β
He was a guy who talked with commas, like a heavy novel. Over the phone anyway.
β
β
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
β
The coffee shop smell was strong enough to build a garage on.
β
β
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
β
So that's the way you scientific detectives work. My god! for a fat, middle-aged, hard-boiled, pig-headed guy, you've got the vaguest way of doing things I ever heard of.
β
β
Dashiell Hammett (Red Harvest (The Continental Op #1))
β
To catch the bad guys, you've got to think like a bad guy - and that's why all the best detectives have a dark side...
β
β
David Videcette (The Theseus Paradox (DI Jake Flannagan, #1))
β
The old man had been tanned by the light of too many beer signs, and it just goes to show that you canβt live on three packs of Chesterfields and a fifth of bourbon a day without starting to drift far too fuckinβ wide in the turns.
β
β
Daniel Woodrell (The Bayou Trilogy: Under the Bright Lights, Muscle for the Wing, and The Ones You Do)
β
I said: βAll right, talk, but do you mind putting the gun away? My wife doesn't care, but I'm pregnant.
β
β
Dashiell Hammett (The Thin Man)
β
It was a Friday night. I was tooling home from the Mexican border in a light blue convertible and a dark blue mood.
β
β
Ross Macdonald (The Lew Archer Omnibus)
β
His belly was flabby, and it got softer every time I hit it. I hit it often.
β
β
Carroll John Daly (Race Williams' Double Date and Other Stories)
β
Human beings shouldn't have to enter such doors, shouldn't have to stay behind them. No moon ever entered there, no stars, no anything at all. They were worse than the grave, for in the grave is an absence of consciousness. And God, she reflected, ordered the grave for all of us; but God didn't order such burrows in a third-class New York City Hotel.
β
β
Cornell Woolrich (Deadline at Dawn)
β
It all started when she walked into my office that night unannounced. She told me she was in trouble. So I asked what kind. She said it was of the killing kind. Wanted to know if I could be trusted. I said up to a point, depending on who got killed.
β
β
Oliver Dean Spencer (Tell Me That You Love Me: A Hard-Boiled Short Fiction Featuring James Cartwright, P.I)
β
I gave chase, and he took a shot at me, so I did the only thing I could in the circumstancesβ¦. I stabbed him in the shoulder.
β
β
Kerry Greenwood (Miss Fisher's Murder Mysteries Bundle, Books 1-4)
β
The tin pan notes of a piano drift faintly into the night. A man curses and a window slams. Far distant an ash can clatters on stone and the almost human screech of a cat pierces the night.
β
β
Carroll John Daly (The Snarl of the Beast (Race Williams #1))
β
When a beautiful blonde asks, you don't say no.
β
β
V.T. Davy (Black Art)
β
Miss Leary, do you mean to insinuate that I should go encouraging homo-sex-uality amongst these corpses?
β
β
William Lindsay Gresham
β
Marlowe,β he said, even more earnestly, βIβll try hard, but I donβt think I am going to like you.β
βIβm screaming,β I said. βWith rage and pain.
β
β
Raymond Chandler (The High Window (Philip Marlowe, #3))
β
She's dead. So is your fat pansy. You can be dead, too, if you want.
β
β
Richard Stark
β
I was a licensed investigator who knocked off somebody who needed knocking off bad and he couldnβt get to me. So I was a murderer by definition and all the law could do was shake its finger.
β
β
Mickey Spillane (The Mike Hammer Collection, Volume 1: I,the Jury / My Gun is Quick / Vengeance is Mine!)
β
A quick butchers shows up Old Bill three-handed, also a particularly nasty female grassβ-and if looks were acid baths the two she collects from us would reduce her to gristle quicker than Mrs. Durand-Deacon.
β
β
Derek Raymond (The Crust on its Uppers)
β
The room buzzes around us but weβre fixed on each other, engaged in a battle of who can deprecate me more. She obviously doesnβt believe such a man can exist and keeps at it, prodding and goading me like a fisherman harpooning an already beached whale.
β
β
John Bowie (Untethered (Black Viking #1))
β
She told me she was 17 going on 22, when she left home to find a new life in the city. She wanted to get into acting and be a big star someday. I said that was swell but a tough racket to break into. She said she knew that going in. She thought maybe she'd get a lucky break and go from there. I told her lucky breaks always came with a price.
β
β
Oliver Dean Spencer (Tell Me That You Love Me: A Hard-Boiled Short Fiction Featuring James Cartwright, P.I)
β
Calvino remembered he had no food in the house and would have to go shopping on Sukhumvit Road. Then he planned to crawl into his bed and sleep, the kind of deep sleep without dreams or hopes, a sleep without regrets, without knowing or thinking how things got the way they are or how occasional fragments of decency escaped the forces of gravity.
β
β
Christopher G. Moore
β
THE POUNDING RAIN HAD STOPPED as suddenly as it had begun. Sheets of silver green neon clung hungrily to the moist black asphalt like some reptilian skin.
β
β
Oliver Dean Spencer (Tell Me That You Love Me: A Hard-Boiled Short Fiction Featuring James Cartwright, P.I)
β
uninformed skepticism is the domain of fools.
β
β
Dave Stanton (The Doomsday Girl: A Hard-Boiled Crime Novel: Dan Reno Private Detective Noir Mystery Series (Dan Reno Novel Series))
β
Through his opened bedroom window, he noticed that the night sky had turned a crimson red. The moon, punctured by hues of cerulean blue, hung precariously over the withering willow trees that lined the riverbank, located several hundred yards away. The storm predicted by the forecasters was heading his way.
β
β
Oliver Dean Spencer (Call of the Nightingale (A James Cartwright PI Mystery - Book 2))
β
When you write, you start with what you know and build from there. I knew a little something about the border, Texas and Mexico from my journalism days. Knew some cops and redneck outlaws, too. And I knew I wanted to write a noirish detective novel. So I started with that and went from there. Out popped Ed Earl Burch, Carla Sue Cantrell and THE LAST SECOND CHANCE: An Ed Earl Burch Novel.
β
β
Jim Nesbitt (The Last Second Chance (Ed Earl Burch, #1))
β
look for him in Baker, or continue to Barstow.
β
β
Dave Stanton (Dying for the Highlife: A Hard-Boiled Crime Novel: Dan Reno Private Detective Noir Mystery Series (Dan Reno Novel Series))
β
I've always thought hard-boiled detective novels an American art form. At their best, they're more than who-dun-its or thrillers, they're vehicles for a writer's observations about culture, politics, philosophy, music, history and a time or a place. Or life, itβs ownself. When you read James Ellroy, Dashiell Hammett or James Lee Burke, their stories are always about far more than good guys chasing bad guys. Thatβs the kind of book I wanted to write. Still do.
β
β
Jim Nesbitt
β
He had her buns up kneelinβ, and he was wheelinβ and dealinβ.
β
β
Dave Stanton (Dying for the Highlife: A Hard-Boiled Crime Novel: Dan Reno Private Detective Noir Mystery Series (Dan Reno Novel Series))
β
Out of the apartment houses come women who should be young but have faces like stale beer; men with pulled-down hats and quick eyes that look the street over behind the cupped hand that shields the match flame; worn intellectuals with cigarette coughs and no money in the bank; fly cops
with granite faces and unwavering eyes; cokies and coke peddlers; people who look like nothing in particular and know it, and once in a while even men that actually go to work. But they come out early, when the wide cracked sidewalks are empty and still have dew on them.
β
β
Raymond Chandler (The High Window (Philip Marlowe, #3))
β
He looked at the corner of the ceiling with an absent stare. I looked at him with a not so absent stare. He looked like a man who could be trusted with a secretβif it was his own secret.
β
β
Raymond Chandler (The High Window (Philip Marlowe #3))
β
HE FELL DOWN HARDβstone-cold dead, next to my feet. It didnβt take muchβjust a pull of the trigger. The way I figured; a bullet always had its way of settling things. It asked no questions. Just did what it was told. And I hadnβt planned on resolving my disagreement with the Thin Man that way. But he left me no choice. He pulled his Luger, deciding that one of his .28s was the only way to resolve the issue. Trouble was, he missed. But a .22 from my Colt didnβt.
β
β
Oliver Dean Spencer (The Case of the Runaway Orangutan (James Cartwright Pi))
β
Jaundice and black crap ain't going to scare me off the juice, kid. When you grow up and walk into the shit-storm that's waiting for your out there," Rose waved her cigarette at the window, "you'll be chink-yellow and shittin' black too.
β
β
C. Mack Lewis (Black Market Angels (Fallen Angels Series Book 2))
β
Annie stood up, walked into the kitchen, and returned with the bottle of George Dickel. She took a hard slug from the bottle, felt a kind of resolve seep into her bones, a noir-like, hard-boiled toughness. Alcohol, she suddenly understood, would solve this problem. It would create other, more pressing problems, but for now, steadily rising into inebriation, she felt like she could handle the situation at hand. She could deal with shit.
β
β
Kevin Wilson (The Family Fang)
β
What I'm trying to do is save your ass, gorgeous.
β
β
Massimo Carlotto (Bandit Love (World Noir))