Hang Curtains Quotes

All i have to offer is this: i hold a valid driver's license and I know the way to the hospital. I can hang curtains, flip a mattress, load a dishwasher. I can deliver a pizza, lend a steadying arm, laugh at a morbid joke and compliment a bad wig and I know the metric system. I doubt that's gonna be enough.

All I ever did to that apartment was hang fifty yards of yellow theatrical silk across the bedroom windows, because I had some idea that the gold light would make me feel better, but I did not bother to weight the curtains correctly and all that summer the long panels of transparent golden silk would blow out the windows and get tangled and drenched in afternoon thunderstorms. That was the year, my twenty-eighth, when I was discovering that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and ever procrastination, every word, all of it.

It is moonlight. Alone in the silence I ascend my stairs once more, While waves remote in pale blue starlight Crash on a white sand shore. It is moonlight. The garden is silent. I stand in my room alone. Across my wall, from the far-off moon, A rain of fire is thrown. There are houses hanging above the stars, And stars hung under the sea, And a wind from the long blue vault of time Waves my curtains for me. I wait in the dark once more, swung between space and space: Before the mirror I lift my hands And face my remembered face.

Then she did see it there - just a face, peering through the curtains, hanging in midair like a mask. A head-scarf concealed the hair and the glassy eyes stared inhumanly, but it wasn’t a mask, it couldn’t be. The skin had been powdered dead-white and two hectic spots of rouge centered on the cheekbones. It wasn’t a mask. It was the face of a crazy old woman. Mary started to scream, and then the curtains parted further and a hand appeared, holding a butcher’s knife. It was the knife that, a moment later, cut off her scream. And her head.

Adventures come to the adventurous, and mysterious things fall in the way of those who, with wonder and imagination, are on the watch for them; but the majority of people go past the doors that are half ajar, thinking them closed, and fail to notice the faint stirrings of the great curtain that hangs ever in the form of appearances between them and the world of causes behind.

They ended every speech with the word hiro, which means: like I said. Thus each man took responsibility for intruding into the inarticulate murmur of the spheres. To hiro they added the word koue, a cry of joy or distress, according to whether it was sung or howled. Thus they essayed to piece the mysterious curtain which hangs between all talking men: at the end of every utterance a man stepped back, so to speak, and attempted to interpret his words to the listener, attempted to subvert the beguiling intellect with the noise of true emotion.

She always says I'm the best friend that she's ever had... how do you hang up on someone who needs you that bad? ~From 'Laura' on The Nylon Curtain

The house was clean, scrubbed and immaculate, curtains washed, windows polished, but all as a man does it - the ironed curtains did not hang quite straight and there were streaks on the windows and a square showed on the table when a book was moved.

The sun was up, the room already too warm. Light filtered in through the net curtains, hanging suspended in the air, sediment in a pond. My head felt like a sack of pulp. Still in my nightgown, damp from some fright I'd pushed aside like foliage, I pulled myself up and out of my tangled bed, then forced myself through the usual dawn rituals - the ceremonies we perform to make ourselves look sane and acceptable to other people. The hair must be smoothed down after whatever apparitions have made it stand on end during the night, the expression of staring disbelief washed from the eyes. The teeth brushed, such as they are. God knows what bones I'd been gnawing in my sleep.

She sat staring at the heavy curtains that shut out the gentle twilit garden, thinking how few things in life were un-muddled, firmly outlined as they were surely intended to be? One could organize, direct, plan each hour in advance and still the muddle persisted. Nothing in life was really water-tight, nothing secret, nothing secure.

the majority of people go past the doors that are half ajar, thinking them closed, and fail to notice the faint stirrings of the great curtain that hangs ever in the form of appearances between them and the world of causes behind.

It was blue. All of it: rugs, hangings, curtains ... 'This room looks as if someone vomited the sky,' Layla said.

The wind was off shore, and only broke the sea's surface in to long, silvery ripples, and sent sheeny shadows flying out across it, from every point and headland, like transparent wings. The dusk was hanging a curtain of violet gloom over the sand-dunes and the headlands where gulls were huddling. The sky was faintly filmed over with scarfs of silken vapor. Cloud fleets rode at anchor along the horizons. An evening star was watching over the bar.

UP You wake up filled with dread. There seems no reason for it. Morning light sifts through the window, there is birdsong, you can't get out of bed. It's something about the crumpled sheets hanging over the edge like jungle foliage, the terry slippers gaping their dark pink mouths for your feet, the unseen breakfast--some of it in the refrigerator you do not dare to open--you will not dare to eat. What prevents you? The future. The future tense, immense as outer space. You could get lost there. No. Nothing so simple. The past, its density and drowned events pressing you down, like sea water, like gelatin filling your lungs instead of air. Forget all that and let's get up. Try moving your arm. Try moving your head. Pretend the house is on fire and you must run or burn. No, that one's useless. It's never worked before. Where is it coming form, this echo, this huge No that surrounds you, silent as the folds of the yellow curtains, mute as the cheerful Mexican bowl with its cargo of mummified flowers? (You chose the colours of the sun, not the dried neutrals of shadow. God knows you've tried.) Now here's a good one: you're lying on your deathbed. You have one hour to live. Who is it, exactly, you have needed all these years to forgive?

The sight of the freshly swept floors and neatly furled curtains unsettled Wilder. He pulled the drawers on to the floor, heaved the mattresses off the beds, and urinated into the bath. His burly figure, trousers open to expose his heavy genitalia, glared at him from the mirrors in the bedroom. He was about to break the glass, but the sight of his penis calmed him, a white club hanging in the darkness. He would have liked to dress it in some way, perhaps with a hair-ribbon tied in a floral bow.

She shook her head, and closed her eyes. I felt her weariness then, and with it, my own. I felt it dark and heavy upon me, darker and heavier than any drug they ever gave me - it seemed heavy as death. I looked at the bed. I have seemed to see our kisses there sometimes, I've seen them hanging in the curtains, like bats, ready to swoop. Now, I thought, I might jolt the post and they would only fall, and shatter, and turn to powder.

She saw beauty in ordinary little things and took pleasure in it (and this was just as well because she had had very little pleasure in her life). She took pleasure in a well-made cake, a smoothly ironed napkin, a pretty blouse, laundered and pressed; she liked to see the garden well dug, the rich soil brown and gravid; she loved her flowers. When you are young you are too busy with yourself... you haven't time for ordinary little things but, when you leave youth behind, your eyes open and you see magic and mystery all around you: magic in the flight of a bird, the shape of a leaf, the bold arch of a bridge against the sky, footsteps at night and a voice calling in the darkness, the moment in a theatre before the curtain rises, the wind in the trees, or (in winter) an apple-branch clothed with pure white snow and icicles hanging from from a stone and sparkling with rainbow colours.

I get up out of bed. I pull back the old, faded curtain and open the window. I stick my head out and look up at the sky. Sure enough, a mouldy-coloured half-moon hangs in the sky. Good. We’re both looking at the same moon, in the same world. We’re connected to reality by the same line. All I have to do is quietly draw it towards me.

She turns back to the water, and Jules looks out to the sea as well. When the mist appears, hanging in the distance like a swirling, white curtain, she grabs Arsinoe by the arm. But Arsinoe smiles. "Don't be afraid. It won't hurt us." "How do you know?" "Because she's a part of it now," Arsinoe whispers. "And she's only here to say goodbye.

When the sun was set I might perhaps go to sleep. I never let myself sleep during the day. Daytime sleep is a cursed slumber from which one wakes in despair. The sun will not tolerate it. If he can he will pry under your eyelids and prise them apart; and if you hang black curtains at your windows he will lay siege to your room until it is so stifling that at last you stagger with staring eyes to the window and tear back the curtains to see that most terrible of sights, the broad daylight outside a room where you have been sleeping.

A wound gives strange dignity to him who bears it. Well men shy from his new and terrible majesty. It is as if the wounded man's hand is upon the curtain which hangs before the revelations of all existence - the meaning of ants, potentates, wars, cities, sunshine, snow, a feather dropped from a bird's wing; and the power of it sheds radiance upon a bloody form, and makes the other men understand sometimes that they are little. His comrades look at him with large eyes thoughtfully. Moreover, they fear vaguely that the weight of a finger upon him might send him headlong, precipitate the tragedy, hurl him at once into the dim, gray unknown. ("An Episode Of War")

The bathroom’s down the hall if you want to take off your tights. I can throw ‘em in the dryer for you if you want. Or, you can hang them on the shower curtain rod.” He turned. “It’s been a long time since I’ve had a woman’s tights draped over my rod.” A quick wink and he was gone before she could do anything more than gape.

They walked in silence through the little streets of Chinatown. Women from all over the world smiled at them from open windows, stood on the doorsteps inviting them in. Some of the rooms were exposed to the street. Only a curtain concealed the beds. One could see couples embracing. There were Syrian women wearing their native costume, Arabian women with jewelry covering their half-naked bodies, Japanese and Chinese women beckoning slyly, big African women squatting in circles, chatting together. One house was filled with French whores wearing short pink chemises and knitting and sewing as if they were at home. They always hailed the passers-by with promises of specialities. The houses were small, dimly lit, dusty, foggy with smoke, filled with dusky voices, the murmurs of drunkards, of lovemaking. The Chinese adorned the setting and made it more confused with screens and curtains, lanterns, burning incense, Buddhas of gold. It was a maze of jewels, paper flowers, silk hangings, and rugs, with women as varied as the designs and colors, inviting men who passed by to sleep with them.

At some time all cities have this feel: in London it's at five or six on a winer evening. Paris has it too, late, when the cafes are closing up. In New York it can happen anytime: early in the morning as the light climbs over the canyon streets and the avenues stretch so far into the distance that it seems the whole world is city; or now, as the chimes of midnight hang in the rain and all the city's longings acquire the clarity and certainty of sudden understanding. The day coming to an end and people unable to evade any longer the nagging sense of futility that has been growing stronger through the day, knowing that they will feel better when they wake up and it is daylight again but knowing also that each day leads to this sense of quiet isolation. Whether the plates have been stacked neatly away or the sink is cluttered with unwashed dishes makes no difference because all these details--the clothes hanging in the closet, the sheets on the bed--tell the same story--a story in which they walk to the window and look out at the rain-lit streets, wondering how many other people are looking out like this, people who look forward to Monday because the weekdays have a purpose which vanishes at the weekend when there is only the laundry and the papers. And knowing also that these thoughts do not represent any kind of revelation because by now they have themselves become part of the same routine of bearable despair, a summing up that is all the time dissolving into everyday. A time in the day when it is possible to regret everything and nothing in the same breath, when the only wish of all bachelors is that there was someone who loved them, who was thinking of them even if she was on the other side of the world. When a woman, feeling the city falling damp around her, hearing music from a radio somewhere, looks up and imagines the lives being led behind the yellow-lighted windows: a man at his sink, a family crowded together around a television, lovers drawing curtains, someone at his desk, hearing the same tune on the radio, writing these words.

Alas, it has had to be that I am only able---except on a few rare occasions---to look at nature through dirty net curtains hanging before very dusty windows. And it's no pleasure looking through these any longer, because nature is just the one thing that really must be unadulterated.

think it has been left alone so long—that it has grown all into a lovely tangle. I think the roses have climbed and climbed and climbed until they hang from the branches and walls and creep over the ground—almost like a strange gray mist. Some of them have died but many—are alive and when the summer comes there will be curtains and fountains of roses. I think the ground is full of daffodils and snowdrops and lilies and iris working their way out of the dark. Now the spring has begun—perhaps—perhaps—” The soft drone of her voice was making him stiller and stiller and she saw it and went on. “Perhaps they are coming up through the grass—perhaps there are clusters of purple crocuses and gold ones—even now.

Cigarettes' cost far outweigh any resulting trimness, just as asphyxiation outweighs the benefits of stretching out the spine when you hang yourself from a shower curtain rod.

I have seemed to see our kisses there sometimes, I’ve seen them hanging in the curtains,

Everything in the world is doing its job. The ceiling sits on the walls, the walls sit on the floor, the curtains are hanging in front of the windows; they’re all doing their jobs. But when you tell yourself a story about how reality is supposed to look, you end up arguing with the ceiling or the wall, and it’s hopeless. It’s like trying to teach a cat to bark. The cat won’t ever cooperate. “No, no,” you may tell it, “you don’t understand. You should bark. It would be so much better for you if you barked. Besides, I really need you to bark. As a matter of fact, I’m going to devote the rest of my life to teaching you how to bark.” And many years later, after all your sacrifice and devotion, the cat looks up at you and says, “Meow.

And thus it seemed to her an act of devotion to conceal her misery from him. She concealed it elaborately; she was perpetually, in their talk, hanging out curtains and arranging screens.

Then Jip went up to the front of the ship and smelt the wind; and he started muttering to himself, "Tar; Spanish onions; kerosene oil; wet raincoats; crushed laurel-leaves; rubber burning; lace-curtains being washed--No, my mistake, lace-curtains hanging out to dry; and foxes--hundreds of 'em--cubs; and--" "Can you really smell all those different things in this one wind?" asked the Doctor. "Why, of course!" said Jip. "And those are only a few of the easy smells--the strong ones. Any mongrel could smell those with a cold in the head. Wait now, and I'll tell you some of the harder scents that are coming on this wind--a few of the dainty ones." Then the dog shut his eyes tight, poked his nose straight up in the air and sniffed hard with his mouth half-open. For a long time he said nothing. He kept as still as a stone. He hardly seemed to be breathing at all. When at last he began to speak, it sounded almost as though he were singing, sadly, in a dream. "Bricks," he whispered, very low--"old yellow bricks, crumbling with age in a garden-wall; the sweet breath of young cows standing in a mountain-stream; the lead roof of a dove-cote--or perhaps a granary--with the mid-day sun on it; black kid gloves lying in a bureau-drawer of walnut-wood; a dusty road with a horses' drinking-trough beneath the sycamores; little mushrooms bursting through the rotting leaves; and--and--and--" "Any parsnips?" asked Gub-Gub. "No," said Jip. "You always think of things to eat. No parsnips whatever.

Rain comes from the east one night We watch it come To hang like beaded curtains Till the morning sun Water dripping from our clothes You with raindrops on your nose Ask me sadly "Please don't go away now" Till the rain is done, I say "I'll stay now" Rain outside but inside we don't mind at all Shadows by the fire slowly climb and fall Kisses fade and leave no trace Whispers vanish into space The dawn will send me on a chase to nowhere Why cry as if I were the first to go there And I know I shouldn't be here Yes, I know I should go home But that eastern rain drones in my brain And I'm so all alone, so all alone Morning comes up from the east We watch it come And far away now rolls the ancient rain God's drum You with daybreak in your eyes Afraid to speak for telling lies I watch you search for some reply to lend me But when the rain is done There's no pretending "Eastern Rain" from Second Fret Sets

She ran to the window and nearly ripped the curtains from their hangings as she opened them to the gray mountains and bleakness of Endovier. The guards positioned beneath the window didn’t glance upward, and she gaped at the bluish-gray sky, at the clouds slipping on their shoes and shuffling toward the horizon. I will not be afraid. For the first time in a while, the words felt true. Her lips peeled into a smile. The captain raised an eyebrow, but said nothing.

It means, your worships' excellencies, that - you - can't come to it! This chicken won't fight. It means that the fat's in the fire, and the cat's out of the bag! It means confusion! Distraction! Perdition! And a tearing off of our wigs! It means the game's up, the play's over, villainy is about to be hanged and virtue about to be married, and the curtain is going to drop and the principal performer - that's I - is going to be called out amid the applause of the audience!

The curtain which through eternity has hidden the mystery of life and the mystery of death was pushed aside by a sacrilegious hand, and the mysteries ceased to be mysteries—yet they remained incomprehensible, like the Truth written in a foreign tongue.

Dust. You forget about the dust. It hangs over the landscape like a ragged curtain. It scratches your throat. The air tastes of sulphur, saltpetre, cordite, burning rubber and burning oil from the pipelines and wells sabotaged by ISIS to disrupt aerial surveillance.

The curtain rises. A vista opens across the lake. The moon hangs low above the horizon and is reflected in the water. NINA, dressed in white, is seen seated on a great rock. NINA. All men and beasts, lions, eagles, and quails, horned stags, geese, spiders, silent fish that inhabit the waves, starfish from the sea, and creatures invisible to the eye—in one word, life—all, all life, completing the dreary round imposed upon it, has died out at last. A thousand years have passed since the earth last bore a living creature on her breast, and the unhappy moon now lights her lamp in vain. No longer are the cries of storks heard in the meadows, or the drone of beetles in the groves of limes. All is cold, cold. All is void, void, void. All is terrible, terrible—[A pause] The bodies of all living creatures have dropped to dust, and eternal matter has transformed them into stones and water and clouds; but their spirits have flowed together into one, and that great world-soul am I! In me is the spirit of the great Alexander, the spirit of Napoleon, of Caesar, of Shakespeare, and of the tiniest leech that swims. In me the consciousness of man has joined hands with the instinct of the animal; I understand all, all, all, and each life lives again in me.

A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.

Did I...' 'Ser the curtains on fire?' He lifts a brow. 'Yes.' 'Oh.' I can't find it in me to be embarrassed, so I brush the backs of my fingers across the stubble along his jaw. 'And you put it out.' 'Yes. Right before I destroyed your throwing target.' He grimaces. 'I'll get you a new one.' I glance over at the armoire. 'And we...' 'Yep.' He lifts his brows. 'and I'm pretty sure you need a new chair, too.' 'That was...' I didn't even get the man's pants entirely off, and my dressing gown is haphazardly hanging from one shoulder. 'Frighteningly perfect.' He cups the side of my face. ' We should get you cleaned up and to sleep. We can worry about... your room tomorrow. Ironically, your bed is the only thing we didn't wreck.

Hollow Hall is a stone manor with a tall, crooked tower, the whole thing half-covered in vines and ivy. There's a balcony on the second floor that seems to have a rail of thick roots in place of iron. A curtain of thinner tendrils hangs down from it, like a scraggly beard clotted with dirt. There is something misshapen about the estate that ought to make it charming but instead makes it ominous.

there are restraining cuffs on each corner. Above it is an expansive iron grid suspended from the ceiling, eight-foot square at least, and from it hang all manner of ropes, chains, and glinting shackles. By the door, two long, polished, ornately carved poles, like spindles from a banister but longer, hang like curtain rods across the wall. From them swing a startling assortment of paddles, whips, riding crops, and funny-looking feathery implements.

And I came to a hill that I never saw before. I was in a dismal thicket full of black twisted boughs that tore me as I went through them, and I cried out because I was smarting all over, and then I found that I was climbing, and I went up and up a long way, till at last the thicket stopped and I came out crying just under the top of a big bare place, where there were ugly grey stones lying all about on the grass, and here and there a little, twisted stunted tree came out from under a stone, like a snake. And I went up, right to the top, a long way. I never saw such big ugly stones before; they came out of the earth some of them, and some looked as if they had been rolled to where they were, and they went on and on as far as I could see, a long, long way. I looked out from them and saw the country, but it was strange. It was winter time, and there were black terrible woods hanging from the hills all round; it was like seeing a large room hung with black curtains, and the shape of the trees seemed quite different from any I had ever seen before. I was afraid. Then beyond the woods there were other hills round in a great ring, but I had never seen any of them; it all looked black, and everything had a voor over it. It was all so still and silent, and the sky was heavy and grey and sad, like a wicked voorish dome in Deep Dendo. I went on into the dreadful rocks. There were hundreds and hundreds of them. Some were like horrid-grinning men; I could see their faces as if they would jump at me out of the stone, and catch hold of me, and drag me with them back into the rock, so that I should always be there. And there were other rocks that were like animals, creeping horrible animals, putting out their tongues, and others were like words I could not say, and others were like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked songs that they put into it; and I wanted to make faces and twist myself about in the way they did, and I went on and on a long way till at last I liked the rocks, and they didn't frighten me any more. I sang the songs I thought of; songs full of words that must not be spoken or written down. Then I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I went up to one that was grinning, and put my arms round him and hugged him.

The lightbulb in my bathroom has blown [...] at night it's dark there in a really weird way, I can stand for ages looking at everything in there, the towels hanging from the hooks, the toothbrush in the glass, the toothpaste, the razor, the shower curtain, and it's like I'm not in the room, like I shouldn't be there, like I'm seeing things how they are when I'm not there, do you understand what I mean? And that I shouldn't be, that somehow I'm a hindrance, but that's almost why I stay there.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

I wish I had the words to paint the strange enchantment of İzmir: the little crooked streets with their air of secrecy and squalor; the haphazard shops in the side ways; the open carriages and the noisy trams and the hooting of the boats, overriding all other sounds; the casinos fronting the harbor, with the never ending strains of music issuing from them; the hot sunlight and the blue sky and the golden sands, the tree-lined roads and the wistaria and bougainvillaea that hangs everywhere like a scented purple curtain.

Yeah, babe," he assured me, whipping open the shower curtain. His body was a freckled mess of jerking muscles and stubble. He shaved his chest almost daily. He had a scar on his rib cage from where he'd been stabbed in a bar fight, he told me. He had all kinds of stories. He said back home in Cleveland he used to hang around with gangsters. He spent a night in jail once after beating up a pimp who he's seen kick a German shepherd - a sacred animal, he explained. Only his story of burning down an abandoned house when he was sixteen had the ring of truth.

Reading Chip's college orientation materials, Alfred had been struck by the sentence New England winters can be very cold. The curtains he'd bought at Sears were of a plasticized brown-and-pink fabric with a backing of foam rubber. They were heavy and bulky and stiff. "You'll appreciate these on a cold night," he told Chip. "You'll be surprised how much they cut down drafts." But Chip's freshman roommate was a prep-school product named Roan McCorkle who would soon be leaving thumbprints, in what appeared to be Vaseline, on the fifth-grade photo of Denise. Roan laughed at the curtains and Chip laughed, too. He put them back in the box and stowed the box in the basement of the dorm and let it gather mold there for the next four years. He had nothing against the curtains personally. They were simply curtains and they wanted no more than what any curtains wanted - to hang well, to exclude light to the best of their ability, to be neither too small nor too large for the window that it was their task in life to cover; to be pulled this way in the evening and that way in the morning; to stir in the breezes that came before rain on a summer night; to be much used and little noticed. There were numberless hospitals and retirement homes and budget motels, not just in the Midwest but in the East as well, where these particularly brown rubber-backed curtains could have had a long and useful life. It wasn't their fault that they didn't belong in a dorm room. They'd betrayed no urge to rise above their station; their material and patterning contained not a hint of unseemly social ambition. They were what they were. If anything, when he finally dug them out of the eve of graduation, their virginal pinkish folds turned out to be rather less plasticized and homely and Sears-like than he remembered. They were nowhere near as shameful as he'd thought.

So would you like to go?” “I—” I rub my hand over the material of my hospital gown, and my stomach twists. Even this frock is nicer than anything I have back at home. The thought fills me with shame. “I don’t know.” “What?” Lucy flings her arms out, appalled. “Of course you do! You were just telling me last night you wished he’d—” I throw the pillow at her. “That’s quite enough out of you!” I drag the curtain hanging from the ceiling closed around her bed and turn back to face August, embarrassment making me sweat. “I’m sorry about her. She can be…” “I can still hear you!” “No, you can’t,” I retort, crossing my arms.

A July evening, after a tar-melter of a day, and Broad Street was quiet and muffled with summer, the entire town was dozy with summer, and even as the summer peaked so it began to fade. Dogs didn’t know what had hit them. They walked around with their tongues hanging out and their eyes rolling and they lapped forlornly at the drains. The old were anxious, too: they twitched the curtains to look up the hills, and flapped themselves with copies of the RTE Guide to make a parlour breeze. Later, after dark, the bars would be giddy with lager drinkers, but it was early yet, and Broad Street was bare and peaceful in the blue evening.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

The large drawing-room was an immense, long room, with a sort of gallery that ran from one pavilion to the other, taking up the whole of the façade on the garden side. A large French window opened on to the steps. This gallery glittered with gold. The ceiling, gently arched, had fanciful scrolls winding round great gilt medallions, that shone like bucklers. Bosses and dazzling garlands encircled the arch; fillets of gold, resembling threads of molten metal, ran round the walls, framing the panels, which were hung with red silk; festoons of roses, topped with tufts of full-blown blossoms, hung down along the sides of the mirrors. An Aubusson carpet spread its purple flowers over the polished flooring. The furniture of red silk damask, the door-hangings and window-curtains of the same material, the huge ormolu clock on the mantel-piece, the porcelain vases standing on the consoles, the legs of the two long tables

When I wake, it seems a little less hot than usual, so I’m worried I have a fever until light flashes behind the curtains and the sound of a detonation rolls in with a force that makes the windows rattle. As I step outside with a plastic bag over my cast, a stiff breeze pulls my hair away from my face, and I see the pregnant clouds of the monsoon hanging low over the city. The rains have finally decided to come. I sit down on the lawn, resting my back against the wall of the house, and light an aitch I’ve waited a long time to smoke. Suddenly the air is still and the trees are silent, and I can hear laughter from my neighbor’s servant quarters. A bicycle bell sounds in the street, reminding me of the green Sohrab I had as a child. Then the wind returns, bringing the smell of wet soil and a pair of orange parrots that swoop down to take shelter in the lower branches of the banyan tree, where they glow in the shadows.

I stood here in this kitchen elaborating and embellishing this fantasy for some time instead of taking responsibility for what was happening around me because in truth what really tormented me was that all this filth and disorder offended my engineer’s sense of structure, everything out of place and proper alignment, everything gathering towards some point of chaos beyond which it would be impossible to restore the place to its proper order and yet I stood looking at it, locked into a silent battle with the house itself and all the things which were slowly vacating their proper place, furniture and dishes and cutlery all over the place, curtains hanging awry and chairs and tables strewn about while books and papers slid across the floor, everything slowly shifting through the house as if they had a meeting to keep somewhere else, possibly in some higher realm where all this chaos would resolve into a refined harmony which had no need of my hand or intervention

PERCY AND PADFOOT Harry was the first to awake in his dormitory next morning. He lay for a moment watching dust swirl in the chink of sunlight falling through the gap in his four-poster’s hangings and savored the thought that it was Saturday. The first week of term seemed to have dragged on forever, like one gigantic History of Magic lesson. Judging by the sleepy silence and the freshly minted look of that beam of sunlight, it was just after daybreak. He pulled open the curtains around his bed, got up, and started to dress. The only sound apart from the distant twittering of birds was the slow, deep breathing of his fellow Gryffindors. He opened his schoolbag carefully, pulled out parchment and quill, and headed out of the dormitory for the common room. Making straight for his favorite squashy old armchair beside the now extinct fire, Harry settled himself down comfortably and unrolled his parchment while looking around the room. The detritus of crumpled-up bits of parchment, old Gobstones, empty ingredient jars, and candy wrappers that usually covered the common room at the end of each day was gone, as were all Hermione’s elf hats. Wondering vaguely how many elves had now been set free whether they wanted to be or not, Harry uncorked his ink bottle, dipped his quill into it,

the Man of Fancy preceded the company to another noble saloon, the pillars of which were solid golden sunbeams taken out of the sky in the first hour in the morning. Thus, as they retained all their living lustre, the room was filled with the most cheerful radiance imaginable, yet not too dazzling to be borne with comfort and delight. The windows were beautifully adorned with curtains made of the many-colored clouds of sunrise, all imbued with virgin light, and hanging in magnificent festoons from the ceiling to the floor. Moreover, there were fragments of rainbows scattered through the room; so that the guests, astonished at one another, reciprocally saw their heads made glorious by the seven primary hues; or, if they chose,—as who would not?—they could grasp a rainbow in the air and convert it to their own apparel and adornment. But the morning light and scattered rainbows were only a type and symbol of the real wonders of the apartment. By an influence akin to magic, yet perfectly natural, whatever means and opportunities of joy are neglected in the lower world had been carefully gathered up and deposited in the saloon of morning sunshine. As may well be conceived, therefore, there was material enough to supply, not merely a joyous evening, but also a happy lifetime, to more than as many people as that spacious apartment could contain.

For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.

Mom was very warm and loving. My favorite moments with her were spent in the kitchen, helping her make biscuits or chicken and dumplings. She would use our time together to share life lessons or talk about the Bible. She always had time for me. She used to take me with her to deliver food to some of the hungry people around our part of the river. “We’re all just people,” Mom would say. “Every race, every color, we all have the same blood.” We used to take garden vegetables to a woman who lived nearby. She’d had eighteen children but was older now and very poor. Mom knew I was still young, and she was worried about what I might say, so she tried to prepare me in advance. “Look, her stuff’s going to be different, so don’t make a big to-do about it.” When I walked into the older woman’s rickety house for the first time, I noticed she had a bed sheet hanging in the kitchen doorway instead of a door. “That’s pretty,” I said, pointing to the sheet-curtain. Mom looked at me, raising her eyebrows. I ran through it a couple of times, pretending I was a superhero busting through a wall. Next, I noticed her old-fashioned rotary dial phone. “I never saw a phone that color before,” I said. Mom held her breath, nervous. “That’s pretty,” I added. Mom gave the woman the food we had brought, and as we left, I didn’t want her to think we were going to forget her. “My mom’s going to bring more stuff. She’s got lots of it,” I volunteered. I think I made my mama proud and didn’t embarrass her too much. She always says I have a tender heart and that my oldest brother, Alan, and I are most like her.

She stepped up to the door and knocked. The television voice cut off, replaced by the sound of pattering activity. “Just a moment,” said a male voice. The door opened. It was Martin, aka Theodore the gardener, in pajama pants and no top, a towel hanging around his neck. Unclothed, he had the kind of build that made her want to say, “Yow.” She was glad she was wearing her favorite dress. “Trick or treat?” she said. “What?” “Sorry to interrupt.” She indicated the towel. “You’re working out?” “Miss, uh, Erstwhile, right? Yes, hello. No, I just couldn’t find my shirt. Are you lost?” “No, I was walking and I…I don’t suppose you could give me the Knicks-Pacers score?” Martin stared blankly for a moment, then looking around as if trying to spy out eavesdroppers, pulled her inside and shut the door behind her. “You could hear that?” “The TV? Yes, a little, and I saw the light through your window.” “Blasted paper-thin curtains.” He grimaced and ran his fingers through his hair. “You are going to catch me at everything bad, aren’t you? Let’s hope you’re not her spy. She’ll have my balls for stew.” “Who, Mrs. Wattlesbrook?” “Yes, in whose presence I signed a dozen nondisclosure and proper-behavior and first-child and I don’t know what other kinds of promises, in one of which I swore to keep any modern thingies out of sight of the guests.” “Tell me that Wattlesbrook isn’t her real name.” “It is, actually.” “Oh, no,” she said with a laugh in her voice. “Oh, yes.” He sat on the edge of his bed. “I take it, then, you’re not spying for her? Good. Yes, dear Mrs. Wattlesbrook, descended from the noble water buffalo. It’s a decent job, though. Best pay for being a gardener I’ve ever had.” He met her eyes. “I’d hate to lose it, Miss Erstwhile.” “I’m not going to tattletale,” she said in tired big-sister tones. “And you can’t call me Miss Erstwhile when you have a towel around your neck. To real people I’m Jane.” “I’m still Martin.

I knew the Tam were already a success by the greeting I got. The women in their canoes in the middle of the lake called out loud hellos that I heard over my engine, and a few men and children came down to the beach and gave me big floppy Tam waves. A noticeable shift from the chary welcome we’d received six weeks earlier. I cut the engine and several men came and pulled the boat to shore, and without my having to say a word two swaybacked young lads with something that looked like red berries woven in their curled hair led me up a path and down a road, past a spirit house with an enormous carved face over the entryway—a lean and angry fellow with three thick bones through his nose and a wide open mouth with many sharp teeth and a snake’s head for a tongue. It was much more skilled than the Kiona’s rudimentary depictions, the lines cleaner, the colors—red, black, green, and white—far more vivid and glossy, as if the paint were still wet. We passed several of these ceremonial houses and from the doorways men called down to my guides and they called back. They took me in one direction then, as if I wouldn’t notice, turned me around and doubled back down the same road past the same houses, the lake once again in full view. Just when I thought their only plan was to parade me round town all day, they turned a corner and stopped before a large house, freshly built, with a sort of portico in front and blue-and-white cloth curtains hanging in the windows and doorway. I laughed out loud at this English tea shop encircled by pampas grass in the middle of the Territories. A few pigs were digging around the base of the ladder. From below I heard footsteps creaking the new floor. The cloth at the windows and doors puffed in and out from the movement within. ‘Hallo the house!’ I’d heard this in an American frontier film once. I waited for someone to emerge but no one did, so I climbed up and stood on the narrow porch and knocked on one of the posts. The sound was absorbed by the voices inside, quiet, nearly whispery, but insistent, like the drone of a circling aeroplane. I stepped closer and pulled the curtain aside a few inches. I was struck first by the heat, then the smell. There were at least thirty Tam in the front room, on the floor or perched oddly on chairs, in little groups or even alone, everyone with a project in front of them. Many were children and adolescents, but

He wrenched the hangings shut around his four-poster, leaving Harry standing there by the door, staring at the dark red velvet curtains, now hiding one of the few people he had been sure would believe him.

The groom curses in the bathroom, a dropped metal thing. I have a sister now, too, I think. To Clover, I say, “When he what?” “He waited until I was on the phone,” she says. “I guess he thought that’d be a good way for him to.” “For him to what?” “For him to. He shot himself.” She describes the smell of burning, the smear of blood still on her. The groom draws the curtains, revealing the lake and sky. I clamber under the sheets, still naked. Thousands of miles above, a plane glides out from a bank of navy clouds. Clover says, the nurses. The name of the hospital. The plane reveals itself again. I think of the passengers, feet swinging over plastic seats, watching movie screens above the city’s grid. The conflation of tin and sky. For a moment, Danny is a small thing seen from thousands of miles above. I’m not certain I know him or the woman on the phone who is overcome with tears. I tell her I’ll come to the hospital and hang up. “One of my clients shot himself,” I say. “He’s at the hospital.” “He’s alive?” the groom says. “No,” I say. He frowns. “If he’s dead, he wouldn’t be at the hospital.” “He was still alive when they … Is this the fucking point?” “I don’t know why I’m arguing. I’m sorry.

Curtains are fabric pieces that hang from a rod or track and are used for decoration and privacy. They come curtains in Auckland in a variety of styles, sizes, and materials, and can be tailored to fit windows of different shapes and sizes. Curtains can be opened and closed to control the amount of light entering a room, and are often used in conjunction with blinds or shades to provide additional privacy and light control.

I stare at the mirro rover the kitchen sink. The no-hair guy staring back at me looks so strange now. He's like a different person with all uneven patches on his scalp. He looks thinner. I can see his cheekbones sticking out where his blond curtains used to hang. How long has this guy been under my hair? I don't like him. 'I'm going to kill you later today,' I say to that guy in the mirror, and he just smiles back at me like he can't wait. 'Promise?' I hear someone say, which freaks me out, because my lips didn't move.

When you are young you are too busy with yourself — so Caroline thought — you haven’t time for ordinary little things, but, when you leave youth behind, your eyes open and you see magic and mystery all around you: magic in the flight of a bird, the shape of a leaf, the bold arch of a bridge against the sky, footsteps at night and a voice calling in the darkness, the moment in a theatre before the curtain rises, the wind in the trees, or (in winter) an apple-branch clothed with pure white snow and icicles hanging from a stone and sparkling with rainbow colours.

By any measure, the PiL show was a catastrophe for the band, but they left the Olympic with a new resolve. Says Pérez, “Because it was kind of a big deal for us, our wives came with us, and everyone in the family came, and they were all hanging out in the wings of the backstage area. We went around the curtain and went back. Our families were in tears. I had spit hanging from my chin. But

That, my friend, I do not tell.' 'Nonsense. Why not?' Poirot's eyes twinkled. 'Because, mon cher, you are the same old Hastings. You have still the speaking countenance. I do not wish, you see, that you should sit staring at X with your mouth hanging open, your face saying plainly: "This -- this that I am looking at -- is a murderer." ' 'You might give me credit for a little dissimulation at need.' 'When you try to dissimulate, it is worse. No, no, mon ami, we must be very incognito you and I. Then, when we pounce, we pounce.' -

She wanted only to have a small space of their own, so they could sleep without her siblings in the room. She wanted to be able to work in a shop and earn some money without having to take her hijab off and show her body. She wanted to live in the caliphate under the protection of Islamic laws, practicing her religion without anxiety, social judgment, and public shaming. She wanted to hang curtains that she had chosen and watch them flutter in the breeze as she cooked dinner in her own kitchen. She wanted to be free of having to hold her tongue when her parents told her what to do, because they were living off their generosity and she could not.

My room was... a dream. ... Like the upstairs living area, its windows were open to the brutal world beyond- no glass, no shutters- and sheer amethyst curtains fluttered in that unnatural soft breeze. The large bed was a creamy white-and-ivory concoction, with pillows and blankets and throws for days, made more inviting by the twin golden lamps beside it. An armoire and dressing table occupied a wall, framed by those glass-less windows. Across the room, a chamber with a porcelain sink and toilet lay behind an arched wooden door, but the bath... The bath. Occupying the other half of the bedroom, my bathtub was actually a pool, hanging right off the mountain itself. A pool for soaking and or enjoying myself. Its far edge seemed to disappear into nothing, the water flowing silently off the side and into the night beyond. A narrow ledge on the adjacent wall was lined with fat, guttering candles whose glow gilded the dark, glassy surface and wafting tendrils of steam. Open, airy, plush, and... calm. The room was fit for an empress. With the marble floors, silks, velvets, and elegant details, only an empress could have afforded it. I tried not to think what Rhys' chamber was like, if this was how he treated his guests. Guest- not prisoner. Well... the room proved it.

had to buy Ava a second bookshelf to house all of them, she was keeping a portion of the books in storage containers, we had to stop that. Since moving into the apartment I completely transformed the balcony into a reader’s paradise because that’s where Ava spent most of her waking hours when I was away. I installed a fan that was pointed directly at her wicker hanging loveseat. It was big enough to fit two people so her petite frame fit in the chair perfectly. It was black and turquoise, her favorite colors and that was probably her favorite piece of furniture. I also added waterproof blackout curtains to provide privacy or shade when Ava wanted it. There were two other patio chairs and a glass table for times when I sat outside with her. She placed her turquoise tassel bookmark in the book to save her position and peered up at me, clearly comfortable in her position.

Depressive episodes closed around him like curtains and could hang there for weeks.

By the time I’d made it to Get Mugged’s cross street, I was wetter and warmer, which is not as sexy as it sounds. I turned down the street and spotted the roofline of Get Mugged. The neighborhood had gone through some heavy reconstruction. Buildings had been torn down, leaving behind dirt, concrete, and gravel. There were two buildings left standing: Get Mugged and an empty warehouse with boarded-up windows. Get Mugged held down the corner of the block, a coffee-scented old broad wearing too much paint and plaster to cover her age but still turning over clients like a dime-store hooker. The warehouse looked like Get Mugged’s meth-mouthed sister, broken, rotting from the inside out, spongy, and frail. For years, people had wanted to turn this area into boutique shopping. A building would go up, something would move in, and before there was time to hang curtains, the business would bankrupt. Enough of that had left the whole block looking a little like an unmade bed.

Illusions of a lover! Illusions have neither a past nor any present, They always seem to hang in the moments of the future, For when experienced one never knows what they mean or represent, But they always arise from the person’s conscience and the stature, As for those who are in love everything is an illusion, When with her even real appears more real, When not with her even real seems unreal, a sort of hallucination, A dawn of new reality where everything is surreal, Only her smiles, her charms, her kisses, and her deep eyes exist, And the heart seeks its indulgences in them, And ah how much like a wanton kid it does persist, To only chase her, and seek her as if she were the most precious gem, The sun peeps in from the still and motionless curtains, And the weary eyes open hoping its rays will bring her along, But then everything drowns in the loud calls of martins, Until every sound resembles her voice and her beautiful song, Then nothing exists, neither the Sun, nor the curtains, and not even martins, Only your song and your endless memories, And the heart dutifully warbles to mind these emotional bulletins, So, I rest my head on a pile of your feelings and bid farewell to all my worries! And now it is me and your feelings spread all over, The heart stops beating, the mind stops to think, For now Irma, begins the journey called forever, Where moments do not pass as eyes blink, Because the heart does not beat and the mind does not think, Making time irrelevant and unnecessary, And as in this moment called forever we sink, We now only seek what is necessary, You, your memories, your charms and your smiles, As this restful state extends into eternity, It marks an end of life’s tribulations and trials, Because now your feelings envelope me to create a new feeling of serenity!

A god of war is also the god of those who are caught in the wheel of eternal struggle, who fight on despite knowledge of certain defeat, who stand with their companions against spear and catapult and gleaming metal, armed with only their pride, who strive and assay and press and toil, all the while knowing that they cannot win.’ ‘You are not only the god of the strong, but also the god of the weak. Courage is better displayed when it seems all is lost, when despair appears the only rational course.’ ‘True courage is to insist on seeing when all around you is darkness.’ And Fithowéo stood up and ululated. As his voice filled the cave walls and bounced back to his ears, he seemed to see the stalactites hanging overhead like bejeweled curtains, the stalagmites growing out of the ground like bamboo shoots, the bats careening through the air like battle kites, the night-blooming orchids and cave roses blooming like living treasure—the cave was filled with light. The god of war laughed and bowed down to the orchid and kissed her. ‘Thank you for showing me how to see.’ ‘I am but the lowest of the Hundred Flowers,’ said the orchid. ‘But the tapestry of Dara is woven not only from the proud chrysanthemum or the arrogant winter plum, the bamboo who holds up great houses or the coconut who provides sweet nectar and pleasing music. Chicory, dandelion, butter-and-eggs, ten thousand species of orchids, and countless other flowers—we have no claim to the crests of the great noble families, and we are not cultivated in gardens and not gently caressed by the fingers of great ladies and eager courtiers. But we also fight our war against hail and storm, against drought and deprivation, against the sharp blade of the weeding hoe and the poisonous emanations of the herbicide-sprayer. We also have a claim on time, and we deserve a god who understands that every day in the life of the common flower is a day of battle.’ And Fithowéo continued to ululate, letting his throat and ears be his eyes, until he strode out of the cave, emerged into the sunlight, and picked up two pieces of darkest obsidian and placed them in his eye sockets so that he had eyes again. Though they were blind to light, they sowed fear into all who gazed into them.

Much better were the quiet afternoons in the dim light ... my legs hanging from the end of the bed while he kneeled before my body as if in supplication. I was a greedy lover, he teased, and I was, I was, this desire, this pleasure, unknown and new. Light streamed into my bedroom early in the autumn through the thin lace curtains. The morning after Jude spent the night at my house for the first time, I turned to look at him beside me. He looked old. Not older, old.

But here I am, having worked so hard and for so long that I’ve made myself sick. And worst of all, I’ve nearly forgotten how to rest. I’m tired, inevitably. But it’s more than that. I’m hollowed out. I’m tetchy and irritable, constantly feeling like prey, believing that everything is urgent and that I can never do enough. And my house—my beloved home—has suffered a kind of entropy in which everything has slowly collapsed and broken and worn out, with detritus collecting on every surface and corner, and I have been helpless in the face of it. Since being signed off sick, I’ve been forced to lean back on the sofa and stare at the wreckage for hours at a time, wondering how the hell it got so bad. There’s not a single soothing place left in the house, where you can rest a while without being reminded that something needs to be mended or cleaned. The windows are clouded with the dusty veil of a hundred rainstorms. The varnish is wearing from the floorboards. The walls are dotted with nails that are missing their pictures or holes that should be filled and painted over. Even the television hangs at a drunken angle. When I stand on a chair and empty the top shelf in the wardrobe, I find that I have meant to replace the bedroom curtains at least three times in the last few years, and every bundle of fabric I’ve bought has ended up folded neatly and stowed away, entirely forgotten. That I’m noticing these things only now that I’m physically unable to remedy them feels like the kind of exquisite torture devised by vengeful Greek gods. But here it is: my winter. It’s an open invitation to transition into a more sustainable life and to wrest back control over the chaos I’ve created. It’s a moment when I have to step into solitude and contemplation. It’s also a moment when I have to walk away from old alliances, to let the strings of some friendships fall loose, if only for a while. It’s a path I’ve walked over and over again in my life. I have learned the skill set of wintering the hard way.

Mary and I are about as unalike as two sisters can be. Our stories are similar in many ways, but we told them to ourselves so differently. We tried to get along, but mostly we only pretended to. Now, at the end of our time together, as she asks me to make the same promise to her that she made to her mama, we won’t even be able to pretend. “I promise I’ll do what I believe is best.” Mary turns toward the dim glow of the curtained window. “Mother was right. You Powell women never could be trusted.

As far back as I can remember, my father ran a prosperous interior decorating business, with many people working for him making drapes and lace curtains, as well as hanging wallpaper and doing upholstery. He did a good deal of contract work for wealthy and important people in the Dutch city of The Hague.

He’s even more handsome than I remembered, is the first thought that flashes by when our eyes collide. His blond hair hangs over his face like an open curtain, swept to one side for my eyes to feast on the other side of his face. Smooth, pale skin, a square jaw, straight nose and big eyes. He blinks them, and my gaze focuses on the long, blond lashes that frame those emeralds, elegant in their curve upward, leading to darker, perfectly arched brows.

Like the upstairs living area, its windows were open to the brutal world beyond—no glass, no shutters—and sheer amethyst curtains fluttered in that unnatural, soft breeze. The large bed was a creamy white-and-ivory concoction, with pillows and blankets and throws for days, made more inviting by the twin golden lamps beside it. An armoire and dressing table occupied a wall, framed by those glass-less windows. Across the room, a chamber with a porcelain sink and toilet lay behind an arched wooden door, but the bath … The bath. Occupying the other half of the bedroom, my bathtub was actually a pool, hanging right off the mountain itself. A pool for soaking or enjoying myself. Its far edge seemed to disappear into nothing, the water flowing silently off the side and into the night beyond. A narrow ledge on the adjacent wall was lined with fat, guttering candles whose glow gilded the dark, glassy surface and wafting tendrils of steam. Open, airy, plush, and … calm. This room was fit for an empress. With the marble floors, silks, velvets, and elegant details, only an empress could have afforded it.

What is the meaning of all this?" in the same breath inquired the father and son. Cap slapped her hands on her hips, tossed her head back, and whirling around, replied : "It means, your worships' excellencies, that–you–can't come it! it's no go! this chicken won't fight. It means that the fat's in the fire, and the cat's out of the bag! It means confusion! distraction! perdition! and a tearing off of our wigs! It means the game's up, the play's over, villainy is about to be hanged and virtue about to be rewarded, and the curtain is going to drop and the principal performer–that's I–is going to be called out amid the applause of the audience!" Then, suddenly changing her mocking tone to one of great severity, she said: "It means that you have been outwitted by a girl! It means that your purposed victim has fled, and is by this time in safety! It means that you two, precious father and son, would be a pair of knaves if you had sense enough; but, failing in that, you are only a pair of fools!

What’s this! When we last left this pair in 1923, did not Anna Urbanova dismiss the Count with a definitive instruction to “draw the curtains”? And when he closed the door behind him with a click, did he not assume the aspect of a ghost before drifting forlornly to the roof? And now, as she slips beneath the bedcovers, this once haughty figure offers a smile suggestive of patience, tenderness, even gratitude—traits that are mirrored almost exactly in the smile of her former adversary as he hangs the white jacket of the Boyarsky on the back of a chair and begins to unbutton his shirt! What possibly could have happened to reunite these contrary souls? What twisting path could have led them to suite 311 and back into each other’s arms?

I’m going to skin him alive and hang his hide over my office window as a curtain!

Building with Its Face Blown Off How suddenly the private is revealed in a bombed-out city, how the blue and white striped wallpaper of a second story bedroom is now exposed to the lightly falling snow as if the room had answered the explosion wearing only its striped pajamas. Some neighbors and soldiers poke around in the rubble below and stare up at the hanging staircase, the portrait of a grandfather, a door dangling from a single hinge. And the bathroom looks almost embarrassed by its uncovered ochre walls, the twisted mess of its plumbing, the sink sinking to its knees, the ripped shower curtain, the torn goldfish trailing bubbles. It's like a dollhouse view as if a child on its knees could reach in and pick up the bureau, straighten a picture. Or it might be a room on a stage in a play with no characters, no dialogue or audience, no beginning, middle, and end– just the broken furniture in the street, a shoe among the cinder blocks, a light snow still falling on a distant steeple, and people crossing a bridge that still stands. And beyong that–crows in a tree, the statue of a leader on a horse, and clouds that look like smoke, and even farther on, in another country on a blanket under a shade tree, a man pouring wine into two glasses and a woman sliding out the wooden pegs of a wicker hamper filled with bread, cheese, and several kinds of olives.

I am going to tell a story: Once Upon A Time there was a man and a woman. The man and the woman were dreaming. The man and the woman dreamed each other and when they finished dreaming they had invented each other. So I am going to tell the story of a dream: Once upon a time there was a couple: the ideal couple, the perfect couple, the archetypal couple, who would combine in their two faces the features of all the lovers of history, all those who might have been able to fall in love with each other, all those ever imagined by the poets, and all those unimagined yet. They were (or would be) Abelard and Héloïse, Venus and Tannhäuser, Hamlet and Ophelia, Agathe and Ulrich, Solomon and the Shulamite maiden, the Consul and Yvonne, Daphnis and Chloe, Percy and Mary Shelley, the narrator and Albertine, Jocasta and Oedipus, Hans Castorp and Clavdia Chauchat, Pygmalion and Galatea, Othello and Desdemona, Penelope and Ulysses, Baudelaire and Jeanne Duval, Laura and Petrarch, Humbert Humbert and Lolita, Elizabeth Barrett and Robert Browning, Alonso Quijano and Dulcinea, Leda and the Swan, Adam and Eve, Wagner and Cosima, Pelléas and Mélisande, Cleopatra and Mark Antony, Calisto and Melibea, Faust and Gretchen, Orpheus and Eurydice, Romeo and Juliet, Heathcliff and Cathy, Tristan and Isolde, Rilke and Lou Andreas-Salome, Jason and Medea, Miranda and Ferdinand, Kafka and Milena, Electra and Agamemnon, Don Juan and Thisbe, von Aschenbach and Tadzio, Poe and Annabel Lee, Borges and Matilde Urbach. As the curtain rises they are kissing each other passionately in the middle of a steamy, shadowed park, underneath the pines. Is this not perhaps the ideal beginning of any love story? Not to forget that there is also a unicorn, a tree laden with garnet-colored fruit, and a large neon sign hanging above them both that reads: A Mon Suel Desir. If we look carefully we will notice that the park is surrounded by water on all sides—that is, this is an island. The story might well begin at any moment.

I followed her through the house into a surprisingly large kitchen with yellow and white checkered curtains hanging in the windows. A green ceramic frog with a dish scrubber in his mouth sat on the side of the sink and a cheery red tea kettle was on the spotless white stove. All together it looked like a completely normal kitchen—there was nothing witchy about it at all except for a huge black pot hanging from the rack over the oven. Gwendolyn saw me eyeing it and grinned. “That’s Grams’ gumbo pot. She always says you can’t make good authentic roux in anything but cast iron.” “Oh,” I said. “I thought—” “That we were hunched over the cauldron cackling and brewing spells?” She arched an eyebrow at me. “Sorry,” I said. “I guess there’s a lot about witches I don’t know.” “That’s okay—apparently there’s a lot about vamps I don’t know,” she said, opening a spotless white refrigerator. She brought out a mason jar and held it up.

Excerpted From Chapter One “Rock of Ages” floated lightly down the first floor corridor of the Hollywood Hotel’s west wing. It was Sunday morning, and Hattie Mae couldn’t go to church because she had to work, so she praised the Lord in her own way, but she praised Him softly out of consideration for the “Do Not Disturb” placards hanging from the doors she passed with her wooden cart full of fresh linens and towels. Actually Sundays were Hattie Mae’s favorite of the six days she worked each week. For one thing, her shift ended at noon on Sundays. For another, this was the day Miss Lillian always left a “little something” in her room to thank Hattie Mae for such good maid service. Most of the hotel’s long-term guests left a little change for their room maids, but in Miss Lillian’s case, the tip was usually three crinkly new one dollar bills. It seemed like an awful lot of money to Hattie Mae, whose weekly pay was only nineteen dollars. Still, Miss Lillian Lawrence could afford to be generous because she was a famous actress in the movies. She was also, Hattie Mae thought, a very fine lady. When Hattie Mae reached the end of the corridor, she knocked quietly on Miss Lillian’s door. It was still too early for most guests to be out of their rooms, but Miss Lillian was always up with the sun, not like some lazy folks who laid around in their beds ‘til noon, often making Hattie Mae late for Sunday dinner because she couldn’t leave until all the rooms along her corridor were made up. After knocking twice, Hattie Mae tried Miss Lillian’s door. It opened, so after selecting the softest towels from the stacks on her cart, she walked in. With the curtains drawn the room was dark, but Hattie Mae didn’t stop to switch on the overheard light because her arms were full of towels. The maid’s eyes were on the chest of drawers to her right where Miss Lillian always left her tip, so she didn’t see the handbag on the floor just inside the door. Hattie Mae tripped over the bag and fell headlong to the floor, landing inches from the dead body of Lillian Lawrence. In the dim light Hattie Mae stared into a pale face with a gaping mouth and a trickle of blood from a small red dot above one vacant green eye. Hattie Mae screamed at the top of her lungs and kept on screaming.

But not without help from the NASA Technical Services Division. A flag doesn’t fly without wind. The moon has no atmosphere to speak of, and thus no wind. And though it has only about a sixth the gravity of Earth, that is enough to bring a flag down in an inglorious droop. So a crossbar was hinged to the pole and a hem sewn along the top of the flag. Now the Stars and Stripes would appear to be flying in a brisk wind—convincingly enough to prompt decades of moon hoax jabber—though in fact it was hanging, less a flag than a diminutive patriotic curtain.

Even angry she was beautiful”. Even tired. Even sick. Even one crazy night later. Even with two broken ribs. Even, even, even. An eye hangs in front of me. Always watching. How silly for me to care about being pretty. But I care about being pretty. Do men feel like this? Even alone sometimes I catch myself fixing, tidying. I cross windows no one can see in and I worry that someone will see in. I lock the bathroom door and have strange, unlikely thoughts about people who will sneak in and rip the curtain off the rod and see me naked. Sometimes, in the worst moments, I wonder: what if there’s a camera and people are seeing this ugliness. My mother taught me to plan underwear in such a way that if they found your body you wouldn’t be embarrassed. It seems insane until you watch six seconds of television; where our dead bodies are almost always mostly naked, even beautiful in death. I worry I will die in an unflattering position. “Who cares what they think?” I ask myself. I don’t even want the attention of men. Dressing for the attention of men on a daily basis is a dangerous thing and isn’t sustainable on the metro system. I want the attention of other women. But I still look in the mirror and adjust things. I do this and don’t think about men. I wear makeup and it’s not for men. I sit pretty in traffic and it’s not for men. This eye, I guess. The “them”. It never blinks. Maybe I am the one who is watching. The woman in the comic book has been kidnapped and tortured. We zoom in on her lips. Beautiful. Even then.

this with a very good purpose, for where the dykes run zigzag over Romney Marsh a thick mist arises some eight feet high, and even upon nights of full moon these mists hang about the dykes like heavy rolls of a spider's web, contrasting strangely with the rest of the country, which is all bright and easily seen. And now Jerk had to ride even faster than before, for the packponies, entirely hidden by the mist curtains, were circled and circled all the way by the galloping demons and jack-o'lanterns, these last swinging their pole lights round their heads and uttering strange cries like those of the Marsh fowl, weird and ominous. This accounted, then, for all the ghost tales he had heard, for all the ghostly things those not in the secret had seen upon the Marsh, and a very clever scheme Jack thought it was, and a very good way of clearing the ground of the curious. For there is no power like superstition, and nothing that spreads quicker or is more grossly exaggerated than tales of horror and fear. So on they rode in wild circles round and round the packponies. Beelzebub

ESTRAGON: You say we have to come back tomorrow? VLADIMIR: Yes. ESTRAGON: Then we can bring a good bit of rope. VLADIMIR: Yes. Silence. ESTRAGON: Didi? VLADIMIR: Yes. ESTRAGON: I can't go on like this. VLADIMIR: That's what you think. ESTRAGON: If we parted? That might be better for us. VLADIMIR: We'll hang ourselves tomorrow. ( Pause. ) Unless Godot comes. ESTRAGON: And if he comes? VLADIMIR: We'll be saved. Vladimir takes off his hat (Lucky's), peers inside it, feels about inside it, shakes it, knocks on the crown, puts it on again. ESTRAGON: Well? Shall we go? VLADIMIR: Pull on your trousers. ESTRAGON: What? VLADIMIR: Pull on your trousers. ESTRAGON: You want me to pull off my trousers? VLADIMIR: Pull ON your trousers. ESTRAGON: ( realizing his trousers are down) . True. He pulls up his trousers. VLADIMIR: Well? Shall we go? ESTRAGON: Yes, let's go. They do not move. Curtain.

Looking down from a fork in the tree, a little girl shivers in the bitter autumn wind. She could be inside in the warmth. Inside; amidst all the smelly pots and pans and piles of dirty clothes. The darkened lounge room flickering out a constant reel of cartoons; the light outside strangled as it tries to valiantly penetrate curtains too hard for a child to open. Michelle had gone into her Auntie’s room, as she had done many times before, to say that she will just be outside. ‘Okay my dearie,’ came the exhausted reply. There Patricia lay, her crumpled hair peeping out from the blankets. The stale, sour, smell of too much hibernation trapped in that tiny room. Her frayed sequin shoes left discarded near the door. The feather cap hanging limply from her dresser door, waiting for life to ride underneath it once again and for the wind to make it shimmer with delight. Michelle had walked outside, hoping that this canyon of loneliness would not follow her down the stairs. Out into the sounds of activity, the fresh waft of sea air, and the theatrical display of birdlife. There, Michelle now sits, watching it all as she reunites with the silent strength of her tree.

There were crooked photos on the wall of Della Lee as a child, with dark hair and eyes. Josey wondered when she started dyeing her hair blond. In one photo she was standing on top of a jungle gym. In another she was diving into the public pool from the high dive. She looked like she was daring the world to hurt her. Della Lee's bedroom at the end of the hall looked like something out of Josey's teenage dreams. Back then Josey had politely asked her mother if she could hang a poster or two, if she could have some colorful curtains or a bedspread with hearts on it. Her mother had responded with disappointment. Why would Josey ask for something else, as if what she had wasn't good enough? The heavy oak bed, the antique desk and the sueded chaise in Josey's room were all Very Nice Things. Josey obviously did not appreciate Very Nice Things. The walls in Della Lee's room were painted purple and there were sheet lavender curtains on the single window. A poster of a white Himalayan cat was taped on one wall, along with some pages torn out of fashion magazines. There was a white mirrored dresser that had makeup tubes and bottles littered across the surface. Some tote bags with names of cosmetic companies, like department store gifts with purchase, were stashed in the corner near the dresser.

And because I’d begged my mom for the damn cat, guess who got stuck picking up after her?” I poked both of my thumbs hard into my chest. “This girl. But that wasn’t the worst of it.” “Should I pull over for this?” Jamie teased. “This is serious, Jamie Shaw!” I smacked his bicep and he chuckled, holding the steering wheel with his thumbs but lifting the rest of his fingers as if to say “my bad.” “Anyway,” I continued. “So, Rory would always find small ways to torture me. Like she would eat her string toys and then throw up on my favorite clothes. Or wait until I was in the deepest part of sleep and jump onto my bed, meowing like an alleycat right up in my ear.” “I think I like this Rory.” I narrowed my eyes, but Jamie just grinned. “You think you’re hilarious, don’t you? Do you just sit around and laugh at your own jokes? Do you write them down and re-read them at night?” Jamie laughed, the corners of his eyes crinkling. “As I was saying,” I voiced louder. “She was a little brat. But for some weird reason, she always loved to be in the bathroom with me when I took my baths.” “You take baths?” “You’re seriously missing the point of this story!” “There’s a point to this story?” I huffed, but couldn’t fight the smile on my face. “Yes! The point is, I thought that was our bonding time. Rory would weave around my legs while I undressed and she’d hang out on the side of the tub the entire time I was in the bath, meowing occasionally, pawing at the water. It was kind of cute.” “So you bridged your relationship with your cat during bath time?” “Ah, well see, one would think that. But, one night, that little demon hopped onto the counter and just stared at me. I couldn’t figure out why, but she just wouldn’t stop staring. She kept inching her paw up, setting it back down, inching it up, setting it down. And finally I realized what she was going to do — and she knew I did — because as soon as realization dawned, Rory smiled at me — swear to God — and flipped the light off in the bathroom.” Jamie doubled over that time, and I spoke even louder over his laughter. “I’m terrified of the dark, Jamie! It was awful! And so I jumped up, scrambling to find a towel so I could turn the light back on. But because I’m a genius, I yanked on the shower curtain to help me stand up, but that only took it down and me along with it. I fell straight to the floor, but I broke my fall with my hands instead of my face.” “Luckily.” “Oh,” I chided. “Yeah. So lucky. Except guess where Rory’s litter box was?” Jamie’s eyes widened and he tore his eyes from the road to meet mine. “No!” Ohhh yeah.

Fuzz Pellet Josh sat alone. His head was tilted down, his hair hanging in front of his face like a curtain. His expression—and Grace guessed that he only had this one—was sullen. He bit into the taco as if it insulted his favorite grunge group. The earphones were jammed into place.

A train horn blew, but it seemed a little distant, like it was coming from somewhere up ahead. It blew again, louder this time. “There’s another train coming!” shouted Ruby. “We’re going to crash!” “Don’t worry,” said the captain cheerfully. “Vermillion knows what to do.” Matt closed his eyes and waited for impact, but it never came. The train picked up speed, faster and faster. It roared so loud Matt couldn’t even hear his own voice. He covered his ears. The whole train was vibrating violently, and then it lurched forward with such a jolt that the three Hudsons toppled over each other and landed hard on the floor. Ruby gasped. “The floor!” she said. “What the . . . what?” said Corey. Matt looked down. He could hardly believe his eyes. The floor appeared to be melting, morphing from the smooth worn floors of the subway car to cracked and rough wooden planks. A nail head poked at his hand. Matt looked up. All around him the train car was altering, growing, transforming. The walls expanded, and the windows shrank. Lacy curtains unfurled and crawled down the sides of the windows like fast-growing vines. The hard plastic benches of the subway swelled into plush chairs and tables with white tablecloths. The fluorescent lights on the ceiling contracted and then dropped, forming crystal chandeliers. A plush rug sprouted beneath him. It grew through the floor as though it were a carpet of grass pushing through dirt. Matt picked himself up, then helped Corey and Ruby, who had somehow gotten tangled in the rug. It seemed to have grown up and around Ruby’s wrists and ankles, as though it were trying to weave her into itself. Matt and Corey helped free her, and then Ruby yelped as the white rat leaped across their faces and landed on a little table. It pulled a match out of the table drawer with its tail, struck it against the wall, and began lighting lanterns and sconces, then the crystal chandeliers hanging from the ceiling, until the space was well lit once again. It was not at all like the train they had been in before. The subway car no longer looked like a subway at all. Rather, it looked like a very old-fashioned train, but one for rich passengers.

Who knows what causes the human brain to split its britches. It would seem that the brain hangs so many curtains between itself and the true universe that eventually light can no longer reach it, and it molds and rots and festers in the dark.

stopped at once, swaying gently with suddenly halted momentum. All the fronds twitched and fell limp, hanging in gentle curtains like willow fronds ought to, and there was a shower of dislodged leaves and twigs. If the tree-sprite got its hand back on the tree, Alice was certain, it would all start back up again. The fall seemed to have stunned it, and she didn’t intend to give it a chance to recover. The swarmers dropped from the branches like a rain of strange-shaped fruit, bouncing and rolling across the uneven ground, then homing in on the ape-like thing. They charged beak-first, burying the points into its skin, slashing and cutting. Alice, recalling the vicious sharpness of those beaks, quailed at the sight, but there seemed to be no flesh or blood in the tree-sprite. Chunks of bark came away with dry cracks and pops. The thing started to move, freeing its hand from the broken branch and swatting feebly at its tormentors. Alice directed the swarmers to pin it to

Today’s children, unfortunately in my opinion, have little, if any, interest in times past and submerse themselves in the never ending advancements of technology. Long gone are the days of hanging around dark street corners having harmless fun and re-kindling stories from folklore and tradition to keep heritage alive. Computers games and mobile technology have filled the void. Age old stories are becoming lost to the new generations and the story of the poltergeist was just a distant memory for the ageing and diminishing local inhabitants who witnessed first-hand just what the Pritchard family witnessed. The Black Monk it seemed had taken his last bow, gracefully, to the curtain call. The audience of believers was gone and there was no reason for the manifestation to continue.

suffused with a feeling of dread. ‘A cold sweat’ wasn’t just an expression. And then the sound of the door creaking, and the scene inside. She was in there, of course, hanging. Her face was in shadow; the curtains were drawn. It was just her outline, her feet dangling, her hair long and as limp as she was. A shell. It was impossible to move, forward or back. The horror extended from seconds into minutes. And then the voice came from behind.