Handprint Quotes

I want to fill every part of you, breathe the air from your lungs and leave my handprints on your soul. I want to give you more pleasure than you can bear.

I have never had parents who set good examples, parents whose expectations were worth living up to, but she did. I can see them within her, the courage and the beauty they pressed into her like a handprint.

I wanted to rub handprints through his dust

I’ll spank your ass so damn hard there’ll be a permanent handprint right there.” She gave him a cheeky smile. “As long as you understand there’ll be a matching one on your face.

I will tell you the story of how we found ourselves in a realm where dreams are formed, destiny is chosen, and magic is as real as a handprint in the snow.

In the center was a tiny handprint in red paint.

You have a gorgeous ass, and it holds handprints beautifully.” Oh, well, how nice for me.

The majority of people have successfully alienated themselves from change; they tediously arrange their lives into a familiar pattern, they give themselves to normalcy, they are proud if they are able to follow in auspicious footsteps set before them, they take pride in always coloring inside the lines and they feel secure if they belong to a batch of others who are like them. Now, if familiar patterns bore you, if normalcy passes before you unnoticed, if you want to create your own footsteps in the earth and leave your own handprints on the skies, if you are the one who doesn't mind the lines in the coloring book as much as others do, and perchance you do not cling to a flock for you to identify with, then you must be ready for adversity. If you are something extraordinary, you are going to always shock others and while they go about existing in their mundaneness which they call success, you're going to be flying around crazy in their skies and that scares them. People are afraid of change, afraid of being different, afraid of doing things and thinking things that aren't a part of their checkerboard game of a life. They only know the pieces and the moves in their games, and that's it. You're always going to find them in the place that you think you're going to find them in, and every time they think about you, you're going to give them a heart attack.

So much of me is made of what I learned from you; you'll be with me like a handprint on my heart and now whatever way our stories end I know you have re-written mine by being my friend

Beautiful men and women with distorted shadows came and scorched their handprints onto doors before vanishing skyward, drafts of heat billowing behind them with the whumph of unseen wings. Here and there, feathers fell, and they were like tufts of white fire, disintegrating to ash as soon as they touched the ground.

In moments Akiva was up in the ether, scarcely feeling the sting of ice crystals in the thin air. He let his glamour fall away, and his wings were like sheets of fire sweeping the black of the heavens. He moved at speed, onward toward another human city to find another doorway bitter with the devil's magic, and after that another, until all bore the black handprint....Once all the doors were marked, the end would begin. And it would begin with fire.

When he came back empty-handed, I slapped him so hard he had my handprint on his cheek for three days.

I will love you forever,” I murmured, and he stroked the hair off of my forehead. I will hold you to that.” His face was grim and his voice was sober—he touched my handprint of chaos as he said it, and I knew in my bones that it was a solemn vow, and not a sweet or a kind offering of love at all. Green would make me live if he had to crack the foundations of the world.

Know this, too: if you ever get an idea like that again, I'll know, baby, and I'll spank your ass so damn hard there'll be a permanent handprint right there." "She gave him a cheeky smile. "As long as you understand there'll be a matching one on your face.

I walked up to the window, raised my palm and pressed it against the pane. It left a bloodied handprint. Through the red shape—my red flag, my riot sign—I could see Neil staring at me.

During a party, Luis Buñuel, seduced by Carrington’s beauty and emboldened by the notion that she had transcended all bourgeois morality, proposed (with his characteristic bluntness) that she become his mistress. Without even waiting for her answer, he gave her the key to the secret studio that he used as a love nest and told her to meet him at three o’clock the next afternoon. Early the next morning, Leonora went to visit the place alone. She found it tasteless: It looked exactly like a motel room. Taking advantage of the fact that she was in her menstrual period, she covered her hands with blood and used them to make bloody handprints all over the walls in order to provide a bit of decoration for that anonymous, impersonal room. Buñuel never spoke to her again.

I took the liberty of designing your pennant,” said Rhy, resting his elbows on the gallery’s marble banister. “I hope you don’t mind.” Kell cringed. “Do I even want to know what’s on it?” Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns. “How subtle,” said Kell tonelessly. “You could at least pretend to be grateful.” “And you couldn’t have picked something a little more … I don’t know … imposing? A serpent? A great beast? A bird of prey?” “A bloody handprint?” retorted Rhy. “Oh, what about a glowing black eye?” Kell glowered. “You’re right,” continued Rhy, “I should have just drawn a frowning face. But then everyone would know it’s you. I thought this was rather fitting.

I turned my peeled-apple face to him. I'd make myself look at him. I owed him that. His touch lingered on my neck as though he'd left a handprint of melted light.

The male-unless-otherwise-indicated approach to research seems to have infected all sorts of ethnographic fields. Cave paintings, for example, are often of game animals and so researchers have assumed they were done by men - the hunters. But new analysis of handprints that appear alongside such paintings in cave sites in France and Spain has suggested that the majority were actually done by women.

I want to see the outline of my handprint on her ass in that same color.

On the top of my desk there are initials, carved into the wood, and dates...This carving, done with a pencil dug many times into the warn varnish of the desk, has the pathos of all vanished civilizations. It's like a handprint on stone. Whoever made this was once alive.

Don't forget to leave your handprints on the ones you love and your footprints around the neighborhood.

Certain people were simply meant to cross your path — to reach into your chest and leave an irreversible handprint on your heart, on your very soul.

Then how can you ever know about the beautiful goodness of Mud? How bad it wants to be things. How bad it wants to get on your legs and arms and take your footprints and handprints and how bad it wants you to make it alive! Mud is always ready to play with you. Seriously you should try it!

When the morning light came into the room it found them curled together in a nest of red and white sheets. It revealed also marks, all over the pale cool skin: handprints around the narrow waist, sliding impressions from delicate strokes, like weals, raised rosy discs where his lips had rested lightly. He cried out, when he saw her, that he had hurt her. No, she said, she was part icewoman, it was her nature, she had an icewoman's skin that responded to every touch by blossoming red. Sasan still stared, and repeated, I have hurt you. No, no, said Fiammarosa, they are the marks of pleasure, pure pleasure. I shall cover them up, for only we ourselves should see our happiness. But inside her a little melted pool of water slopped and swayed where she had been solid and shining.

She had an urge to confess everything: tell him about the splinters on Rupert’s neck; the nursery; the garret; the handprint; the eyes. But to speak of such things made them a farce. You could not explain fear; you could only feel it, roaring through the silence and striking your heart still.

Sometimes you get discouraged Because I am so small And always leave fingerprints On furniture and walls But every day I'm growing up And soon I'll be so tall That all those little handprints Will be hard to recall So here's a special handprint Just so you can say This is how my fingers looked When I placed them here today.

And now, for your marking,' the red Coach said. The blue coach stepped forward and faced Keefe. 'Your immediate, impulsive action--despite being foolish--made it clear that you belong in the Right Hemisphere.' He dipped his hand in the paint and smacked Keefe's arm, leaving a blue handprint on his sleeve. 'You enjoyed that, didn't you?' Keefe asked. 'Very much.

He caressed the side of her jaw with his fingertips, sending a light shiver down her spine. "I should warn you that if we lose the paper, we'll have to sell the house.” “That’s fine.” “And the furniture.” “I don’t care.” “And—“ “We can pawn, sell, and trade off everything we own… but if you dare say one thing about my diamond, you’ll regret it for the rest of your married life. This ring is mine, and it's not leaving my finger." He grinned at her vehemence. "I wasn’t going to say anything about your ring, honey.” Bending down to kiss her, he left wet handprints on the waist and bodice of her gown, but Lucy was too enthralled by his hearty kiss to protest. "You taste like coffee," she whispered when his lips left hers. "I could do with more." "Coffee or kisses?" "Always more kisses . . .

What frightens you? What makes the hair on your arms rise, your palms sweat, the breath catch in your chest like a wild thing caged? Is it the dark? A fleeting memory of a bedtime story, ghosts and goblins and witches hiding in the shadows? Is it the way the wind picks up just before a storm, the hint of wet in the air that makes you want to scurry home to the safety of your fire? Or is it something deeper, something much more frightening, a monster deep inside that you've glimpsed only in pieces, the vast unknown of your own soul where secrets gather with a terrible power, the dark inside? If you will listen I will tell you a story-one whose ghost cannot be banished by the comfort of a roaring fire, I will tell you the story of how we found ourselves in a realm where dreams are formed, destiny is chosen, and magic is as real as your handprint in the snow. I will tell you how we unlocked the Pandora's box of ourselves, tasted freedom, stained our souls with blood and choice, and unleashed a horror on the world that destroyed its dearest Order. These pages are a confession of all that has led to this cold, gray dawn. What will be now, I cannot say. Is your heart beating faster? Do the clouds seem to be gathering on the horizons? Does the skin on your neck feel stretched tight, waiting for a kiss you both fear and need? Will you be scared? Will you know the truth? Mary Dowd, April 7, 1871

glass front doors. I splayed my five fingers wide to intentionally leave a handprint on the spotless door. “You missed a spot.” “Asshole.” “And proud of it.” “Next week, I want two balls.” “Yours shrivel up and fall off or something?” “Bite me.” “Later, Grouper

I shuffle over to the tree, sliding beneath it and lying on my back so I can look up through the gnarled branches. It's a kaleidoscope of color and texture: the smooth light bulbs, the prickly pine needles. Ornaments of glass, and silk, and spiky metallic stars. A little wooden drummer Theo gave Ricky nearly twenty years ago. Laminated paper ornaments of our handprints from preschool, handmade ceramic blobs that were supposed to be pigs, or cows, or dogs. Nothing matches; there's no theme. But there is so much love in this tree, so much history.

I crawled over the mountain of death, Watching the corpses roll down like the stones. Searching for the light which everyone always spoke of. I fought the wolves and also the death, and knocked the door, which already had a thousand handprints, soaked with blood. The door opened finally and I saw the light, which hit me in the heart and pushed me down the steep. I fell into the never ending pit, watching others crawl up the mountain in the search of light.

I realized then that the whole time I thought I'd been walking alone, my father had been with me. Supportin' me. Steadyin' me. Protectin' me, best he could. I knew I had to be strong enough to stand on my own two feet. I had to step out of my father's hands and pull myself up out of the mud. I thought I would be scared to walk the rest of my life without him, but I know I'll never really be without him because each step I take, I see his handprints in the footprints I leave behind.

Humans haunt more houses than ghosts do. Men and women assign value to brick and mortar, link their identities to mortgages paid on time. On frigid winter nights, young mothers walk their fussy babies from room to room, learning where the rooms catch drafts and where the floorboards creak. In the warm damp of summer, fathers sit on porches, sometimes worried and often tired but comforted by the fact that a roof is up there providing shelter. Children smudge up walls with dirty handprints, find nooks to hide their particular treasure, or hide themselves if need be. We live and die in houses, dream of getting back to houses, take great care in considering who will inherit the houses when we’re gone.

He wanted his handprints marking her body like a primal claiming, and wanted to hear her beg for more.

human handprint made about 30,000 years ago, on the wall of the Chauvet-Pont-d’Arc Cave in southern France. Somebody tried to say, ‘I was here!

MR. FORKLE ARRIVED at Havenfield with a handprint-shaped blotch on his left cheek, and Grizel seemed mighty pleased with herself when she strolled in behind him.

He dipped his hand in the paint and smacked Keefe’s right arm, leaving a blue handprint on his sleeve. “You enjoyed that, didn’t you?” Keefe asked.

Shut up,” Riga said, and slapped her again. Then again, and again, until a vivid crimson handprint bloomed on Daji’s paper-white cheek. “Shut up, you fucking whore.

I walked into the kitchen just in time to watch her rear back and slap Seb right across the face, a handprint forming almost instantly.

A human handprint made about 30,000 years ago, on the wall of the Chauvet-Pont-d’Arc Cave in southern France. Somebody tried to say, ‘I was here!

wanted someone to burn for me so white-hot his handprints branded my skin. I wanted someone to tongue his name into me, to carve his feelings into my skin with his teeth.

...make a handprint on the wall. That way you'll always be apart of this place.

I'm sorry about the trouble, Karen," he said, loud and clear, so everyone could hear how reasonable he was being. She scowled up at him, eyes narrowed. Her arm flew almost faster than I could see. The smack of flesh against flesh was loud in the silence, and a small red handprint stood out starkly on his left cheek. "You have no idea how sorry you're going to be.

1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.

Going further back, have the seventy or so turbulent millennia since the Cognitive Revolution made the world a better place to live? Was the late Neil Armstrong, whose footprint remains intact on the windless moon, happier than the nameless hunter-gatherer who 30,000 years ago left her handprint on a wall in Chauvet Cave? If not, what was the point of developing agriculture, cities, writing, coinage, empires, science and industry?

I found her original name. Meaningless, I know, except for those who must have loved her and then been torn apart from her. But for me it was like finding a handprint in a cave: it was a sign, it was a message. I was here. I existed. I was real.

Evie…” His whisper stirred the tiny wisps at her hairline. “I want to make love to you.” Her blood turned to boiling honey. Eventually she managed a stammering reply. “I-I thought y-you never called it that.” His hands lifted to her face, his fingertips exploring delicately. She remained docile beneath his caress while the scent of his skin, fresh and clove-like, drugged her like some narcotic incense. Reaching to his own throat, Sebastian fumbled beneath his shirt and extracted the wedding band on the fine chain. He tugged it, breaking the fragile links, and let the chain drop to the floor. Evie’s breathing hastened as he reached for her left hand and slid the gold band onto her fourth finger. Their hands matched together, palm to palm, wrist to wrist, just as they had been bound during their wedding ceremony. His forehead lowered to hers, and he whispered, “I want to fill every part of you…breathe the air from your lungs…leave my handprints on your soul. I want to give you more pleasure than you can bear. I want to make love to you, Evie, as I have never done with anyone before.” She was now trembling so violently that she could hardly stand. “Your w-wound—we have to be careful—” “You let me worry about that.” His mouth took hers in a soft, smoldering kiss. Releasing her hand, he gathered her body closer, applying explicit pressure against her shoulders, back, hips, until she was molded completely against him. Evie wanted him with a desperation that almost frightened her. She tried to catch his gently shifting mouth with her own, and pulled at his clothes with a fumbling urgency that made him laugh softly. “Slowly,” he murmured. “The night is just beginning…and I’m going to love you for a long time.

it’s a reminder that God is always, always there. He’s our rock, our strength, our refuge. And when we can’t find even a minuscule trace of His handprint in what we’re going through, He’s reminding us that He’s still there. And He always will be. No matter what.

Perhaps we painted on our own skin, with ochre and charcoal, long before we painted on stone. In any case, forty thousand years ago, we left painted handprints on the cave walls of Lascaux, Ardennes, Chauvet. The black pigment used to paint the animals at Lascaux was made of manganese dioxide and ground quartz; and almost half the mixture was calcium phosphate. Calcium phosphate is produced by heating bone four hundred degrees Celsius, then grinding it. We made our paints from bones of the animals we painted. No image forgets this origin.

Was the late Neil Armstrong, whose footprint remains intact on the windless moon, happier than the nameless hunter-gatherer who 30,000 years ago left her handprint on a wall in Chauvet Cave? If not, what was the point of developing agriculture, cities, writing, coinage, empires, science and industry? Historians

Humans have been chewing on the big questions of life since we were dancing by firelight in ancient caves and placing our handprints on the walls, drawing the spirits of the animals we hunted, and telling stories of ancient gods and the mysteries of existence. The ancient Greeks were awfully good at discussing and dissecting

In 2019, Jordan Marie Brings Three White Horses Daniel (Lakota and Diné) started running high-profile marathons with a red handprint painted across her face to raise awareness of the overlooked crisis of Native American women, girls, and LGBTQ people going missing and/or dying by homicide at higher rates than women of any other ethnicity.

I was surprising everyone, even myself: I was home for a holiday we didn’t really celebrate. Eating turkey on a Thursday seemed mostly arbitrary to my Cuban-born-and-raised parents, and so to my sister and me growing up. Still, my entire school career up to that point celebrated America and its founding—the proof: a half-dozen handprint turkeys stuffed under my mother’s mattress,

I suppose it makes sense in a terrible sort of way. After all, we are changed by life … it puts its teeth in us, it leaves its handprints and marks and scars on us. And as much as we try to ignore those things, in the end they make us who we are. For good or for bad, we are changed and touched and broken and mended and scarred. And those marks (inside and out) tell a story. They tell our story.

The tan carpet was stiff and black with stripes of dried blood, spattered like a Jackson Pollock canvas. The walls were streaked with it, handprints smearing the dingy beige surfaces. And the bodies. Dozens of bodies. People she’d seen every day since kindergarten, people whom she’d played tag with and cried over and kissed, were lying at odd angles, their bodies pale and cold, their eyes staring like rows of dolls in a shop window.

... I was flipping through a National Geographic magazine and I came across an article with this headline: "Women Created Most of the Oldest Known Cave Art Paintings, Suggests a New Analysis of Ancient Handprints. Most Scholars Had Assumed These Ancient Artists Were Predominantly Men, So the Finding Overturns Decades of Archaeological Dogma."... According to the article, Snow "analyzed hand stencils found in eight cave sites in France and Spain. By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the handprints were female. 'There has been a male bias in the literature for a long time,' said Snow... 'People have made a lot of unwarranted assumptions about who made these things, and why."' But Snow suggested that women were involved in every aspect of prehistoric life-from the hunt to the hearth to religious ritual. "It wasn't just a bunch of guys out there chasing bison around," he said." Leaving the Cave - pg. 93

For a moment we might have been alone in the tower again, just the two of us with no armies waiting outside, no royal children hiding in the cellar, with the shadow of the Wood falling across our door. I forgot I was trying to be angry at him. I wanted to go into his arms and press my face into his chest and breathe him in, smoke and ash and sweat all together; I wanted to shut my eyes and have him put his arms around me. I wanted to rub handprints through his dust. “Sarkan,” I said.

Huh,” I sighed into his mouth, “La petite mort.” He tore his lips from mine, frowning at me. “Say what, now?” “La petite mort,” I repeated. “A brief unconsciousness. A little death, in French. That’s what they call that beat after an orgasm, sometimes.” My French governess had told me that. Sam’s eyes twinkled with so much delight, my chest flared with pride. His smiles were like human handprints. Each one was just different enough to be completely unique. “You, Aisling Fitzpatrick, are a lovely torture.

Instead of trying to hustle our way to safety, we should do what Mitsuru Kawai did—refusing to compete on the machines’ terms, and focusing instead on leaving our own, distinctively human mark on the things we’re creating. No matter what our job is, or how many hours a week we work, we can practice our own version of monozukuri, knowing that what will make us stand out is not how hard we labor, but how much of ourselves shows up in the final product. In other words, elbow grease is out. Handprints are in.

After that morning in the churchyard, Ruby and Ivy's friendship became a handprint they shared, twin life lines that began and ended as one. Old churchgoers like Hasil and Ivy's father, Noble, used to have a name for this sort of union: a covenant, the kind that King David had with Jonathan in the Book of Samuel. They spoke of it as if men had invented the mystery of friendship, as if it hadn't been the liberation that sustained mountain women ever since water split rock to form the razorbacks above the hills.

What? You’re just going to stand there and watch me?” she snapped at him. “You’re not very nice,” he stated, taking a lesson from his brother. “I’m not nice? You’re the one who busted into a bank and blew a man’s hand to kingdom come!” she said. “You shot me, you kidnapped me, you cut off my hair. I’ve got a bruise in the shape of your handprint on my upper arm. But I’m not a nice person?” she fumed. “Tell me, which of the items on that list would inspire me to be nice to you?” Stacy had worked herself into such a rage that she couldn’t stop. “I swear, I’d love to beat the crap out of you!

ELPHABA I'm limited: Just look at me - I'm limited And just look at you - You can do all I couldn't do, Glinda So now it's up to you (spoken) For both of us (sung) Now it's up to you: GLINDA I've heard it said That people come into our lives for a reason Bringing something we must learn And we are led To those who help us most to grow If we let them And we help them in return Well, I don't know if I believe that's true But I know I'm who I am today Because I knew you: Like a comet pulled from orbit As it passes a sun Like a stream that meets a boulder Halfway through the wood Who can say if I've been changed for the better? But because I knew you I have been changed for good ELPHABA It well may be That we will never meet again In this lifetime So let me say before we part So much of me Is made of what I learned from you You'll be with me Like a handprint on my heart And now whatever way our stories end I know you have re-written mine By being my friend: Like a ship blown from its mooring By a wind off the sea Like a seed dropped by a skybird In a distant wood Who can say if I've been changed for the better? But because I knew you: GLINDA Because I knew you: BOTHI have been changed for good ELPHABA And just to clear the air I ask forgiveness For the things I've done you blame me for GLINDA But then, I guess we know There's blame to share BOTH And none of it seems to matter anymore GLINDA ELPHABA Like a comet pulled Like a ship blown From orbit as it Off it's mooring Passes a sun, like By a wind off the A stream that meets Sea, like a seed A boulder, half-way Dropped by a Through the wood Bird in the wood BOTH Who can say if I've been changed for the better? I do believe I have been changed for the better? GLINDA And because I knew you: ELPHABA Because I knew you: BOTH Because I knew you: I have been changed for good.

But are we happier? Did the wealth humankind accumulated over the last five centuries translate into a new-found contentment? Did the discovery of inexhaustible energy resources open before us inexhaustible stores of bliss? Going further back, have the seventy or so turbulent millennia since the Cognitive Revolution made the world a better place to live? Was the late Neil Armstrong, whose footprint remains intact on the windless moon, happier than the nameless hunter-gatherer who 30,000 years ago left her handprint on a wall in Chauvet Cave? If not, what was the point of developing agriculture, cities, writing, coinage, empires, science and industry?

Then I removed the Glock from its clear plastic blister packaging. This was the first time I’d ever held a real gun. Even so, the weapon felt familiar in my hands, because I’d fired thousands of virtual firearms in the OASIS. I pressed a small button set into the barrel and the gun emitted a tone. I held the pistol grip firmly for a few seconds, first in my right hand, then my left. The weapon emitted a second tone, letting me know it had finished scanning my handprints. I was now the only person who could fire it. The weapon had a built-in timer that would prevent it from firing for another twelve hours (a “cooling-off period”), but I still felt better having it on me.

I don’t care about Jackson, I said. “You know what’s awesome?” she murmured. “How you’re so bad at lying. Say that again – about how you don’t care for him. maybe this time you’ll be able to look at me while you do it. Oh, and also? Try to say it as if you believe it, too, and you’re not asking me a damn question.” I shot a sharp glance across the table. “Okay, fine,” I said. “I care about Jackson. He’s my neighbour and I see him around town but--” “Oh my fucking god,” Brooke said, groaning. She pushed her sunnies to the top of her head and rubbed the bridge of her nose. “I love you but I also want to slap you. Really hard. Not some quick tap but a full slap, the kind that leaves a handprint on your face and knocks this bullshit out of your head.” “I’d slap you back,” I muttered. “I’d fucking hope so,” she replied.

No biting, babe,” he cautioned, his cock jerking hard in his fist at the thought. Her gaze jumped back to his cock. A slow smile curved her mouth and lit the green of her eyes. “A little fear can add to the excitement of what we’re doing here.” She quoted him nearly word for word—threw his words back in his face and left him wondering if she intended to bite him. “You bite me and there’s going to be all sorts of trouble. I love your ass. I really do. That sweet curve would look good with my handprints on it, all warmed up and nerve endings screaming for more. You’d be so wet for me, baby. Let me up. Let me make you feel good.” “If that’s supposed to be a deterrent, or a punishment, I have to tell you, Trap, it doesn’t sound like one.” She said it with a small smile on her face, once again leaving him wondering if she intended to bite him. Yeah. Okay. That made him hotter

Humans making fake cave art to save real cave art may feel like Peak Anthropocene absurdity, but I confess I find it overwhelmingly hopeful that four kids and a dog named Robot discovered a cave containing seventeen-thousand-year-old handprints, that the two teenagers who could stay devoted themselves to the cave’s protection, and that when humans became a danger to that cave’s beauty, we agreed to stop going. We might have graffitied over the paintings, or kept on visiting them until the black mold ate them away entirely. But we didn’t. We let them live on by sealing them off. The cave paintings at Lascaux exist. You cannot visit. You can go to the fake cave we’ve built, and see nearly identical hand stencils, but you will know: This is not the thing itself, but a shadow of it. This is a handprint, but not a hand. This is a memory that you cannot return to. And to me, that makes the cave very much like the past it represents.

After all, we are changed by life … it puts its teeth in us, it leaves its handprints and marks and scars on us. And as much as we try to ignore those things, in the end they make us who we are. For good or for bad, we are changed and touched and broken and mended and scarred. And those marks (inside and out) tell a story. They tell our story. Sometimes we hide them away, those injuries done by others (or, worse, by ourselves). We conceal them up our sleeves or jammed deep into pockets. We try to pretend that they never hurt at all. But it’s a strange and meaningless action. Anyone who has lived would almost certainly understand and maybe even reveal their own hidden defects they’ve been hiding from the world as well. The world feels safer somehow if we share our pain. It becomes more manageable. And by sharing our pain, we inspire others to share theirs. We are so much less alone if we learn to wear our imperfections proudly, like tarnished jewelry that still shines just as brightly.

Yes, we've been spoiled by technology. We can't accept doing without loudspeakers or rotary presses. Handwritten placards and whispered proclamations just don't carry the same weight. Technology has devalued the impact of our own speech and writing. In the old days one man's call to arms was enough to set off an uprising - a few hand-printed leaflets, ninety-five theses nailed to a church door in Wittenberg. But today we need more, we need bigger and better, wider repercussions, mass-produced by machines and multiplied exponentially.

Evie..." His whisper stirred the tiny wisps at her hairline. "I want to make love to you." Her blood turned to boiling honey. Eventually she managed a stammering reply. "I-I thought y-you never called it that." His hands lifted to her face, his fingertips exploring delicately. She remained docile beneath his caress while the scent of his skin, fresh and clove-like, drugged her like some narcotic incense. Reaching to his own throat, Sebastian fumbled beneath his shirt and extracted the wedding band on the fine chain. He tugged it, breaking the fragile links, and let the chain drop to the floor. Evie's breathing hastened as he reached for her left hand and slid the gold band onto her fourth finger. Their hands matched together, palm to palm, wrist to wrist, just as they had been bound during their wedding ceremony. His forehead lowered to hers, and he whispered, "I want to fill every part of you... breathe the air from your lungs... leave my handprints on your soul. I want to give you more pleasure than you can bear. I want to make love to you, Evie, as I have never done with anyone before.

She thought that she had been seeking a light distraction. But when she heard the clang of metal on metal and saw Arin scraping a shaft of steel across the anvil with one set of tools and beating at it with another, Kestrel knew she had come to the wrong place. “Yes?” he said, keeping his back to her. His workshirt was soaked through with sweat. His hands were sooty. He left the blade of the sword to cool on the anvil and moved to place another, shorter length of metal on the fire, which lined his profile with unsteady light. She willed her voice to be her own. “I thought we could play a game.” His dark brows drew together. “Of Bite and Sting,” Kestrel said. More firmly, she added, “You implied you know how to play.” He used tongs to stoke the fire. “I did.” “You implied that you could beat me.” “I implied that there was no reason a Valorian would want to play with a Herrani.” “No, you worded things carefully so that what you said could be interpreted that way. But that isn’t what you meant.” He faced her then, arms folded across his chest. “I have no time for games.” The tips of his fingers had black rings of charcoal dust buried under the nail and into the cuticle. “I have work to do.” “Not if I say you don’t.” He turned away. “I like to finish what I start.” She meant to leave. She meant to leave him to the noise and heat. She meant to say nothing more. Instead, Kestrel found herself issuing a challenge. “You are no match for me anyway.” He gave her the look she recognized well, the one of measured disdain. But this time, he also laughed. “Where do you propose we play?” He swept a hand around the forge. “Here?” “My rooms.” “Your rooms.” Arin shook his head disbelievingly. “My sitting room,” she said. “Or the parlor,” she added, though it bothered her to think of playing Bite and Sting with him in a place so public to the household. He leaned against the anvil, considering. “Your sitting room will do. I’ll come when I’ve finished this sword. After all, I have house privileges now. Might as well use them.” Arin started to say something else, then stopped, his gaze roving over her face. She grew uneasy. He was staring, she realized. He was staring at her. “You have dirt on your face,” he said shortly. He returned to his work. Later, in her bathing room, Kestrel saw it. The moment she tilted the mirror to catch the low, amber light of late afternoon, she saw what he had seen, as had Lirah, who had tried to tell her. A faint smudge traced the slope of her high cheekbone, darkened her cheek, and skimmed the line of her jaw. It was a handprint. It was the shadow left from her father’s gritty hand, from when he had touched her face to seal the bargain between them.

May I? I would like you to remember something.” His hand accepts the flute. It’s not merely warm — it’s hot, like the places on the walls where someone has just written something important. The handprints are always hot, visible to the touch. The flute trembles and meanders in Blind’s hand, the dead wood follows the traces left by the live wood. Blind plays the song he had heard once, the one with the wind, the spiraling leaves, and the boy in the middle of the whirlwind, protected and vulnerable at the same time. Blind plays well, this is not the first time he has played this song. He re-creates all the nuances faithfully, and he can be proud of his performance. “What was that?” Humpback says. “You used to play this down in the yard. Remember?” Humpback shakes his head. They often respond like that to Blind, and only then check themselves and put their movements into words, but by that time it’s already unnecessary. “No, I don’t.” Blind plays another snippet, and Humpback’s aloof silence tells him that Humpback really does not recognize his own song. “Too many repetitions.” Blind doesn’t tell him that the repetitions are his, that they helped him weave the protective net, that it’s what the magic of monotony is about, completing the circle, doubling on itself until the end becomes the beginning, building an impenetrable wall around the player. The words remain unsaid as he hands back the flute. Other people’s songs have damaged Humpback, he can no longer do magic even when he lives in a tree.

I’m not a coward.” He didn’t speak loud, but his voice carried. His father turned slowly to the challenging words. “I’m not a coward,” Wintrow repeated more slowly. “I’m not big. I don’t claim to be strong. But I’m neither a weakling nor a coward. I can accept pain. When it’s necessary.” A strange odd light had come into Kyle’s eyes. The beginnings of a smile hovered at the corners of his mouth. “You are a Haven,” he pointed out with a quiet pride. Wintrow met his gaze. There was neither defiance nor the will to injure but the words were clear. “I’m a Vestrit.” He looked down to the bloody handprint on Vivacia’s deck, to the severed forefinger that still rested there. “You’ve made me a Vestrit.” He smiled without joy or mirth. “What did my grandmother say to me? ‘Blood will tell.’ Yes.” He stooped to the deck and picked up his own severed finger. He considered it carefully for a moment, then held it out to his father. “This finger will never wear a priest’s signet,” he said. To some he might have sounded drunken, but to Vivacia his voice was broken with sorrow. “Will you take it, sir? As a token of your victory?” Captain Kyle’s fair face darkened with the blood of anger. Vivacia suspected he was close to hating his own flesh and blood at that moment. Wintrow stepped lightly toward him, a very strange light in his eyes. Vivacia tried to understand what was happening to the boy. Something was changing inside him, an uncoiling of strength was filling him. He met his father’s gaze squarely, yet his own voice was nothing of anger, nor even pain as he stepped forward boldly, to a place close enough to invite his father to strike him. Or embrace him. But Kyle Haven moved not at all. His stillness was a denial, of all the boy was, of all he did. Wintrow knew in that instant that he would never please his father, that his father had never even desired to be pleased by him. He had only wanted to master him. And now he would not.

Celebrating something?” she asked. A wicked smile formed on his lips, showing off his dimples. “Just a good night’s sleep.” She smiled, too, though not without some reservation. Just what kind of person had they partnered with? A thief and an arsonist? Camille placed a napkin in her lap and devoured a slice of buttered toast. Oscar hadn’t returned from his walk until well after dark the night before. Camille had already turned down the lamps, pulled the blankets up to her ears, and buried her head in her pillow to avoid having to speak to or see him. “Oscar.” She felt her pulse rise. “What I said to you yesterday was miserable.” He kept his attention on his eggs. “I didn’t mean to be so thoughtless. I was just trying to avoid your question.” Oscar finished chewing. “I’m sorry, too,” he whispered. “So what about Randall don’t you want to talk about?” The fork slipped between her damp fingers, and she set it on the rim of the plate. “It’s just…I haven’t talked about it with anyone. I don’t really know how to put it.” She wanted to be desperately in love with Randall and not just fond of him. She didn’t want to need to marry Randall; she just wanted to want to. It had been her father’s greatest hope for her-and for the company. There was no way to explain it all to Oscar, though, without going into her father’s poor finances. As she drew her palm into her lap, it left a handprint of sweat on the lacquered cherry table. Oscar eyed the evaporating mark. “What are you so nervous about?” She massaged the healed wound on her temple. It still ached, but she couldn’t stop feeling for it each time she thought of her father. “If you were about to be married, wouldn’t you be nervous?” she asked. He took a sip of his black tea. “Nothing to be nervous about if you’re marrying the right person.” Camille dumped a spoonful of sugar into her tea. She knew she shouldn’t have bothered asking anyone, especially not a man. Oscar stopped, his forkful of eggs halfway to his mouth. “Are you rethinking the wedding?” Camille choked on a bite of toast. “No!” she said, hammering out a cough. “Of course not.

ant an easy and wonderful tradition for you and your children that will provide years of joy? Create a prayer page for each of your family members-husband, children, grandchildren, friends of the heart, and keep them in a notebook. I asked each of the special people in my life to trace his or her handprint on a white sheet of paper. Then I encouraged them, especially the children, to decorate their pages. When I pray for these people, I put my hand on top of their handprints. These handprints are great visual aids. I know the power of prayer doesn't depend on handprints, but they unite the other person and me in a special way. f you're going to complain, do it creatively. You heard me right. Read the psalms and use them for comfort. . .but also think of them as an outlet for your feelings. Read them aloud like they are your own words. Get a journal and pour out your feelings on paper. Start your entry with "Dear God" and go from there. If you're musical, try singing the blues to God. That's what spirituals are all about. Invite God

willpower — “your teacher’s” —cough— “name is?” Her throat continued its spasm to expel the lodged crumbs while her daughter, Emma, slapped Margie’s back hard enough to leave a permanent handprint. Didn’t they cover the Heimlich maneuver in health class anymore? Then again, it would serve her right if the coroner listed cookies as the cause of her death. The last thing her thirty-six-year-old body needed was more fat and sugar. Since Dan’s death five months ago, her hips had spread like an albatross’s wings. Emma dashed to the

Her pale eyes are steady on mine, determined. I have never had parents who set good examples, parents whose expectations were worth living up to, but she did. I can see them within her, the courage and the beauty they pressed into her like a handprint. I

Brushing a strand of honey-golden hair from her face, he returned the smile . . . but felt it fade almost immediately when he got a closer look at her cheek. “Is that a handprint on your face?” Lucetta waved it off. “It’s nothing. He leaned closer. “Did Silas hit you?” “It was more of a slap, but considering I was expecting far worse, well . . .” Bram’s hand clenched into a fist. “He touched you?” “Well, yes, slapping a person does entail touching, but again, it could have been much worse.” “Excuse me.” Stepping around her, he nodded to Mr. Skukman, who was sitting on Silas’s back, arms folded across his chest as if it were an everyday occurrence to lounge around on the back of a man he undoubtedly wanted to strangle. Bram couldn’t help but admire Mr. Skukman’s restraint even though Bram had no intention of following in the man’s footsteps. “Would you be so kind as to stand with Lucetta for a moment?” he asked Mr. Skukman. “Of course.” After making certain Stanley and Ernie still had Silas firmly under control, Mr. Skukman stood, walked around Bram, and then, to Bram’s surprise, pulled Lucetta into an enthusiastic hug, so enthusiastic that Lucetta’s feet left the ground even as she laughed. Realizing that the poor man had obviously been just as distraught as Bram had been over Lucetta’s abduction, Bram couldn’t help but smile at their reunion. His smile faded almost immediately, though, when Silas began trying to squirm his way free. “I demand you release me at once. I’m Silas Ruff, an influential man about the country. Believe me when I tell you I’ll use that influence to see each and every one of you pay for your interference and careless disregard for my person.” Bram walked closer to him and looked down. “I’m afraid your influential days are numbered, Silas. You see, kidnapping is a serious offense, which is why you’ll be spending quite a few years in jail.” Silas had the nerve to smile. “I didn’t kidnap anyone.” “No, you paid a Mr. Cabot to organize and implement the abduction. And before that you paid him to track down Lucetta’s family, which allowed you to learn her stepfather is a notorious gambler with a bit of a drinking problem.” The smile slid off of Silas’s face. “How do you know that?” “Mr. Cabot told me, of course.” “How

We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.

Even that day, with his handprint across her face, she didn't want to tell me, because there was a bit of her that didn't want to hurt him. I saw it all the bloody time with my domestic abuse survivors. Women still protecting them. Still worrying about them! Love dies hard in some women.

window. ‘If this is your way of getting me to quit, it’s not going to work.’ She could almost see her dad standing on the pavement next to the car, taking inhumanly long drags on a cigarette. He shrugged at her, like, what’re you gonna do? She rolled her own window up and killed the engine, getting out of the car to look at the shelter. The building was sixties brutalist. A slab of concrete that looked like it would have been a chic and modern looking community centre six decades ago. Now it just looked like a pebble-dashed breeze block with wire-meshed vertical windows that ran the length of the outside.  Wide steps with rusty white rails led up to the main doors, dark brown stained wooden things with square aluminium handles, the word ‘pull’ etched into each one.  There was a piece of paper taped to the right-hand one that said ‘All welcome, hot food inside’ written in hand-printed caps.  There were five homeless people on the steps — three of them smoking rolled cigarettes. Two of those were drinking something out of polystyrene cups. The fourth was hunched forward, reading the tattiest looking novel Jamie had ever seen cling to a spine. His eyes stared at it blankly, not moving, his pupils wide. He wasn’t even registering the words. The last one was curled up into a ball inside a bright blue sleeping bag, his arms and legs folding the polyester into his body, just a pockmarked forehead peeking out into the November morning. Had they slept there all night on that step waiting for the shelter to open? She couldn’t say. Jamie and Roper crossed the road and the folks on the steps looked up. They were of varying ages, in varying states of malnutrition and addiction. The smell of old booze and urine hung in the alcove. Jamie wasn’t sure if you could tell they were police by the way they looked or walked, but the homeless seemed to have a sixth sense about it. Two of the three who were smoking clocked them, lowered their heads, and turned to face the wall. The third kept looking and held his hand out. The one with the novel didn’t even register them. Jamie knew that if they searched the two that turned away, they would have something on them they shouldn’t — drugs, needles, a knife, something stolen. That’s why they’d done it — to become invisible. The one who held out a hand would be clean. Wouldn’t risk chancing it with a police officer otherwise. She’d worked enough uniformed time on the streets of London to know how their minds worked.  She took a deep breath of semi-clean air and mounted the steps, looking down at the mid-thirties guy with the stretched-out beanie and out-stretched hand.  ‘We’re on duty,’ Roper said coldly, breezing past. Jamie gave him a weak smile, knowing that opening her pockets in a place like this would get them mobbed. If they needed to question anyone

Written in blood: In olden times in the West people used to say “I put my hand and seal” on a document when signing it. In the East this was literal in some cases. The emperor of Japan in ancient days “signed” important documents by dipping his hand in blood and putting a full bloody handprint on the page. In the history of pacts with the Devil, people were supposed to sign their names in blood. I have seen a couple of alleged pacts from earlier centuries and neither, as far as I can tell, was signed in blood, though they do bear signatures of people. Blood undoubtedly stressed the seriousness of the signing. You were giving away your soul. “The Blood Is the Life.

She insisted that they focus their energies on raising a little girl who was, by nature, a tangle of mischief and motion and curiosity. Each day, Luna’s ability to break rules in new and creative ways was an astonishment to all who knew her. She tried to ride the goats, tried to roll boulders down the mountain and into the side of the barn (for decoration, she explained), tried to teach the chickens to fly, and once almost drowned in the swamp. (Glerk saved her. Thank goodness.) She gave ale to the geese to see if it made them walk funny (it did) and put peppercorns in the goat’s feed to see if it would make them jump (they didn’t jump; they just destroyed the fence). Every day she goaded Fyrian into making atrocious choices or she played tricks on the poor dragon, making him cry. She climbed, hid, built, broke, wrote on the walls, and spoiled dresses when they had only just been finished. Her hair ratted, her nose smudged, and she left handprints wherever she went.

Mrs. Pellington found muddy footprints leading up her front porch and only muddy handprints leading away from it.

I love the way you say that,” I whispered, leaning forward, lips against her ear. “I love the way you say my name.” “Luca,” she gasped as I slapped her ass, making her pretty cheek pink with my handprint. “You say it like you can’t help yourself,” I said. “Like my name’s your favorite thing in the world.

I’m fine, Kash. You’re both being ridiculous.” “I know you are,” I said softly, and brushed her cheek. She flinched when I touched the red mark. “But you have a handprint on your face, and you’re covered in beer, and I swear to God if anyone touches or looks at you again I won’t be able to stop myself from ripping into them.” Her blue eyes softened and she momentarily leaned into my hand. “That was actually a really impressive slap. It shocked me.” A grin tugged at my mouth and I brushed a kiss over her forehead. “I could tell. I’m proud of you for not reacting though. It would’ve just caused more trouble, and since you work here, it wouldn’t have gone over well. What did you call her though?” “A two-dollar whore.” God, she was cute. “And she got mad? I think that’s a compliment for her.” “Right?” Rachel pushed at my stomach. “Go back to work. I’ll see you tomorrow.” “Sleep well, Sour Patch.”   Rachel

Like a handprint in cement An indelible mark has been left My identity has been bent At the point where your fingers pressed. Some people leave their marks All over your identity; Some leave beautiful art And others graffiti obscenities.

On the chalkboard was another horrible but familiar sight. Someone had dipped his or her hand into a can of paint and pressed it on the wall. The handprint was bright red.

There’s blood on my mouth, and through the twisted collar of his shirt I can see a pale handprint darkening where my left hand clenched, somehow not hard enough to break skin, crush bone. My whole body shudders and he pulls me naked into his embrace. I bury my head against his shoulder and I am weeping, am laughing, am shivering in the cold capsule of air.

In addition to his claiming bite and the one he’d given her to cover Roscoe’s, there was a bite on her nape, there were claw marks on her back, his handprints on her ass, another bite on the very visible part of her neck, and claw marks on her hips where he’d held her. The worst of it was that every single one of those brands gave him and his wolf a kind of masculine satisfaction. Goddammit.

Nicholas stared at the bloody handprint on his shoulder. “Did you just see that?” Penny’s eyes were huge. “Aye. His cock is fucking massive.

If you weren’t pregnant, you’d absolutely be wearing my handprint on your ass right now.” Her butt actually clenched. “Good thing you knocked me up, then.

The apostle Paul wrote that Scripture is “inspired by God,” and yet it is clear that the Bible has human handprints all over it. The Bible is perfection crammed into imperfect language, the otherworldly expressed in worldly ways, holiness written down by unholy hands, read by unholy eyes, and processed by unholy brains. Filled

evil. Health reporting can induce the sort of hypochondria that would make Woody Allen proud. But some health messages I chose to ignore; I had only stubbed my last cigarette out a couple of years before. It had taken several weeks of waking up in the middle of the night with coughing fits that made my abdominal muscles ache before I finally called it a day. Sometimes the only way you can change is when the future slaps you in the face so hard it leaves a handprint on your cheek.

A telling experience is that of Lucien Tessarolo, a French painter, who used to work side by side with a female chimpanzee, Kunda, on a canvas that both of them would sign at the end-Tessarolo with a signature, Kunda with a handprint. Tessarolo was impressed by Kunda's precision and harmonious choice of colors. The figurative elements that he added to their work were not always appreciated by the ape, however. Sometimes she reacted enthusiastically, but on occasion she rubbed Tessarolo's contributions out and waited to continue painting until he had come up with something else.

But this isn’t about the Business, it’s about freedom. Allow me to be clear, nobody is coming to save us. We must save ourselves. And that begins now. We are latents. We’re stronger than them. They will see our handprints on every street corner, bus shelter, advertisement board. They will see us. And they will know, London is ours too.” Silence. The kind waiting to be shattered. My heart thumped and the voices in my head told me that even if I just reached one or two, it would be enough. True change began slowly, in little gestures, in increments. It would take something larger to spark a chain reaction, but anything had to be better than the spiral of hate we were all trapped in.

The crystal entrance of the banquet hall was fogged by a pattern of handprints arranged in a sort of herringbone. Above the doors, an arching pane of etched glass proclaimed the name of their destination: THE MINGLER. Adam whispered to Runa that "the Mingler" sounded like some back-alley fiend. Despite her black mood, Runa smirked, and replied that he wasn't exactly wrong about that. "It's a little bit like being strangled with small talk," she said.

Hunter-gatherers made these handprints about 9,000 years ago in the ‘Hands Cave’, in Argentina. It looks as if these long-dead hands are reaching towards us from within the rock. This is one of the most moving relics of the ancient forager world – but nobody knows what it means.