Hansberry Quotes

The thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely.

Never be afraid to sit awhile and think.

There is always something left to love. And if you ain’t learned that, you ain’t learned nothing.

I want to fly! I want to touch the sun!" "Finish your eggs first.

Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain't learned that, you ain't learned nothing. (Looking at her) Have you cried for that boy today? I don't mean for yourself and for the family 'cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain't through learning - because that ain't the time at all. It's when he's at his lowest and can't believe in hisself 'cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.

It's dangerous, son." "What's dangerous?" "When a man goes outside his house to look for peace.

Mama--Mama--I want so many things... I want so many things that they are driving me kind of crazy...

Beneatha: You didn't tell us what Alaiyo means... for all I know, you might be calling me Little Idiot or something... ... Asagai: It means... it means One for Whom Bread--Food--Is Not Enough.

That's what being eccentric means--being natural.

I wish to live because life has within it that which is good, that which is beautiful, and that which is love. Therefore, since I have known all of these things, I have found them to be reason enough and — I wish to live. Moreover, because this is so, I wish others to live for generations and generations and generations and generations.

Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain't through learning-because that ain't the time at all...when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.

Seem like God didn't see fit to give the black man nothing but dreams -but He did give us children to make them dreams seem worth while.

It isn't a circle--it is simply a long line--as in geometry, you know, one that reaches into infinity. And because we cannot see the end--we also cannot see how it changes. And it is very odd by those who see the changes--who dream, who will not give up--are called idealists...and those who see only the circle we call them the "realists"!

Something always told me I wasn't no rich white woman.

How we gets to the place where we scared to talk softness to each other.

DAMN MY EGGS! DAMN ALL THE EGGS THAT EVER WAS!" -Wilson

Perhaps I will be a great man...I mean perhaps I will hold on to the substance of truth and find my way always with the right course

[Beneatha Younger:]... He said everybody ought to learn how to sit down and hate each other with good Chrisitan fellowship. [excerpt from Act II, Scene 3]

I'm just tired of hearing about God all the time. What has He got to do with anything?... I'm not going to be immoral or commit crimes because I don't believe. I don't even think about that. I just get so tired of Him getting the credit for things the human race achieves through its own effort. Now, there simply is no God. There's only man. And it's he who makes miracles.

Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!

What you ain't never understood is that I ain't got nothing, don't own nothing, ain't never really wanted nothing that wasn't for you. There ain't nothing as precious to me...There ain't nothing worth holding on to, money, dreams, nothing else--

MAMA (Quietly, woman to woman) He finally come into his manhood today, didn’t he? Kind of like a rainbow after the rain… RUTH (Biting her lip, lest her own pride explode in front of Mama) Yes, Lena.

[I am] A fool who believes that death is waste and love is sweet and that the earth turns and men change every day and that rivers run and that people wanna be better than they are and that flowers smell good and that I hurt terribly today, and that hurt is desperation and desperation is—energy and energy can move things...

For above all, in behalf of an ailing world which sorely needs our defiance, may we, as Negroes or women, never accept the notion of - "our place.

Cause sometimes it's hard to let the future begin!

(With feminine vengeance)

A status not freely chosen or entered into by an individual or a group is necessarily one of oppression and the oppressed are by their nature (i.e., oppressed) forever in ferment and agitation against their condition and what they understand to be their oppressors. If not by overt rebellion or revolution, then in the thousand and one ways they will devise with and without consciousness to alter their condition

When you read the words of Langston Hughes you are reading the words of a Black Gay man. When you read the words of Alice Dunbar-Nelson and Angelina Weld Grimké, poets of the Harlem Renaissance, you are reading the words of Black Lesbians. When you listen to the life-affirming voices of Bessie Smith and Ma Rainey, you are hearing Black Lesbian women. When you see the plays and read the words of Lorraine Hansberry, you are reading the words of a women who loved women deeply.

I care. I care about it all. It takes too much energy NOT to care...the WHY of why we are here is an intrigue for adolescents; the HOW is what must command the living. Which is why I have lately become an insurgent again.

My inspiration for writing music is like Don McLean did when he did "American Pie" or "Vincent". Lorraine Hansberry with "A Raisin in the Sun". Like Shakespeare when he does his thing, like deep stories, raw human needs. I'm trying to think of a good analogy. It's like, you've got the Vietnam War, and because you had reporters showing us pictures of the war at home, that's what made the war end, or that shit would have lasted longer. If no one knew what was going on we would have thought they were just dying valiantly in some beautiful way. But because we saw the horror, that's what made us stop the war. So I thought, that's what I'm going to do as an artist, as a rapper. I'm gonna show the most graphic details of what I see in my community and hopefully they'll stop it quick. I've seen all of that-- the crack babies, what we had to go through, losing everything, being poor, and getting beat down. All of that. Being the person I am, I said no no no no. I'm changing this.

Child, when do you think is the time to love somebody the most? When he’s done good and made things easy for everybody? That ain’t the time at all. It’s when he’s at his lowest……and he can’t believe in himself because the world’s whipped him so!

Our Southside is a place apart: each piece of our living is a protest.

MAMA: You must not dislike people ’cause they well off, honey. BENEATHA: Why not? It makes just as much sense as disliking people ’cause they are poor, and lots of people do that.

We are running out of time, the earth is ravaged, our bodies are indefinite; Lorraine reminds us to make use of each moment.

A woman who is willing to be herself and pursue her own potential runs not so much the risk of loneliness as the challenge of exposure to more interesting men and people in general.

You aimin' to go the full circle now? How long before I have to come get you up from the sidewalks? You got hurt and pain in you? Well, I used to know a man who knew how to live with his pain and make his hurt work for him. Your daddy died with dignity; there wasn't no bum in him. And he known some hurts in this life you ain't never even heard of!

When you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.

Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. You have something glorious to draw on begging for attention. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts. Lorraine Hansberry speech, “To Be Young, Gifted, and Black,” given to Readers Digest/United Negro College Fund creative writing contest winners, NYC, May 1, 1964.

Then isn't this rather all a false funeral? Can't it help you to see that there is something wrong when all the dreams in this house-good or bad-had to depend on something that might never have happened if a man had not died? We always say at home: Accident was at the first and will be at the last a poor tree from which the fruits of life may bloom.

The thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely.

The acceptance of our present condition is the only form of extremism which discredits us before our children.

Non aver paura di fermarti un istante a pensare.

You’re a nice-looking girl … all over. That’s all you need, honey, forget the atmosphere.

Do you really think the rape of a continent dissolves in cigarette smoke?

I know he's rich. He knows he's rich, too.

I will go home and much of what I will have to say will seem strange to the people of my village... But I will teach and work and things will happen, slowly and swiftly. At times it will seem that nothing changes at all... and then again... the sudden dramatic events which make history leap into the future. And then quiet again. Retrogression even. Guns, murder, revolution. And I even will have moments when I wonder if the quiet was not better than all that death and hatred. But I will look about my village at the illiteracy and disease and ignorance and will not wonder long. And perhaps... perhaps I will be a great man... I mean perhaps I will hold on to the substance of truth and find my way always with the right course... and perhaps for it I will be butchered in my bed some night by the servants of empire... ...perhaps the things I believe now for my country will be wrong and outmoded, and I will not understand and do terrible things to have things my way or merely to keep my power. Don't you see that there will be young men and women, not British soldiers then, but my own black countrymen... to step out of the shadows some evening and slit my then useless throat? Don't you see they have always been there... that they always will be. And that such a thing as my own death will be an advance? They who might kill me even... actually replenish me!

Of love and my parents, there is little to be written; their relationship to their children was utilitarian. We were fed and housed and dressed and outfitted with more cash than our associates and that was all. We were also vaguely taught certain vague absolutes: that we were better than no one but infinitely superior to everyone...

RUTH No—I'm just sleepy as the devil. What kind of eggs you want? WALTER Not scrambled. (RUTH starts to scramble eggs)

Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts. Lorraine Hansberry speech, “To Be Young, Gifted, and Black,” given to Readers Digest/United Negro College Fund creative writing contest winners, NYC, May 1, 1964.

GEORGE : Oh, don’t be so proud of yourself, Bennie—just because you look eccentric. BENEATHA: How can something that’s natural be eccentric? GEORGE: That’s what being eccentric means—being natural. Get dressed.

Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts. Lorraine Hansberry speech, “To Be Young, Gifted, and Black,” given to Readers Digest/United Negro College Fund creative writing contest winners, NYC, May 1, 1964.

To inhabit our citizenry fully, we have to not only understand this, but also grasp it. In the words of the playwright Lorraine Hansberry, “The problem is we have to find some way with these dialogues to show and to encourage the white liberal to stop being a liberal and become an American radical.” And, as my friend the critic and poet Fred Moten has written: “I believe in the world and want to be in it. I want to be in it all the way to the end of it because I believe in another world and I want to be in that.” This other world, that world, would presumably be one where black living matters. But we can’t get there without fully recognizing what is here.

Professor Hansberry taught us about a concept they have in Africa—in Swahili it’s called utu. In Zulu, the word is ubuntu. It translates to ‘humanity,’ but what it really means is ‘community.’ I am because we are. Our humanity is tied together.

I wanted to be able to come here and speak with you on this occasion because you are young, gifted, and black…I, for one, can think of no more dynamic combination that a person might be. . . And that is why I say to you that, though it be a thrilling and marvelous thing to be merely young and gifted in such times, it is doubly so, doubly dynamic—to be young, gifted, and black.

In my mother's house there is still God." Act 1, Scene 1 ~ A Raisin in the Sun

The poets have been right in all these centuries, darling; even in its astounding imperfection this earth of ours is magnificent. But oh this human race!

In the twentieth century men everywhere like to breathe; and the Negro citizen still cannot, you see, breathe.

BENEATHA How can something that’s natural be eccentric? GEORGE That’s what being eccentric means—being natural.

The Murchisons are honest-to-God-real-foe-rich colored people, and the only people in the world who are more snobbish than rich white people are rich colored people. I though everybody knew that.

For if there are no waving flags and marching songs at the barricades as Walter marches out with his little battalion, it is not because the battle lacks nobility. On the contrary, he has picked up in his way, still imperfect and wobbly in his small view of human destiny, what I believe Arthur Miller once called "the golden threat of history." He becomes, in spite of those who are too intrigued with despair and hatred of man to see it, King Oedipus refusing to tear out his eyes, but attacking the Oracle instead. He is that last Jewish patriot manning his rifle at Warsaw; he is that young girl who swam into sharks to save a friend a few weeks ago; he is Anne Frank, still believing in people; he is the nine small heroes of Little Rock; he is Michelangelo creating David and Beethoven bursting forth with the Ninth Symphony. He is all those things because he has finally reached out in his tiny moment and caught that sweet essence which is human dignity, and it shines like the old star-touched dream that it is in his eyes.

Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning—because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! When you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.

Obviously, the most oppressed group of any oppressed group will be its women, who are twice oppressed. So I imagine that they react accordingly: as oppression makes people more militant, women become twice militant, because they are twice oppressed.

I am a writer. I suppose I think that the highest gift that man has is art, and I am audacious enough to think of myself as an artist - that there is both joy and beauty and illumination and communion between people to be achieved through the dissection of personality

...I am the first to say that ours is a complex and difficult country and some of our complexities are indeed grotesque. We who are Negro Americans can offer that last remark with unwavering insistence. It is, on the other hand, also a great nation with certain beautiful and indestructible traditions and potentials which can be seized by all of who possess imagination and love of man. There is, as a certain play suggests, a great deal to be fought in America - but, at the same time, there is so much which begs to be but re-affirmed and cherished with sweet defiance.

It isn't as if we got up today and said, "What can we do to irritate America?" It's because, since 1619, Negroes have tried every method of communication, of transformation of their situation, from petition to the vote— everything—we've tried it all; there isn't anything that hasn't been exhausted.

The things he taught me were great things: that all racism was rotten, white or black, that everything is political; that people tend to be indescribably beautiful and uproariously funny. He also taught me that they have enemies who are grotesque and that freedom lies in the recognition of all of that and other things.

One of the things I have learned about death is this: no matter how grief stricken you are, no matter how much you miss them, yearning for their laughs or hands or eyes, your relationship to the dead continues long after their bodies are gone. Memory is not simply a way of holding on, it is a reencounter. Their visits continue as long as you do..

DEKOVEN Mr. Morris, colonial subjects die mainly from a way of life. The incidentals—gangrene, tumors, stillborn babies—are only that: incidentals. Our work—(He interlocks his fingers)—reinforces the way of life. But when you come with a faith, an ideal of service, it is impossible to believe that. It was, at first, for me. But I saw my first delegations my first year here.

TSHEMBE Maybe that’s what’s botched up all the revolutions so far! (Erupting in spite of himself) Mr. Morris, your concern for nonviolence is a little late, don’t you think? Where were you when we protested without violence and against violence? We did not hear from you then! Where were you when they were chopping off the right hands of our young men by the hundreds—by the tribe?

CHARLIE Have you ever wondered—I am being devil’s advocate now—if just possibly he hadn’t “capitalized,” so to speak, on the backwardness he found here? MARTA (Tightly) Mr. Morris, I am not a very complicated person. I believe that people are what they do. You may think it simple-minded of me if you like—but if you don’t understand the depth of his sacrifice merely by being here—

WALTER (Gathering him up in his arms) You know what, Travis? In seven years you going to be seventeen years old. And things is going to be very different with us in seven years, Travis. … One day when you are seventeen I’ll come home—home from my office downtown somewhere— TRAVIS You don’t work in no office, Daddy. WALTER No—but after tonight. After what your daddy gonna do tonight, there’s going to be offices—a whole lot of offices.… TRAVIS What you gonna do tonight, Daddy? WALTER You wouldn’t understand yet, son, but your daddy’s gonna make a transaction … a business transaction that’s going to change our lives. … That’s how come one day when you ’bout seventeen years old I’ll come home and I’ll be pretty tired, you know what I mean, after a day of conferences and secretaries getting things wrong the way they do … ’cause an executive’s life is hell, man—(The more he talks the farther away he gets) And I’ll pull the car up on the driveway … just a plain black Chrysler, I think, with white walls—no—black tires. More elegant. Rich people don’t have to be flashy … though I’ll have to get something a little sportier for Ruth—maybe a Cadillac convertible to do her shopping in. … And I’ll come up the steps to the house and the gardener will be clipping away at the hedges and he’ll say, “Good evening, Mr. Younger.” And I’ll say, “Hello, Jefferson, how are you this evening?” And I’ll go inside and Ruth will come downstairs and meet me at the door and we’ll kiss each other and she’ll take my arm and we’ll go up to your room to see you sitting on the floor with the catalogues of all the great schools in America around you. … All the great schools in the world! And—and I’ll say, all right son—it’s your seventeenth birthday, what is it you’ve decided? … Just tell me where you want to go to school and you’ll go. Just tell me, what it is you want to be—and you’ll be it. … Whatever you want to be—Yessir! (He holds his arms open for TRAVIS) YOU just name it, son … (TRAVIS leaps into them) and I hand you the world!

It’s all a matter of ideas, and God is just one idea I don’t accept. It’s not important. I am not going out and be immoral or commit crimes because I don’t believe in God. I don’t even think about it. It’s just that I get tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no blasted God—there is only man and it is he who makes miracles!

TSHEMBE I do not recall that the Europeans have ever been exactly overwhelmed by morality—black or white! Or do you think they have suddenly become impressed because Kumalo is saying the black man wishes freedom? We have been saying that for generations. They only listen now because they are forced to. Take away the violence and who will hear the man of peace? (He sits on the box, an island in a sea of cloth) It is the way of the world, hadn’t you noticed?

CHARLIE (Intently) You hate all white men, don’t you, Matoseh? TSHEMBE (A burst of laughter. Casting his eyes up) Oh, dear God, why? (He crosses down and away) Why do you all need it so?! This absolute lo-o-onging for my hatred! (A sad smile plays across his lips) I shall be honest with you, Mr. Morris. I do not “hate” all white men—but I desperately wish that I did. It would make everything infinitely easier! But I am afraid that, among other things, I have seen the slums of Liverpool and Dublin and the caves above Naples. I have seen Dachau and Anne Frank’s attic in Amsterdam. I have seen too many raw-knuckled Frenchmen coming out of the Metro at dawn and too many hungry Italian children to believe that those who raided Africa for three centuries ever “loved” the white race either. I would like to be simple-minded for you, but—(Turning these eyes that have “seen” up to the other with a smile)—I cannot. I have—(He touches his brow)—seen.

TSHEMBE (Closing his eyes, wearily) I said racism is a device that, of itself, explains nothing. It is simply a means. An invention to justify the rule of some men over others. CHARLIE (Pleased to have at last found common ground) But I agree with you entirely! Race hasn’t a thing to do with it actually. TSHEMBE Ah—but it has! CHARLIE (Throwing up his hands) Oh, come on, Matoseh. Stop playing games! Which is it, my friend? TSHEMBE I am not playing games. (He sighs and now, drawn out of himself at last, proceeds with the maximum precision and clarity he can muster) I am simply saying that a device is a device, but that it also has consequences: once invented it takes on a life, a reality of its own. So, in one century, men invoke the device of religion to cloak their conquests. In another, race. Now, in both cases you and I may recognize the fraudulence of the device, but the fact remains that a man who has a sword run through him because he refuses to become a Moslem or a Christian—or who is shot in Zatembe or Mississippi because he is black—is suffering the utter reality of the device. And it is pointless to pretend that it doesn’t exist—merely because it is a lie! CHARLIE

There is a great deal of pomp. In Europe the European is—(Playing it)—very civilized. When our delegations are ushered in, and our people have said what they came to say, the Europeans have a way of looking very hurt as if they have never heard of these things before … and presently we sit there feeling almost as if it is we who have been unreasonable. And then they stand up—it is always the Europeans who stand up first—and they say (With exaggerated Oxford accent and the dignity of a minuet): “Well. There are undoubtedly some valid things in what you have had to say … but we mustn’t forget, must we, there are some valid things in what the settlers say? Therefore, we will write a report, which will be forwarded to the Foreign Secretary, who will forward it to the Prime Minister, who will approve it for forwarding to the settler government in Zatembe”—(Abruptly sobering)—who will laugh and not even read it.

Principal Hansberry came to each of our classrooms that afternoon to talk to us about discipline and wasting food and respecting the cafeteria workers. I was really worried that Danny would be suspended for starting the food fight. He’d only been helping me. If he got in trouble, I’d have to come clean and take his punishment instead. But the principal had decided that this was “first-week high spirits.” Instead of singling out anyone for punishment, she made the whole school use the last hour of the day to help clean up the cafeteria. That was the first time we’d been punished like that for a food fight. We all got to see what a huge gross mess we had left behind. Lots of kids complained that they hadn’t thrown any food, but Principal Hansberry said that since making the mess was a “group effort,” cleaning it up should be, too. Plus we all had to write a note to take home that said, “Dear Mom and Dad, I am sorry if I have ketchup or anything on my clothes today. We were involved in a food fight at lunch, and we feel very bad for causing so much trouble. Please accept my apology for the extra laundry.” Personally, I thought this was kind of a funny note. But we had to bring it back signed by our parents, so a lot of people didn’t think it was so funny. Luckily they weren’t mad at me or Danny, though. Except for Avery. He tried to get Danny in trouble by telling Principal Hansberry who’d started the fight. But she told him that wasn’t necessary. She said everyone was “responsible for the mob mentality we saw here today,” whatever that means. The most amazing part was that nobody said anything about Merlin. I guess a lot of people didn’t see him. But even the ones who did didn’t admit it. Vice Principal Taney came into our class and asked: “Did anyone here see a dog in the cafeteria before or during the food fight?” No one raised their hands. After a minute, Heidi said: “Maybe you imagined it, Mr. Taney,” in this really innocent voice. I was worried that Avery would tell, but later Hugo told me that nobody in Mr. Guare’s class answered Mr. Taney’s question either. I don’t know why Avery didn’t say anything. Maybe he already knew everyone was mad at him for snitching on Danny.

And don’t call them terrorists: that’s for the settlers. Call them rebels, or revolutionaries. (Looking off with his own sad irony) Or fools. But never terrorists.

RICE Why don’t some of you educated chaps talk sense into these murderers? What do they think they are going to accomplish? Murdering people who never did them a moment’s harm—and their own people to boot? We don’t pretend that it’s been all jolly on our side—but this business—what’s the good of it, boy? ’Tisn’t going to solve a bloody thing! And they can’t win, you know. Why don’t the fellows like you do something … talk to them?

TSHEMBE (Whirling on him, words flying) And just why should we be able to “talk” so easily? What is this marvelous nonsense with you Americans? For a handshake, a grin, a cigarette and half a glass of whiskey you want three hundred years to disappear—and in five minutes!

CHARLIE (Incredulous) Matoseh, I don’t believe it—that you can sit here, under this very roof where you learned to read and write—and deny the dedication of those who came here— TSHEMBE (Utter dismissal) I do not deny it. It is simply that the conscience, such as it is, of imperialism is … irrelevant.

I’ll tell you right off, Matoseh, I know you are trying to decide: which kind am I? One of the obtuse ones who is sure to ask you all about rituals and lions? Or one of the top-heavy “little magazine” types who is going to engage a real live African intellectual in a discussion of “negritude” and Senghor’s poetry to show that I am—(He winks; TSHEMBE smiles back the least bit, warming)—really—“in.” Well, I am neither. I am a man who feels like talking.

TSHEMBE Perhaps my obsessions have made me myopic! In this light, for instance, I really cannot tell you from Major Rice! (Peering close into the other’s face, he grins) You all really do look alike, you know …

TSHEMBE You thought! You thought because I am a black man I have answers that are deep and pure. I do not!!

TSHEMBE It may be, Mr. Morris, that I have developed counterassumptions because I have had—(Mimicking lightly but cruelly)—too many long, lo-o-ong “talks” wherein the white intellectual begins by suggesting not only fellowship but the universal damnation of imperialism. But that, you see, is always only the beginning. Then the real game is begun.

RICE Please inform the Reverend that if there are no military operations there will be no Mission.

WALTER YOUNGER: Life just like it is. Who gets and who don’t get. Mama, you know it’s all divided up. Life is. Sure enough. Between the takers and the ‘tooken.' I’ve figured it out finally. Yeah. Some of us always getting ‘tooken.’. . . We get to looking ’round for the right and the wrong; and we worry about it and cry about it and stay up nights trying to figure out ’bout the wrong and the right of things all the time . . . And all the time, man, them takers is out there operating, just taking and taking.

Students often complain that white teachers assume falsely that students of color know everything there is to know about their own history. Some teachers assume all students of color have the same experiences with poverty, single-parent families, and uneducated elders. For example, with Lorraine Hansberry’s A Raisin in the Sun, African American students told me they felt so uncomfortable when their teacher assumed that they understood the Black family’s poverty that they either refused to continue reading the play or refused to participate in class discussions. We should approach our students as people with their own opinions and ideas, without imposing racial stereotypes.

The artist in Hansberry saw in the photograph of a black woman being manhandled by white cops all the suffering, all the injustice, all the offense to black life. The brutality was grave enough; the spread of the image transmitted trauma and reinforced the vulnerability of black women and, indeed, the race.

At the core of this ugly period in our history is the idea that who “we” are as a country is changing for the worse—that “we” are becoming unrecognizable to ourselves. The slogans “Make America Great Again” and “Keep America Great” amount to nostalgic longings for a time under siege by present events, and the cascading crises we face grow out of, in part, the desperate attempts to step back into a past that can never be retrieved. The willingness of so many of our fellows to toss aside any semblance of commitment to democracy—to embrace cruel and hateful policies—exposes the idea of America as an outright lie. In the archive at the Schomburg Center for Research in Black Culture in New York, I came across an undated handwritten note to Robert Kennedy from James Baldwin. The infamous meeting after the protests and violence in the streets of Birmingham, Alabama, between Kennedy, Baldwin, and a group of Baldwin’s colleagues that included Lorraine Hansberry and Jerome Smith had ended horribly. Kennedy left the meeting suspicious of Baldwin, his motives, and his

MAMA Well, little boys’ hides ain’t as tough as Southside roaches. You better get over there behind the bureau. I seen one marching out of there like Napoleon yesterday.

Don't you understand man? The slogans of capitulation can KILL! Every time we say "Live and let live"--death triumphs! Too much has happened, too much has happened to me. . . . That which warped and distorted all of us is--all around: it is in this very air! This swirling, seething, madness that you ask us all to help maintain! It's no good, Wally--your world. It's no--damn--good! You have forced me to take a position. Finally -- the one thing I never wanted to do. Just not being for you is not enough. To live, to breathe--I've got to be against you

The American playwright and painter Lorraine Hansberry said, “The thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely.

Writer Lorraine Hansberry has said, 'There is always some- thing left to love.' Similarly, there is always something left for which we can feel gratitude—something to love about our days, despite our occasional brushes with doubt or despair.

The why of why we are here is an intrigue for adolescents; the how is what must command the living.

It’s all a matter of ideas, and God is just one idea I don’t accept. It’s not important. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. Lorraine Hansberry

Don't you understand man? The slogans of capitulation can KILL! Every time we say "Live and let live"--death triumphs! Too much has happened, too much has happened to me. . . . That which warped and distorted all of us is--all around: it is in this very air! This swirling, seething, madness that you ask us all to help maintain! It's no good, Wally--your world. It's no--damn--good! You have forced me to take a position. Finally -- the one thing I never wanted to do. Just being for you is not enough. To live, to breathe--I've got to be against you.

There is always something left to love.

I think it’s very simple that the whole idea of debating whether or not Negroes should defend themselves is an insult.

I suppose that the most heroic expression that I have ever seen was on the face of a certain tough-looking, brutalized, slum-slaughtered woman at Coney Island. She had her arm around a girl child who looked hardly less brutalized and slum-slaughtered - "We is going to have a good time tonight!" the look said.