Long Awaited Rain Quotes

You cannot be everyone's cup of tea, but you can be someone's first sip of a cold drink on a sunny day. Or a warming hot chocolate when you come in from the rain. Or the pop of a long-awaited champagne cork. Or a stiff shot of tequila when things go awry. Find your people. Love them hard

When you're sixteen or seventeen meaning can be anywhere. A drop of rain running down the window is a symbol, a song comes on the radio just when you longed for it, you have the same initials as the boy for whom you're sick, secret messages await you in poems. It's like living in a net of logic, of systems of words and significance.

... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.

This time they didn’t feel so much like razorblades.They felt like the long-awaited answer to a mournful prayer for rain.

Ike tried to remember a time when men with badges coming to his door early in the morning brought anything other than heartache and misery, but try as he might, nothing came to mind. They felt like the long-awaited answer to a mournful prayer for rain.

Everywhere I looked, I saw how seeds were holding the world together. They planted forests, covered meadows with wildflowers, sprouted in the cracks of sidewalks, or lay dormant until the long-awaited moment came, signaled by fire or rain or warmth. They filled the produce aisle in grocery stores. Seeds breathed and spoke in a language all their own. Each one was a miniature time capsule, capturing years of stories in its tender flesh. How ignorant I felt compared to the brilliance contained in a single seed.

You're walking down Fool's Street, Laura used to say when he was drinking, and she had been right. He had known even then that she was right, but knowing had made no difference; he had simply laughed at her fears and gone on walking down it, till finally he had stumbled and fell. Then, for a long time, he stayed away, and if he had stayed away long enough he would have been all right; but one night he began walking down it again - and met the girl. It was inevitable that on Fool's Street there should be women as well as wine. He had walked down it many times in many different towns, and now he was walking down it once again in yet another town. Fool's Street never changed, no matter where you went, and this one was no different from the others. The same skeletonic signs bled beer names in vacant windows; the same winos sat in doorways nursing muscatel; the same drunk tank awaited you when at last your reeling footsteps failed. And if the sky was darker than usual, it was only because of the rain which had begun falling early that morning and been falling steadily ever since.

But it was not the work of death. It was only rain. The long-awaited rain. I opened the window, let my hand be drenched, then wiped the water over my eyes and face. I shivered. Time for bed. I left the window ajar so that I could listen to the rain as it continued to fall with an even, muffled softness. I heard it while I was undressing, while I was reading and while I slept. It accompanied my dreams like a poorly tuned radio left on through the night, broadcasting a fuzzy white noise beneath which were the barely audible whispers of foreign languages and snatches of unfamiliar tunes.

I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.

The thunder howled and the rain splashed, the leaves played with the breeze and the lightning flashed, and the tigress growled at last. She looked here and she looked there, she hadn't seen so much rain anywhere, a desire suddenly came in her heart, a mad longing that had to start, she felt deep love in the rain, looking at her cubs all over again But two years ago she had been wounded, By cowardly men who wanted her grounded, They were afraid of her power, they wanted to capture her and to enslave her in their tower They laid traps and they waited in the trees, The jungle was full of birds and the bees, The tigress was out hunting for meat, her cubs awaiting in the cave for their treat There was something missing in the air, the fragrance of jasmine was not there, The tigress looked up into the trees and saw the men's faces painted in grease, She challenged them looking into their eyes, And saw fear, fright , and faces full of lies! She roared with all her might, This was her land, She had all the right! The cowardly men crouching behind the trees, Fired their guns in twos and threes, The brave Tigress looked them in the eye, She was the fire and she was the sky, Indomitable force, invincible power, She was the Tigress, The Queen in her Empire None of the bullets could break her Spirit, Only one could graze her right leg a bit, She roared with all her heart's might, For she was the Queen for all to sight! The guns emptied and no more bullets to shoot, The cowardly men jumped from the trees and ran away in two hoots! The Tigress laughed and loudly roared, For she was the power and her Spirit soared She is the Tigress inside every Woman, She has the Power to defeat any Man, Love her and she would love you back, Respect her and she would respect you back, Dare to harm her and she would defeat you till the Last!

The Poetry that Searches Poetry that paints a portrait in words, Poetry that spills the bottled emotions, Gives life to the feelings deep inside, Breaks through all the times wept, To sweep you in a whirling ecstatic delight. The chiseled marble of language, The paint spattered canvas, Where colors flow through words, Where emotions roll on a canvas, And it all begins with you. The canvas that portrays the trembling you, Through the feelings that splash, Through the words that spatter, All over the awaiting canvas. Such is the painting sketched with passion, Colored with the heart's unleashed emotions. The poetry that reads your trembling heart, The poetry that feeds the seed of your dreams, That poetry that reveals light within rain, Takes you to a place where beauty lies in stain. The poetry that whispers- "May you find the stars, in a night so dark, May you find the moon, so rich with silver, May you sip the madness and delight In a night berserk with a wailing agony". Such words that arise from spilling emotions, So recklessly you fall, in love with life again. So, you rise shedding your fears, To chase after your dreams, As you hear thunder in the rain, That carries your pain, Through the painting of words, colored with courage, Splashed with ferocity, amidst the lost battles. Such is the richest color splash in words, Laid down on papers, that stayed so empty, For ages and ages. At times, you may feel lost, Wandering homeless in the woods, But poetry that you write, To drink the moonlight and madness, Poetry that you spill on a canvas with words, Calls you to fall, for life again. The words that evoke the intense emotions, The painting that gives the richest revelation, The insight that deepens in a light so streaming, Is the poetry that reveals the truth and beauty, In a form so elemental, in a way so searching, For a beauty so emotive, Which trembles, With the poetry's deepest digging. The words that take your eyes to sleep, The poetry that stills your raging feelings, Is the portrait of words that carries you, In emotions bottled within, held so deep, For an era so long. Forgotten they seemed, yet they arose, With the word's deepest calling, To the soul sleeping inside. The poetry that traces your emotions with words, Is a poetry that traces your soul with its lips, To speak a language that your heart understands. The Ecstatic Dance of Soul Copyright 2020 Jayita Bhattacharjee

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.

There's so much more to life ....than longing for someone...or for a life ...you once thought would be yours....for let a divine longing fill your deeps....the longing to find the stars in your soul, the longing to discover that adventures await just when you think it is all over, the longing to relive life again for springtime has burst in your soul....O' Sojourner, fill your deeps with such a longing ....

Eventually, he felt an overwhelming urge to meld his voice with the notes, and he began to play his ballad for the wind. Jack sang his verses, his fingers strumming with confidence. He sang to the southern wind with its promise of strength in battle. He sang to the western wind with its promise of healing. He sang to the northern wind with its promise of vindication. The notes rose and fell, undulating like the hills far beneath him. But while the wind carried his music and his voice, the folk of the air didn’t answer. What if they refuse to come? Jack wondered, with a pulse of worry. From the corner of his eye, he watched as Adaira rose to her feet. The wind seemed to be waiting for her to move. To stand and meet it. She stood planted on the rock as Jack continued to play, shielded by Orenna’s essence. Twice, he had played for the spirits and had nearly forgotten he was a man, that he was not a part of them. But this time he held firmly to himself as he watched the folk answer. The southern wind manifested first. They arrived with a sigh and formed themselves from the gust, individualizing into men and women with hair like fire—red and amber with a trace of blue. Great feathered wings bloomed from their backs like those of a bird, and each beat of their pinions emitted a wash of warmth and longing. Jack could taste the nostalgia they offered; he drank it like a bittersweet wine, like the memories of a summer long ago. The east wind was the next to arrive. They manifested in a flurry of leaves, their hair like molten gold. Their wings were fashioned like those of a bat, long and pronged and the shade of dusk. They carried the fragrance of rain in their wings. The west wind spun themselves out of whispers, with hair the shade of midnight, long and jeweled with stars. Their wings were like those of a moth, patterned with moons, beating softly and evoking both beauty and dread as Jack beheld them. The air shimmered at their edges like a dream, as if they might melt at any moment, and their skin smelled of smoke and cloves as they hovered in place, unable to depart as Jack’s music captivated them. Half of the spirits watched him, entranced by his ballad. But half of them watched Adaira, their eyes wide and brimming with light. “It’s her,” some of them whispered. Jack missed a note. He quickly regained his place, pushing his concern aside. It felt like his nails were creating sparks on the brass strings. He sang the verse for the northern wind again. The sky darkened. Thunder rumbled in the distance as the north reluctantly answered Jack’s summoning. The air plunged cold and bitter as the strongest of the winds manifested from wisps of clouds and stinging gales. It answered the music, fragmenting into men and women with flaxen hair, dressed in leather and links of silver webs. Their wings were translucent and veined, reminiscent of a dragonfly’s, boasting every color found beneath the sun. They came reluctantly, defiantly. Their eyes bore into him like needles. Jack was alarmed by their reaction to him. Some of them hissed through their sharp teeth, while others cowered as if awaiting a death blow. His ballad came to its end, and the absence of his voice and music sharpened the terror of the moment. Adaira continued to stand before an audience of manifested spirits, and Jack was stunned by the sight of them. To know that they had rushed alongside him as he walked the east. That he had felt their fingers in his hair, felt them kiss his mouth and steal words from his lips, carrying his voice in their hands. And his music had just summoned them. His voice and song now held them captive, beholden to him. He studied the horde. Some of the spirits looked amused, others shocked. Some were afraid, and some were angry.

The tears came again. They poured from his eyes and ran over his cheeks. Flowed down to the stubble of his chin. This time they didn’t feel like razorblades. They felt like the long awaited answer to a mournful prayer of rain.

The Head and Not the Tail If you listen to these commands of the Lord your God and carefully obey them, the Lord will make you the head and not the tail, and you will always have the upper hand. You must not turn away from any of the commands I am giving you today to follow after other gods and worship them. Deuteronomy 28:13-14 When reading Deuteronomy 28, it is pleasant to focus on the blessings in Moses’ message, yet we cannot avoid the fact that there were two sides to this oracle. Blessings would rain on the children of Israel as a result of their obedience, but harsh consequences awaited those who served other gods. It is hard to imagine a compassionate God raining down such curses on his children, for we know that God longed to bless his people. When the children of Israel turned from God, they would return to him only when they realized that they had placed themselves under the yoke of a far less benevolent master. Therein lies the curse—willingly abandoning a loving God to follow one whose intent is not to bless but to destroy. God still longs to bless us, but there is another who prowls about seeking to destroy those who are precious to God. Choose today to serve the God who longs to make you the head and not the tail.   MERCIFUL GOD, when I was created you forged a path for me to follow. But there is an enemy who desires that I lose my way. He seeks to destroy the destiny you have had for me from the beginning. I choose blessings because today and every day, I choose you! Thank you for the many blessings that have come from serving a compassionate, living, and mighty God. Thank you for making me the head and not the tail.

My plants cried for rain, my heart withered with them, then the long awaited rains came, but what rains! Winds and hail that completely obliterated the farm on which my hopes hinged. That is nature.

Haddam has always sheltered oddments like Paul, strangies you get used to seeing hanging around the Post Office or the newspaper kiosk, or at back tables in the library, reading China Today or Lancet and laughing about things only they know. These people wear the same clothes day-in, day-out, always appear fiercely involved in something, though in fact they’re doing nothing, since in an hour you see them involved in the same thing a block away. They are (or were) the love-child son or moody eldest daughter of some ex–New Jersey governor, long deceased, or the sallow, hollow-eyed offspring of some Swiss seminarian, who’s moved on. These aren’t the people who buy bump stocks or take up positions in a bell tower and rain terror upon an innocent world. They’re the watery presences at the periphery of yours and everyone else’s sight line, awaiting nothing, seemingly friendless (though not always), harming nothing and no one, growing old as you grow old, and who repair somewhere at night to sleep. It’s possible to think people like this don’t have lives full of expectancy and small triumphs. But they do.