Irish Work Quotes

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-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
He used his large shoulders and movements to impose his dominance over others as he strutted around but his facial expressions were a giveaway to people like Maeve who was born into a gritty group of native born fighting Irish. While many saw him as a man who worked his way up to power and influence and attained success that others fail to achieve, she saw him as a sham. He didn’t acquire loyalty by goodwill, but by corruption, fear, and loathing.
A.G. Russo (The Cases Nobody Wanted (O'Shaughnessy Investigations Inc. Mystery Series Book 1))
I was beginning to understand how the Irish mentality worked. The more foolish, illogical or surreal one's actions were perceived t be (and mine surely fell into one of these categories), the wider the arms of hospitality were opened in salutation.
Tony Hawks (Round Ireland with a Fridge)
But then what is the alternative to trying to tell the truth about the Holocaust, the Famine, the Armenian genocide, the injustice of dispossession in the Americas and Australia? That everyone should be reduced to silence? To pretend that the Holocaust was the work merely of a well-armed minority who didn’t do as much harm as is claimed-and likewise, to argue that the Irish Famine was either an inevitability or the fault of the Irish-is to say that both were mere unreliable rumors, and not the great motors of history they so obviously proved to be. It suited me to think so at the time, but still I believe it to be true, that if there are going to be areas of history which are off-bounds, then in principle we are reduced to fudging, to cosmetic narrative.
Thomas Keneally (Searching for Schindler: A Memoir)
They founded a society based not upon currency and commodities but on the elementary notion that if you failed to raise enough to eat, you would go hungry.
Shirley Abbott (Womenfolks: Growing Up Down South)
In the secular trinity of Irish-American values, loyalty and humor are father and son. Self-deprecation is the spirit that works in mysterious ways ...
Maureen Dezell (Irish America: Coming Into Clover)
To anyone with a drop of Irish blood in them the land they live on is like their mother. It's the only thing that lasts, that's worth working for, for fighting for...
Alexandra Ripley (Scarlett)
May there always be work for your hands to do. May your purse always hold a coin or two. May the sun always shine on your windowpane. May a rainbow be certain to follow each rain. Irish blessing
Stephen Revell (Picture Perfect (Weddings by Design #1))
My dad's filthy rich, and even though we're Irish Catholic I'm an only child. I've got more money than you do so I'll work for free. No charge. A free law clerk for three weeks. I'll do all the research, typing, answering the phone. I'll even carry your briefcase and make the coffee. I was afraid you'd want to be a a law partner. No I'm a woman, and I'm in the South. I know my place.
John Grisham (A Time to Kill (Jake Brigance, #1))
How can a person, or a class, be free when its means of life are in the grasp of another? How can the working class be free when the sole chance of existence of its individual members depends on their ability to make profit for others?
James Connolly (Labour, Nationality and Religion)
No born Londoner (it is different with people of Scotch or Irish origin) now says 'bloody,' unless he is a man of some education. The word has, in fact, moved up in the social scale and ceased to be a swear word for the purposes of the working classes. The current London adjective, now tacked on to every noun, is -----. No doubt in time -----, like 'bloody,' will find its way into the drawing room and replaced by some other word.
George Orwell (Down and Out in Paris and London)
What are you going to name him?” I asked her. Adrian followed my lead. „Adrian Sinclair has a nice ring to it,“ he said. Olive’s eyes, full of fear, watched the window and door, but her lips curled into another smile at the joke. “Declan.” “Nice Irish name,” I said. “It would work,” Adrian conceded. „Declan Adrian Sinclair.“ „Declan Neil,“ she corrected.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Jonathan Swift (November 30, 1667 – October 19, 1745) was an Irish cleric, satirist, essayist, political pamphleteer (first for Whigs then for Tories), and poet, famous for works like Gulliver's Travels, A Modest Proposal, A Journal to Stella, The Drapier's Letters, The Battle of the Books, and A Tale of a Tub. Swift is probably the foremost prose satirist in the English language, although he is less well known for his poetry. Swift published all of his works under pseudonyms — such as Lemuel Gulliver, Isaac Bickerstaff, M.B. Drapier — or anonymously. He is also known for being a master of 2 styles of satire; the Horatian and Juvenalian styles. Source: Wikipedia
Jonathan Swift (Gulliver's Travels (Signet Classics))
There were first editions of Lang’s Red, Blue and Green Fairy Books, an incredibly old binding of the works of the Brothers Grimm and a nice imprint of WB Yeats’ Irish Fairy and Folk Tales among others.
Heide Goody (Disenchanted, Sprite Brigade #3)
Davy’s work in Bristol came under attack by conservative politicians, including the famous Irish MP Edmund Burke, who accused the gas experiments of promoting not only atheism but the French Revolution.
Mark Kurlansky (Salt: A World History)
Charlotte poured a stiff Irish coffee for herself, wanting both stimulation and sedation. It didn’t work, in fact it backfired, making her antsy but confused. An anti-Irish coffee, must be an English coffee.
Kim Stanley Robinson (New York 2140)
There has always been racism. But it developed as a leading principle of thought and perception in the context of colonialism. That’s understandable. When you have your boot on someone’s neck, you have to justify it. The justification has to be their depravity. It’s very striking to see this in the case of people who aren’t very different from one another. Take a look at the British conquest of Ireland, the earliest of the Western colonial conquests. It was described in the same terms as the conquest of Africa. The Irish were a different race. They weren’t human. They weren’t like us. We had to crush and destroy them.
Noam Chomsky (How the World Works)
Jim Rosato was recently married, to a Greek nurse. Rosato was half Irish and half Italian, and there was a pool on at the 1st as to which of the two would arrive at work wearing the other's skin as a hat within the year.
Warren Ellis (Gun Machine)
In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
Along with the concept of American Dream runs the notion that every man and woman is entitled to an opinion and to one vote, no matter how ridiculous that opinion might be or how uninformed the vote. It could be that the Borderer Presbyterian tradition of "stand up and say your rightful piece" contributed to the American notion that our gut-level but uninformed opinions are some sort of unvarnished foundational political truths. I have been told that this is because we redneck working-class Scots Irish suffer from what psychiatrists call "no insight".Consequently, we will never agree with anyone outside our zone of ignorance because our belligerent Borderer pride insists on the right to be dangerously wrong about everything while telling those who are more educated to "bite my ass!
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
To say that one goes on holiday is to speak the language of the working class, for whom the time off appears merry and playful; but to say one goes on vacation is to speak the language of the ruling class. Vacation comes from the same root as vacant and reflects what the owner sees when he looks around the floor—a vacancy where John 'should' 'be'. (I suspect that the owner probably thinks some negative thoughts about the Labor Unions and the 'damned Liberal' Government that force him to pay John even when John 'is vacant.') I leave it as a puzzle for the reader: Do the Irish and English speak Working Class in this case because they have had several socialist governments, or have the had several socialist governments because they learned to speak the language of the Working Class? And: has the U.S., alone among industrial nations, never had a socialist government because it speaks the Ruling Class language, or does it speak the Ruling Class language because it has never had a socialist government?
Robert Anton Wilson (Rebels & Devils; A Tribute to Christopher S. Hyatt)
The man could stop her heart, then send it into full gallop. Just a look at him. They’d been married more than two years, she thought. Shouldn’t that ease off? Where was that in the Marriage Rules? But a man who looked like Roarke broke every rule. That absurdly beautiful face set off with the wild blue eyes of some Irish god, and the perfect poet’s mouth. The black hair, silkier than Summerset’s tone, tied back in work mode. The tall, lean length of him all in black—no tie or suit coat, the sleeves of his shirt rolled to the elbow. So he’d been home, and working, for some time. Yeah, the look of him broke the rules, stopped the heart. But it was that instant, just that instant when those amazing blue eyes met hers that sent it into the gallop. In them lived love. Just that simple, just that extraordinary.
J.D. Robb (Apprentice in Death (In Death, #43))
Benny was not there to welcome me. He had been left at a good place to learn a trade, and for several months every thing worked well. He was liked by the master, and was a favorite with his fellow-apprentices; but one day they accidentally discovered a fact they had never before suspected—that he was colored! This at once transformed him into a different being. Some of the apprentices were Americans, others American-born Irish; and it was offensive to their dignity to have a “nigger” among them, after they had been told that he was a “nigger.” They began by treating him with silent scorn, and finding that he returned the same, they resorted to insults and abuse. He was too spirited a boy to stand that, and he went off.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Before the Sex Pistols, music was so bloody serious, all run by university graduates. It was all head music devoid of any real intellectualism. There was no deep though in it, merely images pertaining to something mystical, too stupid and absolutely devoid of reality. How on earth were we supposed to relate to that music when we lived in council flats? We had no money, no job, no nothing. So the Pistols projected that anger, that rock-bottom working-class hate.
John Lydon (Rotten: No Irish, No Blacks, No Dogs)
When I was young I lived in several different countries. This is before the EU and at a time when America only chased the Irish vote, not the English. We HAD to find work because there were no welfare state options open to us in those countries. And do you know what? We went out and found work. We had no choice
Karl Wiggins (100 Common Sense Policies to make BRITAIN GREAT again)
Capitalism has come, not only to serve Britain's purpose by keeping the people divided, but, by setting worker against worker, it has profited by exploiting both. It works on religious prejudices. It represents to the Protestant workman any attempt by the Catholic workman to get improved conditions as the cloak for some insidious political game.
Michael Collins (A Path To Freedom)
What was so tough, you had to get all worked up over them? He didn’t get it. You just did your job, you were faithful to your wife, you stuck by your friends. That was it.
John Lescroart (Dead Irish (Dismas Hardy, #1))
There’s a saying about how the Irish ship captain located all the rocks in the harbor—using the bottom of his boat. Whatever works, right? Remember
Ryan Holiday (The Obstacle is the Way: The Timeless Art of Turning Adversity to Advantage)
professional humbug which saves the face of the stupid system of violence and robbery which we call Law and Industry. Even
George Bernard Shaw (Complete Works of George Bernard Shaw "Irish Playwright, Critic, Polemicist and Nobel Prize Winner in Literature"! 41 Complete Works (Man and Superman, Pygmalion, Saint Joan, Candida) (Annotated))
     May you have the hindsight to know where you’ve been, the foresight to know where you are going, and the insight to know when you have gone too far. ~ Irish Saying
Jim Benson (Personal Kanban: Mapping Work | Navigating Life)
As I worked I continued to be a bit terrified in the back of my mind that it would be awful in the end, a big mishmash of nothing in particular, and there I would be, having wasted a whole week of my life destroying things I wanted to keep. But I should have trusted the long history of women who've come before me making rag rugs from everything that wasn't nailed down because it wasn't like that at all. Instead it was like a big, incredible tapestry that just happened to--if you could decipher it--tell a million little stories from my life. I could look at it and see my old lace slip and the girls' party dresses and my high school rainbow tie-dyes, the Irish kilt and the Halloween clown pants and so many, many other things. It was all in there somewhere. I felt like the miller's daughter in the fairy tale, the one who stays up all night spinning straw into gold. But who needs yellow metal, anyway? The was way better.
Eve O. Schaub (Year of No Clutter)
I write poetry not for publication but merely to kill time. Airplanes are a good place to write poetry and then throw it away. My collected works are mostly on the vomit bags of Lufthansa.
Wayne Kelly
over the chatter of the busy London pub. The Irish theme bar was heaving with twenty- and thirty-somethings – mostly city workers celebrating the end of the working week and the beginning of a long
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
As a young man, he was already rather pompous and full of himself, concerned with what he would write and with his early (and, later, perennial) hatred of Ireland and the Irish. When he had still written only a few poems, he asked his brother Stanislaus: “Don’t you think there is a certain resemblance between the mystery of the Mass and what I am trying to do? I mean that I am trying in my poems to give people some kind of intellectual pleasure or spiritual enjoyment by converting the bread of daily life into something that has a permanent artistic life of its own…for their mental, moral, and spiritual uplift.” When he was older his comparisons may have been less eucharistic and more modest, but he was always convinced of the extreme importance of his work, even before it existed.
Javier Marías (Written Lives)
My name is Linda Symcox—and I’m a lie-oholic. I came to Hollywood to work as an actress, but soon found out that I couldn’t get a decent audition, let alone a job. It seems I didn’t stand out enough.
Caitlin McKenna (My Big Fake Irish Life)
Calvin sits up, jerking his guitar to stand on one thigh. “Mr. Okai.” He swallows. “I didn’t realize you were standing there.” “My niece tells me your name is Calvin.” Calvin looks between the two of us, working this out. Robert, with his smooth dark skin and meticulously short hair. Me: pale and freckled with a chaotic, weedy bun on top of my head. Robert reaches out a hand, and Calvin immediately takes it, standing. “Yes. Calvin McLoughlin.” This makes my uncle laugh, and the boom of it eases the line of Calvin’s shoulders. “That’s a pretty Irish name for someone with such a good tan.” “My mam is Greek,” he explains, and then looks back and forth between me and Robert again, as if asking a question of his own. Robert tilts his head to me, releasing Calvin’s hand and saying in turn, “I married her uncle.” Calvin smiles, quietly saying, “Ah.
Christina Lauren (Roomies)
Instead, I identify with the millions of working-class white Americans of Scots-Irish descent who have no college degree. To these folks, poverty is the family tradition—their ancestors were day laborers in the Southern slave economy, sharecroppers after that, coal miners after that, and machinists and millworkers during more recent times. Americans call them hillbillies, rednecks, or white trash. I call them neighbors, friends, and family.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
It was after midnight by a mile when I slid off the bar stool at O’Malley’s and began to walk home. O’Malley’s is an old Irish pub and though I wasn’t Irish, nor did I drink like a lot of other newspaper reporters I knew, I stopped by for a Coke nearly every evening. I liked listening to other reporters — and cops, who also frequented O’Malley’s — shoot the breeze and relate old stories that hadn’t been completely true the first time they’d been told. O’Malley’s was just somewhere to go which made every guy sipping a beer or doing shots feel a little less alone in a city like Los Angeles. Some of them still had wives, but you could tell they were lonely. Otherwise, they wouldn’t have been hanging around a bar at that hour; they’d have been finding solace in soft flesh and perfume. Maybe their wives would have been finding some solace too, and more of them would have stayed married. Most of those guys, cops and reporters alike, were working on their second or third marriage. I didn’t think they were working hard enough, but maybe that was because I didn’t have anyone to go home to.
Bobby Underwood (City of Angels)
The bartender is Irish. Jumped a student visa about ten years ago but nothing for him to worry about. The cook, though, is Mexican. Some poor bastard at ten dollars an hour—and probably has to wash the dishes, too. La Migra take notice of his immigration status—they catch sight of his bowl cut on the way home to Queens and he’ll have a problem. He looks different than the Irish and the Canadians—and he’s got Lou Dobbs calling specifically for his head every night on the radio. (You notice, by the way, that you never hear Dobbs wringing his hands over our border to the North. Maybe the “white” in Great White North makes that particular “alien superhighway” more palatable.) The cook at the Irish bar, meanwhile, has the added difficulty of predators waiting by the subway exit for him (and any other Mexican cooks or dishwashers) when he comes home on Friday payday. He’s invariably cashed his check at a check-cashing store; he’s relatively small—and is unlikely to call the cops. The perfect victim. The guy serving my drinks, on the other hand, as most English-speaking illegal aliens, has been smartly gaming the system for years, a time-honored process everybody at the INS is fully familiar with: a couple of continuing education classes now and again (while working off the books) to get those student visas. Extensions. A work visa. A “farm” visa. Weekend across the border and repeat. Articulate, well-connected friends—the type of guys who own, for instance, lots of Irish bars—who can write letters of support lauding your invaluable and “specialized” skills, unavailable from homegrown bartenders. And nobody’s looking anyway. But I digress…
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
The man was a Black Irish terror, no matter he paid well and worked harder than any title Holderman had run across. Devlin St. Just, newly created first Earl of Rosecroft, was a flat, screaming terror. Gossip, even in York, was that the French had run for the hills when St. Just had led the charge. “Well,
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Dear Cook, please lend a frying-pan To me as quickly as you can.” “And wherefore should I lend it you?” “The reason, Cook, is plain to view. I wish to make an Irish stew.” “What meat is in that stew to go?” “My sister’ll be the contents!” “Oh!” “You’ll lend the pan to me, Cook?” “No!” Moral: Never stew your sister.
Lewis Carroll (The Complete Works of Lewis Carroll With All the Original Illustrations + The Life and Letters of Lewis Carroll: All the Novels, Stories and Poems: Alice's ... What Alice Found There + Sylvie and Brun)
Colm Herron’s The Wake (And What Jeremiah Did Next) — a nod to the nickname for James Joyce’s final bewildering novel Finnegans Wake — is yet another exciting Irish comic work, packed with psychosexual and historicocritical detail, by the critically acclaimed, constantly inventive and forward thinking Derry author.
Colm Herron (The Wake (And What Jeremiah Did Next))
Yesterday you were riding on my shoulders," he murmured. "The house was full of noise. Clomping up and down the steps,doors slamming. Scattered toys. I don't know how many times I stepped on one of those damned little cars of Brady's/" Turning back, he ran a hand over her hair. "I miss that.I miss all of you." "Daddy." In one fluid movement she rose and slid her arms around him. "It's the way it's supposed to work. Three of you off at college, Brendon moving around to get a handle on the busines of things.It's what he wants. And you, building your own.But..I miss the crowd of you." "I promise to slam the door the very first chance I get." "That might help." "Sentimental softie.I love that about you." "Lucky for me.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Then he placed his hands in his pockets and stood in the middle of the street alone, giving the silent roaring rage inside him time to ease down and out, and after several long minutes he once again became who he was, a solitary middle-aged man in the August of life looking for a few more Aprils, an aging bachelor in a floppy suit standing on a tired, worn Brooklyn street in the shadow of a giant housing project built by a Jewish reformer named Robert Moses who forgot he was a reformer, building projects like this all over, which destroyed neighborhoods, chasing out the working Italians, Irish, and Jews, gutting all the pretty things from them, displacing them with Negroes and Spanish and other desperate souls clambering to climb into the attic of New York life, hoping that the bedroom and kitchen below would open up so they could drop in, and at minimum join the club that to them included this man, an overweight bachelor in an ill-fitting suit, watching a shiny car roaring away, the car driven by a handsome young man who was pretty and drove away as if he were barreling into a bright future, while the dowdy heavyset man watched him jealously, believing the man so pretty and handsome had places to go and women to meet and things to do, and the older heavyset man standing behind eating his fumes on a sorry, dreary, crowded old Brooklyn street of storefronts and tired brownstones had nothing left but the fumes of the pretty sports car in his face.
James McBride (Deacon King Kong)
Needless to say, this fragile experiment began by taking for granted the ugly conquest of Amerindians and Mexicans, the exclusion of women, the subordination of European working-class men and the closeting of homosexuals. These realities made many of the words of the revolutionary Declaration of Independence ring a bit hollow. yet the enslavement of Africans -- over 20 percent of the population -- served as the linchpin of American democracy; that is, the much-heralded stability and continuity of American democracy was predicated upon black oppression and degradation. Without the presence of black people in America, European-Americans would not be "white -- they would be only Irish, Italians, Poles, Welsh, and others engaged in class, ethnic, and gender struggles over resources and identity.
Cornel West (Race Matters)
I don't suppose you'd be interested in working part-time at the school?" Adelai turned her head,met Keeley's eyes in the mirror above the bureau. "Are you offering me a job?" "It sounds awfully strange when you put it that way, but yes. But don't do it because you feel obliged. Only if you think you'd have the time or the inclination." Adelia spun around, her face brilliant. "What the devil's taken you so long? I'll start tomorrow." "Really? You really want to?" "I've been dying to.Oh, it's taken every bit of my willpower not to come down there every day until you just got so used to me being around you didn't realize I was working there. This is exciting!" She rushed over to give Keeley a hug. "I can't wait to tell your father." Keeping her arms tight around her daughter, Adelia did a quick dance. "I'm a groom again.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
There is an ethnic component lurking in the background of my story. In our race-conscious society, our vocabulary often extends no further than the color of someone's skin - black people, Asians, white privilege. Sometimes these broad categories are useful. But to understand my story, you have to delve into the details.I may be white, but I do not identify with the WASPs of the Northeast. Instead, I identify with the millions of working-class white Americans of Scots-Irish descent who have no college degree. To these folks, poverty's the family tradition. Their ancestors were day laborers in the southern slave economy, sharecroppers after that, coal miners after that, and machinists and mill workers during more recent times. Americans call them hillbillies, rednecks or white trash. I call them neighbors, friends and family.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Turn around." "I beg your pardon." Brian merely stepped around her, laid his hands on the nape of her neck. Her already stiff shoulders jerked in protest. "Relax.I'm not after grabbing you in a fit of passion when any member of your family might come along.I'd like to put in at least one day on the job before I get the boot." As he spoke he was kneading, pressing, running those strong fingers over the knots. He hated seeing anything in pain. "Blow out a breath," he ordered when she stood rigis as stone. "Come on, maverneen, don't be so hardheaded. Blow out a nice long breath for me." Out of curiosity she obeyed and tried not to think how marvelous his hands felt on her skin. "Now another." His voice had gone to croon, lulling her.As he worked, murmured, her eyes fluttered close. Her muscles loosened, the knots untied. The threatening throbbing in her head faded away. She all but slid into a trance. She arched against his hands, just a little. Moaned in pleasure.Just a little. He kept his hands firm, professional, even as he imaged skiming them down over her, slipping them under that soft white blouse. He wanted to touch his lips to her nape, just where his thumb was pressing.To taste her there. And that,he knew, would end things before they'd begun.Wanting a woman was natural. Taking one, where the taking held such risks,was suicide.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
We have in America,” he said, “twenty million people of German descent. Almost as many Irish. In New York State alone there are more Italians than in Rome. We have more Scandinavians than there are in Sweden. Here, side by side, dwell Czechs, Roumanians, Slavs, Poles and Dutchmen. We also have some Jews. We have solved the problem of living together without wanting to cut one another’s throats. You will have to learn to do the same in Europe. We shall have to teach you.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
Parallel to the idea of the US Constitution as covenant, politicians, journalists, teachers, and even professional historians chant like a mantra that the United States is a “nation of immigrants.” From its beginning, the United States has welcomed—indeed, often solicited, even bribed—immigrants to repopulate conquered territories “cleansed” of their Indigenous inhabitants. From the mid-nineteenth century, immigrants were recruited to work mines, raze forests, construct canals and railroads, and labor in sweatshops, factories, and commercial farm fields. In the late twentieth century, technical and medical workers were recruited. The requirements for their formal citizenship were simple: adhere to the sacred covenant through taking the Citizenship Oath, pledging loyalty to the flag, and regarding those outside the covenant as enemies or potential enemies of the exceptional country that has adopted them, often after they escaped hunger, war, or repression, which in turn were often caused by US militarism or economic sanctions. Yet no matter how much immigrants might strive to prove themselves to be as hardworking and patriotic as descendants of the original settlers, and despite the rhetoric of E pluribus unum, they are suspect. The old stock against which they are judged inferior includes not only those who fought in the fifteen-year war for independence from Britain but also, and perhaps more important, those who fought and shed (Indian) blood, before and after independence, in order to acquire the land. These are the descendants of English Pilgrims, Scots, Scots-Irish, and Huguenot French—Calvinists all—who took the land bequeathed to them in the sacred covenant that predated the creation of the independent United States. These were the settlers who fought their way over the Appalachians into the fertile Ohio Valley region, and it is they who claimed blood sacrifice for their country. Immigrants, to be accepted, must prove their fidelity to the covenant and what it stands for.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
I may be white, but I do not identify with the WASPs of the Northeast. Instead, I identify with the millions of working-class white Americans of Scots-Irish descent who have no college degree. To these folks, poverty is the family tradition—their ancestors were day laborers in the Southern slave economy, sharecroppers after that, coal miners after that, and machinists and millworkers during more recent times. Americans call them hillbillies, rednecks, or white trash. I call them neighbors, friends, and family.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
That's your panacea, isn't it?" she cried. "Oh, you're just an old hypocrite, too. Thousands of scowling priests keeping the degenerate Italians and illiterate Irish repentant with gabble-gabble about the sixth and ninth commandments. It's just all cloaks, sentiment and spiritual rouge and panaceas. I'll tell you there is no God, not even a definite abstract goodness; so it's all got to be worked out for the individual by the individual here in high white foreheads like mine, and you're too much the prig to admit it.
F. Scott Fitzgerald (This Side of Paradise)
Ireland has in it a quality which caused it (in the most ascetic age of Christianity) to be called the “Land of Saints”; and which still might give it a claim to be called the Land of Virgins. An Irish Catholic priest once said to me, “There is in our people a fear of the passions which is older even than Christianity.” Everyone who has read Shaw’s play upon Ireland will remember the thing in the horror of the Irish girl at being kissed in the public streets. But anyone who knows Shaw’s work will recognize it in Shaw himself. There exists by accident an early and beardless portrait of him which really suggests in the severity and purity of its lines some of the early ascetic pictures of the beardless Christ. However he may shout profanities or seek to shatter the shrines, there is always something about him which suggests that in a sweeter and more solid civilisation he would have been a great saint. He would have been a saint of a sternly ascetic, perhaps of a sternly negative type. But he has this strange note of the saint in him: that he is literally unworldly.
George Bernard Shaw (George Bernard Shaw: Collected Articles, Lectures, Essays and Letters: Thoughts and Studies from the Renowned Dramaturge and Author of Mrs. Warren's Profession, ... and Cleopatra, Androcles And The Lion)
All the other passions were in me before; but they were idle and aimless—mere childish greedinesses and cruelties, curiosities and fancies, habits and superstitions, grotesque and ridiculous to the mature intelligence. When they suddenly began to shine like newly lit flames it was by no light of their own, but by the radiance of the dawning moral passion. That passion dignified them, gave them conscience and meaning, found them a mob of appetites and organized them into an army of purposes and principles. My soul was born of that passion. ANN.
George Bernard Shaw (Complete Works of George Bernard Shaw "Irish Playwright, Critic, Polemicist and Nobel Prize Winner in Literature"! 41 Complete Works (Man and Superman, Pygmalion, Saint Joan, Candida) (Annotated))
Somewhere, I heard the phrase, ‘When money talks, no one checks the grammar.’ That’s what all this was about—money, money, and more money. For money, girls sacrificed their own lives; for money, they risked sexually transmitted diseases; for money, they were willing to step beyond their convictions. For money, the agency treated us like trash thrown on the street; for money, they were willing to risk our health, safety, and everything else, and for money, they had a few select girls they treated decently. It was never about people, morals, or decency.
Anna Rajmon (ELIS: Irish call girl)
Seamus tossed down two of his cards. “Hell. I’d train her if Tristan asked me. Wouldn’t mind seeing that pretty face every day.” I studied my cards, pretending not to hear him. “Maybe I should offer to work with her,” he said. “Free you up so you can get back to doing what you love.” My jaw tightened. “You go kill things, and I’ll show the lass some Irish moves. Win-win situation for both of us, right?” The cards in my hand began to buckle. “Ha!” Seamus gave Niall a victorious grin. “Pay up, bro.” Niall’s mouth turned down. “You don’t even like that album.” “I said it wasn’t my favorite one, but you know I like all of Johnny Cash’s stuff.” “Since when?” I stared at the two brothers with a mix of irritation and confusion. “What are you two going on about?” Chris asked. Seamus looked at me with a smug expression. “I told Niall you had it bad for the lass. He said she was too young and sweet to interest you. We made a friendly wager, which he just lost.” “You don’t have proof he’s into her,” Niall argued. “He just might not want your ugly mug around her.” Seamus snorted. “You do realize we’re identical twins.” “I’m still better looking.
Karen Lynch (Warrior (Relentless #4))
We are none of us born into Eden,” Doc said reasonably. “World’s plenty evil when we get here. Question is, what’s the best way to play a bad hand? Abolitionists thought that all they had to do to right an ancient wrong was set the slaves free.” He looked at Morg. “Trouble was, they didn’t have a plan in the world for what came next. Cut ‘em loose. That was the plan. Let ‘em eat cake, I guess.” He was muttering now, eyes on the bridge. “Four years of war. Hundreds of thousands of casualties...All so black folks in the South could be treated as bad as millworkers in the North! Pay as little as you can. Work ‘em ‘til they’re too old or sick or hurt to do the job. Then cut ‘em loose! Hire a starvin’ Irish replacement! That’s abolitionist freedom for you ...Heartless bastards ... ‘Free the slaves’ sounds good until you start wonderin’ how Chainey and Wilson would make a livin’ when they were already so old they couldn’t do a lick of work. What was a little child like Sophie Walton supposed to do? No kin who’d care for her ...” He looked up. “I doubt the abolitionists anticipated the Ku Klux Klan either, but here it is, makin’ life worse than ever for black folks.
Mary Doria Russell (Doc)
We are none of us born into Eden,” Doc said reasonably. “World’s plenty evil when we get here. Question is, what’s the best way to play a bad hand? Abolitionists thought that all they had to do to right an ancient wrong was set the slaves free.” He looked at Morg. “Trouble was, they didn’t have a plan in the world for what came next. Cut ‘em loose. That was the plan. Let ‘em eat cake, I guess.” He was muttering now, eyes on the bridge. “Four years of war. Hundreds of thousands of casualties...All so black folks in the South could be treated as bad as millworkers in the North! Pay as little as you can. Work ‘em ‘til they’re too old or sick or hurt to do the job. Then cut ‘em loose! Hire a starvin’ Irish replacement! That’s abolitionist freedom for you ...Heartless bastards ... ‘Free the slaves’ sounds good until you start wondering’ how Chainey and Wilson would make a livin’ when they were already so old they couldn’t do a lick of work. What was a little child like Sophie Walton supposed to do? No kin who’d vare for her ...” He looked up. “I doubt the abolitionists anticipated the Lu Klux Klan either, but here it is, makin’ life worse than ever for black folks.
Mary Doria Russell (Doc)
Medeiros managed to alienate the heart of the archdiocese, the mostly Irish and Italian working class of Boston, by ordering that any student suspected of being part of the “white flight” to avoid court-ordered desegregation of the city’s public schools was not to be allowed into Catholic schools. Medeiros’s directive was largely ignored. The archdiocese’s schools swelled in numbers, and many Boston Catholics swelled in resentment, seeing Medeiros as unfairly judging them as racist when many simply wanted to avoid the chaos of busing that no one in the wealthy suburbs had to endure. Thomas
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
It was time to take the best bits from them all and build something delicious: the spirituality of the Hindus, the community spirit and family ties of the Muslims, the ancient wisdom of the Chinese, the love of freedom and equality of the Afro-Caribbeans, the work ethic of the Jews, the bloody-mindedness and wry humour of the Australians, the blarney of the Irish, the passion of the Scots, the unorthodoxy of the Welsh, combined with our own English love of justice, fair play and democracy. Put them all together and you had a vision for the future, a direction, which Bokononism could exploit.
Bernard Hare (Urban Grimshaw and The Shed Crew)
In 1911, the poet Morris Rosenfeld wrote the song “Where I Rest,” at a time when it was the immigrant Italians, Irish, Poles, and Jews who were exploited in the worst jobs, worked to death or burned to death in sweatshops.[*] It always brings me to tears, provides one metaphor for the lives of the unlucky:[19] Where I Rest Look not for me in nature’s greenery You will not find me there, I fear. Where lives are wasted by machinery That is where I rest, my dear. Look not for me where birds are singing Enchanting songs find not my ear. For in my slavery, chains a-ringing Is the music I do hear. Not where the streams of life are flowing I draw not from these fountains clear. But where we reap what greed is sowing Hungry teeth and falling tears. But if your heart does love me truly Join it with mine and hold me near. Then will this world of toil and cruelty Die in birth of Eden here.[*] It is the events of one second before to a million years before that determine whether your life and loves unfold next to bubbling streams or machines choking you with sooty smoke. Whether at graduation ceremonies you wear the cap and gown or bag the garbage. Whether the thing you are viewed as deserving is a long life of fulfillment or a long prison sentence. There is no justifiable “deserve.” The only possible moral conclusion is that you are no more entitled to have your needs and desires met than is any other human. That there is no human who is less worthy than you to have their well-being considered.[*] You may think otherwise, because you can’t conceive of the threads of causality beneath the surface that made you you, because you have the luxury of deciding that effort and self-discipline aren’t made of biology, because you have surrounded yourself with people who think the same.
Robert M. Sapolsky (Determined: A Science of Life without Free Will)
I'faith, 'tis an Occasion of no small Satisfaction to commence this Enquiry into the Romances & Fiction of the English--& their antick Neighbors, the Irish & the Scotch--free at last from the Tyranny of scurvy Translators--& to reacquaint myself with the earliest Works that engender'd my Love for the Novel. O Swift, O Fielding, O Sterne, I hail thee after too long an Absence, keen to revel once more in your rare Inventions and pricking Raillery, along with those of your less-fam'd Countrymen. Prithee look kindly on these Efforts of yr humble Servant to blazon your Glories to the gaping Pucklick.
Steven Moore (The Novel: An Alternative History, 1600-1800)
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things." "Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..." She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am." "I train your father's horses." "So what? My mother groomed them." "That's a different matter." "Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right." "Stop making me sound ridiculous." "I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?" He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back." "Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well. "You won't push me into a corner." Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me." The idea quite simply appalled him. "I never meant to hurt you." "No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves." "I'm not a snob, or a coward." "Put your arms around me.Kiss me. Tell me." "Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room." Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?" "I thought I'd get over it." "Get over it?" Her brow arched up. "Like a head cold?" "Maybe." He set her aside, paced away to stare out at the hills. Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!]
Terri Windling
What starts the process, really, are the laughs and snubs and slights you get when you are a kid. Sometimes, it's because you're poor or Irish or Jewish or Catholic or ugly or simply that you are skinny. But if you are reasonably intelligent and if your anger is deep enough and strong enough, you learn that you can change those attitudes by excellence, personal gut performance, while those who have everything are sitting on their fat butts.... But once you learn that you've got to work harder than everybody else, it becomes a way of life as you move out of the alley and on your way. In your own mind you have nothing to lose, so you take plenty of chances and if you do your homework many of them pay off. It is then that you understand, for the first time, that you have the advantage because your competitors can't risk what they have already. It's a piece of cake until you get to the top. You find you can't stop playing the game the way you've always played it because it is a part of you and you need it as much as you can do an arm or a leg. So you are lean and mean and resourceful and you continue to walk on the edge of the precipice because over the years you have become fascinated by how close to the edge you can walk without losing your balance.
Richard M. Nixon
This painting was owned by Sir Alfred Beit, the former British M.P. who died in 1994. It was housed at Russborough House in Ireland, from where it was stolen twice. It was first taken on 26 April 1974, when it was among 18 pictures stolen by a gang connected to the IRA. Lady Writing a Letter with Her Maid was recovered eight days later, with very little damage to the work. On 21 May 1986 the painting was stolen a second time and recovered in Antwerp seven years later. Sir Alfred presented a number of paintings to the National Gallery of Ireland in 1987, including this painting, which forms part of the Irish national collection.
Johannes Vermeer (Masters of Art: Johannes Vermeer)
There was nothing wrong with being able to handle things herself. Nothing wrong with wanting to.And she did appreciate Brian's help. And she didn't need caffeine. "I like caffeine," she grumbled. "I enjoy it, and that's entirely different from needing it.Entirely.I could give it up anytime I wanted, and I'd barely miss it." Annoyed,she snagged the soft drink she'd left on a shelf and guzzled. All right,so maybe she would miss it. But only beause she liked the taste. It wasn't like a craving or an addiction or... She couldn't say why Brian popped into her head just then.She was certain if he'd seen her staring in a kind of horror at a soft drink bottle, he'd have been amused.It was debatable what his reaction would be if he'd realized she wasn't actually seeing the bottle, but his face. No,that wasn't a need, either, she thought quickly. She did not need Brian Donnelly. It was attraction.Affection-a cautious kind of affection.He was a man who interested her, and whom she admired in many ways. But it wasn't as if she needed... "Oh God." It had to be overreaction, she decided, and set the bottle aside as carefully as she would have a container of nitro. What she was going through was something as simple as overromanticizing an affair. That would be natural enough, she told herself, particularly sice this was her first. She didn't want to be in love with him. She began wielding the pitchfork vigorously now, as if to sweat out a fever.She didn't choose to be in love with him. That was even more important.When her hands trembled she ignored them and worked harder still. By the time her mother joined her, Keeley had herself under control enough to casually ask Adelia to work in the office while she exervised Sam. Keeley Grant had never run from a problem in her life,and she wasn't about to start now.She saddled her mount,then rode off to clear her head before she dealt with the problem at hand.
Nora Roberts (Irish Hearts (Irish Hearts #1 & 2))
Are you still working on that bucket list of yours?" Amelia nodded. "As I remember, you mentioned a few things for Ireland." He smiled with humor lacing his eyes as he said, "Like kissing the Blarney Stone at Blarney Castle." She laughed as she opened her brochure of things to do in southern Ireland. "You've got a good memory." Amelia pointed to a picture of a beautiful garden full of flowers. "I want to visit the Blarney Gardens, too." He pointed to another picture and said, "How about the Blarney dungeons? That looks awesome to explore." She looked up at him and smiled. "Yeah. I've also been interested in listening to a live Irish concert.
Linda Weaver Clarke (The Shamrock Case (Amelia Moore Detective Series #2))
The average Christian is not supposed to know that Jesus’ home town of Nazareth did not actually exist, or that key places mentioned in the Bible did not physically exist in the so-called “Holy Land.” He is not meant to know that scholars have had greater success matching Biblical events and places with events and places in Britain rather than in Palestine. It is a point of contention whether the settlement of Nazareth existed at all during Jesus' lifetime. It does not appear on contemporary maps, neither in any books, documents, chronicles or military records of the period, whether of Roman or Jewish compilation. The Jewish Encyclopedia identifies that Nazareth is not mentioned in the Old Testament, neither in the works of Josephus, nor in the Hebrew Talmud – Laurence Gardner (The Grail Enigma) As far back as 1640, the German traveller Korte, after a complete topographical examination of the present Jerusalem, decided that it failed to coincide in any way with the city described by Josephus and the Scriptures. Claims that the tombs of patriarchs Ab’Ram, Isaac, and Jacob are buried under a mosque in Hebron possess no shred of evidence. The rock-cut sepulchres in the valleys of Jehoshaphat and Hinnom are of Roman period with late Greek inscriptions, and there exists nothing in groups of ruins at Petra, Sebaste, Baalbec, Palmyra or Damascus, or among the stone cities of the Haran, that are pre-Roman. Nothing in Jerusalem itself can be related to the Jews – Comyns Beaumont (Britain: Key to World’s History) The Jerusalem of modern times is not the city of the Scriptures. Mt. Calvary, now nearly in the centre of the city, was without walls at the time of the Crucifixion, and the greater part of Mt. Zion, which is not without, was within the ancient city. The holy places are for the most part the fanciful dreams of monkish enthusiasts to increase the veneration of the pilgrims – Rev. J. P. Lawson (quoted in Beaumont’s Britain: Key to World’s History)
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)
Why do we like being Irish? Partly because It gives us a hold on the sentimental English As members of a world that never was, Baptised with fairy water; And partly because Ireland is small enough To be still thought of with a family feeling, And because the waves are rough That split her from a more commercial culture; And because one feels that here at least one can Do local work which is not at the world's mercy And that on this tiny stage with luck a man Might see the end of one particular action. It is self-deception of course; There is no immunity in this island either; A cart that is drawn by somebody else's horse And carrying goods to somebody else's market. The bombs in the turnip sack, the sniper from the roof, Griffith, Connolly, Collins, where have they brought us? Ourselves alone! Let the round tower stand aloof In a world of bursting mortar! Let the school-children fumble their sums In a half-dead language; Let the censor be busy on the books; pull down the Georgian slums; Let the games be played in Gaelic. Let them grow beet-sugar; let them build A factory in every hamlet; Let them pigeon-hole the souls of the killed Into sheep and goats, patriots and traitors. And the North, where I was a boy, Is still the North, veneered with the grime of Glasgow, Thousands of men whom nobody will employ Standing at the corners, coughing.
Louis MacNeice
What is the mystery of your opening lines? The first time I read the start of one of your books, it took my breath away. Is it a special element in your writing, something you pay particular attention to? Or do those first sentences write themselves? Ferrante: I generally need a beginning that gives me the impression of being on the right path. It rarely comes right away, but it happens. Mostly I work and rework for a long time. Sometimes, after several attempts, I may seem to have found the beginning that's useful to me, and I go on. But then I realize that it has led me astray, that I'm struggling. What decides if a beginning is good or not is the energy with which the story starts to flow. Joos: The Irish writer Anne Enright once told me that the first page is of primary importance. "Read all the classics," she said, "it's all there, right from the start." Do you agree with her? In what sense (or not)? Can the importance of that first sentence be paralyzing for you? Ferrante: I don't know if everything is in the beginning. Of course, I look for first words as a magic formula that can open the only true door to the story. Often the first sentences are found at the end of a long journey of writing. Then I have to have the strength to throw away everything except those few words, and start again from there. Otherwise readers will have the impression that the truth and the power of the story are coming in too late.
Elena Ferrante (La frantumaglia)
There were a lot of botched kills throughout the eastern part of Kentucky when the work fell outside his control. Six or seven years ago, a man from Perry County was shot point blank in the head and left for dead in the middle of downtown. Problem was, the bullet had traveled between the man's scalp and his skull halfway across his head and exited the same way it had entered on the other side. The whole thing had left him with only fingernail-sized contusions on both sides of his head. He identified the guy who shot him and saw him arrested and convicted of attempted murder. Now, it's true that a situation like that was a rare one, but part of doing a job right was minimizing the chance for something to go wrong.
Sheldon Lee Compton (Brown Bottle)
When I stepped into the trailer, I froze. The head of wardrobe was a guy—a very good-looking guy with ash blond hair, hazel eyes, and a body on him that would make my trainer proud. There was no way I was going to let this guy see any of my flaws. Of course, maybe I wouldn’t be dealing with him. Over the last two weeks, all of my wardrobe fittings had been with a woman. “Where’s Jackie?” I asked, hoping she was still assigned to me. “Oh, honey, that girl quit to go work on a Leonardo DiCaprio movie.” He threw his hip out as he flipped his hand in the air. “But can you blame her? Leo is way too hot to turn down. I’m Steve,” he said, putting his hand over his chest. “And I promise I’ll take much better care of you than Jackie.
Caitlin McKenna (My Big Fake Irish Life)
I’ve always been amused by your inability to hold your liquor,” Cam remarked. “A Rom your size should be able to drink a quarter barrel to the pitching. But now to discover that you’re half-Irish as well … it’s inexcusable, phral. We’ll have to work on your drinking skills.” “We’re not going to tell this to anyone,” Kev told him grimly. “About the fact that we’re brothers?” Cam seemed to enjoy Kev’s visible wince. “It’s not so bad, being half gadjo,” he told Kev kindly, and snickered at his expression. “It certainly explains why both of us have found a stopping place, while most Roma choose to wander forever. It’s the Irish in us that—” “Not … one … word,” Kev said. “Not even to the family.” Cam sobered a little. “I don’t keep secrets from my wife.” “Not even for her safety?
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
The most disastrous obstacle to labor unity in the 1850s was the reaction of native workers to the arrival of several million impoverished Irish and German laborers who came in a flood after European crop failures of the 1840s. These new immigrants provided cheap labour power for the growth of New England factories as well as armies of raw muscle for railroad expansion and coalfields. They were met by the universal hostility of a native working class which rioted against them, evicted them from workplaces, refused them admission into trade unions, and tried to exclude them from the franchise. Partly rooted in economic rivalries in the labour market, the Yankee-versus-immigrant polarization in the working class also reflected a profound cultural antagonism that would hinder the efforts at labor unity for more than a century.
Mike Davis
But it isn't easy to find the right person. It would have to be someone good with kids and horses, and ho'd be able to pitch in with the administrating to some extent and wouldn't quibble about shoving manure.Plus I'd have to be able to depend on them, and get along with them. And they'd have to be diplomatic with parents, which is often the trickiest part." Travis picked up his soft drink again. "I might be able to point you in the right direction there." "Oh? Listen, Dad, I appreciate it, but you know, a friend of a friend or the son or daughter of an aquaintance. That kind of thing gets very sticky if it doesn't work out." "Actually, I was thinking of someone a little closer to home.Your mother." "Ma?" With a half laugh, Keeley sat again. "Ma doesn't want this headache, even if she had time for it." "Shows what you know." Smug now, he drank. "Just mention it to her, casually. I won't say a word about it.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
QUOTES & SAYINGS OF RYAN MORAN- THE WORLD'S MOST POWERFUL MAN Favorite Sayings of Ryan Moran: The World's Most Powerful Man “Sometimes the withholding of a small part of the truth is not only wise, but prudent.” “There is one principle that bars all other principles, and that is contempt prior to investigation.” (Ryan was fond of paraphrasing Herbert Spencer) “What do you mean?”, “How do you know?”, “So what?” “I don’t need much, just one meal a day, a pack of cigarettes and a roof over my head.” “Well…, we must have different data bases, mustn’t we?” “This guy is more squirrely than a shithouse rat” The CIA—you know, the ‘Catholic Irish Alcoholics’ “That dumb fuck.” “Oye! A Jew and an Irishman—what a team!” “Okay, everybody, up and to the right ten thousand feet,” ( If things in general were not going well. Refers to his jet flying days) “Is that what you want to do?.....Are you sure?" “Curiosity is self serving,” “If you don’t know where you’re going, you will end up somewhere else.” “So…, what are you thinking?” “I can do anything that I want, as long as I have the desire and I am willing to pay the price.” (His working definition of honesty) “Well, what did you learn tonight?” “Don’t let your emotions get the best of you, and don’t get too far out into your future.” “If you meet someone in the middle of the desert and he asks you where the next water hole is, you had better tell him the truth. If you don’t, then the next time you meet, he will kill you.” “Damn it!” “And remember to watch your mirrors!” (Refers to the fact someone may be following us in the car) “A person either gets humble or gets humiliated.” “That’s right.” “Oye, Sheldon, a Jew and an Irishman—talk about guilt and suffering!” “Pigs grow fat, but hogs get slaughtered.” “A friend is someone who is coming in, when everyone else is going out.
Ira Teller (Control Switch On: A True Story—The Untold Story of the Most Powerful Man in the World—Ryan Moran—Who Shaped the Planet for Peace)
That's how the world works, doesn't it?" "That's how it can work. You're such a snob,Brian." He looked up,flabbergasted. "What?" "You're such a snob,and the worst kind of snob-the kind who thinks he's broad-minded. Now that I know that,you don't bother me at all." The stable phone rang,delighting her. Whoever was on the other end not only had perfect timing but they had her gratitude.It gave her great pleasure to see the absolute shock on Brian's face as she walked to the phone. "Royal Meadows Riding Academy. Would you hold one moment,please." With a friendly smile,she laid a hand over the receiver. "Really,I can finish up here.I'm keeping you from your work." "I'm not a snob," he finally managed to say. "Of course you wouldn't see it that way. Can we discuss this another time? I need to take this call." Irked,he shoved the scoop back in the grain. "I'm not the one wearing bloody diamonds in my ears," he muttered as he stalked out.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
It's all about the relationships; forming them and sustaining them, growing and building a back and forth that will be useful to both parties. Generally speaking, I'm not a fan of the practice so often seen today: a person decides that a particular God or Goddess is suitable for a one off ritual or occasion, calls them up, expects them to grant boons and favours and help out in whatever situation is being worked for, and then is never heard from again. If a complete stranger walked into your house and asked for a favour, however politely - would you be inclined to help? Possibly you would, and sometimes the Powers do too, if there is sufficient offering or perhaps bribery involved. They are not above being bought off. However, most people would be far more inclined to help out when a friend asks a favour, and this follows through with the Gods, in my experience. A give and take relationship is the most effective and respectful way I have found of working with them.
Lora O'Brien (A Practical Guide to Irish Spirituality)
Eddie: Why do police lieutenants wear belts? The lights in the Barony coach began to flicker. An odd thing was happening to the walls, as well; they began to fade in and out of true, lunging toward transparency, perhaps, and then opaquing again. Seeing this phenomenon even out of the corner of his eye made Eddie feel a bit whoopsie. Eddie: Blaine? Answer. Roland: (agreeably) Answer. Answer, or I declare the contest at an end and hold you to your promise. Blaine: TO...TO HOLD UP THEIR PANTS? (repeating as a statement) TO HOLD UP THEIR PANTS. A RIDDLE BASED UPON THE EXAGGERATED SIMPLICITY OF-- Eddie: Right. Good one, Blaine, but never mind trying to kill time--it won't work. Next-- Blaine: I INSIST YOU STOP ASKING THESE SILLY-- Eddie: Then stop the mono. If you're that upset, stop right here, and I will. Blaine: NO. Eddie: Okay, then, on we go. What's Irish and stays out in back of the house, even in the rain? Blaine: (clicking his tongue deafeningly and gratingly; a long pause) PADDY O'FURNITURE.
Stephen King (Wizard and Glass (The Dark Tower, #4))
I still feel a pang every time I look at her,’ I admitted. ‘That’s it, isn’t it?’ he said enthusiastically. ‘A pang! A quickness in the heart.’ ‘Love,’ I said drily. ‘We’re lucky, you and I,’ he said, smiling. ‘It’s friendship, it’s love, and it’s still something more. It’s what the Irish call anmchara, a soul friend. Who else do you want to talk to at the day’s end? I love the evenings when we can just sit and talk and the sun goes down and moths come in to the candles.’ ‘And we talk of children,’ I said, and wished I had not, ‘and of servants’ quarrels, and whether the cross-​eyed kitchen slave is pregnant again, and we wonder who broke the pothook, and whether the thatch needs repair or whether it will last another year, and we try to work out what to do about the old dog that can’t walk any more, and what excuse Cadell will conjure up for not paying his rent again, and we discuss whether the flax has steeped enough, and if we should rub butterwort on the cows’ udders to improve their yield. That’s what we talk of.
Bernard Cornwell (Enemy of God (The Warlord Chronicles, #2))
grin. “If I’m going to lay down a fortune for the privilege of experiencing your quivering virgin flesh, I think it goes without saying that I expect to do it without a barrier.” I sat back, clenching my teeth so hard that my head started to ache. My gaze was held fast by the challenge in his ebony eyes. He might have been the most gorgeous creature I’d ever laid my eyes on, but he was also an asshat. He tilted his head at me, puzzled. “Why is that a problem? If we are both cleared by a physician—” I unclenched my jaw just long enough to reply. “Recent medical clearance is not sufficient for me. I’d require celibacy for at least the previous six months, so—” “Then there isn’t a problem.” I highly doubted that. I opened my mouth to call him a liar when Heath leaned forward and put his hand on the table in front of me. Drake’s lawyer cleared his throat, throwing a bland look at me and turning to Drake. “We can work all these details out later in mediation. Mr. Drake does have a plane to catch later today.” Drake’s eyes darted to Heath and back to me. I could tell he was trying to gauge our relationship. It wasn’t the first time a person had looked at the two of us in that unsure, questioning way. Heath was not obviously gay in any way. He wasn’t “fabulous” or flamboyant. He was very masculine in his behavior and mannerisms, so he rarely set off people’s gaydar. My gaze turned back to Drake, drawn to him like a flame pulled into a hot, dry wind. I resented the heat on my cheeks. I was not a habitual blusher. Hardly ever, actually. But this man was bringing my Irish up, as my mother liked to say. And what was worse, the more annoyed I grew with him, the more amused he seemed to be. Drake flicked a glance at Heath and then his lawyer. “Gentlemen, could you excuse us for a moment? You’re free to wait just outside the door.” Then, almost as an afterthought, he glanced at me. “If, of course, that is okay with the lady?” My face flamed hotter and I folded my hands on my lap. “Fine,” I said, wondering if the thirty-something New Yorker was still interested in the
Brenna Aubrey (At Any Price (Gaming the System, #1))
The woman threw him off balance, and he didn't care for it.Giving him those hot looks and intimate little strokes in the middle of the damn morning so he went through the whole of the day itchy. Worse yet the man who was paying him to work through the day,not to be distracted by his glands,was the woman's father. It was a situation,Brian though, and he'd done a great deal to bring it on himself.Still how could he have known in the beginning that he'd become so involved with her on so many levels inside himself? Falling in love had been a hard knock, but he'd taken knocks before.You got bruised and you went on.A bit of attraction was all right, a little flirtation was harmless enough.And the truth was, he'd enjoyed the risk of it.To a point. But he was well past that point now. Now he was all wrapped up in her and at the same time had become fond of her family. Travis wasn't just a good and fair boss, but was on the way to becoming a kind of friend. And here he was finding ways to make love to his friend's daughter as often as humanly possible.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
I'll give you a hand with the feeding." "I don't need it." "I'll give you one anyway." Keeley moved out of the box, rested a hand on the door. Best,she decided, to deal with this clean and simple. "Brian, you're working for my family, in a vital and essential role, so I think I should be straight with you." "By all means." The serious tone didn't match the glint in his eyes as she leaned back. "You bother me," she told him. "On some level,you just bother me. It's probably because I just don't care for cocky, intense men who smirk at me, but that's neither here nor there." "No,that's here and it's there. What kind do you care for?" "You see-that's just the sort of thing that annoys me." "I know.It's interesting, isn't it, that I find myself compelled to do just the thing that gets a rise out of you? You bother me as well. Perhaps it's that I don't care for regal, cool-eyed women who look down their lovely noses at me. But here wwe are, so we should try getting on as best we can." "I don't look down my nose at you, or anyone." "Depends on your point of view, doesn't it?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Brian,really." Keeley continued to mix the blister for the knee spavin. "You've had a really long day. I can handle this." "Sure you can.You can handle this, morons like Tarmack, washed-up jockeys and everything else that comes along before breakfast.Nobody's saying different." Since the statement wasn't delivered in what could be mistaken for a complimentary tone, Keeley turned to frown at him. "What's wrong with you?" "There's not a bloody thing wrong with me.But you could use some work.Do you have to do everything yourself, every flaming step and stage of it? Can't you just take help when help's offered and shut the hell up?" She did shut the hell up, for ten shocked seconds. "I simply assumed that you'd be tired after your trip." "I'll let you know when I'm tired." "The gelding here doesn't seem to be the only one with something nasty in his system." "Well,it's you in my system, princess, and it feels a bit nasty at the moment." Hurt came first, a quick short-armed jab. Pride sprang in to defend. "I'll be happy to purge you, just like I'll purge this horse tomorrow." "If I thought it would work," he muttered, "I'd purge myself.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Hannity & Colmes was another management challenge. Despite its bipartisan billing, the show was a vehicle for Sean Hannity’s right-wing politics. An Irish Catholic from Long Island, Hannity came of age as two revolutions, Reagan conservatism and right-wing talk radio, sent the country on a new course. He harbored dreams of becoming the next Bob Grant, the caustic New York City radio commentator who provided an outlet for incendiary views on blacks, Hispanics, and gays. Radio personalities like Grant, Hannity said, “taught me early on that a passionate argument could make a difference.” In his twenties, Hannity drifted. He tried college three times but dropped out. By the late 1980s, he was living in southern California working as a house painter. In his spare time, he called in to KCSB, the UC Santa Barbara college station, to inveigh against liberals and to defend the actions of his hero Colonel Oliver North in the Iran-Contra affair. His combative commentaries impressed the station management. Though he was not a student, Hannity was soon given an hour-long morning call-in show, which he titled The Pursuit of Happiness, a reference to Reagan’s 1986 Independence Day speech.
Gabriel Sherman (The Loudest Voice in the Room: How Roger Ailes and Fox News Remade American Politics)
The Irish and Italian immigrants who came to New York in the same period didn’t have that advantage. They didn’t have a skill specific to the urban economy. They went to work as day laborers and domestics and construction workers—jobs where you could show up for work every day for thirty years and never learn market research and manufacturing and how to navigate the popular culture and how to negotiate with the Yankees, who ran the world. Or consider the fate of the Mexicans who immigrated to California between 1900 and the end of the 1920s to work in the fields of the big fruit and vegetable growers. They simply exchanged the life of a feudal peasant in Mexico for the life of a feudal peasant in California. “The conditions in the garment industry were every bit as bad,” Soyer goes on. “But as a garment worker, you were closer to the center of the industry. If you are working in a field in California, you have no clue what’s happening to the produce when it gets on the truck. If you are working in a small garment shop, your wages are low, and your conditions are terrible, and your hours are long, but you can see exactly what the successful people are doing, and you can see how you can set up your own job.”*
Malcolm Gladwell (Outliers: The Story of Success)
To Gobineau, as he stated in his dedication of the work to the King of Hanover, the key to history and civilization was race. “The racial question dominates all the other problems of history… the inequality of races suffices to explain the whole unfolding of the destiny of peoples.” There were three principal races, white, yellow and black, and the white was the superior. “History,” he contended, “shows that all civilization flows from the white race, that no civilization can exist without the co-operation of this race.” The jewel of the white race was the Aryan, “this illustrious human family, the noblest among the white race,” whose origins he traced back to Central Asia. Unfortunately, Gobineau says, the contemporary Aryan suffered from intermixture with inferior races, as one could see in the southern Europe of his time. However, in the northwest, above a line running roughly along the Seine and east to Switzerland, the Aryans, though far from simon-pure, still survived as a superior race. This took in some of the French, all of the English and the Irish, the people of the Low Countries and the Rhine and Hanover, and the Scandinavians. Gobineau seemingly excluded the bulk of the Germans, who lived to the east and southeast of his line—a fact which the Nazis glossed over when they embraced his teachings.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
It was amazing,really,how two people could live and work in basically the same place,and one could completely avoid the other.It just took setting your mind to it. Brian set his mind to it for several days.There was plenty of work to keep him occupied and more than enough reason for him to spend time away from the farm and on the tracks.But he found avoidance scared his pride. It was too close a kin to cowardice. Added to that,he'd told Keeley he wanted to help her at the school and had done nothing abuot it.He asn't a man to break his word, no matter what it cost him.And, he reminded himself as he walked to Keeley's stables, he was also a man of some self-control. He had no intention of seducing or taking the advantage of innocence. He'd made up his mind on it. Then he stepped into the stables and saw her.He wouldn't have said his mouth watered, but it was a very close thing. She was wearing one of those fancy rigs again-jodhpurs the color of dark chocolate and a cream sort of blouse that looked somehow fluid.her hair was down, all tumbled and wild as if she'd just pulled the pins from it. And indeed,as he watched she flipped it back and looped it through a wide elastic band. He decided the best place in the universe for his hands to be were in his pockets. "Lessons over?" She glanced back, her hands still up in her hair.Ah,she thought.She'd wondered how long it would take him to wander her way again. "Why? Did you want one?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
that was the case until 1871, when an Irish-American captain by the name of David O'Keefe was shipwrecked on the shores of Yap and revived by the locals.1 O'Keefe saw a profit opportunity in taking coconuts from the island and selling them to producers of coconut oil, but he had no means to entice the locals to work for him, because they were very content with their lives as they were, in their tropical paradise, and had no use for whatever foreign forms of money he could offer them. But O'Keefe wouldn't take no for an answer; he sailed to Hong Kong, procured a large boat and explosives, took them to Palau, where he used the explosives and modern tools to quarry several large Rai stones, and set sail to Yap to present the stones to the locals as payment for coconuts. Contrary to what O'Keefe expected, the villagers were not keen on receiving his stones, and the village chief banned his townsfolk from working for the stones, decreeing that O'Keefe's stones were not of value, because they were gathered too easily. Only the stones quarried traditionally, with the sweat and blood of the Yapese, were to be accepted in Yap. Others on the island disagreed, and they did supply O'Keefe with the coconuts he sought. This resulted in conflict on the island, and in time the demise of Rai stones as money. Today, the stones serve a more ceremonial and cultural role on the island and modern government money is the most commonly used monetary medium.
Saifedean Ammous (The Bitcoin Standard: The Decentralized Alternative to Central Banking)
He got out a tube and since she’d yet to put the sweater on, squeezed ointment onto his fingers and began to gently rub it on her abraded skin. She recognized the scent. “That’s for horses.” “So?” She laughed and let him fuss. “Does this make me your mare now?” “No, you’re too young and delicate of bone for that. You’re still a filly.” “Are you going to train me, Donnelly?” “Oh, you’re out of my league, Miss Grant.” He glanced up, cocked a brow when he saw her grinning at him. “And what amuses you?” “You can’t help it can you? You have to tend.” “I put the marks on you,” he muttered as he smoothed on the ointment. “It follows I should see to them.” She lifted a hand to toy with the ends of his damp, gold-tipped hair. “I like being seen to by a man with a tough mind and a soft heart.” That soft heart sighed a little, ached a little. But he spoke lightly. “It’s no hardship running my fingers over skin like yours.” With his eyes on hers, he used the pad of his thumb to spread ointment over the gentle swell of her breast. “Particularly since you don’t seem to have a qualm about standing here half naked and letting me.” “Should I blush and flutter?” “You’re not the fluttering sort. I like that about you.” Satisified, he capped the tube, then tugged the sweater over her head himself. “But I can’t have such a fine piece of God’s work catching a chill. There you are.” He lifted her hair out of the neck. “You don’t have a hair dryer.” “There’s air everywhere in here.” She laughed and dragged her fingers through her damp curls. “It’ll have to do.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
You're a killer, Keeley.You'd tease a man to death." He didn't mean it as a compliment, but to her it was a revelation. "I've never tried it before. Now one's ever attracted me enough.You do,and I dont even know why." When she dropped her hand,he took her wrist. It surprised him to feel the gallop of her pulse there, when her eyes, her voice had been so cool, so steady. "Then you're a quick learner." "I'd like to think so.If I come to you, you'd be the first." "The first what?" Temper wanted to stir, especially when she laughed. THen his mind cleared and the meaning flashed through like a thunderbolt. His hand tightened on her wrist, then dropped it as though she had turned to fire. "That scared you enough to shut you up," she observed. "I'm surprised anything could render you speechless." "I've..." But he couldn't think. "No,don't fumble around for words. You'll spoil your image." She couldn't think just why his dazed expression struck her as so funny,or why the shock in his eyes was endearing somehow. "We'll just say that,under these circumstances, we both have a lot to consider.And now,I'm way behind in my work, and have to get ready for my afternoon class." She walked away,as easily, as casually, Brian thought numbly, as she might have if they'd just finished discussing the proper treatment for windgalls. She left him reeling. he'd gone and fallen in love with the gentry,and the gentry was his boss's daughter. And his boss's daughter was innocent. He'd have to be mad to lay a hand on her after this. He began to wish Betty had just kicked him in the head and gotten it all over with.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The combination of these things opened up the door for Linda, or someone like her, to come in. Dan was scared to death of growing up and turning forty. Peter Pan wanted to stay a young, carefree, party-boy forever, and maybe, too, he was finally cool enough to feel part of a fraternity, like the ones he hadn’t been a part of in College. Albeit his fraternity brothers were all middle-aged men with families of their own, but that’s just semantics. It’s the spirit, or in this case the spirits, of the thing that counts. We had four children and there I was, an ever-present figure expecting him to act his age and show responsibility, and I suppose from his point of view that was grinding. I’ve always said that Linda just filled the bar stool I didn’t want to sit in anymore. We weren’t twenty, and as far as I was concerned our days of hanging out at Henny’s over Irish coffees, just because, were long gone. I had piano lessons and soccer games and orthodontist appointments, and Linda didn’t have any of those. She was available after work to sit beside him in bars and laugh at his jokes and gaze at him like he was a superhero. As for me, I didn’t have the time or the inclination anymore to be that girl for him again. He was my husband and I was his wife, and we had children, and as wonderful as being young and drunk and free with it all before you is, I still thought that being grown up and part of a family with them all around you was even better. Dan obviously felt differently and Linda was right there to remind him that you don’t always have to be an adult, you don’t always have to do what’s right, and sometimes it’s okay to just do what you want. That was her sales pitch and Dan was a very interested buyer.
Betty Broderick (Betty Broderick: Telling on myself)
He swore, raked his hands through his hair and tried to pinpoint the moment she'd so neatly turned the tables on him, when the pursued had become the pursuer. "I don't like forward women." The sound she made was something between a snort and a giggle, and was girlish and full of fun. It made him want to grin. "Now that's a lie, and you don't do it well. I've noticed you're an honest sort of man, Brian. When you don't want to speak your mind, you say nothing-and that's not often. I like that about you,even if it did irritate me initially.I even like your slightly overwide streak of confidence. I admire your patience and dedication to the horses, your undertstanding and affection for them. I've never been involved with a man who's shared that interest with me." "You've never been involved with a man at all." "Exactly.That's just one reason why. And to continue, I appreciate the kindness you showed my mother when she was sad,and I appreciate the part of you that's struggling to back away right now instead of taking what I've never offered anyone before." She laid a hand on his arm as he stared at her with baffled frustration. "If I didn't have that respect and that liking for you,Brian,we wouldn't be having this conversation no matter how attracted I might be to you." "Sex complicates things, Keeley." "I know." "How would you know? You've never had any." She gave his arm a quick squeeze. "Good point.So,you want to try the tack room?" When his mouth fell open, she laughed and threw her arms around him for a noisy kiss on his cheek. "Just kidding.Let's go up to the main house and have some dinnre instead." "i've work yet." She drew back. She couldn't read his eyes now. "Brian, neither of us have eaten. We can have a simple meal in the kitchen-and if you're worried, we won't be alone in the house so I'll have to keep my hands off you. Temporarily.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Copulating Cats and Holy Men The Story of the Creation of the Book of Kells   In the year 791 A.D an Irish monk named Connachtach brought together a team of the finest calligraphers the world has ever seen, on the island of Iona, a sliver of limestone rock off the northwest coast of Scotland. They came from Northumbria in England, from Constantinople, from Italy and from Ireland. All of them had worked on other illuminated manuscripts. But Connachtach, eminent scribe and abbot of Iona, as he is described in contemporary annals, wanted from them the most richly ornamented book ever created by man’s hand. It was to be more beautiful than the great book of Lindisfarne: more beautiful than the gospel-books made at the court of Charlemagne: more beautiful than all the Korans of Persia. It would be known as the Book of Kells. Eighth century Europe was in a state of cultural meltdown. Since the end of the Pax Romana, three centuries earlier, warring tribes had decimated the continent. From the East the Ostrogoths had blundered into the spears of the Germanic tribes to be overrun, in their turn, by the Huns. Their western cousins, the Visigoths, plundered along a confident north- east, southwest axis from Spain to Cologne. The Vandals did what vandals do. As though that wasn't enough, a blunt-faced raggle-taggle band of pirates and pyromaniacs came looting and raping their way out of the freezing seas of the North. For a Viking there was no tomorrow, culture something you stuffed into a hemp sack; happiness, a warm sword. Wherever they went they extorted protection money: the Danegeld. Fighting drunk on a mixture of animist religion and aquavit they threatened to plunge the house of Europe into total darkness. The Book of Kells was to be a rainbow-bridge of light thrown across the abyss of the Dark Ages. Its colors were to burn until the end of time.   #
Simon Worrall (The Book of Kells: Copulating Cats and Holy Men)
It’s all right, I got off the ship okay. I’m alive,” he said again. But his voice sounded different now. “I said I’m alive, Camille. Open your eyes and look at me.” Camille’s heart shriveled as her eyelids fluttered open and she saw the ceiling of Monty’s shack. “Camille?” Oscar leaned over her, his calloused hand on her cheek. “Thank God. You’ve been delirious for nearly an hour.” Tears slipped down her cheeks as the truth stung her with renewed vigor. Her father wasn’t alive. He was truly gone. It had been nothing but a hallucination. “Why are you crying? Does something hurt?” Oscar asked, lightly prodding her arms and then checking her head. She was lying on a cot in front of the blazing stove, blankets covering her. They were scratchy and too heavy. She tried to push them away. “No.” Oscar blocked her arms. “Don’t do that.” “Why?” she asked, her throat dry and sore. Oscar looked apprehensive as he tucked the blankets tightly around her arms and neck. “Your clothes were soaked. You were shivering and flush with fever.” “Had to take ‘em off, love,” Ira said, coming to the foot of the cot. “You gave us quite a scare. That lump on the back of your head worked you over something nasty.” Camille stared at Ira, then Oscar. The crushed hope of her father being alive withered under the heat of embarrassment. “You…you removed my dress?” she whispered. Oscar backed away from her, as if he’d just slid his hand over an open flame. “No, no, I didn’t.” She looked to Ira. “Much as I’d been honored, the Irish bastard wouldn’t hear of it. Quite the prude.” Frustrated and head still piercing with pain, Camille felt the blood rush to her cheeks. “Well, then, who?” “Nothin’ I ain’t seen before, woman,” Monty grumbled from his seat at the table as he sprinkled tobacco into a pipe. Camille gasped and pressed her lips together. She caught sight of her dress hanging on a rack by the fire.
Angie Frazier (Everlasting (Everlasting, #1))
If I'd known you were available, Dee, and looking for work,I'd've hired you." Burke Logan, settled back in his chair and winked at his wife's cousin. "We like to keep the best on at Royal Meadows." Adelia twinkled at him across the table in the track's dining room. He was as handsome and as dangerous to look at as he'd been nearly twenty years before when she'd first met him. "Oh,I don't know." Bruke trailed a hand over his wife's shoudler. "We have the best bookkeeper around at Three Acres." "In that case,I want a raise." Erin picked up her wine and sent Burke a challenging look. "A big one. Trevor?" Her voice was smooth, shimmering with Ireland as she addressed her son. "Do you have in mind to eat that pork chop or just use it for decoration?" "I'm reading the Racing Form, Ma." "His father's son," Erin muttered and snagged the paper from him. "Eat your dinner." He heaved a sigh as only a twelve-year-old boy could. "I think Topeka in the third, with Lonesome in the fifth and Hennessy in the sixth for the trifecta. Dad says Topeka's generous and a cinch tip." At his wife's long stare, Burke cleared his throat. "Stuff that pork chop in your mouth, Trev.Where's Jean?" "She's fussing with her hair," Mo announced, and snatched a french fry from Travis's plate. "As usual," she added with the worldly air only an older sister could achieve, "the minute she turned fourteen she decided her hair was the bane of her existence. Huh. Like having long, thick, straight-as-a-pin black hair is a problem. This-" she tugged on one of the hundreds of wild red curls that spiraled acround her face. "-is a problem. If you're going to worry about something as stupid as hair, which I don't.Anyway, you guys have to come over and see this weanling I have my eye on.He's going to be amazing.And if Dad lets me train him..." She trailed off, slanting a look at her father across the table. "You'll be in college this time next year," Burke reminded her. "Not if I can help it," Mo said under her breath.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
we neared Liverpool’s Lime Street station, we passed through a culvert with walls that appeared to rise up at least thirty feet, high enough to block out the sun. They were as smooth as Navajo sandstone. This had been bored out in 1836 and had been in continuous use ever since, the conductor told me. “All the more impressive,” he said, “when you consider it was all done by Irish navvies working with wheelbarrows and picks.” I couldn’t place his accent and asked if he himself was Irish, but he gave me a disapproving look and told me he was a native of Liverpool. He had been talking about the ragged class of nineteenth-century laborers, usually illiterate farmhands, known as “navvies”—hard-drinking and risk-taking men who were hired in gangs to smash the right-of-way in a direct line from station to station. Many of them had experienced digging canals and were known by the euphemism “navigators.” They wore the diminutive “navvy” as a term of pride. Polite society shunned them, but these magnificent railways would have been impossible without their contributions of sweat and blood. Their primary task was cleaving the hillsides so that tracks could be laid on a level plain for the weak locomotive engines of the day. Teams of navvies known as “butty gangs” blasted a route with gunpowder and then hauled the dirt out with the same kind of harness that so many children were then using in the coal mines: a man at the back of a full wheelbarrow would buckle a thick belt around his waist, then attach that to a rope dangling from the top of the slope and allow himself to be pulled up by a horse. This was how the Lime Street approach had been dug out, and it was dangerous. One 1827 fatality happened as “the poor fellow was in the act of undermining a heavy head of clay, fourteen or fifteen feet high, when the mass fell upon him and literally crushed his bowels out of his body,” as a Liverpool paper told it. The navvies wrecked old England along with themselves, erecting a bizarre new kingdom of tracks. In a passage from his 1848 novel Dombey and Son, Charles Dickens gives a snapshot of the scene outside London: Everywhere
Tom Zoellner (Train: Riding the Rails That Created the Modern World-from the Trans-Siberian to the Southwest Chief)
With the motto “do what you will,” Rabelais gave himself permission to do anything he damn well pleased with the language and the form of the novel; as a result, every author of an innovative novel mixing literary forms and genres in an extravagant style is indebted to Rabelais, directly or indirectly. Out of his codpiece came Aneau’s Alector, Nashe’s Unfortunate Traveller, López de Úbeda’s Justina, Cervantes’ Don Quixote, Béroalde de Verville’s Fantastic Tales, Sorel’s Francion, Burton’s Anatomy, Swift’s Tale of a Tub and Gulliver’s Travels, Fielding’s Tom Jones, Amory’s John Buncle, Sterne’s Tristram Shandy, the novels of Diderot and maybe Voltaire (a late convert), Smollett’s Adventures of an Atom, Hoffmann’s Tomcat Murr, Hugo’s Hunchback of Notre-Dame, Southey’s Doctor, Melville’s Moby-Dick, Flaubert’s Temptation of Saint Anthony and Bouvard and Pecuchet, Twain’s Adventures of Huckleberry Finn, Frederick Rolfe’s ornate novels, Bely’s Petersburg, Joyce’s Ulysses, Witkiewicz’s Polish jokes, Flann O’Brien’s Irish farces, Philip Wylie’s Finnley Wren, Patchen’s tender novels, Burroughs’s and Kerouac’s mad ones, Nabokov’s later works, Schmidt’s fiction, the novels of Durrell, Burgess (especially A Clockwork Orange and Earthly Powers), Gaddis and Pynchon, Barth, Coover, Sorrentino, Reed’s Mumbo Jumbo, Brossard’s later works, the masterpieces of Latin American magic realism (Paradiso, The Autumn of the Patriarch, Three Trapped Tigers, I the Supreme, Avalovara, Terra Nostra, Palinuro of Mexico), the fabulous creations of those gay Cubans Severo Sarduy and Reinaldo Arenas, Markson’s Springer’s Progress, Mano’s Take Five, Ríos’s Larva and otros libros, the novels of Paul West, Tom Robbins, Stanley Elkin, Alexander Theroux, W. M. Spackman, Alasdair Gray, Gaétan Soucy, and Rikki Ducornet (“Lady Rabelais,” as one critic called her), Mark Leyner’s hyperbolic novels, the writings of Magiser Gass, Greer Gilman’s folkloric fictions and Roger Boylan’s Celtic comedies, Vollmann’s voluminous volumes, Wallace’s brainy fictions, Siegel’s Love in a Dead Language, Danielewski’s novels, Jackson’s Half Life, Field’s Ululu, De La Pava’s Naked Singularity, and James McCourt’s ongoing Mawrdew Czgowchwz saga. (p. 331)
Steven Moore (The Novel: An Alternative History: Beginnings to 1600)
The enemy won some points at the very beginning. On both of the two days preceding his remarks about Worth, Hitchcock notes that American deserters had been shot while crossing the Rio Grande. Probably they were just bored with army rations but there was some thought that they might be responding to a proclamation of General Ampudia’s which spies had been able to circulate in camp. Noting the number of Irish, French, and Polish immigrants in the American force, Ampudia had summoned them to assert a common Catholicism, come across the river, cease “to defend a robbery and usurpation which, be assured, the civilized nations of Europe look upon with the utmost indignation,” and settle down on a generous land bounty. Some of them did so, and the St. Patrick Battalion of American deserters was eventually formed, fought splendidly throughout the war, and was decimated in the campaign for Mexico City — after which its survivors were executed in daily batches.… This earliest shooting of deserters as they swam the Rio Grande, an unwelcome reminder that war has ugly aspects, at once produced an agitation. As soon as word of it reached Washington, the National Intelligencer led the Whig press into a sustained howl about tyranny. In the House J. Q. Adams rose to resolve the court-martial of every officer or soldier who should order the killing of a soldier without trial and an inquiry into the reasons for desertion. He was voted down but thereafter there were deserters in every Whig speech on the conduct of the war, and Calm Observer wrote to all party papers that such brutality would make discipline impossible. But a struggling magazine which had been founded the previous September in the interest of sports got on a sound financial footing at last. The National Police Gazette began to publish lists of deserters from the army, and the War Department bought up big editions to distribute among the troops. Taylor sat in his field works writing prose. Ampudia’s patrols reconnoitered the camp and occasionally perpetrated an annoyance. Taylor badly needed the Texas Rangers, a mobile force formed for frontier service in the Texas War of Independence and celebrated ever since. It was not yet available to him, however, and he was content to send out a few scouts now and then. So Colonel Truman Cross, the assistant quartermaster general, did not return from one of his daily rides. He was still absent twelve days later, and Lieutenant Porter, who went looking for him with ten men, ran into some Mexican foragers and got killed.
Bernard DeVoto (The Year of Decision 1846)