to understand how we ended up at this unintended destination. The solitude of these walls allows us the time to explore the vastness inside of us in ways that our survival on planet Earth never could. I don’t glorify this irony.
Junauda Petrus (The Stars and the Blackness Between Them)
She held him at arms’ length, looked at the pipe still gripped in his hand, then looked at his face and read him like a book. She ran the tip of her red tongue slowly across her full cushiony, sensuous lips, making them wet-red and looked him straight in the eyes with her own glassy, speckled bedroom eyes. The man drowned. When he came up, he stared back, passion cocked, his whole black being on a live-wire edge. Ready! Solid ready to cut throats, crack skulls, dodge police, steal hearses, drink muddy water, live in a hollow log, and take any rape-fiend chance to be once more in the arms of his high-yellow heart.
Chester Himes (A Rage in Harlem (Harlem Cycle, #1))
We can have a just society whose guiding ethos is accountability and punishment, where both black kids dealing weed in Harlem and investment bankers peddling fraudulent securities on Wall Street are forced to pay for their crimes, or we can have a just society whose guiding ethos is forgiveness and second chances, one in which both Wall Street banks and foreclosed households are bailed out, in which both inside traders and street felons are allowed to rejoin polite society with the full privileges of citizenship intact. But we cannot have a just society that applies the principle of accountability to the powerless and the principle of forgiveness to the powerful. This is the America in which we currently reside.
Christopher L. Hayes (Twilight of the Elites: America After Meritocracy)
This was the neighborhood of the cheap addicts, whisky-heads, stumblebums, the flotsam of Harlem; the end of the line for the whores, the hard squeeze for the poor honest laborers and a breeding ground for crime. Blank-eyed whores stood on the street corners swapping obscenities with twitching junkies. Muggers and thieves slouched in dark doorways waiting for someone to rob; but there wasn't anyone but each other. Children ran down the street, the dirty street littered with rotting vegetables, uncollected garbage, battered garbage cans, broken glass, dog offal — always running, ducking and dodging. God help them if they got caught. Listless mothers stood in the dark entrances of tenements and swapped talk about their men, their jobs, their poverty, their hunger, their debts, their Gods, their religions, their preachers, their children, their aches and pains, their bad luck with the numbers and the evilness of white people. Workingmen staggered down the sidewalks filled with aimless resentment, muttering curses, hating to go to their hotbox hovels but having nowhere else to go.
Chester Himes
Lewis: "It's been a tough set of matches, my focus and commitment hasn't wavered, but even so, something amazing has happened. A kind, intelligent beautiful woman has fallen in love with me. (stepping into the crowd, and reporters move out of the way) Hi honey." Nicky: "Hi." Lewis: "I'm in love with you, Nicky. And knowing you feel the same made this the best day of my life.
Lily Harlem (Scored)
unsolicited advice to adolescent girls with crooked teeth and pink hair When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
Jeanann Verlee
And even as this old guide-book boasts of the, to us, insignificant Liverpool of fifty years ago, the New York guidebooks are now vaunting of the magnitude of a town, whose future inhabitants, multitudinous as the pebbles on the beach, and girdled in with high walls and towers, flanking endless avenues of opulence and taste, will regard all our Broadways and Bowerys as but the paltry nucleus to their Nineveh. From far up the Hudson, beyond Harlem River where the young saplings are now growing, that will overarch their lordly mansions with broad boughs, centuries old; they may send forth explorers to penetrate into the then obscure and smoky alleys of the Fifth Avenue and Fourteenth Street; and going still farther south, may exhume the present Doric Custom-house, and quote it as a proof that their high and mighty metropolis enjoyed a Hellenic antiquity.
Herman Melville (Redburn)
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafes, money pushing the people, at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging breakdancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers. They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
In the early months of World War II, San Francisco's Fill-more district, or the Western Addition, experienced a visible revolution. On the surface it appeared to be totally peaceful and almost a refutation of the term “revolution.” The Yakamoto Sea Food Market quietly became Sammy's Shoe Shine Parlor and Smoke Shop. Yashigira's Hardware metamorphosed into La Salon de Beauté owned by Miss Clorinda Jackson. The Japanese shops which sold products to Nisei customers were taken over by enterprising Negro businessmen, and in less than a year became permanent homes away from home for the newly arrived Southern Blacks. Where the odors of tempura, raw fish and cha had dominated, the aroma of chitlings, greens and ham hocks now prevailed. The Asian population dwindled before my eyes. I was unable to tell the Japanese from the Chinese and as yet found no real difference in the national origin of such sounds as Ching and Chan or Moto and Kano. As the Japanese disappeared, soundlessly and without protest, the Negroes entered with their loud jukeboxes, their just-released animosities and the relief of escape from Southern bonds. The Japanese area became San Francisco's Harlem in a matter of months. A person unaware of all the factors that make up oppression might have expected sympathy or even support from the Negro newcomers for the dislodged Japanese. Especially in view of the fact that they (the Blacks) had themselves undergone concentration-camp living for centuries in slavery's plantations and later in sharecroppers' cabins. But the sensations of common relationship were missing. The Black newcomer had been recruited on the desiccated farm lands of Georgia and Mississippi by war-plant labor scouts. The chance to live in two-or three-story apartment buildings (which became instant slums), and to earn two-and even three-figured weekly checks, was blinding. For the first time he could think of himself as a Boss, a Spender. He was able to pay other people to work for him, i.e. the dry cleaners, taxi drivers, waitresses, etc. The shipyards and ammunition plants brought to booming life by the war let him know that he was needed and even appreciated. A completely alien yet very pleasant position for him to experience. Who could expect this man to share his new and dizzying importance with concern for a race that he had never known to exist? Another reason for his indifference to the Japanese removal was more subtle but was more profoundly felt. The Japanese were not whitefolks. Their eyes, language and customs belied the white skin and proved to their dark successors that since they didn't have to be feared, neither did they have to be considered. All this was decided unconsciously.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
One night Freddie said the stars made him feel small. The boys’ constellation knowledge stalled after the Dippers and the Belt, but you didn’t have to know what something was called to know how it made you feel, and looking at the stars didn’t make Carney feel small or insignificant, the stars made him feel recognized. They had their place and he had his. We all have our station in life—people, stars, cities—and even if no one looked after Carney and no one suspected him capable of much at all, he was going to make himself into something.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Their faith may be described as childlike, but the end it serves is often sinister. It may, indeed, “keep them happy”—a phrase carrying the inescapable inference that the way of life imposed on Negroes makes them quite actively unhappy—but also, and much more significantly, religion operates here as a complete and exquisite fantasy revenge: white people own the earth and commit all manner of abomination and injustice on it; the bad will be punished and the good rewarded, for God is not sleeping, the judgment is not far off. It does not require a spectacular degree of perception to realize that bitterness is here neither dead nor sleeping, and that the white man, believing what he wishes to believe, has misread the symbols. Quite often the Negro preacher descends to levels less abstract and leaves no doubt as to what is on his mind: the pressure of life in Harlem, the conduct of the Italian-Ethiopian war, racial injustice during the recent war, and the terrible possibility of yet another very soon. All these topics provide excellent springboards for sermons thinly coated with spirituality but designed mainly to illustrate the injustice of the white American and anticipate his certain and long overdue punishment.
James Baldwin (Notes of a Native Son)
After a week's worth of failed fairy tales—stories that made my eyelids flutter open and not shut—my father tried telling me stories that belonged only to him. Thomas told me of an island off the coast of a different world. On this island, there stood a city whose buildings were made of glass. He told me that at the heart of this city was a forest with trees, ponds and a lake, swans and horses, and even a small castle. He told me that the streets of the city were filled with bright yellow cars that you hopped in and out of at will and that would take you wherever you wanted to go. In this city, there were sidewalks overflowing with people from the whole world over who wanted so much to be there. He told me of its neighborhoods, with names like Greenwich Village and Harlem and Chinatown. At the nucleus of these stories was my father, and spinning around him was the city of New York. Long before I would see them in photographs or in real life, my father had given me the white crown lights of the Chrysler Building and the shining needle of the Empire State.
Monique Truong (Bitter in the Mouth)