Ambiguous Inspiring Quotes

Time weighs down on you like an old, ambiguous dream. You keep on moving, trying to sleep through it. But even if you go to the ends of the earth, you won't be able to escape it. Still, you have to go there- to the edge of the world. There's something you can't do unless you get there.

Do not love half lovers Do not entertain half friends Do not indulge in works of the half talented Do not live half a life and do not die a half death If you choose silence, then be silent When you speak, do so until you are finished Do not silence yourself to say something And do not speak to be silent If you accept, then express it bluntly Do not mask it If you refuse then be clear about it for an ambiguous refusal is but a weak acceptance Do not accept half a solution Do not believe half truths Do not dream half a dream Do not fantasize about half hopes Half a drink will not quench your thirst Half a meal will not satiate your hunger Half the way will get you no where Half an idea will bear you no results Your other half is not the one you love It is you in another time yet in the same space It is you when you are not Half a life is a life you didn't live, A word you have not said A smile you postponed A love you have not had A friendship you did not know To reach and not arrive Work and not work Attend only to be absent What makes you a stranger to them closest to you and they strangers to you The half is a mere moment of inability but you are able for you are not half a being You are a whole that exists to live a life not half a life

The explorer who will not come back or send back his ships to tell his tale is not an explorer, only an adventurer; and his sons are born in exile.

Which path do you intend to take, Nell?' said the Constable, sounding very interested. 'Conformity or rebellion?' Neither one. Both ways are simple-minded - they are only for people who cannot cope with contradiction and ambiguity.

Rob Thomas has two first names for a first and last name, and his name spells out a short sentence: Rob Thomas. Rob Thomas of what, his doubt? That Biblical ambiguity is what inspired me to name three of my ducks after him: Rob, Thomas, and Rob Thomas.

Running through the maze of life, you come across profound ambiguities and complexities. Yet the essence of living a meaningful life remains simple- following your heart and pursuing your life purpose.

You lay claim to your stories; you honor, with your hard work and the best of your talent, their inspirations, and you fight to tell them well from a sense of indebtedness and thankfulness. The ambiguities, the contradictions, the complexities of your choices are always with you in your writing as they are in your life. You learn to live with them. You trust your need to have a dialogue about what you deem important.

The new atheists show a disturbing lack of understanding of or concern about the complexity and ambiguity of modern experience, and their polemic entirely fails to mention the concern for justice and compassion that, despite their undeniable failings, has been espoused by all three of the monotheisms. Religious fundamentalists also develop an exagerrated view of their enemy as the epitome of evil. This tendency makes critique of the new atheists too easy. They never discuss the work of such theologians as Bultmann or Tillich, who offer a very different view of religion and are closer to mainstream tradition than any fundamentalist. Unlike Feurerbach, Marx and Freud, the new atheists are not theologically literate. As one of their critics has remarked, in any military strategy it is essential to confront the enemy at its strongest point; failure to do so means that their polemic remains shallow and lacks intellectual depth. It is also morally and intellectually conservative. Unlike Feurerback, Marx, Ingersoll or Mill, these new Atheists show little concern about the poverty, injustice and humiliation that has inspired many of the atrocities they deplore; they show no yearning for a better world. Nor, like Nietzsche , Sartre or Camus, do they compel their readers to face up to the pointlessness and futility that ensue when people lack the resources to create a sense of meaning. They do not appear to consider the effect of such nihilism on people who do not have privileged lives and absorbing work.

Grief needs an outlet. Creativity offers one. Some psychiatrists see mourning and creativity as the perfect marriage, the thought processes of one neatly complementing the other. A child’s contradictory impulses to both acknowledge and deny a parent’s death represents precisely the type of rich ambiguity that inspires artistic expression.

The word “brotherhood" is, to be sure, a fine word, but we oughtn't to forget its ambiguity. The first pair of brothers in the history of the world were, according to the Bible, Cain and Abel, and the one murdered the other.

A promise is a direction taken, a self-limitation of choice. As Odo pointed out, if no direction is taken, if one goes nowhere, no change will occur. One's freedom to choose and to change will be unused, exactly as if one were in jail, a jail of one's own building, a maze in which no one way is better than any other.

An author cannot of course remain wholly unaffected by his experience, but the ways in which a story-germ uses the soil of experience are extremely complex, and attempts to define the process are at best guesses from evidence that is inadequate and ambiguous.

Teaching mathematics, like teaching any art, requires the ability to inspire the student. Inspiration requires marketing, and marketing requires stirring communication.

The goal toward which I surpass myself must appear to me as a point of departure toward a new act of surpassing.

We have gone sick by following a path of untrammelled rationalism, male dominance, attention to the visible surface of things, practicality, bottom-line-ism. We have gone very, very sick. And the body politic, like any body, when it feels itself to be sick, it begins to produce antibodies, or strategies for overcoming the condition of dis-ease. And the 20th century is an enormous effort at self-healing. Phenomena as diverse as surrealism, body piercing, psychedelic drug use, sexual permissiveness, jazz, experimental dance, rave culture, tattooing, the list is endless. What do all these things have in common? They represent various styles of rejection of linear values. The society is trying to cure itself by an archaic revival, by a reversion to archaic values. So when I see people manifesting sexual ambiguity, or scarifying themselves, or showing a lot of flesh, or dancing to syncopated music, or getting loaded, or violating ordinary canons of sexual behaviour, I applaud all of this; because it's an impulse to return to what is felt by the body -- what is authentic, what is archaic -- and when you tease apart these archaic impulses, at the very centre of all these impulses is the desire to return to a world of magical empowerment of feeling. And at the centre of that impulse is the shaman: stoned, intoxicated on plants, speaking with the spirit helpers, dancing in the moonlight, and vivifying and invoking a world of conscious, living mystery. That's what the world is. The world is not an unsolved problem for scientists or sociologists. The world is a living mystery: our birth, our death, our being in the moment -- these are mysteries. They are doorways opening on to unimaginable vistas of self-exploration, empowerment and hope for the human enterprise. And our culture has killed that, taken it away from us, made us consumers of shoddy products and shoddier ideals. We have to get away from that; and the way to get away from it is by a return to the authentic experience of the body -- and that means sexually empowering ourselves, and it means getting loaded, exploring the mind as a tool for personal and social transformation. The hour is late; the clock is ticking; we will be judged very harshly if we fumble the ball. We are the inheritors of millions and millions of years of successfully lived lives and successful adaptations to changing conditions in the natural world. Now the challenge passes to us, the living, that the yet-to-be-born may have a place to put their feet and a sky to walk under; and that's what the psychedelic experience is about, is caring for, empowering, and building a future that honours the past, honours the planet and honours the power of the human imagination. There is nothing as powerful, as capable of transforming itself and the planet, as the human imagination. Let's not sell it straight. Let's not whore ourselves to nitwit ideologies. Let's not give our control over to the least among us. Rather, you know, claim your place in the sun and go forward into the light. The tools are there; the path is known; you simply have to turn your back on a culture that has gone sterile and dead, and get with the programme of a living world and a re-empowerment of the imagination. Thank you very, very much.

...Spinoza’s Conjecture:“Belief comes quickly and naturally, skepticism is slow and unnatural, and most people have a low tolerance for ambiguity. The scientific principle that a claim is untrue unless proven otherwise runs counter to our natural tendency to accept as true that which we can comprehend quickly. Thus it is that we should reward skepticism and disbelief, and champion those willing to change their mind in the teeth of new evidence. Instead, most social institutions-most notably those in religion, politics, and economics-reward belief in the doctrines of the faith or party or ideology, punish those who challenge the authority of the leaders, and discourage uncertainty and especially skepticism.

If you make people think they're thinking, they'll love you; but if you really make them think, they'll hate you." In short, entertainment fulfills our expectations. Art, on the other hand, makes no compromise for public taste as it inspires us to consider life's complexities and ambiguities. Art is the opposition testing the strength of societal and cultural values-values that are thoughtlessly adopted by the mass of individuals living unexamined lives and all who cannot imagine a different way of seeing life.

Truth? The truth was ambiguous. And contextually relevant. The truth changed as new information appeared. The same truth looked different to people depending on which side of it they stood on. Depending on their own perspective.

There is a dark side to religious devotion that is too often ignored or denied. As a means of motivating people to be cruel or inhumane -- as a means of inciting evil, to borrow the vocabulary of the devout -- there may be no more potent force than religion. When the subject of religiously inspired bloodshed comes up, many Americans immediately think of Islamic fundamentalism, which is to be expected in the wake of the September 11 attacks on New York and Washington. But men have been committing heinous acts in the name of God ever since mankind began believing in deities, and extremists exist within all religions. Muhammad is not the only prophet whose words have been used to sanction barbarism; history has not lacked for Christians, Jews, Hindus, Sikhs, and even Buddhists who have been motivated by scripture to butcher innocents. Plenty of these religious extremists have been homegrown, corn-fed Americans. Faith-based violence was present long before Osama bin Laden, and it ill be with us long after his demise. Religious zealots like bin Laden, David Koresh, Jim Jones, Shoko Asahara, and Dan Lafferty are common to every age, just as zealots of other stripes are. In any human endeavor, some fraction of its practitioners will be motivated to pursue that activity with such concentrated focus and unalloyed passion that it will consume them utterly. One has to look no further than individuals who feel compelled to devote their lives to becoming concert pianists, say, or climbing Mount Everest. For some, the province of the extreme holds an allure that's irresistible. And a certain percentage of such fanatics will inevitably fixate on the matters of the spirit. The zealot may be outwardly motivated by the anticipation of a great reward at the other end -- wealth, fame, eternal salvation -- but the real recompense is probably the obsession itself. This is no less true for the religious fanatic than for the fanatical pianist or fanatical mountain climber. As a result of his (or her) infatuation, existence overflows with purpose. Ambiguity vanishes from the fanatic's worldview; a narcissistic sense of self-assurance displaces all doubt. A delicious rage quickens his pulse, fueled by the sins and shortcomings of lesser mortals, who are soiling the world wherever he looks. His perspective narrows until the last remnants of proportion are shed from his life. Through immoderation, he experiences something akin to rapture. Although the far territory of the extreme can exert an intoxicating pull on susceptible individuals of all bents, extremism seems to be especially prevalent among those inclined by temperament or upbringing toward religious pursuits. Faith is the very antithesis of reason, injudiciousness a crucial component of spiritual devotion. And when religious fanaticism supplants ratiocination, all bets are suddenly off. Anything can happen. Absolutely anything. Common sense is no match for the voice of God...

This death, no matter how “humane,” no matter how respectfully administered, no matter how thickly clothed in feel-good rationalizations (“it had a good life”), essentially negates the moral consideration that inspired us to condemn factory farms in the first place. You can’t claim to truly care about an animal, alter her environment to demonstrate your care for that animal, and then, when the animal is nowhere near even the middle of her natural life, kill the animal for no vital reason. Doing so is morally and logically inconsistent. It’s worse than ambiguous. It’s wrong. It is, alas, the omnivore’s contradiction.

Without the underlying emotion accompanying a match, Bischoff ruminated, the result was something much less inspiring - two guys in their underwear fighting for ambiguous reasons. “They were basically telling me that I had to abandon the very formula that had not only worked for us, but that our competition had adapted,” he says. “I was then told to have my scripts approved a month in advance.

Inside the terminal at Keahole, they sat waiting to board, watching husky Hawaiians load luggage onto baggage ramps. Arriving tourists smiled at their dark, muscled bodies, handsome full-featured faces, the ease with which they lifted things of bulk and weight. Departing tourists took snapshots of them. 'That's how they see us', Pono whispered. 'Porters, servants. Hula Dancers, clowns. They never see us as we are, complex, ambiguous, inspired humans.' 'Not all haole see us that way...'Jess argued. Vanya stared at her. 'Yes, all Haole and every foreigner who comes here puts us in one of two categories: The malignant stereotype of vicious, drunken, do-nothing kanaka and their loose-hipped, whoring wahine. Or, the benign stereotype of the childlike, tourist-loving, bare-foot, aloha-spirit natives.

The biblical writers were human like us, and nothing is gained by thinking otherwise. Someone might say, “Well, okay, sure they were human, obviously, but the biblical writers were also inspired, directed by God in what to write, and so not simply ordinary human writers.” I get the point. To see the Bible as inspired by God is certainly the mainstream view in the history of Christianity (and Judaism), but what that means exactly and how it works out in detail have proved to be quite tough nuts to crack. Answers abound (and conflict) and no one has cracked the code, including me. But any explanation of what it means for God to inspire human beings to write things down would need to account for the diverse (not to mention ancient and ambiguous) Bible we have before us. Any explanation that needs to minimize, cover up, or push these self-evident biblical characteristics aside isn’t really an explanation; it’s propaganda.

Many of the silliest ambiguities in the Internet memes come from newspaper headlines and magazine tag lines precisely because they have been stripped of all punctuation. Two of my favorites are MAN EATING PIRANHA MISTAKENLY SOLD AS PET FISH and RACHAEL RAY FINDS INSPIRATION IN COOKING HER FAMILY AND HER DOG. The first is missing the hyphen that bolts together the pieces of the compound word that was supposed to remind readers of the problem with piranhas, man-eating. The second is missing the commas that delimit the phrases making up the list of inspirations: cooking, her family, and her dog.

At very best there are two problems with ideology. The first is that it does not represent or conform to or even address reality. It is a straight-edge ruler of a fractal universe. And the second is that it inspires in its believers the notion that the fault here lies with miscreant fact, which should therefore be conformed to the requirements of theory by all means necessary. To the ideologue this would amount to putting the world right, ridding it of ambiguity and of those tedious and endless moral and ethical questions that dog us through life, and that those around us so rarely answer to our satisfaction.

23 Emotions people feel, but can’t explain 1.    Sonder: The realization that each passerby has a life as vivid and complex as your own. 2.    Opia: The ambiguous intensity of Looking someone in the eye, which can feel simultaneously invasive and vulnerable. 3.    Monachopsis: The subtle but persistent feeling of being out of place. 4.    Énouement: The bittersweetness of having arrived in the future, seeing how things turn out, but not being able to tell your past self. 5.    Vellichor: The strange wistfulness of used bookshops. 6.    Rubatosis: The unsettling awareness of your own heartbeat. 7.    Kenopsia: The eerie, forlorn atmosphere of a place that is usually bustling with people but is now abandoned and quiet. 8.    Mauerbauertraurigkeit: The inexplicable urge to push people away, even close friends who you really like. 9.    Jouska: A hypothetical conversation that you compulsively play out in your head. 10.    Chrysalism: The amniotic tranquility of being indoors during a thunderstorm. 11.    Vemödalen: The frustration of photographic something amazing when thousands of identical photos already exist. 12.    Anecdoche: A conversation in which everyone is talking, but nobody is listening 13.    Ellipsism: A sadness that you’ll never be able to know how history will turn out. 14.    Kuebiko: A state of exhaustion inspired by acts of senseless violence. 15.    Lachesism: The desire to be struck by disaster – to survive a plane crash, or to lose everything in a fire. 16.    Exulansis: The tendency to give up trying to talk about an experience because people are unable to relate to it. 17.    Adronitis: Frustration with how long it takes to get to know someone. 18.    Rückkehrunruhe: The feeling of returning home after an immersive trip only to find it fading rapidly from your awareness. 19.    Nodus Tollens: The realization that the plot of your life doesn’t make sense to you anymore. 20.    Onism: The frustration of being stuck in just one body, that inhabits only one place at a time. 21.    Liberosis: The desire to care less about things. 22.    Altschmerz: Weariness with the same old issues that you’ve always had – the same boring flaws and anxieties that you’ve been gnawing on for years. 23.    Occhiolism: The awareness of the smallness of your perspective. John Koenig, The Dictionary of Obscure Sorrows (Simon & Schuster, November 16, 2021)

It's evident that with Beethoven the Romantic Revolution had already begun, bringing with it the new Artist, the artist as Priest and Prophet. This new creator had a new self-image: he felt himself possessed of divine rights, of almost Napoleonic powers and liberties — especially the liberty to break rules and make new ones, to invent new forms and concepts, all in the name of greater expressivity. His mission was to lead the way to a new aesthetic world, confident that history would follow his inspirational leadership. And so there exploded onto the scene Byron, Jean Paul, Delacroix, Victor Hugo, E. T. A. Hoffmann, Schumann, Chopin, Berlioz — all proclaiming new freedoms. Where music was concerned, the new freedoms affected formal structures, harmonic procedures, instrumental color, melody, rhythm — all of these were part of a new expanding universe, at the center of which lay the artist's personal passions. From the purely phonological point of view, the most striking of these freedoms was the new chromaticism, now employing a vastly enriched palette, and bringing with it the concomitant enrichment of ambiguity. The air was now filled with volcanic, chromatic sparks. More and more the upper partials of the harmonic series were taking on an independence of their own, playing hide-and-seek with their sober diatonic elders, like defiant youngsters in the heyday of revolt.

Bu yüzden geçmiş dört yıla bakan Shevek, onları yitirilmiş olarak değil, Takver'le yaşamlarında kurdukları yapının bir parçası olarak gördü. Zamana karşı çalışmaktansa zamanla birlikte çalışmanın iyi yanı, diye düşündü, zamanın boşa harcanmamasıdır. Acı bile işe yarıyor.

İkisi de ayrılık yüzünden acı çekmişlerdi, epeyce acı çekmişlerdi, ama ikisi de bağlılıklarından kaçarak acıyı reddetmeyi düşünmemişlerdi.

Then, one demurs that essentially a society is entertained by the theatre of heroism, and in strict individualism of existence, without others, it is only a narcissistic struggle. There is no hero in a lonesome existence. A man lives in a shred and contradiction of duality between his splendid uniqueness out of nature with a grip of eternality and condemnable body of contemptible smallness, transient but delightfully comfortable to rot into the disappearance. This density and finiteness! Laughable yet strangely estimable quality of certitude from his inner drive in the making of his world. O this ambiguity, O this duality, O this weakness. O human! O human!

What defines man us not hp the capacity to create a second nature--economic, social or cultural--beyond biological nature; it is rather the capacity of going beyond created structures in order to create others...These acts of the human dialectic all reveal the same essence: the capacity of orienting oneself in relation to the possible, to the mediate, and not in relation to a limited milieu...Thus, the human dialectic is ambiguous: it is first manifested by the social or cultural structures, the appearance of which it brings about and in which it inspires itself. But it's use - objects and its cultural objects would not be what they are if the activity which brings about their appearance did not also have as its meaning to reject them and to surpass them.

We thought, and we still think, that communism is ambiguous and anticommunism even more so. We thought, and we still think, that a politics founded on anticommunism is in the long run a politics of war and in the short run a politics of regression, that there are many ways of not being communist, and that the problem has barely been taken up when one has said that one is not a communist...To say, as we did, that Marxism remains true as a critique or negation without being true as an action or positively was to place ourselves outside history, and particularly outside Marxism, was to justify it for reasons which are not its own, and, finally, was to organize equivocalness. In history, Marxist critique and Marxist action are a single movement. Not that the critique of the present derives as a corollary from perspectives of the future--Marxism is not a utopia--but because, on the contrary, communist action is in principle only the critique continued, carried to its final consequences, and because, finally, revolution is the critique in power. If one verifies that it does not keep the promises of the critique, one cannot conclude from that: let us keep the critique and forget the action. There must be something in the critique itself that germinates the defects in the action. We found this ferment in the Marxist idea of a critique historically embodied, of a class which is the suppression of itself, which, in its representatives, results in the conviction of being the universal in action, in the right to assert oneself without restriction, and in unverifiable violence...It is therefore quite impossible to cut communism in two, to say that it is right in what it negates and wrong in what it asserts: for its way of asserting is already concretely present in its way of negating; in its critique of capitalism there is already, as we have said, not a utopian representation of the future, but at least the absolute of a negation, or negation realized, the classless society called for by history. However things may appear from this perspective, the defects of capitalism remain defects; but the critique which denounces them must be freed from any compromise with an absolute of the negation which, in the long run, is germinating new oppressions...This Marxism which remains true whatever it does, which does without proofs and verifications, is not a philosophy of history--it is Kant in disguise, and it is Kant again that we ultimately find in the concept of revolution as absolute action...We would be happy if we could inspire a few--or many--to bear their freedom, not to exchange it at a loss; for it is not only their own thing, their secret, their pleasure, their salvation --it involves everyone else.

It is totally possible to play through Dark Souls in its entirety and have no idea what actually happened. There is no shame in this... This is because enjoying Dark Souls' story is not a passive experience; it's not told to you. You have to find it. You have to search for hints in item descriptions, in the sparse snippets of dialogue, in your surroundings, in the forms and lairs and implied histories of the bosses you encounter... It's an extraordinary approach to telling a story. Most games are so straightforward with their plots. ...This philosophy of ambiguity derives from Miyazaki's teen years reading fantasy novels in English... Because of the language barrier, much of these stories remained mysterious to him: he was left to fill in the blanks with his own imagination... [and] there was an allure to not knowing entirely what was going on... [His] method of storytelling comes from that inspiration – the shadowy parts of a story, or a legend that you can't make out.

It is totally possible to play through Dark Souls in its entirety and have no idea what actually happened. There is no shame in this... This is because enjoying Dark Souls' story is not a passive experience; it's not told to you. You have to find it. You have to search for hints in item descriptions, in the sparse snippets of dialogue, in your surroundings, in the forms and lairs and implied histories of the bosses you encounter... It's an extraordinary approach to telling a story. Most games are so straightforward with their plots. ...This philosophy of ambiguity derives from Miyazaki's teen years reading fantasy novels in English... Because of the language barrier, much of these stories remained mysterious to him: he was left to fill in the blanks with his own imagination... [T]here was an allure to not knowing entirely what was going on... [His] method of storytelling comes from that inspiration – the shadowy parts of a story, or a legend that you can't make out.

When myth begins to govern decision-makers in a world where ambiguity and stubborn facts abound, the result is a disconnect between the actors and reality. They convince themselves that the forces of darkness possess weapons of mass destruction and nuclear capabilities; that their own nation is privileged by a god who inspired the Founding Fathers and the writing of the nation’s constitution; and that a class structure of great and stubborn inequalities does not exist. A grim but joyous few see portents of a world that is living out “the last days.

While we mortals fumble through ambiguity, he never loses his harmony #MyExperiencewith498A

On our way to my mother’s condominium, I silently repeated the same ambiguous question, why me? Why me? Why ME? But after asking so many times, a clear message entered my mind. I heard:  Why NOT you? Stunned, I didn’t know how to react. I didn’t know if the voice came from the Universe or God or if it was the tiny voice of reason hidden deep within my frontal lobe where rational thought is born. It made sense. Yes. Why NOT me? Of course, bad things happen, even to good people. Cancer happened to my Uncle Don, Uncle Gary, Cousin Tammy, Bruce’s brother, and my friend, Krista. If it can happen to them, why couldn’t it happen to me?

Ambiguities, paradoxes, uncertainties, and volatilities are the order of the universe and life. Those who dare to solve, resolve, and dissolve them make bold leaps into the future.

Leadership is not the absence of doubt but the courage to take risks and embrace ambiguity.

In the mountains north-west of Athens, at Delphi, there stood an oracle; and so teasing were its revelations, so ambiguous and riddling its pronouncements, that Apollo, the god who inspired them, was hailed as Loxias—‘the Oblique One’. A deity less like Ahura Mazda it would have been hard to imagine.

the original color of the apple -Ozcan: So, it is nothing. Imagine that we live in a world of matter, with no color, no taste, no smell, no touch, no sound. Our five senses cannot receive any information about it. So, we live in nothing, our minds decide what it is, and our need to communicate has created languages, terms, and common concepts. I may see and hear nothing but what you see and hear, but we have agreed on terms and concepts that unite us on them. Ozcan added: But nothing is still a thing, our five senses restrict us, perhaps if we had five additional senses to receive the data of this nothing, our minds would interpret it, and deal with it. We need additional senses to receive data that we do not know anything about. Ten senses, for example? Are they enough? What if the nature of this substance needs an extra sense yet? Well, a hundred senses? What if the right sense is not among them? In the end, we do not need a large number of senses, but rather the appropriate sense to receive the necessary data about this substance. The next question, Ruslan: What if we got this sense, and then our mind rejected the reality of matter for some reason? And decided not to interpret the data correctly? Or ignored it? As it often does with our five senses. -What is deafness? -A defect in the ear, due to which the mind does not receive any information about sounds. -But sometimes the mind simply decides to ignore sounds despite receiving data. When it is engaged in something, for example, sleeping, our minds often receive sounds and decide to ignore them, just like that, even though there is no hearing impairment. Sight, touch, taste, smell, the mind can ignore its input if it so desires. He looked directly into his eyes, and advanced towards him a little, he said in a tone of ambiguity: But what if we already have this appropriate sense, Ruslan, but our minds interpret their data at will. Or decided to ignore it completely for some reason. And what is this sense? Let’s agree to call it zero sense. The sense through which we can receive the data of the original color of the apple

Part of the ambiguity that students need to learn to deal with in the course of their preparation to serve and be served by the present society is that it is a high form of art to ask the right questions. But it is also unrealistic to expect that someone else has answers for them. I said at the outset that many of the questions students have asked me during these days I regard as unanswerable except as one ventures into some experience and learns to respond, in the situation, to the immediate problems one confronts. And to do this one must have learned how to open one’s awareness to receive insight, inspiration, in the moment of need. One must accept that only venturing into uncertainty with faith that if one is adequately prepared to deal with the ambiguity, in the situation, the answer to the questions will come. The certainty one needs to face the demanding situations of life does not lie in having answers neatly catalogued in advance of the experience. That, in fact, is a formula for failure—one is surprised, sometimes demoralized, by the unexpected. Dependable certainty (which we all need a lot of) lies in confidence that one’s preparation is adequate so that one may venture into the experience without pre-set answers but with assurance that creative insight will emerge in the situation when needed, and that it will be right for the situation because it is an answer generated in the situation. A liberal education provides the best context I know of for preparing inexperienced people to venture into the unknown, to face the inexactitude and the wildness, with assurance. But, having said that the conventional liberal arts curriculum is the best context for such preparation, I must also say that it usually does not contain the preparation—and it should.

As quite distinct from Jewish interpretation, the history of modern evangelical interpretation exhibits a strong degree of discomfort with the tensions and ambiguities of Scripture.

I spend these days in confusion, trying my best to fathom the significance of that shade.... Trying to fathom the suitable answers to my ambiguities, if they can be called as such." - Basil

Yet the interests of the international statesman may not always align with the ‘national interest’, particularly if the statesman is now also a member of some international organization that provides him with a whole bunch of new incentives.21 At that point, the statesman’s role is in danger of becoming disturbingly ambiguous. Does the new international club provide a convenient scapegoat for the delivery of unpopular measures at home, as happened with the imposition of austerity measures in Southern European countries during the Eurozone crisis that began in 2010? Does the homogeneity of view associated with club membership – for example, adherence to the Washington Consensus or acceptance of inflation-targeting conventions – undermine otherwise legitimate protests at home? Does the new club limit the powers of domestic government through the growth of, for example, a supranational legal authority? And what happens if the views of the international statesman – and the new club he has now joined – are rejected by the nation he is supposed to represent? None of these issues is new. The scale of the problem is, however, bigger than ever before. Even as markets – in trade, capital and labour – have become ever more globalized, the institutions able to govern those markets have become ever more fragmented. In 1945, when the United Nations was founded, there were 51 member nations. In 2011, the year in which South Sudan joined, there were 193. With the collapse of the Soviet Union, there is no longer a binary choice between what might loosely be described as US-style free-market capitalism and Moscow-inspired communism.

Life is ambiguous if the objective is undefined!

whatever it means to speak of the Bible as inspired by God clearly doesn’t mean the Bible is scrubbed clean of the human experience of the writers.

I was not even shocked; it would be a lucky man indeed who lived out his natural span here. All around us, even now, plots and subterfuges were in train — a whisper here, a few ambiguous words in passing, or only a look. Sandro’s face came back to me, the swiftly masked expression when his generalship was mocked, and Piero’s, watching Domenico when he thought he was unobserved. Duke Carlo could not have inspired more hate or love in any who surrounded him, and he had been murdered.