Hardwood Quotes

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when your little girl asks you if she’s pretty your heart will drop like a wineglass on the hardwood floor part of you will want to say of course you are, don’t ever question it and the other part the part that is clawing at you will want to grab her by her shoulders look straight into the wells of her eyes until they echo back to you and say you do not have to be if you don’t want to it is not your job both will feel right one will feel better she will only understand the first when she wants to cut her hair off or wear her brother’s clothes you will feel the words in your mouth like marbles you do not have to be pretty if you don’t want to it is not your job
Caitlyn Siehl
From the antique Persian rugs covering the gleaming hardwood floors to the molded tin ceilings and ornate chandeliers, the house was a showstopper. Throughout its long life, no one had allowed this home to fall into disrepair. Every detail of the wainscoting, every pocket door, every window, floor tile, and bathtub was original to the house.
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
He pats his way around the the bed and slides back in. "Ow," he says. "yes?" "My belt. Would it be weird..." I'm thankful he can't see me blush."Of course not." And I listen to the slap of leather, s he pulls it out of his belt loops. He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "yes" "Oh, piss off. I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath, and now we're lying side-by-side. In my narrow bed. Funny, but I never never imagined my first sleepover with a guy being, well, a sleepover.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Can I help you up?” "No,” she said bitterly. “I prefer to drag myself along the hardwood floor.” "Bitch,” I said, squatting to help her up.
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
I used to cover my windows in heavy curtains, never drawn. Now I danced in the sunlight on my hardwood floors.
Kimberly Novosel (Loved)
The planting of a tree, especially one of the long-living hardwood trees, is a gift which you can make to posterity at almost no cost and with almost no trouble, and if the tree takes root it will far outlive the visible effect of any of your other actions, good or evil.
George Orwell
I like wooden shoes—John Wooden. They are better for playing basketball. Nail them to the hardwood floor for increased shooting efficiency.
Jarod Kintz (This Book is Not for Sale)
Barrons Books and Baubles had been ransacked! Tables were overturned, books torn from shelves and strewn everywhere, baubles broken. Even my little TV behind the counter had been destroyed. "Barrons?" I called warily. It was night and the lights were on. My illusory Alina had told me more than an hour had passed. Was it the same night, nearly dawn? Or was it the night following our theft attempt? Had Barrons come back from Wales yet? Or was he still there, searching for me? When I‘d been so rudely ripped from reality, who or what had come through those basement doors? I heard footsteps, boots on hardwood, and turned expectantly toward the connecting doors. Barrons was framed in the doorway. His eyes were black ice. He stared at me a moment, raking me from head to toe. "Nice tan, Ms. Lane. So, where the fuck have you been for the past month?
Karen Marie Moning (Bloodfever (Fever, #2))
Calla.” My mother’s coaxing voice stopped me. “It is of course perfectly acceptable for Renier to call on you, but remember that you are a lady. Don’t bring shame on yourself by making poor choices.” “No, of course not.” I kept my eyes on the hardwood floor, thinking about Shay’s kiss and how much more I’d wanted from him. A sly smile hovered on Ren’s lips when I returned to the kitchen table. If he heard what Mom said, I’m going to kill her.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
She still sighed out her answer, though. “Fine. I’ll go.” “Now, darlin’. I know I’m pulling you away from playing grab ass with my oldest boy on his nice hardwood floor…” Angie barely stopped herself from spitting out her mouthful of coffee. “But if he’s anything like his daddy, trust me, he’ll still be here when you get back.
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are.
Jonathan Safran Foer
From what I could see, the hardwood was just fine. Then again, I'd just see a windmill and an open sky, too, never feeling the need to conquer either. You think it's all obvious and straightforward, this world. But really, it's all in who is doing the looking.
Sarah Dessen (The Moon and More)
So the Midwest nourishes us [...] and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters [...]. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities. Mother knew we would go; she encouraged us.
Annie Dillard (An American Childhood)
When your little girl asks you if she's pretty, your heart will drop like a wineglass on the hardwood floor. Part of you will want to say “Of course you are, don't ever question it,” and the other part, the part that is clawing at you, will want to grab her by her shoulders, look straight into the wells of her eyes until they echo back to you and say “You do not have to be if you don't want to. It is not your job.” Both will feel right. One will feel better. She will only understand the first. When she wants to cut her hair off or wear her brother's clothes, you will feel the words in your mouth like marbles. “You do not have to be pretty if you don't want to. It is not your job.
Caitlyn Siehl (What We Buried)
That's the trouble with the world we live in. It's full of people just doing their job and ignoring what's really going on. Care about the rainforest until they get a couple of kids and enough money for a gas guzzling car, or some hardwood dining furniture. Watch all those wildlife programmes and coo over the furry animals, but still eat meat and poultry that was raised in conditions of unbelievable cruelty.
Robert Muchamore
Short of a shotgun, a pool cue is the best barroom weapon ever invented. Short enough to be handy, long enough to be useful, made out of fine hardwood and nicely weighted with lead.
Lee Child (Echo Burning (Jack Reacher, #5))
Aaron’s mouth dropped open when he entered the “room;” it was more like a huge open loft … no walls, huge floor to ceiling windows, shiny hardwood floors … perfect for a studio. He had no idea how Jake had acquired such a huge space in Manhattan. As if reading his mind, Alyson leaned over and whispered, “He bought the place next door and tore down the walls.” “Perfect,” replied Aaron, “and did he happen to find a treasure chest hidden in one of the walls as well?” “What do you mean?” “I mean, how the holy hell does he afford this place? He looks like he’s twelve.” “He’s twenty-​two, and he happens to be quite successful.” “At twenty-​fucking-​two?” “He was born with talent?” Alyson said questioningly. “He’s a lucky wanker who blew the right people?” suggested Aaron. Alyson tried to scowl but grinned instead, “A child prodigy?” “A deal with the devil?” “Naturally gifted?” “An indulgent sugar daddy?” “How about ‘c) All of the above’?” asked a third voice from behind the partition at the far corner of the studio.
Giselle Ellis (Take My Picture)
The point, I decided, wasn't to have the autobiography or even the memories. The point was who I became when I wrote.
Elizabeth Jarrett Andrew (On The Threshold: Home, Hardwood, and Holiness)
We have never understood why men mount the heads of animals and hang them up to look down on their conquerors. Possibly it feels good to these men to be superior to animals, but it does seem that if they were sure of it they would not have to prove it. Often a man who is afraid must constantly demonstrate his courage and, in the case of the hunter, must keep a tangible record of his courage. For ourselves, we have had mounted in a small hardwood plaque one perfect borrego [bighorn sheep] dropping. And where another man can say, "There was an animal, but because I am greater than he, he is dead and I am alive, and there is his head to prove it," we can say, "There was an animal, and for all we know there still is and here is proof of it. He was very healthy when we last heard of him.
John Steinbeck (The Log from the Sea of Cortez)
We followed him through the wealthy splendor of the house. Hardwood floors. Custom carved woodworking. Statues. Fountains. Suits of armor. Original painting, one of them a van Gogh. Stained-glass windows. Household staff in formal uniform. I kept expecting to come across a flock of peacocks roaming the halls, or maybe a pet cheetah in a diamond-studded collar.
Jim Butcher (Turn Coat (The Dresden Files, #11))
There is nothing like a doorbell to precipitate the potential into the kinetic. When you stand outside a door and push the button, something has to happen. Someone must respond; whatever is inside must be revealed. Questions will be answered, uncertainties or mysteries dispelled. A situation will be started on its way through unknown complications to an unpredictable conclusion. The answer to your summons may be a rush of tearful welcome, a suspicious eye at the crack of the door, a shot through the hardwood, anything. Any pushing of any doorbell button is as rich in dramatic possibility as that scene in Chekhov when, just as the Zemstvo doctor's only child dies of diphtheria and the doctor's wife drops to her knees beside the bed and the doctor, smelling of carbolic, takes an uncertain step backward, the bell sounds sharply in the hall.
Wallace Stegner (Crossing to Safety)
Alex’s eyes went wide. “You can’t bury them in my backyard. Damn it, Ian, we’re putting in a swimming pool in the next couple of weeks. How am I supposed to explain that? First my French doors, then the hardwoods, and now you want to turn my backyard into a fucking body dump. It’s not happening, Ian.
Lexi Blake (Love and Let Die (Masters and Mercenaries, #5))
When you eat, I want you to think of God, of the holiness of hands that feed us, of the provision we are given every time we eat. When you eat bread and you drink wine, I want you to think about the body and the blood every time, not just when the bread and wine show up in church, but when they show up anywhere— on a picnic table or a hardwood floor or a beach.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
Lie there panning, looking, all ribs and elbows and dilated eyes. The awake floor is littered with gear and dirty clothes, blond hardwood with sealed seams, two throw-rugs, the bare waxed wood shiny in the windows' snowlight, the floor neutral, faceless, you cannot see any face in the floor, awake, lying there, faceless, blank, dilated, playing beam over floor again and again, not sure all night forever unsure you're not missing something that's right there: you lie there, awake and almost twelve, believing with all your might.
David Foster Wallace (Infinite Jest)
I feel the spoon hit my forehead before falling to the hardwood in a loud clatter. “Oops.” Ember giggles. “What the hell was that for?” I ask, rubbing my head. “That was for having a penis.” “Why am I being punished because I have a dick?” “Because you’re breathing and thinking about using it.
Harper Sloan (When I'm With You (Hope Town, #3))
Pastrami, of Romanian origin, is dried, spiced, and salted beef, smoked over hardwood sawdust and then steamed. The name may come from pastra, the Romanian verb “to preserve.
Mark Kurlansky (Salt: A World History)
Single trees are extraordinary; trees in number more extraordinary still. To walk in a wood is to find fault with Socrates's declaration that 'Trees and open country cannot teach me anything, whereas men in town do.' Time is kept and curated and in different ways by trees, and so it is experienced in different ways when one is among them. This discretion of trees, and their patience, are both affecting. It is beyond our capacity to comprehend that the American hardwood forest waited seventy million years for people to come and live in it, though the effort of comprehension is itself worthwhile. It is valuable and disturbing to know that grand oak trees can take three hundred years to grow, three hundred years to live and three hundred years to die. Such knowledge, seriously considered, changes the grain of the mind. "Thought, like memory, inhabits external things as much as the inner regions of the human brain. When the physical correspondents of thought disappear, then thought, or its possibility, is also lost. When woods and trees are destroyed -- incidentally, deliberately -- imagination and memory go with them. W.H. Auden knew this. 'A culture,' he wrote warningly in 1953, 'is no better than its woods.'
Robert Macfarlane (The Old Ways: A Journey on Foot)
My favorite days were the ones that barely registered. I'd catch myself not breathing, slumped on the sofa, staring at an eddy of dust tumbling across the hardwood floor in the draft, and I'd remember that I was alive for a second, then fade back out.
Ottessa Moshfegh (My Year of Rest and Relaxation)
I Won’t Fly Today Too much to do, despite the snow, which made all local schools close their doors. What a winter! Usually, I love watching the white stuff fall. But after a month with only short respites, I keep hoping for a critical blue sky. Instead, amazing waves of silvery clouds sweep over the crest of the Sierra, open their obese bellies, and release foot upon foot of crisp new powder. The ski resorts would be happy, except the roads are so hard to travel that people are staying home. So it kind of boggles the mind that three guys are laying carpet in the living room. Just goes to show the power of money. In less than an hour, the stain Conner left on the hardwood will be a ghost.
Ellen Hopkins (Perfect (Impulse, #2))
I think my dad was so fascinated by this idea because he realized on some fundamental level that he was not in control of his desires: I think he woke up every morning in his nice house with hardwood floors and granite countertops and wondered why he desired granite countertops and hardwood floors, wondered who precisely was running his life.
John Green (Zombicorns)
Gavin swept the street again with his Dreamsense. As far as he could tell, no Fyre Elementals had snuck up while his brain evacuated it's cranial real estate in favor of warmer southern climes in Hardwood Heights.
Kendall Grey (Exhale (Just Breathe, #2))
Albert Einstein once described his rules of work: “One: Out of clutter, find simplicity. Two: From discord, find harmony. Three: In the middle of difficulty lies opportunity.
Phil Jackson (Sacred Hoops: Spiritual Lessons of a Hardwood Warrior)
Government observers, keen on getting the Penan out of the valuable hardwood forests, have claimed that Penan health is poor and that they are malnourished. This is a ploy to get them settled so they can be controlled. Also, it is a source of embarrassment to the governments of Malaysia and Indonesia that in the 1980s, nomadic hunters are still roaming the jungles. This doesn't help the national image of a modern, developing country.
Eric Hansen (Stranger in the Forest: On Foot Across Borneo)
The only way I was able to pick up details on the court, to be aware of the minutiae on the hardwood, was by training my mind to do that off the court and focusing on every detail in my daily life. By reading, by paying attention in class and in practice, by working, I strengthened my focus. By doing all of that, I strengthened my ability to be present and not have a wandering mind.
Kobe Bryant (The Mamba Mentality: How I Play)
It had been me—it had always been me. And Ren—oh my God—Ren was here to find and kill me, because the prince of the mother freaking Otherworld was free in the mortal realm. The Prince was here to knock up a halfling, to make an apocalypse baby . . . with me. Me. I was going to vomit. Like all over the hardwood floors of my bedroom.
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
And when the music died, life was always a little less bright, waiting for the next turn on the sprung, hardwood floor.
Alana Albertson (Love Waltzes In (Dancing under the Stars, #1))
I'm not particularly in favor of doctrine or creed, ordination, the elevation of holy texts, the institution of church, or, for that matter, Christianity. Like most religions, it has irreconcilable shortcomings and an unforgivable history. What I do favor is the attempt to make sense of things by living within a story. The Christian story, for good or ill, is my inheritance.
Elizabeth Jarrett Andrew (On The Threshold: Home, Hardwood, and Holiness)
He pats his way around the bed and slides back in. 'Ow,' he says. 'Yes?' 'My belt. Would it be weird...' I’m thankful he can’t see me blush. 'Of course not.' And I listen to the slap of leather as he pulls it out of his belt loops. He lays it gently on my hardwood floor. 'Um,' he says. 'Would it be weird—' 'YES.' 'Oh, piss off. I’m not talking trousers. I only want under the blankets.That breeze is horrible.' He slides underneath, and now we’re lying side by side. In my narrow bed. Funny, but I never imagined my first sleepover with a guy being, well, a sleepover. 'All we need now are 'Sixteen Candles' and a game of Truth or Dare.' He coughs. 'Wh-what?' 'The movie, pervert. I was just thinking it’s been a while since I’ve had a sleepover.' A pause. 'Oh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The sound of a boot heel striking her hardwood floor. The darkness coalesced, gained an outline. A tall, broad-shouldered figure dressed in black stepped forward. A deep voice said, "I won't let you go to Worontzoff's house, Charity.
Lisa Marie Rice (Dangerous Secrets (Dangerous, #2))
By the end of the class, I’m clipping in and out of death. I have become sweat. My pores, Niagara Falls. There’s a puddle on the hardwood floor below me. I see the strobing afterlife; it smells like sweat and sounds like pop music. It is hell.
Liann Zhang (Julie Chan Is Dead)
And what I said was I’ll miss you, What I meant to say was that I love you, What I wanted to say was that I meant what I said I miss you like I miss my own bed after too many nights of sleeping on couches or hardwood floors Or sitting silently behind the doors Of hotel rooms became wounds Breathing life in to this loneliness I miss you Like a burn victim must miss their own skin I miss you like a sad ending Must miss someplace new to begin Because some say that the highway becomes a flat line if you travel it for too long I can’t tell if that’s true or false, But I’m racing down it towards you trying to find my Pulse.
Shane L. Koyczan (Remembrance Year)
when your little girl asks you if she’s pretty your heart will drop like a wineglass on the hardwood floor part of you will want to say of course you are, don’t ever question it and the other part the part that is clawing at you will want to grab her by her shoulders look straight into the wells of her eyes until they echo back to you and say you do not have to be if you don’t want to it is not your job
Renee Engeln (Beauty Sick: How the Cultural Obsession with Appearance Hurts Girls and Women—and Its Impact on Health and Happiness)
Should I try to help her? Surely I was strong enough to loosen that stubborn backpack. And, in doing so, I could make a clever comment about how cold it must be outside for her nipple to get so hard. She'd laugh and toss her head back; her long blond hair would fall off her shoulders onto her back in slow motion. Thankful for my help, she'd lift up her shirt to give me a better look at her tits before I rip her clothes off and throw her down on the dirty hardwood floor. Shit, I gotta stop watching so much porn." - Tyler Campbell, Safe With Me, Part 1
Shaina Richmond
Despite all her efforts to not be one of those historical romance heroines, walking into the marble foyer and seeing the slick hardwood floors beyond, the glittering chandeliers and sconces, she felt like one. She felt small and alone. And like maybe her dad lost her in a poker game.
Molly O'Keefe (Indecent Proposal (Boys of Bishop, #4))
His first thought – what felt like his first thought ever, it formed so slowly in his brain – was that she looked like a doll. Just like a doll. Her eyes were large and bright and feline; her hair was chestnut, brushed to a hardwood shine, parted sharply and flowing to her thighs; her lips were cupid’s-bow-cute; her head was tilted to one side on a long, long neck. She had skin that had never seen sunlight, and wore no expression at all. He noticed her. And she noticed, and kept on noticing, him. Stanley looked down for a third and longer time. It wasn’t polite to stare. Not at girls. Or anyone. But especially not girls. Not even girls who looked like perfect porcelain dolls.
Amelia Mangan (Release)
It is not always, as we might suspect, the hardwoods that necessarily live longer but sometimes the softer woods.
Lore Ferguson Wilbert (The Understory: An Invitation to Rootedness and Resilience from the Forest Floor)
I never wanted to find that kind of love, and I swore every time I helped the man with a broken heart off the old hardwood, I'd never look.
Paige P. Horne (Chasing Ellie ( The Chasing Series, #2))
This wasn’t a house. It was a movie set. The art, the hardwood floors, the rugs, the grand piano, the Italian lighting and furniture,
Anthony Horowitz (A Line to Kill (Hawthorne & Horowitz #3))
Give me 10 pins and a hardwood lane, and I’ll bowl. Just as long as that bowl is full of spaghetti. I’ll always be a champion, when I’m the only one in the competition.
Jarod Kintz (This Book is Not for Sale)
So they duly arrived in their grim war-graith and gear at the hall, and, weary from the sea, stacked wide shields of the toughest hardwood against the wall
Seamus Heaney (Beowulf)
This is exactly what he wanted: to have an apartment with high ceilings and bookcases going all the way up, the hardwood floors and the coffee table of glass and polished metal.
Silvia Moreno-Garcia (Velvet Was the Night)
The Appalachians are the home of one of the world’s great hardwood forests
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
I hear you stabbed my floor,' she noted. 'That's good hardwood, I'll have you know. Honestly. Men and their weapons
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
I’ve spent forty-four years of my life telling the world I’m a carpet man. Is it too late to admit to myself and everyone else that deep down I’m really all about the Hardwood?
K.M. Neuhold (Hardwood (Four Bears Construction, #3))
The fever, I realized, had gone. Beneath my feet, the hardwood floor felt cool on my feet, the air gentle against my itching legs. This was just the world, after all. Big, thoroughly mapped place to sell joy or buy it, hunt company or flee it, trust yourself or your friends or your instincts, stretch the hours as much as you could, and one day vanish. ("Safety Clowns")
Glen Hirshberg (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
Our hosts had been kind to us and considerate as only Mexicans can be. Furthermore, they had taught us the best ways to go hunting, and we shall never use any other. We have, however, made one slight improvement on their method: we shall not take a gun, thereby ovbiating the last remote possibility of having the hunt cluttered up with game. We have never understood why men mount the heads of animals and hang them up to look down on their conquerors. Possibly it feels food to these men to be superior to animals, but it does seem that if they were sure of it they would not have to prove it. Often a man who is afraid must constantly demonstrate his courage and, in the case of the hunter, must keep a tangible record of his courage. for ourselves, we have mounted in a small hardwood plaque one perfect borrego dropping. And where another man can say "There was an animal, but because I am greater than he, he is dead and I am alive, and there is his head to prove it," we can say, "There was an animal, and for all we know there still is and here is the proof of it. he was very healthy when we last heard of him
John Steinbeck (The Log from the Sea of Cortez)
Logan straightened slowly and stroked his fingertips down the dark hardwood beside Tate’s arm. “Straight, huh? You know, funny thing is, often the straightest of trees have crooked roots.
Ella Frank (Try (Temptation, #1))
My mom is now on the ground, checking out the original hardwood floors. Did I mention she’s into wood? And I know where your head went just now, wood equals penis. Ha ha, my mom likes dick.
Meghan Quinn (Co-Wrecker (Binghamton, #1))
At home I get stoned and fall asleep on the couch with all the lights on. At seven in the morning, my phone buzzes against the hardwood floor with a text and I stumble across the room for it.
Kate Elizabeth Russell (My Dark Vanessa)
it feels like I’ve been inside a snow globe that someone shook up, then dropped. I feel like the contents of my life have shattered, and fragments of me have spilled out all over someone’s dusty hardwood floor.
Colleen Hoover (Regretting You)
Vane.” Pan’s voice rings with authority. “No. We’re not fucking doing this anymore.” Vane starts away. “I wasn’t done,” Tilly calls. “I’m saying you’re done.” He keeps walking, his footsteps heavy on the hardwood floor.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
It really is a helluva fiver-upper," Henry said, because someone had to say it. "I feel like they should possibly renovate this basement if they want to get a good sale price. Hardwood floors, update the doorknobs, maybe put the wall back.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs.
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
Ty used his weight to pin Zane to the bare hardwood as Zane gasped for air. He had Zane’s wrists in his hands and was kissing him again, right there in the middle of the floor, and Zane could only whisper Ty’s name whenever their lips parted. Zane’s
Madeleine Urban (Divide & Conquer (Cut & Run, #4))
It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.
Annie Dillard (Pilgrim at Tinker Creek)
If you were running away from me, down a straight hallway with an oiled hardwood floor, and I had a machine gun and a pointy mustache, I still couldn’t hit you with a bowling ball. But what are you doing? You should be running toward love, not away from it.
Jarod Kintz (This Book is Not for Sale)
But now Kyle was dead center on the hardwood dancefloor, which had probably been an aerobics room in its former life, lost in herself and her dancing. She was fantastic. Even soused up on Hairy Buffalo, she moved like silk blowing in the wind—smooth and beguiling.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
On a nightstand in a teenager’s room, a glass vase filled with violets leans precariously against a wall. The only thing saving the vase from a thousand-piece death on the hardwood floor is the groove in the nightstand’s surface that catches the bottom of vase, and of course the wall itself. The violets, nearly a week old, droop in the light of a waning gibbous moon. Wrinkled petals are already piling up on the floor between the nightstand and the wall, and a girl only six days sixteen stares at the dying bouquet from her bed.
Jay Nichols (Emily Smiles for April)
A second later, a third knife sticks into the doorframe, the two sides of its handle calving off as well, tapping into the hardwood floor one by one, like they tried to hold on, they really did, but… they’re just from the dollar store, come on, this is all they could manage.
Stephen Graham Jones (Don't Fear the Reaper (The Indian Lake Trilogy, #2))
Zavier.” Snapping pulls me out of my daydream. Celine taps her foot in rapid succession on the hardwood floor and lets out a huff. “Did you hear me?” “You want to get married and have my babies? Great plan. Love that plan.” Her cheeks burn red, and she chucks a pillow at my head.
Aura Hayes (Loving a Vampire Is Total Chaos (Total Chaos #1))
He stared at me. “Every person exists in their own shallow bowl, and they can’t see over the rim,” he explained. “But they think that their world is the world—the truth. When in reality, no two bowls are identical, and all people are stuck trapped in their own.” Listening to my love, I felt as if we were transported back to the trail, staring at the inky field of ghostly stars. My hair dangling off our bed and onto the hardwood floor, almost upside down, I challenged him, intoxicated. “No that’s silly. We see the color of the walls, the same.” “There is no way to prove that your blue is my blue,” he said. And sobering, I began seeing how my love’s allegory was a hard truth, very dark—how our shallow bowls, differences of perspective, account for all declarations of others’ “wrongness” (one’s own rightness), and the sense of being wronged.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
When you enter the woods of a fairy tale and it is night, the trees tower on either side of the path. They loom large because everything in the world of fairy tales is blown out of proportion. If the owl shouts, the otherwise deathly silence magnifies its call. The tasks you are given to do (by the witch, by the stepmother, by the wise old woman) are insurmountable - pull a single hair from the crescent moon bear's throat; separate a bowl's worth of poppy seeds from a pile of dirt. The forest seems endless. But when you do reach the daylight, triumphantly carrying the particular hair or having outwitted the wolf; when the owl is once again a shy bird and the trees only a lush canopy filtering the sun, the world is forever changed for your having seen it otherwise. From now on, when you come upon darkness, you'll know it has dimension. You'll know how closely poppy seeds and dirt resemble each other. The forest will be just another story that has absorbed you, taken you through its paces, and cast you out again to your home with its rattling windows and empty refrigerator - to your meager livelihood, which demands, inevitably, that you write about it.
Elizabeth Jarrett Andrew (On The Threshold: Home, Hardwood, and Holiness)
Would it require more energy than you have in order for you to really lose it, or do you think really losing it can be a function of having too little energy to prevent losing it? Do the people you do not wish to talk to far exceed the number you do wish to talk to? Do you have much to say to even those to whom you do wish to speak? Do you know where it went wrong for you? Do you own any good copper? Are you favorably disposed to American Indian causes but less so if you must say Native American causes? Are you more at ease in a veneer of civilization or in a true hardwood of barbary?
Padgett Powell (The Interrogative Mood)
The twenty-year-olds sob, lament the only death that could have sealed off their youth, that of the magnificent lover they invented all together, whom they invoked through their prayers and incantations on nights when species vanished, whom they brought to life through witchcraft set down in ink composed of tears, blood, sperm, great symbols traced on hardwood or warmed ceramic, this lovely villain who would have spirited them away far from their beggar fathers, who would have made them princes in golden palaces, so go the thoughts of those who are so inspired; while the others tell themselves simply that he would have made it possible for them to live. A choir, to assuage absence and impotence. Listen to the vibrant song of new sorrows. They are of a race that sings under torture; they have no understanding of laws; they have no moral sense, they are brutes; do not be mistaken.
Kev Lambert (Querelle de Roberval)
That’s when Rob Valencia’s head explodes. Literally explodes. Blood and brains all over me, the walls. Blood all over the Bunnies and their whimpering boys. Bits of skull falling on the hardwood floor like hail. His headless, suited body remains standing before me. Then it collapses to the floor.
Mona Awad (Bunny (Bunny, #1))
When he first meets the dog, I cannot read his face. It is a blank face. But everywhere he goes, the dog follows. He allows him on the hardwood but not on the carpet. He allows him on the carpet but not on the couch. When the dog cries at night from fear of being alone, he sleeps next to him on the floor.
Weike Wang (Chemistry)
But strength without flexibility makes one hard. Come September, when those fierce winds blow in from the sea, those hardwoods crack, splinter and fall. But the pliant palms are resilient and they bend with the wind. This is the secret of a Southern woman. Strength, resilience and beauty. We are never hard.
Mary Alice Monroe (The Beach House)
You believe what you think you believe, until suddenly, you realize that you don’t anymore. Or maybe you do believe, but it’s no longer convenient to do so, so you decide to forget. You decide to find other beliefs, ones that more comfortably fit the constantly evolving puzzle of your life. To put it more finely: There are those beliefs that you will carry with you until the end of your days. A belief in friendliness; a belief in long vacations; a belief in the power of the press and the merits of good coffee. And then there are the beliefs that seem so vital when you are young, but that the passing years steadily leach out of you: a belief in not selling out; a belief in the superiority of the artist; a belief in hardwood floors and staying fit and your ability to change the world. Most of all: a belief that love is forever, that you can climb into a stranger’s heart and know that person and be known in return.
Janelle Brown (Watch Me Disappear)
The grapes he foraged set my teeth on edge. I want to hack through their wild vines, dissect this anger. It's a tangle: steep hill strung with old foxgrapes among the hardwood, tough enough to swing from (proto-bungee rush that's like a fit of rage, adrenalin alive inside me), or to strangle in. Vines choke.
Elizabeth Hadaway (Fire Baton (Arkansas Poetry))
I am nine. We are bored and Karen is dying. We drove to Austin that summer so Sarah's dad- who described Karen as /the great and impossible love/ of his life, who taught us the word /lymphoma/ and then, the concept of the prefix, how it explains where the tumor lives- could say goodbye. The house is a rind spooned out by the onset of death, what's left in the medicine cabinet full of razors & we are hungry & alone & sitting on the living room floor where the light from a naked window slices the hardwood like a melon, brandishes each, individualfuzz on my scabbed calf a field of erect, yellow poppies & we have been alive as girls long enough to know to scowl at this reveal & what better time than now to practice removal. Once, I watched my mother skin a potato in six perfect strokes I remember this as Sarah teaches me to prop up my leg on the side of the tub and runs the blade along my thing, /See?/ she says, /Isn't that so much better?/ Before we left Albuquerque her father warned us, /She will have no hair/ a trait we have just begun to admire except, of course for the hair he is talking about we hold against our necks, that which will get us compliments or scouted in a mall, eventually cut off by our envious sisters while we sleep.
Olivia Gatwood (New American Best Friend)
Make for yourself a world you can believe in. It sounds simple, I know. But it’s not. Listen, there are a million worlds you could make for yourself. Everyone you know has a completely different one—the woman in 5G, that cab driver over there, you. Sure, there are overlaps, but only in the details. Some people make their worlds around what they think reality is like. They convince themselves that they had nothing to do with their worlds’ creations or continuations. Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are. But you want to make for yourself a world that is deliberately and meticulously personalized. A theater for your life, if I could put it like that. Don’t live an accident. Don’t call a knife a knife. Live a life that has never been lived before, in which everything you experience is yours and only yours. Make accidents on purpose. Call a knife a name by which only you will recognize it. Now I’m not a very smart man, but I’m not a dumb one, either. So listen: If you can manage what I’ve told you, as I was never able to, you will give your life meaning.
Jonathan Safran Foer (A Convergence of Birds: Original Fiction and Poetry Inspired by Joseph Cornell)
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs. White people are petrified of germs, and when they look at a carpet all they can see is everything that has ever been spilled, tracked in, or shaken loose into the carpet fibers. But more disgusting to white people is that wall-to-wall carpeting reminds them of suburban homes, motel rooms, and the horrible apartments that they have visited or lived in over the years. It has no soul. Only germs. Hardwood floors, on the other hand, are easily cleaned and give a sense of character to a place, since they are often the original flooring in older buildings. It is a well-known white fantasy to purchase a home or apartment that has disgusting carpet and then to pull it up to reveal a beautiful hardwood floor underneath.
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
As a child I read hoping to learn everything, so I could be like my father. I hoped to combine my father's grasp of information and reasoning with my mother's will and vitality. But the books were leading me away. They would propel me right out of Pittsburgh altogether, so I could fashion a life among books somewhere else. So the Midwest nourishes us . . . and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters, and the forested river valleys, with the blue Appalachian Mountains to the east of us and the broad great plains to the west. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities.
Annie Dillard (An American Childhood)
I go over the mistake in my head a dozen times a day. How I was hiding in a closet upstairs at the Salinger house. How I had to pee but couldn’t leave. So I pissed in a mug—a ceramic mug—and I put the mug down on the hardwood floor of the closet. I ran when I had the chance, and there is no way around it: I forgot the mug.
Caroline Kepnes (Hidden Bodies (You, #2))
Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.
Billy Collins (Taking Off Emily Dickinson's Clothes: Selected Poems)
My existence threatens you." He shoved me back. hard. I crashed into the hall table, knocking it over, smashing the jar of old marbles I had collected. Glass balls skipped and bounced along the corridor. I landed on my back, my head banging down on the hardwood floor. I lay there for a second, blinking up at the lighting fixture, taking in the years of dust and dead moths gathered in the etched-glass globe. The silence that followed was more startling than the collision of me and the table and the floor. I heard Jake's harsh breathing and a marble rolling away down the hall — which seemed pretty damned appropriate, since I'd apparently lost all of mine.
Josh Lanyon (The Hell You Say (The Adrien English Mysteries, #3))
That's the trouble with the world we live in, Dana. It's full of people just doing their job and ignoring what's really going on. Care about the rainforest until they get a couple of kids and enough money for a gas guzzling car, or some fancy hardwood dining furniture. Watch all those wildlife programmes and coo over the furry animals, but still eat meat and poultry that was raised in conditions of unbelievable cruelty. I'm sorry, but we live in a relatively free society. The facts are available, but people choose to ignore them. As far as I'm concerned, any educated person who works for the government or a big oil company is guilty through their own selective ignorance.
Robert Muchamore (Divine Madness (Cherub, #5))
And when I realized that the paint Had camouflaged an ancient door, And that beneath the smooth shellac There lay a trampled hardwood floor, I looked about through angry tears. For that remodeled house was all That I could ever own. And while I gazed around the shadowed hall My mouth curved in a bitter smile: I knew I had lived there before.
Sylvia Plath
Lissie gracefully swept out on to the hardwood floor of the gymnasium like she'd been born for this role. Violet glanced inconspicuously at Jay, wondering why on earth he would have picked her over the stunning Lissie Adams. But he wasn't looking at Lissie. All of his attention was focused on Violet instead, and he caught her fleeting look in his direction. "She's not half as beautiful as you are," he promised, in answer to her silent doubts. She nudged him lightly with her shoulder. "Shut up." But she couldn't keep the smile off her lips as she said it. "Knock it off, you guys. Get a room, for God's sake!" Chelsea squealed at the two of them above the clamor of the crowd in the bleachers.
Kimberly Derting (The Body Finder (The Body Finder, #1))
He knew he loved her in February: steam leaving the mug of coffee in her hands in thick curls; her hair a snarled mess around her shoulders; the morning on the other side of the window bitter and windswept; her face lovely, pale, and lonely in a way he didn’t understand. She sat in the chair in his bedroom, in his shirt and a pair of socks that went up to her knees, gooseflesh on her slender legs. A copy of Oliver Twist had been open across the arm of the chair. “I think it might snow today,” she’d said, and he’d been completely in love with her. He thought she might have loved him back in March: in from the rain; his clothes stuck to his skin; the umbrella showering the hardwood of her entry hall; the dinner she’d planned forgotten when he’d helped her out of her jacket and she’d been shivering with cold. That day, when she’d pushed his wet shirt back off his shoulders and stretched up on her toes to kiss him, he was sure there was something new shining deep down in her coffee-colored eyes. “You’re so cute,” she’d said, and he’d known: she loved him.
Lauren Gilley (Better Than You (Walker Family, #0.5))
IN THE FALL, with his wife in the basement studying Latin, Winston Ma, once Ma Sih Hsuin to everyone who knew him, sits under the crumbling mulberry and, with Verdi’s Macbeth blasting out the bedroom window, puts a Smith & Wesson 686 with hardwood grips up to his temple and spreads the workings of his infinite being across the flagstones of the backyard.
Richard Powers (The Overstory)
He released my body, and I slumped down the wall, my butt colliding with the hardwood floor as I looked up at him with blurry vision. "What just happened?" Zane Smirked then leaned down, offering me his massive hand. "Demonstration. You want him to kiss you like that. You're welcome. Also, next time a guy tries to kiss you who isn't Lincoln, you slap him.
Rachel Van Dyken (Capture (Seaside Pictures, #1))
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever." "Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute. "What about me?" St. Clair examines his watch. "Sideburns. You'll be seeing him next month." He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really. But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny." Shut up,Anna. Shut.Up. St. Clair unbuckles and rebuckles and unbuckles his watchband. "I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward. He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it. "Oof," he says. "Hey,there's a bed there." "Thanks for the warning." "No problem." "It's freezing in here.Do you have a fan on or something?" "It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help." He pats his way around the bed and slides back in. "Ow," he says. "Yes?" "My belt.Would it be weird..." I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "Yes." "Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover. "All we need now are Sixteen Candles and a game of Truth or Dare." He coughs. "Wh-what?" "The movie,pervert.I was just thinking it's been a while since I've had a sleepover." A pause. "Oh." "..." "..." "St. Clair?" "Yeah?" "Your elbow is murdering my back." "Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm. NO! I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life. I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Who are you?” Greg asks. Claudine steps inside the house without waiting for an invitation. “Who am I?” she asks. “I’m the motherfucking welcoming committee, bitch. That’s who the fuck I am.” She comes and stands inside, holding a cupcake with chocolate frosting. She drops it, the frosted side hitting the hardwood floor. Then she steps on it, mashing it into the floor.
Evelyn Sola (Broken)
LIGHT PALE AS MILK guided the old man’s steps over the field to the creek and then to the mountain, stepping into the black wall of pineshadows and climbing up the lower slopes out into the hardwoods, bearded hickories trailing grapevines, oaks and crooked waterless cottonwoods, a quarter mile from the creek now, past the white chopped butt of a bee tree lately felled, past the little hooked Indian tree and passing silent and catlike up the mountain in the darkness under latticed leaves scudding against the sky in some small wind. Light saw him through the thick summer ivy and over windfalls and limestone. Past the sink where on a high bluff among trilobites and fishbones, shells of ossified crustaceans from an ancient sea, a great stone tusk jutted.
Cormac McCarthy (The Orchard Keeper)
There is no reason to deprive your body of love, beauty, creativity, and inspiration, Chopra said. I wrote out a collection of sensory memories from childhood, recalling how it felt to be nourished and soothed. Rice steaming, rain outside. Standing in a towel heated by the tall furnace, feet dripping on the hardwood floor. The smell of sun on asphalt. Cold water on my face in the morning. Eating a bowl of cereal at midnight. The sound of a page turning as I am being read to. The thud of a peach falling. The dusty smell of sand. The scorch of cocoa, the sticky film of melted marshmallow. Spongy insides of bread sopping up tomatoes and vodka sauce. I am reminded of what I am capable of feeling. The ways I consume, my senses opening to receive, at ease, indulgent.
Chanel Miller (Know My Name: A Memoir)
Help me, Little Dog.” She pressed my hands to her chest. “Help me stay young, get this snow off of my life—get it all off my life.” I came to know, in those afternoons, that madness can sometimes lead to discovery, that the mind, fractured and short-wired, is not entirely wrong. The room filled and refilled with our voices as the snow fell from her head, the hardwood around my knees whitening as the past unfolded around us.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Grace cut across an Oriental rug done in a plum, navy, and cream geometric pattern. The colors in the carpet pulled the richness of the furniture together. She noticed that Cade walked the perimeter of the room, sticking to the hardwood floor. Off to the right, a glassed-in sunroom caught the first rays of sunshine from the overcast day. The forest-green wicker furniture, abundant greenery, and a small bookcase with monthly magazines and mystery novels offered peace and solitude.
Kate Angell (The Cottage on Pumpkin and Vine)
If I had only known kittens can climb drapes, perch on top of a traverse rod, and then screech like some femme fatale in a low budget horror flick to be rescued. That a kitten sounds like a herd of buffalo running on hardwood floors in the middle of the night. If I had only known a kitten’s claws can sink through a sheet into your balls while you’re jerking off. An old adage says, “Live and learn,” and I amassed an encyclopedic amount out cat wisdom in less than twenty-four hours.
K.C. Kendricks (A Cat Named Hercules (The Men of Marionville, #5))
THE SPEED OF TIME VARIED, fast or slow, depending on the depth of my sleep. I became very sensitive to the taste of the water from the tap. Sometimes it was cloudy and tasted of soft minerals. Other times it was gassy and tasted like somebody’s bad breath. My favorite days were the ones that barely registered. I’d catch myself not breathing, slumped on the sofa, staring at an eddy of dust tumbling across the hardwood floor in the draft, and I’d remember that I was alive for a second, then fade back out.
Ottessa Moshfegh (My Year of Rest and Relaxation)
The Lakotas’ concept of teamwork was deeply rooted in their view of the universe. A warrior didn’t try to stand out from his fellow band members; he strove to act bravely and honorably, to help the group in whatever way he could to accomplish its mission.
Phil Jackson (Sacred Hoops: Spiritual Lessons of a Hardwood Warrior)
I had never seen this type of clock, carved from hardwood into the shape of our homeland (...) Some craftsman in exile had understood that this was exactly the timepiece his countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return? Refugee, exile, immigrant — whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time-travelers. But while science fiction imagined time-travelers as moving forwards and backwards in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
What’s wrong?” Not a damn thing. Everything. That he wasn’t touching her. The fact that she still had clothes on. “Ford?” His name on her lips snapped something in him. The Vacilli’s box hit the hardwood floor with a thump. His determined footsteps echoed in the foyer as he crossed over to her. She let out a soft mewl when he pressed his body against hers. He cupped her face in his hands and took her mouth like a man who had just discovered the meaning of life, because that’s what he’d just realized. Gina. She was his meaning.
Avery Flynn (Butterface (The Hartigans, #1))
God, please don’t make me go blind This job bites Nothing ever stays the same My ears hurt My lobes once beautiful and tender, now flaky with pain red with burning intensity My elbows feel weird exposed to the universe of hardwood and panel My eyes Oh, God, I love my eyes They are the foundation on which I built my papier kingdom on which I am the high priestess and the shrewd mistress If an owl cannot see describe prescribe then what remains of the night queen? God, please don’t make me go blind For blind is on the list of what it means not to be Me
جيلان صلاح - Jaylan Salah (Workstation Blues)
The basements of the churches I've loved reveal the foundation of the spiritual life to be not belief so much as engagement with the mystery lurking at the base of all things. We build a framework on top of mystery because we need someplace to live, some manner of surviving nature's fury and our mundane daily needs.
Elizabeth Jarrett Andrew (On The Threshold: Home, Hardwood, and Holiness)
On a Wednesday morning in mid-June, Eli Sharpe was sitting at his desk treating jetlag with strong coffee when he heard a knock on his apartment door. After a second, more insistent knock, he added a dash of George Dickel to his Folgers and hid the pint in a desk drawer. “It’s open,” he said loudly and stood up to receive his visitor. In walked a tall blonde, her high heels stabbing the scuffed- up hardwoods, her perfume battling the smell of coffee and dust permeating Eli’s six-hundred square foot studio apartment that doubled as a working office. Her perfume won the battle: Light Blue by Dolce & Gabbana. Same scent his third fiancée used to wear.
Max Everhart (Go Go Gato)
Jeffrey woke up, tied to the high-backed chair in his bedroom, nude. He could hear his wife giggling in the hallway, the hardwood floors creaking with her footsteps with what must have been someone else too. He was gagged, a tight cloth wrapped around his mouth, hurting his jaw when he tried to call for help. He looked down at his body, seeing that he was tied with an intricate rope pattern - a pentagram - on his chest, the hemp fibers tight. He could breathe fine, and he recognized his wife’s rigging skills instantly. They’d practiced Kinbaku, a rope bondage before, on multiple occasions, but this rigging was different. It seemed to be tighter than normal, and he knew that something new was being introduced tonight.
Todd Misura (Divergence: Erotica from a Different Angle)
Please go outside. I really don’t want to hurt you.” Levi pulled up short. “No. Not toward me. To the door. The door!” She squealed, and Levi bounded forward, taking the stairs in a single leap. He threw the door wide and brought up his fists, ready to take on the unseen threat. “Get it off! Get it off!” She held her skirts away from her body and twisted her head to the side as if trying to put as much distance as possible between her and the invader clinging to the dark green fabric of her dress. A cockroach. A big ugly one—three, maybe four inches long, its wings still slightly askew. “Please.” Miss Spencer whimpered, and the sound galvanized him to action. Levi opened his hand and swiped the oversized beetle from her skirt. Then, before the thing could scamper into a dark corner, he crushed it with a stomp of his boot, wincing at the audible crunch that echoed in the now-quiet hall. He scraped his sole over the carcass like a horse pawing the ground, and sent the bug sailing out the door. “Did you have to squish him?” Levi jerked his eyes to Eden Spencer’s face. What had she expected him to do? Tie a leash around its neck and take it for a walk? “Don’t get me wrong,” she said, as she raised a shaky hand to fidget with the button at her collar. “I appreciate your removing that beastly insect from my person.” She shuddered slightly, and her gaze dropped to the darkened spot on the hardwood floor that evidenced the roach’s demise. “However, I can’t abide violence against any of God’s creatures. Even horrid, wing-sprouting behemoths.
Karen Witemeyer (To Win Her Heart)
And a fan. The beauty I see in the arc of a Kareem Abdul-Jabbar skyhook or a Kobe Bryant pull-up jumper with the game on the line. Twenty thousand people in the arena all hoping and praying for the same thing to happen like a giant group meditation, the expansion of time when the lightning-fast sprinting slows down into an infinite second. Like a Jimi Hendrix solo or a realized moment by a hundred-year hermetic Himalayan cave monk, all is in the now as electric happiness surges. With all this evil in our world, the cruel violence and prejudices we bring, I can always count on basketball to lift me up. Nothing more reliable on earth than a box score. The personal travails of my tattered heart rise and fall, but the poetry of movement on the hardwood has never failed me, even in the worst of times.
Flea (Acid for the Children: A Memoir)
In the underland of the hardwood forests of Oregon’s Blue Mountains there exists a honey fungus, Armillaria solidipes, that is two and a half miles in extent at its widest point, and covers a total lateral area of almost four square miles. The blue whale is to this honey fungus as an ant is to us. It is a deeply mysterious organism: the largest in the world that we know of, and one of the oldest. The best guess that US Forest Service scientists have been able to offer for the honey fungus’s age is between 1,900 and 8,650 years old. The fungus expresses itself above ground as mushrooms with white-flecked stems rising to tawny, gill-frilled cups. Below ground, where its true extent lies, Armillaria solidipes moves as rhizomorphs resembling black bootlaces, out of which reach the hyphal fingers of its mycelium, spreading in search both of new hosts which they might kill, and the mycelia of other parts of the colony with which they might fuse.
Robert Macfarlane (Underland: A Deep Time Journey)
THE SPEED OF TIME VARIED, fast or slow, depending on the depth of my sleep. I became very sensitive to the taste of the water from the tap. Sometimes it was cloudy and tasted of soft minerals. Other times it was gassy and tasted like somebody’s bad breath. My favorite days were the ones that barely registered. I’d catch myself not breathing, slumped on the sofa, staring at an eddy of dust tumbling across the hardwood floor in the draft, and I’d remember that I was alive for a second, then fade back out. Achieving that state took heavy dosages of Seroquel or lithium combined with Xanax, and Ambien or trazodone, and I didn’t want to overuse those prescriptions. There was a fine mathematics for how to mete out sedation. The goal for most days was to get to a point where I could drift off easily, and come to without being startled. My thoughts were banal. My pulse was casual. Only the coffee made my heart work a bit harder. Caffeine was my exercise. It catalyzed my anxiety so that I could crash and sleep again. The movies I cycled through the most were The Fugitive, Frantic, Jumpin’ Jack Flash, and Burglar. I loved Harrison Ford and Whoopi Goldberg.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Ellie made her way up the familiar twist of Wicker Road. Even with just the porch light on, her house looked inviting and settled. The single oak that took up the majority of her front lawn was already beginning to collect the first measures of snow. She quickly walked up the three steps and went in. There was nothing grandiose about the place, but it was a perfect fit for Ellie. The house looked a little like an old English cottage. It was tiny, reminding her of a dollhouse. Which suited her perfectly. Any bigger and the place would have echoed, and Ellie would have been aware of how acutely alone she was. She filled the walls with various pieces of artwork, and her queen-sized bed with pillows she made from pieces of vintage fabric. There were two fireplaces and wall-to-wall hardwood floors with perfectly worn-in wainscoting. The back rooms were all windows that could be opened up so it seemed almost a part of the garden. Ellie's study was lined with bookshelves on every wall except the alcove, in front of which she had placed an old secretary. She even had a small balcony off the master that looked over the garden and was a wonderful place to read.
Amy S. Foster (When Autumn Leaves)
this. I can’t smile or fake things I’m not feeling. Digging chopsticks out of the drawer, I stick them in the bowl and pick it up, carrying it upstairs. I reach the top and don’t pause as I turn away from their bedroom door and head left, toward my own room. Carrying the bowl to my desk, I pause, the smell of the ramen making my stomach roll. I set it down and move to the wall, sliding down until I’m sitting on the floor. The cool hardwood eases my nerves, and I’m tempted to lie down and rest my face on it. Is it weird I stayed in the house tonight when they died just down the hall this morning? The coroner estimated the time of death about two a.m. I didn’t wake up until six. My mind races, caught between wanting to let it go and wanting to process how everything happened. Mirai is here every day. If I didn’t find them, she would’ve. Why didn’t they wait until I’d gone back to school next week? Did they even remember I was in the house? I let my head fall back against the wall and lay my arms over my bent knees, closing my burning eyes. They didn’t leave me a note. They dressed up. They put the dog out. They scheduled Mirai to come late this morning, instead of early.
Penelope Douglas (Credence)
I paused at the top of the spiral staircase, and soaked in the view. In the daylight, the bookstore took on a new life. Motes of dust danced in the sunlight that streamed through the windows. It looked a lot cozier, as the colored glass window ornaments threw rainbows across the bookshelves and pirouetted across the hardwood floors like flecks of dappled sunlight on sand. Bookcases, filled to the brim, reached up to the ceiling, cluttered with so many colors and kinds of books, short and fat, long and wide, that it almost felt like an assault on the senses. The center of the bookstore was open to the second floor, where tall bookshelves towered so high you had to reach them with ladders. Heavy oak beams supported the roof. Planetariums and glass chimes and other ornaments hung from the rafters, catching the morning's golden light and throwing it across the store. The shelves were made from the same deep oak as the ceiling beams and the banisters on the second floor, signs hanging from the eye-level shelves detailing the different sections of the store: MEMOIR, FANTASY, SCI-FI, ROMANCE, SELF-HELP, NATURE, HOW-TO... This place was beautiful. I wondered, briefly, what it would be like to own a place like this. It was magical. A shop that sold the impossible inked onto soft white paper.
Ashley Poston (A Novel Love Story)
Inching into the room, it’s clear something is wrong here. There’s a tingling sensation up my legs and back before I can even really focus on the parlor’s details. There are silhouettes of people, but I can see through them. It’s like shadows were cast and left behind to do as they please. Lost in the surreal sight of them for a moment, I inch further into the room without noticing that some were now moving behind me. There is no warning. I’m suddenly in the air, and moving backward rapidly toward the wall. It’s almost a full second before my body registers the actual pain of the blow my stomach just took. Being hit by a car doesn't even compare to this, and I didn't even see it coming. “For a shadow, you hit like a sledgehammer!” The words barely escape before something else slams into the base of my skull embedding most of my upper body in the wall and all but removing my head. These things are like Lucy; the disembodied dead who haven’t moved on. I've never met others that can actually touch things physically, they must be fairly potent. I pull my face out of the hole it had been planted in, letting plaster dust fall, coating my chest and legs like snow. Looking around quickly I try to gauge my surroundings. I can’t see them, but I know they’re there. Is one easy night, without a huge dry-cleaning bill, too much to ask for these days? I only have time to dwell on it a moment before my head is bouncing off the hardwood floor; once, twice, and then a third time in quick succession. Now ‘pick splinters out of my forehead’ can be added to my Saturday night to-do list. Damn it, this is not going as planned.
Dennis Sharpe (Blood & Spirits (The Coming Storm, #1))
Back then the Appalachian Trail was barely a trail at all—it consisted of over 2,000 miles of mostly unmarked wilderness from Mount Katahdin in Maine to Mount Oglethorpe in Georgia. A man named Benton MacKaye had proposed its creation in the early 1920s. He had utopian visions about a place that could “transcend the economic scramble” and be a balm on the American psyche after World War I. He thought the trail could lift people out of the drudgery of modern life. Government workers needed a relaxing place to recuperate, he wrote in his proposal. Housewives, he said, could use the trail’s rejuvenating powers too. They could come during their leisure time. It could even be a cure for mental illness, whose sufferers “need acres not medicine.” Civilization was weakening, he said. Americans needed a path forward. The Appalachian Trail was the solution. There was still so much undeveloped land in the United States. The West had Yosemite and Yellowstone, and many more national parks, but the East Coast was the most populous part of the country, and the people who lived there should have something to rival the western parks. National parks already dotted the East Coast’s landscape, but what if they could be united? MacKaye imagined what Americans would see as they strode the length of the trail: the “Northwoods” pointed firs on Mount Washington, the placid, pine-rimmed lakes of the Adirondacks. They would cross the Delaware Water Gap, the Potomac, and Harpers Ferry. They could follow Daniel Boone’s footsteps through southern Appalachia to the hardwood forests of North Carolina and end at Springer Mountain in Georgia. They would know their country. Barbara was swept up by
Laura Smith (The Art of Vanishing: A Memoir of Wanderlust)
So Christiana went to speak to Dicky about taking us out and about, but when she found him in the office, the idiot was dead." Daniel bit his lip at her vexed tone. There was absolutely no grief in her voice at all, just irritation with the inconvenience of it all. But then George had never been one to inspire the finer feelings in those he encountered. Clearing his throat, he asked, "Did he fall and strike his head, or-" "No.He was simply sitting in his chair dead," she said with exasperation, and then added with disgust, "He was obviously a victim of his own excess. We suspected his heart gave out. Certainly the glass and decanter of whiskey next to him suggested he didn't take the best care of himself. I ask you,who drinks hard liquor first thing in the morning?" Daniel shook his head, finding it difficult to speak. She was just so annoyed as she spoke of the man's death, as if he'd deliberately done it to mess up her plans. After a moment, he asked, "Are you sure he is dead?" Suzette gave him another one of those adorable "Don't be ridiculous" looks. "Well, obviously he isn't. He is here now," she pointed out, and then shook her head and added almost under her breath, "Though I could have sworn...The man didn't even stir when he fell off the chair and slammed his head on the floor. Nor when I dropped him and his head crashed to the hardwood floor again, or when we rolled him in the carpet and dragged him upstairs, or when we dropped him in the hall and he rolled out of the carpet, or-" "Er," Daniel interrupted, and then coughed into his hand to hide a laugh, before asking, "Why exactly were you carting him about in a carpet?" "Well,don't be dense," she said with exasperation. "We couldn't let anyone know he was dead, could we?" "Couldn't you?" he asked uncertainly. Suzette clucked with irritation. "Of course not.We would have had to go into mourning then.How would I find a husband if we were forced to abstain from polite society to observe mourning?
Lynsay Sands (The Heiress (Madison Sisters, #2))
Visible over Madame’s shoulder was a clock, hanging on the wall between a flag and a poster. The poster was for a new brand of beer, featuring three bikini-clad young women sprouting breasts the size and shape of children’s balloons; the flag was of the defeated Republic of Vietnam, three bold red horizontal stripes on a vivid field of yellow. This was the flag, as the General had noted more than once to me, of the free Vietnamese people. I had seen the flag countless times before, and posters like that one often, but I had never seen this type of clock, carved from hardwood into the shape of our homeland. For this clock that was a country, and this country that was a clock, the minute and hour hands pivoted in the south, the numbers of the dial a halo around Saigon. Some craftsman in exile had understood that this was exactly the timepiece his refugee countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return? Speaking of punctuality, I said to Madame, your clock is set to the wrong time. No, she said, rising to fetch the beer. It’s set to Saigon time. Of course it was. How could I not have seen it? Saigon time was fourteen hours off, although if one judged time by this clock, it was we who were fourteen hours off. Refugee, exile, immigrant—whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time travelers. But while science fiction imagined time travelers as moving forward or backward in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles.
Viet Thanh Nguyen (The Sympathizer)
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Ted McGrath
Can you just imagine the two of them next year at the Phi Delta Carnation Ball?” Laura Grace asks, clapping her hands together. Daddy looks confused. “The two of who?” “Why, Ryder and Jemma, of course.” Mama pats him on the hand. “You remember the Carnation Ball--it’s the first Phi Delta party of the year. They have to go together, right, Laura Grace?” She nods. “We’ve been waiting all our lives for this.” Mama finally glances my way and sees my scowl. “Aw, honey. We’re just teasing, that’s all.” This sort of teasing has been going on my entire life--second verse, same as the first. It’s gotten real old, real fast. “May I be excused?” I ask, pushing back from the table. “You go on and finish your dinner,” Laura Grace says, entirely unperturbed. “We’ll stop teasing. I promise.” “It’s okay. I’m done. It was delicious, thanks. I just need to get some air, that’s all. I’m getting a bit of a headache.” Laura Grace nods. “It’s this heat--way too hot for September.” She waves a hand in my direction. “Go on, then. Ryder, why don’t you go get Jemma some aspirin or something.” I glance over at Ryder, and our eyes meet. I shake my head, hoping he gets the message. “No, it’s fine. I’m…uh…I’ve got some in my purse.” “Go with her, son,” Mr. Marsden prods. “Be a gentleman, and get her a bottle of water to take outside with her.” Ugh. I give up. My escape plot is now ruined. Wordlessly, Ryder rises from the table and stalks out of the dining room. I follow behind, my sandals slapping noisily against the hardwood floor. “Do you want water or not?” he asks me as soon as the door swings shut behind us. “Sure. Fine. Whatever.” He turns to face me. “It is pretty hot out there.” “I near about melted on the drive over.” His lips twitch with the hint of a smile. “Your dad refused to turn on the AC, huh?” I nod as I follow him out into the cavernous marble-tiled foyer. “You know his theory--‘no point when you’re just going down the road.’ Must’ve been a thousand degrees in the car.” He tips his head toward the front door. “You wait out on the porch--I’ll bring you a bottle of water.” “Thanks.” I watch him go, wondering if we’re going to pretend like last night’s fight didn’t happen. I hope that’s the case, because I really don’t feel like rehashing it.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Laser Cutting: Precision and Innovation with Creative Roots A novel process that blends accuracy, effectiveness, and adaptability, laser cutting has surfaced in the constantly changing fields of design and manufacturing. In the UAE, this cutting-edge method is revolutionizing sectors like advertising, interior design, automotive, and architecture. Our specialty at Creative Roots is offering excellent laser cutting services that let companies realize their concepts with unparalleled precision and originality. What Is Laser Cutting and Why Is It Revolutionary? With laser cutting, materials can be sliced, engraved, or etched with remarkable precision using a focused light beam. The procedure is quite adaptable and can work with a variety of materials, including cloth, metal, wood, acrylic, and glass. It is a popular option for both industrial and artistic applications due to its capacity to produce complex patterns and faultless finishes. Laser cutting, in contrast to conventional cutting techniques, provides unmatched speed and accuracy, enabling the production of intricate designs without sacrificing quality. For companies looking to attain excellence in their projects, this efficiency is a vital tool because it results in shorter production times and lower costs. Creative Roots: Redefining Laser Cutting Services in the UAE We at Creative Roots take great satisfaction in being industry pioneers in laser cutting. Our highly qualified staff and cutting-edge machinery guarantee that every job is completed to the highest standard. Whether it's industrial components, ornamental panels, or custom signage, we customize our services to each client's specific requirements. Our areas of competence are: Tailored Solutions: We provide designs that precisely match your concept, whether they are complex patterns or large-scale projects. Superior Finishes: We guarantee crisp edges, precise cuts, and faultless details by using cutting-edge laser cutting technology. Sustainability: We minimize waste and maximize material utilization in our ecologically sensitive procedures. Applications of Laser Cutting with Creative Roots Architectural and Interior Design: Custom architectural elements and interior design are best created with laser cutting. Our services, which range from ornamental wall panels to precisely created room dividers, bring style and creativity to any area. Signage and Branding: Use custom-cut signage to increase brand awareness. Stylish, superior logos and signage that make an impression are produced by us laser cutting services. Gifts and Promotional things: Use our accurate laser cutting capabilities to create one-of-a-kind, customized gifts and promotional things. We make your brand stand out with custom-cut hardwood pieces or personalized glasses. Industrial Applications: Laser cutting provides dependable solutions for industries needing precision components. Whether it's machine parts or automobile parts, we always deliver precision and longevity. Why Choose Creative Roots for Laser Cutting? For laser cutting services, Creative Roots has made a reputation for itself in the United Arab Emirates. What makes us unique is this: Knowledge and Creativity: To produce outstanding outcomes, our team of experts blends technical know-how with imaginative vision. Customer-Centric Approach: To comprehend our clients' demands and surpass their expectations, we collaborate closely with them. With our cutting-edge laser cutting services, we at Creative Roots are dedicated to assisting companies in reaching their functional and artistic objectives. We make sure that every element, from conception to implementation, captures the spirit of your company.
iqra
The story was about Emperor Liu Bang, who, in the third century B.C., became the first ruler to consolidate China into a unified empire. To celebrate his victory, Liu Bang held a great banquet in the palace, inviting many important government officials, military leaders, poets, and teachers, including Chen Cen, a master who had given him guidance during the campaign. Chen Cen’s disciples, who accompanied him to the banquet, were impressed by the proceedings but were baffled by an enigma at the heart of the celebration. Seated at the central table with Liu Bang was his illustrious high command. First there was Xiao He, an eminent general whose knowledge of military logistics was second to none. Next to him was Han Xin, a legendary tactitian who’d won every battle he’d ever fought. Last was Chang Yang, a shrewd diplomat who was gifted at convincing heads of state to form alliances and surrender without fighting. These men the disciples could understand. What puzzled them was how Liu Bang, who didn’t have a noble birth or knowledge comparable to that of his chief advisers, fit into the picture. “Why is he the emperor?” they asked. Chen Cen smiled and asked them what determines the strength of a wheel. “Is it not the sturdiness of the spokes?” one responded. “Then why is it that two wheels made of identical spokes differ in strength?” asked Chen Cen. After a moment, he continued, “See beyond what is seen. Never forget that a wheel is made not only of spokes but also of the space between the spokes. Sturdy spokes poorly placed make a weak wheel. Whether their full potential is realized depends on the harmony between. The essence of wheelmaking lies in the craftman’s ability to conceive and create the space that holds and balances the spokes within the wheel. Think now, who is the craftsman here?” The disciples were silent until one of them said, “But master, how does a craftsman secure the harmony between the spokes?” Chen Cen asked them to think of sunlight. “The sun nurtures and vitalizes the trees and flowers,” he said. “It does so by giving away its light. But in the end, in which direction do they grow? So it is with a master craftsman like Liu Bang. After placing individuals in positions that fully realize their potential, he secures harmony among them by giving them all credit for their distinctive achievements. And in the end, as the trees and flowers grow toward the giver, the sun, individuals grow toward Liu Bang with devotion.
Phil Jackson, Hugh Delehanty (Sacred Hoops( Spiritual Lessons of a Hardwood Warrior) [SACRED HOOPS REV/E] [Paperback])
………………………………………….. Taylor was keenly aware of his vulnerability as he entered the cottage. He had no weapons, no friends, and no idea why he was there. If they wanted his head, it was theirs, and there was little he could do about it. And yet, he did not feel unsafe. He felt kept. Inside was a small, dimly lit room with just four or five candles planted here and there around it, including one in a long silver holder that stood atop a small, elegantly carved table in the center. Before the table was a stool, also beautifully carved, with another, similar one opposite. There was a stool in the corner as well, and two more next to a hardwood desk on the right. The walls were rough with the texture of the clay, and looked peach in the candlelight. There were arched doorways leading off to unlit corridors, and one large doorway behind the table, covered by a red velvet curtain. If it was going to be a sneak attack, Taylor would be an easy target. “Sit here,” the stout man said, motioning to the stool before the table. “And wait.” He did so, and the stout man walked off through the velvet curtain with his staff. A moment later Taylor could hear mutterings between him and another, but he could not make out what they were saying. For a few seconds there was silence, and Taylor became suddenly worried. Then, to his relief, the stout man reemerged and took his seat in the corner, his eyes set on the room from whence he had just come. Taylor, too, set his eyes on the curtain, unsure whether there would emerge a man or a wild beast, but curious nonetheless. His curiosity was answered when the
Ross Rosenfeld (The Stolen Kingdom)
Pern” by Yann Tiersen. Over
K.M. Neuhold (Hardwood (Four Bears Construction, #3))
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Coming, baby,' Shana murmured. She tossed back the covers, brushed her sleep-tangled hair from her face, and slogged out of the bedroom. The hardwood floor creaked beneath her bare feet. Jaydee's cries grew clearer.
Meg Gardiner (Into the Black Nowhere (UNSUB, #2))
I’m not an amateur, so I grab the mixing bowl full of brownie batter and make a break for it. Except…I’m not moving. My socked feet are gliding on the hardwood but going absolutely nowhere. Who put a treadmill in this floor?! I look over my shoulder and see Nathan has the back of my shirt pinched between his fingers. And now I’m being slid backward, closer to him. That large hand reaches over my shoulder, and I watch it dip—his whole entire hand—into the bowl of brownie mix I’m clutching tightly in front of me. There’s nothing for me to do but close my eyes as he slowly presses a blob of sticky batter onto the right side of my face. Hair and all. That’s going to be fun to get out. Can I just say, this is the weirdest, slowest food fight anyone has ever witnessed? And oddly, it’s making me super hot and tingly. I spin around to face him, and it’s my turn now. I take a dip of batter then smear it across both of his eyebrows. He looks like Eugene Levy now, and I have to press my fist to my mouth to keep from laughing. With a subtle grin, he loads up his finger then uses the batter to paint brown lipstick across my lips—really…freaking…slowly. Oh.
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
Such a pretty fucking princess,” I muse, letting a grin touch my lips. “And do you know where pretty princesses belong, Summer?” “Where?” Her voice is soft, but thick. I point to the hardwood floor below me. “On their knees.
Elsie Silver (Flawless (Chestnut Springs, #1))
Rain giving way to a spectacular sun. Its rays speckling through the stained glass, dancing off the hardwood floors. The orchestra’s music lifting through the open windows and out over the block as though it had always belonged to the Brooklyn air.
Jacqueline Woodson (Red at the Bone)
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find. Henry said she lived right across the hall.” Chapter 14 “So, this is the scene of the crime,” Ida said as they pulled up in front of an old Victorian. From outward appearances, it was hard to imagine that something sinister had happened inside. It was nicely kept, with off-white siding and purple trim. “Looks like a birthday cake,” Ruth said as they walked up the steps toward the purple door. She opened the door to reveal a small entryway. A set of stairs loomed in front of them. Old-fashioned green flowered wallpaper papered the walls. The floor was hardwood, scuffed from years of wear. To the right was a solid oak door with the number Two on it. “According to the case files, Rosa and Henry lived at number two.” Nans gestured toward the door on the other side of the hall which had a number One. “So this one must be Mrs. Pettigrew.” Ruth was standing closest to the door, so she knocked. “Who is it?” A voice drifted out almost before the knock stopped echoing. Clearly, Mrs. Pettigrew kept a close eye on the place and had seen them come in. “It’s the Ladies’ Detective Agency.” Nans’s voice took on an official tone. “We have some questions on a case if you’d be so kind as to answer them.” Of course, Doris Pettigrew would be thrilled to answer questions. If she was truly the busybody that it sounded like she was, she wouldn’t be able to resist the lure of gossip and finding out exactly what case the ladies were referring to. Lexy heard a series of locks clicking and chains sliding, and then the door cracked and a rheumy blue eye appeared. “Do you have any credentials?” “Of course.” Nans shoved a business card at her. It was in a laminate case, so it resembled an official badge of some sort. Doris snatched the card and pulled it inside. It took her a few seconds, but Nans’s card must have passed muster because the door opened and Doris said, “Come in.” Ida went in first. “Oh, this is… unusual.” Lexy peered over Ida’s head. She couldn’t be sure exactly what Ida thought was unusual. There were so many things. It could have been the giant four-foot-tall dolls that stood around the edge of the room. Or it might have been the knitted afghans that covered every surface. Or maybe it was the stuffed animals that were sitting on the couch as if holding a conversation. Then again, it might have been the herd of cats that was sniffing around Ida’s ankles. Doris handed the card back to Nans. “I’m Doris Pettigrew, by the way.” They all introduced themselves, and Doris gestured toward the living room for them to sit. Ida gingerly plucked a large pink elephant off the sofa and put it on the floor then took its place. A black cat immediately jumped into her lap. The rest of the ladies followed her lead, moving dolls aside, disturbing stuffed animals, and pushing cats out of their laps. Lexy sat in the only chair not occupied by a stuffed animal. The smell of mothballs wafted up as the rough wool of the crocheted granny square pillow irritated her arm. Achoo! Helen sneezed and pushed the fluffy tail of a white Persian out of her face.
Leighann Dobbs (Ain't Seen Muffin Yet (Lexy Baker, #15))
She’ll tear out that one wall in her condo that makes her feel uneasy, and she’ll finally replace her bedroom carpet with hardwood floors, and she’ll train for a marathon, and the absolute last thing she’ll do for the next ten weeks is sit around with her thoughts.
Alison Cochrun (Here We Go Again)
The Return Season On March 19, 1995, Michael Jordan officially returned to the hardwood floor as an NBA player in a game against the Indiana Pacers wearing jersey number 45, which was his brother Larry’s number and the number he used while playing baseball. Still feeling the rust of being away from competitive basketball for nearly two years, Jordan only had 19 points on a poor 7 out of 28 shooting clip in that loss to the Pacers. But while the Bulls may have lost that outing, they were happy enough that they had the franchise’s greatest player back in time to help them with their playoff push. While Jordan took his sweet time getting his groove back, he still had scoring explosions even as he was shaking off the rust. On March 28th he helped avenge the Bulls’ seven-game series loss to New York the previous year by exploding for 55 points against the Knicks. Just three days before that, he had 32 in a win over the Atlanta Hawks. Just as the Chicago Bulls had hoped, they got the push they needed when Jordan returned to the team. They won 13 of the 17 regular-season games that MJ appeared in and went on to make the playoffs with a 47-win season. In that brief 17-game campaign, Michael Jordan averaged 26.9 points, 6.9 rebounds, and 5.3 assists while shooting 41.1% from the floor. It was clear that
Clayton Geoffreys (Michael Jordan: The Inspiring Story of One of Basketball's Greatest Players (Basketball Biography Books))
And do you know where pretty princesses belong, Summer?” “Where?” Her voice is soft, but thick. I point to the hardwood floor below me. “On their knees.
Elsie Silver (Flawless (Chestnut Springs, #1))
Ben looked so f****** hot twisting that wrench. The way his muscles flexed with every move made my core tingle in excitement. I knew that it was over for me when he decided to lie on my floor and fix the pipe, and let me tell you, the hardwood surface wasn’t the only thing that got wet.
Leah Mahon (Secret Baby for Dr. Billionaire (The Sunshine State Billionaires #1))
The sitting area at Griffin Concierge Medical in Tampa, Florida, has the vibe of an upscale bed-and-breakfast, with sunlight casting through double-hung windows onto warm hardwood floors. Nashville’s Brentwood MD feels more like a wealthy man’s living room, with a wide, brown leather sofa and an expensive-looking wooden coffee table with photo books.
Michael Mechanic (Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All)
But seriously, you’ve had your head in the cows the past few weeks.
K.M. Neuhold (Hardwood (Four Bears Construction, #3))
She dged sideways, slipping her fingers out of his--- closer to the edge of the bed-- and went over the side with an ungainly tumble. She landed with a thump and a scream that woke Julian, who peered over the side of the bed in confusion. "Why are you on the floor?" "I've heard rolling out of bed in the morning helps you build up resistance to surprise attacks," Emma said, lying sprawled on the hardwood. "Oh yeah?" He sat up and rubbed his eyes. "What does screaming 'holy crap!' do?" "That part's optional," she said. She got to her feet with as much dignity as she could muster. "So," she said. "What's for breakfast?" He grinned his low-key grin and stretched. She didn't look at where his shirt rode up. There was no reason to sail down Sexy Thoughts River to the Sea of Perversion when it wasn't going to go anywhere. "You hungry?
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
On our final night in Seoul, Nami and Emo Boo took us to Samwon Garden, a fancy barbecue spot in Apgujeong, a neighborhood my mom once described as the Beverly Hills of Seoul. We entered through the beautiful courtyard garden, its two man-made waterfalls flowing under rustic stone bridges and feeding the koi pond. Inside the dining room were heavy stone-top tables, each equipped with a hardwood charcoal grill. Nami slipped the waitress twenty thousand won, and our table quickly filled with the most exquisite banchan. Sweet pumpkin salad, gelatinous mung-bean jelly topped with sesame seeds and scallions, steamed egg custard, delicate bowls of nabak kimchi, wilted cabbage and radish in salty, rose-colored water. We finished the meal with naengmyeon, cold noodles you could order bibim, mixed with gochujang, or mul, served in a cold beef broth.
Michelle Zauner (Crying in H Mart)
A male staff member living with us…? I mean, for all we know, he’s some sick pervert or sex predator. No offense, Elliot.” “None taken…” I gave her a forced smile. “Well I think it’s cool,” said Wyatt, dribbling a basketball on the hardwood floor. I would have to knife that in the middle of the night. “I see enough of the team at practice and games. It’ll be fun living with you guys. Did you request this, Elliot?” “I most certainly did not…” I muttered under my breath.
Dr. Harper (The Disturbing Incidents at Lonesome Woods Boarding School (Dr. Harper Therapy))
when your little girl asks you if she’s pretty your heart will drop like a wineglass on the hardwood floor part of you will want to say of course you are, don’t ever question it and the other part the part that is clawing at you will want to grab her by her shoulders look straight into the wells of her eyes until they echo back to you and say you do not have to be if you don’t want to it is not your job both will feel right one will feel better she will only understand the first when she wants to cut her hair off or wear her brother’s clothes you will feel the words in your mouth like marbles you do not have to be pretty if you don’t want to it is not your job
Caitlyn Siehl
Isn't everything cuter heart-shaped?" Roisin asks, gesturing towards the homemade pizza we constructed. She chose to be creative, selecting a pesto base, topped with lavender goat cheese and grilled peaches. Something about her playfulness relaxes me. There's an innocence as she sprinkles cheese into her mouth and leaves handprints on the counter with her powdered palms. It reminds me of being a kid, when things weren't so scary and we could just have fun. That time in my life hadn't lasted long. I always wanted to please my parents. They made sure everything I did was done with heart, and I was cautious not to disappoint them. But being with Roisin reminds me we can still create something while having fun. "You know," I say, "I think heart-shaped cookies would be extra cute with this heart-shaped pizza. Don't you think?" She squeals. "Oh, I love that idea!" In between licking the spoon and adding extra teaspoons of vanilla, I draw kitten whiskers on Roisin's face with the flour. She tosses a handful of powder at me, and I squeal when it hits me in the face. We laugh, sinking onto the hardwood floor. I lean my head against her shoulder as the smell of cinnamon intensifies. We relax for a moment beneath the hot sweet air.
Kiana Krystle (Dance of the Starlit Sea)
The chair just inside the living room stuck out its leg as if it had agency and sent Marcus sprawling to the floor, the vase he was carrying smashed, water creeping over the polished hardwood, and the marigolds just under his nose, tickling his nostrils with their pungent odor.
Vincent Traughber Meis (Bay Area Queer Writers Association Presents: Queer Cheer: Holiday Stories with a Queer Twist)
Sometimes I wonder if there are still bits of my heart slit into the floor, the story of my heartbreak hidden in the hardwood
Raquel Vasquez Gilliland (Witch of Wild Things (Wild Magic #1))
the almighty Roman Petrov strolls in. His cane makes a slight tick sound on the hardwood floor as he approaches with quick steps and leans in close to my face. “You are grounded,” he says through his teeth. “I’m not a child. You can’t grou— What are you doing? No! Leave my laptop alone! Dad!” “NASA?” He puts my laptop under his arm and yanks the power cord out of the wall. “Fucking NASA!?
Neva Altaj (Beautiful Beast (Perfectly Imperfect: Mafia Legacy, #1))
Like I told Lo, I’ve made this pact with Rose not to talk about it, like a Ya-Ya Sisterhood thing, and I can’t go back on my word. And just so you know, Rose is scary. She took out a knife and was saying something about blood oaths, and before I knew it, she slit my palm.” Her voice lowers, almost comically that it’s hard to take her serious. But she is. “And this comes from a girl who cannot walk on the hardwood without shoes. You don’t have to say anything, it surprised me too.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
hatch our survival plan in the coolest place we could find. We made our way into the cluttered room at the windowed front of the deckhouse—what our boat builders back in Hong Kong called the “lavish grand salon” in their sales brochures. With us, it was more like the messy rumpus room. True, the room had, as advertised, “a curved couch, sleek teak paneling, and hardwood cabinetry with a built-in sink.” But the sink had dirty dishes and empty soda bottles in it, the paneled walls were cluttered with a collection of my parents’ favorite treasures (including a conquistador helmet, a rare African tribal mask, a grog jug shaped like a frog, a rusty cannonball from a Confederate gunboat, a bronze clock covered with cherubs that probably belonged to King Louis XIV, and, in a glass shadow box, a rusty steak knife from the Titanic). There were assorted trinkets, necklaces, and coconut heads suspended from the ceiling. Add a heap of scuba and snorkel gear and assorted socks, shoes, and T-shirts on the floor (the floor is our laundry basket), and our grand salon looked more like a live-in recycling bin. “Have we even seen a map for this treasure hunt?” asked Beck. “Nope. Dad just said we needed to be in the Caymans.” “Then we need to find his map.
James Patterson (Treasure Hunters - FREE PREVIEW EDITION (The First 10 Chapters))
river rippling behind the tree line, and the rich purples and deep oranges of the random wildflowers that had sprouted up all around, were absolutely stunning. To her, being in Hope Falls felt like she had been transported into a Thomas Kincaid painting. The entire town was postcard perfect. She didn’t miss the fact that she was one lucky girl getting to spend a significant amount of time here. That luck, however, was not translating to her house-hunting efforts. In fact, the apartment above Sue Ann’s Café was looking more and more appealing. After seeing six properties, Lily had come to the conclusion that settling was most likely her only option. Four out of the six properties Lauren had shown her had had everything that Lily needed. Space, hardwood floors, updated appliances. But they also all had one thing in common—they were totally secluded. She had been nervous just being at the properties and she’d been with Lauren the entire time. She couldn’t imagine what she would have felt like being out there alone. Which, logically, Lily knew was a completely ridiculous reaction. Whether or not there is a neighbor for a mile should have no relevance in Lily’s house hunt. But…it did. Maybe next year it wouldn’t, Lily thought to herself, trying to put a positive spin on her neurosis. “Okay, I think this one might be the one,” Lauren said confidently. Lily felt the car coming to a stop, and she looked up, squinting in the sun, to see a quaint cottage-style house.
Melanie Shawn (Snow Angel (Hope Falls, #5))
The clacking of the checkers on the hardwood points was the music of honest thought, resounding in silence as it navigated the fortunes told by the pips on the dice.
Jonathan Lethem (A Gambler's Anatomy)
Hardie Boys- Exterior Millwork That Provides Value Over Time The outdoor areas on your property and the features on it, become the perfect backdrop for your home’s structure. They are also one of the first things that visitors to your property notice. The manner in which these features are designed and the finishing that’s used in them, go a long way in enhancing the overall appeal and value of your property. And so it follows that you ensure resilient materials are used in the work and hire expert technicians for the installation. When you start researching products and materials for outdoor installations, you will find that wood; iron, aluminum, plaster, brick and foam are commonly used in exterior construction. And this may lead you to believe that they are the best option for these applications. It’s also natural for you to be unsure about using new materials such as the specialized cellular PVC materials we use in our millwork. Some comparisons But the fact is that there has been a significant advancement in the manufacture of exterior-grade, manmade materials and cellular PVC is one of them. However, the higher upfront cost can sometimes become the other deterrent for property owners, to opt for this innovative material. Take a look at how the cellular PVC material that we at Hardie Boys, Inc. use stands up against other traditionally-used materials: 1. Weather impact Materials such as hardwood and metal are strong and durable, but need a significant amount of treatments before they can be used in exterior applications. For instance, untreated and unfinished wood features get affected by moisture and the sun’s rays and eventually crack and crumble. They can also develop rot or moss; and if these conditions are very severe, extensive repairs or complete replacement of the feature is the only option you are left with. Metal too gets affected by moisture and exposure to rain and frost; and rusts and corrodes over time. In comparison the unique PVC cellular material that we use in our millwork is moisture and heat-resistant and doesn’t corrode over time. 2. Termite damage Termites are extremely destructive creatures and they can bore through wooden features and cause extensive damage to them. In most cases, replacement is the only option you are left with, which represents a significant expense. Concrete surfaces get affected by the freeze and thaw cycles and crack over a period of time, and you end up spending considerable amounts on repair and replacements. On the other hand, cellular PVC doesn’t get impacted by termites or weather fluctuations at all. 3. Maintenance While choosing materials for exterior applications, most property owners fail to factor the maintenance costs into the overall cost of the installation. For instance, wood, plaster, foam, brick and concrete require annual mold prevention maintenance as well as sanding and polishing or painting. Metal surfaces have to be sanded, and painted regularly too. In comparison, our cellular PVC material features require only basic cleaning and they won’t warp, crack, fade, corrode, develop rot or mold. In short, this is an extremely low-maintenance option that is worth every penny you spend on initial costs. We at Hardie Boys, Inc. are the leaders in this space and provide excellent, customized, cellular PVC millwork solutions for residential and commercial settings. For any more information about our exterior millwork,
Hardie Boys
Adam moved in behind Len, the other three trailing on the path. When they got to the door, Len stepped aside and let Adam use the key. Jersey the dog rushed toward them, nails clacking on the hardwood, but, perhaps sensing something wasn’t quite right, her greeting was muted and perfunctory. Jersey quickly sized up the situation and slinked back to the kitchen. The
Harlan Coben (The Stranger)
Crows lined the crumbling and contaminated road that led to Stonewall. As Rachel Wheeler approached, they lifted one by one against the hazy October sky. A muted lime-green aurora shimmered behind the clouds as if the black birds were swimming against a frothy tide. The hardwood trees on the surrounding Appalachian slopes were gone to gold and scarlet, and the strange light hinted at the gray winter waiting ahead. One of the crows turned, and its eyes flashed with fire. A blood-chilling caw cracked the brittle air. Rachel slid her machete from its canvas sheath, but the crow veered wildly and then rejoined the broken formation heading south toward the distant city of mutants.
Scott Nicholson (Afterburn (Next, #1))
Each individual 150-by-30-foot ward had hardwood floors and walls with rounded corners, “making them easier to clean” and to keep germ free. Ventilation—another crucial element of hospital design and disease control at the time—was “obtained through openings over each window, controlled by moveable glass frames . . . hinged at the bottom.
Beth Linker (War's Waste: Rehabilitation in World War I America)
How to scale and enter the risen path was largely unknown. It all might begin in darkness, but it cast a shadow that, when viewed from the ground, was too bleak. Demolition was once a question not of “whether, but when,” until one photographer spent a year on the trail documenting what was there. 4 The scenes were “hallucinatory”—wildflowers, Queen Anne’s lace, irises, and grasses wafted next to hardwood ailanthus trees that bolted up from the soil on railroad tracks, on which rust had accumulated over the decades. 5 Steel played willing host to an exuberant, spontaneous garden that showed fealty to its unusual roots. Tulips shared the soilbed with a single pine tree outfitted with lights for the winter holidays, planted outside of a building window that opened onto the iron-bottomed greenway with views of the Hudson River and the Statue of Liberty to the left and traffic, buildings, and Tenth Avenue to the right. 6 Wading through waist-high Queen Anne’s lace was like seeing “another world right in the middle of Manhattan.” 7 The scene was a kind of wildering, the German idea of ortsbewüstung, an ongoing sense of nature reclaiming its ground. 8 “You think of hidden things as small. That is how they stay hidden. But this hidden thing was huge. A huge space in New York City that had somehow escaped everybody’s notice,” said Joshua David, who cofounded a nonprofit organization with Robert Hammonds to save the railroad. 9 They called it the High Line. “It was beautiful refuse, which is kind of a scary thing because you find yourself looking forward and looking backwards at the same time,” architect Liz Diller told me in our conversation about the conversion of the tracks into a public space, done in a partnership with her architectural firm, Diller Scofidio + Renfro, and James Corner, Principal of Field Operations, and Dutch planting designer Piet Oudolf. Other architectural plans proposed turning the High Line into a “Street in the Air” with biking, art galleries, and restaurants, but their team “saw that the ruinous state was really alive.” Joel Sternfeld, the “poet-keeper” of the walkway, put the High Line’s resonance best: “It’s more of a path than a park. And more of a Path than a path.” 10
Sarah Lewis (The Rise: Creativity, the Gift of Failure, and the Search for Mastery)
The hardwood frames of both couch and table were simple: no unnecessary flourishes, just crisp, elegant lines executed by a masterful hand, the kind of lines I remembered from the bunk bed I used to lie in as a boy, listening to the bullfrogs sing their echoing evening chorus.
Tovar Cerulli (The Mindful Carnivore)
Obsessive-compulsive disorder has at least a hundred different manifestations in both humans and vampires. Shane sorts. Regina counts. Spencer cleans. Noah watches where and how he walks, aligning his feet with the pattern of the carpet or grains of hardwood. Monroe and I share an obsession with words, rearranging the letters on signs or parsing definitions (he’s learned to do it all in his head, while I often blurt out a grammatical correction in a rude and embarrassing way).
Jeri Smith-Ready (Lust for Life (WVMP Radio, #4))
When a coal company gets a permit to strip-mine, it literally attacks the mountain with all manner of heavy equipment. First it clear-cuts the trees, total deforestation with no effort at saving the hardwoods. They are bulldozed away as the earth is scalped. Same for the topsoil, which is not very thick. Next comes the layer of rock, which is blasted out of the ground. The trees, topsoil, and rock are often shoved into the valleys between the mountains, creating what’s known as valley fills. These wipe out vegetation, wildlife, and natural streams. Just another environmental disaster. If you’re downstream, you’re just screwed. As you’ll learn around here, we’re all downstream.
John Grisham (Gray Mountain)
Mountaintop removal is nothing but strip-mining on steroids. Appalachian coal is found in seams, sort of like layers of a cake. At the top of the mountain there is the forest, then a layer of topsoil, then a layer of rock, and finally a seam of coal. Could be four feet thick, could be twenty. When a coal company gets a permit to strip-mine, it literally attacks the mountain with all manner of heavy equipment. First it clear-cuts the trees, total deforestation with no effort at saving the hardwoods. They are bulldozed away as the earth is scalped. Same for the topsoil, which is not very thick. Next comes the layer of rock, which is blasted out of the ground. The trees, topsoil, and rock are often shoved into the valleys between the mountains, creating what’s known as valley fills. These wipe out vegetation, wildlife, and natural streams. Just another environmental disaster. If you’re downstream, you’re just screwed. As you’ll learn around here, we’re all downstream.
John Grisham (Gray Mountain)
head explodes like a watermelon under a jackhammer, bits of blood and slush splattering a 360 around where he was standing just a second ago. I feel him pulled from inside me, and then a crash as what’s left hits the hardwood below.
Lili St. Germain (Gun Shy)
Excuse me, Cinderella?” a deep voice called next to my ear. Cinderella? I removed my hand from my face to look at the guy who belonged to that voice, then quickly pushed myself up onto my elbows when I took in his face, so close to mine. My cheeks burned with embarrassed heat, but I didn’t know how to look away from him. Despite a large red mark on his forehead, his face was flawless and masculine, with a strong brow and nose, a smirk I knew would’ve made my knees weak had I been standing, and a lethal stare from green eyes so clear it was as if I could see through the iris. My gaze had become so fixated on the way his lips moved that it took a few seconds too long to realize he’d said something. “I’m sorry, what?” The smirk broadened for a brief moment, giving me a glimpse of straight, white teeth. He leaned over me until his lips were at my ear, and if I’d had the capability to breathe around him, I would’ve stopped then. “I said I think you lost this,” he drawled, and I swooned. Literally . . . swooned. As in: all the air left my body in one hard rush, I was unable to keep myself up on my elbows any longer, my head felt light and dizzy, the room spun, and I was pretty sure I’d just entered a romance novel. It really didn’t matter that it was from the lingering effects of nearly choking to death, and then unknowingly holding my breath for too long. “Whoa.” He quickly put a hand under my head before it could smack on the hardwood floor. “I’m fine,” I said breathlessly, and internally berated myself for doing everything imaginable to look like an idiot tonight. I tried to sit up, but the guy was still hovering over me, making it impossible to go farther than I’d been. “Are you sure you’re okay?” “Yes,” I promised, and blew out a steadying breath when he sat back. “Good. I can’t have you passing out on me, Cinderella.” “Cin—” My head shook firmly as I corrected him. “No, my name is Rorie.” With another slow smirk, he gestured to the red mark on his forehead for barely a second, then reached behind him and produced my stiletto. My embarrassment from earlier couldn’t compare to the level it was at then as I put it all together. My shoe had flown into his face. “Oh my God,” I whispered so low, the words drifted away with the bass of the music. “I’m so sorry.” He laughed easily, as if he hadn’t just taken a five-inch stiletto to the face, and glanced from my shoe to me. “My name is Declan,” he provided. “I already know this shoe belongs to you. What I want to know now, Cinderella, is if I give this back to you, are you going to run away from me?” Despite
Molly McAdams (I See You)
Excuse me, Cinderella?” a deep voice called next to my ear. Cinderella? I removed my hand from my face to look at the guy who belonged to that voice, then quickly pushed myself up onto my elbows when I took in his face, so close to mine. My cheeks burned with embarrassed heat, but I didn’t know how to look away from him. Despite a large red mark on his forehead, his face was flawless and masculine, with a strong brow and nose, a smirk I knew would’ve made my knees weak had I been standing, and a lethal stare from green eyes so clear it was as if I could see through the iris. My gaze had become so fixated on the way his lips moved that it took a few seconds too long to realize he’d said something. “I’m sorry, what?” The smirk broadened for a brief moment, giving me a glimpse of straight, white teeth. He leaned over me until his lips were at my ear, and if I’d had the capability to breathe around him, I would’ve stopped then. “I said I think you lost this,” he drawled, and I swooned. Literally . . . swooned. As in: all the air left my body in one hard rush, I was unable to keep myself up on my elbows any longer, my head felt light and dizzy, the room spun, and I was pretty sure I’d just entered a romance novel. It really didn’t matter that it was from the lingering effects of nearly choking to death, and then unknowingly holding my breath for too long. “Whoa.” He quickly put a hand under my head before it could smack on the hardwood floor. “I’m fine,” I said breathlessly, and internally berated myself for doing everything imaginable to look like an idiot tonight. I tried to sit up, but the guy was still hovering over me, making it impossible to go farther than I’d been. “Are you sure you’re okay?” “Yes,” I promised, and blew out a steadying breath when he sat back. “Good. I can’t have you passing out on me, Cinderella.” “Cin—” My head shook firmly as I corrected him. “No, my name is Rorie.” With another slow smirk, he gestured to the red mark on his forehead for barely a second, then reached behind him and produced my stiletto. My embarrassment from earlier couldn’t compare to the level it was at then as I put it all together. My shoe had flown into his face. “Oh my God,” I whispered so low, the words drifted away with the bass of the music. “I’m so sorry.” He laughed easily, as if he hadn’t just taken a five-inch stiletto to the face, and glanced from my shoe to me. “My name is Declan,” he provided. “I already know this shoe belongs to you. What I want to know now, Cinderella, is if I give this back to you, are you going to run away from me?” Despite my humiliation, my lips spread into a smile as the name finally made sense. I reached for the shoe, but Declan held it away from me. His expression showed he was still waiting for an answer. With a raised eyebrow, I said, “I lost both shoes. I don’t care what Disney said, a girl can’t run away very easily with only one shoe.” His smirk stretched to match my smile, and he dipped his head close. “Then I’m keeping the other one that hit the back of my head.
Molly McAdams (I See You)
Walking up to it she knocked tentatively, her knuckles making little impressions on the old hardwood.
Holly Ford (The Last McAdam)
I’m just saying, whipped cream wars are not as fun as they portray them in books or movies. They’re usually all sexy and whatnot. Ours? Not so much. I got whipped cream up my nose, I was running away from him and fell over Trip and hit the hardwood really hard. Like, I think my hip and elbow are going to bruise from it because Kash was on top of me when I went down. When I knocked the can out of his hand it somehow hurt me more than anything, my hand is throbbing. Then when I’m about to get one good hit in, nothing comes out of the can! I’m all sticky and gross, it was just one massive fail.” Candice was laughing so hard she was snorting, and I couldn’t help but laugh with her. “I would have paid to see that!” “I’m pretty sure I looked like the abominable snowman on crack. You didn’t miss anything too thrilling.
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
Mulching the vegetable garden will save you a lot of time watering and weeding. It is amazing the difference that a thick, 3-inch layer of mulch will make. If you mow your own lawn and don’t use chemicals on it, save the grass clippings—they make great mulch, and they add nutrients to the soil. Just remember to let them age for a few weeks before spreading and make sure they don’t have seed heads. Other good materials for vegetable garden mulch include: Shredded newspaper Shredded bark mulch Aged manure Compost Wheat straw Shredded leaves There’s a misconception that you shouldn’t use wood mulch in a vegetable garden. Now, you wouldn’t want to use treated wood mulch or sawdust, but shredded hardwood mulch is more beneficial than detrimental. If you can buy shredded hardwood mulch with compost in it, even better! When mulching around your plants, avoid mounding the mulch up around the stems of the plants, which can cause the plants to rot.
Katie Elzer-Peters (Carolinas Fruit & Vegetable Gardening: How to Plant, Grow, and Harvest the Best Edibles)
One spring day, I was away on a business trip; Karen was home with the kids. It was a warm afternoon, and she was sitting with our son Matthew at the computer in my office. The kitchen door that leads to the backyard was open. They were reviewing a homework project when they heard what sounded like fingernails scratching on the hardwood floors in the kitchen followed by a thumping gallop from our cat Sox. An instant later, a squirrel raced into the office with the cat at its heels. In a panic, Karen grabbed Matthew and the cat, and ran out of the office slamming the door behind her. Her plan was to leave the squirrel in my office and let me deal with it when I got home in a few days; the homework could wait. However, 30 minutes and two glasses of Merlot later, Karen saw the flaw in her plan. She wasn’t worried so much about sticking me with the task of removing a hungry, pissed-off squirrel from my office as she was the possibility of the squirrel shredding everything in there before I got home. Or worse, she feared the house would permanently smell of dead squirrel. There was a decent chance her scream gave it a heart attack. Luckily, the window in my office was open that afternoon. The only problem, there was a screen in the window. Karen figured if she could remove the screen, the squirrel, if it were still alive, would find its way back to the great outdoors. My office was on the first floor, so she was able to remove the screen easily from the outside. Standing in the backyard at a safe distance, she watched the open window, but no squirrel appeared. Venetian blinds were down covering the window opening. Karen thought, “If I just reach in and pull the cord on the blinds I can raise them enough for the little rodent to see his escape route.” Taking deep breaths while standing on the third rung of our stepladder, Karen thought through exactly what she had to do: raise the blinds with one hand, pull the cord with the other, lock it in place and get the hell out of there. No problem, the squirrel was no doubt cowering in the corner. Not quite. As soon as she raised the blinds, the squirrel – according to Karen who was the only witness – saw daylight and flew through the air, landing on her head. Its toes were caught in Karen’s hair as it made a desperate attempt to free itself. Karen said, “It was running in place on top of my head.” She fell off the ladder and ran screaming through the backyard with the squirrel stuck to her head. (I’m sure it was only a few seconds, but time stands still when there’s a squirrel on your head.) It eventually freed its claws, jumped off her head and ran away. Sue was the first person Karen called after she calmed down enough to speak. They discussed the situation thoroughly and agreed that shampooing several times with Head and Shoulders, rubbing the tiny scratch marks on her scalp with alcohol and drinking the rest of the bottle of Merlot were the proper steps to prevent rabies. I was her second call. Karen gave me a second-by-second recounting of the event, complete with sound effects and a graphic description of how the squirrel’s toes felt as they dug into her scalp. Then she told me the whole thing was my fault because I wasn’t home to protect the family when it happened. Apparently being away earning a living was not an acceptable excuse. She also said she learned a valuable lesson that day. “Not to leave the back door open?” I guessed. No, the lesson was that all squirrels are evil and out to get her. (She also decided that she doesn’t like “any animal related to squirrels,” whatever that means.)
Matt Smith (Dear Bob and Sue)
Their house had been a spice shop a hundred years ago, and it still smelled of cinnamon and turmeric and saffron and garlic and a little sweat. The perfect hardwood floors had been walked on by visitors from India and China and everywhere, bringing everything spicy in the world. If Patricia closed her eyes and breathed deeply, she could imagine the people unloading wooden foil-lined crates stamped with names of cities like Marrakesh and Bombay.
Charlie Jane Anders (All the Birds in the Sky)
hear a light breeze stir the old hardwood trees in the front yard, and I detect the earthy fragrances of loamy soil and mulch.
Patricia Cornwell (Chaos (Kay Scarpetta, #24))
Grace rolled up her sleeves and joined the group in the kitchen, where Gladys, Pablo's wife, had worked all day directing many other women who kept food pouring out the front and side door, onto a long series of folding tables, all covered in checkered paper table cloths. While some of the women prepped and cooked, others did nothing but bring food out and set it on the table- Southern food with a Mexican twist, and rivers of it: fried chicken, chicken and dumplings, chicken mole, shrimp and grits, turnip greens, field peas, fried apples, fried calabaza, bread pudding, corn pudding, fried hush puppies, fried burritos, fried okra, buttermilk biscuits, black-eyed peas, butter bean succotash, pecan pie, corn bread, and, of course, apple pie, hot and fresh with sloppy big scoops of local hand-churned ice creams. As the dinner hours approached, Carter grabbed Grace out of the kitchen, and they both joined Sarah, Carter's friend, helping Sarah's father throw up a half-steel-kettle barbecue drum on the side of the house. Mesquite and pecan hardwoods were quickly set ablaze, and Dolly and the quilting ladies descended on the barbecue with a hurricane of food that went right on to the grill, whole chickens and fresh catfish and still-kicking mountain trout alongside locally-style grass-fed burgers all slathered with homemade spicy barbecue sauce. And the Lindseys, the elderly couple who owned the fields adjoining the orchard, pulled up in their pickup and started unloading ears of corn that had been recently cut. The corn was thrown on the kettle drum, too, and in minutes massive plumes of roasting savory-sweet smoke filled the air around the house. It wafted into the orchards, toward the workers who soon began pouring out of the house.
Jeffrey Stepakoff (The Orchard)
George could dig and pour the concrete basement for a house. He could saw the lumber and nail the frame. He could wire the rooms and fit the plumbing. He could hang the drywall. He could lay the floors and shingle the roof. He could build the brick steps. He could point the windows and paint the sashes. But he could not throw a ball or walk a mile; he hated exercise, and once he took early retirement at sixty he never had his heart rate up again if he could help it, and even then only if it were to whack through some heavy brush to get to a good trout pool. Lack of exercise might have been the reason that, when he had his first radiation treatment for the cancer in his groin, his legs swelled up like two dead seals on a beach and then turned as hard as lumber. Before he was bedridden, he walked as if he were an amputee from a war that predated modern prosthetics; he tottered as if two hardwood legs hinged with iron pins were buckled to his waist. When his wife touched his legs at night in bed, through his pajamas, she thought of oak or maple and had to make herself think of something else in order not to imagine going down to his workshop in the basement and getting sandpaper and stain and sanding his legs and staining them with a brush, as if they belonged to a piece of furniture. Once, she snorted out loud, trying to stifle a laugh, when she thought, My husband, the table. She felt so bad afterward that she wept.
Paul Harding (Tinkers)
Grilled Chicken Wings with Burnt-Scallion Barbeque Sauce ____________ Makes 12 pieces I am borderline obsessed with chicken wings. It’s the perfect food after a long work shift or on a chill day with your friends, crushin’ cheap American beers in the backyard. It’s food that allows you to let your guard down. After all, you’re eating food cooked on the bone with your hands and licking the sauce from your fingers in between chugs of ice-cold beer. Pure heaven. Note that the wings must be brined overnight. Brine 8 cups water ¼ cup kosher salt 1 tablespoon sorghum (see Resources) Wings 6 chicken wings, cut into tips and drumettes 3 tablespoons green peanut oil (see Resources) 1 tablespoon Husk BBQ Rub ¾ cup thinly sliced scallions (white and green in equal parts) ½ cup dry-roasted peanuts, preferably Virginia peanuts, chopped Sauce 10 scallions, trimmed 1 tablespoon peanut oil Kosher salt 1 cup Husk BBQ Sauce 1 tablespoon Bourbon Barrel Foods Bluegrass Soy Sauce (see Resources) 1 cup cilantro leaves Equipment 1 pound hickory chips Charcoal chimney starter 3 pounds hardwood charcoal Kettle grill For the brine: Combine the ingredients for the brine. I brine the wings using either a heavy-duty plastic bag that the wing tips can’t puncture or a Cryovac machine (you use a lot less brine this way). Place the wings in the brine and turn to cover well. Refrigerate overnight. Soak the wood chips in water for a minimum of 30 minutes but preferably overnight. For the sauce: Toss the scallions in the peanut oil and season with salt. Lay them out on the grill rack and heavily char them on one side, about 8 minutes (the charred side should be black). Remove them from the grill and cool for about 5 minutes. Clean the grill rack if necessary. Put the scallions and the remaining sauce ingredients in a blender and process until smooth, about 3 minutes. Set aside at room temperature. For the wings: Fill a chimney starter with 3 pounds hardwood charcoal, ignite the charcoal, and allow to burn until the coals are evenly lit and glowing. Distribute the coals in an even layer in the bottom of a kettle grill. Place the grill rack as close to the coals as possible. Drain the wings; discard the brine. Dry the wings with paper towels, toss in the peanut oil, and season with the BBQ rub. Place the wings in a single layer on the grill rack over the hot coals and grill until they don’t stick to the rack anymore, about 5 minutes. Turn the wings over and grill for 8 minutes more. Transfer the wings to a baking sheet. Drain the wood chips. Lift the rack from the grill and push the coals to one side. Place the wood chips on the coals and replace the rack. After about 2 minutes, place the wings in a single layer over the side of the grill where there are no coals. Place the lid on the grill, with the lid’s vents slightly open; the vents on the bottom of the grill should stay closed. Smoke the wings for 10 minutes. It’s important to monitor the airflow of the grill: keeping the lid’s vents slightly open allows a nice steady flow of subtle smoke. Remove the wings from the grill, toss them in the sauce, and place them on a platter or in a serving pan. Top with the chopped scallions and peanuts and serve.
Sean Brock (Heritage)
I loved it at first sight. It has hardwood floors, a bedroom and bathroom and a tiny kitchen that opens onto the living room. Huge windows let in the dappled sunlight and made a dance of light and shadows across the floors. It's perfect and it's mine. And it's yellow. The way pale yellow should look, like sunshine and butter, mixed with hope and cream.
Katherine Reay (Dear Mr. Knightley)
Platinum Flooring Company’s certified and skilled installers are trained to install hardwood products for any give art form, which would not only make your new floor look great, but last long for years to come. The Platinum Flooring Company’s specialist would not only help you select the perfect laminate flooring for your home that would suit your home décor as well as budget, but would also install your new laminate flooring for a fast, worry-free installation experience. Platinum Flooring Company is a full service, Hayward based flooring and installation firm specializing in classic design with a global influence. Whether designing residential or commercial spaces, Platinum Flooring has built a reputation on achieving highly individual results for a discerning clientele across the state of California and Beyond. At Platinum Floor Company, we have a separate team of stair installers headed by a stair specialist, having intense knowledge of different wood species, latest technology tools and in-depth knowledge of angular complexities. “Wooden floor, especially hardwood is good as it can take a lot of abuse and has a greater life expectancy compared to laminate or engineered floors.”, says Alex Vongsouthi – Founder, Platinum Flooring Company. But there are several reasons which can make your wood floor crack or separate between boards, cup, crown, etc. some being high traffic on the floor, spillages, sunlight and high percentage of moisture content in the room. With this it can be difficult to know whether floors need to be replaced or can be fixed. Platinum Flooring is renowned for its high standards and uncompromising service quality, with the expertise of a high-end retailer in Hardwood, Engineered wood and Laminate flooring.
Hardwood Store
my list of requirements was hard to meet. Ideally, I needed quiet neighbors, a landlord who took rent payments in cash and wasn’t picky about background checks, and hardwood floors for chalking down the occasional ritual circle.
Craig Schaefer (The Living End (Daniel Faust, #3))
The shot was not a difficult one; two hundred meters through some hardwoods according to his rangefinder.
Randall Wood (Closure (Jack Randall, #1))
Rainwater had been tramped across the hardwood floor in ill-defined footprints.
Scott Mackay (Fall Guy: A Detective Barry Gilbert Mystery (Detective Barry Gilbert Mysteries Book 2))
On the land, spring rains are the primitive artists, greening hills and valleys and coaxing flowers to vivid bud and bloom. Summer rains are the long-lived masters of color—the steadier they fall on hardwood trees in June, July, and August, the richer reds and yellows ignite the autumn foliage.
Cynthia Barnett (Rain: A Natural and Cultural History)
Missouri, a critical frontier state, prospered for many reasons—good soil, river access, fast-growing hardwood forests—but mostly because of mules.
Rinker Buck (The Oregon Trail: A New American Journey)
We fell silent as we heard the click-click of nails on the hardwood floor, followed by a rubbing sound, and watched, dumfounded, as Viddy walked into the room followed closely by the puppies.
Lani Lynn Vale (Kevlar To My Vest (The Heroes of The Dixie Wardens MC, #3))
I can hear her naked feet slap against the hardwood floor. Then her footsteps get faster and I imagine she’s grabbed her phone and darted back to my bedroom. I look back and see her streak around the corner. The end of the towel barely covers her ass. And what a fine ass it is. It’s plump and round and perfect and oh my God those thighs. I want to chase behind her, and I get up to do just that. But she closes my bedroom door with a soft snick. What the fuck? I
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Esperanza entered the Parker Inn. The first thing that hit her was the smell—a pungent combination of dried vomit and body odor, only less olfactorily pleasing. She wrinkled her nose and continued inside. The floor was hardwood with lots of sawdust. The light was dingy, coming off the pool table ceiling fixtures that were supposed to look like imitation Tiffany lamps. The crowd was probably two-to-one men over women. Everyone was dressed—in a word—cheesy. Esperanza
Harlan Coben (Back Spin (Myron Bolitar, #4))
At first glance, northern hardwood and hemlock forests aren't very sexy - they are the accountants of the forest world, stable and consistent.
Peter Quinby (Ontario's Old Growth Forests)
I come around the curve of a hardwood hammock to witness two herons, a great white and a great blue, having what looks like a territorial dispute. I slow the canoe. Another white heron stands in the shallows a short way off, either fishing or waiting to see who'll win. The white and the blue keep flying up, each trying to warn the other off, angling their wings so the light catches them first one way and then another. I sketch them fast, trying to record the unintended grace of their motion as well as the force of their intention. While they're concerned with power and territory and fishing rights, they have no idea how stunning the exchange makes them look. The blue heron, in particular, shows me the richness of her color from every angle.
Virginia Hartman (The Marsh Queen)
toenails skittering across the hardwood floor.
Margaret Mizushima (Tracking Game (Timber Creek K-9 Mystery, #5))
Dry softwood or pine shavings sold in bales at most feed stores are the ideal litter choice for chickens, though they are also the most expensive. The shavings do an excellent job of neutralizing the ammonia within the droppings and drying out the manure so that it is more easily handled. Shavings can also be used directly from the sawmill, but keep in mind that this litter has most likely not been kiln-dried, and will not be as good at absorbing moisture. It may also contain hardwood shavings, which tend to darken with moisture, making a less attractive interior in your coop.
Jennifer Megyesi (The Joy of Keeping Chickens: The Ultimate Guide to Raising Poultry for Fun or Profit (Joy of Series))
Dallas has what is considered to be the largest urban bottomland hardwood forest in the country. Known as the Great Trinity Forest, the 6,000-acre parcel of land is located along a section of the Trinity River in South Dallas.
Joanie Sanchez (60 Hikes Within 60 Miles: Dallas–Fort Worth: Including Tarrant, Collin, and Denton Counties)
We found the guest bedroom and I sat on the edge of the queen-size bed, bouncing up and down a little to test the comfort level. Definitely better than Shay’s couch. The room had been decorated in a mixture of blues and grays that I found soothing. I could easily live in this room. My aunt was saying something about hand-scraped hardwoods and Italian marble, but I ran over to check out the large walk-in closet. I practically wept with joy at the thought of not having to live out of my suitcases any longer. It was in that moment that I realized I would do whatever I had to do to become Tyler’s roommate. He wanted me to take care of his dog? I’d turn into Dr. Dolittle. He needed a clean home? Then I’d be . . . Marie Kondo? No, that was organizational stuff. Mary Poppins? She was the kid expert. Martha Stewart? More on the entertaining side of things. An image and a name flashed in my mind. Mr. Clean! I would be Mr. / Dr. Clean-Dolittle. Practically perfect in every way.
Sariah Wilson (Roommaid)
glass. Eliese collapsed onto the scuffed hardwood, shards cutting the bare skin on her legs. The weight of this day, this year, pressed down on her, more than she could bear. She’d wanted to help
Melanie Dobson (Memories of Glass)
The rugged, primitive hills sometimes soar to dizzying heights, then stretch downward into low-lying valleys and bottomlands where the cotton, soybeans, and corn have always prospered, and the splendid pines and hardwoods in both the hills and the bottoms lend a fine beauty to the hard earth.
Willie Morris (The Courting of Marcus Dupree)
Now, Daniel and I propped ourselves up with pillows in his bed, our legs stretched out in front of us, passing the lo mein and dumpling cartons back and forth, digging into them with chopsticks while we heckled the married couple with more money than sense on the television. “Really?” I yelled. “You have a quarter of a million dollars to renovate a Philadelphia row house, and that’s the cheap garbage tile you pick for the bathroom?” “They have to make up for the money they spent replacing those hardwood floors somehow.” Daniel crunched into an eggroll. I tsked and shook my head. “They could have refinished the original ones for half that, easily.” “Oh, yeah?” He bumped my shoulder with his. “Refinish a lot of floors, do you?” “I watch a lot of TV where other people refinish a lot of floors. I think that makes me an expert.” He considered that. “Close enough. I’ll accept that.” I slurped up one more bite of noodles while the couple on the screen bickered about the color of the shower tile. Their marriage wasn’t going to last beyond the renovation of that house. “I wonder what it’s like,” I finally said. “I think the green would have looked better, but that’s not the hill I want to die on.” “No . . .” I passed the lo mein carton to him. “I mean having a space like that. My place would fit in their kitchen, you know? I watch shows like this and wonder what it would be like to live that kind of life. Where you have an amazing space like that, and the money to make it exactly what you want.
Jen DeLuca (Well Played (Well Met, #2))
A common home renovation show refrain is “Why would anyone put linoleum over all this gorgeous hardwood?!” They did this because it was modern, durable, interesting, and easy to clean. Rest assured that when the next generation renovates your house, they’re going to be screaming about all the goddamned shiplap.
Jen Lancaster (Welcome to the United States of Anxiety: Observations from a Reforming Neurotic)
That set off the home security system—a chorus of deep barks from Rex and Sherlock, the two Rhodesian-mastiffs Tracy inherited when she and Dan married. Roger squirmed free and shot from her arms. A thud, followed by a second thud, came from upstairs. The dogs had been on the bed—against Tracy’s rules. Nails clicked on the hardwood floor as the two dogs rushed to the landing at the top of the steps. They looked down at Tracy, tails wagging, but tentative. “You know you’re not supposed to be on the bed,” she said. Rex shifted his eyes back to the master bedroom. An admission of guilt. Sherlock, apparently deciding to seek forgiveness, lumbered his 140 pounds down the steps to greet her. “Good boy,” she said. “You’re in the will. Rex, you get a lump of coal.” Rex whined and trudged back into the bedroom. The
Robert Dugoni (What She Found (Tracy Crosswhite, #9))
I know I could make the effort and join them, but if I jumped, there’d be a strong chance I’d bust through the hardwood floor and land in the basement in a heap of splintered wood and concrete. The stoners would have the laugh of the century. The party would be ruined.
K.M. Walton (Empty)
Some people loved the cities, with their culture, art, and endless opportunities for interesting social interaction. Some like the country, its simplicity and wide open spaces. But Alyssa Aronson only truly felt at peace when she was surrounded by the mightiest of earth’s living things. And with the possible exception of the Sequoia Forest in Northern California, teeming with trees that made the tallest, thickest specimens anywhere else look like adorable little babies, no place was more majestic than the Hoosier National Forest, two hundred thousand acres of soaring central hardwood trees, primarily oak and hickory.
Douglas E. Richards (Quantum Lens)
The floor squeaked beneath my feet and I knew the previous owner committed one of the worst crimes against any great structure—they’d carpeted over the hardwood floors. I
C.V. Hunt (Ritualistic Human Sacrifice)
We’re pattern-seeking creatures. There’s even a word for it: apophenia. We constantly make connections between completely unrelated things, tease meaningful patterns from meaningless noise, and find familiar objects in the world around us. We see the man in the moon, or climbing kudzu looks like a crucified man, or a blackish stain on a hardwood floor stares right back at us. Birds make smiling faces in the New Mexico sky. The world is a mirror, and our tendency to see ourselves in it was once a matter of survival. As soon as a baby can see, she recognizes the human face. The baby smiles at the sight, and her mother picks her up, holds her tight, loves her, protects her. See . . . survival.
J. Todd Scott (The Flock)
As we sift out, I deposit a small indoor conservancy in the center of the third floor, with young trees, grasses, and rocks draped with tender mosses and delicate berries to feed the lemurs while we are away. As a hasty afterthought, I add a circular, stone-ringed pool of water and remove all rugs. Poop is easier to clean off hardwood.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
nothing really excessive aside from a significantly sized rusty-brown stain on the hardwood, about six feet from the door. Such death markers always saddened me—the loss they represented, the people who would miss out on the rest of their lives. If I ever stopped feeling that way, I’d retire. The desire to obtain justice for these victims is what gets homicide detectives like me out of bed in the morning. Unfortunately, it’s also what keeps homicide detectives like me awake at night.
James Patterson (The Russian (Michael Bennett #13))
Owners are different from tenants.” “Long-term thinking is both a requirement and an outcome of true ownership. Owners are different from tenants. I know of a couple who rented out their house, and the family who moved in nailed their Christmas tree to the hardwood floors instead of using a tree stand. Expedient, I suppose, and admittedly these were particularly bad tenants, but no owner would be so short-sighted.” —Bezos (2003 Letter)
Steve Anderson (The Bezos Letters: 14 Principles to Grow Your Business Like Amazon)
Tom Vanderbilt, who wrote the Slate article, puts it this way: “For an invisible object, [pallets] are everywhere: There are said to be billions circulating through the global supply chain. Some 80 percent of all U.S. commerce is carried on pallets. So widespread is their use that they account for, according to one estimate, more than 46 percent of total U.S. hardwood lumber production.
A.J. Jacobs (Thanks a Thousand: A Gratitude Journey (TED Books))
lie. She makes a note to call her sisters and discuss the Wheaton collapse. Parents on the fritz. What to do? But long-distance to the East Coast is two dollars a minute, if you don’t have a magic shoe phone. She decides to write them both that weekend. But that weekend is her ceramic sintering conference in Rotterdam, and the letters slip her mind. IN THE FALL, with his wife in the basement studying Latin, Winston Ma, once Ma Sih Hsuin to everyone who knew him, sits under the crumbling mulberry and, with Verdi’s Macbeth blasting out the bedroom window, puts a Smith & Wesson 686 with hardwood grips up to his temple and spreads the workings of his infinite being across the flagstones of the backyard. He leaves no note except a calligraphic copy of Wang Wei’s twelve-hundred-year-old poem left unfurled on parchment across the desk in his study: An old man, I want only peace.
Richard Powers (The Overstory)